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-Where are the grown-ups? -What will we do? | 0:00:02 | 0:00:03 | |
You must travel to the Sparticle Project and realign our dimension | 0:00:03 | 0:00:07 | |
with your dimension. | 0:00:07 | 0:00:08 | |
Where the ley lines cross is where Reese can open wormholes | 0:00:08 | 0:00:11 | |
and see through to the other side. | 0:00:11 | 0:00:12 | |
We agreed we wouldn't encourage her any more. | 0:00:12 | 0:00:15 | |
When you get to the Sparticle Project, | 0:00:15 | 0:00:16 | |
you'll get to a voice-activated door. | 0:00:16 | 0:00:18 | |
We have Barker's voice on dictaphone to get you in. | 0:00:18 | 0:00:21 | |
-Sadiq, I want to help. -I don't trust Callum. | 0:00:21 | 0:00:23 | |
How else will you get the dictaphone? | 0:00:23 | 0:00:25 | |
-Wow! Look at the sky! -Look at that! | 0:01:03 | 0:01:06 | |
Look! Come on, let's go. | 0:01:07 | 0:01:09 | |
THEY CHATTER EXCITEDLY | 0:01:09 | 0:01:12 | |
There's a person! | 0:01:19 | 0:01:21 | |
-That looks like fun! -More like crazy! | 0:01:25 | 0:01:27 | |
He's coming in to land. | 0:01:27 | 0:01:29 | |
-Come on, let's see! -Let's go. | 0:01:29 | 0:01:31 | |
What is that? | 0:01:47 | 0:01:49 | |
I'm looking for the Sparticles. Are they still staying at City Hotel? | 0:01:50 | 0:01:55 | |
-We're here! -It's Callum. | 0:01:55 | 0:01:57 | |
I know where they are. | 0:01:57 | 0:02:00 | |
For a price. | 0:02:00 | 0:02:02 | |
Do you think I flew hundreds of miles | 0:02:05 | 0:02:06 | |
to pay a bum like you for information? | 0:02:06 | 0:02:10 | |
-What do you want, Callum? -The dictaphone. -What dictaphone? | 0:02:10 | 0:02:13 | |
Don't play games with me. | 0:02:13 | 0:02:16 | |
Your tribe need the tape with Kat's dad's voice on it. | 0:02:16 | 0:02:19 | |
So, please. Hand it over. | 0:02:19 | 0:02:21 | |
-I don't trust you. -And neither does Sadiq. | 0:02:21 | 0:02:24 | |
-That's why I need to deliver. And fast. -So how are they doing? | 0:02:24 | 0:02:28 | |
Kat's confident she knows what to do at the Sparticle Project. | 0:02:28 | 0:02:32 | |
If they get through the voice-activated door. | 0:02:32 | 0:02:34 | |
The Dictaphone, it's gone! Someone's stolen it! | 0:02:34 | 0:02:39 | |
Is Fizzy still operating this patch? | 0:02:40 | 0:02:43 | |
Who do you think you are? | 0:02:44 | 0:02:46 | |
The dictaphone's our property, so we're coming with you. | 0:02:46 | 0:02:49 | |
It isn't coming from under here. | 0:02:56 | 0:02:58 | |
Hey, Reese. Not about to explode are you? | 0:02:58 | 0:03:02 | |
Where IS that noise coming from? | 0:03:02 | 0:03:04 | |
CLICKING | 0:03:04 | 0:03:05 | |
What are you doing? | 0:03:09 | 0:03:10 | |
Writing postcards to Mum and Dad. | 0:03:11 | 0:03:14 | |
I just want them to know how much I miss them. | 0:03:15 | 0:03:18 | |
Things have been difficult with Mum and Dad, but I still love them. | 0:03:19 | 0:03:23 | |
Holly, you... | 0:03:25 | 0:03:26 | |
You do know there's no actual way of sending them, right? | 0:03:28 | 0:03:31 | |
Course. | 0:03:31 | 0:03:32 | |
-Do you have a spare one? -Sure. | 0:03:39 | 0:03:41 | |
Arrgh! | 0:03:56 | 0:03:57 | |
Ah! Yaah! | 0:03:57 | 0:03:59 | |
Oh! That sound is driving me NUTS. What IS it? | 0:04:02 | 0:04:06 | |
Looking for this? | 0:04:06 | 0:04:09 | |
We stopped for this? | 0:04:09 | 0:04:11 | |
I picked it up in the underground bunker. Thought it looked neat. | 0:04:11 | 0:04:14 | |
-What is it, Sadiq? -Oh, who cares? | 0:04:14 | 0:04:17 | |
Go and tell the girls that we're leaving. | 0:04:17 | 0:04:19 | |
Well, shift! | 0:04:19 | 0:04:20 | |
Oh! Reese? | 0:04:22 | 0:04:24 | |
What are you doing? | 0:04:24 | 0:04:26 | |
We're near a weak spot between the parallel worlds. | 0:04:26 | 0:04:28 | |
Oh, la, la, la, la, la, la. | 0:04:28 | 0:04:31 | |
Hey, maybe it's a metal detector! | 0:04:36 | 0:04:38 | |
We're looking for hidden treasure. | 0:04:40 | 0:04:42 | |
CLICKING | 0:04:42 | 0:04:45 | |
It's a Geiger counter, you moron. | 0:04:45 | 0:04:46 | |
-A what-er counter? -A Geiger counter. It measures radiation. | 0:04:46 | 0:04:51 | |
GEIGER COUNTER CLICKS | 0:04:51 | 0:04:53 | |
In fact...it's... | 0:04:53 | 0:04:56 | |
it's measuring radiation. | 0:04:56 | 0:04:58 | |
COUNTER CLICKS RAPIDLY | 0:04:59 | 0:05:00 | |
Why is it getting such a high reading here? | 0:05:00 | 0:05:03 | |
COUNTER CLICKS RAPIDLY | 0:05:03 | 0:05:09 | |
Oh, please no. | 0:05:17 | 0:05:19 | |
Kat? What's that building? | 0:05:19 | 0:05:21 | |
A nuclear power plant. With no adults working there. | 0:05:21 | 0:05:26 | |
I think something's gone wrong with the reactor. | 0:05:26 | 0:05:29 | |
-How do you know that? -Because of this! | 0:05:29 | 0:05:31 | |
It can measure things that we can't see, taste or smell. | 0:05:31 | 0:05:34 | |
Nuclear radiation. | 0:05:34 | 0:05:37 | |
And that can kill. | 0:05:37 | 0:05:39 | |
RUN! | 0:05:39 | 0:05:41 | |
Go! | 0:05:42 | 0:05:44 | |
What's going on? | 0:05:44 | 0:05:45 | |
-Go! -Hurry! | 0:05:47 | 0:05:50 | |
Sadiq, DRIVE! Get in the front, go! | 0:05:50 | 0:05:52 | |
-Kat, what's up? -Just drive! | 0:05:52 | 0:05:54 | |
-Where am I going to? -Anywhere. Just... Go. | 0:05:54 | 0:05:56 | |
Good. | 0:06:07 | 0:06:08 | |
The metal body of the van is shielding us. | 0:06:08 | 0:06:11 | |
The further away we get from the power station, the better. | 0:06:11 | 0:06:14 | |
-Power station? -Yeah! A great big huge one...and it's blowing a gasket. | 0:06:14 | 0:06:19 | |
Kat. Look. | 0:06:26 | 0:06:28 | |
"You are entering a hot zone". | 0:06:35 | 0:06:37 | |
That's a radiation sign. | 0:06:43 | 0:06:45 | |
They're telling us to stop. | 0:06:48 | 0:06:50 | |
If this is happening here... | 0:06:53 | 0:06:54 | |
it could be happening everywhere, all over the country. | 0:06:54 | 0:07:00 | |
Let's turn around. | 0:07:00 | 0:07:02 | |
Get to the Sparticle Project, head another way. | 0:07:03 | 0:07:06 | |
There's no point in realigning with the adult world. | 0:07:06 | 0:07:09 | |
Why? | 0:07:09 | 0:07:11 | |
We'll be dying... | 0:07:12 | 0:07:13 | |
or dead from radioactive poisoning. | 0:07:13 | 0:07:17 | |
Are you sure about this? We shouldn't be on the tracks. | 0:07:20 | 0:07:24 | |
I know...but this stock ain't been shifted since the war. | 0:07:24 | 0:07:26 | |
These tracks ain't live. | 0:07:26 | 0:07:28 | |
Hold on. | 0:07:35 | 0:07:36 | |
-Jeff, you look after Liam and Frankie. -Gotcha. | 0:07:38 | 0:07:42 | |
I'm here to see Fizzy. | 0:07:49 | 0:07:50 | |
Remember me? | 0:07:52 | 0:07:53 | |
LOUD MUSIC AND CHATTER | 0:08:07 | 0:08:13 | |
Callum! | 0:08:21 | 0:08:23 | |
You still thieving, Fizz? | 0:08:23 | 0:08:26 | |
-You remember Dim? -Unlikely to forget. | 0:08:26 | 0:08:30 | |
-I like your eye candy! -Ahem! -I need your help. | 0:08:30 | 0:08:34 | |
I've "lost" something. Actually, Tia has. A dictaphone. | 0:08:35 | 0:08:38 | |
About so big, with buttons on it. Records sounds, memos and stuff. | 0:08:38 | 0:08:42 | |
Dim, check the booty bag. | 0:08:42 | 0:08:44 | |
That's it! | 0:08:50 | 0:08:52 | |
What's so special about it? | 0:08:52 | 0:08:54 | |
-The fate of... -..a special friendship depends on it. | 0:08:54 | 0:08:57 | |
It's got a recording on it. The voice of Tia's dad. | 0:08:57 | 0:09:01 | |
It's the only memory she has left of him. Right? | 0:09:01 | 0:09:05 | |
Right. | 0:09:05 | 0:09:06 | |
The only memory. | 0:09:07 | 0:09:08 | |
You've gone soft on a girl! | 0:09:08 | 0:09:10 | |
Ha ha ha. | 0:09:10 | 0:09:13 | |
-SHUT IT YOU MONKEY! -Argh! | 0:09:13 | 0:09:15 | |
Sorry. Dim's got no manners. | 0:09:15 | 0:09:18 | |
Ow. | 0:09:18 | 0:09:19 | |
If you'd like this back, there's this little job I need doing. | 0:09:19 | 0:09:23 | |
It's even hotter up ahead. | 0:09:24 | 0:09:26 | |
Someone's left a message on the fence. Listen! | 0:09:28 | 0:09:30 | |
"Our mums and dads worked at the power station. | 0:09:30 | 0:09:33 | |
"When the tags on their clothes turned black, | 0:09:33 | 0:09:35 | |
"we knew there had been a leak." | 0:09:35 | 0:09:37 | |
It's black already! Ah! | 0:09:37 | 0:09:41 | |
-We need to find another route! -No. | 0:09:41 | 0:09:44 | |
What we NEED to do is tell the stupid adults in the other dimension | 0:09:44 | 0:09:47 | |
what is happening here! | 0:09:47 | 0:09:49 | |
What's the matter? | 0:09:49 | 0:09:51 | |
Everyone else back in the van. We shouldn't be out here. Come on. | 0:09:51 | 0:09:55 | |
Kat, we can tell the adults when we bring them back... | 0:09:55 | 0:09:58 | |
then they can fix things. | 0:09:58 | 0:10:00 | |
It'll be too late, Holly. If that nuclear plant blows up, then, | 0:10:00 | 0:10:03 | |
depending on which way the wind blows, | 0:10:03 | 0:10:05 | |
half the country will be covered in radiation. | 0:10:05 | 0:10:08 | |
We can't wait until we get to the Project! | 0:10:08 | 0:10:10 | |
-We have to tell them NOW. -But we can't. | 0:10:10 | 0:10:12 | |
There's no communication between the worlds. | 0:10:12 | 0:10:15 | |
Only my make-believe postcards. | 0:10:15 | 0:10:17 | |
Ha. If only we could just chuck a message down a wormhole, | 0:10:17 | 0:10:20 | |
just like we did with bottles in the sea! | 0:10:20 | 0:10:22 | |
We could try. | 0:10:23 | 0:10:24 | |
We're near where the ley lines cross. | 0:10:26 | 0:10:28 | |
Like when I saw adults in the library | 0:10:28 | 0:10:30 | |
and Muna in the fairground and on the farm. | 0:10:30 | 0:10:32 | |
-It won't work. -Have you got a better idea? | 0:10:32 | 0:10:36 | |
Don't listen to her! | 0:10:36 | 0:10:37 | |
Where is it, Reese? | 0:10:38 | 0:10:40 | |
GEIGER COUNTER CLICKS | 0:10:40 | 0:10:45 | |
Well, it just would be. | 0:10:45 | 0:10:48 | |
Are you sure? | 0:10:48 | 0:10:49 | |
It's not science. | 0:10:50 | 0:10:51 | |
Neither are half the crazy things that have happened on the Quest. | 0:10:51 | 0:10:56 | |
So we're diverting again for some long-shot attempt | 0:10:56 | 0:10:59 | |
to send an SOS to the adults via a wormhole? | 0:10:59 | 0:11:01 | |
If we do manage to realign the worlds, | 0:11:01 | 0:11:03 | |
the adults need to be ready to deal with a massive emergency. | 0:11:03 | 0:11:07 | |
We have to warn them. | 0:11:07 | 0:11:09 | |
It's our only chance. | 0:11:09 | 0:11:10 | |
We need to go through there and sort it out. | 0:11:10 | 0:11:13 | |
If I do trust you on this... | 0:11:16 | 0:11:18 | |
how are you going to send the message? | 0:11:18 | 0:11:20 | |
I don't know. | 0:11:22 | 0:11:23 | |
We're... | 0:11:23 | 0:11:24 | |
We're working on it. | 0:11:25 | 0:11:27 | |
Buckle up! | 0:11:47 | 0:11:49 | |
I want to take my establishment on tour. Only, I can't. | 0:11:57 | 0:12:01 | |
Because of this lock. | 0:12:01 | 0:12:03 | |
Tried sawing it, snapping it, waggling it, draggling it. | 0:12:03 | 0:12:07 | |
Reckon you can handle it, Cal? | 0:12:07 | 0:12:09 | |
Those things are foolproof. | 0:12:09 | 0:12:11 | |
Let's hope Callum's no fool. For your sake. | 0:12:11 | 0:12:14 | |
I really want to travel. Capiche? | 0:12:15 | 0:12:18 | |
-Callum's got to get that clamp off! -You can do that, right? | 0:12:20 | 0:12:23 | |
I used to have a kit for picking locks but I traded it in. | 0:12:23 | 0:12:28 | |
That's convenient(!) | 0:12:28 | 0:12:30 | |
Do you really think I want to deal with those people? | 0:12:30 | 0:12:32 | |
The last time I crossed Fizzy, his sidekick knifed me. | 0:12:32 | 0:12:35 | |
Look, if you don't trust me, fine. I don't actually care. | 0:12:35 | 0:12:40 | |
I promised Kat I would get her into the Sparticle Project. And I will. | 0:12:40 | 0:12:44 | |
-What you reading? -It was in the kit bag. | 0:12:52 | 0:12:56 | |
It's a "what to do" guide, In The event Of A Nuclear Fallout. | 0:12:56 | 0:13:01 | |
We're lucky the wind's blowing away from us. One bar. | 0:13:01 | 0:13:04 | |
As long as it doesn't get to ten. | 0:13:04 | 0:13:07 | |
Well, let's hope the wind doesn't change direction. | 0:13:07 | 0:13:11 | |
Turn left! | 0:13:11 | 0:13:12 | |
Now! | 0:13:13 | 0:13:14 | |
GEIGER COUNTER CLICKS | 0:13:24 | 0:13:29 | |
Where's she taking us? | 0:13:29 | 0:13:31 | |
Check this out. | 0:13:32 | 0:13:33 | |
It says here certain clothing can protect you from radiation. | 0:13:33 | 0:13:36 | |
-This way. -Why've you brought the laptop? | 0:13:40 | 0:13:43 | |
To shield my heart chakra from radiation. | 0:13:43 | 0:13:46 | |
You'd better be right about this. | 0:13:46 | 0:13:47 | |
Check out these clothes. | 0:13:50 | 0:13:51 | |
Geiger counter is up to two bars. | 0:13:51 | 0:13:53 | |
Well, where's this wormhole, Reese? | 0:14:00 | 0:14:03 | |
I...I can't "see" anything. | 0:14:04 | 0:14:06 | |
She's not the only one. | 0:14:07 | 0:14:09 | |
I'll see if there's a generator. | 0:14:09 | 0:14:11 | |
-It's a theatre! -What are you doing?! | 0:14:26 | 0:14:30 | |
Protect and Survive. | 0:14:30 | 0:14:32 | |
Heavy cloth keeps out Alpha radiation | 0:14:32 | 0:14:34 | |
and leather protects against Beta and... | 0:14:34 | 0:14:37 | |
I can see the wormhole now! | 0:14:37 | 0:14:40 | |
I can see someone! | 0:14:45 | 0:14:47 | |
Muna! | 0:14:49 | 0:14:50 | |
It's Holly. | 0:14:50 | 0:14:52 | |
We're up to three now, guys. | 0:14:59 | 0:15:02 | |
The plan? | 0:15:02 | 0:15:04 | |
Without Muna as a go-between, we can't send a message to the adults. | 0:15:05 | 0:15:09 | |
What?! | 0:15:09 | 0:15:10 | |
So why have you bought us to the danger zone, Sadiq? | 0:15:10 | 0:15:13 | |
I should have never listened to you. | 0:15:13 | 0:15:16 | |
KEYBOARD CLANGS | 0:15:29 | 0:15:36 | |
Maybe we could send the adults a sound message. | 0:15:36 | 0:15:40 | |
How? | 0:15:40 | 0:15:41 | |
Well, think about it. | 0:15:41 | 0:15:43 | |
There may be adults here, in this theatre. | 0:15:44 | 0:15:47 | |
We can't see them, they can't see us | 0:15:47 | 0:15:49 | |
but maybe, just maybe, they can hear us. | 0:15:49 | 0:15:51 | |
Reese, give me the laptop. | 0:15:53 | 0:15:55 | |
I know how to send the adults a message. | 0:15:55 | 0:15:58 | |
We broadcast it using radio waves. | 0:15:58 | 0:15:59 | |
This is not a radio. | 0:15:59 | 0:16:02 | |
No, it's better! | 0:16:02 | 0:16:03 | |
It's decked out with all the latest geeky gear including Max-Fi. | 0:16:03 | 0:16:07 | |
Give it to me. | 0:16:08 | 0:16:09 | |
-Is this going to take much longer? -Nearly there. | 0:16:21 | 0:16:25 | |
Trouble with a lock like this is, you've got to visualise it. | 0:16:25 | 0:16:28 | |
Try and imagine how it would look like from the inside. | 0:16:28 | 0:16:31 | |
There, now I just have to... | 0:16:33 | 0:16:35 | |
SNAP! | 0:16:35 | 0:16:37 | |
If you don't get that off, Fizzy won't give us the dictaphone | 0:16:38 | 0:16:41 | |
and we never get the adults back. | 0:16:41 | 0:16:43 | |
Maybe if you looked after the dictaphone in the first place... | 0:16:43 | 0:16:46 | |
Tia, you're not helping. Callum, you're doing fine. | 0:16:46 | 0:16:49 | |
-You've changed your tune! -Well, he's right. You were careless! | 0:16:49 | 0:16:52 | |
"Careless"?! | 0:16:52 | 0:16:53 | |
When was it my responsibility to look after the dictaphone? | 0:16:53 | 0:16:56 | |
I need something thinner. | 0:16:59 | 0:17:01 | |
This any good? | 0:17:02 | 0:17:04 | |
OK. | 0:17:12 | 0:17:13 | |
Frankie. Hold this. | 0:17:14 | 0:17:16 | |
Right, now, don't move a muscle... | 0:17:18 | 0:17:21 | |
-Yes-s-s! -Woohoo! Haha! | 0:17:25 | 0:17:29 | |
Hoo-hoo-hyah! | 0:17:29 | 0:17:31 | |
Good job, Callum! | 0:17:32 | 0:17:35 | |
Hand it over, Fizz. The dictaphone. | 0:17:36 | 0:17:38 | |
Not so fast. Like I said... | 0:17:38 | 0:17:41 | |
you've done a good job. | 0:17:41 | 0:17:43 | |
So now you have the opportunity to WIN the dictaphone back. | 0:17:43 | 0:17:47 | |
At the card table. | 0:17:47 | 0:17:49 | |
Here's my stake. Your precious dictaphone. | 0:17:55 | 0:17:59 | |
What's yours? | 0:17:59 | 0:18:00 | |
What a load of old toot. | 0:18:08 | 0:18:10 | |
I'm losing my sense of fun. | 0:18:14 | 0:18:16 | |
The paramotor's back at Tent City. | 0:18:16 | 0:18:18 | |
Paramotor? | 0:18:18 | 0:18:19 | |
A motorized parachute. | 0:18:21 | 0:18:23 | |
-A flying machine. -Let's play. | 0:18:23 | 0:18:26 | |
Oh! | 0:18:47 | 0:18:48 | |
Oi! | 0:18:48 | 0:18:50 | |
SNAP! | 0:18:51 | 0:18:52 | |
CROWD CHEERS | 0:18:52 | 0:18:54 | |
Winner takes it all. | 0:18:54 | 0:18:56 | |
-We'll pick up the paramotor this afternoon. -Wait! | 0:18:56 | 0:18:59 | |
In exchange for the dictaphone... | 0:18:59 | 0:19:01 | |
Take me. I'll come work for you... | 0:19:03 | 0:19:05 | |
for free. I can wash, clean, serve behind the bar. | 0:19:05 | 0:19:10 | |
-What d'you think? -No, Jeffrey. I won't let you... -It's OK, Tia. | 0:19:10 | 0:19:14 | |
Hahaha! You're no good to me, you're useless. | 0:19:14 | 0:19:19 | |
Let's go and find Frankie and Liam and tell them we've lost... | 0:19:22 | 0:19:25 | |
everything. | 0:19:25 | 0:19:26 | |
XYLOPHONE RINGS | 0:19:33 | 0:19:35 | |
-Got it! -How's this going to work exactly? | 0:19:37 | 0:19:40 | |
Well, I assigned a letter of the alphabet | 0:19:40 | 0:19:42 | |
to the first twenty six notes to create a really simple code. | 0:19:42 | 0:19:45 | |
Any remotely musical and/or semi-intelligent adult | 0:19:45 | 0:19:48 | |
should be able to decode it. | 0:19:48 | 0:19:50 | |
-What's the message say? -"Mayday. From the Children. | 0:19:50 | 0:19:54 | |
-"Severe nuclear situation." -How will we know if it works? | 0:19:54 | 0:19:58 | |
Well... | 0:19:58 | 0:20:00 | |
we won't. | 0:20:00 | 0:20:01 | |
We just have to hope. | 0:20:01 | 0:20:03 | |
BEAUTIFUL TUNE PLAYS | 0:20:04 | 0:20:08 | |
COUNTER CLICKS RAPIDLY | 0:20:08 | 0:20:09 | |
Bar seven. | 0:20:09 | 0:20:12 | |
How bad is Gamma? | 0:20:12 | 0:20:14 | |
Bad. | 0:20:14 | 0:20:16 | |
Only metal can protect us, Holly. | 0:20:16 | 0:20:18 | |
So...this is useless. | 0:20:18 | 0:20:21 | |
Let's get out of here! Come on. | 0:20:21 | 0:20:23 | |
Holly, come on! | 0:20:23 | 0:20:24 | |
TUNE CONTINUES | 0:20:26 | 0:20:30 | |
What's Callum up to? I don't trust him. | 0:20:30 | 0:20:33 | |
I do. | 0:20:33 | 0:20:35 | |
Why, after what he's done? | 0:20:35 | 0:20:37 | |
He wants to impress Kat. | 0:20:37 | 0:20:38 | |
He couldn't care less about bringing the adults back. | 0:20:38 | 0:20:40 | |
But he cares about her. | 0:20:40 | 0:20:42 | |
Maybe I should tell Fizzy about the dictaphone. Why we need it? | 0:20:44 | 0:20:47 | |
You heard what Callum said. Fizzy's got a good thing going. | 0:20:47 | 0:20:51 | |
If he knew it could bring the adults back, | 0:20:51 | 0:20:53 | |
he'd wipe Barker's voice in a heartbeat. | 0:20:53 | 0:20:56 | |
Don't take any notice about what Fizzy said. It's not true. | 0:20:57 | 0:21:00 | |
You're really useful. And clever, brave, and... | 0:21:00 | 0:21:03 | |
..not feeling bad at all! | 0:21:06 | 0:21:07 | |
Nope. | 0:21:07 | 0:21:08 | |
Fizzy says I'm no use, huh? Well, we'll show him! | 0:21:08 | 0:21:11 | |
Callum, you lost our dictaphone and our trust. | 0:21:16 | 0:21:18 | |
-I want to settle this with you... man-to-man. Outside. -Oooh! | 0:21:18 | 0:21:23 | |
You get the plasters ready, Dimbo. | 0:21:29 | 0:21:32 | |
Hahaha. | 0:21:32 | 0:21:34 | |
-He'll wipe the floor with him! -Yeah. | 0:21:34 | 0:21:36 | |
-OK, Jeff. Let me have it. -Follow me. | 0:21:40 | 0:21:42 | |
Stop! Listen! | 0:21:45 | 0:21:48 | |
COUNTER CLICKS VERY RAPIDLY | 0:21:48 | 0:21:50 | |
The highest this goes to is ten. | 0:21:50 | 0:21:52 | |
It's touching nine. And that's in here. | 0:21:54 | 0:21:56 | |
COUNTER CLICKS VERY RAPIDLY | 0:21:56 | 0:22:01 | |
-I'm going to reverse the van. -You'll get a massive Gamma dose! | 0:22:04 | 0:22:07 | |
If I do nothing... | 0:22:11 | 0:22:12 | |
..we all die. | 0:22:14 | 0:22:16 | |
Who do you think you are? Some sort of knight in shining armour? | 0:22:16 | 0:22:21 | |
Sadiq? | 0:22:24 | 0:22:26 | |
I've got an idea. | 0:22:28 | 0:22:29 | |
Thought we'd bring it to you, Fizz. | 0:22:41 | 0:22:43 | |
Could do with a man like you, Cal. | 0:22:43 | 0:22:45 | |
Be just like old times. | 0:22:45 | 0:22:47 | |
Yeah, tell you what, why don't we talk about it over a bottle of fizz. | 0:22:48 | 0:22:52 | |
Please yourself. | 0:22:52 | 0:22:54 | |
Should have seen me take those losers. | 0:22:54 | 0:22:56 | |
Add this to the collection. | 0:22:56 | 0:22:58 | |
Walkie-talkies? | 0:23:05 | 0:23:07 | |
Getaway car? | 0:23:07 | 0:23:08 | |
You've got to be kidding me?! | 0:23:12 | 0:23:14 | |
The principle is simple. It's basically a big kettle. | 0:23:17 | 0:23:21 | |
You boil water to create steam, | 0:23:21 | 0:23:22 | |
that drives the pistons that turn the wheels. | 0:23:22 | 0:23:25 | |
But we can't go anywhere until that's in the red. | 0:23:25 | 0:23:28 | |
Better fill up the firebox! | 0:23:28 | 0:23:29 | |
Since when did you become an expert on driving a train? | 0:23:29 | 0:23:32 | |
Since every Sunday spent with my Grandad, | 0:23:32 | 0:23:35 | |
volunteering on the local steam railway. | 0:23:35 | 0:23:37 | |
Where's Liam? | 0:23:37 | 0:23:40 | |
Yes! | 0:23:52 | 0:23:53 | |
All aboard! | 0:24:16 | 0:24:17 | |
BEAUTIFUL TUNE PLAYS | 0:24:19 | 0:24:22 | |
BEETHOVEN'S FIFTH SYMPHONY PLAYS | 0:24:22 | 0:24:26 | |
It's a message from the adults! | 0:24:26 | 0:24:28 | |
It's a reply! | 0:24:28 | 0:24:30 | |
QUICK! | 0:24:30 | 0:24:32 | |
BEAUTIFUL TUNE PLAYS | 0:24:36 | 0:24:38 | |
BEETHOVEN'S FIFTH SYMPHONY PLAYS | 0:24:38 | 0:24:40 | |
What were they saying? | 0:24:40 | 0:24:42 | |
-Sounded like Morse code. -Because it is Morse code. | 0:24:42 | 0:24:45 | |
Da da da daah is... dot dot dot dash. | 0:24:45 | 0:24:48 | |
It means the letter V. | 0:24:48 | 0:24:51 | |
-V? -I did that in history! | 0:24:51 | 0:24:53 | |
During World War Two, the four notes from Beethoven's Fifth | 0:24:53 | 0:24:56 | |
stood for V for Victory! | 0:24:56 | 0:24:58 | |
The adults understood our message about the meltdown. | 0:24:58 | 0:25:01 | |
And they know how to fix it! | 0:25:01 | 0:25:02 | |
ALL: Yeah! | 0:25:02 | 0:25:05 | |
Get in there! | 0:25:05 | 0:25:06 | |
Hahaha! | 0:25:06 | 0:25:09 | |
CAR HORN HONKS | 0:25:09 | 0:25:12 | |
CLANG! | 0:25:16 | 0:25:17 | |
Come on, Liam. | 0:25:29 | 0:25:30 | |
MOTOR REVS | 0:25:35 | 0:25:41 | |
MOTOR ROARS | 0:25:41 | 0:25:45 | |
Oof! | 0:25:45 | 0:25:47 | |
Help me! | 0:25:50 | 0:25:51 | |
Look, he's got the dictaphone. | 0:26:03 | 0:26:06 | |
All aboard! | 0:26:13 | 0:26:14 | |
What's happening? | 0:26:20 | 0:26:23 | |
Sorry! | 0:26:25 | 0:26:26 | |
Oi, you lot! | 0:26:32 | 0:26:34 | |
Come back with my train! | 0:26:39 | 0:26:41 | |
Who are you calling useless... Useless? | 0:26:41 | 0:26:45 | |
-Argh! -Bye-bye! | 0:26:45 | 0:26:47 | |
Next stop, the Sparticle Project! | 0:27:01 | 0:27:03 | |
TRAIN WHISTLE BLOWS | 0:27:03 | 0:27:07 | |
If the adults don't fix things, | 0:27:07 | 0:27:08 | |
the whole planet will go toxic. Come on. | 0:27:08 | 0:27:10 | |
-No. No. -Come on. -No. | 0:27:10 | 0:27:12 | |
At midnight, I'll be in another dimension. | 0:27:12 | 0:27:14 | |
It's not going to happen to you. | 0:27:14 | 0:27:16 | |
Easy for you to say, it's not your birthday tomorrow! | 0:27:16 | 0:27:18 | |
-Ami! -It's his diabetes. He needs insulin. | 0:27:18 | 0:27:21 | |
-It's not going to stop in time! -Get them! | 0:27:21 | 0:27:22 | |
Let's hope she's gone for good. | 0:27:22 | 0:27:25 | |
REESE SCREAMS | 0:27:25 | 0:27:26 | |
You know that I hate you. | 0:27:26 | 0:27:27 | |
Goodbye. | 0:27:27 | 0:27:28 | |
SCREAMS | 0:27:30 | 0:27:32 | |
Subtitles by Red Bee Media Ltd | 0:27:43 | 0:27:46 | |
E-mail: [email protected] | 0:27:46 | 0:27:49 |