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# You've been guilty of a howling showbiz crime | 0:00:02 | 0:00:08 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:08 | 0:00:13 | |
# With every type of minstrel entertainer and artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit to try and get released | 0:00:17 | 0:00:21 | |
# So go fetch an audience Bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act with a bit of glitz and glamour | 0:00:26 | 0:00:31 | |
# Your fate is in their hands so make them cheer and clamour | 0:00:31 | 0:00:34 | |
# It's the only way you'll ever leave The Slammer | 0:00:34 | 0:00:38 | |
# It's the only way you'll ever leave The Slammer! | 0:00:38 | 0:00:42 | |
# One, two, three, stop! # | 0:00:46 | 0:00:48 | |
Oh, yeah, rock'n'roll! You guys make McFly look like pensioners! | 0:00:48 | 0:00:53 | |
-Well done. -Also today we have Dan Menendez, the piano juggler. | 0:00:53 | 0:00:58 | |
HE PLAYS A JOLLY TUNE | 0:00:58 | 0:01:01 | |
I love an act that can multi-task. Two for the price of one! Who now? | 0:01:01 | 0:01:05 | |
This is prisoner Johnny Brenner. | 0:01:05 | 0:01:08 | |
Seems like a balanced individual. You've come on a long way, son. | 0:01:08 | 0:01:14 | |
-I'm very proud. -And finally, Uncle, this is Barto. | 0:01:14 | 0:01:18 | |
-See what he does with a coat hanger! -Oh, er... | 0:01:18 | 0:01:24 | |
Yes, it's a... And isn't it...? Double and... I like the helmet. | 0:01:24 | 0:01:30 | |
Oh, a laughing policeman! Haven't had one of those in a while. | 0:01:30 | 0:01:34 | |
-What are you called? -Edward Archibald Robbins. -That's my name! | 0:01:34 | 0:01:39 | |
You're under arrest. | 0:01:39 | 0:01:41 | |
Mr Burgess, what's going on?! | 0:01:41 | 0:01:44 | |
Grievous crime against showbiz, sir. | 0:01:44 | 0:01:47 | |
-It's a mistake. -These officers say that last Saturday | 0:01:47 | 0:01:51 | |
you invaded the stage at the Royal Ballet. | 0:01:51 | 0:01:54 | |
Pirouetting into the ballerina and knocking the poor girl flying. | 0:01:54 | 0:01:59 | |
It took them three hours to extract her from a tuba. | 0:01:59 | 0:02:03 | |
I've never been to the Royal Ballet. | 0:02:03 | 0:02:06 | |
Listen, WPC Pernackerpants and you, big boy, | 0:02:06 | 0:02:10 | |
you can't arrest an innocent man without any.... | 0:02:10 | 0:02:13 | |
Oh... Evidence. | 0:02:13 | 0:02:17 | |
But that can't be me! | 0:02:17 | 0:02:19 | |
Last Saturday I had a quiet night in with Mrs Governor and Doctor Who. | 0:02:19 | 0:02:24 | |
There's only one explanation - I've been framed! Not that type of frame! | 0:02:24 | 0:02:29 | |
-It's a fit-up! -But with all due respect, | 0:02:29 | 0:02:34 | |
that's what all you showbiz shirkers say. | 0:02:34 | 0:02:37 | |
-Take him to a cell. -Sorry, Uncle, I mean Governor Robbins. | 0:02:37 | 0:02:41 | |
Shirker?! Get your hands off me! | 0:02:41 | 0:02:44 | |
COCKEREL CROWS | 0:02:44 | 0:02:48 | |
Come along, you entertainment 'erberts, out of those cells. | 0:02:48 | 0:02:53 | |
-Left, right, left, right, left! -It's a bit early. | 0:02:53 | 0:02:57 | |
You know I like the prisoners to have a lie-in on Freedom Show day. | 0:02:57 | 0:03:01 | |
Mr Burgess to you. | 0:03:01 | 0:03:03 | |
What you like no longer matters. You're a prisoner, my lad. | 0:03:03 | 0:03:08 | |
Any minute now, our new governor is arriving - Mr Beltem. | 0:03:08 | 0:03:12 | |
-ALL: -Mr Beltem! -Oh, yes. | 0:03:12 | 0:03:16 | |
< DOOR UNLOCKS | 0:03:16 | 0:03:17 | |
Governor on parade! ATTENTION! | 0:03:17 | 0:03:22 | |
DRAMATIC SINISTER MUSIC | 0:03:22 | 0:03:25 | |
-Be silent! -Hey... | 0:03:28 | 0:03:29 | |
-At ease. -Thank you, sir. -You must be Mr Beltem. | 0:03:36 | 0:03:40 | |
I'm Mr Robbins, former governor of The Slammer. | 0:03:40 | 0:03:43 | |
-I don't touch prisoners. Know why? -Please tell us, Mr Beltem. | 0:03:43 | 0:03:49 | |
Because you're dirty, filthy, good-for-nothing SCUM! | 0:03:49 | 0:03:53 | |
I understand this is a prison for entertainers. | 0:03:55 | 0:03:59 | |
Melvin O'Doon, song and dance man. | 0:03:59 | 0:04:02 | |
MUSIC: "Don't Stop Till You Get Enough" by Michael Jackson | 0:04:02 | 0:04:08 | |
There's nothing I hate MORE than entertainers. | 0:04:08 | 0:04:11 | |
-So, from now on this place will be run like a proper prison. -Oooh! | 0:04:13 | 0:04:19 | |
All showbiz activity, performance - | 0:04:19 | 0:04:22 | |
rehearsal or otherwise - is strictly banned. | 0:04:22 | 0:04:26 | |
-As for your Freedom Show.. -Freedom show...! Ridiculous. -Forget it. | 0:04:26 | 0:04:32 | |
-No! -No prisoner will ever be free again, not in a million YEARS! | 0:04:32 | 0:04:39 | |
-Have I made myself clear? -Oh, absolutely, sir. | 0:04:39 | 0:04:44 | |
That's more like it. | 0:04:54 | 0:04:56 | |
How long do we have to smash up boulders for no reason? | 0:05:00 | 0:05:05 | |
Until you finish all 4,000 of them, you cocky little lowlife. | 0:05:05 | 0:05:09 | |
Yes. | 0:05:09 | 0:05:11 | |
Get those balls away from me. | 0:05:11 | 0:05:12 | |
Have that man thrown in solitary confinement for 37 weeks. | 0:05:12 | 0:05:17 | |
< Take that man away. | 0:05:17 | 0:05:20 | |
Very good. Very good. Sir, after you. | 0:05:20 | 0:05:24 | |
-125, 126... -So, how is our illustrious former governor doing? | 0:05:24 | 0:05:30 | |
Not bad, Mr Beltem, sir. Only 4,874 lifts to go. | 0:05:30 | 0:05:34 | |
Ah, suffering prisoners. | 0:05:34 | 0:05:37 | |
It gives me a wonderful, icy feeling deep down inside. | 0:05:37 | 0:05:41 | |
Oh, yes, the icy-cold feeling, sir. I'm getting it too, sir. | 0:05:41 | 0:05:45 | |
Come on, no slacking. | 0:05:45 | 0:05:47 | |
-Wonderful man. Wonderful man. -You heard Mr Beltem. | 0:05:49 | 0:05:53 | |
-No slacking, Uncle. Um, Mr Robbins. -AAAARRRRGGGGHHHHH! | 0:05:53 | 0:05:58 | |
-Ah! -Don't you KNOCK?! | 0:06:03 | 0:06:06 | |
-Sorry, sir. You sent for me, sir. -Yes, I did, Burgess, yes, indeed. | 0:06:06 | 0:06:12 | |
As you'll no doubt understand, | 0:06:12 | 0:06:15 | |
I demand the same level of discipline from my wardens | 0:06:15 | 0:06:19 | |
-as I do from the prisoners. -Absolutely, sir. | 0:06:19 | 0:06:23 | |
Which is why I'm making a few minor changes that will affect you. | 0:06:23 | 0:06:28 | |
I'm all for change, sir. SINISTER LAUGH | 0:06:28 | 0:06:32 | |
Annual holidays to be reduced from four weeks to 14 minutes. | 0:06:32 | 0:06:36 | |
EXTRA-itchy hair shirts to be worn under uniforms at all times. | 0:06:37 | 0:06:43 | |
No more afternoon tea and choccie biscuits. | 0:06:46 | 0:06:49 | |
I shall do this whenever I like. | 0:06:49 | 0:06:53 | |
No pain, no gain, Burgess! | 0:06:57 | 0:07:00 | |
There, there, Frank. That Mr Beltem's a monster. | 0:07:02 | 0:07:07 | |
-The new governor's got to go. -But how? | 0:07:07 | 0:07:10 | |
Remember when he first arrived, I did a bit of a dance for him. | 0:07:10 | 0:07:15 | |
And he acted like he was scared. | 0:07:15 | 0:07:18 | |
And when Dan Menendez was in the yard juggling, he looked terrified. | 0:07:24 | 0:07:29 | |
And I just caught him reading a book - Cure Your Showbiz Phobia. | 0:07:34 | 0:07:39 | |
-Showbiz phobia, what is that? -Well, Charlie, it's fear of entertainers. | 0:07:39 | 0:07:45 | |
-He pretends to hate them when... -He's terrified of 'em. | 0:07:45 | 0:07:50 | |
I think I have a plan. | 0:07:50 | 0:07:52 | |
# Another opening, another show | 0:07:52 | 0:07:55 | |
# In Philly, Boston or Baltimo' Time for stage folks to say hello | 0:07:55 | 0:08:00 | |
# Another opening of another show. # | 0:08:00 | 0:08:03 | |
Stay away from me. Oh, the horror! | 0:08:03 | 0:08:07 | |
SINGING DROWNED OUT BY SHOUTING | 0:08:07 | 0:08:11 | |
CIRCUS CLOWN MUSIC | 0:08:11 | 0:08:16 | |
Oh! | 0:08:19 | 0:08:21 | |
The governor of a prison for entertainers with showbiz phobia! | 0:08:21 | 0:08:27 | |
-Can't be a governor if you're afraid of the inmates. -I need help. | 0:08:27 | 0:08:32 | |
The best way to overcome a phobia is face it head on! | 0:08:32 | 0:08:35 | |
In that case, let's chain Mr Beltem | 0:08:35 | 0:08:38 | |
to the front row during today's Freedom Show! | 0:08:38 | 0:08:42 | |
-Look, sir. -A ballet tutu and a governor mask. He framed the guv! | 0:08:42 | 0:08:48 | |
This place is not a proper prison. It's too...soft! | 0:08:48 | 0:08:53 | |
I'll show you soft. How do I look? | 0:08:53 | 0:08:57 | |
-Great. -Thank you very much. | 0:08:57 | 0:09:00 | |
In that case, it's show time! | 0:09:00 | 0:09:03 | |
'Ladies and gentlemen, welcome to HM Slammer, | 0:09:03 | 0:09:08 | |
'where you decide which prisoner is to be released. | 0:09:08 | 0:09:13 | |
'Please welcome your host - | 0:09:13 | 0:09:15 | |
'he's been reinstated, his teeth are all gold-plated, | 0:09:15 | 0:09:19 | |
'his pupils are dilated and his trumps are syncopated...' | 0:09:19 | 0:09:24 | |
PHHRRRTTTT! | 0:09:24 | 0:09:26 | |
'..it's the governor!' | 0:09:26 | 0:09:29 | |
CHEERING AND APPLAUSE | 0:09:29 | 0:09:35 | |
-Yeah, who's the governor?! -CHILDREN: You're the governor! | 0:09:43 | 0:09:47 | |
We have got some fantastic performers for you. | 0:09:47 | 0:09:52 | |
-We've got a very high-up act called Johnny Brenner. -Oooooh! | 0:09:52 | 0:09:58 | |
A strange man in a strange pair of trousers | 0:09:58 | 0:10:02 | |
called Barto. | 0:10:02 | 0:10:04 | |
CHILDREN: Oooooh! | 0:10:04 | 0:10:06 | |
-And a real live-wire act called Three-Pin Socket! -Oooh! | 0:10:06 | 0:10:12 | |
Now a prisoner serving an extra two years in the Corbett wing | 0:10:12 | 0:10:17 | |
of The Slammer because he plays the piano in a strange way. | 0:10:17 | 0:10:22 | |
He tried to escape using the keys. Please welcome Dan Menendez! | 0:10:22 | 0:10:27 | |
CHEERING AND APPLAUSE | 0:10:27 | 0:10:32 | |
A HESITANT, SLOW TUNE IS PLAYED | 0:10:37 | 0:10:44 | |
TUNE GETS MUCH FASTER | 0:11:06 | 0:11:11 | |
CHEERING AND APPLAUSE | 0:11:14 | 0:11:19 | |
APPLAUSE | 0:11:28 | 0:11:32 | |
MUSIC: "The Can-Can" | 0:11:44 | 0:11:49 | |
MUSIC IS SLOW THEN BECOMES FASTER AND FASTER | 0:11:56 | 0:12:02 | |
CHEERING AND APPLAUSE | 0:12:20 | 0:12:23 | |
Give a big cheer, ladies and gentlemen - Dan Menendez. | 0:12:23 | 0:12:28 | |
Bouncing all those balls. Marvellous. | 0:12:30 | 0:12:33 | |
Did he hit the right note with you? Mr Burgess? | 0:12:33 | 0:12:37 | |
-Was it a case of Can-Can or can't-can't? -Can-Can. -Why? | 0:12:37 | 0:12:42 | |
-He looked funny when he looked like that... -Like what, sir? | 0:12:42 | 0:12:47 | |
-When he flicked his jacket up. -Like to demonstrate? | 0:12:47 | 0:12:50 | |
Flick your tail, sir. | 0:12:50 | 0:12:53 | |
AUDIENCE GIGGLES | 0:12:53 | 0:12:56 | |
-Do you feel better for seeing that? -Yeah. | 0:12:56 | 0:12:59 | |
-You usually feel better after seeing the doctor, sir. -Did you like it? | 0:12:59 | 0:13:04 | |
It was amazing. I loved it when he balanced it on his head. | 0:13:04 | 0:13:09 | |
This could have worked out so well for the pair of us but... | 0:13:09 | 0:13:15 | |
-Go on, how are you feeling? -One of the scariest things I've ever seen. | 0:13:15 | 0:13:20 | |
Those hideous bouncing balls, that horrid piano. | 0:13:20 | 0:13:25 | |
One word, sir, just looking for the one. | 0:13:25 | 0:13:29 | |
-Fantastic. -Fantastic, sir. | 0:13:29 | 0:13:33 | |
Well, on to our next performing prisoner. What an act this is. | 0:13:33 | 0:13:37 | |
Please welcome Johnny Brenner. | 0:13:37 | 0:13:40 | |
CHEERING AND APPLAUSE | 0:13:40 | 0:13:43 | |
MUSIC: "Let Me Entertain You" by Robbie Williams | 0:13:57 | 0:14:04 | |
# Hell is gone and heaven's here There's nothing left for you to fear | 0:14:05 | 0:14:10 | |
# Shake your ass, come over here Now scream | 0:14:10 | 0:14:14 | |
# The effigy of everything I used to be, you're my rock of empathy | 0:14:14 | 0:14:17 | |
# My dear, so come on | 0:14:17 | 0:14:20 | |
# Let me entertain you | 0:14:20 | 0:14:25 | |
# Let me entertain you | 0:14:28 | 0:14:33 | |
# Life's too short for you to die so grab yourself an alibi | 0:14:36 | 0:14:41 | |
# Heaven knows, your mother lied mon cher | 0:14:41 | 0:14:44 | |
# Separate your right from wrongs Come and sing a different song | 0:14:44 | 0:14:47 | |
# The kettle's on | 0:14:47 | 0:14:50 | |
# Come on, let me entertain you | 0:14:50 | 0:14:55 | |
# Let me entertain you | 0:14:59 | 0:15:04 | |
# Look me up in the Yellow Pages I will be your rock of ages | 0:15:06 | 0:15:09 | |
# See through your fads and crazy phases, yeah | 0:15:09 | 0:15:13 | |
# Little Bo Beep has lost his sheep He popped a pill and fell asleep | 0:15:13 | 0:15:18 | |
# The dew is wet but the grass is sweet | 0:15:18 | 0:15:21 | |
# Your mind gets burned with the habits you've learned | 0:15:21 | 0:15:25 | |
# But we're the generation that's gotta be heard | 0:15:25 | 0:15:29 | |
# You're tired of your teachers and your school's a drag | 0:15:29 | 0:15:33 | |
# You're gonna end up like your mum and dad | 0:15:33 | 0:15:36 | |
# So come on, let me entertain you | 0:15:36 | 0:15:42 | |
# Let me entertain you. # | 0:15:43 | 0:15:49 | |
CHEERING AND APPLAUSE | 0:15:49 | 0:15:51 | |
# Let me entertain you | 0:15:51 | 0:15:57 | |
# He may be good He may be out of sight | 0:16:00 | 0:16:04 | |
# But he can't be here so come round tonight. # | 0:16:04 | 0:16:07 | |
Whoo! | 0:16:09 | 0:16:11 | |
CHEERING AND APPLAUSE | 0:16:11 | 0:16:14 | |
Give him a big cheer! Johnny Brenner! | 0:16:14 | 0:16:18 | |
And remember, no messing around with flames. What did you think? | 0:16:18 | 0:16:23 | |
What did you make of that, Mr Beltem? | 0:16:23 | 0:16:26 | |
Flaming rubbish! | 0:16:26 | 0:16:28 | |
Flaming... | 0:16:28 | 0:16:30 | |
-Sir? -It was really tense cos of the fire. -Tense? -Yeah. -Go on, sir. | 0:16:32 | 0:16:38 | |
-Could have improved his outfit - it was see-through. -See-through? -Yes. | 0:16:38 | 0:16:44 | |
-That didn't appeal? -No. -How would you improve his costume? | 0:16:44 | 0:16:49 | |
Not see-through. | 0:16:50 | 0:16:52 | |
-What did you think of that act? -Incredible - I wish I could do it. | 0:16:52 | 0:16:58 | |
-And was it a deep impact for you, or a sudden impact? -A deep impact. | 0:16:58 | 0:17:03 | |
-Why, sir? -That was the BEST thing on Earth! | 0:17:03 | 0:17:07 | |
I'd watch it again and again if I was allowed to. | 0:17:07 | 0:17:10 | |
-You'd watch it again and again? -YES! | 0:17:10 | 0:17:15 | |
-How much, sir? -100% -Let me see the whites of your eyes. Say it again. | 0:17:15 | 0:17:20 | |
100%! | 0:17:20 | 0:17:22 | |
-100%, sir? -Y-E-E-E-E-S! -Thank you. | 0:17:22 | 0:17:25 | |
And for one final word, sum that act for me, sir. | 0:17:27 | 0:17:33 | |
Um...superb. | 0:17:33 | 0:17:36 | |
Superb, SIR! | 0:17:36 | 0:17:39 | |
With our next performer, I can't describe him - words fail me. | 0:17:39 | 0:17:45 | |
He's got the strangest pair of trousers I've ever seen - Barto! | 0:17:45 | 0:17:50 | |
CHEERING AND APPLAUSE | 0:17:50 | 0:17:55 | |
Oooh, bye-bye. | 0:18:18 | 0:18:20 | |
HE MAKES SILLY NOISES | 0:18:28 | 0:18:33 | |
LAUGHTER | 0:19:20 | 0:19:23 | |
HI-EEEE-OHHHHHHHHHHHHHHHHHH! | 0:19:29 | 0:19:34 | |
CHEERING AND APPLAUSE | 0:19:50 | 0:19:53 | |
Oh, give him a big cheer, ladies and gentlemen, yeah! | 0:19:53 | 0:19:58 | |
Now just one important thing, | 0:19:58 | 0:20:01 | |
I don't want anyone messing round with coat hangers. | 0:20:01 | 0:20:06 | |
But has he done enough to get free? Let's find out. | 0:20:06 | 0:20:10 | |
Now, is this getting any easier for you? | 0:20:10 | 0:20:13 | |
-Oh, Mr B, I just want to go home. -Do you, now? | 0:20:13 | 0:20:17 | |
Are you cured of your showbiz phobia? | 0:20:17 | 0:20:19 | |
Curiously...ever so slightly. | 0:20:19 | 0:20:23 | |
-Do you like Barto? -Yeah, I think he'll get a 93% chance to get out. | 0:20:23 | 0:20:29 | |
Go on, describe the act to me. | 0:20:29 | 0:20:31 | |
Erm...it was weird, but wonderful. | 0:20:31 | 0:20:34 | |
Right then, miss, what did you make of that? Was he a loony bin? | 0:20:34 | 0:20:39 | |
-Yes. -Why? -He was stupid. | 0:20:39 | 0:20:42 | |
THEY LAUGH | 0:20:42 | 0:20:43 | |
Stupid. | 0:20:43 | 0:20:45 | |
-Why was he stupid? -Did you see the places where he put his hanger? | 0:20:45 | 0:20:51 | |
I did and it brought tears to my eyes! | 0:20:51 | 0:20:56 | |
-Did it yours? -No. | 0:20:56 | 0:20:59 | |
THEY LAUGH | 0:20:59 | 0:21:01 | |
-Didn't bother you that much? -No. | 0:21:01 | 0:21:04 | |
-Think we should release him? -No. | 0:21:04 | 0:21:06 | |
-Do you say yes to anything? -No. | 0:21:06 | 0:21:10 | |
Fair comment. And for a final word... Miss. | 0:21:12 | 0:21:16 | |
-Gross. -Gross. | 0:21:16 | 0:21:19 | |
Jailors and jailbirds, one more performing prisoner. | 0:21:19 | 0:21:23 | |
These three, very unusual. They're 13 years of age. | 0:21:23 | 0:21:27 | |
About the same age as my jokes. | 0:21:27 | 0:21:29 | |
Will you please make some noise for Three-Pin Socket! | 0:21:29 | 0:21:33 | |
CHEERING AND APPLAUSE | 0:21:33 | 0:21:35 | |
# One, two, three, go! | 0:21:35 | 0:21:37 | |
# So help me I'm in trouble | 0:21:47 | 0:21:49 | |
# Help me I need you now | 0:21:49 | 0:21:52 | |
# Help me I'm in trouble | 0:21:52 | 0:21:55 | |
# I'm lost in misery now | 0:21:55 | 0:21:56 | |
# I can see the sight of distress | 0:21:56 | 0:21:59 | |
# When I dreamt you were second best | 0:21:59 | 0:22:02 | |
# Lost in misery now | 0:22:02 | 0:22:04 | |
# Lost in misery now | 0:22:04 | 0:22:07 | |
# I'm sick and tired of people watching over me | 0:22:07 | 0:22:11 | |
# Lost in misery | 0:22:11 | 0:22:14 | |
# So help me I'm in trouble | 0:22:16 | 0:22:19 | |
# So help me I need you now | 0:22:19 | 0:22:22 | |
# Help me I'm in trouble | 0:22:22 | 0:22:24 | |
# I am lost in misery now | 0:22:24 | 0:22:26 | |
# I can see the sight of distress | 0:22:26 | 0:22:29 | |
# When I dreamt you were second best | 0:22:29 | 0:22:32 | |
# Lost in misery now | 0:22:32 | 0:22:34 | |
# I am lost in misery now | 0:22:34 | 0:22:36 | |
# I'm sick and tired of people watching over me | 0:22:36 | 0:22:40 | |
# Lost in misery | 0:22:40 | 0:22:44 | |
# Sick and tired of people watching over me | 0:22:47 | 0:22:50 | |
# Lost in misery | 0:22:50 | 0:22:54 | |
# Lost in misery now | 0:23:07 | 0:23:08 | |
# Lost in misery now | 0:23:08 | 0:23:11 | |
# Lost in misery now | 0:23:11 | 0:23:13 | |
# Lost in misery now | 0:23:13 | 0:23:15 | |
# Sick and tired of people watching over me | 0:23:36 | 0:23:40 | |
# Lost in misery | 0:23:40 | 0:23:44 | |
# On, two, three, stop! # | 0:23:54 | 0:23:56 | |
CHEERING AND APPLAUSE | 0:23:56 | 0:23:58 | |
Three-Pin Sockets. What did you think? | 0:24:02 | 0:24:05 | |
Let's find out with Mr Burgess. | 0:24:05 | 0:24:07 | |
Lost In Misery. I know I was, listening to that. | 0:24:07 | 0:24:10 | |
-What about you, miss? -I liked the drummer, he's cool. | 0:24:10 | 0:24:15 | |
Got a bit of a crush on him? | 0:24:15 | 0:24:16 | |
Did you like him? | 0:24:16 | 0:24:18 | |
SHE GIGGLES | 0:24:18 | 0:24:20 | |
Did you think he was a bit nice? | 0:24:20 | 0:24:22 | |
Did you? You can tell me, no-one else's listening. | 0:24:23 | 0:24:26 | |
-Did you, miss? -I really liked the music. | 0:24:28 | 0:24:31 | |
-Would you like to release him? -Yes. | 0:24:31 | 0:24:34 | |
Then you could meet him and have tea. | 0:24:34 | 0:24:37 | |
Mr Beltem? | 0:24:38 | 0:24:39 | |
Thank you, sir. | 0:24:41 | 0:24:43 | |
-Did you like Three-Pin Socket? -I thought the lyrics were great. | 0:24:43 | 0:24:49 | |
The singer was awesome. The drummer was wicked. | 0:24:49 | 0:24:53 | |
And the guitarist was cooly-cool. | 0:24:53 | 0:24:56 | |
And for one final word...miss. | 0:24:56 | 0:24:59 | |
-Wicked! -Wicked. | 0:24:59 | 0:25:01 | |
Sir. | 0:25:01 | 0:25:03 | |
Who's gonna go free? Let's decide with this. | 0:25:03 | 0:25:06 | |
The wonderful Clapometer! | 0:25:06 | 0:25:09 | |
Yeees! Marvellous, isn't it? | 0:25:09 | 0:25:12 | |
That's what decides who goes free. You have four to choose from. | 0:25:12 | 0:25:16 | |
Let's welcome them onto the stage! Dan Menendez! | 0:25:16 | 0:25:21 | |
Johnny Brenner. | 0:25:21 | 0:25:23 | |
Barto and Three-Pin Socket! | 0:25:23 | 0:25:26 | |
Whoever gets the highest score walks free. | 0:25:30 | 0:25:34 | |
The rest - it'll be the usual for supper. | 0:25:34 | 0:25:37 | |
First up, let's hear it for Dan Menendez! | 0:25:37 | 0:25:42 | |
THEY CLAP AND CHEER LOUDLY | 0:25:42 | 0:25:45 | |
A good score. Oh! 62.4. All right, then. | 0:25:50 | 0:25:53 | |
Not a bad score. | 0:25:53 | 0:25:55 | |
But can it be beaten? Let's see. | 0:25:55 | 0:25:57 | |
The next act - a wonderful, sensational act, Johnny Brenner! | 0:25:57 | 0:26:02 | |
THEY CLAP AND CHEER WILDLY | 0:26:02 | 0:26:04 | |
A good score for Johnny - 73.2. | 0:26:08 | 0:26:11 | |
He's in the lead. | 0:26:11 | 0:26:13 | |
Will he be walking free? | 0:26:13 | 0:26:15 | |
Let's see as we welcome the next act - Barto! | 0:26:15 | 0:26:19 | |
THEY CLAP AND CHEER | 0:26:19 | 0:26:23 | |
No, it's not a winning score. | 0:26:25 | 0:26:29 | |
Still in the lead, ten points ahead, Johnny Brenner. | 0:26:29 | 0:26:34 | |
Three young musicians, now. Let's hear it for Three-Pin Socket! | 0:26:34 | 0:26:38 | |
THEY CHEER RAUCOUSLY | 0:26:38 | 0:26:41 | |
What a noise! Let's have a look. | 0:26:46 | 0:26:48 | |
That's the winner! 77, they're going free. | 0:26:48 | 0:26:51 | |
Let's hear it for Three-Pin Socket. | 0:26:51 | 0:26:54 | |
Give them a big round of applause, jailors and jailbirds. | 0:26:54 | 0:26:58 | |
For the three marvellous acts that didn't go free, | 0:26:58 | 0:27:02 | |
you're staying in the cellar. | 0:27:02 | 0:27:04 | |
But the good new is, you're still in time for tea. | 0:27:04 | 0:27:08 | |
Mr Burgess, I suppose you'll be serving | 0:27:08 | 0:27:11 | |
the same old sloppy-ploppy porridge? | 0:27:11 | 0:27:13 | |
No, I won't be serving that tonight. | 0:27:13 | 0:27:16 | |
-You won't?! -No, sir, it's self-service. | 0:27:16 | 0:27:20 | |
They can help themselves! | 0:27:20 | 0:27:22 | |
Oh! Back to your cells. A big round of applause. | 0:27:22 | 0:27:25 | |
Off you go. Let's hear it for them. | 0:27:25 | 0:27:29 | |
Join us again soon for more fun here on the Freedom Show | 0:27:29 | 0:27:33 | |
and in The Slammer! Bye, everybody! Bye! | 0:27:33 | 0:27:36 | |
Subtitles by Red Bee Media Ltd | 0:27:45 | 0:27:48 | |
E-mail [email protected] | 0:27:48 | 0:27:52 | |
Come in. | 0:27:54 | 0:27:56 | |
# There's no business like show business | 0:27:56 | 0:28:00 | |
# Let's go on with the show. # | 0:28:00 | 0:28:04 | |
That's entertainment! There's hope for you. | 0:28:04 | 0:28:07 |