Browse content similar to Mumble & Son. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Dear sis, I hope you are well and got the chocolate eclair | 0:00:02 | 0:00:04 | |
I sent you for your birthday. | 0:00:04 | 0:00:06 | |
It was half eaten when I bought it - honest. | 0:00:06 | 0:00:08 | |
You should have seen the Freedom Show today. | 0:00:08 | 0:00:10 | |
We had acts to make your mind boggle... | 0:00:10 | 0:00:13 | |
LIVELY MUSIC PLAYS | 0:00:13 | 0:00:14 | |
..acts to make your eyes pop... | 0:00:14 | 0:00:16 | |
LIVELY MUSIC PLAYS | 0:00:16 | 0:00:18 | |
And I saved the day with my lightning fast fingers... | 0:00:18 | 0:00:21 | |
Here we go! | 0:00:21 | 0:00:22 | |
# You've been found guilty | 0:00:28 | 0:00:29 | |
# Of a howling showbiz crime | 0:00:29 | 0:00:32 | |
# So welcome to The Slammer | 0:00:32 | 0:00:34 | |
# Where you're gonna serve your time | 0:00:34 | 0:00:36 | |
# With every type of minstrel, entertainer and artiste | 0:00:36 | 0:00:41 | |
# Performing to the limit to try and get released | 0:00:41 | 0:00:46 | |
# So go fetch the audience, bring them to The Slammer | 0:00:46 | 0:00:50 | |
# And polish up your act with a bit of glitz and glamour | 0:00:50 | 0:00:54 | |
# Your fate is in their hands, so make them cheer and clamour | 0:00:54 | 0:00:59 | |
# It's the only way you'll ever leave The Slammer | 0:00:59 | 0:01:02 | |
# The Slammer | 0:01:02 | 0:01:03 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:03 | 0:01:06 | |
Four in a row, sir. There you go, I win again. | 0:01:14 | 0:01:16 | |
Oh! You've really got the hang of this, haven't you, Frank? | 0:01:16 | 0:01:19 | |
That's 502 to me and none to you, sir. | 0:01:19 | 0:01:22 | |
-Best of 1007? -Yeah, go on, then. | 0:01:22 | 0:01:25 | |
I preferred it when we played two in a row. Much simpler. | 0:01:25 | 0:01:28 | |
PHONE RINGS | 0:01:28 | 0:01:29 | |
Oh, wait a minute. | 0:01:29 | 0:01:30 | |
HMP Slammer, Governor speaking. | 0:01:30 | 0:01:33 | |
Ooh, thank you very much! | 0:01:33 | 0:01:35 | |
-Great news, Frank! -You've been fired, sir! | 0:01:35 | 0:01:38 | |
No, I've not been fired. | 0:01:38 | 0:01:39 | |
My favourite band, Mumford & Sons, are coming to stay at The Slammer. | 0:01:39 | 0:01:43 | |
The Mumford & Sons, sir? Britain's top folk band? Are you sure? | 0:01:43 | 0:01:45 | |
Yes, they've just been arrested, | 0:01:45 | 0:01:47 | |
live on stage for snapping their G string. | 0:01:47 | 0:01:49 | |
-Come on, we've got to give them a proper folksy welcome. -Right, sir. | 0:01:49 | 0:01:53 | |
Finger in ear and droning all the way. | 0:01:53 | 0:01:55 | |
# Diddly-di di-do... # | 0:01:55 | 0:01:59 | |
I'm not altogether sure about this, you know, sir. | 0:01:59 | 0:02:02 | |
Nonsense, Frank. They're folk heroes! | 0:02:02 | 0:02:04 | |
We need to make them feel welcome. | 0:02:04 | 0:02:06 | |
But itchy jumpers, sir, and false beards! | 0:02:06 | 0:02:08 | |
I mean, really, really, sir! | 0:02:08 | 0:02:10 | |
How do you think I feel? | 0:02:10 | 0:02:11 | |
Will you two stop complaining?! | 0:02:11 | 0:02:13 | |
Look, they're really here! Oh, it's Mumford & Sons! | 0:02:13 | 0:02:17 | |
Hang on, I thought Mumford & Sons were a lot younger than that! | 0:02:17 | 0:02:19 | |
They are! You're not Mumford & Sons. | 0:02:19 | 0:02:21 | |
We were promised Mumford & Sons! | 0:02:21 | 0:02:23 | |
No, no, no! We're not Mumford & Sons, | 0:02:23 | 0:02:26 | |
we're Mumble & Son! | 0:02:26 | 0:02:28 | |
Why are you called that? | 0:02:28 | 0:02:29 | |
MAN MUMBLES | 0:02:29 | 0:02:32 | |
OTHER MAN LAUGHS | 0:02:32 | 0:02:33 | |
Exactly. I'm Mickey Mumble and this is my dad, Martin Mumble. | 0:02:33 | 0:02:37 | |
Your dad? You both look the same age to me. | 0:02:37 | 0:02:39 | |
I've had a very hard life. | 0:02:39 | 0:02:40 | |
I'm not surprised, with him as your father. | 0:02:40 | 0:02:42 | |
Sir, you seriously can't want these two to close the Freedom Show. | 0:02:42 | 0:02:45 | |
-They might not be that bad! -Meadows is right. | 0:02:45 | 0:02:48 | |
Let's at least give them a chance, Frank. Come on, hit it. | 0:02:48 | 0:02:52 | |
THEY SING MUMBLED LYRICS | 0:02:54 | 0:02:59 | |
Hey, and that is our greatest hit! | 0:02:59 | 0:03:02 | |
Meadows was right, sir. They're not bad. | 0:03:05 | 0:03:07 | |
They're flaming terrible! | 0:03:07 | 0:03:09 | |
Oh, this takes me back. | 0:03:09 | 0:03:11 | |
What to? A bee attack? | 0:03:11 | 0:03:13 | |
No, sir, family holidays in Wales! | 0:03:13 | 0:03:15 | |
I think I'll take my chances with the bees. | 0:03:15 | 0:03:17 | |
What are you doing, Meadows? What are you doing? | 0:03:17 | 0:03:20 | |
All right, all right! Cut, cut, cut! | 0:03:20 | 0:03:23 | |
We can't let these two on the Freedom Show, | 0:03:23 | 0:03:25 | |
they wouldn't even make solitary confinement. | 0:03:25 | 0:03:27 | |
Oh, they just need to practise, sir. | 0:03:27 | 0:03:29 | |
They'll be toppermost of the poppermost by the Freedom Show, | 0:03:29 | 0:03:32 | |
or my name's not Honey Meadows! | 0:03:32 | 0:03:34 | |
-But your name is Honey Meadows, right? -Yes, of course. | 0:03:34 | 0:03:37 | |
Just checking. All right, but on your head be it, Meadows! | 0:03:37 | 0:03:39 | |
Woo-hoo! | 0:03:39 | 0:03:41 | |
THEY SING LOUDLY | 0:03:41 | 0:03:42 | |
Shut up! | 0:03:42 | 0:03:45 | |
MUMBLE & SON PLAY MUSIC | 0:03:45 | 0:03:47 | |
Stop, stop, stop, stop! | 0:03:47 | 0:03:49 | |
Right, Martin, let's start by helping you get your words out. | 0:03:49 | 0:03:54 | |
Repeat after me. | 0:03:54 | 0:03:55 | |
How now, brown cow? | 0:03:55 | 0:03:57 | |
HE MUMBLES | 0:03:59 | 0:04:01 | |
Right. Let's try this one. | 0:04:01 | 0:04:03 | |
Two tired toads try to trot to Tewkesbury. | 0:04:03 | 0:04:07 | |
HE MUMBLES | 0:04:08 | 0:04:11 | |
MICKEY LAUGHS | 0:04:11 | 0:04:12 | |
Close. | 0:04:12 | 0:04:14 | |
THEY PLAY MUSIC WITH MUMBLED LYRICS | 0:04:14 | 0:04:17 | |
How are you getting on? | 0:04:17 | 0:04:19 | |
HE MUMBLES | 0:04:19 | 0:04:20 | |
He says, "Much better, thank you!" | 0:04:20 | 0:04:22 | |
Can't you hear the improvement? | 0:04:22 | 0:04:25 | |
BOTH: No! | 0:04:25 | 0:04:26 | |
THEY PLAY MUSIC AND MUMBLE LYRICS | 0:04:26 | 0:04:28 | |
Stop it! Desist! Belt up with that banjo! | 0:04:28 | 0:04:31 | |
HE MUMBLES | 0:04:31 | 0:04:33 | |
-He says... -I don't care what he says! Mr Burgess? | 0:04:33 | 0:04:36 | |
BURGESS CAWS | 0:04:36 | 0:04:37 | |
-We need a new act for the Freedom Show. -Right, sir! | 0:04:37 | 0:04:39 | |
You two come with me. | 0:04:39 | 0:04:41 | |
-Not you two! You two! -Right, sir. | 0:04:41 | 0:04:43 | |
If we let that disastrous duo perform, the audience will riot. | 0:04:44 | 0:04:48 | |
Even you can play the banjo better than that, Frank. | 0:04:48 | 0:04:51 | |
-I've never played the banjo before in my life, sir! -Exactly. | 0:04:51 | 0:04:53 | |
But sir, if we don't let them play, we'll be | 0:04:53 | 0:04:55 | |
an act short for the Freedom Show. | 0:04:55 | 0:04:57 | |
I just need more time, sir. | 0:04:57 | 0:04:58 | |
By the time you call them onto stage, | 0:04:58 | 0:05:00 | |
I'll have them knocked into shape. You have my word. | 0:05:00 | 0:05:03 | |
Hmm, I'd rather you knocked them into the canal, | 0:05:03 | 0:05:05 | |
but we haven't got much choice. All right, you've got | 0:05:05 | 0:05:07 | |
until the final act to get that band in tune and on time. | 0:05:07 | 0:05:11 | |
-How do I look? -BOTH: Divine, sir. | 0:05:11 | 0:05:13 | |
Thank you very much. It's show time! Oh, yes! | 0:05:13 | 0:05:17 | |
MAN MUMBLES INTRODUCTION | 0:05:18 | 0:05:22 | |
CHEERING | 0:05:26 | 0:05:28 | |
Hello! | 0:05:30 | 0:05:31 | |
Who's the Governor? | 0:05:42 | 0:05:43 | |
AUDIENCE: You're the Governor! | 0:05:43 | 0:05:45 | |
Oh, welcome, jailers and jailbirds, to another Freedom Show, | 0:05:45 | 0:05:49 | |
where we've got three fantastic performing prisoner acts | 0:05:49 | 0:05:52 | |
and another one. | 0:05:52 | 0:05:54 | |
THEY PLAY OUT OF TUNE FOLK MUSIC | 0:05:54 | 0:05:56 | |
HE MUMBLES LYRICS | 0:05:56 | 0:05:59 | |
Jailers and jailbirds, it's great to have you here. | 0:06:01 | 0:06:03 | |
Let's crack on now with our first performing prisoner act. | 0:06:03 | 0:06:07 | |
A wonderful act, and, like all of the acts | 0:06:07 | 0:06:09 | |
that come on The Slammer, don't try it at home, will you? | 0:06:09 | 0:06:11 | |
These are professionals. | 0:06:11 | 0:06:13 | |
He's a professional doing five years, or could it be more? | 0:06:13 | 0:06:16 | |
Let's welcome Fluteman Gabor! | 0:06:16 | 0:06:19 | |
CHEERING | 0:06:19 | 0:06:22 | |
HE PLAYS TUNE | 0:06:29 | 0:06:33 | |
AUDIENCE: Oooh! | 0:06:38 | 0:06:41 | |
Uh! | 0:06:48 | 0:06:50 | |
AUDIENCE: Urgh! | 0:06:52 | 0:06:53 | |
HE PLAYS TUNE | 0:06:57 | 0:07:00 | |
CHEERING | 0:07:00 | 0:07:02 | |
HE PLAYS NOTE | 0:07:06 | 0:07:07 | |
LAUGHTER | 0:07:07 | 0:07:09 | |
HE PLAYS NOTE | 0:07:09 | 0:07:10 | |
HE PLAYS NOTE | 0:07:11 | 0:07:13 | |
HE PLAYS TWO NOTES TOGETHER | 0:07:13 | 0:07:14 | |
LAUGHTER | 0:07:14 | 0:07:16 | |
HE PLAYS TUNE | 0:07:16 | 0:07:18 | |
CHEERING | 0:07:21 | 0:07:24 | |
Ah! | 0:07:25 | 0:07:27 | |
AUDIENCE: Urgh! | 0:07:28 | 0:07:30 | |
HE PLAYS SHARP NOTES | 0:07:30 | 0:07:33 | |
HE PLAYS HARMONY | 0:07:44 | 0:07:47 | |
CHEERING | 0:07:48 | 0:07:51 | |
HE PLAYS "EINE KLEINE NACHTMUSIK - ALLEGRO" BY MOZART | 0:07:54 | 0:07:59 | |
CHEERING | 0:07:59 | 0:08:01 | |
CHEERING | 0:08:07 | 0:08:10 | |
HE PLAYS TUNE | 0:08:20 | 0:08:24 | |
HE PLAYS HIGH NOTE | 0:08:24 | 0:08:25 | |
HE PLAYS HIGH NOTE | 0:08:26 | 0:08:28 | |
HE PLAYS HIGH NOTE | 0:08:29 | 0:08:30 | |
LAUGHTER | 0:08:34 | 0:08:36 | |
HE PLAYS "ODE TO JOY" | 0:08:44 | 0:08:49 | |
CHEERING | 0:08:51 | 0:08:53 | |
CHEERING | 0:09:01 | 0:09:05 | |
Fluteman Gabor there, marvellous! | 0:09:10 | 0:09:12 | |
Hey, and, jailers and jailbirds, don't let me | 0:09:12 | 0:09:14 | |
catch you putting recorders... or sticking a recorder up your nose! | 0:09:14 | 0:09:18 | |
You'll end up playing Colonel Bogey! Urgh! | 0:09:18 | 0:09:20 | |
AUDIENCE: Urgh! | 0:09:20 | 0:09:22 | |
But, what did you think of Fluteman Gabor? | 0:09:22 | 0:09:24 | |
Let's find out with a man who likes to tell everyone to pipe down, | 0:09:24 | 0:09:27 | |
Mr Burgess. | 0:09:27 | 0:09:28 | |
Right then, Miss. Fluteman Gabor. | 0:09:28 | 0:09:30 | |
I thought it was amazing and mind-blowing, | 0:09:30 | 0:09:32 | |
because I've never seen anything like it. | 0:09:32 | 0:09:34 | |
You're a quick talker, aren't you? | 0:09:34 | 0:09:36 | |
Your views, Madam, on Fluteman Gabor? | 0:09:36 | 0:09:38 | |
I thought he was amazingly epic. | 0:09:38 | 0:09:40 | |
One final word. Sum that act up for me, sir. | 0:09:40 | 0:09:43 | |
-Weird. -Weird. | 0:09:43 | 0:09:46 | |
-A cool weird. -A cool... | 0:09:46 | 0:09:48 | |
Weird. A sort of cool weird, sir. | 0:09:48 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:53 | |
Fluteman Gabor, will he be going free? You'll decide. | 0:09:53 | 0:09:56 | |
THEY PLAY FOLK MUSIC | 0:09:56 | 0:09:58 | |
THEY MUMBLE LYRICS | 0:09:58 | 0:10:00 | |
# A long time ago... # | 0:10:00 | 0:10:03 | |
Not bad, actually. | 0:10:03 | 0:10:05 | |
HE BURPS | 0:10:05 | 0:10:06 | |
Cheese and pickle. | 0:10:08 | 0:10:09 | |
Serving 12 years in The Slammer for legging it | 0:10:10 | 0:10:13 | |
from the scene of a crime. | 0:10:13 | 0:10:15 | |
You'll see why, when you welcome, | 0:10:15 | 0:10:17 | |
jailers and jailbirds, Rhythmic Glow! | 0:10:17 | 0:10:20 | |
CHEERING | 0:10:20 | 0:10:23 | |
# Yellow diamonds in the light | 0:10:28 | 0:10:30 | |
# Now we're standing side by side | 0:10:30 | 0:10:35 | |
# As your shadow crosses mine | 0:10:35 | 0:10:39 | |
# What it takes to come alive | 0:10:39 | 0:10:44 | |
# It's the way I'm feeling | 0:10:46 | 0:10:48 | |
# I just can't deny | 0:10:48 | 0:10:53 | |
# But I've got to let it go | 0:10:53 | 0:10:56 | |
# We found love in a hopeless place | 0:10:57 | 0:11:01 | |
# We found love in a hopeless place | 0:11:01 | 0:11:05 | |
# We found love in a hopeless place | 0:11:05 | 0:11:09 | |
# We found love in a hopeless place | 0:11:09 | 0:11:13 | |
# We found love in a hopeless place | 0:11:35 | 0:11:39 | |
# We found love in a hopeless place | 0:11:39 | 0:11:42 | |
# Yellow diamonds in the light | 0:11:46 | 0:11:50 | |
# Now we're standing side by side | 0:11:50 | 0:11:54 | |
# As your shadow crosses mine | 0:11:54 | 0:11:57 | |
# We found love in a hopeless place | 0:12:01 | 0:12:04 | |
# We found love in a hopeless place | 0:12:05 | 0:12:08 | |
# We found love in a hopeless place. # | 0:12:31 | 0:12:36 | |
CHEERING | 0:12:36 | 0:12:40 | |
Come on! Whoa! | 0:12:41 | 0:12:43 | |
Sensational act, there. Rhythmic Glow! | 0:12:43 | 0:12:46 | |
Well, are they going to stay or are they going to go? | 0:12:46 | 0:12:48 | |
Let's find out with Mr Legs Burgess. | 0:12:48 | 0:12:52 | |
Right, Rhythmic Glow. Legs 11! Old bingo expression there. | 0:12:52 | 0:12:55 | |
What about you, sir? | 0:12:55 | 0:12:56 | |
I think they were really good, because they moved their feet | 0:12:56 | 0:12:59 | |
faster than Cristiano Ronaldo, the football player. | 0:12:59 | 0:13:03 | |
Tell us all about Rhythmic Glow. | 0:13:03 | 0:13:05 | |
I think it was outstanding and I really liked how they danced | 0:13:05 | 0:13:09 | |
and I liked the song. I think it was amazing. | 0:13:09 | 0:13:11 | |
So, for one final word, sum Rhythmic Glow up for me. Miss. | 0:13:11 | 0:13:15 | |
-Exquisite. -Exquisite, sir! | 0:13:15 | 0:13:17 | |
Lovely, ma'am. | 0:13:17 | 0:13:19 | |
Now, my performing felon fans, the act you love to hate, | 0:13:19 | 0:13:22 | |
Solitary Confinement! | 0:13:22 | 0:13:24 | |
AUDIENCE BOOS | 0:13:24 | 0:13:27 | |
Yes, a chance for a performing prisoner to have a go. | 0:13:30 | 0:13:33 | |
If they do well, we give them a little treat. | 0:13:33 | 0:13:36 | |
We can't let them go, they're far too naughty. | 0:13:36 | 0:13:38 | |
And, if they don't do well, if they get the thumbs down, | 0:13:38 | 0:13:40 | |
it's a cruel and unusual punishment. | 0:13:40 | 0:13:42 | |
Well, today's treat is a nice photograph of the | 0:13:42 | 0:13:45 | |
Great Pyramid in Egypt called the Pyramid at Cheops. | 0:13:45 | 0:13:48 | |
Yeah, the Great Pyramid of Cheops. A wonderful thing, very historical. | 0:13:48 | 0:13:51 | |
And, if they don't do well, Mr Burgess? | 0:13:51 | 0:13:53 | |
-Sir! -What is today's cruel and unusual punishment? | 0:13:53 | 0:13:56 | |
Today, sir, it's the old sack and porridge routine, sir! | 0:13:56 | 0:14:00 | |
Oh, the old sack and porridge! Nobody wants that! | 0:14:00 | 0:14:02 | |
I do, I do! We need a judge, though, Mr Burgess. | 0:14:02 | 0:14:05 | |
We do indeed, sir. Got my eye on this young man here. | 0:14:05 | 0:14:07 | |
-Do you want to come and judge for us, sir? -Yes. -Right, up you come. | 0:14:07 | 0:14:10 | |
Give him a round of applause, please! | 0:14:10 | 0:14:12 | |
CHEERING | 0:14:12 | 0:14:14 | |
-Your name? -Roman. -Roman! Marvellous. | 0:14:14 | 0:14:18 | |
-The wig of justice there. -The wig of justice, Mr Burgess. | 0:14:18 | 0:14:20 | |
You will decide, Roman, after we have seen today's | 0:14:20 | 0:14:23 | |
Solitary Confinement act called Bad Clarinet! | 0:14:23 | 0:14:27 | |
Right... | 0:14:27 | 0:14:29 | |
AUDIENCE BOOS | 0:14:30 | 0:14:32 | |
AUDIENCE BOOS | 0:14:36 | 0:14:39 | |
SHE PLAYS TUNE ON CLARINET | 0:14:42 | 0:14:45 | |
AUDIENCE BOOS | 0:14:45 | 0:14:48 | |
AUDIENCE BOOS | 0:14:52 | 0:14:54 | |
Stop it, stop it. There we are. | 0:14:55 | 0:14:58 | |
Go on, there we are. | 0:14:58 | 0:15:00 | |
All right, well, there we are. | 0:15:00 | 0:15:01 | |
That's what you call a solitary confinement act. | 0:15:01 | 0:15:05 | |
Now it's time for Judge Roman to decide. | 0:15:05 | 0:15:08 | |
Remember, thumbs up, it's a photo of the pyramid at Cheops. | 0:15:08 | 0:15:12 | |
Thumbs down, it's the sack and the plop, plop, plops. | 0:15:12 | 0:15:15 | |
Ready? Your time starts now. | 0:15:15 | 0:15:19 | |
Is it up or down? Ooooh.... | 0:15:20 | 0:15:23 | |
AUDIENCE: Oooh... | 0:15:23 | 0:15:25 | |
Oh! | 0:15:25 | 0:15:27 | |
Your act was weak and sloppy so, for you, it's... | 0:15:28 | 0:15:32 | |
-AUDIENCE: -Plop, plop, plop, plop, plop, ploppy! | 0:15:32 | 0:15:36 | |
Yeah! Come on! | 0:15:36 | 0:15:37 | |
-AUDIENCE: -Sloppy ploppy! Sloppy ploppy! Sloppy ploppy! | 0:15:37 | 0:15:43 | |
Sloppy ploppy! Sloppy ploppy! | 0:15:43 | 0:15:45 | |
Sir, sir... | 0:15:45 | 0:15:48 | |
Sir, sir! Pull yourself together, sir! | 0:15:48 | 0:15:52 | |
Sorry, there we are. | 0:15:52 | 0:15:54 | |
Take her away to the cells and solitary confinement! | 0:15:54 | 0:15:57 | |
Ha ha ha! | 0:15:57 | 0:15:58 | |
AUDIENCE BOOS | 0:15:58 | 0:16:00 | |
And give a big hand to our judge, Mr Judge Roman, please! Thank you. | 0:16:00 | 0:16:03 | |
CHEERING | 0:16:03 | 0:16:05 | |
-Mr Burgess. -Sir! | 0:16:05 | 0:16:07 | |
-Continue with the Freedom Show. -Sir! | 0:16:07 | 0:16:10 | |
Oh, marvellous. | 0:16:10 | 0:16:11 | |
There's nothing like a bit of a sloppy ploppy porridge | 0:16:11 | 0:16:14 | |
in a Freedom Show to get you going! I love it! | 0:16:14 | 0:16:18 | |
Right, so we've got the accordion and we've got the banjo. | 0:16:18 | 0:16:22 | |
Now, we've just got to try the singing. What about... | 0:16:22 | 0:16:25 | |
# Hadn't have been for Cotton-eyed Joe | 0:16:25 | 0:16:27 | |
# I'd been married a long time ago | 0:16:27 | 0:16:28 | |
# Where did you come from? Where did you go? | 0:16:28 | 0:16:30 | |
# Where did you come from, Cotton-eyed Joe? | 0:16:30 | 0:16:32 | |
HE MUMBLES TO TUNE | 0:16:32 | 0:16:35 | |
He said... | 0:16:39 | 0:16:40 | |
I know what he said, Mickey! But nobody else will! | 0:16:40 | 0:16:44 | |
On now to our next performing prisoner act. Very, very unusual. | 0:16:44 | 0:16:48 | |
The long and the short of it, | 0:16:48 | 0:16:50 | |
serving seven and a half years in The Slammer | 0:16:50 | 0:16:53 | |
for pulling strings in high places, | 0:16:53 | 0:16:56 | |
it is the act known as Marionette! | 0:16:56 | 0:16:58 | |
CHEERING | 0:16:58 | 0:17:01 | |
Hello, hey! | 0:17:05 | 0:17:06 | |
CHEERING | 0:17:08 | 0:17:09 | |
MUSIC: "PINOCCHIO" BY PIN-OCCHIO | 0:17:09 | 0:17:11 | |
# Pinocchio... # | 0:17:14 | 0:17:16 | |
AUDIENCE CLAPS ALONG | 0:17:20 | 0:17:22 | |
CHEERING | 0:17:32 | 0:17:35 | |
# Pinocchio | 0:17:35 | 0:17:36 | |
# Pinocchio... # | 0:18:02 | 0:18:03 | |
LAUGHTER | 0:18:03 | 0:18:05 | |
Hey! Ya! Ya! Woo! | 0:18:28 | 0:18:31 | |
Woo! Woo! | 0:18:31 | 0:18:33 | |
CHEERING | 0:18:33 | 0:18:37 | |
# Pinocchio | 0:18:37 | 0:18:38 | |
# Pinocchio... # | 0:18:52 | 0:18:54 | |
SNIPPING | 0:19:04 | 0:19:06 | |
# Pinocchio... # | 0:19:06 | 0:19:08 | |
CHEERING | 0:19:09 | 0:19:11 | |
There they are! Come on! Wow! | 0:19:19 | 0:19:23 | |
Let's hear it for the fantastic act, the Marionette, | 0:19:23 | 0:19:27 | |
ladies and gentlemen, jailers and jailbirds! | 0:19:27 | 0:19:30 | |
CHEERING | 0:19:30 | 0:19:32 | |
Wow, Marionette! | 0:19:32 | 0:19:35 | |
I've never seen a puppet act like that before, have you? | 0:19:35 | 0:19:37 | |
You couldn't see the strings, could you? | 0:19:37 | 0:19:39 | |
Hey, what did you think about it? | 0:19:39 | 0:19:41 | |
Let's find out from the man | 0:19:41 | 0:19:42 | |
who pulls all the strings in the Slammer, Mr Burgess. | 0:19:42 | 0:19:45 | |
-Thoughts? -It's him. | 0:19:45 | 0:19:47 | |
What do you mean, it's him? I'm asking you. | 0:19:47 | 0:19:50 | |
-Oh! -Don't look so panicked. | 0:19:50 | 0:19:53 | |
Come on, hurry up! Right, thoughts? | 0:19:53 | 0:19:56 | |
I thought it was funny, because when the tall man was | 0:19:56 | 0:20:00 | |
pulling the puppet around, he went everywhere. | 0:20:00 | 0:20:03 | |
-Is that a good thing or a bad thing? -Both. | 0:20:03 | 0:20:06 | |
Well, the long and the short of it there with the Marionette act. | 0:20:06 | 0:20:09 | |
What did you think? | 0:20:09 | 0:20:11 | |
Well, it looked really cool, like all the jumps | 0:20:11 | 0:20:14 | |
and it looked really flexible. | 0:20:14 | 0:20:16 | |
And, for one final word, sum Marionette up for me, Miss. | 0:20:16 | 0:20:19 | |
Epic! | 0:20:19 | 0:20:21 | |
Yeah, epic, sir. | 0:20:21 | 0:20:23 | |
Well, your views on Marionette. | 0:20:23 | 0:20:25 | |
He could be going free with his little pal. | 0:20:25 | 0:20:27 | |
He could step over the walls, couldn't he? Ha! | 0:20:27 | 0:20:29 | |
Mr Burgess, could you go and see if the final act are ready yet, please? | 0:20:29 | 0:20:34 | |
-Certainly, sir. -Thank you very much. | 0:20:34 | 0:20:36 | |
Yes, on to our final performing prisoner act, jailers and jailbirds. | 0:20:36 | 0:20:40 | |
# Cotton-eyed Joe... # | 0:20:40 | 0:20:42 | |
Right, come on, you lot, let's be having you! | 0:20:42 | 0:20:45 | |
But it's no use, Mr Burgess. | 0:20:45 | 0:20:46 | |
We've got the accordion and the banjo in tune, | 0:20:46 | 0:20:49 | |
but I still can't make out their mumbles when they sing! | 0:20:49 | 0:20:53 | |
Hey, why don't you sing, Miss Meadows? | 0:20:53 | 0:20:55 | |
I don't know about that! | 0:20:55 | 0:20:57 | |
Sounds like a good idea. Get moving! Off you go, go on! | 0:20:57 | 0:21:00 | |
Right, quick march! Move, move! | 0:21:00 | 0:21:03 | |
-So, jailers and jailbirds, it is time for your final act. -Sir? -Yes. | 0:21:03 | 0:21:07 | |
-Excuse me, sir! -Yes? -Sorry. | 0:21:07 | 0:21:10 | |
HE WHISPERS | 0:21:10 | 0:21:13 | |
-Really? -Yes, sir. -Carry on. -Thank you, sir. | 0:21:13 | 0:21:15 | |
Jailers and jailbirds, will you please welcome, | 0:21:15 | 0:21:18 | |
for one show only, Meadows, Mumble & Son! | 0:21:18 | 0:21:22 | |
CHEERING | 0:21:22 | 0:21:25 | |
MUSIC PLAYS | 0:21:33 | 0:21:35 | |
# If it hadn't had been for Cotton-eyed Joe | 0:21:46 | 0:21:48 | |
# I'd been married a long time ago | 0:21:48 | 0:21:49 | |
# Where did you come from? Where did you go? | 0:21:49 | 0:21:51 | |
# Where did you come from, Cotton-eyed Joe? | 0:21:51 | 0:21:53 | |
# Hadn't had been for Cotton-eyed Joe | 0:21:53 | 0:21:55 | |
# I'd been married a long time ago | 0:21:55 | 0:21:57 | |
# Where did you come from? Where did you go? | 0:21:57 | 0:21:59 | |
# Where did you come from, Cotton-eyed Joe? | 0:21:59 | 0:22:01 | |
Wooo! | 0:22:02 | 0:22:04 | |
# He came to town like a midwinter storm | 0:22:08 | 0:22:11 | |
# He rode through the fields, so handsome and strong | 0:22:11 | 0:22:15 | |
# His eyes was his tools and his smile was his gun | 0:22:15 | 0:22:18 | |
# But all he had come for was having some fun | 0:22:18 | 0:22:22 | |
# If it hadn't had been for Cotton-eyed Joe | 0:22:22 | 0:22:24 | |
# I'd been married a long time ago | 0:22:24 | 0:22:26 | |
# Where did you come from? Where did you go? | 0:22:26 | 0:22:28 | |
Where did you come from, Cotton-eyed Joe? | 0:22:28 | 0:22:30 | |
# If it hadn't had been for Cotton-eyed Joe | 0:22:30 | 0:22:31 | |
# I'd been married a long time ago | 0:22:31 | 0:22:33 | |
# Where did you come from? Where did you go? | 0:22:33 | 0:22:35 | |
# Where did you come from, Cotton-eyed Joe? # | 0:22:35 | 0:22:37 | |
Woo! | 0:22:38 | 0:22:40 | |
Hey! | 0:22:40 | 0:22:42 | |
Woo! | 0:22:42 | 0:22:43 | |
Oh! | 0:22:43 | 0:22:45 | |
Hey! | 0:22:45 | 0:22:47 | |
# He brought disaster wherever he went | 0:22:51 | 0:22:54 | |
# The hearts of the girls was to hell broken sent | 0:22:54 | 0:22:58 | |
# They all ran away so nobody would know | 0:22:58 | 0:23:02 | |
# And left only men cos of Cotton-eyed Joe | 0:23:02 | 0:23:05 | |
# Oh | 0:23:05 | 0:23:06 | |
# If it hadn't been for Cotton-eyed Joe | 0:23:06 | 0:23:08 | |
# I'd been married a long time ago | 0:23:08 | 0:23:09 | |
# Where did you come from? Where did you go? | 0:23:09 | 0:23:11 | |
# Where did you come from, Cotton-eyed Joe? | 0:23:11 | 0:23:13 | |
# If it hadn't been for Cotton-eyed Joe | 0:23:13 | 0:23:15 | |
# I'd been married a long time ago | 0:23:15 | 0:23:17 | |
# Where did you come from? Where did you go? | 0:23:17 | 0:23:19 | |
# Where did you come from, Cotton-eyed Joe? # | 0:23:19 | 0:23:22 | |
BANJO PLAYS | 0:23:22 | 0:23:24 | |
Woo! | 0:23:24 | 0:23:25 | |
Here we go! | 0:23:33 | 0:23:35 | |
# If it hadn't had been for Cotton-eyed Joe | 0:23:35 | 0:23:37 | |
# I'd been married a long time ago | 0:23:37 | 0:23:38 | |
# Where did you come from? Where did you go? | 0:23:38 | 0:23:40 | |
# Where did you come from, Cotton-eyed Joe? | 0:23:40 | 0:23:42 | |
# If it hadn't been for Cotton-eyed Joe | 0:23:42 | 0:23:44 | |
# I'd been married a long time ago | 0:23:44 | 0:23:46 | |
# Where did you come from? Where did you go? | 0:23:46 | 0:23:48 | |
# Where did you come from, Cotton-eyed Joe? # | 0:23:48 | 0:23:50 | |
CHEERING | 0:23:50 | 0:23:53 | |
Come on, let's hear it for Meadows, Mumble & Son! | 0:23:56 | 0:23:59 | |
CHEERING | 0:23:59 | 0:24:02 | |
Well, will they be going free? | 0:24:02 | 0:24:04 | |
Let's find out with Cotton-eye Frank Burgess! Yee-ha! | 0:24:04 | 0:24:08 | |
-Yee-ha. -I think it was very good. | 0:24:08 | 0:24:11 | |
They let a good sing-off and I think they should get free. | 0:24:11 | 0:24:15 | |
-"They let a good sing-off"? -Yeah. | 0:24:15 | 0:24:17 | |
What does that mean, exactly? | 0:24:17 | 0:24:18 | |
I don't know. | 0:24:18 | 0:24:20 | |
Well, why are you saying it, sir? | 0:24:20 | 0:24:22 | |
-I don't know. -Have you got no control over your mind, sir? | 0:24:22 | 0:24:25 | |
I don't know. | 0:24:25 | 0:24:26 | |
LAUGHTER | 0:24:26 | 0:24:27 | |
-What do you know? -I don't know. | 0:24:27 | 0:24:30 | |
A score out of ten, please. | 0:24:30 | 0:24:32 | |
-Can I go beyond ten? -Yes. | 0:24:32 | 0:24:34 | |
-100. -Wow! | 0:24:34 | 0:24:36 | |
One final word for Meadows, Mumble & Son. Miss? | 0:24:36 | 0:24:40 | |
Energetic. | 0:24:40 | 0:24:41 | |
Yeah. Fair dos. Energetic, sir. | 0:24:41 | 0:24:44 | |
Time to decide who goes free now, jailers and jailbirds. | 0:24:44 | 0:24:47 | |
With Officer Meadows looking like she needs a shave there, | 0:24:47 | 0:24:50 | |
let's welcome all the acts back onto the stage, please! | 0:24:50 | 0:24:52 | |
Fluteman Gabor! | 0:24:52 | 0:24:53 | |
Rhythmic Glow! | 0:24:55 | 0:24:57 | |
Marionette! | 0:24:57 | 0:24:58 | |
And Mumble & Son! With Meadows, of course. | 0:24:58 | 0:25:02 | |
You will decide who goes free. | 0:25:02 | 0:25:04 | |
The more noise you make, the higher the score. | 0:25:04 | 0:25:07 | |
What did you think of a sensational act with more | 0:25:07 | 0:25:09 | |
recorders than I've had hot dinners? | 0:25:09 | 0:25:11 | |
Not strictly true. | 0:25:11 | 0:25:12 | |
Will you welcome Fluteman Gabor! | 0:25:12 | 0:25:15 | |
CHEERING | 0:25:15 | 0:25:17 | |
Come on. Come on. | 0:25:17 | 0:25:20 | |
Good score for Fluteman Gabor. | 0:25:22 | 0:25:24 | |
76. Well, I've never seen an act like this lot before. | 0:25:24 | 0:25:27 | |
They kept us all aglow. Will they be going? | 0:25:27 | 0:25:30 | |
Please welcome Rhythmic Glow! | 0:25:30 | 0:25:33 | |
CHEERING | 0:25:33 | 0:25:35 | |
Come on. Wow! | 0:25:35 | 0:25:37 | |
There they are. More like legs 11 there. | 0:25:40 | 0:25:43 | |
Look at that, 87.7. Never mind 11. | 0:25:43 | 0:25:46 | |
Next act, another crazy act. | 0:25:46 | 0:25:48 | |
Marionette is an old word for a puppet. | 0:25:48 | 0:25:50 | |
I've never seen a puppet act like this before. Marionette! | 0:25:50 | 0:25:54 | |
CHEERING | 0:25:54 | 0:25:56 | |
Oh! | 0:25:56 | 0:25:57 | |
Oh, just 76.5. | 0:26:01 | 0:26:03 | |
They're in second place. | 0:26:03 | 0:26:05 | |
Still in the lead, it's Rhythmic Glow. | 0:26:05 | 0:26:08 | |
Can they be knocked from their perch by this act? | 0:26:08 | 0:26:10 | |
Helped with Officer Meadows, it was Meadows, Mumble & Son! | 0:26:10 | 0:26:15 | |
CHEERING | 0:26:15 | 0:26:17 | |
Oh! | 0:26:17 | 0:26:18 | |
I don't believe it! | 0:26:18 | 0:26:20 | |
I don't believe it! | 0:26:20 | 0:26:22 | |
Oh, with a sensational score, | 0:26:22 | 0:26:24 | |
going free, 94.9, | 0:26:24 | 0:26:27 | |
it's Mumble & Son with Meadows! | 0:26:27 | 0:26:29 | |
CHEERING | 0:26:29 | 0:26:31 | |
Go on. You're free to go. | 0:26:32 | 0:26:34 | |
Give them a big cheer. They're free to go! | 0:26:34 | 0:26:37 | |
CHEERING | 0:26:37 | 0:26:39 | |
Well, jailers and jailbirds, it means that the others, | 0:26:39 | 0:26:42 | |
you're staying for tea. | 0:26:42 | 0:26:43 | |
Yeah. And you know what we have for tea, don't we, eh? | 0:26:43 | 0:26:46 | |
-AUDIENCE: -Sloppy, ploppy porridge! | 0:26:46 | 0:26:48 | |
Mr Burgess, I do not want to hear you say that for tea | 0:26:48 | 0:26:52 | |
it's sloppy, ploppy porridge. | 0:26:52 | 0:26:54 | |
-What? You don't want to hear it. -I don't want to hear it! | 0:26:54 | 0:26:56 | |
Right, well, stick your fingers in your ears, sir. | 0:26:56 | 0:26:59 | |
-What's for tea? -Sloppy, ploppy porridge! | 0:26:59 | 0:27:01 | |
-I can't hear you. -Excellent, job done. | 0:27:01 | 0:27:03 | |
Right, you lot, off you go. | 0:27:03 | 0:27:05 | |
Give a big cheer. Go on, off you go. | 0:27:05 | 0:27:07 | |
Go on. | 0:27:07 | 0:27:09 | |
Marionette, Rhythmic Glow and, of course, | 0:27:09 | 0:27:13 | |
Fluteman Gabor going back to their cells and enjoying tea. | 0:27:13 | 0:27:16 | |
Hope you've enjoyed the Freedom Show, jailers and jailbirds. | 0:27:16 | 0:27:19 | |
Just one thing. Remember, if you can't sing, dance or rhyme... | 0:27:19 | 0:27:23 | |
-AUDIENCE: -Don't do the crime! | 0:27:23 | 0:27:25 | |
And come and see us again soon | 0:27:25 | 0:27:27 | |
here in The Slammer for more fun on the Freedom Show! | 0:27:27 | 0:27:29 | |
Bye-bye, jailers and jailbirds! Bye-bye! | 0:27:29 | 0:27:32 | |
CHEERING | 0:27:32 | 0:27:34 | |
# It's the only way to ever leave The Slammer! # | 0:27:55 | 0:27:57 |