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# You've been found guilty Of a howling showbiz crime | 0:00:04 | 0:00:09 | |
# So welcome to The Slammer Where you're gonna serve your time | 0:00:09 | 0:00:13 | |
# Every type of instrument Entertainment and artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit To try and get released | 0:00:17 | 0:00:22 | |
# So go and fetch the audience Bring them to The Slammer | 0:00:22 | 0:00:26 | |
# And polish up your act With a bit of glitz and glamour | 0:00:26 | 0:00:31 | |
# Your fate is in their hands So make them cheer and clamour | 0:00:31 | 0:00:36 | |
# It's the only way You'll ever leave The Slammer | 0:00:36 | 0:00:39 | |
# It's the only way You'll ever leave The Slammer! # | 0:00:39 | 0:00:44 | |
..Would have been killed if it wasn't for his tiny moustache. | 0:00:45 | 0:00:49 | |
Prison news now. Tap-dancing legend Lionel Blair | 0:00:49 | 0:00:53 | |
has been sentenced to ten years in showbiz prison The Slammer, | 0:00:53 | 0:00:57 | |
for doing the foxtrot in a chicken coop. | 0:00:57 | 0:00:59 | |
The entertainer was led from Southampton Magistrates' Court | 0:00:59 | 0:01:03 | |
amid chaotic scenes. | 0:01:03 | 0:01:05 | |
This is a spectacular fall from grace for Blair, | 0:01:05 | 0:01:08 | |
who is considered to be Britain's greatest tap-dancer. | 0:01:08 | 0:01:11 | |
Watch the hair! | 0:01:11 | 0:01:13 | |
Of all time. Ever. | 0:01:13 | 0:01:15 | |
MUSIC STING | 0:01:15 | 0:01:17 | |
MUSIC STING Lionel Blair! Yes! | 0:01:17 | 0:01:19 | |
You're top of our Most Wanted List. Nice to be wanted, Chubby Chops. | 0:01:19 | 0:01:22 | |
Let's get your mug shot done. | 0:01:22 | 0:01:25 | |
Oh, I don't think that smile is suitable, do you, Lionel? Sorry. | 0:01:25 | 0:01:29 | |
Ah, that's much better! | 0:01:29 | 0:01:32 | |
There we are. You're too late to be in this week's Freedom Show, | 0:01:32 | 0:01:36 | |
but the line-up is cracking. | 0:01:36 | 0:01:37 | |
I've chosen Russian Bar... | 0:01:37 | 0:01:40 | |
Gamarjobat... | 0:01:42 | 0:01:44 | |
Black Room Jackson... | 0:01:45 | 0:01:47 | |
And Attila Endresz. | 0:01:47 | 0:01:49 | |
I'm sure your chance will come one day soon. Wicked. | 0:01:51 | 0:01:55 | |
Lionel, I'm quite a fan. | 0:01:55 | 0:01:57 | |
Would you mind showing me some of your famous tap-dancing steps? Oh. | 0:01:57 | 0:02:01 | |
Er... Oh, no, I couldn't possibly. | 0:02:01 | 0:02:04 | |
The trouble is, it's the... The carpet. | 0:02:04 | 0:02:07 | |
It's far too brown. | 0:02:07 | 0:02:09 | |
Too brown?! What are you, lad, some kind of comedian? | 0:02:09 | 0:02:12 | |
No, Mr Burgess, he's a tap dancer. Shut up. | 0:02:12 | 0:02:15 | |
Now don't get smart with us, lad. | 0:02:15 | 0:02:17 | |
I know all about tap-dancing. | 0:02:17 | 0:02:19 | |
I've won an award. | 0:02:19 | 0:02:21 | |
Wasn't that the one you got for being the biggest sap-head? | 0:02:21 | 0:02:25 | |
How did you know that? | 0:02:25 | 0:02:26 | |
There's something strange about you, and I'm not talking about the tap. | 0:02:26 | 0:02:30 | |
I'm sure you can do a little tap dance for us in this 'ere office. | 0:02:30 | 0:02:34 | |
Yes. I couldn't possibly. You see... It's my thumb. | 0:02:34 | 0:02:38 | |
I hurt it. Peeling a tangerine. | 0:02:40 | 0:02:43 | |
I think I'll make you Peter Noccio's new cellmate. Yes. | 0:02:45 | 0:02:48 | |
He's going to be so happy. | 0:02:48 | 0:02:50 | |
I'm not so sure about that, sir. | 0:02:50 | 0:02:53 | |
Look at him. He's been moping about like that for months. | 0:02:58 | 0:03:02 | |
Ever since his last cellmate, Melvin O'Doom, was released. | 0:03:02 | 0:03:05 | |
He's not been eating properly either. | 0:03:05 | 0:03:08 | |
Look Peter, I know it's hard, but Melvin's not coming back. | 0:03:15 | 0:03:19 | |
You've got a new cellmate now. He's a tap-dance legend. | 0:03:19 | 0:03:23 | |
It'll be great! So, we'll leave you to get to know Mr Noccio. | 0:03:23 | 0:03:26 | |
And all his little imaginary friends. | 0:03:26 | 0:03:30 | |
Peter! Good to see ya! | 0:03:32 | 0:03:34 | |
I mean...very pleased to meet you. | 0:03:36 | 0:03:38 | |
Oh, we're going to have such fun! | 0:03:38 | 0:03:41 | |
MUSIC STING | 0:03:41 | 0:03:44 | |
What shall we do first? Bring back Melvin! BRING BACK MELVIN! | 0:03:44 | 0:03:48 | |
All right, cellmate-y mate? | 0:03:51 | 0:03:54 | |
Are you ignoring me? | 0:03:55 | 0:03:57 | |
Those are Melvin's CDs. | 0:03:59 | 0:04:02 | |
Chico! A man with great taste. | 0:04:02 | 0:04:05 | |
It's Chico time! | 0:04:05 | 0:04:07 | |
You obviously don't know him. | 0:04:07 | 0:04:09 | |
Hang on! You're wearing Melvin's clothes! | 0:04:09 | 0:04:13 | |
There's a reason why I'm wearing Melvin's clothes. | 0:04:13 | 0:04:17 | |
You're copying him because you want to replace him but you never will! | 0:04:17 | 0:04:21 | |
No no no! Lionel, Lionel! | 0:04:21 | 0:04:23 | |
Come with me to the stage. | 0:04:23 | 0:04:24 | |
Mr Burgess has invoked... Section 12 of the Slammer Act! | 0:04:24 | 0:04:28 | |
Section 12! You're in for it now, Lionel Blair! | 0:04:28 | 0:04:32 | |
What's Section 12? Section 12. | 0:04:32 | 0:04:34 | |
Lionel Tarquin Montague Evelyn Blair. | 0:04:35 | 0:04:41 | |
You know what this is, lads? A finger. | 0:04:42 | 0:04:46 | |
Don't get smart. Section 12. | 0:04:46 | 0:04:49 | |
Dance Club. | 0:04:49 | 0:04:51 | |
There's only two rules to Dance Club. | 0:04:53 | 0:04:56 | |
The first rule of Dance Club is... | 0:04:57 | 0:04:59 | |
You must dance. | 0:05:01 | 0:05:03 | |
The second rule of Dance Club is... | 0:05:03 | 0:05:06 | |
no fizzy drinks near the stage. | 0:05:06 | 0:05:09 | |
Now. If you lose, you get another ten years in this 'ere Slammer. | 0:05:10 | 0:05:16 | |
If you win, you get this rather lovely Teasmade. | 0:05:17 | 0:05:21 | |
And who said I ain't fair?! | 0:05:22 | 0:05:25 | |
One! Two! A-one two three four! | 0:05:27 | 0:05:30 | |
MUSIC STARTS | 0:05:30 | 0:05:32 | |
Ha-ha! | 0:05:57 | 0:05:58 | |
Aaaaargh! CLATTER | 0:06:12 | 0:06:15 | |
Oh dear, oh dear, oh dear. | 0:06:15 | 0:06:17 | |
Looks like another ten years in The Slammer for you, Mr Blair. | 0:06:17 | 0:06:22 | |
A-ha-ha! Fantastic! Wicked! It's just what I wanted! | 0:06:22 | 0:06:26 | |
You see, there's really a reason I can't dance as well as Lionel Blair. | 0:06:27 | 0:06:31 | |
It's because I'm... | 0:06:31 | 0:06:33 | |
Melvin! # Don't stop till you get enough! # | 0:06:33 | 0:06:36 | |
Melvin! Melvin! | 0:06:36 | 0:06:38 | |
O'Doom! | 0:06:38 | 0:06:40 | |
I pretended to be Lionel Blair to get back in here. | 0:06:40 | 0:06:43 | |
I missed this place, I missed my friends. | 0:06:43 | 0:06:45 | |
I read about Lionel in the paper, and... | 0:06:45 | 0:06:48 | |
Er... Took his place. | 0:06:48 | 0:06:50 | |
Hold on a minute. If you're 'ere... | 0:06:50 | 0:06:52 | |
then where's the real Lionel Blair? | 0:06:52 | 0:06:55 | |
Where's The Slammer?! Does anyone know where The Slammer is? | 0:06:57 | 0:07:01 | |
Melvin, I've got two things to say to you. | 0:07:06 | 0:07:09 | |
Firstly, badly impersonating a tap-dance legend. | 0:07:09 | 0:07:14 | |
You realise, we've no choice but to keep you in here. | 0:07:14 | 0:07:17 | |
And secondly, it's great to have you back, son! | 0:07:17 | 0:07:21 | |
This hardly seems fair, sir, it's exactly what he wanted. | 0:07:21 | 0:07:24 | |
So I've taken the liberty of drawing up a few extra punishments | 0:07:24 | 0:07:28 | |
for O'Doom. Just a few of my little specialities. | 0:07:28 | 0:07:32 | |
Drink a glass of dirty dog-juice every morning? Oh yeah. | 0:07:32 | 0:07:36 | |
Harsh but fair, Mr B! BUZZER | 0:07:36 | 0:07:39 | |
Now, the audience are in, so...how do I look? | 0:07:39 | 0:07:43 | |
ALL: Fine. Thank you very much. | 0:07:43 | 0:07:45 | |
In that case... | 0:07:45 | 0:07:46 | |
It's showtime! | 0:07:46 | 0:07:49 | |
Ladies and gentlemen, welcome to HM Slammer, | 0:07:51 | 0:07:55 | |
where you decide which prisoner will be released! | 0:07:55 | 0:07:58 | |
Now please welcome your host - | 0:07:58 | 0:08:00 | |
he puts the rinky-dink-dink into the clink - | 0:08:00 | 0:08:04 | |
please welcome the Governor! | 0:08:04 | 0:08:07 | |
APPLAUSE AND CHEERS | 0:08:07 | 0:08:09 | |
Who's the Governor? AUDIENCE: You're the Governor! | 0:08:23 | 0:08:27 | |
Welcome to The Slammer, | 0:08:27 | 0:08:28 | |
where we've got some fantastic performing prisoners for you. | 0:08:28 | 0:08:32 | |
We have got a wonderful act, a unicyclist called Attila Andresz! | 0:08:32 | 0:08:36 | |
AUDIENCE: Ooh! | 0:08:36 | 0:08:39 | |
We've got a marvellous act called Black Room Jackson, | 0:08:39 | 0:08:42 | |
very mysterious. AUDIENCE: Ooh! | 0:08:42 | 0:08:45 | |
Then some performing prisoners called Russian Bar. | 0:08:45 | 0:08:48 | |
AUDIENCE: Ooh! | 0:08:48 | 0:08:50 | |
Right now, let's get on and meet our first performing prisoner act. | 0:08:50 | 0:08:54 | |
They're all the way from Japan, | 0:08:54 | 0:08:56 | |
and they're serving three years in the Davro wing | 0:08:56 | 0:08:59 | |
for thinking I was a sumo wrestler. Cheek. | 0:08:59 | 0:09:02 | |
Please give a big round of applause, film fans, to Gamarjobat! | 0:09:02 | 0:09:06 | |
APPLAUSE AND CHEERS | 0:09:06 | 0:09:09 | |
Showtime, ladies and gentlemen. | 0:09:13 | 0:09:15 | |
MUSIC | 0:09:15 | 0:09:17 | |
Let's go. | 0:09:20 | 0:09:22 | |
APPLAUSE | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:40 | 0:09:42 | |
APPLAUSE | 0:10:01 | 0:10:04 | |
No? | 0:10:12 | 0:10:14 | |
LAUGHTER | 0:10:14 | 0:10:16 | |
HE GRUNTS | 0:10:23 | 0:10:25 | |
Ohhh! | 0:10:32 | 0:10:34 | |
Wah! | 0:10:55 | 0:10:56 | |
Bye! | 0:10:59 | 0:11:02 | |
APPLAUSE AND CHEERING | 0:11:13 | 0:11:15 | |
Wah! | 0:11:27 | 0:11:28 | |
WHEE! | 0:12:03 | 0:12:06 | |
CRASH! | 0:12:06 | 0:12:09 | |
APPLAUSE AND CHEERING | 0:12:09 | 0:12:11 | |
What did you think of Gamarjobat? Over to Mr Burgess's side first. | 0:12:16 | 0:12:21 | |
What did you think, Miss? I think it was fantastic | 0:12:21 | 0:12:24 | |
because on the escalator it was funny. | 0:12:24 | 0:12:27 | |
How would you describe the act for us? I found it hilarious. | 0:12:27 | 0:12:32 | |
Especially when one stood on one side and they punched each other. | 0:12:32 | 0:12:37 | |
But if you take the wall away... No, no! Don't give away any secrets! | 0:12:37 | 0:12:43 | |
And you? It was funky and brilliant. I liked the ball act. | 0:12:43 | 0:12:48 | |
Can you speak Japanese? No. I can. | 0:12:48 | 0:12:50 | |
I know the Japanese word for a baby's nappy. | 0:12:50 | 0:12:53 | |
A-sack-a-poo-poo. LAUGHTER | 0:12:53 | 0:12:56 | |
Could you sum that up in just one word for us, Miss? Excellent. | 0:12:56 | 0:13:01 | |
"Excellent," Sir! Makes you proud to be British. | 0:13:01 | 0:13:04 | |
Will Gamarjobat take the walk of freedom? It's too early to say. | 0:13:05 | 0:13:09 | |
The next performing prisoner - | 0:13:09 | 0:13:11 | |
what a performing prisoner. He's a real high flyer! | 0:13:11 | 0:13:13 | |
He's a unicyclist whose unicycle is nine-foot high. | 0:13:13 | 0:13:18 | |
Give me an "Ooh!" ALL: Ooh! | 0:13:18 | 0:13:20 | |
Right, that's another punishment done. | 0:13:23 | 0:13:25 | |
"Clean the toilets using this special toilet brush!" | 0:13:25 | 0:13:30 | |
Jailers and jailbirds, felon fans, please raise the roof of the Slammer | 0:13:30 | 0:13:34 | |
for Attila Endresz! APPLAUSE AND CHEERING | 0:13:34 | 0:13:39 | |
JAZZ MUSIC PLAYS | 0:13:45 | 0:13:48 | |
CHEERING | 0:14:10 | 0:14:13 | |
THEY SCREAM | 0:14:23 | 0:14:26 | |
CHEERING | 0:15:09 | 0:15:12 | |
AUDIENCE SCREAMS | 0:15:58 | 0:16:01 | |
APPLAUSE AND CHEERING | 0:16:05 | 0:16:08 | |
Attila Endresz. What did you think? | 0:16:12 | 0:16:14 | |
Sensational! Give him a big hand! | 0:16:14 | 0:16:16 | |
Well, what did you think of him? | 0:16:20 | 0:16:22 | |
Could you hold that! Do you know who this is? | 0:16:22 | 0:16:25 | |
HE SCREAMS | 0:16:25 | 0:16:28 | |
Em... That was you sat next to her, watching that! | 0:16:28 | 0:16:32 | |
What did you think? Magnificent and definitely will get my vote today. | 0:16:32 | 0:16:37 | |
You've done a drawing? Yeah. Let's have a look. | 0:16:37 | 0:16:41 | |
It's not very good. Very good drawing, very good. | 0:16:41 | 0:16:45 | |
Would you say the first act is slightly ahead at the moment? | 0:16:45 | 0:16:48 | |
MURMURS | 0:16:48 | 0:16:50 | |
SOME SHOUT LOUDLY | 0:16:50 | 0:16:53 | |
All right! Settle down. This gentlemen said it was superior. | 0:16:53 | 0:16:56 | |
The first act was superior that one? Yes. Why? | 0:16:56 | 0:17:00 | |
Because they did a whole lot more than just going up a load of ramps! | 0:17:00 | 0:17:04 | |
"They did a whole lot more than just going up a load of ramps!" | 0:17:04 | 0:17:09 | |
Right then, young man, sum that act up in just one word. | 0:17:09 | 0:17:12 | |
Freaky. Freaky, Sir! | 0:17:12 | 0:17:16 | |
Now another performing prisoner. | 0:17:16 | 0:17:18 | |
This next act is very unusual - | 0:17:18 | 0:17:20 | |
they perform in the dark. | 0:17:20 | 0:17:22 | |
They're serving five years in the Slammer | 0:17:22 | 0:17:24 | |
for not paying their electricity bill. | 0:17:24 | 0:17:26 | |
Will you please make | 0:17:26 | 0:17:28 | |
loads and loads of noise and cheers for Black Room Jackson! | 0:17:28 | 0:17:33 | |
APPLAUSE AND CHEERING | 0:17:33 | 0:17:36 | |
SMASH! | 0:17:39 | 0:17:41 | |
MUSIC: "Jam" by Michael Jackson | 0:17:41 | 0:17:44 | |
# Times and tears for fears | 0:17:59 | 0:18:01 | |
# We must live each day like it's the last | 0:18:01 | 0:18:04 | |
# Go with it Go with it. Jam! | 0:18:04 | 0:18:06 | |
# It ain't too much to... Jam! | 0:18:08 | 0:18:11 | |
# It ain't too much It ain't too much for me to | 0:18:11 | 0:18:14 | |
# It ain't too much for me to It ain't too much for me | 0:18:14 | 0:18:18 | |
# Jam! | 0:18:18 | 0:18:19 | |
# Ah-ha jam! | 0:18:19 | 0:18:20 | |
# It ain't too much Jam! | 0:18:20 | 0:18:22 | |
# It ain't too much It ain't too much for me to | 0:18:22 | 0:18:26 | |
# Jam! | 0:18:26 | 0:18:27 | |
# It ain't It ain't too much | 0:18:27 | 0:18:31 | |
# Don't you It ain't too much for me to... # | 0:18:31 | 0:18:35 | |
RAP: Jam jam Here comes the man | 0:18:39 | 0:18:41 | |
Hot damn The big boy stands | 0:18:41 | 0:18:42 | |
Movin' up a hand Makin' funky tracks | 0:18:42 | 0:18:43 | |
With my man Michael Jackson | 0:18:43 | 0:18:44 | |
Smooth Criminal That's the man | 0:18:44 | 0:18:46 | |
Mike's so relaxed Mingle mingle jingle... | 0:18:46 | 0:18:48 | |
# Jam! Get on it | 0:19:07 | 0:19:09 | |
# Give it, baby | 0:19:09 | 0:19:11 | |
# Give it to me | 0:19:11 | 0:19:13 | |
# You just want to give it. Jam! # | 0:19:13 | 0:19:16 | |
APPLAUSE AND CHEERING | 0:19:18 | 0:19:20 | |
EVIL LAUGH | 0:19:22 | 0:19:25 | |
CHEERING AND APPLAUSE | 0:19:29 | 0:19:32 | |
Wahey, give them a big cheer, there they are! | 0:19:35 | 0:19:37 | |
My word... What a sensational act! I thought of a song they could do - | 0:19:37 | 0:19:45 | |
"I Ain't Got No Body!" | 0:19:45 | 0:19:47 | |
What did YOU think of Black Room Jackson? Did you like the routine? | 0:19:47 | 0:19:51 | |
Yes. The music? Yes. Choreography? That was good. What about the shoes? | 0:19:51 | 0:19:56 | |
Did you like the hat? Yes. What about the gloves? Were they integral? Yes. | 0:19:56 | 0:19:59 | |
Did you like the orange hat, Miss? Yes. Good. And you, | 0:19:59 | 0:20:03 | |
did you like them? I liked it when the man exploded as well. | 0:20:03 | 0:20:07 | |
And you've drawn a picture, is that of the actor? Yeah. | 0:20:07 | 0:20:10 | |
You've given him a score of 9? out of ten, very good. Right... | 0:20:10 | 0:20:14 | |
I'd like that act summed up in one word by YOU, young man. Fantastic! | 0:20:14 | 0:20:20 | |
Fantastic, sir! Wow, what tremendous performing prisoners we've got here! | 0:20:20 | 0:20:26 | |
Are you enjoying them, boys and girls, yeah? ALL: YES! | 0:20:26 | 0:20:29 | |
Right, one punishment left... | 0:20:29 | 0:20:32 | |
Run across the stage with some pants on my head?! | 0:20:32 | 0:20:36 | |
Well, if that's what he wants. | 0:20:36 | 0:20:37 | |
..Then you will decide who's going free... | 0:20:38 | 0:20:41 | |
# Don't stop till you get enough... # Hang on... | 0:20:41 | 0:20:43 | |
Yes. | 0:20:45 | 0:20:46 | |
'Just look at that idiot, | 0:20:46 | 0:20:49 | |
'running about with those big, | 0:20:49 | 0:20:51 | |
'floppy pants on his head. Ha-ha! | 0:20:51 | 0:20:54 | |
'Hold on, they're my pants!' | 0:20:54 | 0:20:56 | |
HE SHOUTS ANGRILY | 0:20:56 | 0:20:58 | |
MUSIC STOPS Oh, I don't know. | 0:20:58 | 0:21:00 | |
As I was saying, before I was so rudely interrupted, | 0:21:00 | 0:21:04 | |
one more act to see. This act are from Russia. Very unusual. | 0:21:04 | 0:21:08 | |
They're doing four years here | 0:21:08 | 0:21:10 | |
for escaping from the last prison they were in. You'll see why, | 0:21:10 | 0:21:14 | |
cos they went over the wall... Give it all up for Russian Bar! | 0:21:14 | 0:21:18 | |
CHEERING AND APPLAUSE | 0:21:18 | 0:21:21 | |
DANCE MUSIC | 0:21:33 | 0:21:39 | |
CHEERING AND APPLAUSE | 0:23:27 | 0:23:30 | |
Ah, brilliant! | 0:23:32 | 0:23:34 | |
Russian Bar! Let's hear it for Russian Bar! | 0:23:34 | 0:23:37 | |
CHEERING AND APPLAUSE Wow! Wow! | 0:23:37 | 0:23:41 | |
What did you think of them? Mr Burgess... Budge up, Miss. | 0:23:41 | 0:23:45 | |
Ah... Now, Miss, do you ever think the day's been a bit long and hard, | 0:23:45 | 0:23:52 | |
you get very tired and want to go home for your dinner with Marjorie? | 0:23:52 | 0:23:56 | |
I don't know. Oh, all right then. What was the best bit | 0:23:56 | 0:23:59 | |
in the whole performance? Well, when the lady actually... | 0:23:59 | 0:24:05 | |
jumped up and she just did the backflip. Yeah. | 0:24:05 | 0:24:09 | |
So, I liked that really a lot. What about you, sir? I thought it was | 0:24:09 | 0:24:13 | |
1,000 out of 1,000. That's one of the highest scores we've had. | 0:24:13 | 0:24:16 | |
Are they getting your vote? Definitely. They should go free? | 0:24:16 | 0:24:19 | |
Oh, yeah. They're better than anything else you've seen so far? | 0:24:19 | 0:24:23 | |
Yep...by a big margin. Does the audience agree with that? YES! | 0:24:23 | 0:24:28 | |
You've never seen that act before, describe them. They were fabulous... | 0:24:28 | 0:24:33 | |
Yes. ..because when they did the flips, it was brilliant. | 0:24:33 | 0:24:37 | |
In a final word, sum that act up... | 0:24:37 | 0:24:39 | |
for us. Flabbergastic. Flabbergastic, sir! Thank you for your thoughts | 0:24:39 | 0:24:45 | |
on Russian Bar. It's time to decide who takes the walk of freedom, | 0:24:45 | 0:24:50 | |
so let's welcome them all back, please - Gamarjobat... | 0:24:50 | 0:24:54 | |
Attila Endresz... | 0:24:54 | 0:24:57 | |
Black Room Jackson... | 0:24:57 | 0:24:59 | |
and Russian Bar! Give them a big round of applause, everybody! | 0:24:59 | 0:25:04 | |
There they are...all looking tremendous. Weren't they wonderful? | 0:25:04 | 0:25:08 | |
But only one act can be released from The Slammer today, | 0:25:08 | 0:25:12 | |
and you will decide with this - Gimbert's all-new clapometer. | 0:25:12 | 0:25:17 | |
Bigger and better. The more noise you make, | 0:25:17 | 0:25:20 | |
the higher the score. It goes to a top possible score of 100. | 0:25:20 | 0:25:24 | |
So, it's up to you. Well, the first act you saw were marvellous. | 0:25:24 | 0:25:28 | |
Will they go free? Let's see, as you make some noise for Gamarjobat! | 0:25:28 | 0:25:33 | |
LOUD CHEERING | 0:25:33 | 0:25:35 | |
Oh... | 0:25:39 | 0:25:40 | |
Wow! There they are, a wonderful score. | 0:25:40 | 0:25:44 | |
89.2 for Gamarjobat! Very good indeed. Wonderful. | 0:25:44 | 0:25:48 | |
Well, that's a marvellous score, but on his unicycle, | 0:25:48 | 0:25:53 | |
will you please give some appreciation for... | 0:25:53 | 0:25:56 | |
Attila Endresz! LOUD CHEERING | 0:25:56 | 0:26:01 | |
Ooh... Oh, 84, not a bad score, but second place at the moment. | 0:26:06 | 0:26:11 | |
Still in the lead, it's Gamarjobat. Very unusual acts on The Slammer | 0:26:11 | 0:26:14 | |
this week, and this was no exception. Let's hear it for | 0:26:14 | 0:26:18 | |
Black Room Jackson! LOUD CHEERING | 0:26:18 | 0:26:22 | |
84.8. Still just in the lead, | 0:26:25 | 0:26:27 | |
it's Gamarjobat. Will they be pipped at the post? Who knows. | 0:26:27 | 0:26:31 | |
They came all the way from Russia, they went high, | 0:26:31 | 0:26:34 | |
will they go high in the scores? Give your appreciation for | 0:26:34 | 0:26:37 | |
Russian Bar! CHEERING | 0:26:37 | 0:26:41 | |
Oh! Let's have a look... A sensational score there | 0:26:48 | 0:26:52 | |
from Russian Bar. But still in the lead, | 0:26:52 | 0:26:54 | |
the winners, with 89.2, and going free, it's Gamarjobat! | 0:26:54 | 0:27:00 | |
CHEERING AND APPLAUSE They're free to go! Free to go! | 0:27:00 | 0:27:04 | |
Take them away - Gamarjobat! You're free to leave The Slammer. | 0:27:04 | 0:27:07 | |
Give them a round of applause! Off you go, lads. | 0:27:07 | 0:27:11 | |
The rest of them - well done, everybody, tremendous! | 0:27:11 | 0:27:15 | |
That's it from The Slammer. From all the gang here, | 0:27:15 | 0:27:18 | |
see you again soon. Bye, everybody! Bye-bye! | 0:27:18 | 0:27:22 | |
Hi, I'm the new inmate. | 0:27:36 | 0:27:38 | |
I was kidnapped on my way here... | 0:27:38 | 0:27:41 | |
I'm Lionel Blair! Yeah, yeah, very funny. | 0:27:41 | 0:27:45 | |
..It's another one. | 0:27:45 | 0:27:46 | |
Hop it! Before I have you arrested. | 0:27:46 | 0:27:49 | |
Oh! | 0:27:49 | 0:27:50 |