Mumble & Son The Slammer


Mumble & Son

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Transcript


LineFromTo

Dear sis, I hope you are well and got the chocolate eclair

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I sent you for your birthday.

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It was half eaten when I bought it - honest.

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You should have seen the Freedom Show today.

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We had acts to make your mind boggle...

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LIVELY MUSIC PLAYS

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..acts to make your eyes pop...

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LIVELY MUSIC PLAYS

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And I saved the day with my lightning fast fingers...

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Here we go!

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# You've been found guilty

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# Of a howling showbiz crime

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# So welcome to The Slammer

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# Where you're gonna serve your time

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# With every type of minstrel, entertainer and artiste

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# Performing to the limit to try and get released

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# So go fetch the audience, bring them to The Slammer

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# And polish up your act with a bit of glitz and glamour

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# Your fate is in their hands, so make them cheer and clamour

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# It's the only way you'll ever leave The Slammer

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# The Slammer

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# It's the only way you'll ever leave The Slammer! #

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Four in a row, sir. There you go, I win again.

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Oh! You've really got the hang of this, haven't you, Frank?

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That's 502 to me and none to you, sir.

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-Best of 1007?

-Yeah, go on, then.

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I preferred it when we played two in a row. Much simpler.

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PHONE RINGS

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Oh, wait a minute.

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HMP Slammer, Governor speaking.

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Ooh, thank you very much!

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-Great news, Frank!

-You've been fired, sir!

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No, I've not been fired.

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My favourite band, Mumford & Sons, are coming to stay at The Slammer.

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The Mumford & Sons, sir? Britain's top folk band? Are you sure?

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Yes, they've just been arrested,

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live on stage for snapping their G string.

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-Come on, we've got to give them a proper folksy welcome.

-Right, sir.

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Finger in ear and droning all the way.

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# Diddly-di di-do... #

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I'm not altogether sure about this, you know, sir.

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Nonsense, Frank. They're folk heroes!

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We need to make them feel welcome.

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But itchy jumpers, sir, and false beards!

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I mean, really, really, sir!

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How do you think I feel?

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Will you two stop complaining?!

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Look, they're really here! Oh, it's Mumford & Sons!

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Hang on, I thought Mumford & Sons were a lot younger than that!

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They are! You're not Mumford & Sons.

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We were promised Mumford & Sons!

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No, no, no! We're not Mumford & Sons,

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we're Mumble & Son!

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Why are you called that?

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MAN MUMBLES

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OTHER MAN LAUGHS

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Exactly. I'm Mickey Mumble and this is my dad, Martin Mumble.

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Your dad? You both look the same age to me.

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I've had a very hard life.

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I'm not surprised, with him as your father.

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Sir, you seriously can't want these two to close the Freedom Show.

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-They might not be that bad!

-Meadows is right.

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Let's at least give them a chance, Frank. Come on, hit it.

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THEY SING MUMBLED LYRICS

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Hey, and that is our greatest hit!

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Meadows was right, sir. They're not bad.

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They're flaming terrible!

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Oh, this takes me back.

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What to? A bee attack?

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No, sir, family holidays in Wales!

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I think I'll take my chances with the bees.

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What are you doing, Meadows? What are you doing?

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All right, all right! Cut, cut, cut!

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We can't let these two on the Freedom Show,

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they wouldn't even make solitary confinement.

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Oh, they just need to practise, sir.

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They'll be toppermost of the poppermost by the Freedom Show,

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or my name's not Honey Meadows!

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-But your name is Honey Meadows, right?

-Yes, of course.

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Just checking. All right, but on your head be it, Meadows!

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Woo-hoo!

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THEY SING LOUDLY

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Shut up!

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MUMBLE & SON PLAY MUSIC

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Stop, stop, stop, stop!

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Right, Martin, let's start by helping you get your words out.

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Repeat after me.

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How now, brown cow?

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HE MUMBLES

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Right. Let's try this one.

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Two tired toads try to trot to Tewkesbury.

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HE MUMBLES

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MICKEY LAUGHS

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Close.

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THEY PLAY MUSIC WITH MUMBLED LYRICS

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How are you getting on?

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HE MUMBLES

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He says, "Much better, thank you!"

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Can't you hear the improvement?

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BOTH: No!

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THEY PLAY MUSIC AND MUMBLE LYRICS

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Stop it! Desist! Belt up with that banjo!

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HE MUMBLES

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-He says...

-I don't care what he says! Mr Burgess?

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BURGESS CAWS

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-We need a new act for the Freedom Show.

-Right, sir!

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You two come with me.

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-Not you two! You two!

-Right, sir.

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If we let that disastrous duo perform, the audience will riot.

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Even you can play the banjo better than that, Frank.

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-I've never played the banjo before in my life, sir!

-Exactly.

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But sir, if we don't let them play, we'll be

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an act short for the Freedom Show.

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I just need more time, sir.

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By the time you call them onto stage,

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I'll have them knocked into shape. You have my word.

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Hmm, I'd rather you knocked them into the canal,

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but we haven't got much choice. All right, you've got

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until the final act to get that band in tune and on time.

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-How do I look?

-BOTH: Divine, sir.

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Thank you very much. It's show time! Oh, yes!

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MAN MUMBLES INTRODUCTION

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CHEERING

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Hello!

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Who's the Governor?

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AUDIENCE: You're the Governor!

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Oh, welcome, jailers and jailbirds, to another Freedom Show,

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where we've got three fantastic performing prisoner acts

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and another one.

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THEY PLAY OUT OF TUNE FOLK MUSIC

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HE MUMBLES LYRICS

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Jailers and jailbirds, it's great to have you here.

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Let's crack on now with our first performing prisoner act.

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A wonderful act, and, like all of the acts

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that come on The Slammer, don't try it at home, will you?

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These are professionals.

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He's a professional doing five years, or could it be more?

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Let's welcome Fluteman Gabor!

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CHEERING

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HE PLAYS TUNE

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AUDIENCE: Oooh!

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Uh!

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AUDIENCE: Urgh!

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HE PLAYS TUNE

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CHEERING

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HE PLAYS NOTE

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LAUGHTER

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HE PLAYS NOTE

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HE PLAYS NOTE

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HE PLAYS TWO NOTES TOGETHER

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LAUGHTER

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HE PLAYS TUNE

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CHEERING

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Ah!

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AUDIENCE: Urgh!

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HE PLAYS SHARP NOTES

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HE PLAYS HARMONY

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CHEERING

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HE PLAYS "EINE KLEINE NACHTMUSIK - ALLEGRO" BY MOZART

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CHEERING

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CHEERING

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HE PLAYS TUNE

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HE PLAYS HIGH NOTE

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HE PLAYS HIGH NOTE

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HE PLAYS HIGH NOTE

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LAUGHTER

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HE PLAYS "ODE TO JOY"

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CHEERING

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CHEERING

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Fluteman Gabor there, marvellous!

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Hey, and, jailers and jailbirds, don't let me

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catch you putting recorders... or sticking a recorder up your nose!

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You'll end up playing Colonel Bogey! Urgh!

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AUDIENCE: Urgh!

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But, what did you think of Fluteman Gabor?

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Let's find out with a man who likes to tell everyone to pipe down,

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Mr Burgess.

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Right then, Miss. Fluteman Gabor.

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I thought it was amazing and mind-blowing,

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because I've never seen anything like it.

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You're a quick talker, aren't you?

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Your views, Madam, on Fluteman Gabor?

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I thought he was amazingly epic.

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One final word. Sum that act up for me, sir.

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-Weird.

-Weird.

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-A cool weird.

-A cool...

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Weird. A sort of cool weird, sir.

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LAUGHTER

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Fluteman Gabor, will he be going free? You'll decide.

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THEY PLAY FOLK MUSIC

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THEY MUMBLE LYRICS

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# A long time ago... #

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Not bad, actually.

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HE BURPS

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Cheese and pickle.

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Serving 12 years in The Slammer for legging it

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from the scene of a crime.

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You'll see why, when you welcome,

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jailers and jailbirds, Rhythmic Glow!

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CHEERING

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# Yellow diamonds in the light

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# Now we're standing side by side

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# As your shadow crosses mine

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# What it takes to come alive

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# It's the way I'm feeling

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# I just can't deny

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# But I've got to let it go

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# We found love in a hopeless place

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# We found love in a hopeless place

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# We found love in a hopeless place

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# We found love in a hopeless place

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# We found love in a hopeless place

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# We found love in a hopeless place

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# Yellow diamonds in the light

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# Now we're standing side by side

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# As your shadow crosses mine

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# We found love in a hopeless place

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# We found love in a hopeless place

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# We found love in a hopeless place. #

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CHEERING

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Come on! Whoa!

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Sensational act, there. Rhythmic Glow!

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Well, are they going to stay or are they going to go?

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Let's find out with Mr Legs Burgess.

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Right, Rhythmic Glow. Legs 11! Old bingo expression there.

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What about you, sir?

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I think they were really good, because they moved their feet

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faster than Cristiano Ronaldo, the football player.

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Tell us all about Rhythmic Glow.

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I think it was outstanding and I really liked how they danced

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and I liked the song. I think it was amazing.

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So, for one final word, sum Rhythmic Glow up for me. Miss.

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-Exquisite.

-Exquisite, sir!

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Lovely, ma'am.

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Now, my performing felon fans, the act you love to hate,

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Solitary Confinement!

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AUDIENCE BOOS

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Yes, a chance for a performing prisoner to have a go.

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If they do well, we give them a little treat.

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We can't let them go, they're far too naughty.

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And, if they don't do well, if they get the thumbs down,

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it's a cruel and unusual punishment.

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Well, today's treat is a nice photograph of the

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Great Pyramid in Egypt called the Pyramid at Cheops.

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Yeah, the Great Pyramid of Cheops. A wonderful thing, very historical.

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And, if they don't do well, Mr Burgess?

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-Sir!

-What is today's cruel and unusual punishment?

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Today, sir, it's the old sack and porridge routine, sir!

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Oh, the old sack and porridge! Nobody wants that!

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I do, I do! We need a judge, though, Mr Burgess.

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We do indeed, sir. Got my eye on this young man here.

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-Do you want to come and judge for us, sir?

-Yes.

-Right, up you come.

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Give him a round of applause, please!

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CHEERING

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-Your name?

-Roman.

-Roman! Marvellous.

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-The wig of justice there.

-The wig of justice, Mr Burgess.

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You will decide, Roman, after we have seen today's

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Solitary Confinement act called Bad Clarinet!

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Right...

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AUDIENCE BOOS

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AUDIENCE BOOS

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SHE PLAYS TUNE ON CLARINET

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AUDIENCE BOOS

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AUDIENCE BOOS

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Stop it, stop it. There we are.

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Go on, there we are.

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All right, well, there we are.

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That's what you call a solitary confinement act.

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Now it's time for Judge Roman to decide.

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Remember, thumbs up, it's a photo of the pyramid at Cheops.

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Thumbs down, it's the sack and the plop, plop, plops.

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Ready? Your time starts now.

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Is it up or down? Ooooh....

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AUDIENCE: Oooh...

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Oh!

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Your act was weak and sloppy so, for you, it's...

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-AUDIENCE:

-Plop, plop, plop, plop, plop, ploppy!

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Yeah! Come on!

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-AUDIENCE:

-Sloppy ploppy! Sloppy ploppy! Sloppy ploppy!

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Sloppy ploppy! Sloppy ploppy!

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Sir, sir...

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Sir, sir! Pull yourself together, sir!

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Sorry, there we are.

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Take her away to the cells and solitary confinement!

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Ha ha ha!

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AUDIENCE BOOS

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And give a big hand to our judge, Mr Judge Roman, please! Thank you.

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CHEERING

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-Mr Burgess.

-Sir!

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-Continue with the Freedom Show.

-Sir!

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Oh, marvellous.

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There's nothing like a bit of a sloppy ploppy porridge

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in a Freedom Show to get you going! I love it!

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Right, so we've got the accordion and we've got the banjo.

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Now, we've just got to try the singing. What about...

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# Hadn't have been for Cotton-eyed Joe

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# I'd been married a long time ago

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# Where did you come from? Where did you go?

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# Where did you come from, Cotton-eyed Joe?

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HE MUMBLES TO TUNE

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He said...

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I know what he said, Mickey! But nobody else will!

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On now to our next performing prisoner act. Very, very unusual.

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The long and the short of it,

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serving seven and a half years in The Slammer

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for pulling strings in high places,

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it is the act known as Marionette!

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CHEERING

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Hello, hey!

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CHEERING

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MUSIC: "PINOCCHIO" BY PIN-OCCHIO

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# Pinocchio... #

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AUDIENCE CLAPS ALONG

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CHEERING

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# Pinocchio

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# Pinocchio... #

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LAUGHTER

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Hey! Ya! Ya! Woo!

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Woo! Woo!

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CHEERING

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# Pinocchio

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# Pinocchio... #

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SNIPPING

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# Pinocchio... #

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CHEERING

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There they are! Come on! Wow!

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Let's hear it for the fantastic act, the Marionette,

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ladies and gentlemen, jailers and jailbirds!

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CHEERING

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Wow, Marionette!

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I've never seen a puppet act like that before, have you?

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You couldn't see the strings, could you?

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Hey, what did you think about it?

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Let's find out from the man

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who pulls all the strings in the Slammer, Mr Burgess.

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-Thoughts?

-It's him.

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What do you mean, it's him? I'm asking you.

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-Oh!

-Don't look so panicked.

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Come on, hurry up! Right, thoughts?

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I thought it was funny, because when the tall man was

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pulling the puppet around, he went everywhere.

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-Is that a good thing or a bad thing?

-Both.

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Well, the long and the short of it there with the Marionette act.

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What did you think?

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Well, it looked really cool, like all the jumps

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and it looked really flexible.

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And, for one final word, sum Marionette up for me, Miss.

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Epic!

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Yeah, epic, sir.

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Well, your views on Marionette.

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He could be going free with his little pal.

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He could step over the walls, couldn't he? Ha!

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Mr Burgess, could you go and see if the final act are ready yet, please?

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-Certainly, sir.

-Thank you very much.

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Yes, on to our final performing prisoner act, jailers and jailbirds.

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# Cotton-eyed Joe... #

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Right, come on, you lot, let's be having you!

0:20:420:20:45

But it's no use, Mr Burgess.

0:20:450:20:46

We've got the accordion and the banjo in tune,

0:20:460:20:49

but I still can't make out their mumbles when they sing!

0:20:490:20:53

Hey, why don't you sing, Miss Meadows?

0:20:530:20:55

I don't know about that!

0:20:550:20:57

Sounds like a good idea. Get moving! Off you go, go on!

0:20:570:21:00

Right, quick march! Move, move!

0:21:000:21:03

-So, jailers and jailbirds, it is time for your final act.

-Sir?

-Yes.

0:21:030:21:07

-Excuse me, sir!

-Yes?

-Sorry.

0:21:070:21:10

HE WHISPERS

0:21:100:21:13

-Really?

-Yes, sir.

-Carry on.

-Thank you, sir.

0:21:130:21:15

Jailers and jailbirds, will you please welcome,

0:21:150:21:18

for one show only, Meadows, Mumble & Son!

0:21:180:21:22

CHEERING

0:21:220:21:25

MUSIC PLAYS

0:21:330:21:35

# If it hadn't had been for Cotton-eyed Joe

0:21:460:21:48

# I'd been married a long time ago

0:21:480:21:49

# Where did you come from? Where did you go?

0:21:490:21:51

# Where did you come from, Cotton-eyed Joe?

0:21:510:21:53

# Hadn't had been for Cotton-eyed Joe

0:21:530:21:55

# I'd been married a long time ago

0:21:550:21:57

# Where did you come from? Where did you go?

0:21:570:21:59

# Where did you come from, Cotton-eyed Joe?

0:21:590:22:01

Wooo!

0:22:020:22:04

# He came to town like a midwinter storm

0:22:080:22:11

# He rode through the fields, so handsome and strong

0:22:110:22:15

# His eyes was his tools and his smile was his gun

0:22:150:22:18

# But all he had come for was having some fun

0:22:180:22:22

# If it hadn't had been for Cotton-eyed Joe

0:22:220:22:24

# I'd been married a long time ago

0:22:240:22:26

# Where did you come from? Where did you go?

0:22:260:22:28

Where did you come from, Cotton-eyed Joe?

0:22:280:22:30

# If it hadn't had been for Cotton-eyed Joe

0:22:300:22:31

# I'd been married a long time ago

0:22:310:22:33

# Where did you come from? Where did you go?

0:22:330:22:35

# Where did you come from, Cotton-eyed Joe? #

0:22:350:22:37

Woo!

0:22:380:22:40

Hey!

0:22:400:22:42

Woo!

0:22:420:22:43

Oh!

0:22:430:22:45

Hey!

0:22:450:22:47

# He brought disaster wherever he went

0:22:510:22:54

# The hearts of the girls was to hell broken sent

0:22:540:22:58

# They all ran away so nobody would know

0:22:580:23:02

# And left only men cos of Cotton-eyed Joe

0:23:020:23:05

# Oh

0:23:050:23:06

# If it hadn't been for Cotton-eyed Joe

0:23:060:23:08

# I'd been married a long time ago

0:23:080:23:09

# Where did you come from? Where did you go?

0:23:090:23:11

# Where did you come from, Cotton-eyed Joe?

0:23:110:23:13

# If it hadn't been for Cotton-eyed Joe

0:23:130:23:15

# I'd been married a long time ago

0:23:150:23:17

# Where did you come from? Where did you go?

0:23:170:23:19

# Where did you come from, Cotton-eyed Joe? #

0:23:190:23:22

BANJO PLAYS

0:23:220:23:24

Woo!

0:23:240:23:25

Here we go!

0:23:330:23:35

# If it hadn't had been for Cotton-eyed Joe

0:23:350:23:37

# I'd been married a long time ago

0:23:370:23:38

# Where did you come from? Where did you go?

0:23:380:23:40

# Where did you come from, Cotton-eyed Joe?

0:23:400:23:42

# If it hadn't been for Cotton-eyed Joe

0:23:420:23:44

# I'd been married a long time ago

0:23:440:23:46

# Where did you come from? Where did you go?

0:23:460:23:48

# Where did you come from, Cotton-eyed Joe? #

0:23:480:23:50

CHEERING

0:23:500:23:53

Come on, let's hear it for Meadows, Mumble & Son!

0:23:560:23:59

CHEERING

0:23:590:24:02

Well, will they be going free?

0:24:020:24:04

Let's find out with Cotton-eye Frank Burgess! Yee-ha!

0:24:040:24:08

-Yee-ha.

-I think it was very good.

0:24:080:24:11

They let a good sing-off and I think they should get free.

0:24:110:24:15

-"They let a good sing-off"?

-Yeah.

0:24:150:24:17

What does that mean, exactly?

0:24:170:24:18

I don't know.

0:24:180:24:20

Well, why are you saying it, sir?

0:24:200:24:22

-I don't know.

-Have you got no control over your mind, sir?

0:24:220:24:25

I don't know.

0:24:250:24:26

LAUGHTER

0:24:260:24:27

-What do you know?

-I don't know.

0:24:270:24:30

A score out of ten, please.

0:24:300:24:32

-Can I go beyond ten?

-Yes.

0:24:320:24:34

-100.

-Wow!

0:24:340:24:36

One final word for Meadows, Mumble & Son. Miss?

0:24:360:24:40

Energetic.

0:24:400:24:41

Yeah. Fair dos. Energetic, sir.

0:24:410:24:44

Time to decide who goes free now, jailers and jailbirds.

0:24:440:24:47

With Officer Meadows looking like she needs a shave there,

0:24:470:24:50

let's welcome all the acts back onto the stage, please!

0:24:500:24:52

Fluteman Gabor!

0:24:520:24:53

Rhythmic Glow!

0:24:550:24:57

Marionette!

0:24:570:24:58

And Mumble & Son! With Meadows, of course.

0:24:580:25:02

You will decide who goes free.

0:25:020:25:04

The more noise you make, the higher the score.

0:25:040:25:07

What did you think of a sensational act with more

0:25:070:25:09

recorders than I've had hot dinners?

0:25:090:25:11

Not strictly true.

0:25:110:25:12

Will you welcome Fluteman Gabor!

0:25:120:25:15

CHEERING

0:25:150:25:17

Come on. Come on.

0:25:170:25:20

Good score for Fluteman Gabor.

0:25:220:25:24

76. Well, I've never seen an act like this lot before.

0:25:240:25:27

They kept us all aglow. Will they be going?

0:25:270:25:30

Please welcome Rhythmic Glow!

0:25:300:25:33

CHEERING

0:25:330:25:35

Come on. Wow!

0:25:350:25:37

There they are. More like legs 11 there.

0:25:400:25:43

Look at that, 87.7. Never mind 11.

0:25:430:25:46

Next act, another crazy act.

0:25:460:25:48

Marionette is an old word for a puppet.

0:25:480:25:50

I've never seen a puppet act like this before. Marionette!

0:25:500:25:54

CHEERING

0:25:540:25:56

Oh!

0:25:560:25:57

Oh, just 76.5.

0:26:010:26:03

They're in second place.

0:26:030:26:05

Still in the lead, it's Rhythmic Glow.

0:26:050:26:08

Can they be knocked from their perch by this act?

0:26:080:26:10

Helped with Officer Meadows, it was Meadows, Mumble & Son!

0:26:100:26:15

CHEERING

0:26:150:26:17

Oh!

0:26:170:26:18

I don't believe it!

0:26:180:26:20

I don't believe it!

0:26:200:26:22

Oh, with a sensational score,

0:26:220:26:24

going free, 94.9,

0:26:240:26:27

it's Mumble & Son with Meadows!

0:26:270:26:29

CHEERING

0:26:290:26:31

Go on. You're free to go.

0:26:320:26:34

Give them a big cheer. They're free to go!

0:26:340:26:37

CHEERING

0:26:370:26:39

Well, jailers and jailbirds, it means that the others,

0:26:390:26:42

you're staying for tea.

0:26:420:26:43

Yeah. And you know what we have for tea, don't we, eh?

0:26:430:26:46

-AUDIENCE:

-Sloppy, ploppy porridge!

0:26:460:26:48

Mr Burgess, I do not want to hear you say that for tea

0:26:480:26:52

it's sloppy, ploppy porridge.

0:26:520:26:54

-What? You don't want to hear it.

-I don't want to hear it!

0:26:540:26:56

Right, well, stick your fingers in your ears, sir.

0:26:560:26:59

-What's for tea?

-Sloppy, ploppy porridge!

0:26:590:27:01

-I can't hear you.

-Excellent, job done.

0:27:010:27:03

Right, you lot, off you go.

0:27:030:27:05

Give a big cheer. Go on, off you go.

0:27:050:27:07

Go on.

0:27:070:27:09

Marionette, Rhythmic Glow and, of course,

0:27:090:27:13

Fluteman Gabor going back to their cells and enjoying tea.

0:27:130:27:16

Hope you've enjoyed the Freedom Show, jailers and jailbirds.

0:27:160:27:19

Just one thing. Remember, if you can't sing, dance or rhyme...

0:27:190:27:23

-AUDIENCE:

-Don't do the crime!

0:27:230:27:25

And come and see us again soon

0:27:250:27:27

here in The Slammer for more fun on the Freedom Show!

0:27:270:27:29

Bye-bye, jailers and jailbirds! Bye-bye!

0:27:290:27:32

CHEERING

0:27:320:27:34

# It's the only way to ever leave The Slammer! #

0:27:550:27:57

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