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# You've been found guilty of a howling showbiz crime | 0:00:03 | 0:00:08 | |
# So welcome to The Slammer | 0:00:08 | 0:00:10 | |
# Where you're gonna serve your time | 0:00:10 | 0:00:12 | |
# With every type of minstrel entertainer and artiste | 0:00:12 | 0:00:17 | |
# Performing to the limit to try and get released | 0:00:17 | 0:00:21 | |
# So go fetch the audience and bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act with a bit of glitz and glamour | 0:00:26 | 0:00:31 | |
# Your fate is in their hands so make them cheer and clamour | 0:00:31 | 0:00:34 | |
-# It's the only way you'll ever leave The Slammer -Leave The Slammer | 0:00:34 | 0:00:38 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:38 | 0:00:42 | |
I'm not too happy about this new pen pal scheme. | 0:00:42 | 0:00:48 | |
Why is that, Uncle Boss? | 0:00:48 | 0:00:49 | |
I don't know, I can't quite put my finger on it. | 0:00:49 | 0:00:52 | |
That's my elbow, sir! | 0:00:52 | 0:00:54 | |
Terribly sorry. | 0:00:54 | 0:00:55 | |
What about you, Frank, don't you think that letting all | 0:00:55 | 0:00:58 | |
the inmates write to their friends around the world | 0:00:58 | 0:01:01 | |
and find out about different cultures is a bit, well, nice? | 0:01:01 | 0:01:05 | |
Well, on first glance, sir, it does appear to be needless kindness. | 0:01:05 | 0:01:09 | |
However, it seems to keep the inmates quiet. | 0:01:09 | 0:01:11 | |
I get to read their pathetic scribbles | 0:01:11 | 0:01:14 | |
and find out what the little villains are up to, sir. | 0:01:14 | 0:01:17 | |
I don't like it - it's show day today and I've got a funny feeling. | 0:01:17 | 0:01:22 | |
I think that's my truncheon, sir. | 0:01:22 | 0:01:25 | |
# No business like show business | 0:02:04 | 0:02:06 | |
# There's no business I know... # | 0:02:06 | 0:02:09 | |
Argh! | 0:02:09 | 0:02:11 | |
# Ha-ha-ha-ha-ha. # | 0:02:14 | 0:02:16 | |
Ooh! Ooh! Ooh! | 0:02:16 | 0:02:18 | |
Shut up! Shut up! SHUT UP! | 0:02:18 | 0:02:23 | |
Hey, what do you think you're doing? | 0:02:23 | 0:02:26 | |
You're rude. ..Sorry, Alesha, good luck on today's show. | 0:02:26 | 0:02:30 | |
Honestly, have to have a bit of respect, | 0:02:30 | 0:02:32 | |
-she's performing for her freedom today. -Like I care! | 0:02:32 | 0:02:36 | |
Well, why don't you just have a little lie-down | 0:02:36 | 0:02:39 | |
-in the corner over there? -Argh! | 0:02:39 | 0:02:42 | |
I'll just carry on addressing everyone's letters, shall I? | 0:02:42 | 0:02:45 | |
I've had no time to write letters of my own. | 0:02:45 | 0:02:47 | |
Oh no, too busy helping you lot out with yours. | 0:02:47 | 0:02:50 | |
I'm going to take a break. You're all right for a bit, Melvin, | 0:02:52 | 0:02:55 | |
you can take the blindfold off, I'm putting them away, mate. | 0:02:55 | 0:02:59 | |
I know you like it, but I think this pen pal thing is rubbish. | 0:02:59 | 0:03:03 | |
-Argh! Argh! -Oh yeah, well done. | 0:03:07 | 0:03:12 | |
You know how Melvin feels about the Queen | 0:03:12 | 0:03:15 | |
and yet you leave a stamped addressed envelope | 0:03:15 | 0:03:17 | |
just lying around. You are a right... | 0:03:17 | 0:03:20 | |
-Don't start with me. -I will. -I've had enough today. | 0:03:20 | 0:03:23 | |
-I will because you leave that lying around... -Melvin, | 0:03:23 | 0:03:27 | |
do you think you'll ever get over this thing about the...? | 0:03:27 | 0:03:31 | |
-It's been years, mate. -I know. | 0:03:31 | 0:03:34 | |
But I remember it like it were yesterday. | 0:03:34 | 0:03:37 | |
-Ladies and gentlemen... -'I was backstage with the announcer.' | 0:03:37 | 0:03:39 | |
..Your Majesty, | 0:03:39 | 0:03:41 | |
please put your hands together for tomorrow's star, Mr Melvin Odoon. | 0:03:41 | 0:03:48 | |
I can't...I can't go out there. I'm terrified. The Queen's out there. | 0:03:48 | 0:03:52 | |
Of course she is, you div. | 0:03:52 | 0:03:53 | |
This is the Royal Variety Performance. | 0:03:53 | 0:03:56 | |
You're just suffering from a bit of stage fright. | 0:03:56 | 0:03:58 | |
You will be perfectly all right once you're on. | 0:03:58 | 0:04:01 | |
CRASH! | 0:04:01 | 0:04:03 | |
MUSIC AND APPLAUSE | 0:04:03 | 0:04:04 | |
Oh, bum! AUDIENCE GASPS | 0:04:10 | 0:04:13 | |
MICROPHONE FEEDBACK | 0:04:13 | 0:04:16 | |
SIREN SOUNDS | 0:04:19 | 0:04:22 | |
HELICOPTER WHIRRS | 0:04:24 | 0:04:26 | |
Ten years I got for that, and I've never set foot | 0:04:26 | 0:04:29 | |
on stage since, and every time I see a picture of her face, I... | 0:04:29 | 0:04:35 | |
Sorry about my little friend, Melvin. | 0:04:35 | 0:04:38 | |
Why don't you have a lie-down? I'll get rid of this numpty | 0:04:38 | 0:04:42 | |
-and his Queeny-face stamps. Come on, you. -Ow! No! What you doing? | 0:04:42 | 0:04:47 | |
Get off me! Get off! | 0:04:47 | 0:04:49 | |
Hiya, guv, I've got some more post for you. | 0:04:56 | 0:04:59 | |
-Right. -It's mostly junk mail. | 0:04:59 | 0:05:03 | |
And I've got a couple of bills. | 0:05:03 | 0:05:07 | |
Any sandwiches? | 0:05:08 | 0:05:11 | |
-HEAVENLY VOICE: -You have nothing to fear from the Queen. | 0:05:11 | 0:05:14 | |
The Queen is a gentle soul. | 0:05:14 | 0:05:19 | |
The Queen is your friend. | 0:05:19 | 0:05:21 | |
You have nothing to fear from the Queen. | 0:05:21 | 0:05:24 | |
Look, I appreciate you trying to help, Hypno Chris the Hypnotist, | 0:05:27 | 0:05:32 | |
but it's just not working. | 0:05:32 | 0:05:34 | |
OK, Melv, | 0:05:34 | 0:05:36 | |
no worries. | 0:05:36 | 0:05:38 | |
Let me know if there's anything I can do for you. | 0:05:38 | 0:05:42 | |
See you at the show. | 0:05:42 | 0:05:45 | |
All right, Mr Melvin? I heard you were feeling a little bit down, | 0:05:50 | 0:05:53 | |
so I thought this might cheer you up. Look - the Queen's in town! | 0:05:53 | 0:05:58 | |
Argh! | 0:05:58 | 0:06:00 | |
Here's that tenner I owe you, thanks very much for helping me out. | 0:06:02 | 0:06:05 | |
-I couldn't have done it without... -Argh! | 0:06:05 | 0:06:08 | |
We were just passing. We'd like to use your toilet facilities. | 0:06:14 | 0:06:18 | |
You'd like to do what?! | 0:06:18 | 0:06:20 | |
You can get knotted, young man - this is a prison. | 0:06:20 | 0:06:22 | |
I do know that, sir. It is, I believe, Her Majesty's Prison. | 0:06:22 | 0:06:26 | |
FANFARE PLAYS | 0:06:26 | 0:06:30 | |
Oh, Her Majesty! You mean...that... | 0:06:31 | 0:06:33 | |
Oh, yes! Certainly yes, yes, Your Majesty, come in. | 0:06:33 | 0:06:38 | |
Open the door! Open the door! | 0:06:38 | 0:06:40 | |
Certainly. Come in, Your Majesty. | 0:06:40 | 0:06:42 | |
If you step this way, Your Majesty. | 0:06:46 | 0:06:48 | |
Very kind of you, Your Majesty. We're honoured... ..Shift! | 0:06:48 | 0:06:51 | |
The prison bogs will never be the same again, Your Majesty. | 0:06:51 | 0:06:54 | |
But if you could get a move on, we have a Freedom Show to put on. | 0:06:54 | 0:06:57 | |
HEARTBEAT SOUNDS | 0:06:59 | 0:07:01 | |
You?! | 0:07:04 | 0:07:06 | |
-BOTH: -No...! | 0:07:12 | 0:07:14 | |
MUSIC: "Land Of Hope And Glory" | 0:07:18 | 0:07:20 | |
Cursed letters! When I think what could have happened! | 0:07:28 | 0:07:32 | |
Right, that's it. I knew I never liked it. | 0:07:32 | 0:07:34 | |
The pen pal scheme, it's over, it's banned, causing all this trouble, | 0:07:34 | 0:07:38 | |
and on the day of the Freedom Show. | 0:07:38 | 0:07:39 | |
Oh, Your Majesty, I can't apologise enough, I can't... | 0:07:39 | 0:07:43 | |
Thank you so very much, young man. | 0:07:43 | 0:07:45 | |
You saved my life! | 0:07:45 | 0:07:49 | |
Any time, Your Majesty. | 0:07:49 | 0:07:51 | |
Lay your hands on the Queen ever again and you're toast. | 0:07:51 | 0:07:54 | |
-But good job just this once. -Oh, did someone mention "show"? | 0:07:54 | 0:07:58 | |
We do have our own theatrical extravaganza starting any time now. | 0:07:58 | 0:08:03 | |
The audience are on their way in, if one could interest one in staying. | 0:08:03 | 0:08:07 | |
That would be very nice. | 0:08:07 | 0:08:10 | |
Nice one, Queen. In that case... | 0:08:10 | 0:08:14 | |
-how do I look? -Divine. -Thank you very much. | 0:08:14 | 0:08:18 | |
Then it's a right royal show-time! | 0:08:18 | 0:08:21 | |
FANFARE PLAYS | 0:08:21 | 0:08:25 | |
'Ladies and gentlemen, | 0:08:25 | 0:08:28 | |
'welcome to HM Slammer | 0:08:28 | 0:08:30 | |
'where you decide which prisoner is to be released. | 0:08:30 | 0:08:33 | |
'Now, please welcome your host, presenting talent without measure | 0:08:33 | 0:08:37 | |
'at Her Majesty's pleasure, it's the Guv'nor!' | 0:08:37 | 0:08:42 | |
CHEERING AND APPLAUSE | 0:08:42 | 0:08:45 | |
Yeah, who's the Guv'nor? | 0:08:57 | 0:08:59 | |
-ALL: -You're the Guv'nor! | 0:08:59 | 0:09:01 | |
What a great crowd we've got. Lock the doors, we want to keep this lot. | 0:09:01 | 0:09:05 | |
Marvellous. We've a very special | 0:09:05 | 0:09:07 | |
visitor here at The Slammer, Jailors and Jailbirds, over there. | 0:09:07 | 0:09:10 | |
-Say hello to Her Majesty. -ALL: -Hello, | 0:09:10 | 0:09:13 | |
Your Majesty! | 0:09:13 | 0:09:15 | |
She's waving, that's good. | 0:09:15 | 0:09:16 | |
Remember, you our guests will decide which of the performing prisoners | 0:09:16 | 0:09:21 | |
-will walk free at the end of The Slammer. Are you up for this? -Yes! | 0:09:21 | 0:09:26 | |
You'd better be! Who's got a Hula Hoop? | 0:09:26 | 0:09:28 | |
One of those Hula Hoops? | 0:09:28 | 0:09:30 | |
Come on, have you got one? | 0:09:30 | 0:09:33 | |
I bet you've never seen Hula Hooping like this. | 0:09:33 | 0:09:36 | |
She's here doing three years in The Slammer for being the international | 0:09:36 | 0:09:39 | |
ringleader of a big circle of crime. | 0:09:39 | 0:09:41 | |
Ladies and gentlemen, Jailors and Jailbirds, will you please | 0:09:41 | 0:09:44 | |
welcome from D-wing the wonderful talents and skills of Jana Roberts! | 0:09:44 | 0:09:50 | |
APPLAUSE AND CHEERING | 0:09:50 | 0:09:51 | |
# Whoa, yeah! | 0:09:58 | 0:10:00 | |
# You can rock this land, baby | 0:10:08 | 0:10:13 | |
# Yeah! | 0:10:13 | 0:10:15 | |
# Like a shock to the system... # | 0:10:15 | 0:10:18 | |
-CHEERING AND APPLAUSE -There we are. Oh! | 0:11:54 | 0:11:58 | |
Oh, give her a big cheer, Jailors and Jailbirds, wonderful! | 0:11:58 | 0:12:02 | |
Marvellous! | 0:12:02 | 0:12:05 | |
-What did you think of her? -Quite a spectacular act kicking off with. | 0:12:05 | 0:12:09 | |
What did you make of it, madam? | 0:12:09 | 0:12:10 | |
It was cool. I never saw something like that before. | 0:12:10 | 0:12:13 | |
-What about you, madam? -I thought she was excellent. | 0:12:13 | 0:12:16 | |
I've never seen somebody do that and I couldn't do that ever. | 0:12:16 | 0:12:20 | |
-You couldn't, not with a bit of practice? -No. | 0:12:20 | 0:12:23 | |
What did you think of Jana? | 0:12:23 | 0:12:26 | |
-She's good. -Do you think I could do it? | 0:12:26 | 0:12:28 | |
No, you couldn't get it over your tummy! | 0:12:28 | 0:12:31 | |
-LAUGHTER -Couldn't get it over me tummy?! | 0:12:31 | 0:12:35 | |
Mr Burgess, arrange a special cell! | 0:12:35 | 0:12:37 | |
-In a word, sir, that act? -Excellent. -Excellent, sir. | 0:12:37 | 0:12:41 | |
Will Jana Roberts be Hula Hooping her way out of The Slammer? | 0:12:41 | 0:12:45 | |
You will be deciding later with a clapometer. | 0:12:45 | 0:12:47 | |
Now on to a very unusual act | 0:12:47 | 0:12:49 | |
called a bodypopper - I think my body's already popped! | 0:12:49 | 0:12:52 | |
-LAUGHTER -This bodypopper | 0:12:52 | 0:12:54 | |
is in D-wing. He's doing 18 months | 0:12:54 | 0:12:56 | |
for dropping a popper in front of a copper and coming a cropper. | 0:12:56 | 0:13:01 | |
Ladies and gentlemen, Jailors and Jailbirds, please give | 0:13:01 | 0:13:04 | |
a huge ovation for Salah! | 0:13:04 | 0:13:08 | |
CHEERING AND APPLAUSE | 0:13:08 | 0:13:10 | |
LULLABY PLAYS | 0:13:16 | 0:13:21 | |
BEEPING | 0:13:50 | 0:13:52 | |
WHIRRING MECHANICAL NOISES | 0:13:52 | 0:13:58 | |
-MECHANICAL VOICE: -'Hello.' | 0:14:01 | 0:14:02 | |
WHIRRING MECHANICAL NOISES ACCOMPANY MOVEMENTS | 0:14:02 | 0:14:08 | |
# Boss, boss, boss... # | 0:14:33 | 0:14:35 | |
MUSIC PLAYS | 0:14:35 | 0:14:37 | |
MUSIC GETS FASTER | 0:15:04 | 0:15:06 | |
MUSIC SLOWS DOWN | 0:15:09 | 0:15:10 | |
MUSIC GRINDS TO A HALT | 0:15:14 | 0:15:17 | |
'Bye-bye!' | 0:15:25 | 0:15:27 | |
CHEERING AND APPLAUSE | 0:15:30 | 0:15:33 | |
Yes! Come on, for Salah. A big round of applause! Wonderful! | 0:15:34 | 0:15:41 | |
-APPLAUSE -Right, take him back, | 0:15:41 | 0:15:44 | |
put a new battery in him. What did you think of Salah? | 0:15:44 | 0:15:48 | |
-Right, sir. -He thinks he's funny but he's not. | 0:15:48 | 0:15:50 | |
He thinks he's funny but he's not. | 0:15:50 | 0:15:52 | |
-You think we should keep him in here for a bit longer? -Forever. | 0:15:52 | 0:15:55 | |
Bang him up, throw away the key, is that what you are saying, sir? | 0:15:55 | 0:15:59 | |
-Not that I'm putting words in your mouth. Is that what you think? -Yeah. | 0:15:59 | 0:16:04 | |
-If he was a jelly, sir, what flavour would he be? -Strawberry. -Why? | 0:16:04 | 0:16:09 | |
Because he looks like it. | 0:16:09 | 0:16:11 | |
He looks like strawberry jelly? | 0:16:11 | 0:16:12 | |
-Interesting comment. -What did you think of Salah the bodypopper? | 0:16:12 | 0:16:16 | |
Excellent. And he was real flexible and I would never do that. | 0:16:16 | 0:16:21 | |
Try a bit now with your arms, go on. | 0:16:21 | 0:16:24 | |
-I can't. -I think that's worth a round of applause! | 0:16:26 | 0:16:29 | |
-APPLAUSE -That was good, that. | 0:16:29 | 0:16:31 | |
-What about you, madam? -I think he was very flexible and activ... | 0:16:31 | 0:16:37 | |
-And what, madam? -And active. -Active? | 0:16:37 | 0:16:41 | |
-Yeah. -Flexible and active. | 0:16:41 | 0:16:42 | |
Could you sum him up for us in one word, madam? | 0:16:42 | 0:16:47 | |
-Wonderful. -Wonderful. That's rather nice, that. | 0:16:47 | 0:16:50 | |
I quite like that, sir, wonderful. | 0:16:50 | 0:16:52 | |
Marvellous! We've got two more performing | 0:16:52 | 0:16:55 | |
prisoners to see, and then you decide who will walk free. | 0:16:55 | 0:16:58 | |
This next gentleman is an artist, a very special artist. He's here | 0:16:58 | 0:17:03 | |
in The Slammer serving two years for painting the town red - literally. | 0:17:03 | 0:17:08 | |
Make some noise, please, for the wonderful | 0:17:08 | 0:17:11 | |
artist and gentleman, Jon Hicks! | 0:17:11 | 0:17:13 | |
CHEERING AND APPLAUSE | 0:17:13 | 0:17:15 | |
FAST FUNKY MUSIC PLAYS | 0:17:20 | 0:17:24 | |
CHEERING AND APPLAUSE | 0:18:35 | 0:18:38 | |
A round of applause! What do you think, Jailors and Jailbirds? | 0:18:48 | 0:18:52 | |
CHEERING AND APPLAUSE | 0:18:52 | 0:18:53 | |
It looks strangely familiar, doesn't it? | 0:18:56 | 0:18:58 | |
Look at that. | 0:18:58 | 0:19:00 | |
Well, what did you think of Jon Hicks? That's incredible. | 0:19:00 | 0:19:04 | |
An act with a difference. What did you make of that, young lady? | 0:19:04 | 0:19:07 | |
That was not quite what I expected - it could have been better. | 0:19:07 | 0:19:11 | |
-In what way could it have been better? -Everybody can do paintings. | 0:19:11 | 0:19:15 | |
Oh, really(?) | 0:19:15 | 0:19:17 | |
And what's YOUR great masterpiece lurking on the mantelpiece(?) | 0:19:17 | 0:19:20 | |
-I've done lots. -Yes, what, | 0:19:20 | 0:19:22 | |
-in the style of Gainsborough, Picasso, anything like that? -Yeah. | 0:19:22 | 0:19:27 | |
-You do all that? -I can do better than them. | 0:19:27 | 0:19:29 | |
I look forward to you winning the Turner Prize, madam(!) | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:34 | |
What about you, madam? | 0:19:34 | 0:19:36 | |
Hats off to him - he's extremely marvellous. | 0:19:36 | 0:19:39 | |
I love the portrait he did of the Guv'nor. | 0:19:39 | 0:19:42 | |
Right. Do you think you could sum that act up with a face for me? | 0:19:42 | 0:19:46 | |
-That's what you think of him in a physical representation, is it? -Yes. | 0:19:47 | 0:19:51 | |
What did you think of our artist in residence? | 0:19:51 | 0:19:53 | |
He is excellent, the way he paints that quick and how big he can draw. | 0:19:53 | 0:19:59 | |
-Yes. It was a great painting of me. -Yeah. | 0:19:59 | 0:20:01 | |
-Especially as I'm so handsome, aren't I? -No. | 0:20:01 | 0:20:05 | |
Could you sum it up for us in one word? | 0:20:06 | 0:20:09 | |
-Incredible. -Incredible. | 0:20:09 | 0:20:11 | |
Well, marvellous - I'm going to keep that portrait. | 0:20:11 | 0:20:14 | |
One more performing prisoner to listen to, | 0:20:14 | 0:20:17 | |
and this young lady...what a singer. | 0:20:17 | 0:20:19 | |
She's got a criminal record, that's why she is in The Slammer. It's... | 0:20:19 | 0:20:23 | |
The Best Of The Cheeky Girls. | 0:20:23 | 0:20:25 | |
Boys and girls, Jailors and Jailbirds, | 0:20:25 | 0:20:27 | |
please give a huge ovation to the wonderful, the gorgeous Alesha! | 0:20:27 | 0:20:32 | |
CHEERING AND APPLAUSE | 0:20:32 | 0:20:34 | |
# Ooh, yeah! | 0:20:40 | 0:20:42 | |
# You got me feeling knockdown | 0:20:42 | 0:20:45 | |
# Yeah, yeah, yeah Whoa, whoa... # | 0:20:45 | 0:20:48 | |
Clap your hands, everybody! | 0:20:48 | 0:20:50 | |
Come on, let me see you! | 0:20:50 | 0:20:53 | |
We're in this one together, come on! Whoo! | 0:20:53 | 0:20:55 | |
# Hey! When I lay it all out on the table | 0:20:58 | 0:21:01 | |
# Don't know what is stopping me | 0:21:01 | 0:21:04 | |
# From feeling like I might be able to enjoy my own company | 0:21:04 | 0:21:08 | |
# Sitting up by my window | 0:21:08 | 0:21:11 | |
# Watching the summer rain | 0:21:11 | 0:21:14 | |
# The world goes by and I'm in it faster | 0:21:14 | 0:21:16 | |
# Than I can keep up with today | 0:21:16 | 0:21:18 | |
# Everybody in the place say, what now | 0:21:18 | 0:21:21 | |
# Your soul's feeling shot down luck's out | 0:21:21 | 0:21:23 | |
# But you gotta carry on speed it up now | 0:21:23 | 0:21:25 | |
# Wooh-wooh-wooh-wooh Oh, knockdown | 0:21:25 | 0:21:28 | |
# Everybody in the place say, what now | 0:21:28 | 0:21:30 | |
# Your soul's feeling shot down luck's out | 0:21:30 | 0:21:33 | |
# But you gotta carry on speed it up now | 0:21:33 | 0:21:36 | |
# Hey! | 0:21:36 | 0:21:37 | |
# Ooh, yeah, I got the feeling | 0:21:37 | 0:21:40 | |
# That something could happen now | 0:21:40 | 0:21:42 | |
# Yeah, I got the feeling that something | 0:21:42 | 0:21:45 | |
# Might happen inside my love now | 0:21:45 | 0:21:48 | |
# And have you ever asked why you feel like you've been here before? | 0:21:48 | 0:21:53 | |
# Cos only you have the power to carry on through that door | 0:21:53 | 0:21:57 | |
# Everybody in the place say, what now | 0:21:57 | 0:22:00 | |
# Your soul's feeling shot down luck's out | 0:22:00 | 0:22:03 | |
# But you gotta carry on speed it up now... # | 0:22:03 | 0:22:04 | |
Are you ready? | 0:22:04 | 0:22:06 | |
# So when you're up, don't get on up don't get on up, don't give it up | 0:22:06 | 0:22:11 | |
# Steady up, don't dig it up | 0:22:11 | 0:22:13 | |
# Whoa, when you're up don't dig it up, oh no... # | 0:22:13 | 0:22:17 | |
Oh! | 0:22:17 | 0:22:20 | |
Hey! | 0:22:20 | 0:22:21 | |
Are you ready? | 0:22:22 | 0:22:23 | |
Here we go now! | 0:22:25 | 0:22:26 | |
# Yeah, yeah, yeah, yeah | 0:22:27 | 0:22:30 | |
# Knockdown, everybody in the place say, what now # | 0:22:30 | 0:22:34 | |
# Your soul's feeling shot down luck's out | 0:22:34 | 0:22:36 | |
# But you gotta carry on speed it up now | 0:22:36 | 0:22:39 | |
# Well, I think I got this song all done | 0:22:39 | 0:22:44 | |
# Hey, I think I'm letting you know it, baby | 0:22:44 | 0:22:49 | |
# Life goes on | 0:22:49 | 0:22:51 | |
# You're fun it's all been OK | 0:22:51 | 0:22:54 | |
# Can't be so wrong | 0:22:54 | 0:22:56 | |
# You're gone, it's OK. # | 0:22:56 | 0:22:59 | |
CHEERING AND APPLAUSE | 0:23:01 | 0:23:03 | |
Take her back, and the dancers. Give her a big cheer, marvellous! | 0:23:08 | 0:23:12 | |
CHEERING AND APPLAUSE | 0:23:12 | 0:23:14 | |
A knockdown but was she a knockout? Let's find out with Mr Burgess. | 0:23:17 | 0:23:21 | |
What about you, sir? | 0:23:21 | 0:23:23 | |
She was fantastic and flexible. | 0:23:23 | 0:23:26 | |
Did you like the music? ..There's nothing wrong with being flexible! | 0:23:26 | 0:23:31 | |
Very fine quality. In a fight, Lily Allen or Alesha, who'd win? | 0:23:31 | 0:23:36 | |
-I'm not sure. -You're not sure? Do you think she could take Lily Allen? | 0:23:36 | 0:23:40 | |
-Yes. -You think Alesha would win in a fight? -ALL: -Yes. | 0:23:42 | 0:23:46 | |
-You all think that, do you? -ALL: -Yes! | 0:23:46 | 0:23:49 | |
-OK. -Did you like Alesha? | 0:23:49 | 0:23:51 | |
It was the best so far and it will get my vote, and I'm her biggest fan. | 0:23:51 | 0:23:57 | |
-And her smile cheers me up. -Her smile cheers you up. | 0:23:57 | 0:24:00 | |
For final word, madam, sum that up - one word, no more. | 0:24:00 | 0:24:05 | |
-Give her more than... Sorry, Officer! -Excuse me! -Sorry, Officer! | 0:24:05 | 0:24:09 | |
-Who's running this - me or you(?) -You, Officer. | 0:24:09 | 0:24:12 | |
-Do you want to stay in here? -No. -Then keep it zipped. -Sorry! | 0:24:12 | 0:24:16 | |
Absolutely super. | 0:24:16 | 0:24:18 | |
-Absolutely super? -Yeah. | 0:24:18 | 0:24:20 | |
Two words, sir. Still can't count. | 0:24:20 | 0:24:23 | |
Right, Jailors and Jailbirds, and Your Majesty of course, | 0:24:23 | 0:24:26 | |
now we decide who will walk free from The Slammer. | 0:24:26 | 0:24:29 | |
Let's welcome them back, they've been marvellous. | 0:24:29 | 0:24:32 | |
Jana Roberts, Salah, Jon Hicks and Alesha! | 0:24:32 | 0:24:36 | |
-Come on, let's hear it for them. -APPLAUSE | 0:24:36 | 0:24:39 | |
There they are. Yes, marvellous. | 0:24:39 | 0:24:43 | |
Four performing prisoners, but only one can walk free from The Slammer, | 0:24:43 | 0:24:47 | |
with the aid of this clapometer. | 0:24:47 | 0:24:49 | |
This will decide who will walk free. You will make lots of noise, | 0:24:49 | 0:24:53 | |
boys and girls, Jailors and Jailbirds, and Your Majesty, | 0:24:53 | 0:24:55 | |
if you feel like clapping along with one hand, you can. | 0:24:55 | 0:24:58 | |
Who's it going to be? First of all, you enjoyed her Hula Hooping, | 0:24:58 | 0:25:02 | |
but she will whooping with delight? | 0:25:02 | 0:25:04 | |
Let's find out as you show your | 0:25:04 | 0:25:06 | |
-appreciation for Jana Roberts! -APPLAUSE AND CHEERING | 0:25:06 | 0:25:09 | |
Let's hear it for Jana. | 0:25:11 | 0:25:13 | |
Sounds like a good score. Let's go over to the clapometer. | 0:25:15 | 0:25:19 | |
92.5. Good opening score. Will she be going free? | 0:25:21 | 0:25:25 | |
Well, it's all up to you. | 0:25:25 | 0:25:26 | |
Now, we are on now to a very unusual act, a bodypopper. | 0:25:26 | 0:25:30 | |
He was very peculiar and very entertaining, | 0:25:30 | 0:25:33 | |
but will he be going free? | 0:25:33 | 0:25:35 | |
Show your appreciation and applause for Salah! | 0:25:35 | 0:25:39 | |
CHEERING AND APPLAUSE | 0:25:39 | 0:25:42 | |
98.1. I think that means that Salah goes into the lead. | 0:25:48 | 0:25:53 | |
He could be bodypopping free. | 0:25:53 | 0:25:56 | |
Right, a very unusual artist and a marvellous portrait | 0:25:56 | 0:26:00 | |
of a very handsome man! | 0:26:00 | 0:26:01 | |
-LAUGHTER -But will he be walking free? | 0:26:01 | 0:26:04 | |
Let's show your appreciation please | 0:26:04 | 0:26:06 | |
for the unusual talents and skills of Jon Hicks! | 0:26:06 | 0:26:10 | |
CHEERING AND APPLAUSE | 0:26:10 | 0:26:11 | |
For a portrait of the Guv'nor, Jon Hicks scores... | 0:26:16 | 0:26:19 | |
88.5. ..Never mind, Jon. | 0:26:19 | 0:26:22 | |
-I -liked you. Marvellous. | 0:26:22 | 0:26:24 | |
Now, at the moment, walking free is Salah with 98.1. | 0:26:24 | 0:26:30 | |
We had one more performing prisoner to see and to hear, | 0:26:30 | 0:26:33 | |
so Jailors and Jailbirds, Your Majesty, please, | 0:26:33 | 0:26:36 | |
what did you think of Alesha? | 0:26:36 | 0:26:37 | |
RAUCOUS CHEERING AND APPLAUSE | 0:26:37 | 0:26:39 | |
Well, I wonder if Alesha has done very well! | 0:26:49 | 0:26:51 | |
Let's have a look at the score. | 0:26:51 | 0:26:53 | |
-101.8! -CHEERING AND APPLAUSE | 0:26:53 | 0:26:57 | |
Alesha, you are free to go! The Queen says you can go, Her Majesty. | 0:26:57 | 0:27:02 | |
Give her a big hand, take her away. The rest of you, back in the cells, | 0:27:02 | 0:27:05 | |
give them a round of applause. Alesha goes free. | 0:27:05 | 0:27:08 | |
Well, Jailors and Jailbirds, that's it. | 0:27:08 | 0:27:11 | |
Your Majesty... A big cheer for Her Majesty! | 0:27:11 | 0:27:13 | |
One is most amused. | 0:27:13 | 0:27:16 | |
Remember, from everyone here at The Slammer, if you can't sing, dance | 0:27:16 | 0:27:20 | |
or rhyme, don't do the crime. | 0:27:20 | 0:27:21 | |
We'll see you all next time on The Slammer! | 0:27:21 | 0:27:25 | |
# It's the only way you'll ever leave The Slammer, leave The Slammer | 0:27:39 | 0:27:43 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:43 | 0:27:48 | |
Step this way, Your Majesty. | 0:27:48 | 0:27:52 | |
Thank you so much for visiting The Slammer. | 0:27:52 | 0:27:55 | |
I was just thinking, "Sir Guv'nor" has a nice ring to it. | 0:27:55 | 0:27:58 | |
Ooh! | 0:27:58 | 0:27:59 | |
"Sir Guv'nor", no? | 0:27:59 | 0:28:01 | |
Sir, could you have a word? | 0:28:01 | 0:28:03 |