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The Sparticle Project was switched on today. | 0:00:02 | 0:00:03 | |
All our teachers hid from us. It was cool. | 0:00:03 | 0:00:05 | |
-The world is full of children. -What are we going to do? | 0:00:05 | 0:00:08 | |
Anything we like. | 0:00:08 | 0:00:10 | |
-What's happening? -Hold my hand and don't let go. | 0:00:10 | 0:00:12 | |
Stick together. We need space, we need food, | 0:00:12 | 0:00:14 | |
and a door to lock to keep out trouble. | 0:00:14 | 0:00:16 | |
Mummy's looking for you. | 0:00:16 | 0:00:18 | |
I think I just saw the grown-ups. | 0:00:18 | 0:00:19 | |
-Who are you? -My father is Henry Barker, the famous physicist. | 0:00:19 | 0:00:23 | |
None of that matters now, does it? | 0:00:23 | 0:00:25 | |
Bananas! Get your bananas here! | 0:00:40 | 0:00:42 | |
Ripe Bananas! Get 'em while you can! | 0:00:42 | 0:00:44 | |
I've got a fiver! | 0:00:44 | 0:00:45 | |
-You're joking? -I've got more. | 0:00:45 | 0:00:48 | |
-Have you got any eggs? -I have! | 0:00:48 | 0:00:51 | |
All the eggs in the city have been taken. | 0:00:54 | 0:00:57 | |
Runny yolk, hot buttery toast. | 0:00:57 | 0:01:01 | |
I love my boiled egg and toastie soldiers! | 0:01:01 | 0:01:06 | |
We can get eggs and all the fresh food we want if we use this. | 0:01:06 | 0:01:10 | |
How are we going to swap your head Jeff? Won't you need it? | 0:01:10 | 0:01:13 | |
First rule of business. | 0:01:13 | 0:01:14 | |
Have something someone else really needs or wants. | 0:01:14 | 0:01:17 | |
Barter it, swap it, trade it. | 0:01:17 | 0:01:18 | |
Well, we're stuffed then! We've got nothing fresh to trade with. | 0:01:18 | 0:01:21 | |
So we create it. | 0:01:21 | 0:01:23 | |
We find a renewable source of fresh food, | 0:01:23 | 0:01:25 | |
like, erm... | 0:01:25 | 0:01:27 | |
BOTH: Chickens! | 0:01:27 | 0:01:29 | |
Where exactly are we going to find chickens in a city centre? | 0:01:29 | 0:01:33 | |
A university seems like a dumb place to look for food to me. | 0:01:39 | 0:01:41 | |
There'll be mountains of fresh food in the fridge here, | 0:01:41 | 0:01:44 | |
cos only people with a key card can get in, | 0:01:44 | 0:01:46 | |
so nothing will have been raided. | 0:01:46 | 0:01:47 | |
Come on! Why isn't this working? | 0:01:47 | 0:01:50 | |
How'd you get that? | 0:01:50 | 0:01:52 | |
It's my Dad's. | 0:01:52 | 0:01:53 | |
He used to be a research physicist here. | 0:01:53 | 0:01:55 | |
When he wasn't working on the Sparticle Project, that is. | 0:01:55 | 0:01:58 | |
CLICK We're in, let's go! | 0:01:58 | 0:01:59 | |
Um... | 0:02:04 | 0:02:06 | |
Before we get laden with food, | 0:02:06 | 0:02:08 | |
me and Reese just want to have a look around my dad's office. | 0:02:08 | 0:02:12 | |
Why? | 0:02:12 | 0:02:13 | |
Well, we think that the Sparticle Project | 0:02:14 | 0:02:19 | |
may have something to do with why everyone's disappeared. | 0:02:19 | 0:02:22 | |
Reese? Tell Holly and Jordan. | 0:02:22 | 0:02:25 | |
It's OK. | 0:02:27 | 0:02:28 | |
The grown-ups aren't dead or anything like that. | 0:02:31 | 0:02:35 | |
I saw them. | 0:02:36 | 0:02:38 | |
-What's she talking about? -In the City Library, Reese... | 0:02:39 | 0:02:42 | |
She saw some of the parents trying to find their kids. | 0:02:43 | 0:02:46 | |
But I mean, I didn't see them. | 0:02:46 | 0:02:48 | |
It's like all the younger kids are in one world, | 0:02:48 | 0:02:51 | |
and everyone else is in another identical world, | 0:02:51 | 0:02:54 | |
and somehow I got a peek into their world. | 0:02:54 | 0:02:56 | |
My Dad believes in parallel dimensions. | 0:02:56 | 0:02:58 | |
It was his "big idea". Look... | 0:02:58 | 0:03:01 | |
She described this woman perfect. | 0:03:02 | 0:03:04 | |
-Her hair colour and everything. She couldn't have made it up. -Says who? | 0:03:04 | 0:03:07 | |
Maybe she found this before you. | 0:03:07 | 0:03:09 | |
You didn't see them either. | 0:03:09 | 0:03:11 | |
So, she made it all up. | 0:03:11 | 0:03:15 | |
I'm stocking up on fresh food, then I'm going back to the hotel. | 0:03:15 | 0:03:18 | |
I reckon Sadiq needs to hear about this. | 0:03:18 | 0:03:20 | |
I knew no-one would believe me. | 0:03:21 | 0:03:24 | |
And now you don't, either. | 0:03:24 | 0:03:27 | |
WHINING | 0:03:33 | 0:03:36 | |
WHINING | 0:03:40 | 0:03:42 | |
WHINING | 0:03:51 | 0:03:54 | |
Hello? Is there anyone here? | 0:04:35 | 0:04:37 | |
WHINING | 0:04:37 | 0:04:39 | |
Hello? | 0:04:43 | 0:04:44 | |
WHINING | 0:04:44 | 0:04:47 | |
Hello, you. | 0:04:50 | 0:04:52 | |
There you go. You hungry? | 0:04:52 | 0:04:55 | |
Cupid. | 0:04:55 | 0:04:56 | |
That's a stupid name for a dog. | 0:04:56 | 0:04:59 | |
Stupid Cupid. | 0:04:59 | 0:05:01 | |
What is it, Cupid? What's wrong? | 0:05:02 | 0:05:05 | |
Unhhh! | 0:05:06 | 0:05:07 | |
Dad. | 0:05:11 | 0:05:12 | |
Kat... | 0:05:34 | 0:05:36 | |
Your dad left a birthday present. | 0:05:41 | 0:05:43 | |
Thanks, Dad. | 0:05:54 | 0:05:56 | |
What? | 0:06:06 | 0:06:08 | |
Doesn't it suit me? | 0:06:09 | 0:06:11 | |
It's not that. | 0:06:13 | 0:06:14 | |
It's just... | 0:06:14 | 0:06:16 | |
Nothing. It looks great. | 0:06:16 | 0:06:19 | |
Have either of you seen Holly? | 0:06:19 | 0:06:21 | |
Holly? | 0:06:26 | 0:06:27 | |
Let's try in here. | 0:06:34 | 0:06:35 | |
It's boiling in here! | 0:06:45 | 0:06:47 | |
What's that? | 0:06:50 | 0:06:52 | |
The pink light over there. | 0:07:00 | 0:07:03 | |
What pink light? | 0:07:03 | 0:07:04 | |
No. No, I'm not seeing anything. | 0:07:04 | 0:07:07 | |
Reese? What's the matter? | 0:07:10 | 0:07:12 | |
Maybe she's seeing things again? | 0:07:12 | 0:07:14 | |
An adult! | 0:07:17 | 0:07:18 | |
We're not on our own. | 0:07:18 | 0:07:20 | |
I'm the one on my own. | 0:07:20 | 0:07:22 | |
But not any longer. | 0:07:22 | 0:07:24 | |
'You've tied her up! | 0:07:31 | 0:07:32 | |
'What's in the flask?' | 0:07:34 | 0:07:36 | |
The methane gas is released here, and mixed with the ammonia here | 0:07:36 | 0:07:39 | |
in this flask. Then it's heated up. | 0:07:39 | 0:07:41 | |
Prussic acid? You're making prussic acid? | 0:07:41 | 0:07:45 | |
Quite the little scientist, aren't you? | 0:07:45 | 0:07:46 | |
But I'm the first class chemist. Ask Dora. | 0:07:46 | 0:07:49 | |
Oh, yeah, you can't. | 0:07:49 | 0:07:51 | |
If this works... | 0:07:51 | 0:07:53 | |
It will work, I promise you. | 0:07:53 | 0:07:54 | |
If this works it'll produce hydrogen cyanide. | 0:07:54 | 0:07:57 | |
Mmm, delicious. | 0:07:57 | 0:07:58 | |
It's a deadly gas. You're mad! | 0:07:58 | 0:08:00 | |
No, I'm desperate. | 0:08:00 | 0:08:02 | |
And trust me, that's worse than mad, | 0:08:02 | 0:08:04 | |
cos I know exactly what I'm doing. | 0:08:04 | 0:08:06 | |
You've got two hours to get me everything on that list. | 0:08:07 | 0:08:10 | |
Medical masks, sanitisers, prednisone? | 0:08:14 | 0:08:18 | |
Where do you expect us to find this in two hours? | 0:08:18 | 0:08:21 | |
Hospitals, chemists. Like I care. | 0:08:21 | 0:08:24 | |
Why can't you get it yourself? | 0:08:24 | 0:08:27 | |
Look at me, you stupid child, I can barely stand. | 0:08:27 | 0:08:30 | |
If you need help, why didn't you just ask? | 0:08:30 | 0:08:32 | |
The world's infested with children, and we all know children | 0:08:32 | 0:08:35 | |
are utterly selfish and think of no-one but themselves! | 0:08:35 | 0:08:39 | |
One adult, and she's mad. | 0:08:39 | 0:08:42 | |
Hang on, you'll be poisoned, too! You can't be in the same room. | 0:08:42 | 0:08:45 | |
Who says I need to be in the same room? | 0:08:45 | 0:08:48 | |
I'll detonate it remotely. | 0:08:48 | 0:08:50 | |
Why are you the only adult left? | 0:08:50 | 0:08:52 | |
I don't know. Just am. | 0:08:52 | 0:08:54 | |
Lucky me. | 0:08:54 | 0:08:56 | |
BEEPING | 0:08:58 | 0:09:00 | |
Two hours. | 0:09:00 | 0:09:02 | |
If you're not back when the time's up, I'll detonate the experiment. | 0:09:03 | 0:09:08 | |
I hope Jordan can find everything on the list. | 0:09:16 | 0:09:18 | |
Why does she need all those drugs? | 0:09:18 | 0:09:20 | |
Why is she still here? All the other adults have gone. | 0:09:20 | 0:09:23 | |
Reese, we need to focus on Holly. She's in terrible danger | 0:09:23 | 0:09:26 | |
and we need to figure out where Anita's holding her. | 0:09:26 | 0:09:29 | |
She could be anywhere. | 0:09:29 | 0:09:30 | |
She mentioned Dora! | 0:09:32 | 0:09:33 | |
Her boss, Professor Dora Petty. | 0:09:33 | 0:09:37 | |
Doomsday Dora's my Dad's colleague on the Sparticle Project! | 0:09:37 | 0:09:40 | |
He called her that cos she was always... | 0:09:40 | 0:09:42 | |
What? What is it, Kat? | 0:09:43 | 0:09:45 | |
She was always talking about the end of the world as we know it. | 0:09:45 | 0:09:48 | |
Wow. | 0:10:10 | 0:10:11 | |
Dora was really into hearts. | 0:10:11 | 0:10:14 | |
Look, this is her! It's Anita. | 0:10:24 | 0:10:28 | |
SHE MOUTHS | 0:10:28 | 0:10:31 | |
Reese, look. | 0:10:35 | 0:10:38 | |
Dora was really obsessed with Anita. | 0:10:38 | 0:10:41 | |
The pink light I can see around Anita's heart, | 0:10:44 | 0:10:46 | |
it's a heart chakra. | 0:10:46 | 0:10:48 | |
What are you talking about? | 0:10:48 | 0:10:49 | |
In Indian medicine, chakras are centres of spiritual energy. | 0:10:49 | 0:10:54 | |
And because she's an adult, Anita should have one this colour. | 0:10:55 | 0:10:58 | |
But she's got one this colour. | 0:10:58 | 0:11:00 | |
A child's. | 0:11:00 | 0:11:02 | |
Reese, not now. | 0:11:02 | 0:11:03 | |
I can't help what I see, Kat. | 0:11:03 | 0:11:05 | |
It just keeps happening, and I don't like it. | 0:11:05 | 0:11:08 | |
Any chickens? | 0:11:14 | 0:11:15 | |
All dead. | 0:11:15 | 0:11:17 | |
All dead hungry! | 0:11:18 | 0:11:20 | |
Agh! | 0:11:20 | 0:11:21 | |
THEY LAUGH | 0:11:21 | 0:11:22 | |
I'm OK! | 0:11:22 | 0:11:24 | |
CLUCKING | 0:11:28 | 0:11:30 | |
Forget that. He looks evil. | 0:11:30 | 0:11:32 | |
Looks like he's had all the chicken seed, that's for sure. | 0:11:32 | 0:11:36 | |
Right. Jeff, you go to the left. Ami, you go to the right. | 0:11:36 | 0:11:39 | |
I'm going to cover centre. | 0:11:39 | 0:11:41 | |
Frankie and Liam, you'll be the sweepers. | 0:11:41 | 0:11:43 | |
We need to get that chicken into that corner | 0:11:43 | 0:11:46 | |
near that chicken shed. | 0:11:46 | 0:11:47 | |
It'll have escaped by the time you've stopped talking about it. | 0:11:47 | 0:11:50 | |
I don't see you helping. | 0:11:50 | 0:11:51 | |
Back to the Stone Age again then, right? | 0:11:51 | 0:11:54 | |
That makes you Chief Hunter Gatherer. | 0:11:54 | 0:11:56 | |
On my word. | 0:11:56 | 0:11:58 | |
What word? | 0:11:58 | 0:11:59 | |
How about "go"? | 0:11:59 | 0:12:01 | |
Cavemen had bigger brains. | 0:12:01 | 0:12:03 | |
Who knew chickens could run that fast? | 0:12:03 | 0:12:06 | |
-Ooh! -Got her. Oh! Woo-hoo! | 0:12:06 | 0:12:11 | |
-I don't think that actually is a chicken shed. -Eh? | 0:12:13 | 0:12:16 | |
BLEATING | 0:12:17 | 0:12:19 | |
-Run! -We are! -Here. | 0:12:19 | 0:12:21 | |
Oh no! Agh! The keys! | 0:12:23 | 0:12:25 | |
It's got the hotel keys! | 0:12:25 | 0:12:27 | |
It's got the hotel keys! | 0:12:27 | 0:12:30 | |
Careful. Don't scare her. | 0:12:39 | 0:12:42 | |
Oh, no. Look. | 0:12:43 | 0:12:46 | |
Oh! She's not... | 0:12:46 | 0:12:48 | |
She is! | 0:12:48 | 0:12:49 | |
Quick! Follow that tent! | 0:12:52 | 0:12:54 | |
BLEATING | 0:12:54 | 0:12:56 | |
BLEATING | 0:13:14 | 0:13:16 | |
Get off my leg. That's my leg! | 0:13:46 | 0:13:50 | |
-Just get the goat! -Stop it! -Get off! | 0:13:51 | 0:13:55 | |
Hey, guys! | 0:13:55 | 0:13:57 | |
Guys! | 0:13:57 | 0:13:58 | |
-Where's the goat? -That's what I was trying to tell you. | 0:14:00 | 0:14:04 | |
Anita, I need some water. | 0:14:23 | 0:14:25 | |
It's so hot in here. | 0:14:25 | 0:14:27 | |
No, not until I get what I need. | 0:14:27 | 0:14:31 | |
Is he a scientist too, your fiance? | 0:14:34 | 0:14:38 | |
You're wearing an engagement ring. | 0:14:38 | 0:14:40 | |
Kyle's a computer brainiac. | 0:14:43 | 0:14:45 | |
We're getting married in three weeks. | 0:14:45 | 0:14:49 | |
That's great, Anita. What are you typing up now, your wedding list? | 0:14:49 | 0:14:53 | |
I'm inputting offline data from the Sparticle Project. | 0:14:53 | 0:14:57 | |
I've got to finish it before Dora comes back, | 0:14:57 | 0:15:00 | |
before they all come back. | 0:15:00 | 0:15:02 | |
Right, before they all come back. | 0:15:02 | 0:15:06 | |
Cos they will, won't they? | 0:15:06 | 0:15:08 | |
Yeah, of course they will. | 0:15:08 | 0:15:11 | |
Not that you'll be here to see it. | 0:15:11 | 0:15:14 | |
They've got precisely 30 minutes left. | 0:15:14 | 0:15:17 | |
Anita? | 0:15:20 | 0:15:21 | |
What if Dora doesn't come back? | 0:15:21 | 0:15:23 | |
What if she doesn't and Kyle doesn't and nobody does? | 0:15:23 | 0:15:28 | |
You'll be the only grown-up on Earth. | 0:15:28 | 0:15:31 | |
And grown-ups are supposed to take care of kids. | 0:15:31 | 0:15:33 | |
I'm a kid. | 0:15:33 | 0:15:35 | |
Well, tough. I hate kids. | 0:15:35 | 0:15:38 | |
You can't lump all kids together. | 0:15:38 | 0:15:40 | |
That's just not fair. I mean... | 0:15:40 | 0:15:43 | |
You were a kid once. | 0:15:43 | 0:15:45 | |
Still am in here. | 0:15:45 | 0:15:48 | |
Right, that's what my grandma says, | 0:15:48 | 0:15:51 | |
that she's still only a child inside. | 0:15:51 | 0:15:53 | |
-Ugh! -Anita! | 0:16:10 | 0:16:12 | |
Anita, Anita. | 0:16:12 | 0:16:14 | |
Kat, come and look at this. | 0:16:14 | 0:16:16 | |
Why has Dora got all these CCTV cameras? | 0:16:21 | 0:16:24 | |
Isn't that Anita's room? | 0:16:24 | 0:16:26 | |
Dora must have been spying on Anita. | 0:16:26 | 0:16:29 | |
If that's where Anita sleeps, that's where she hangs out, and that's | 0:16:32 | 0:16:35 | |
where she works, maybe that is the lab where she does her experiments. | 0:16:35 | 0:16:40 | |
And where she's holding Holly. | 0:16:40 | 0:16:41 | |
Can you change the camera angle? | 0:16:41 | 0:16:43 | |
Wait. Look, isn't that Anita's dog? | 0:16:46 | 0:16:49 | |
It's B1, B2 or B3. It has to be. | 0:16:52 | 0:16:54 | |
They're the only labs that back onto a field. | 0:16:54 | 0:16:56 | |
And Anita's dog has to go walkies, right? | 0:16:56 | 0:16:58 | |
Jordan's back with reinforcements. | 0:17:00 | 0:17:04 | |
OK. I'll go find them and we'll head straight to the lab. | 0:17:04 | 0:17:08 | |
You figure out which one Holly's in. | 0:17:08 | 0:17:10 | |
-Have you got the stuff? -No. No, I haven't. | 0:17:14 | 0:17:17 | |
But why? She's going to blow Holly up. | 0:17:17 | 0:17:20 | |
Mum says you can't negotiate with terrorists. That's what Anita is. | 0:17:20 | 0:17:23 | |
-Are we going to Dial 999 and ask for the police(?) -We are the police. | 0:17:23 | 0:17:26 | |
-Where's Liam and Frankie? -They're all right. | 0:17:26 | 0:17:29 | |
-They've got their hands full too. -Let's go. | 0:17:29 | 0:17:33 | |
'If you're watching this, you will be a child, | 0:17:39 | 0:17:43 | |
'a child in a stilled world.' | 0:17:43 | 0:17:44 | |
You will be under 15 in a world without adults. | 0:17:44 | 0:17:49 | |
And if my theory is right, my poor researcher Anita will be with you, | 0:17:49 | 0:17:54 | |
the only adult left on Earth. | 0:17:54 | 0:17:56 | |
-Anita, what is it? -It's my heart. | 0:17:58 | 0:18:02 | |
I need my drugs. | 0:18:02 | 0:18:05 | |
It'll stop without them. | 0:18:05 | 0:18:07 | |
They've got 15 minutes left. | 0:18:07 | 0:18:09 | |
Anita! | 0:18:09 | 0:18:10 | |
Imagine our universe superimposed on top of another one. | 0:18:12 | 0:18:17 | |
No... Imagine two cupboards. | 0:18:19 | 0:18:25 | |
-Which way, Kat? -I don't know. I can't remember where Dora's room is. | 0:18:29 | 0:18:33 | |
We've only got 15 minutes. We're running out of time. | 0:18:33 | 0:18:36 | |
We're just going to have to go to... the chemistry labs. Come on. | 0:18:36 | 0:18:39 | |
Cupid, Cupid. Cupid, come here. | 0:18:51 | 0:18:55 | |
Come on, Cupid. Cupid, come on. | 0:19:06 | 0:19:08 | |
That's it, Cupid. | 0:19:11 | 0:19:13 | |
Sorry about that. | 0:19:16 | 0:19:17 | |
-It's this way. -This way? | 0:19:18 | 0:19:20 | |
That's it, Cupid. Good boy. Good boy. | 0:19:21 | 0:19:23 | |
Stop! | 0:19:28 | 0:19:29 | |
Cupid, don't be stupid. | 0:19:29 | 0:19:32 | |
This cupboard, the full one, is us and our planet Earth - | 0:19:32 | 0:19:37 | |
people, cars, stars, cheese and onion crisps. | 0:19:37 | 0:19:42 | |
The other cupboard is bare. | 0:19:42 | 0:19:45 | |
-What's that he's licking? -It's a remote control for that. | 0:19:49 | 0:19:54 | |
And that is? | 0:19:54 | 0:19:55 | |
Very, very dangerous if detonated by that remote control. | 0:19:55 | 0:20:00 | |
Anyone got a sweet? | 0:20:00 | 0:20:03 | |
Come on. Come here, boy. | 0:20:03 | 0:20:05 | |
-It will produce hydrogen cyanide. -Cyanide? | 0:20:05 | 0:20:07 | |
Yeah, well, I didn't want to panic anyone. | 0:20:07 | 0:20:10 | |
-Too late, way, way too late. -Here, boy. Leave, leave. | 0:20:10 | 0:20:16 | |
'In our full cupboard, everything - us, the cars, the stars, the crisps - | 0:20:16 | 0:20:20 | |
'are made up of particles,' | 0:20:20 | 0:20:22 | |
and every particle has a matching or twinned particle you can't see. | 0:20:22 | 0:20:28 | |
An invisible copy. Humans are the exception to this rule. | 0:20:32 | 0:20:39 | |
Our heart chakras mean that our particles and sparticles | 0:20:39 | 0:20:43 | |
'can't be split and separated like the stars and cars.' | 0:20:43 | 0:20:47 | |
Come on, Cupid. | 0:20:47 | 0:20:48 | |
Do you want a wickle tickle under the chin? | 0:20:48 | 0:20:52 | |
-A wickle tickle? -He's got the remote. Kat, chase the dog. | 0:20:52 | 0:20:56 | |
Let's get out of here. | 0:20:56 | 0:20:58 | |
-What about Anita? -What about Anita(?) | 0:20:58 | 0:21:01 | |
She tried to blow me up. | 0:21:01 | 0:21:03 | |
It's locked. | 0:21:08 | 0:21:09 | |
I am certain that when they switch the Sparticle Project on, | 0:21:09 | 0:21:13 | |
the energy created | 0:21:13 | 0:21:15 | |
will be so massive it will push the sparticles, | 0:21:15 | 0:21:18 | |
or the invisible half of our reality, into the | 0:21:18 | 0:21:21 | |
empty cupboard next door, or the parallel dimension. | 0:21:21 | 0:21:26 | |
You're watching me on tape because I was pushed into the second cupboard, | 0:21:36 | 0:21:39 | |
or parallel dimension, | 0:21:39 | 0:21:42 | |
along with the entire sparticle world and all of the other adults, | 0:21:42 | 0:21:48 | |
while you kids are in here... | 0:21:48 | 0:21:52 | |
I wish you were really here, Dora. | 0:21:52 | 0:21:55 | |
..with all the under-15s and poor Anita. | 0:21:55 | 0:22:00 | |
But why is Anita the only grown up left? | 0:22:00 | 0:22:03 | |
The future of the world lies within your hands, children. | 0:22:03 | 0:22:06 | |
-Kat. -Hey, it's Doomsday Dora. -Shh. | 0:22:06 | 0:22:12 | |
To put everything back in the same cupboard, or dimension, | 0:22:12 | 0:22:14 | |
the sparticles with the particles, | 0:22:14 | 0:22:16 | |
you must travel to The Sparticle Project | 0:22:16 | 0:22:20 | |
and realign our dimension with your dimension. | 0:22:20 | 0:22:24 | |
I've got it all on Dora's laptop. | 0:22:25 | 0:22:27 | |
The dog. Cupid, where are you, boy? | 0:22:30 | 0:22:32 | |
GROWLING | 0:22:34 | 0:22:36 | |
I wouldn't chew on that if I were you. | 0:22:36 | 0:22:38 | |
-BEEPING -Too late. | 0:22:38 | 0:22:40 | |
Whoa! What...? | 0:22:40 | 0:22:44 | |
Get back. | 0:22:46 | 0:22:48 | |
CRASH | 0:22:48 | 0:22:50 | |
COUGHING | 0:22:50 | 0:22:52 | |
Jeff? Sadiq, Sadiq, we've got to go back. | 0:22:57 | 0:23:01 | |
-No, you won't make it - the gas. -Jeff. | 0:23:01 | 0:23:03 | |
We've got to go. Come on. | 0:23:03 | 0:23:06 | |
Can't leave him. | 0:23:06 | 0:23:07 | |
EXPLOSION | 0:23:07 | 0:23:08 | |
-Jeffrey. -Jeff. | 0:23:13 | 0:23:15 | |
COUGHING | 0:23:24 | 0:23:27 | |
We're at the City Hotel if you ever need help, or more drugs. | 0:23:50 | 0:23:53 | |
Get real, she tried to kill me. | 0:23:53 | 0:23:55 | |
-Shut up, Defect. -Defect? Defect? No-one's ever called me that. | 0:23:55 | 0:24:01 | |
But you were called it. | 0:24:04 | 0:24:06 | |
You were bullied as a kid, weren't you? | 0:24:06 | 0:24:10 | |
I would have bullied me. | 0:24:10 | 0:24:12 | |
I was a pathetic, sick, weeny kid, always in and out of hospital. | 0:24:12 | 0:24:18 | |
I know why you were sick. | 0:24:18 | 0:24:21 | |
Your blue heart was poorly so they gave you a new pink heart. | 0:24:21 | 0:24:25 | |
And that's why you're still here, because you've got a child's heart. | 0:24:25 | 0:24:28 | |
-Don't worry about her. -And a child's heart chakra. | 0:24:28 | 0:24:32 | |
She's right about my new heart. | 0:24:32 | 0:24:34 | |
It belonged to a 14-year-old boy, but my body doesn't want it. | 0:24:34 | 0:24:39 | |
You're a heart transplant patient? That's what you meant | 0:24:39 | 0:24:42 | |
about being a kid in here? | 0:24:42 | 0:24:43 | |
Yeah, and why I take all the drugs to stop my body rejecting it. | 0:24:43 | 0:24:48 | |
Reese couldn't have known Anita was a heart transplant patient. | 0:24:48 | 0:24:52 | |
But she saw she had a child's heart. | 0:24:52 | 0:24:53 | |
It's just like it was in the library with that woman again. | 0:24:53 | 0:24:57 | |
Don't be so gullible. | 0:24:57 | 0:24:58 | |
She was reading through all that Dora woman's stuff, wasn't she? | 0:24:58 | 0:25:00 | |
She probably found out about it there. | 0:25:00 | 0:25:02 | |
It's because us kids and Anita have different heart chakras | 0:25:02 | 0:25:05 | |
to grown-ups, that's why we're here. | 0:25:05 | 0:25:07 | |
I've got Doomsday Dora's message on here. You'll see. | 0:25:07 | 0:25:11 | |
No, you'll see when I tell the others about you and your pranks. | 0:25:11 | 0:25:15 | |
-Are you going then or what? -Oh, and you could be a little bit | 0:25:18 | 0:25:21 | |
grateful after all the drugs that we got you | 0:25:21 | 0:25:23 | |
-and for maybe Jeffrey saving your life. -No, he didn't. | 0:25:23 | 0:25:26 | |
Did you really think I could create enough hydrogen cyanide | 0:25:26 | 0:25:30 | |
in the right concentration to kill someone? | 0:25:30 | 0:25:33 | |
It wasn't prussic acid? | 0:25:33 | 0:25:34 | |
No, it was a harmless reaction. | 0:25:34 | 0:25:36 | |
Didn't that occur to you when you all survived(?) | 0:25:36 | 0:25:39 | |
You know, that small detail. | 0:25:39 | 0:25:42 | |
A proper scientist accepts nothing unless presented with real evidence. | 0:25:42 | 0:25:47 | |
Yeah, my dad says that. | 0:25:47 | 0:25:49 | |
Dad? | 0:25:49 | 0:25:51 | |
Professor Barker. | 0:25:52 | 0:25:54 | |
Clever Kat. | 0:25:56 | 0:25:58 | |
I should have known. | 0:25:58 | 0:26:00 | |
Kat's going to do this, that, save the world. Always about you. | 0:26:00 | 0:26:06 | |
Well, Daddy's girl, are you? | 0:26:08 | 0:26:11 | |
Are you going to save the world? | 0:26:11 | 0:26:14 | |
We've got to go to the Sparticle Project and realign parallel worlds, | 0:26:14 | 0:26:20 | |
this one and the adults' one. | 0:26:20 | 0:26:22 | |
Easy peasy(!) | 0:26:22 | 0:26:24 | |
Bye, Anita. | 0:26:24 | 0:26:26 | |
Clever Kat? | 0:26:26 | 0:26:27 | |
Good luck. | 0:26:31 | 0:26:33 | |
I can't eat that. I'm a vegetarian. | 0:26:40 | 0:26:42 | |
We're not going to eat her, we're going to milk her. | 0:26:42 | 0:26:46 | |
Well, not me, obviously, because I might break a nail, | 0:26:46 | 0:26:49 | |
but at least we'll have some fresh milk to go with our eggs. | 0:26:49 | 0:26:53 | |
Hey, that's my necklace. | 0:26:53 | 0:26:56 | |
-Matilda needs feathers to make her feel at home. -Matilda? | 0:26:56 | 0:26:59 | |
Matilda the hen and Gretchen the goat. | 0:26:59 | 0:27:03 | |
We need pets if we're going to be a proper family. | 0:27:03 | 0:27:07 | |
Go! | 0:27:15 | 0:27:16 | |
Doesn't matter what you've got, we're taking it anyway. | 0:27:16 | 0:27:19 | |
Agh! | 0:27:19 | 0:27:21 | |
Super Jeff will protect you. | 0:27:21 | 0:27:22 | |
Put the torch down. | 0:27:22 | 0:27:23 | |
Can't you see the energy? It magnifies everything. | 0:27:23 | 0:27:26 | |
There's a boiler about to blow. | 0:27:26 | 0:27:27 | |
We've got to get the power back on now. | 0:27:27 | 0:27:30 | |
Blow, blow, blow! | 0:27:30 | 0:27:31 | |
We don't have time for this crazy stuff. | 0:27:31 | 0:27:33 | |
'Goodbye. Good luck. And see you in the quantum portal.' | 0:27:33 | 0:27:36 | |
Kapow! | 0:27:36 | 0:27:38 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:51 | |
E-mail [email protected] | 0:27:51 | 0:27:53 |