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# You've been found guilty of a howling showbiz crime | 0:00:03 | 0:00:08 | |
# So welcome to The Slammer, where you're gonna serve your time | 0:00:08 | 0:00:12 | |
# With every type of minstrel, entertainer and artiste | 0:00:12 | 0:00:17 | |
# Performing to the limit to try and get release | 0:00:17 | 0:00:20 | |
# So go fetch the audience, bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act with a bit of glitz and glamour | 0:00:26 | 0:00:30 | |
# Your fate is in their hands, so make them cheer and clamour | 0:00:30 | 0:00:34 | |
-# It's the only way you'll ever leave The Slammer -The Slammer | 0:00:34 | 0:00:39 | |
# It's the only way you'll ever leave The Slammer. # | 0:00:39 | 0:00:42 | |
As you know, today is Freedom Show Day, my favourite day of the week. | 0:00:44 | 0:00:48 | |
And I've chosen these four prisoners to perform for their freedom. | 0:00:48 | 0:00:52 | |
Les Bubb, a mime act with a difference. He's good! | 0:00:52 | 0:00:56 | |
Professor Bumm's Story Machine, a class act. | 0:00:56 | 0:00:59 | |
The world and D-Wing's greatest juggler, Kris Kremo. | 0:00:59 | 0:01:05 | |
And The Ukulele Orchestra of Great Britain - they're finger picking good! | 0:01:05 | 0:01:09 | |
However, it is not all good news. It has been brought to my attention, ladies and gentlemen, | 0:01:09 | 0:01:14 | |
that escape attempts are on the up - quite literally. | 0:01:14 | 0:01:17 | |
Today I found four prisoners trying to escape in a hot air balloon. | 0:01:17 | 0:01:21 | |
Fortunately, I managed to bring them down with my catapult. | 0:01:21 | 0:01:24 | |
But the important thing is they could have got away. And I won't have that in my prison. Oh, no! | 0:01:24 | 0:01:30 | |
From now on I want you to be extra vigilant. | 0:01:30 | 0:01:32 | |
I couldn't agree more, sir. This place is more like a holiday camp than a prison at times. | 0:01:32 | 0:01:37 | |
Yes, Mr Burgess. That's why I'm issuing you with new equipment. | 0:01:37 | 0:01:41 | |
Now this piece of equipment, if worn correctly, will make it 99.9% impossible for | 0:01:41 | 0:01:47 | |
prisoners to escape and allow you to see what's going on at all times. | 0:01:47 | 0:01:52 | |
I present to you... the platform boot! | 0:01:52 | 0:01:56 | |
MAN COUGHS | 0:01:58 | 0:02:00 | |
OK. I'll give it to you straight. | 0:02:02 | 0:02:05 | |
-Do you know what day it is today? -Yeah. It's Friday. Freedom Show Day. | 0:02:05 | 0:02:08 | |
-And it's my gran's birthday. -And...? | 0:02:08 | 0:02:11 | |
And every year, I pick her up from the nursing home and take her out for tea and cake. | 0:02:11 | 0:02:16 | |
AMERICAN ACCENT: Oh, how sweet! What a pity you won't be doing that this year, with you being banged up here! | 0:02:16 | 0:02:23 | |
-HE LAUGHS -Sssh! | 0:02:23 | 0:02:24 | |
-Stop it. -Exactly. She'll be heartbroken. | 0:02:24 | 0:02:27 | |
She'll think I've forgot. There's only one thing for it. | 0:02:27 | 0:02:31 | |
What, invite her round here for tea? | 0:02:31 | 0:02:33 | |
Don't be stupid - she doesn't know I'm in prison. | 0:02:33 | 0:02:35 | |
I'm going to have to escape. | 0:02:37 | 0:02:40 | |
Oh, that's all I need. Professor Bumm, Dr Whee, this machine better be working come showtime. | 0:02:46 | 0:02:50 | |
-Otherwise you'll have me to answer to. -It's all in hand. | 0:02:50 | 0:02:53 | |
-Yes, Mr Burgess. No problem. -Faster! | 0:02:53 | 0:02:55 | |
Prisoner Kremo, pass me my cap and look smart about it, lad. | 0:02:57 | 0:03:01 | |
All right, all right, less of the funny stuff. Hand it over. | 0:03:04 | 0:03:08 | |
You may be on this afternoon's show but you ain't been released yet. | 0:03:08 | 0:03:12 | |
Mind your step, lad. | 0:03:12 | 0:03:14 | |
And he calls these a deterrent! | 0:03:14 | 0:03:17 | |
If I had my way I'd do things a lot differently. | 0:03:19 | 0:03:23 | |
Oh yeah. Very differently. | 0:03:23 | 0:03:26 | |
I quite like these boots, Mr Burgess. | 0:03:26 | 0:03:29 | |
-Actually, they make me feel quite... quite special. -Oh yeah. | 0:03:29 | 0:03:34 | |
You're "special" all right, lad. | 0:03:34 | 0:03:37 | |
Honestly. I think they're great. I can see for miles. Oh yeah. | 0:03:37 | 0:03:40 | |
Rest assured, with these on nothing's going to get past me. | 0:03:40 | 0:03:44 | |
Escape? Escape? And how are you planning to escape? | 0:03:47 | 0:03:52 | |
-Shut up, they'll hear you! -It's not me, it's Titch. -Pete! -Be easy. He's only a little lad. | 0:03:52 | 0:03:57 | |
He doesn't understand. Anyway, all this stuff about you going to your granny every year on her birthday... | 0:03:57 | 0:04:02 | |
You've been in here for years. What do you usually do? | 0:04:02 | 0:04:05 | |
Usually it's not a problem. | 0:04:05 | 0:04:07 | |
Well, I wait for the show to start. | 0:04:07 | 0:04:09 | |
That way, the governor and the wardens are watching the show. | 0:04:09 | 0:04:12 | |
I nip out into the exercise yard. Pop over the wall. Pick up Granny from the nursing home. | 0:04:12 | 0:04:17 | |
Take her for a cuppa. Drop her back at the nursing home. Pop back over the wall, past the exercise yard. | 0:04:17 | 0:04:22 | |
And I'm back in my cell before you can say hot shoe shuffle. | 0:04:22 | 0:04:26 | |
# Don't stop till you get enough! # | 0:04:26 | 0:04:28 | |
-Piece of cake. -Why don't you just do that this year then? | 0:04:28 | 0:04:32 | |
-Have you seen what the wardens are wearing? -No. | 0:04:32 | 0:04:35 | |
They've got these special fancy hi-tech boots that make it 99.9% | 0:04:35 | 0:04:39 | |
-impossible for anyone to escape. -INDISTINCT SPEECH | 0:04:39 | 0:04:44 | |
Oh...Melvin, my friend, have no fear. We've got a plan! | 0:04:44 | 0:04:49 | |
Hello, what have we got 'ere, then? | 0:04:55 | 0:04:57 | |
-A magic act? -Oh, brilliant, I love magic. -Get a grip, Gimbert. | 0:04:57 | 0:05:01 | |
-Have you got permission to rehearse in the corridor? -Er, no, sir. | 0:05:01 | 0:05:06 | |
Then it's a spot of punishment for you, my lad. | 0:05:06 | 0:05:09 | |
Eight years solitary should do the trick. | 0:05:09 | 0:05:11 | |
Eight years, isn't that a bit harsh, Mr Burgess? | 0:05:11 | 0:05:14 | |
-I don't make the rules, I just enforce them! -Oh, let him finish his act. | 0:05:14 | 0:05:18 | |
Oh, yes please, sir. Let me finish me act. | 0:05:18 | 0:05:21 | |
Just before you take me to that deep, dark, damp place. | 0:05:21 | 0:05:25 | |
All right, Mr Magic Man, I may be firm but I am fair. | 0:05:25 | 0:05:29 | |
-Away you go. -Right. | 0:05:29 | 0:05:31 | |
Now then, first I need a bank note. | 0:05:31 | 0:05:34 | |
The bigger the better. | 0:05:34 | 0:05:36 | |
Thank you. | 0:05:39 | 0:05:40 | |
That's lovely. That'll do fine. | 0:05:40 | 0:05:42 | |
Next I need a watch. | 0:05:42 | 0:05:44 | |
The more expensive the better. | 0:05:44 | 0:05:46 | |
That's lovely. Lovely. Now then, prepare to be amazed. | 0:05:52 | 0:05:56 | |
When I step in the box, you both take a deep breath, then count from one to five. | 0:05:56 | 0:06:01 | |
-Will you assist me, sir? -Oh, certainly. -Thank you. | 0:06:01 | 0:06:05 | |
Ah, yes, thank you. | 0:06:08 | 0:06:10 | |
Just a moment. | 0:06:10 | 0:06:12 | |
One... | 0:06:15 | 0:06:17 | |
Two... | 0:06:17 | 0:06:20 | |
-Three... -Four... | 0:06:20 | 0:06:22 | |
Five! | 0:06:22 | 0:06:24 | |
-I don't believe it! -Nor do I, it's magic! | 0:06:25 | 0:06:28 | |
No, you idiot, we've been had. | 0:06:28 | 0:06:31 | |
OK, tell me about this plan, then. | 0:06:35 | 0:06:37 | |
Well, I'm beginning to get worried. I started to think we'd never get a slot on the show, never be free... | 0:06:37 | 0:06:43 | |
Will you get on with it, please! | 0:06:43 | 0:06:45 | |
All right! I dug a tunnel underneath my bed. | 0:06:45 | 0:06:49 | |
A passport to paradise. A one-way ticket to freedom street, to be used only in an absolute emergency. | 0:06:49 | 0:06:55 | |
Pete, I'm shocked. | 0:06:55 | 0:06:56 | |
-Well, it wasn't really me. It was Titch and Charlie. -All right, lads? | 0:06:56 | 0:07:01 | |
And the gang. They've agreed it's for the best. | 0:07:01 | 0:07:03 | |
OK, you're forgetting one thing. When Burgess realises I'm not in my cell, | 0:07:06 | 0:07:09 | |
he'll be onto us faster than you can say, "Chitty Chitty, bang, bang." | 0:07:09 | 0:07:13 | |
Who said anything about you not being in your cell, Melvin? Listen... | 0:07:13 | 0:07:17 | |
There's a lot you don't know about me. | 0:07:17 | 0:07:20 | |
Before I entered the entertainment business I was a master sculptor. | 0:07:20 | 0:07:24 | |
These hands... Oh. | 0:07:24 | 0:07:27 | |
These hands can make anything. | 0:07:27 | 0:07:31 | |
-Anything? -That's what he said, dummy. | 0:07:31 | 0:07:33 | |
Shush! Even a life size model of you, Melvin. | 0:07:33 | 0:07:36 | |
Now, go... | 0:07:36 | 0:07:38 | |
-And buy your granny the best slice of cake money can buy. -Oh cakey, cakey, yum, yum... -Shut up! | 0:07:38 | 0:07:44 | |
This is your governor speaking. | 0:07:44 | 0:07:47 | |
Could all the acts for this week's Freedom Show please... | 0:07:47 | 0:07:50 | |
GET A FLAMING MOVE ON! | 0:07:50 | 0:07:51 | |
Check! | 0:08:03 | 0:08:04 | |
Right, we might have a small problem, sir. | 0:08:07 | 0:08:10 | |
-Whatever it is I don't want to know. -Oh, but Uncle Ted, it's really important. | 0:08:10 | 0:08:14 | |
OK, make it quick. Don't call me uncle at work. | 0:08:14 | 0:08:17 | |
-More prisoners have escaped. -What about the boots? -That's the problem. We're a laughing stock. | 0:08:17 | 0:08:23 | |
While we're hobbling about on these the prisoners are escaping willy-nilly, sir. | 0:08:23 | 0:08:27 | |
Willy-nilly? He's on next week! OK, I'll hold me hands up and me feet. | 0:08:27 | 0:08:32 | |
The boots are not all they're cracked up to be, | 0:08:32 | 0:08:34 | |
but I'll tell you one thing they are good for. Hit it! | 0:08:34 | 0:08:38 | |
# I've got rhythm, I've got... # Oh! | 0:08:38 | 0:08:42 | |
Oh, hello, Melvin. Melvin! | 0:08:42 | 0:08:45 | |
Is this private party, O'Doom, or can anybody join in? | 0:08:48 | 0:08:52 | |
-Oh, Melvin, I'm shocked. What are you playing at? -I'm sorry, it's my gran's birthday. | 0:09:05 | 0:09:09 | |
I promised to take her out for tea and cake. I was gonna come back. | 0:09:09 | 0:09:13 | |
Save your excuses till after the show. I'm very disappointed in you. You must be punished. | 0:09:13 | 0:09:20 | |
-You will have to watch the show from the camp. -Nooo! | 0:09:20 | 0:09:23 | |
-Not the camp, all the blood rushes to my head! -It'll do you good. Anyway, how do I look? | 0:09:23 | 0:09:29 | |
-ALL: Divine. -Thank you very much. In that case... | 0:09:29 | 0:09:33 | |
..It's show time! | 0:09:33 | 0:09:36 | |
COMPERE: Ladies and gentlemen, welcome to HM Slammer | 0:09:38 | 0:09:43 | |
where you decide which prisoner is to be released. | 0:09:43 | 0:09:46 | |
So, please welcome your host, he puts the Ted in incarcerated... | 0:09:46 | 0:09:51 | |
He's the Governor! | 0:09:51 | 0:09:55 | |
CHEERING AND APPLAUSE | 0:09:55 | 0:09:56 | |
-Who's the Governor?! -ALL: You're the Governor! | 0:10:10 | 0:10:13 | |
Great! Nice to see you folks, jailers and jailbirds. | 0:10:13 | 0:10:16 | |
We've got some marvellous performing prisoners. | 0:10:16 | 0:10:18 | |
-We've got Professor Bumm and Doctor Whee. -ALL: Oooooh... | 0:10:18 | 0:10:23 | |
Society entertainers. | 0:10:23 | 0:10:25 | |
We've got a wonderful juggler called Kris Kremo. | 0:10:25 | 0:10:29 | |
-Yes! -ALL: Oooooooh... | 0:10:29 | 0:10:31 | |
The best in the world and the best in D-Wing. | 0:10:31 | 0:10:34 | |
-We've also got the Ukulele Orchestra of Great Britain! -ALL: Oooooh... | 0:10:34 | 0:10:40 | |
But first, ladies and gentlemen, jailers and jailbirds, we've got a marvellous mime act. | 0:10:40 | 0:10:45 | |
He's serving two years in The Slammer for refusing to give a statement. | 0:10:45 | 0:10:50 | |
Will you please welcome, the one and only, Mr Les Bubb! | 0:10:50 | 0:10:55 | |
CHEERING AND APPLAUSE | 0:10:55 | 0:10:56 | |
LAUGHTER | 0:11:25 | 0:11:27 | |
ELECTRONIC MUSIC | 0:11:34 | 0:11:37 | |
BOY: 'Charlie says always tell your mummy before you go off somewhere.' | 0:11:37 | 0:11:42 | |
APPLAUSE | 0:12:14 | 0:12:17 | |
Give him a big cheer, ladies and gentlemen... | 0:12:17 | 0:12:21 | |
Hurray! Oh...Well... | 0:12:21 | 0:12:23 | |
All that mime. It's not good pretending the bars in The Slammer aren't real, because they are. | 0:12:23 | 0:12:29 | |
He won't get out. Did you enjoy Les Bubb? Let's find out with Mr Burgess! | 0:12:29 | 0:12:33 | |
-What about you, what did you make of him? -I liked the opening, but my dad can do better. | 0:12:33 | 0:12:38 | |
What did you think of Les Bubb, mime artist? | 0:12:38 | 0:12:41 | |
I think he was really stupid. It made it really funny so I enjoyed it. | 0:12:41 | 0:12:46 | |
-Would you like to read out what you've written? -"Rubbish! | 0:12:46 | 0:12:48 | |
"I have a fish with more talent." | 0:12:48 | 0:12:51 | |
What did you think? | 0:12:51 | 0:12:52 | |
-"Really could do better. Mistakes everywhere, but overall, good." -Mistakes, what mistakes? | 0:12:52 | 0:12:57 | |
We've got spare rooms at The Slammer, you can stay overnight, you know. | 0:12:57 | 0:13:01 | |
Do you like porridge? Tell us what you wrote? | 0:13:03 | 0:13:06 | |
-"Crazy and freaky. Very funny." -Marvellous! Who cut your hair, the council?! | 0:13:06 | 0:13:11 | |
Could you sum that act up in one word for us, sir? | 0:13:11 | 0:13:13 | |
-No. -None! Thank you. Over to you, sir. | 0:13:13 | 0:13:18 | |
Will Les Bubb be miming his way through the gates of The Slammer? | 0:13:18 | 0:13:22 | |
It'll be up to you to decide. Next we have two performing prisoners. | 0:13:22 | 0:13:25 | |
They're called Professor Bumm and Doctor Whee. | 0:13:25 | 0:13:27 | |
Professor Bumm is serving three years for showing too much cheek to a policeman! Will they go free? | 0:13:27 | 0:13:32 | |
Let's find out as we enjoy Professor Bumm and Doctor Whee's story machine! | 0:13:32 | 0:13:37 | |
CHEERING AND APPLAUSE | 0:13:37 | 0:13:42 | |
My name is Bumm. | 0:13:45 | 0:13:47 | |
Ivor Bumm. | 0:13:47 | 0:13:49 | |
Professor Ivor Harry Bumm. | 0:13:49 | 0:13:54 | |
-This is my assistant, Whee. -Hello, there. -Willie Whee. | 0:13:54 | 0:13:58 | |
It's Doctor Willie Whee, actually. | 0:13:58 | 0:14:00 | |
-Stop showing off! -Sorry. | 0:14:00 | 0:14:02 | |
They're all looking at me, Bumm. | 0:14:02 | 0:14:04 | |
They're supposed to look at you, Willie. | 0:14:04 | 0:14:07 | |
We are here today to demonstrate my amazing new story machine. | 0:14:07 | 0:14:10 | |
It can create toys and tails out of thin air. | 0:14:10 | 0:14:15 | |
It has a thousand dazzling costumes. | 0:14:15 | 0:14:17 | |
It has three million sound effects. | 0:14:17 | 0:14:19 | |
-And it's got a great coffee cup holder. -And it's got a great... | 0:14:19 | 0:14:23 | |
-No, it hasn't! -Yes, it does. You put your coffee cup there and it's brilliant. | 0:14:23 | 0:14:27 | |
-Yes, well, thank you, Willie. -No problem. | 0:14:27 | 0:14:29 | |
Today the story machine is going to be creating for you a story out of a single word. | 0:14:29 | 0:14:34 | |
We're gonna need help with that. So let me see. | 0:14:34 | 0:14:37 | |
-Hayley, there, if I can just ask you to say, "Stop" for me, please. -Stop. | 0:14:37 | 0:14:41 | |
-Fantastic. We need a word from that page in the dictionary. -This one here? | 0:14:41 | 0:14:45 | |
I'm gonna go straight here. Will you put your finger on this page for me? Brilliant! We've got a ranch, Bumm. | 0:14:45 | 0:14:51 | |
A ranch, that's fantastic! | 0:14:51 | 0:14:54 | |
Brilliant, yee-ha! | 0:14:54 | 0:14:55 | |
All I have to do now is feed the word into the story machine like so. | 0:14:55 | 0:15:00 | |
Then we can start the countdown. | 0:15:00 | 0:15:02 | |
BOTH: Five... Four... | 0:15:02 | 0:15:05 | |
ALL: Three... Two... One. | 0:15:05 | 0:15:08 | |
Zero! | 0:15:08 | 0:15:11 | |
CRASHING | 0:15:11 | 0:15:14 | |
I think it's broken, Bumm. | 0:15:14 | 0:15:17 | |
Oh course it's broken, you just poured coffee into it! | 0:15:17 | 0:15:20 | |
You shouldn't have a coffee cup holder in it! | 0:15:20 | 0:15:22 | |
-It says, "Do not open"! -I thought it said, "Doughnut, open." | 0:15:22 | 0:15:26 | |
-I thought when you opened it you got a doughnut. -How would that work? -You pull that and there's a doughnut. | 0:15:26 | 0:15:33 | |
It's Freedom Show Day. We have to have a story or we'll never get out. What will we do? | 0:15:33 | 0:15:38 | |
Why don't we make a story up and make out the machine's doing the work? | 0:15:38 | 0:15:42 | |
Brilliant! The story machine will now beam the tale of the ranch | 0:15:42 | 0:15:47 | |
-directly into both of our heads at the same time. -Will it? -No! | 0:15:47 | 0:15:52 | |
-Once -upon -a -time -there -was -a -boy -who -lived -on -a -ranch. | 0:15:55 | 0:16:00 | |
-Texas -Joe -they -called -him. | 0:16:00 | 0:16:04 | |
-He -lived -all -by -himself -because -he -smelled -of -horses. | 0:16:04 | 0:16:10 | |
-He -stank -of -horses -and -he -died -underneath -the -horse. | 0:16:10 | 0:16:18 | |
-The -moral -of -this -tale -is -don't -put -yourself -on -a -ranch. | 0:16:18 | 0:16:25 | |
-The -End. | 0:16:25 | 0:16:27 | |
CHEERING AND APPLAUSE | 0:16:27 | 0:16:29 | |
Working perfectly! | 0:16:29 | 0:16:31 | |
Give them a big hand. Give them a big round of applause, jailers and jailbirds. | 0:16:31 | 0:16:35 | |
Big hand for Professor Bumm and Dr Whee! | 0:16:35 | 0:16:39 | |
What did you think, Mr Burgess? | 0:16:42 | 0:16:44 | |
So, Bumm and Whee. | 0:16:44 | 0:16:46 | |
Quality entertainment, madam? Or just a pile of poo? | 0:16:46 | 0:16:48 | |
-I think it was funny. But Dr Whee was a bit immature. -How would you improve their act? | 0:16:48 | 0:16:53 | |
-I'd give Dr Whee a few lessons. -And you think that'd improve the act? -No. | 0:16:53 | 0:16:57 | |
That's what you just said, madam. You said that would improve the act if you educated them. | 0:16:57 | 0:17:02 | |
-Maybe you're hearing me wrong. -Oh, this isn't Trisha, madam. We're not getting into that. | 0:17:02 | 0:17:07 | |
-What's your name? -Josh. | 0:17:07 | 0:17:10 | |
-You've got a funny voice, haven't you? -SQUEAKY: Yeah. | 0:17:12 | 0:17:15 | |
Do you always talk like that? | 0:17:17 | 0:17:20 | |
-SQUEAKY: No. -Did you like that last act? Do you remember seeing that last act? -Yeah. | 0:17:20 | 0:17:25 | |
Mr Burgess, I'm getting a bit scared now. | 0:17:25 | 0:17:27 | |
-In one, final word sum that act up for us, madam. -Entertaining. | 0:17:27 | 0:17:31 | |
Very good. Entertaining, sir. | 0:17:31 | 0:17:33 | |
Well, will Professor Bumm and Dr Whee be leaving The Slammer? | 0:17:33 | 0:17:36 | |
I don't know, it'll be up to you. We've got another marvellous performing prisoner now. | 0:17:36 | 0:17:40 | |
He's a juggler. He was at the Royal Variety Performance juggling balls, skittles, he can juggle anything. | 0:17:40 | 0:17:46 | |
He's serving five years for dropping one in front of the Queen. | 0:17:46 | 0:17:49 | |
Ladies and gentlemen, jailers and jailbirds, will you please welcome the fantastic skills of Kris Kremo. | 0:17:49 | 0:17:56 | |
CHEERING AND APPLAUSE | 0:19:38 | 0:19:40 | |
Marvellous. Absolutely fantastic. What did you think of Kris Kremo? | 0:19:43 | 0:19:47 | |
Did he do enough to be released? Let's find out with Mr Burgess. | 0:19:47 | 0:19:51 | |
I like it when he bounces it on his arm. It's really good. | 0:19:51 | 0:19:55 | |
-He knows his stuff. -Could you do it? | 0:19:55 | 0:19:58 | |
No, no chance. | 0:19:58 | 0:20:00 | |
-Never, ever? -No. He's naturally good at it, I think. | 0:20:00 | 0:20:03 | |
-What about this young man here? Did you like Kris Kremo? -It was amazing, fantastic and genius. | 0:20:03 | 0:20:09 | |
One final word, sir. | 0:20:09 | 0:20:11 | |
-Brilliant. -It's getting exciting. | 0:20:11 | 0:20:15 | |
I'm excited cos I'm the Governor. Who's the Governor? | 0:20:15 | 0:20:18 | |
-ALL: You're the Governor! -Let's find out now, as we have our fourth performing prisoner. | 0:20:18 | 0:20:23 | |
Or should I say prisoners? Because they are the Ukulele Orchestra of Great Britain. | 0:20:23 | 0:20:28 | |
# What's that coming over the hill? | 0:20:39 | 0:20:41 | |
# Is it a monster? Is it a monster? | 0:20:41 | 0:20:46 | |
# What's that coming over the hill? | 0:20:46 | 0:20:48 | |
# Confused, mind bruised, it seeps out | 0:20:55 | 0:20:58 | |
# It seeps out, it seeps out | 0:20:58 | 0:21:02 | |
# Face down, home town, it seems grey | 0:21:02 | 0:21:05 | |
# Looks so grey, looks so grey | 0:21:05 | 0:21:08 | |
# Convexed you bend, twist and shout | 0:21:08 | 0:21:12 | |
# Twist and shout, twist and shout | 0:21:12 | 0:21:16 | |
# Stand up, brush off, move closer Move closer, move closer | 0:21:16 | 0:21:22 | |
# What's that coming over the hill? Is it a monster? Is it a monster? | 0:21:22 | 0:21:29 | |
# What's that coming over the hill? Is it a monster? Is it a monster? | 0:21:29 | 0:21:36 | |
# What's that coming over the hill? | 0:22:17 | 0:22:19 | |
# Is it a monster? | 0:22:19 | 0:22:21 | |
# Is it a monster? | 0:22:21 | 0:22:23 | |
# What's that coming over the hill? Is it a monster? Is it a monster? | 0:22:23 | 0:22:29 | |
# Is it a monster? # | 0:22:29 | 0:22:32 | |
CHEERING AND APPLAUSE | 0:22:36 | 0:22:38 | |
Go on, take them back to the cells. | 0:22:41 | 0:22:44 | |
Take them all back to the cells. | 0:22:44 | 0:22:47 | |
Marvellous, give 'em a big cheer! There they are. | 0:22:47 | 0:22:51 | |
The Ukulele Orchestra of Great Britain. | 0:22:51 | 0:22:54 | |
What's that coming over the hill? Is it a monster? No, it's Mr Burgess. | 0:22:54 | 0:22:58 | |
What did you think, sir? | 0:22:58 | 0:22:59 | |
It was good. But the man with long hair, I thought he was the monster, | 0:22:59 | 0:23:04 | |
because he kept shaking his head up and down. | 0:23:04 | 0:23:08 | |
-Would he worry you if you saw him coming over a hill, sir? -Yeah! | 0:23:08 | 0:23:12 | |
What about you? What did you write about them? | 0:23:12 | 0:23:16 | |
Excellent, very talented. | 0:23:16 | 0:23:18 | |
-Marvellous. Would you buy that record? -Yes. -Very good. | 0:23:18 | 0:23:21 | |
-Let's go for a word with Mr Burgess. -What would you say? -Fantastic. | 0:23:21 | 0:23:26 | |
-Fantastic, sir. -We've had some brilliant performing prisoners. | 0:23:26 | 0:23:30 | |
-Have you enjoyed them all, kids? Yeah? -CHILDREN: Yeah! | 0:23:30 | 0:23:33 | |
It's time to find out who'll be walking free. | 0:23:33 | 0:23:37 | |
Let's welcome back all the performing prisoners. Les Bubb! | 0:23:37 | 0:23:41 | |
Professor Bumm and Dr Whee. Kris Kremo and the Ukulele Orchestra! | 0:23:41 | 0:23:47 | |
Here they come. My word. | 0:23:47 | 0:23:48 | |
I don't think we've ever had so many people on the stage. | 0:23:48 | 0:23:54 | |
So, here we go, jailers and jailbirds. Who's it gonna be? | 0:23:54 | 0:23:58 | |
First of all, you saw a marvellous mime artiste. | 0:23:58 | 0:24:01 | |
Will you please show your appreciation for Les Bubb? | 0:24:01 | 0:24:05 | |
I think some of them were miming clapping! Let's have a look. | 0:24:11 | 0:24:16 | |
And Les Bubb's score is... | 0:24:16 | 0:24:19 | |
89.8. | 0:24:19 | 0:24:21 | |
Not bad. That's a good score. Will he be walking free from The Slammer? | 0:24:21 | 0:24:26 | |
I don't know. It's up to you. | 0:24:26 | 0:24:28 | |
Next, we have a very unusual act. | 0:24:28 | 0:24:30 | |
We had two crazy people. | 0:24:30 | 0:24:32 | |
Will you show your appreciation for Professor Bumm and Dr Whee | 0:24:32 | 0:24:37 | |
and their story machine? | 0:24:37 | 0:24:39 | |
I think we're picking something up, Professor Bumm and Dr Whee! | 0:24:43 | 0:24:47 | |
Very hard crowd today. But I've worked clubs like this before. | 0:24:47 | 0:24:52 | |
Let's have a look... | 0:24:52 | 0:24:55 | |
82.5. Not bad, not bad. | 0:24:55 | 0:24:58 | |
At the moment, it's going to be Les Bubb who's walking free, | 0:24:58 | 0:25:02 | |
through an invisible door! | 0:25:02 | 0:25:05 | |
Let's see who we've got next. It was a marvellous juggling act. | 0:25:05 | 0:25:09 | |
Will he be walking free? Give a big hand, please, for Kris Kremo! | 0:25:09 | 0:25:14 | |
That shifted me ear wax! | 0:25:24 | 0:25:27 | |
Let's go over to the clapometer. | 0:25:27 | 0:25:30 | |
A score of 104.2! | 0:25:30 | 0:25:32 | |
Well, at the moment, that means Kris Kremo will be walking free. | 0:25:32 | 0:25:38 | |
There's only one more set of performing prisoners to score. | 0:25:38 | 0:25:42 | |
Here they are, six of them, very unusual. | 0:25:42 | 0:25:45 | |
It's the Ukulele Orchestra of Great Britain! | 0:25:45 | 0:25:48 | |
It's going to be close. | 0:25:57 | 0:26:00 | |
OK, it's going to be close. | 0:26:01 | 0:26:04 | |
Give the machine a shake! | 0:26:04 | 0:26:06 | |
100.1! | 0:26:06 | 0:26:09 | |
That means, ladies and gentlemen, jailers and jailbirds, | 0:26:09 | 0:26:13 | |
the winner, and walking free, the juggling skills of Kris Kremo! | 0:26:13 | 0:26:17 | |
You're free to go! | 0:26:17 | 0:26:19 | |
Kris Kremo! There he is, take him away. | 0:26:22 | 0:26:25 | |
The rest of you, back to the cells. Give them a round of applause! | 0:26:25 | 0:26:29 | |
Give them a round of applause. | 0:26:29 | 0:26:32 | |
Remember... | 0:26:32 | 0:26:33 | |
if you love showbiz glamour, | 0:26:33 | 0:26:37 | |
there's always a cell for you here at The Slammer. | 0:26:37 | 0:26:40 | |
Until the next time, from all of us, bye-bye, everybody! | 0:26:40 | 0:26:44 | |
# It's the only way you'll ever leave The Slammer | 0:26:54 | 0:26:58 | |
# Leave The Slammer! | 0:26:58 | 0:26:59 | |
# It's the only way you'll ever leave The Slammer! # | 0:26:59 | 0:27:04 | |
Come on, Melvin. Eat up, son. | 0:27:06 | 0:27:08 | |
Are you not hungry? Hmm? | 0:27:08 | 0:27:11 |