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# I can make my world come true All my dreams will see me through | 0:00:05 | 0:00:10 | |
-# It doesn't matter What may come my way... -No! No! | 0:00:10 | 0:00:14 | |
# Believe me now I will win some day. # | 0:00:14 | 0:00:18 | |
-Stop it. -Stop what? | 0:00:18 | 0:00:21 | |
Well? | 0:00:24 | 0:00:27 | |
Da-da! My book...with my name on the cover. My dream come true. | 0:00:27 | 0:00:32 | |
-How cool is this? -It's mine. -Says who? | 0:00:32 | 0:00:36 | |
-You'll all get your copies at the book launch tomorrow - personally signed by the author. -Oh, get her! | 0:00:36 | 0:00:42 | |
Want to hear my other news? Local TV are coming here to film it. | 0:00:42 | 0:00:46 | |
-No way! -Really? -Yeah. ..Where are you going? | 0:00:46 | 0:00:50 | |
-I've got to read this before tomorrow. -Why? -Keep up, Cam. The TV people will want to interview me. | 0:00:50 | 0:00:57 | |
OK, just remember, it's fiction - not your life story. | 0:00:57 | 0:01:01 | |
-How is SHE gonna read 300 pages before her bedtime? -Just watch me! | 0:01:01 | 0:01:06 | |
No! | 0:02:55 | 0:02:57 | |
LOUD KNOCK ON DOOR Open up, Justine! | 0:03:04 | 0:03:08 | |
-Gimme my book back! -Don't know what you're talking about. | 0:03:08 | 0:03:13 | |
When I woke up this morning, my bedroom ponged of that bog water | 0:03:13 | 0:03:17 | |
you call perfume. ..New hair... and even more lip gloss than usual. | 0:03:17 | 0:03:21 | |
-So? -You're after hogging the limelight. | 0:03:21 | 0:03:25 | |
You know what TV's like. They'll be looking for one of the gorgeous kids to interview. C'est moi. | 0:03:25 | 0:03:32 | |
Think again, spewbrain. They'll be interviewing me - the star - Trudy. | 0:03:46 | 0:03:52 | |
-Says who? -Um, sorry, what letters does her name begin with? | 0:03:52 | 0:03:57 | |
-T and R - like, um, Tracy. -Is that the best you can do? | 0:03:57 | 0:04:01 | |
-Trudy's a tough kid, who's Queen of the Scammers. Who else could it be? -Even in the last chapter? | 0:04:01 | 0:04:07 | |
-Course. -You should have gone to the end like I always do. Because if you had, you'd know... | 0:04:09 | 0:04:15 | |
So you did nick my book! | 0:04:15 | 0:04:18 | |
Let's set up downstairs to start with - then later on today, we'll have the shot of the building. | 0:04:27 | 0:04:33 | |
-Great. Yeah. -Get the stuff, OK? | 0:04:33 | 0:04:35 | |
-It's him! -Oh, yeah! ..Who? | 0:04:35 | 0:04:38 | |
-The bloke who interviewed Paula Radcliffe on the telly. -So? | 0:04:38 | 0:04:43 | |
He met Paula. The champion runner! | 0:04:43 | 0:04:46 | |
I haven't met her. He has. He actually met her! He was... | 0:04:46 | 0:04:50 | |
You made your point. | 0:04:50 | 0:04:53 | |
Cuckoo, cuckoo. | 0:04:53 | 0:04:55 | |
-You missed breakfast. -Um, I overslept. | 0:05:13 | 0:05:16 | |
-This book is about me. -Maybe a little. -Definitely a lottle. You haven't read it. | 0:05:21 | 0:05:27 | |
I know this is exciting - everyone is hyped up - but it's Cam's day, | 0:05:27 | 0:05:31 | |
-so no muscling in. -Oh...me? | 0:05:31 | 0:05:34 | |
-Oh, fantastic equipment! -Hi. I wondered if you'd mind... | 0:05:44 | 0:05:48 | |
-Oi! Fingers off! -It's OK. I know my way around a camera. | 0:05:48 | 0:05:52 | |
-Can I be your assistant? -Too busy, sonny. -Sonny(?) | 0:05:52 | 0:05:56 | |
-I wondered... -Listen, Charlie Keane has work to do. Run along, kids. | 0:05:56 | 0:06:01 | |
Sonny(?) Meet the guy who put the P in patronising. | 0:06:01 | 0:06:05 | |
I'm Cam and I am confident. | 0:06:07 | 0:06:09 | |
I will not give in to nerves. | 0:06:09 | 0:06:12 | |
I'm Cam and I am confident. I will not give in to... | 0:06:12 | 0:06:16 | |
-NERVES! Oh! -Might I suggest some lip gloss? | 0:06:16 | 0:06:19 | |
-What? -Absolutely essential if you're on camera. -Cam, why has your face gone a funny colour? | 0:06:19 | 0:06:25 | |
Because all the blood in her body has drained to her feet. She's clearly crippled with nerves. | 0:06:25 | 0:06:30 | |
Wouldn't be surprised... if they turn that camera on... and Cam's completely struck dumb. | 0:06:30 | 0:06:36 | |
Thanks, Crash(!) | 0:06:36 | 0:06:39 | |
-KNOCK AT DOOR Yes? -So...? | 0:06:44 | 0:06:48 | |
-So? -Well, what did you think? | 0:06:48 | 0:06:51 | |
Loved every single word. | 0:06:51 | 0:06:55 | |
Great. That's a weight off my mind. | 0:06:55 | 0:06:58 | |
And you were OK about the ending? | 0:06:58 | 0:07:00 | |
-Best part of the book. -Brilliant. | 0:07:00 | 0:07:04 | |
-Tell you the truth, I was worried you wouldn't like it. -As if. | 0:07:04 | 0:07:08 | |
But I'm hungry. | 0:07:08 | 0:07:10 | |
-In a minute. -But... -In a minute! | 0:07:10 | 0:07:14 | |
My spag bol's on life-support. When are we sitting these kids down? | 0:07:15 | 0:07:20 | |
Sorry. I didn't realise it took so long to set everything up. | 0:07:20 | 0:07:24 | |
Or for Mr Big Shot to do his hair! | 0:07:24 | 0:07:27 | |
The TV crew are ONLY interviewing Cam and I. | 0:07:34 | 0:07:37 | |
But if you pay me the ridiculously small amount of 50p each, | 0:07:37 | 0:07:42 | |
-I'll get you featured. -If I pay you a pound, can I go on twice? | 0:07:42 | 0:07:47 | |
-It's not even definite they'll interview YOU. -Nice hat, Justine. | 0:07:47 | 0:07:51 | |
Still haven't read the last chapter then, Beaker? | 0:07:51 | 0:07:55 | |
Yeah, nice! OK, clear it. | 0:07:55 | 0:07:58 | |
I suggest we do my interview first, so Cam can see there's nothing to worry about. | 0:07:58 | 0:08:03 | |
-Your interview? -Me being the inspiration for the book. -Who are you exactly? -Tracy. | 0:08:03 | 0:08:09 | |
T-r-a-c-y. Without an E. You might want to subtitle that underneath me. | 0:08:09 | 0:08:13 | |
You're a riot. But I'm here to interview the writer, no-one else. | 0:08:13 | 0:08:17 | |
T-R-A-C-Y! | 0:08:21 | 0:08:24 | |
No E! | 0:08:24 | 0:08:27 | |
-We'll have you and all the kids on camera for the book signing. -I don't DO walk-ons. -..Like the hat. | 0:08:27 | 0:08:33 | |
-You go first in the queue. -..Hey, Beaker, look who the main attraction is now? | 0:08:33 | 0:08:38 | |
-Mr Keane, how was Paula Radcliffe? -What? -When you interviewed her? | 0:08:38 | 0:08:44 | |
Sorry, Charlie Keane's working. You go to the back of the group. | 0:08:44 | 0:08:48 | |
And...action. | 0:08:50 | 0:08:53 | |
This is the place where my book | 0:08:58 | 0:09:01 | |
The Dumping Ground Kids is set. | 0:09:01 | 0:09:03 | |
Cut! | 0:09:03 | 0:09:05 | |
Action! | 0:09:08 | 0:09:10 | |
And action! | 0:09:10 | 0:09:11 | |
OK. This care home, and the children in it, inspired me... | 0:09:11 | 0:09:15 | |
Cut! CUT! | 0:09:15 | 0:09:18 | |
Sorry. We limit her contact with humans. | 0:09:20 | 0:09:24 | |
-Please. Bribe her. Lock her in a cupboard. But keep her out of my hair! -That's easier said than done. | 0:09:24 | 0:09:31 | |
-Tracy is very...persistent. -I'm running out of time. I may have to drop this item. | 0:09:31 | 0:09:36 | |
Don't do that. My publishers will go spare. | 0:09:36 | 0:09:40 | |
An idea. Just very quickly... | 0:09:40 | 0:09:42 | |
-interview Tracy. -Look, I don't need anything but a chat with YOU. The kids are just colour. | 0:09:42 | 0:09:48 | |
You wouldn't have to run it. | 0:09:48 | 0:09:50 | |
OK, deal. | 0:09:52 | 0:09:54 | |
OK, Tracy, very briefly, what's the story behind the book? | 0:09:59 | 0:10:03 | |
-Well... -Tell them about the last chapter! | 0:10:03 | 0:10:06 | |
Cut! | 0:10:06 | 0:10:08 | |
Er, help! | 0:10:08 | 0:10:10 | |
What's going on? | 0:10:13 | 0:10:15 | |
-Tracy hasn't even finished your book. -You said you'd read it. | 0:10:16 | 0:10:20 | |
I have! Nearly. | 0:10:20 | 0:10:22 | |
-Just got the last chapter to finish. Give me 10 minutes. I'll read it. -Maybe that's not a great idea. | 0:10:22 | 0:10:28 | |
No, no, the kid's right. The book is based on her. | 0:10:28 | 0:10:32 | |
You read it. Good idea. Now, run along. | 0:10:32 | 0:10:36 | |
OK, Cam, let's get this in the can. | 0:10:40 | 0:10:44 | |
What're you planning to write next? | 0:10:45 | 0:10:48 | |
The sequel to The Dumping Ground Kids. | 0:10:48 | 0:10:52 | |
-Great. That's you done...and me. -Shall I get Tracy? -No, job done. | 0:10:52 | 0:10:57 | |
-You said you'd talk to her. -And you said we didn't have to run it. | 0:10:57 | 0:11:02 | |
I am never gonna speak to you again! | 0:11:02 | 0:11:05 | |
-Sorry. -You do realise I am going to sue. -Tracy, please... -I hate you! | 0:11:05 | 0:11:09 | |
Your book makes me a laughing stock. | 0:11:09 | 0:11:12 | |
-That's just not true. -(This is juicy. Keep rolling.) -Cut. | 0:11:12 | 0:11:16 | |
-You've made me out to be a lonely saddo. -That's Trudy. -But Trudy's me! | 0:11:22 | 0:11:28 | |
No. She's made-up. | 0:11:28 | 0:11:30 | |
Trudy's not real. I need her still living in a kids' home, so she can star in the next book. | 0:11:30 | 0:11:35 | |
You've written about me. You think I'm gonna be here till I'm 16. | 0:11:35 | 0:11:40 | |
-No-one's going to foster me. -Of course they will. | 0:11:40 | 0:11:44 | |
So, now you've stolen my life story, you're off? | 0:11:44 | 0:11:48 | |
Goodbye, Cam. Now you're nearly famous, you won't be coming back. | 0:11:57 | 0:12:02 | |
-Have a nice life, Cam. -Oh, Tracy! | 0:12:02 | 0:12:05 | |
What happened to the spag bol? | 0:12:11 | 0:12:13 | |
Sorry, mate, the spag bol gave up the ghost hours ago. It's mush. | 0:12:13 | 0:12:17 | |
Mr Keane! Can I have a chat with you about Paula? | 0:12:18 | 0:12:22 | |
-What is wrong with you? -A picture would do. | 0:12:22 | 0:12:26 | |
-How many times do I have to say this? Charlie Keane is working. -Oi! | 0:12:26 | 0:12:30 | |
All she wants is a chat. How much can that hurt? | 0:12:30 | 0:12:34 | |
Nearly finished. I'll be glad to get out of this MAD house. | 0:12:34 | 0:12:38 | |
Don't worry, Jackie. I'll get you a picture. | 0:12:38 | 0:12:41 | |
Oi, Charlie! | 0:13:08 | 0:13:10 | |
BOTH: Aw! | 0:13:13 | 0:13:15 | |
Gotcha! | 0:13:17 | 0:13:19 | |
# I can make my world come true All my dreams will see my through | 0:13:34 | 0:13:39 | |
-# And the fight won't get me down -No! No! | 0:13:39 | 0:13:43 | |
# My dreams will turn things All around | 0:13:43 | 0:13:46 | |
# With a smile upon my face I can see a better place | 0:13:46 | 0:13:50 | |
-# It doesn't matter What may come my way... -No! No! | 0:13:50 | 0:13:55 | |
# Believe me now I will win some day. # | 0:13:55 | 0:14:00 |