Browse content similar to Persuasion. Check below for episodes and series from the same categories and more!
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My name is Tracy Beaker and these are my Survival Files. | 0:00:03 | 0:00:08 | |
-Your essential guide to the ups and downs of growing up. -Tracy. -Tracy! | 0:00:08 | 0:00:14 | |
Life in the Dumping Ground has taught me a lot about stuff. | 0:00:14 | 0:00:17 | |
-Tracy Beaker. -Scary stuff. | 0:00:17 | 0:00:20 | |
Complicated stuff. Stuff that can make you want to scream. | 0:00:22 | 0:00:27 | |
If you can cope with the stuff that goes down in this place, | 0:00:27 | 0:00:31 | |
you can cope with anything. | 0:00:31 | 0:00:33 | |
I've spent most of my life here. | 0:00:33 | 0:00:35 | |
First, when I was a kid, and now, it's where I work. | 0:00:35 | 0:00:38 | |
I've learnt a lot about friends. | 0:00:38 | 0:00:42 | |
About enemies. | 0:00:42 | 0:00:44 | |
About what life can throw at you. | 0:00:46 | 0:00:49 | |
It's not always been pretty. But it's made me who I am today. | 0:00:53 | 0:00:57 | |
And now, I'm passing on my wisdom to you guys in a video blog. | 0:00:57 | 0:01:02 | |
Pay attention. I've lived through all this so you don't have to. | 0:01:02 | 0:01:06 | |
On The Tracy Beaker Survival Files this time, the art of persuasion. | 0:01:07 | 0:01:11 | |
There are times when we need to persuade people | 0:01:11 | 0:01:14 | |
to do things they don't want to. | 0:01:14 | 0:01:15 | |
What's the best way to get people | 0:01:15 | 0:01:18 | |
to do things your way? | 0:01:18 | 0:01:19 | |
Let me tell you something about life at the Dumping Ground. | 0:01:21 | 0:01:25 | |
You need to be able to get your point of view across. | 0:01:25 | 0:01:29 | |
-Tracy, I was watching that. -It's Busted. | 0:01:29 | 0:01:31 | |
-I want to see the end. -No, we're going to watch this. | 0:01:31 | 0:01:35 | |
-It wasn't a proper go. -Cheat! Cheat! | 0:01:35 | 0:01:38 | |
-Let go! -I want to do it! -SHUT UP! -Shut up, shut up! | 0:01:38 | 0:01:44 | |
With any group of people living on top of each other, | 0:01:44 | 0:01:47 | |
you're going to get disagreements. | 0:01:47 | 0:01:49 | |
But with this lot, you get the Hundred Years' War. | 0:01:49 | 0:01:52 | |
-Can you two stop arguing? -Right, that's enough. | 0:01:52 | 0:01:55 | |
Everybody, upstairs. | 0:01:55 | 0:01:57 | |
'Everyone thinks they know best about everything. | 0:01:57 | 0:02:00 | |
'It's like one big bust-up that never stops.' | 0:02:00 | 0:02:03 | |
Can you all shut up?! Nooooooow! | 0:02:03 | 0:02:09 | |
Oh! | 0:02:09 | 0:02:10 | |
This is why we need the art of persuasion. | 0:02:10 | 0:02:13 | |
To get others to see our point of view. | 0:02:13 | 0:02:15 | |
There are lots of ways of going about it. | 0:02:15 | 0:02:18 | |
Not just the Gina shouty method. | 0:02:18 | 0:02:20 | |
Carmen, what's the best way to get someone to do what you want? | 0:02:20 | 0:02:24 | |
You could do something for them. Or give them a present. | 0:02:24 | 0:02:29 | |
You mean bribery? | 0:02:29 | 0:02:30 | |
No, just, it'd be nice if they saw things the way you did. | 0:02:30 | 0:02:35 | |
To persuade people, you need to use brain power. | 0:02:35 | 0:02:41 | |
You got to be a smooth talker, ready with excuses and a plan B. | 0:02:41 | 0:02:45 | |
I don't need any of that. | 0:02:45 | 0:02:47 | |
I just quietly explain what might happen to people | 0:02:47 | 0:02:50 | |
if they don't agree with me, in graphic detail. | 0:02:50 | 0:02:53 | |
-And that works? -Yeah, you'd be surprised. | 0:02:53 | 0:02:57 | |
Plenty of ideas there, from the good to the bad to the impractical | 0:02:57 | 0:03:02 | |
and, frankly, illegal. | 0:03:02 | 0:03:04 | |
How does it work in practice? | 0:03:04 | 0:03:06 | |
Take a look at persuasion power in action. | 0:03:06 | 0:03:09 | |
This was a classic siege situation. | 0:03:09 | 0:03:12 | |
One of the younger kids, Dolly, | 0:03:12 | 0:03:14 | |
had decided to move her bedroom into the bathroom. | 0:03:14 | 0:03:17 | |
# You got persuasion. # | 0:03:17 | 0:03:19 | |
Dolly, are you all right? You've been in there ages. | 0:03:26 | 0:03:31 | |
'Course I have, this is my bedsit. | 0:03:31 | 0:03:33 | |
-Unlock the door. -I will do later, | 0:03:38 | 0:03:40 | |
when I've mixed some nice perfumes. | 0:03:40 | 0:03:43 | |
Oh! I left a load of cleaning stuff | 0:03:46 | 0:03:48 | |
-in there this morning. -Oh. | 0:03:48 | 0:03:50 | |
It could be really dangerous | 0:03:50 | 0:03:52 | |
-if she mixes it up. -Open the door! | 0:03:52 | 0:03:54 | |
-No! -Ah, we'll have to get the ladder. | 0:03:54 | 0:03:57 | |
'How would you sort this out? With humour?' | 0:03:57 | 0:04:00 | |
I'll tell you my best joke. | 0:04:00 | 0:04:02 | |
Is it the one about the porcupine | 0:04:02 | 0:04:04 | |
-and the custard? -Yeah. -No, thanks. | 0:04:04 | 0:04:07 | |
'Now, that only works if the humour | 0:04:07 | 0:04:10 | |
'is funny. What about kindness?' | 0:04:10 | 0:04:12 | |
Dolly, come out for Lulu. I'll do my elephant impression. | 0:04:12 | 0:04:17 | |
'Or vicious threats.' | 0:04:17 | 0:04:18 | |
If you don't come out in ten seconds, | 0:04:18 | 0:04:21 | |
I'll rip Bunny's head off. | 0:04:21 | 0:04:22 | |
Fat chance, squish-face, cos he's in here! | 0:04:22 | 0:04:25 | |
'Hmm, so far, so completely rubbish. | 0:04:27 | 0:04:30 | |
'To persuade Dolly to come out needed something special. | 0:04:30 | 0:04:34 | |
'And who would provide that? Who do you think?' | 0:04:34 | 0:04:38 | |
Dolly, I've got something special for you to borrow. | 0:04:38 | 0:04:41 | |
Something you really want, | 0:04:41 | 0:04:44 | |
but you're going to have to come out first. | 0:04:44 | 0:04:47 | |
Wicked! | 0:04:55 | 0:04:56 | |
'A little reward can go a long way. | 0:04:57 | 0:05:01 | |
'My generosity in giving up | 0:05:01 | 0:05:02 | |
'one of my customised Beaker jumpers | 0:05:02 | 0:05:05 | |
'solved the problem in no time. | 0:05:05 | 0:05:07 | |
'Job done.' | 0:05:07 | 0:05:08 | |
I was always going to win that one, | 0:05:08 | 0:05:11 | |
but what about when the opponents are more evenly matched? | 0:05:11 | 0:05:15 | |
Hey, Maxy, show me. | 0:05:16 | 0:05:19 | |
'Like when Jenny and Maxy faced off | 0:05:19 | 0:05:21 | |
'in the great trainer showdown.' | 0:05:21 | 0:05:23 | |
Oh, that's the third pair in three months. | 0:05:23 | 0:05:27 | |
"My name is Senor Sole. Buongiorno. # O sole mio.# " | 0:05:27 | 0:05:34 | |
It's not funny. His clothing | 0:05:34 | 0:05:36 | |
allowance has just about gone. | 0:05:36 | 0:05:39 | |
New trainers definitely needed. The sensible ones that Jenny wanted | 0:05:39 | 0:05:44 | |
or the cool ones that Maxy craved? | 0:05:44 | 0:05:46 | |
In the Red Corner, care worker Jenny. | 0:05:54 | 0:05:57 | |
A no-nonsense professional with bags of experience. | 0:05:57 | 0:06:01 | |
In the Blue Corner, a talented newcomer. | 0:06:01 | 0:06:04 | |
Young Maxy was a true fighter. He never knew when he was beaten. | 0:06:04 | 0:06:09 | |
A boy of few words, but he always made them count. | 0:06:09 | 0:06:14 | |
You smell funny. | 0:06:14 | 0:06:15 | |
'You underestimated Maxy at your peril.' | 0:06:15 | 0:06:19 | |
Seconds out, round one, and Maxy was off to the perfect start. | 0:06:19 | 0:06:23 | |
The trainers he wanted were on his feet | 0:06:23 | 0:06:25 | |
and it looked like this could all | 0:06:25 | 0:06:27 | |
be over before it even started. | 0:06:27 | 0:06:30 | |
-These are the ones. -They're very popular. | 0:06:30 | 0:06:32 | |
-You mean they're a fashion statement? -I want them! | 0:06:32 | 0:06:35 | |
They don't look very strong, Maxy. Let's try a few others. | 0:06:35 | 0:06:40 | |
Walk. | 0:06:40 | 0:06:41 | |
'In round two, Maxy went for | 0:06:41 | 0:06:43 | |
'a different tactic, the fake limp.' | 0:06:43 | 0:06:46 | |
Ow. Ow. | 0:06:46 | 0:06:49 | |
'Check out those cries of pain. | 0:06:49 | 0:06:51 | |
'He could've won an Oscar, but not from Jenny.' | 0:06:51 | 0:06:54 | |
I can't believe these are the only ones that fit. | 0:06:54 | 0:06:57 | |
-Shall I wrap them up for you? -No. | 0:06:57 | 0:06:59 | |
We are going to find a strong pair, aren't we, Maxy? | 0:06:59 | 0:07:04 | |
-'Round three.' -They look fantastic. | 0:07:04 | 0:07:07 | |
'What a turnaround. Jenny seemed to have it in the bag. | 0:07:07 | 0:07:11 | |
'The sensible trainers were bought | 0:07:11 | 0:07:14 | |
'and they were about to head for home. | 0:07:14 | 0:07:16 | |
'How could Maxy recover?' | 0:07:16 | 0:07:18 | |
Let's lock this stuff and go and get an ice cream. | 0:07:18 | 0:07:21 | |
'One last push from Jenny to persuade Maxy | 0:07:21 | 0:07:24 | |
'to accept that he'd lost.' | 0:07:24 | 0:07:26 | |
Next time your allowance comes, | 0:07:26 | 0:07:29 | |
we'll get you the red ones as well, OK? | 0:07:29 | 0:07:32 | |
'She played a bit of good cop | 0:07:32 | 0:07:35 | |
'and some bad cop for good measure.' | 0:07:35 | 0:07:37 | |
I said, get in the van. | 0:07:37 | 0:07:39 | |
'Surely Maxy was beaten?' | 0:07:39 | 0:07:41 | |
'But no, Maxy was fighting back.' | 0:07:43 | 0:07:47 | |
'And then a moment of pure genius.' | 0:07:52 | 0:07:55 | |
Oh, no! | 0:07:56 | 0:07:58 | |
'He had the keys | 0:07:59 | 0:08:00 | |
'and suddenly, the young underdog was in the driving seat.' | 0:08:00 | 0:08:04 | |
Jenny was a tough old bird. She wasn't giving up easily. | 0:08:04 | 0:08:08 | |
-Hiya. -Oh, thank goodness. What a day! | 0:08:10 | 0:08:13 | |
'Mike to the rescue with the spare keys.' | 0:08:13 | 0:08:17 | |
Now, Maxy my lad, not clever. | 0:08:18 | 0:08:22 | |
'Maxy was totally outplayed. Or so they thought.' | 0:08:22 | 0:08:27 | |
Hang on, I'll give you a hand. | 0:08:27 | 0:08:29 | |
'But Maxy had one more trick up his sleeve.' | 0:08:33 | 0:08:37 | |
No! No, no, no! | 0:08:37 | 0:08:38 | |
'Actually, the same trick.' | 0:08:38 | 0:08:41 | |
Max, open the door now. | 0:08:41 | 0:08:43 | |
'That was that. Jenny threw in the towel.' | 0:08:43 | 0:08:46 | |
-Where you going? -Where do you think? | 0:08:46 | 0:08:49 | |
'You have to hand it to Maxy.' | 0:08:49 | 0:08:51 | |
Look, red ones! | 0:08:51 | 0:08:52 | |
Excellent! | 0:08:52 | 0:08:54 | |
'I'd have been proud of that result.' | 0:08:54 | 0:08:57 | |
I was not impressed with Maxy's behaviour that day. | 0:08:57 | 0:09:00 | |
He got what he wanted, but he was selfish and childish. | 0:09:00 | 0:09:04 | |
He wasted his clothing allowance and our time. | 0:09:04 | 0:09:07 | |
The look on Jenny's face was priceless, though. | 0:09:07 | 0:09:12 | |
What can we learn from Maxy's great victory? | 0:09:12 | 0:09:15 | |
He studied his opponent, worked out her weaknesses and used them | 0:09:15 | 0:09:19 | |
to his advantage. To get your own way with someone, | 0:09:19 | 0:09:23 | |
you've got to know exactly how they tick. | 0:09:23 | 0:09:26 | |
Here's how not to do it. | 0:09:26 | 0:09:27 | |
It was the day of Cam's wedding to Gary, but I'd said I wasn't going. | 0:09:27 | 0:09:32 | |
And that was final. | 0:09:32 | 0:09:33 | |
What? | 0:09:34 | 0:09:36 | |
It's no biggy. You go to Cam | 0:09:36 | 0:09:38 | |
and what's-his-face's wedding. | 0:09:38 | 0:09:40 | |
-See you when you get back. -Let's go. | 0:09:40 | 0:09:43 | |
Don't want to be late. It's a very | 0:09:43 | 0:09:44 | |
special day. Come on, now. Chop-chop. | 0:09:44 | 0:09:48 | |
See ya. | 0:09:48 | 0:09:49 | |
'It was going to take something | 0:09:52 | 0:09:55 | |
'special to change my mind.' | 0:09:55 | 0:09:57 | |
Hey, kiddo. | 0:09:57 | 0:09:58 | |
-You all right? -Couldn't be better. | 0:09:59 | 0:10:02 | |
What's that behind your ear? | 0:10:10 | 0:10:13 | |
Don't move. There's another one. | 0:10:13 | 0:10:15 | |
Wow. If I was eight, I'd find that really exciting. | 0:10:17 | 0:10:21 | |
Money from behind the ear, Mike. Come on, I wasn't a baby! | 0:10:22 | 0:10:26 | |
-I was a highly intelligent, mature, sensitive teenager. -Yes. | 0:10:26 | 0:10:30 | |
-Maybe I should have juggled bread rolls. -Ha, very funny(!) | 0:10:30 | 0:10:34 | |
Or how about the old walking down the invisible staircase | 0:10:34 | 0:10:38 | |
behind the sofa routine? | 0:10:38 | 0:10:40 | |
That would have done the trick. Surely? | 0:10:40 | 0:10:42 | |
Mike was trying to cheer me up. To distract me. | 0:10:42 | 0:10:46 | |
But it wasn't what I needed. I needed someone to talk to. | 0:10:46 | 0:10:50 | |
About what was really on my mind. | 0:10:50 | 0:10:52 | |
Crash and Jackie realised this, and they came back. | 0:10:52 | 0:10:56 | |
-What's your problem? -Isn't it obvious? -No! | 0:10:56 | 0:10:59 | |
What do most married couples do? | 0:10:59 | 0:11:02 | |
-Row. -Buy matching jumpers. -They have babies. -So? | 0:11:02 | 0:11:08 | |
They're bound to have a baby. And it's, "Bye-bye, Tracy." | 0:11:08 | 0:11:11 | |
'Cam and Gary's big moment was minutes away.' | 0:11:11 | 0:11:14 | |
Come on. Let's get this show on the road. | 0:11:14 | 0:11:17 | |
'But now Crash and Jackie knew the real reason, | 0:11:17 | 0:11:21 | |
'they could start persuading me to change my mind.' | 0:11:21 | 0:11:24 | |
Cam wouldn't do that to you. | 0:11:24 | 0:11:25 | |
-You don't know that. -Yes, I do. | 0:11:25 | 0:11:28 | |
-She loves you. -Only a nutter would throw that away. | 0:11:28 | 0:11:33 | |
Before I pronounce you man and wife, it's my duty to ask | 0:11:33 | 0:11:36 | |
if there's anyone here that has | 0:11:36 | 0:11:38 | |
any objections to this marriage, | 0:11:38 | 0:11:40 | |
-then please speak now. -Stop the wedding! | 0:11:40 | 0:11:43 | |
EVERYONE GASPS | 0:11:43 | 0:11:45 | |
She's gone too far this time. | 0:11:45 | 0:11:47 | |
-Tracy, don't do this. -It's OK. | 0:11:47 | 0:11:49 | |
-I wanted to make sure I didn't miss the I dos. -Pardon? | 0:11:49 | 0:11:53 | |
It's the most important part of getting married. | 0:11:53 | 0:11:56 | |
Does that mean you want Gary and me to get married? | 0:11:56 | 0:12:00 | |
-I do. -And I do. -And I do too. | 0:12:00 | 0:12:04 | |
I now pronounce you man and wife. | 0:12:06 | 0:12:09 | |
Though who I just married to who, I don't know. | 0:12:12 | 0:12:15 | |
'Jackie and Crash proved that the best kind of persuasion | 0:12:15 | 0:12:19 | |
'doesn't have to be about tricks or threats. | 0:12:19 | 0:12:22 | |
'It can be just as much about listening. | 0:12:22 | 0:12:26 | |
'Being a good listener is a great thing to be.' | 0:12:26 | 0:12:30 | |
So, what have we learnt | 0:12:30 | 0:12:32 | |
so far about persuasion to put into The Tracy Beaker Survival Files? | 0:12:32 | 0:12:36 | |
We like to get our own way from time to time. | 0:12:36 | 0:12:39 | |
There are many methods of persuading others that you're right. | 0:12:39 | 0:12:43 | |
Humour, or a little present, might help. But threats are best avoided. | 0:12:43 | 0:12:48 | |
That's not persuading people, that's just being mean or scary. | 0:12:48 | 0:12:52 | |
You might need to be persistent and try different tactics, | 0:12:52 | 0:12:56 | |
like Maxy did. | 0:12:56 | 0:12:57 | |
And remember to study the person. If you know how they tick, | 0:12:57 | 0:13:01 | |
you'll know what sort of persuasion works best on them. | 0:13:01 | 0:13:04 | |
If you do your homework, | 0:13:04 | 0:13:06 | |
you'll discover loads of persuasive options. | 0:13:06 | 0:13:09 | |
You won't have to rely on the Gina foghorn technique. | 0:13:09 | 0:13:13 | |
However, when there are a lot of people all struggling to be heard, | 0:13:15 | 0:13:20 | |
there will always be those who simply go for maximum volume. | 0:13:20 | 0:13:24 | |
We've got a few of those. | 0:13:24 | 0:13:26 | |
Gus, how do you go about persuading people to do what you want? | 0:13:26 | 0:13:30 | |
I tell them what needs to be done. | 0:13:30 | 0:13:33 | |
-Finish my story. -I'll be right back. -Tracy! | 0:13:33 | 0:13:37 | |
And if they don't listen, I tell them a little bit louder. | 0:13:37 | 0:13:41 | |
Hurry, Tracy, story! Tracy! Story! | 0:13:41 | 0:13:45 | |
TRAAA-CY, STOOO-RY! | 0:13:45 | 0:13:49 | |
It's best to persuade people nicely. | 0:13:49 | 0:13:51 | |
I hate it when people get angry or shouty. Especially Johnny. | 0:13:51 | 0:13:56 | |
Tee will do what I say, when I say! | 0:13:56 | 0:13:59 | |
The nicely-nicely approach might work sometimes, | 0:14:00 | 0:14:03 | |
but it's about who can shout the loudest. | 0:14:03 | 0:14:06 | |
I hate you. You're weird. I hate that you're my brother! | 0:14:06 | 0:14:11 | |
'Nowadays, I prefer more subtle methods of persuasion. | 0:14:11 | 0:14:15 | |
But as a kid, I was never shy about expressing my feelings. Loudly. | 0:14:15 | 0:14:20 | |
What?! You said I was Child of the Week! | 0:14:20 | 0:14:23 | |
You're not supposed to tell us stuff, then change your mind! | 0:14:23 | 0:14:27 | |
You're still Child of the Week. But Louise is too. | 0:14:27 | 0:14:31 | |
I'm not Child of the Week! | 0:14:31 | 0:14:33 | |
Two childs make a children. Any thicko knows that! | 0:14:33 | 0:14:36 | |
'Let's face it, nobody could out-shout me.' | 0:14:36 | 0:14:40 | |
'My talent was legendary. | 0:14:42 | 0:14:44 | |
'I became an inspiration to others.' | 0:14:44 | 0:14:48 | |
The Beaker method, shout as loud | 0:14:48 | 0:14:50 | |
as you can, for as long as you can. | 0:14:50 | 0:14:52 | |
-Chocolate! -I want chocolate! | 0:14:52 | 0:14:55 | |
ALL: WE WANT CHOCOLATE! WE WANT CHOCOLATE! | 0:14:55 | 0:15:01 | |
Sometimes, the most persuasive words aren't shouted or even spoken. | 0:15:01 | 0:15:06 | |
The power of the written word can be amazing, | 0:15:06 | 0:15:09 | |
as I discovered when I became an ace campaigning journalist. | 0:15:09 | 0:15:13 | |
Justine, why don't you take your bag upstairs? | 0:15:13 | 0:15:17 | |
Elaine the Pain was being hopeless, as usual. | 0:15:17 | 0:15:21 | |
She'd let Justine Littlewood keep a telly in her room, | 0:15:21 | 0:15:25 | |
which was against the rules. Elaine should have known. | 0:15:25 | 0:15:29 | |
What's in the bag? | 0:15:37 | 0:15:39 | |
Check this out. | 0:15:42 | 0:15:43 | |
A TV! You won't be allowed to keep that in your room. | 0:15:43 | 0:15:47 | |
-Elaine said I can. -That is so unfair! | 0:15:47 | 0:15:51 | |
'I decided this had to stop. Elaine had to go.' | 0:15:51 | 0:15:55 | |
I'm going to get rid of Elaine the Pain for good. | 0:15:55 | 0:15:59 | |
Poor dopey Elaine won't even know what hit her. | 0:16:02 | 0:16:07 | |
'The Pain, herself, didn't get it, of course.' | 0:16:10 | 0:16:13 | |
It's not Justine's fault, | 0:16:13 | 0:16:15 | |
-so don't take it out on her. -I'm not. | 0:16:15 | 0:16:17 | |
I'm taking it out on you. | 0:16:17 | 0:16:20 | |
When the daily papers get hold of | 0:16:20 | 0:16:21 | |
my article about how you have favourites, | 0:16:21 | 0:16:24 | |
how you're always telling us stuff, then | 0:16:24 | 0:16:27 | |
changing your mind and break the rules, | 0:16:27 | 0:16:30 | |
your career is going to be over. | 0:16:30 | 0:16:32 | |
Get your hair done. You're going to be front-page news. | 0:16:32 | 0:16:36 | |
'The pen is mightier than | 0:16:36 | 0:16:38 | |
'the Pain. Surely victory was mine? | 0:16:38 | 0:16:41 | |
'Until Jenny got involved.' | 0:16:41 | 0:16:43 | |
-I've come to type up my article. -May I see? | 0:16:43 | 0:16:46 | |
"Stupid Social Worker Gives Grieving Kids Grief | 0:16:49 | 0:16:52 | |
"In Tactless TV Treats Trauma." | 0:16:52 | 0:16:54 | |
Is that a stonker of a headline, or what? | 0:16:54 | 0:16:57 | |
"Social worker Elaine the Pain Boyak | 0:16:57 | 0:17:00 | |
"has upset the kids in her care. | 0:17:00 | 0:17:02 | |
"She's broken a house rule by giving | 0:17:02 | 0:17:04 | |
"permission for one of the girls, | 0:17:04 | 0:17:06 | |
"not even one of the nice ones, to have a TV in her room | 0:17:06 | 0:17:10 | |
"when the others aren't allowed." | 0:17:10 | 0:17:12 | |
-Tracy! -Don't stop. You're getting to the good bit. | 0:17:12 | 0:17:16 | |
"The Gazette says, 'Protect these poor, | 0:17:16 | 0:17:18 | |
"'defenceless children by giving this useless social worker the sack.'" | 0:17:18 | 0:17:23 | |
You can't print a story like this. | 0:17:23 | 0:17:25 | |
I knew you'd take sides with Elaine the rubbish Pain! | 0:17:25 | 0:17:29 | |
Elaine didn't get the sack. | 0:17:29 | 0:17:31 | |
But the set-back wouldn't be the end of my campaigning journalism. | 0:17:31 | 0:17:35 | |
I kept writing. Always fighting for justice. | 0:17:35 | 0:17:38 | |
# I want money | 0:17:38 | 0:17:41 | |
#Oh-ooh | 0:17:41 | 0:17:42 | |
# That's what I want. # | 0:17:42 | 0:17:44 | |
A little while back, | 0:17:44 | 0:17:45 | |
money problems almost closed down the Dumping Ground. | 0:17:45 | 0:17:49 | |
They're going to shut us down | 0:17:49 | 0:17:51 | |
and move everyone somewhere cheaper. | 0:17:51 | 0:17:54 | |
Burneywood. | 0:17:54 | 0:17:55 | |
I was gutted. Losing the Dumping Ground | 0:17:58 | 0:18:00 | |
would be like wiping out my past. | 0:18:00 | 0:18:03 | |
And everyone knows that Burneywood is a nightmare. | 0:18:03 | 0:18:06 | |
Our kids couldn't end up there. | 0:18:06 | 0:18:08 | |
I wish I could do something about it. | 0:18:08 | 0:18:10 | |
It's hard to make a difference on your own. | 0:18:10 | 0:18:13 | |
What if I wasn't on my own? | 0:18:13 | 0:18:15 | |
If enough people kick up a fuss, | 0:18:15 | 0:18:17 | |
it might force the council to stop. | 0:18:17 | 0:18:19 | |
Persuade is better than force. | 0:18:19 | 0:18:22 | |
Persuade it is, then. | 0:18:22 | 0:18:25 | |
'Gina was very positive, as usual(!)' | 0:18:25 | 0:18:28 | |
-It's a bad idea. -It's great. | 0:18:28 | 0:18:30 | |
It's the only idea we've got. | 0:18:30 | 0:18:32 | |
I'll write an article. The newspaper said they'd print it. | 0:18:32 | 0:18:36 | |
That sounds like a "Tracy plan" to me. | 0:18:36 | 0:18:39 | |
-What exactly is a Tracy plan? -It's the only option we've got. | 0:18:39 | 0:18:43 | |
-Something crazy to make people listen. -That is a Tracy plan. | 0:18:43 | 0:18:47 | |
Tracy plans work! | 0:18:47 | 0:18:49 | |
'I fought as hard as I've ever fought in my life, | 0:18:49 | 0:18:52 | |
'but not with shouting and screaming. | 0:18:52 | 0:18:55 | |
'With a few well-chosen words in the local paper, | 0:18:55 | 0:18:58 | |
'to persuade their readers that the Dumping Ground should be saved.' | 0:18:58 | 0:19:03 | |
"We try to provide our young people with a proper, loving, | 0:19:03 | 0:19:07 | |
"stable place to live. | 0:19:07 | 0:19:09 | |
"Somewhere they feel safe and valued, where the staff | 0:19:09 | 0:19:13 | |
"really care about them, and they form real emotional ties. | 0:19:13 | 0:19:17 | |
"And just have fun, like real families do. | 0:19:17 | 0:19:20 | |
"Young people in care need to feel | 0:19:20 | 0:19:23 | |
"wanted, just like anybody else. | 0:19:23 | 0:19:25 | |
"They want to know their opinions | 0:19:25 | 0:19:27 | |
"matter. They like a challenge. | 0:19:27 | 0:19:30 | |
"Would you chuck your children out on the street | 0:19:30 | 0:19:33 | |
"because you didn't think they were worth the money? | 0:19:33 | 0:19:36 | |
"I don't think so. | 0:19:36 | 0:19:37 | |
"That's what the council are threatening to do here. | 0:19:37 | 0:19:41 | |
"We're not taking it. We're fighting back." | 0:19:41 | 0:19:43 | |
Perfect. Look. | 0:19:43 | 0:19:46 | |
-Wow. That is genius. -Looks good, doesn't it? -Well done, guys. | 0:19:46 | 0:19:50 | |
Good stuff, right? Looking back, maybe I should have left it at that. | 0:19:50 | 0:19:55 | |
However, at the time, I was worried my words might not be enough. | 0:19:55 | 0:20:00 | |
So, I decided to take direct action. | 0:20:00 | 0:20:02 | |
-VIA MEGAPHONE: -Don't let the council | 0:20:03 | 0:20:06 | |
close us down! Save our home! | 0:20:06 | 0:20:08 | |
-Stop the council from closing us down. -Tracy! Come down! | 0:20:08 | 0:20:14 | |
-I want to get up there. -You will stay where you are! | 0:20:14 | 0:20:18 | |
Tracy! | 0:20:18 | 0:20:19 | |
THE CHILDREN LAUGH | 0:20:20 | 0:20:22 | |
Save Elm Tree House! Don't let the council close us down! | 0:20:22 | 0:20:26 | |
-What is she doing? -Don't let | 0:20:26 | 0:20:28 | |
-the council close us down! -Milking it. And it's working. | 0:20:28 | 0:20:32 | |
Don't let the council throw our young people out. | 0:20:32 | 0:20:36 | |
Yes, but that's your problem, Tracy, you always take things too far. | 0:20:36 | 0:20:41 | |
-I had to do something. -You didn't have to go on the roof. | 0:20:41 | 0:20:45 | |
'At first, it worked like a dream. | 0:20:48 | 0:20:50 | |
'Me on the roof, campaigning for justice. | 0:20:50 | 0:20:52 | |
'Getting my point across. | 0:20:52 | 0:20:55 | |
'What a brilliant idea, right? | 0:20:55 | 0:20:56 | |
'Turns out other people thought so too.' | 0:20:56 | 0:20:59 | |
LILY SOBS | 0:20:59 | 0:21:01 | |
'Lily also had a point to make. | 0:21:01 | 0:21:03 | |
'Matt and Christie had fostered her sisters. | 0:21:03 | 0:21:06 | |
'Now they wanted Lily to live with them. | 0:21:06 | 0:21:08 | |
'But she didn't want to go. | 0:21:08 | 0:21:10 | |
'And no-one had noticed that | 0:21:10 | 0:21:12 | |
'Christie had turned up to take her.' | 0:21:12 | 0:21:15 | |
Hi, Christie. It's a bit crazy here today. | 0:21:15 | 0:21:17 | |
I can see that. I can't bear the thought of | 0:21:17 | 0:21:20 | |
Lily being in all of this. | 0:21:20 | 0:21:22 | |
-Give me second. -Why don't I just take her home? | 0:21:22 | 0:21:25 | |
I'll bring her back when things have calmed down. | 0:21:25 | 0:21:28 | |
-Christie, actually... -Mr Milligan! This ends now. | 0:21:28 | 0:21:32 | |
At last, someone from the council. Come with me. | 0:21:32 | 0:21:36 | |
I've got some people who'd love to ask you a few | 0:21:36 | 0:21:39 | |
questions about the funding for Elm Tree House. | 0:21:39 | 0:21:43 | |
No comment, absolutely no comment. | 0:21:43 | 0:21:46 | |
So, what was the story? | 0:21:52 | 0:21:53 | |
Everyone was listening to you and not taking any notice of me. | 0:21:53 | 0:21:58 | |
I didn't want to go, so I thought if it was good enough for you... | 0:21:58 | 0:22:02 | |
-Tracy, help me. -What you doing? Go back inside. | 0:22:02 | 0:22:05 | |
Christie's here, she wants me to live with them. | 0:22:05 | 0:22:08 | |
-She's come to take me away. -You sure? | 0:22:08 | 0:22:11 | |
Let's go inside and we can talk about it. | 0:22:11 | 0:22:13 | |
No. You promised you wouldn't let her take me. | 0:22:13 | 0:22:16 | |
She won't. Please, Lily, let's just go back inside. | 0:22:16 | 0:22:21 | |
'My big idea to get noticed | 0:22:21 | 0:22:22 | |
'suddenly didn't seem so clever.' | 0:22:22 | 0:22:25 | |
Lily! Please, get back in, off the roof! | 0:22:25 | 0:22:28 | |
No-one will listen to me. | 0:22:28 | 0:22:31 | |
I'm listening. Talk to me. | 0:22:31 | 0:22:34 | |
I keep getting things wrong. | 0:22:34 | 0:22:37 | |
I don't belong there. | 0:22:38 | 0:22:40 | |
-Woah! -Argh! | 0:22:41 | 0:22:43 | |
Lily! Please! Lily, get off the roof now! | 0:22:43 | 0:22:47 | |
Aaah! | 0:22:47 | 0:22:49 | |
Tee, it's OK, she'll be fine. | 0:23:04 | 0:23:06 | |
'What a disaster. I still have | 0:23:06 | 0:23:08 | |
'nightmares about that moment. | 0:23:08 | 0:23:10 | |
'It wasn't as bad as it looked. Lily was OK in the end. | 0:23:10 | 0:23:14 | |
'But she still had to spend time in the hospital.' | 0:23:14 | 0:23:18 | |
'What made it all worse was that because of me, | 0:23:18 | 0:23:22 | |
'Mike's job was on the line. | 0:23:22 | 0:23:23 | |
'He had to face an investigation and a tribunal.' | 0:23:23 | 0:23:27 | |
It wasn't your fault. | 0:23:27 | 0:23:29 | |
You're looking for someone to blame and it's Mike! | 0:23:29 | 0:23:32 | |
You are not helping. | 0:23:32 | 0:23:34 | |
'I was scared we'd be saying goodbye to Mike forever.' | 0:23:36 | 0:23:41 | |
Mike's job was on the line. | 0:23:45 | 0:23:47 | |
And if things weren't bad enough, Harry, Frank and Liam | 0:23:47 | 0:23:51 | |
decided to "help" with the tribunal. | 0:23:51 | 0:23:54 | |
-I tried to stop them. -Not hard enough. | 0:23:54 | 0:23:57 | |
-You can't sack Mike. -Liam! | 0:23:57 | 0:23:59 | |
-Elm Tree house wouldn't be the same. -No, you can't do this. | 0:23:59 | 0:24:03 | |
-We're begging you. -Yeah. -Boys, this is not the time. | 0:24:03 | 0:24:06 | |
-Look at Harry, he's only little. -Leave now. | 0:24:06 | 0:24:09 | |
I am sorry the boys interrupted. | 0:24:09 | 0:24:12 | |
What they did was wrong, but it shows how everyone feels. | 0:24:12 | 0:24:16 | |
Mr Milligan's popularity is not in question. | 0:24:16 | 0:24:18 | |
He's the best father figure they've ever had. | 0:24:18 | 0:24:21 | |
The issue is one of indiscipline | 0:24:21 | 0:24:23 | |
-at Elm Tree House. -Please! | 0:24:23 | 0:24:25 | |
And this is just another example of that! | 0:24:25 | 0:24:29 | |
Why won't you people ever listen? | 0:24:30 | 0:24:33 | |
Pretending you know what's best for us. | 0:24:33 | 0:24:35 | |
-You ain't got a clue. -Liam, enough. | 0:24:35 | 0:24:39 | |
I am so disappointed in you. | 0:24:39 | 0:24:41 | |
Did you imagine for one second that this was going to help? | 0:24:41 | 0:24:44 | |
Our apologies, we won't make this | 0:24:44 | 0:24:46 | |
any harder than it already is. | 0:24:46 | 0:24:49 | |
We'll be leaving, come on. | 0:24:49 | 0:24:51 | |
Mike! Mike, wait! | 0:25:03 | 0:25:05 | |
I'm sure you meant well, but please, leave it. It's over. | 0:25:07 | 0:25:13 | |
'So that was that. | 0:25:13 | 0:25:14 | |
'The kids' attempt to persuade | 0:25:14 | 0:25:16 | |
'the tribunal had ended in disaster. | 0:25:16 | 0:25:18 | |
'Nothing could save Mike now. Or could it?' | 0:25:18 | 0:25:21 | |
-Mike! -Hey, Mike! -What's she doing here? | 0:25:21 | 0:25:26 | |
Argh! | 0:25:26 | 0:25:27 | |
THE CHILDREN LAUGH | 0:25:27 | 0:25:30 | |
Here you go. | 0:25:30 | 0:25:31 | |
Thanks, Harry. | 0:25:31 | 0:25:33 | |
Have you come to say goodbye? | 0:25:34 | 0:25:36 | |
Actually, no. | 0:25:38 | 0:25:39 | |
Thanks to Leanne's report, | 0:25:39 | 0:25:41 | |
the disciplinary panel found in may favour! | 0:25:41 | 0:25:44 | |
ALL: Yay! | 0:25:44 | 0:25:45 | |
-Ha-ha! -No way?! -Way. -I just told the truth. | 0:25:47 | 0:25:50 | |
I found a sensitive man, who's firm when he needs to be, | 0:25:50 | 0:25:54 | |
and always has the welfare of those | 0:25:54 | 0:25:57 | |
-in his care at heart. -Thank you. | 0:25:57 | 0:25:59 | |
That means we're all back together again. | 0:25:59 | 0:26:02 | |
THEY ALL LAUGH | 0:26:02 | 0:26:04 | |
You see, Mike is just amazing at his job. | 0:26:04 | 0:26:06 | |
He didn't need shouting or special campaigns, | 0:26:06 | 0:26:09 | |
or a bunch of kids bursting into a tribunal. | 0:26:09 | 0:26:12 | |
The facts spoke for themselves. | 0:26:12 | 0:26:14 | |
And that's the best kind of persuasion there is. | 0:26:14 | 0:26:16 | |
What have we learnt about Persuasion to | 0:26:21 | 0:26:25 | |
upload into my Survival Files? | 0:26:25 | 0:26:27 | |
It's good to learn to persuade people. | 0:26:28 | 0:26:30 | |
There are lots of ways of going about it. | 0:26:30 | 0:26:34 | |
Shouting the loudest can work, but that's really bullying, | 0:26:34 | 0:26:38 | |
not persuading. There are better ways. | 0:26:38 | 0:26:41 | |
Being nice to people, or offering little rewards or presents can work. | 0:26:41 | 0:26:45 | |
Being mean or threatening isn't the way I like doing things, | 0:26:45 | 0:26:49 | |
although some people do resort to that. | 0:26:49 | 0:26:51 | |
Clever words are brilliant, | 0:26:51 | 0:26:53 | |
whether they are spoken or written down. | 0:26:53 | 0:26:56 | |
Be careful, when you're trying to get your point across, | 0:26:56 | 0:27:00 | |
don't lose sight of the bigger picture | 0:27:00 | 0:27:02 | |
or someone could end up falling off a roof. | 0:27:02 | 0:27:05 | |
Other people may have good reasons for trying to get what they want. | 0:27:05 | 0:27:10 | |
Sometimes, it's good to allow yourself to be persuaded. | 0:27:10 | 0:27:13 | |
That's the Beaker guide to persuasion safely uploaded to | 0:27:13 | 0:27:17 | |
The Tracy Beaker Survival Files. | 0:27:17 | 0:27:19 | |
# With a little persuasion. # | 0:27:19 | 0:27:22 | |
More gems of wisdom from my experiences next time. | 0:27:22 | 0:27:26 | |
You don't need me to persuade you not to miss it. | 0:27:26 | 0:27:28 | |
Remember, I've been through all this so you don't have to. | 0:27:28 | 0:27:32 | |
# With a little persuasion | 0:27:32 | 0:27:36 | |
# With a little finesse | 0:27:36 | 0:27:39 | |
# I'll comply with any lie You're happy to express. # | 0:27:39 | 0:27:45 |