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"Dear Nephew, things have been busy since you left. | 0:00:02 | 0:00:05 | |
"Sorry I haven't visited you in the hospital | 0:00:05 | 0:00:07 | |
"after the accident with the elephant | 0:00:07 | 0:00:09 | |
"and the chain saw swallower. | 0:00:09 | 0:00:11 | |
"I hope your eyebrows have grown back. | 0:00:11 | 0:00:14 | |
"We've had a few eyebrow-raising acts. Some eye-poppers... | 0:00:14 | 0:00:17 | |
"some show-stoppers... | 0:00:17 | 0:00:19 | |
"and some daft boppers. | 0:00:19 | 0:00:21 | |
"Send my love to your mother, | 0:00:21 | 0:00:23 | |
"I hope she's not too sad to have you back home. | 0:00:23 | 0:00:26 | |
"Thank her for my new mug. | 0:00:26 | 0:00:27 | |
"It makes the tea breaks go really quickly. | 0:00:27 | 0:00:30 | |
"Lots of love, the Governor." | 0:00:30 | 0:00:32 | |
# You've been found guilty of a howling showbiz crime | 0:00:41 | 0:00:46 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:46 | 0:00:50 | |
# With every type of minstrel entertainer and artiste | 0:00:50 | 0:00:54 | |
# Performing to the limit to try and get released | 0:00:54 | 0:00:59 | |
# So go and fetch the audience bring them to The Slammer | 0:00:59 | 0:01:03 | |
# And polish up your act with a bit of glitz and glamour | 0:01:03 | 0:01:07 | |
# Your fate is in their hands so make them cheer and clamour | 0:01:07 | 0:01:12 | |
# It's the only way you'll ever leave The Slammer | 0:01:12 | 0:01:16 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:16 | 0:01:20 | |
Thanks for applying | 0:01:23 | 0:01:24 | |
for the role of prison officer at The Slammer, Miss Knight. | 0:01:24 | 0:01:28 | |
You're a very impressive candidate. | 0:01:28 | 0:01:30 | |
Why did you leave your last job at the call centre? | 0:01:30 | 0:01:33 | |
You know, late nights... PHONE RINGS | 0:01:33 | 0:01:35 | |
Aaah! | 0:01:35 | 0:01:39 | |
Are you all right? | 0:01:39 | 0:01:41 | |
Yes, yes, of course. | 0:01:41 | 0:01:42 | |
Anyway, as I was saying, late nights... | 0:01:42 | 0:01:45 | |
PHONE RINGS Aaah! | 0:01:45 | 0:01:47 | |
OK, OK, I have a pathological fear of telephones. | 0:01:49 | 0:01:54 | |
Yes, well... Thanks for coming in, Miss Knight. | 0:01:54 | 0:01:57 | |
Pop your application form in the Magic Box of Dreams on your way out. | 0:01:57 | 0:02:03 | |
-Isn't that the bin? -It's a magic box of dreams. | 0:02:03 | 0:02:07 | |
PHONE RINGS Aaah! No! | 0:02:07 | 0:02:10 | |
Next! | 0:02:13 | 0:02:15 | |
So, Mr Smith, tell me, what do you know about prisoners? | 0:02:15 | 0:02:18 | |
I used to be one. | 0:02:18 | 0:02:19 | |
Next! | 0:02:19 | 0:02:21 | |
Hee hee hee hee! | 0:02:21 | 0:02:23 | |
Next! | 0:02:23 | 0:02:24 | |
Who are you? | 0:02:25 | 0:02:26 | |
Holly Janice Jupiter Bungee Hedgehog Tesco Meadows. | 0:02:26 | 0:02:29 | |
Sorry I'm late, I walked past a woman on my way here, | 0:02:29 | 0:02:33 | |
-my phone went off and she jumped into a pond, I had to save her. -Ooh! | 0:02:33 | 0:02:37 | |
Right, thank you. Oh... | 0:02:37 | 0:02:40 | |
Ooh, I see you graduated top of your class | 0:02:40 | 0:02:42 | |
-at the Prison Officer's Training Academy. -Oh, yes! | 0:02:42 | 0:02:45 | |
Because of my ideas for improving prison life. | 0:02:45 | 0:02:48 | |
Prison should be a happy place! | 0:02:48 | 0:02:50 | |
We'll start the day with a huge chocolate marshmallow milkshake | 0:02:50 | 0:02:54 | |
-and a bouncy castle session. -I love chocolate milkshakes. | 0:02:54 | 0:02:58 | |
-And bouncy castles! -Who doesn't? | 0:02:58 | 0:03:00 | |
And every night the prison officers read the prisoners a bedtime story. | 0:03:00 | 0:03:05 | |
Right, Miss Meadows... | 0:03:05 | 0:03:06 | |
I think I can safely say, | 0:03:06 | 0:03:08 | |
as long as you satisfy Mr Burgess' requirements, you're in! | 0:03:08 | 0:03:12 | |
-Thank you! -Oh... -Sorry. | 0:03:12 | 0:03:15 | |
Burgess. It means...Warrior. | 0:03:15 | 0:03:19 | |
Meadows. It means...more than one meadow. | 0:03:19 | 0:03:23 | |
Well, you look a bit weedy to me. I hope you're tough enough. | 0:03:23 | 0:03:27 | |
You've got to be tough here - hardest prison in the country. | 0:03:27 | 0:03:31 | |
-I thought it was for entertainers... -Entertainers? Entertainers, she says! | 0:03:31 | 0:03:36 | |
Now, listen. We had a magician in here, Tricky Timmy. | 0:03:36 | 0:03:39 | |
Practised his sawing trick on one of the officers. | 0:03:39 | 0:03:42 | |
-What happened?! -Poor old Stanley. | 0:03:42 | 0:03:45 | |
He's half the man he used to be. | 0:03:45 | 0:03:47 | |
-All right, Stan? -Crikey... | 0:03:47 | 0:03:50 | |
Right then, Miss, time to put you through your paces | 0:03:50 | 0:03:55 | |
-with the Burgess System. -What's that? | 0:03:55 | 0:03:57 | |
-It sounds a bit extreme... -Extremely effective! | 0:04:09 | 0:04:12 | |
To implement the Burgess System, there are three skills to master. | 0:04:12 | 0:04:16 | |
Is one of them singing? | 0:04:16 | 0:04:17 | |
-I made up a Prison Officer's song... -No, it is not! | 0:04:17 | 0:04:20 | |
It's the Prison Officer's Walk, the Prison Officer's Stare | 0:04:20 | 0:04:24 | |
-and the Prison Officer's SHOUT! -Oh, crikey. | 0:04:24 | 0:04:27 | |
Ah, yes. | 0:04:31 | 0:04:32 | |
There's nothing more intimidating than a good Prison Officer's Walk. | 0:04:32 | 0:04:37 | |
Your turn. One step at a time. | 0:04:37 | 0:04:39 | |
Remember, you can't Prison Officer Run | 0:04:39 | 0:04:41 | |
until you can Prison Officer Walk. | 0:04:41 | 0:04:43 | |
Ooh! | 0:04:45 | 0:04:47 | |
Enjoy your trip? Send us a postcard next time! | 0:04:47 | 0:04:50 | |
THEY LAUGH | 0:04:50 | 0:04:51 | |
Oh, dear, oh, dear, oh, dear. | 0:04:51 | 0:04:53 | |
Whatever do they teach you at the academy these days? | 0:04:53 | 0:04:56 | |
Sorry, Miss, I didn't mean to ruin your test. | 0:05:01 | 0:05:04 | |
-Don't worry. -I'm a comedian... not a very good one, | 0:05:04 | 0:05:07 | |
I didn't think anyone would actually laugh. | 0:05:07 | 0:05:10 | |
Maybe I'm not cut out to be a Prison Officer... | 0:05:10 | 0:05:13 | |
-it's a shame, though, I had such big plans... -Yeah? Like what? | 0:05:13 | 0:05:16 | |
I thought it would be good for morale | 0:05:16 | 0:05:19 | |
if we gave the prisoners space hoppers | 0:05:19 | 0:05:21 | |
and installed water slides from cell to cell. | 0:05:21 | 0:05:24 | |
And maybe give them pocket money for good behaviour. | 0:05:24 | 0:05:27 | |
Sounds amazing, everyone would love that! | 0:05:27 | 0:05:30 | |
I'll tell you what we'll do... | 0:05:30 | 0:05:32 | |
-Right, Fields... -Meadows. -Whatever. | 0:05:34 | 0:05:37 | |
Stare him out. | 0:05:37 | 0:05:39 | |
Aaah! | 0:05:42 | 0:05:43 | |
So, how'd I do? | 0:05:45 | 0:05:47 | |
-All right, don't get smug, Fields... -Meadows. -Whatever. | 0:05:47 | 0:05:51 | |
There's still the Prison Officer's SHOUT! | 0:05:52 | 0:05:55 | |
You miserable worm! | 0:05:57 | 0:05:59 | |
No...worms are quite happy creatures actually, | 0:05:59 | 0:06:02 | |
and very good for soil. Er... | 0:06:02 | 0:06:04 | |
Only five minutes till the Freedom Show. | 0:06:04 | 0:06:06 | |
How's the new recruit? | 0:06:06 | 0:06:08 | |
She can stare the stare, but she can't walk the walk. | 0:06:08 | 0:06:11 | |
-Watch this. Fields! -It's Meadows, sir. | 0:06:11 | 0:06:13 | |
Whatever. Prison Officer's Walk - at the double. | 0:06:13 | 0:06:17 | |
-What's up with you lot? -She's just so...intimidating. | 0:06:20 | 0:06:24 | |
I think that ticks the box, Frank. | 0:06:24 | 0:06:26 | |
Only Prison Officer's Shout left. | 0:06:28 | 0:06:30 | |
Well, this should be good. Right, then, Fields, | 0:06:30 | 0:06:33 | |
the Governor wants all inmates in the auditorium immediately, | 0:06:33 | 0:06:37 | |
-dispatch your orders! -Yes, Sir. | 0:06:37 | 0:06:39 | |
Right, listen up! | 0:06:42 | 0:06:43 | |
Move, you horrible lot, there's a show to be done! | 0:06:43 | 0:06:46 | |
Come on! | 0:06:46 | 0:06:48 | |
You call that a clown costume? That's a joke... | 0:06:48 | 0:06:51 | |
Get your act together! | 0:06:51 | 0:06:52 | |
-Actually, I think it's really lovely. -What? | 0:06:52 | 0:06:55 | |
-You horrible clown! -Better. | 0:06:55 | 0:06:57 | |
Very impressive. She could give you a run for your money! | 0:06:57 | 0:07:01 | |
-I think you'll find she was lucky. -Oh, I think it's us who are lucky. | 0:07:01 | 0:07:05 | |
-Welcome to The Slammer, Prison Officer Meadows! -Thank you. | 0:07:05 | 0:07:09 | |
-KLAXON BLARES -Don't just stand there gawping! | 0:07:09 | 0:07:12 | |
Get in the office and pull the switch, there's a show to be done! | 0:07:12 | 0:07:16 | |
-Move those little legs! -Ooh! | 0:07:16 | 0:07:18 | |
Ooh... | 0:07:21 | 0:07:23 | |
How do I look? | 0:07:23 | 0:07:25 | |
-Divine! -Thank you very much. It's Showtime! | 0:07:25 | 0:07:28 | |
Ladies and gentlemen, welcome to HMP Slammer, | 0:07:31 | 0:07:34 | |
where you decide which prisoner is to be released. | 0:07:34 | 0:07:37 | |
Now, please welcome your host, | 0:07:37 | 0:07:39 | |
he's slapped paint on the walls and refurbished the place. | 0:07:39 | 0:07:43 | |
Now he's going to slap a fat smile on your face! | 0:07:43 | 0:07:46 | |
It's the Governor! APPLAUSE | 0:07:46 | 0:07:50 | |
-Who's the Governor? -ALL: -You're the Governor! | 0:08:05 | 0:08:08 | |
Oh, Jailers and Jailbirds, it's great to see you for a Freedom Show. | 0:08:08 | 0:08:12 | |
But before we do anything else, we've got a new addition | 0:08:12 | 0:08:16 | |
to The Slammer, it's Prison Officer Meadows. | 0:08:16 | 0:08:19 | |
We've got a Freedom Show, ladies and gentlemen. | 0:08:21 | 0:08:24 | |
Four acts who are all here in The Slammer, | 0:08:24 | 0:08:26 | |
who've committed crimes but are hoping to get free. | 0:08:26 | 0:08:30 | |
You will decide who's going free. And what acts we've got for you! | 0:08:30 | 0:08:34 | |
We've got a magical act called Magic Lee. | 0:08:34 | 0:08:36 | |
-AUDIENCE: -Ooh! | 0:08:36 | 0:08:39 | |
We've got a wonderful cycling act, | 0:08:39 | 0:08:41 | |
the sensational Alice Allart and her bike show! | 0:08:41 | 0:08:44 | |
-AUDIENCE: -Ooh! | 0:08:44 | 0:08:46 | |
Yeah. She'll knock you out your saddle. | 0:08:46 | 0:08:49 | |
And a mime act all the way from Japan called Gamarjobat! | 0:08:49 | 0:08:52 | |
-AUDIENCE: -Ooh! | 0:08:52 | 0:08:54 | |
But first, performing prisoners, an act that is serving four years | 0:08:54 | 0:08:58 | |
in The Slammer, they're really, really "Bad". | 0:08:58 | 0:09:02 | |
And you'll understand when you welcome Thriller Live! | 0:09:02 | 0:09:06 | |
MUSIC: "Smooth Criminal" by Michael Jackson | 0:09:20 | 0:09:23 | |
# As he came into the window It was the sound of a crescendo | 0:09:37 | 0:09:41 | |
# He came into her apartment | 0:09:41 | 0:09:42 | |
# He left the bloodstains on the carpet | 0:09:42 | 0:09:45 | |
# She ran underneath the table He could see she was unable | 0:09:45 | 0:09:49 | |
# So she ran into the bedroom | 0:09:49 | 0:09:50 | |
# She was struck down it was her doom | 0:09:50 | 0:09:52 | |
# Annie, are you OK? | 0:09:52 | 0:09:54 | |
# So, Annie are you OK? | 0:09:54 | 0:09:55 | |
# Are you OK, Annie? Annie, are you OK? | 0:09:55 | 0:09:58 | |
# So, Annie are you OK? | 0:09:58 | 0:09:59 | |
# Are you OK, Annie? Annie, are you OK? | 0:09:59 | 0:10:02 | |
# So, Annie are you OK? Are you OK, Annie? | 0:10:02 | 0:10:05 | |
# Annie, are you OK? | 0:10:05 | 0:10:07 | |
# So, Annie are you OK? are you OK, Annie? | 0:10:07 | 0:10:09 | |
# Annie are you OK? | 0:10:09 | 0:10:11 | |
# Will you tell us that you're OK? | 0:10:11 | 0:10:13 | |
# There's a sign in the window | 0:10:13 | 0:10:15 | |
# That he struck you a crescendo, Annie | 0:10:15 | 0:10:17 | |
# He came into your apartment | 0:10:17 | 0:10:19 | |
# Left the bloodstains on the carpet | 0:10:19 | 0:10:21 | |
# Then you ran into the bedroom | 0:10:21 | 0:10:23 | |
# You were struck down It was your doom | 0:10:23 | 0:10:25 | |
# Annie, are you OK? | 0:10:25 | 0:10:26 | |
# So, Annie are you OK? Are you OK, Annie? | 0:10:26 | 0:10:29 | |
# You've been hit by You've been struck by | 0:10:29 | 0:10:32 | |
# A smooth criminal... # | 0:10:32 | 0:10:34 | |
Ow! | 0:10:37 | 0:10:38 | |
OK, I want everybody to clear the area right now. | 0:10:45 | 0:10:49 | |
Ow! | 0:10:49 | 0:10:50 | |
Ow! | 0:10:57 | 0:10:58 | |
# Annie, are you OK? Will you tell us that you're OK? | 0:10:58 | 0:11:01 | |
# There's a sign in the window | 0:11:01 | 0:11:03 | |
# That he struck you a crescendo, Annie | 0:11:03 | 0:11:06 | |
# He came into your apartment | 0:11:06 | 0:11:08 | |
# Left the bloodstains on the carpet | 0:11:08 | 0:11:10 | |
# Then you ran into the bedroom | 0:11:10 | 0:11:12 | |
# You were struck down It was your doom, Annie... # | 0:11:12 | 0:11:15 | |
Ow! | 0:11:17 | 0:11:18 | |
APPLAUSE | 0:11:18 | 0:11:20 | |
Oh, there they are. | 0:11:23 | 0:11:24 | |
Well, convict connoisseurs, what a sensational act! | 0:11:24 | 0:11:28 | |
Thriller Live. Bad? Good? | 0:11:28 | 0:11:30 | |
Off the wall? Are they going over the wall, out of The Slammer? | 0:11:30 | 0:11:34 | |
Let's find out with Mr Burgess and Miss Meadows! | 0:11:34 | 0:11:37 | |
-Right, then, Fields... -Meadows. -Whatever. | 0:11:37 | 0:11:40 | |
Watch and learn. | 0:11:40 | 0:11:42 | |
Right, then, Miss, what did you make of that? | 0:11:42 | 0:11:44 | |
I think it was cool, fantastic and sensational | 0:11:44 | 0:11:47 | |
because of all the cool dance moves they did. | 0:11:47 | 0:11:50 | |
Tell us about Thriller Live. | 0:11:50 | 0:11:52 | |
Um, that was an amazing tribute, and I really enjoyed it. | 0:11:52 | 0:11:56 | |
-Sum that act up for me in one final word, please. -Exciting. | 0:11:56 | 0:11:59 | |
Exciting! Right, off you go, Fields. | 0:11:59 | 0:12:02 | |
There we are, Thriller Live. Will they be going free? | 0:12:02 | 0:12:05 | |
You've got other acts to see. | 0:12:05 | 0:12:07 | |
The next act is a marvellous magical mind-reading act. | 0:12:07 | 0:12:11 | |
He's serving four years in The Slammer, | 0:12:11 | 0:12:13 | |
for pulling a rabbit out of a hat. | 0:12:13 | 0:12:15 | |
You might not think that's bad, but it was a policeman's hat | 0:12:15 | 0:12:19 | |
and he was wearing it at the time. | 0:12:19 | 0:12:21 | |
Please welcome the mystical skills of Magic Lee! | 0:12:21 | 0:12:27 | |
Well, well, hello everyone! Pleasure to be here. | 0:12:35 | 0:12:38 | |
I'm Magic Lee, and today we're going to be doing some mind reading, | 0:12:38 | 0:12:43 | |
and I'm going to attempt to read your minds. | 0:12:43 | 0:12:45 | |
In this book there's lots of pictures of famous people, | 0:12:45 | 0:12:49 | |
you can see we've got Superman, Mickey Mouse, there. | 0:12:49 | 0:12:52 | |
I need someone to help me out, so let me see, | 0:12:52 | 0:12:55 | |
these two here, would you help me out? | 0:12:55 | 0:12:58 | |
Thank you. Come on up to the stage. | 0:12:58 | 0:13:00 | |
-Hello, young man. What is your name? -Sam. | 0:13:01 | 0:13:04 | |
-Sam, and your girlfriend, what is your name? -Keira. | 0:13:04 | 0:13:07 | |
-Is it not...? -No. -Not your girlfriend, how embarrassing. | 0:13:07 | 0:13:11 | |
Flick through, check they're all different. | 0:13:11 | 0:13:13 | |
I'll explain how we're going to select the famous person. | 0:13:13 | 0:13:17 | |
I've got a bag of different numbered tokens, | 0:13:17 | 0:13:20 | |
representing page numbers in the book. | 0:13:20 | 0:13:22 | |
Dip your hand in, grab one or two, take a couple out. | 0:13:22 | 0:13:26 | |
Brilliant. Let's see what you've got there. | 0:13:26 | 0:13:29 | |
That's number 15, number 32. | 0:13:29 | 0:13:31 | |
So they're all different, that's important. | 0:13:31 | 0:13:34 | |
You're going to select one, | 0:13:34 | 0:13:35 | |
and turn to the page in the book and remember the character. | 0:13:35 | 0:13:39 | |
Brilliant. Would you reach in there? | 0:13:39 | 0:13:41 | |
Grab one of those. Don't let me see. | 0:13:41 | 0:13:44 | |
Grab one, hold it tight in your hand. | 0:13:44 | 0:13:46 | |
Don't show anybody. | 0:13:46 | 0:13:47 | |
I'm going to cover my head with this bag | 0:13:47 | 0:13:50 | |
so I can't see or have any clue as to who the person is, OK? | 0:13:50 | 0:13:55 | |
So here we go, I'll cover my head over with this. | 0:13:55 | 0:13:58 | |
-OK, am I facing the right way? -AUDIENCE: Yes. -Brilliant. | 0:13:58 | 0:14:02 | |
Please turn to the page in the book of the token you've selected. | 0:14:02 | 0:14:06 | |
Let me see... OK, I'm picking up... This is someone very famous. | 0:14:07 | 0:14:11 | |
Ava... Ava Gardner, is that right? | 0:14:11 | 0:14:14 | |
-No. -Oh. It's not Ava Gardner. OK, let me try again. | 0:14:14 | 0:14:17 | |
-It's Sam... Samuel L Jackson? Is it Samuel L Jackson? -No. | 0:14:17 | 0:14:21 | |
I'm ever so sorry, this doesn't usually happen. | 0:14:21 | 0:14:24 | |
-Who have you chosen? -Spider-Man. | 0:14:24 | 0:14:26 | |
I can't hear - can everyone shout that out, please? | 0:14:26 | 0:14:30 | |
-ALL: Spider-Man! -Spider-Man? | 0:14:30 | 0:14:32 | |
# Spider-Man, Spider-Man | 0:14:32 | 0:14:34 | |
# You'll find the Spider-Man. # | 0:14:34 | 0:14:36 | |
All right, then, come on! | 0:14:39 | 0:14:41 | |
Let's hear it for Magic Lee, there! | 0:14:41 | 0:14:44 | |
Thank you! | 0:14:44 | 0:14:45 | |
Is he a magical act, or is he going to do a disappearing act, | 0:14:45 | 0:14:49 | |
out of The Slammer? | 0:14:49 | 0:14:50 | |
Let's find out with Miss Meadows, who's with Mr Burgess. | 0:14:50 | 0:14:54 | |
-Right, come on, Fields. -Meadows. -Whatever. | 0:14:54 | 0:14:57 | |
Come on, stick close. | 0:14:57 | 0:14:59 | |
Get down here. Now then, Miss, Magic Lee. Magic or tragic? | 0:14:59 | 0:15:02 | |
-It was magical. -What about this gentleman here? | 0:15:02 | 0:15:05 | |
He definitely won't be getting sloppy ploppy porridge | 0:15:05 | 0:15:09 | |
-if they still have it. -Right. And for one final word - sir. | 0:15:09 | 0:15:12 | |
-Mind-bobbling. -Brilliant, sir, brilliant! | 0:15:12 | 0:15:16 | |
Right, well, that's what you thought of Magic Lee, Jailers and Jailbirds. | 0:15:16 | 0:15:20 | |
But now it's time for the act that we call Solitary Confinement. | 0:15:20 | 0:15:24 | |
No more custard, Granddad! | 0:15:28 | 0:15:29 | |
Solitary Confinement, the acts that are so bad | 0:15:29 | 0:15:32 | |
we don't let them mix with the other performing prisoners. | 0:15:32 | 0:15:36 | |
But we let them perform now and then. | 0:15:36 | 0:15:38 | |
If they do well, they can't go free, but they get a treat. | 0:15:38 | 0:15:42 | |
Today's treat, if they get the thumbs-up, | 0:15:42 | 0:15:44 | |
they can go down to the park | 0:15:44 | 0:15:46 | |
and have a play on the swings and the roundabouts. | 0:15:46 | 0:15:48 | |
But if they get the thumbs-down then it's a cruel and unusual punishment. | 0:15:48 | 0:15:53 | |
Today, sir, it's being put into a hessian sack | 0:15:53 | 0:15:57 | |
and catapulted into outer space. | 0:15:57 | 0:16:00 | |
Now, who's going to be the judge? | 0:16:00 | 0:16:02 | |
You look like you've got a square head on your shoulders. | 0:16:02 | 0:16:06 | |
Let's get this on. | 0:16:06 | 0:16:07 | |
Oh, she's going to be the judge. Give her a round of applause. | 0:16:07 | 0:16:11 | |
Thank you. | 0:16:11 | 0:16:13 | |
-Listen, what's your name? -Olivia. | 0:16:13 | 0:16:15 | |
Got a thumb? You'll need that thumb later. | 0:16:15 | 0:16:18 | |
Let's get ready for Solitary Confinement | 0:16:18 | 0:16:21 | |
and an act called Dad Direction! | 0:16:21 | 0:16:23 | |
# One way or another | 0:16:30 | 0:16:32 | |
# I'm gonna find you | 0:16:32 | 0:16:34 | |
# I'm gonna get you, get you get you, get you | 0:16:34 | 0:16:37 | |
# One day, maybe next week | 0:16:37 | 0:16:38 | |
# I'm gonna meet you | 0:16:38 | 0:16:40 | |
# I'll meet you, I'll meet you | 0:16:40 | 0:16:42 | |
# One, two, three, four | 0:16:43 | 0:16:45 | |
# Na na na na | 0:16:45 | 0:16:46 | |
# Na na na-na-na-na | 0:16:46 | 0:16:48 | |
# Na na na na | 0:16:48 | 0:16:49 | |
# Na na na-na-na-na | 0:16:49 | 0:16:51 | |
# I wanna hold you wanna hold you tight | 0:16:51 | 0:16:53 | |
# Get teenage kicks right through the night. # | 0:16:53 | 0:16:57 | |
CHEERING | 0:16:57 | 0:16:59 | |
Dad Direction, a whole new meaning to "dad dancing." | 0:17:03 | 0:17:06 | |
And a few surprises for our Jailors and Jailbirds. | 0:17:06 | 0:17:10 | |
Who had a dad in that lot? | 0:17:10 | 0:17:11 | |
Yes, it's your dads, isn't it? | 0:17:11 | 0:17:13 | |
We've got 'em in The Slammer! Shall we keep 'em here? | 0:17:13 | 0:17:17 | |
-ALL: Yes! -Yes! | 0:17:17 | 0:17:18 | |
Judge Olivia, you decide whether they're going to get that treat. | 0:17:18 | 0:17:22 | |
Remember, thumbs up and it's off to the park for a nice play. | 0:17:22 | 0:17:27 | |
Thumbs down, it's off to a galaxy far, far away. | 0:17:27 | 0:17:31 | |
You've got five seconds to decide. What's it going to be? | 0:17:31 | 0:17:35 | |
AUDIENCE: Ohhh... | 0:17:35 | 0:17:37 | |
Oh! | 0:17:40 | 0:17:42 | |
It's off into space in a hessian sack. | 0:17:42 | 0:17:45 | |
Give them a round of applause. | 0:17:45 | 0:17:46 | |
Performing dads. Dad Direction. | 0:17:46 | 0:17:49 | |
Well, Judge Olivia, you did very well. | 0:17:49 | 0:17:51 | |
Nobody goes away empty-handed. You've got a treat as well. | 0:17:51 | 0:17:55 | |
A picture, signed by the Governor. Give her a big hand, please. | 0:17:55 | 0:17:59 | |
Marvellous. | 0:17:59 | 0:18:01 | |
CREAKING AND GROANING | 0:18:01 | 0:18:05 | |
Fire! | 0:18:07 | 0:18:08 | |
Well, your daddies won't be home for tea, will they? | 0:18:13 | 0:18:16 | |
Well, Jailers and Jailbirds, | 0:18:16 | 0:18:18 | |
it's time for our next performing prisoner act, | 0:18:18 | 0:18:21 | |
and what an act she is. | 0:18:21 | 0:18:22 | |
She's a performing cyclist, she's marvellous. | 0:18:22 | 0:18:25 | |
She's serving five years | 0:18:25 | 0:18:27 | |
for doing her act and falling asleep on a bike. | 0:18:27 | 0:18:30 | |
In her defence she said she was "two tyred." | 0:18:30 | 0:18:34 | |
Jailers and Jailbirds, | 0:18:34 | 0:18:36 | |
please welcome Alice Allart's bike show! | 0:18:36 | 0:18:40 | |
APPLAUSE | 0:18:40 | 0:18:43 | |
Oh, oh, yes! Alice Allart, there! And her marvellous bike show. | 0:20:17 | 0:20:21 | |
And remember, Jailers and Jailbirds, | 0:20:21 | 0:20:23 | |
Alice is a highly trained professional performing prisoner, | 0:20:23 | 0:20:27 | |
so do not try that at home on your bicycles. | 0:20:27 | 0:20:30 | |
Anybody watching that, don't try it. | 0:20:30 | 0:20:33 | |
But will she be on her bike out of The Slammer, | 0:20:33 | 0:20:36 | |
or will she be back on the chain gang? | 0:20:36 | 0:20:38 | |
Let's find out, first of all, with Mr Burgess. | 0:20:38 | 0:20:41 | |
Alice Allart. What did you make of that? | 0:20:41 | 0:20:43 | |
-It was good. -Is that all? -Yeah. | 0:20:43 | 0:20:46 | |
A woman does a handstand riding on a bike, backwards, | 0:20:46 | 0:20:50 | |
and all you can say is it's good?! | 0:20:50 | 0:20:52 | |
-You're grinning away there, what did you make of that? -Good! | 0:20:52 | 0:20:56 | |
-What did you think? -Very good, she was very skilful and talented, | 0:20:56 | 0:21:00 | |
lots of dangerous moves, very entertaining. | 0:21:00 | 0:21:03 | |
-Right, Fields... -Meadows. -Whatever. Over to you. | 0:21:03 | 0:21:06 | |
And for one final word, sum that act up, please. | 0:21:06 | 0:21:09 | |
-Exciting. -Exciting, sir. | 0:21:09 | 0:21:12 | |
Well, my felonious felon fans, just one performing prisoner act to see. | 0:21:12 | 0:21:17 | |
They've been in The Slammer before, and they won their freedom. | 0:21:17 | 0:21:21 | |
But being a double act, they've gone and done it again, | 0:21:21 | 0:21:24 | |
so they've got to try and get out again. | 0:21:24 | 0:21:26 | |
Jailers and Jailbirds, welcome the miming talent of Gamarjobat! | 0:21:26 | 0:21:31 | |
Aaah! | 0:21:51 | 0:21:53 | |
THEY SPEAK JAPANESE | 0:21:53 | 0:21:56 | |
ALL: One, two, three! | 0:22:11 | 0:22:16 | |
HE MIMICS ROBOTIC PISTONS | 0:22:39 | 0:22:42 | |
Whoa, there they are. | 0:24:16 | 0:24:18 | |
Weren't they sensational? | 0:24:18 | 0:24:21 | |
But will they be saying... | 0:24:21 | 0:24:23 | |
to The Slammer? Let's find out, with Mr Burgess. | 0:24:23 | 0:24:27 | |
Right, Meadows, you're on. | 0:24:27 | 0:24:30 | |
-All right, all right. -Ahem. Could you sum that act up, please? | 0:24:30 | 0:24:34 | |
Um, it was very creative and inventive. | 0:24:34 | 0:24:37 | |
Describe the act to me. | 0:24:37 | 0:24:39 | |
Really good and entertaining. | 0:24:39 | 0:24:42 | |
-Yes. You like their hair? -Needs some improvements! | 0:24:42 | 0:24:45 | |
And for one final word? | 0:24:45 | 0:24:47 | |
-Impeccable. -Ooh, I like that. | 0:24:47 | 0:24:49 | |
Well, that's it. Gamarjobat, your opinions on them. | 0:24:49 | 0:24:53 | |
Who's going to go free? | 0:24:53 | 0:24:55 | |
Let's welcome them all back onto the stage. | 0:24:55 | 0:24:58 | |
Thriller Live! | 0:24:58 | 0:24:59 | |
Magic Lee! | 0:24:59 | 0:25:01 | |
Here they come. | 0:25:01 | 0:25:03 | |
Alice Allart's bike show! | 0:25:03 | 0:25:06 | |
Gamarjobat! | 0:25:06 | 0:25:08 | |
Marvellous. Four performing prisoner acts. | 0:25:08 | 0:25:11 | |
Each very, very different, but only one can go free. | 0:25:11 | 0:25:14 | |
You will decide with this. Yes, Warden Meadows, Clap-o-meter. | 0:25:14 | 0:25:18 | |
The more noise you make, the higher the score through the Clap-o-meter, | 0:25:18 | 0:25:23 | |
and that performing prisoner act goes free. | 0:25:23 | 0:25:26 | |
It's simple, but will it be this one? Jailers and Jailbirds, | 0:25:26 | 0:25:30 | |
please make some noise and show your appreciation for Thriller Live! | 0:25:30 | 0:25:34 | |
CHEERING | 0:25:34 | 0:25:36 | |
Good score. | 0:25:38 | 0:25:40 | |
Up into the greens, there. | 0:25:40 | 0:25:42 | |
And the computer on the Clap-o-meter says 79.3. | 0:25:42 | 0:25:46 | |
Very good, Thriller Live. Marvellous. | 0:25:46 | 0:25:49 | |
Well, this next gentleman, will he go free? It's Magic Lee! | 0:25:49 | 0:25:53 | |
CHEERING | 0:25:53 | 0:25:55 | |
Oh... | 0:25:55 | 0:25:56 | |
Yes, that's Magic Lee with 72.1. | 0:25:59 | 0:26:02 | |
So he's definitely going to be staying | 0:26:02 | 0:26:04 | |
for some sloppy ploppy porridge. | 0:26:04 | 0:26:07 | |
On now to the next act - Alice Allart's bike show! | 0:26:07 | 0:26:11 | |
CHEERING | 0:26:11 | 0:26:13 | |
Good score. | 0:26:15 | 0:26:17 | |
And remember, don't try those stunts at home, | 0:26:17 | 0:26:20 | |
she's trained to do it. | 0:26:20 | 0:26:22 | |
Alice Allart's bike show gets 77.6. | 0:26:22 | 0:26:25 | |
Well, at the moment in pole position, it is Thriller Live. | 0:26:25 | 0:26:30 | |
Unless one remaining act can knock them off their perch. | 0:26:30 | 0:26:33 | |
Will they be going free a second time from The Slammer? | 0:26:33 | 0:26:37 | |
Please show your appreciation for Gamarjobat! | 0:26:37 | 0:26:40 | |
CHEERING | 0:26:40 | 0:26:42 | |
Oh! | 0:26:44 | 0:26:45 | |
Oh, I think you nearly broke the Clap-o-meter there. | 0:26:46 | 0:26:50 | |
A great score, wasn't it? | 0:26:50 | 0:26:52 | |
91.5. Going free, it's Gamarjobat! You're free, lads! | 0:26:52 | 0:26:58 | |
Free to go! Take 'em away! | 0:26:58 | 0:27:00 | |
Take 'em away! They're free to go! Free at last. | 0:27:00 | 0:27:04 | |
Well, Jailers and Jailbirds, that's good news for Gamarjobat. | 0:27:04 | 0:27:08 | |
And the bad news for all the other acts, | 0:27:08 | 0:27:11 | |
-you're staying in The Slammer. Mr Burgess. -Hah! -What's for tea? | 0:27:11 | 0:27:15 | |
-Steak and chips, sir. -Oh! Are they having steak and chips? | 0:27:15 | 0:27:19 | |
No, that's what I'm having. | 0:27:19 | 0:27:21 | |
-The rest are having sloppy ploppy porridge. -Ohh! | 0:27:21 | 0:27:24 | |
Take 'em away, give 'em a big cheer! | 0:27:24 | 0:27:27 | |
They were marvellous. | 0:27:27 | 0:27:30 | |
Wonderful performing prisoners. | 0:27:30 | 0:27:32 | |
Well, that's all we have time for on the Freedom Show for now. | 0:27:32 | 0:27:36 | |
But we'll be back soon for more fun and frolics | 0:27:36 | 0:27:39 | |
and performing prisoners in The Slammer. | 0:27:39 | 0:27:42 | |
But remember, if you can't sing, dance or rhyme... | 0:27:42 | 0:27:45 | |
-ALL: Don't do the crime! -And we'll see you all soon, | 0:27:45 | 0:27:48 | |
little Jailers and Jailbirds, in The Slammer. Bye-bye, everybody! Bye! | 0:27:48 | 0:27:52 | |
# It's the only way you'll ever leave The Slammer! # | 0:28:11 | 0:28:17 | |
"..and with that, Flopsy Bunny and Tickle Tiger joined hands | 0:28:17 | 0:28:22 | |
"under Cuddle Moon and skipped off to live happily ever after..." | 0:28:22 | 0:28:27 | |
Now get to bed, you horrible little lot! | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:38 |