Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is not a fairy tale. | 0:00:02 | 0:00:03 | |
Or is it? | 0:00:03 | 0:00:05 | |
For hundreds of years, only the most | 0:00:07 | 0:00:10 | |
Unfortunate are summoned to the Tower, ready to take on the Voice | 0:00:10 | 0:00:15 | |
and her dark magical forces. | 0:00:15 | 0:00:18 | |
There are tricks and challenges on every floor, | 0:00:18 | 0:00:20 | |
and someone not to be trusted. | 0:00:20 | 0:00:23 | |
Only one will escape with the key of freedom. | 0:00:23 | 0:00:27 | |
And the rest... | 0:00:27 | 0:00:28 | |
You're Trapped...Ever After. | 0:00:28 | 0:00:33 | |
Oh! I didn't know you lot were going to be there. And there you are. | 0:00:37 | 0:00:42 | |
HE WHISTLES | 0:00:42 | 0:00:43 | |
Oh! The next batch of Unfortunates have arrived. | 0:00:43 | 0:00:47 | |
I hope they're better than the last lot. Only one escaped. | 0:00:47 | 0:00:52 | |
I suppose that is the point. | 0:00:52 | 0:00:54 | |
Come on! | 0:00:54 | 0:00:56 | |
This lot are from Livingston. | 0:00:57 | 0:01:01 | |
There's Nicolas. He's terrified of tangerines. | 0:01:01 | 0:01:05 | |
That's Katie. She invented carrots. | 0:01:05 | 0:01:09 | |
Zak is best served chilled. | 0:01:09 | 0:01:12 | |
Martha is from London. | 0:01:12 | 0:01:14 | |
How did she get in there? | 0:01:14 | 0:01:16 | |
That's Craig. He used to be a cruise liner. | 0:01:16 | 0:01:19 | |
And Lauren. She travels to school by hedgehog. | 0:01:19 | 0:01:23 | |
Like all those before them, | 0:01:31 | 0:01:33 | |
they'll be imprisoned at the top of the Tower. | 0:01:33 | 0:01:36 | |
They must work as a team to complete challenges and escape each floor, | 0:01:36 | 0:01:41 | |
but one of them cannot be trusted - the Saboteur. | 0:01:41 | 0:01:45 | |
Only one will leave with the key of freedom, | 0:01:45 | 0:01:48 | |
and the rest... that's right... | 0:01:48 | 0:01:51 | |
Trapped! | 0:01:51 | 0:01:53 | |
On each floor, a new Saboteur will be chosen. | 0:01:54 | 0:01:57 | |
It's up to you to uncover who it is. | 0:01:57 | 0:02:01 | |
Remember everything you see as you journey through the Tower. | 0:02:01 | 0:02:05 | |
You may need it to win the key of freedom. | 0:02:05 | 0:02:07 | |
Not all of you will get that far. | 0:02:07 | 0:02:09 | |
Some of you will be staying here a very long time. | 0:02:09 | 0:02:16 | |
Ooh, she's nasty. | 0:02:16 | 0:02:17 | |
Floor six. Botherer Blocks. | 0:02:18 | 0:02:23 | |
Line up! | 0:02:23 | 0:02:25 | |
Here, what's small, green and bounces round the room? | 0:02:27 | 0:02:32 | |
A baby botherer. | 0:02:32 | 0:02:33 | |
Unfortunates will have their work cut out in this nasty nursery. | 0:02:33 | 0:02:37 | |
They must build a tower out of the toy blocks scattered around the room, | 0:02:37 | 0:02:41 | |
whilst keeping an eye on the restless baby botherer. | 0:02:41 | 0:02:44 | |
But beware, if there are power cuts, | 0:02:44 | 0:02:46 | |
one Unfortunate will be out to cause chaos. | 0:02:46 | 0:02:49 | |
With a baby botherer on the loose, there'll be trouble. | 0:02:49 | 0:02:52 | |
To pass, Unfortunates must make sure baby's back in his pen | 0:02:52 | 0:02:56 | |
and all toy blocks are on the rug. | 0:02:56 | 0:02:58 | |
So, who cannot be trusted? | 0:03:00 | 0:03:05 | |
'Craig, do not react. | 0:03:05 | 0:03:08 | |
'You are the Saboteur and you are the only one who can hear my voice. | 0:03:08 | 0:03:12 | |
'When the lights go out, it will be pitch black, | 0:03:12 | 0:03:16 | |
'and this is your chance | 0:03:16 | 0:03:18 | |
'to release the baby botherer and destroy the tower. | 0:03:18 | 0:03:21 | |
'Now, be careful not to knock into anyone and be back in position | 0:03:21 | 0:03:25 | |
'when the lights come on. | 0:03:25 | 0:03:27 | |
'I will guide you through your Whisper Clip.' | 0:03:27 | 0:03:30 | |
Oh, so Craig is the first Saboteur, | 0:03:30 | 0:03:34 | |
but has he got what it takes to fool the others? | 0:03:34 | 0:03:38 | |
Unfortunates, to pass, you must ensure the botherer is in the pen | 0:03:38 | 0:03:43 | |
and all the toy blocks are on the rug at the end of 90 seconds. | 0:03:43 | 0:03:47 | |
Let the challenge begin... | 0:03:47 | 0:03:50 | |
now! | 0:03:50 | 0:03:52 | |
'Craig, help the team. | 0:03:52 | 0:03:56 | |
'I will tell you when the power cuts are coming.' | 0:03:56 | 0:04:01 | |
Make sure the small ones go on the top. | 0:04:01 | 0:04:04 | |
Put the small ones on the top. Small ones on the top. | 0:04:04 | 0:04:07 | |
'There's a power cut coming. | 0:04:07 | 0:04:09 | |
'Five. Four. Three. Two. One. | 0:04:09 | 0:04:12 | |
'OK. Release the botherer. | 0:04:14 | 0:04:15 | |
'Can you see the lever? Left. Left. | 0:04:15 | 0:04:18 | |
'That's it. Now back into position.' | 0:04:18 | 0:04:21 | |
60 seconds. | 0:04:21 | 0:04:23 | |
'Yes! | 0:04:26 | 0:04:27 | |
'Now they have to build it all over again! | 0:04:27 | 0:04:33 | |
'That's it. Look like you're helping. | 0:04:33 | 0:04:36 | |
'Tell the others to hurry. You must look like you're one of the team. | 0:04:36 | 0:04:40 | |
'Power cut coming. Three. Two. One. | 0:04:40 | 0:04:45 | |
'Now back to the lever. | 0:04:45 | 0:04:46 | |
'Out he comes.' | 0:04:48 | 0:04:50 | |
30 seconds. | 0:04:50 | 0:04:53 | |
'Down comes the tower! Yes! | 0:04:53 | 0:04:57 | |
'Just keep playing along with the team.' | 0:04:57 | 0:05:03 | |
Get the small ones on the top! | 0:05:03 | 0:05:06 | |
Get the small ones on the top! | 0:05:06 | 0:05:08 | |
-'Not long now.' -Quick. Get that one. -Ten. Nine. Eight. | 0:05:08 | 0:05:13 | |
'They're building it too quickly.' | 0:05:13 | 0:05:15 | |
Six. Five. 'Do something!' Four. | 0:05:15 | 0:05:18 | |
Three. 'Yes!' | 0:05:18 | 0:05:20 | |
One. | 0:05:20 | 0:05:22 | |
Your time is up. You have failed miserably. | 0:05:24 | 0:05:29 | |
Oh! Brilliant sabotage skills. | 0:05:29 | 0:05:33 | |
You must now vote for who you think the Saboteur was and why. | 0:05:33 | 0:05:38 | |
Zak, who do you think the Saboteur was? | 0:05:38 | 0:05:41 | |
Well, I think it was Lauren, | 0:05:41 | 0:05:42 | |
because she wasn't helping us put all the blocks on. | 0:05:42 | 0:05:46 | |
-Martha? -I agree with Zak. | 0:05:46 | 0:05:48 | |
I also think it was Lauren, because at the end, | 0:05:48 | 0:05:50 | |
-she made those blocks fall down. -Nicolas? | 0:05:50 | 0:05:53 | |
I think it might have been Zak, | 0:05:53 | 0:05:55 | |
-because he was always first to get the baby back in. -Katie? | 0:05:55 | 0:05:59 | |
I think it was Nicolas, | 0:05:59 | 0:06:00 | |
-because he was near the blocks when it fell down. -Craig? | 0:06:00 | 0:06:03 | |
I think it was Zak, | 0:06:03 | 0:06:06 | |
because he always seemed to take a while to get back | 0:06:06 | 0:06:08 | |
to the box and try and help us. | 0:06:08 | 0:06:10 | |
-Lauren? -I think it was Zak, | 0:06:10 | 0:06:11 | |
because he was always helping the baby | 0:06:11 | 0:06:13 | |
and not helping us to put the blocks up. | 0:06:13 | 0:06:16 | |
You have voted for... | 0:06:16 | 0:06:18 | |
Zak. | 0:06:18 | 0:06:20 | |
I can now reveal the Saboteur was in fact... | 0:06:20 | 0:06:24 | |
..Craig. | 0:06:30 | 0:06:33 | |
Zak, you will not be leaving this room. | 0:06:33 | 0:06:37 | |
The others are free to pass to the next floor. | 0:06:37 | 0:06:41 | |
Ooh! Framed. | 0:06:41 | 0:06:45 | |
Zak, any last words? | 0:06:52 | 0:06:56 | |
I'm gutted I was Trapped first. | 0:06:56 | 0:06:58 | |
Poor, unfortunate Zak. | 0:06:58 | 0:07:02 | |
You're Trapped... | 0:07:02 | 0:07:05 | |
Ever After! | 0:07:05 | 0:07:07 | |
Poor little Zak. It's all been a fix. | 0:07:08 | 0:07:11 | |
Left holding the baby alone on floor six. | 0:07:11 | 0:07:14 | |
Floor five, the Midnight Bride. | 0:07:14 | 0:07:20 | |
Oh, some people are never happy, particularly this ficklesome bride. | 0:07:20 | 0:07:27 | |
When the clock strikes 12, | 0:07:27 | 0:07:28 | |
the midnight bride has so many admirers, she cannot decide. | 0:07:28 | 0:07:32 | |
-This is all getting silly. -The marriage man said... | 0:07:32 | 0:07:35 | |
You must find a husband before you are dead. | 0:07:35 | 0:07:38 | |
Unfortunates must find her three potential husbands, but beware - | 0:07:38 | 0:07:42 | |
present her with any she don't like the look of and there'll be trouble. | 0:07:42 | 0:07:46 | |
Choosing correctly three times, and it's all over. | 0:07:48 | 0:07:51 | |
Remember, one of them is not to be trusted, but who is it? | 0:07:55 | 0:08:00 | |
'Katie, do not react. | 0:08:01 | 0:08:03 | |
'You are the Saboteur. | 0:08:03 | 0:08:05 | |
'What the others do not know is that tonight the bride | 0:08:05 | 0:08:09 | |
'hates all potential husbands with Ed in their name. | 0:08:09 | 0:08:14 | |
'You must use your powers of persuasion | 0:08:14 | 0:08:16 | |
'to make the others fail but don't be too obvious. | 0:08:16 | 0:08:19 | |
'I will guide you through your Whisper Clip.' | 0:08:19 | 0:08:22 | |
Oh, it's Katie. Sab it up. | 0:08:22 | 0:08:26 | |
Unfortunates, to pass, | 0:08:26 | 0:08:30 | |
the bride must approve three potential husbands. | 0:08:30 | 0:08:34 | |
Let the challenge begin... | 0:08:34 | 0:08:36 | |
now! | 0:08:36 | 0:08:38 | |
-Don't be late. -I think maybe we should try someone who's happy. | 0:08:38 | 0:08:43 | |
'Remember, Katie, the bride hates grooms with Ed in their name.' | 0:08:43 | 0:08:47 | |
-What about happy? -Happy...it could be. | 0:08:47 | 0:08:50 | |
-Albert Edge, is it? He looks happy. -Yeah. OK. | 0:08:50 | 0:08:56 | |
'Perfect. Well done.' | 0:08:56 | 0:08:58 | |
-CHIMING -The bride is coming. | 0:08:58 | 0:09:00 | |
Do you, bride, take Herbert Edge to be your tearful shredded husband? | 0:09:05 | 0:09:11 | |
'Brace yourself.' | 0:09:11 | 0:09:13 | |
-Oh, dear. -'That's really wound her up.' | 0:09:18 | 0:09:22 | |
No. She didn't like people who are really, really smiley. | 0:09:25 | 0:09:28 | |
'Then find one that's not smiling!' | 0:09:28 | 0:09:31 | |
-Jefferson Mould. -'No. Pick another one.' | 0:09:31 | 0:09:34 | |
But... | 0:09:34 | 0:09:37 | |
'No. They've gone for it.' | 0:09:37 | 0:09:39 | |
'You'll have to speak up. Make yourself heard next time.' | 0:09:39 | 0:09:42 | |
The clock strikes. | 0:09:42 | 0:09:43 | |
Do you, bride, take Jefferson Mould to be your tearful shredded husband? | 0:09:45 | 0:09:51 | |
'This will be good. Act like you're part of the team.' | 0:09:51 | 0:09:54 | |
Yes! | 0:09:56 | 0:09:57 | |
Congratulations. | 0:09:57 | 0:10:00 | |
You still need to find two more. | 0:10:00 | 0:10:03 | |
'Katie, you've got to find husbands with Ed in their name. Come on.' | 0:10:03 | 0:10:07 | |
-You're running out of time. -'Say something.' | 0:10:07 | 0:10:10 | |
-What about Archibald? -'Yes!' | 0:10:10 | 0:10:12 | |
He's got a hat on. | 0:10:12 | 0:10:14 | |
-'Make them pick it. The bride's coming.' -Theodore Sneer. | 0:10:14 | 0:10:18 | |
Theodore Sneer. Let's try him. | 0:10:18 | 0:10:20 | |
'No! This will be two to them!' | 0:10:20 | 0:10:22 | |
Do you, bride, take Theodore Sneer to be your tearful shredded husband? | 0:10:22 | 0:10:28 | |
'Remember, look pleased when they get it right.' | 0:10:28 | 0:10:31 | |
'Katie, you can't let them get another one. Take control.' | 0:10:33 | 0:10:37 | |
-You still need one more. -Right. He was sad and he has a top hat. | 0:10:37 | 0:10:42 | |
-He has a hat and glasses and so does Archibald. -'Excellent.' | 0:10:42 | 0:10:45 | |
-He has a bowler hat. -The other guy has that too. | 0:10:45 | 0:10:48 | |
-'You must persuade them.' -Or we could go for that guy. | 0:10:48 | 0:10:51 | |
What about this guy at the back? | 0:10:51 | 0:10:54 | |
'Who are they going for?' | 0:10:54 | 0:10:56 | |
-'Agree!' -Just go for him. -I hope we get this right. | 0:10:58 | 0:11:01 | |
'You were very lucky this time, Katie.' | 0:11:03 | 0:11:06 | |
Do you, bride, take Frederick Bulb to be your tearful shredded husband? | 0:11:06 | 0:11:11 | |
'Remember to look scared.' | 0:11:11 | 0:11:14 | |
Oh, dear. | 0:11:18 | 0:11:20 | |
This is our last one. We have to get this right. | 0:11:20 | 0:11:23 | |
One more bad husband, and you fail. | 0:11:23 | 0:11:27 | |
'It all comes down to this. | 0:11:27 | 0:11:29 | |
'Make yourself heard. | 0:11:29 | 0:11:32 | |
'Come on!' | 0:11:32 | 0:11:34 | |
But what about him? I don't know, he looks the type that she would go for. | 0:11:34 | 0:11:39 | |
-OK. Let's pick one of these two. -Who wants Hector Nott? | 0:11:39 | 0:11:41 | |
'It can't be Hector Nott. If they pick Hector, you're Trapped.' | 0:11:41 | 0:11:46 | |
-Archibald Dredd. -'Yes. Perfect.' -Go for Craig's one. | 0:11:46 | 0:11:50 | |
-Archibald. -'They're going for it.' | 0:11:50 | 0:11:52 | |
If you look at her, she looks scary and so does he. | 0:11:52 | 0:11:55 | |
The bride is coming. | 0:11:55 | 0:11:56 | |
'Excellent work, Katie.' | 0:11:58 | 0:12:01 | |
Do you, bride, take Archibald Dredd to be your tearful shredded husband? | 0:12:01 | 0:12:06 | |
Unfortunates, you have failed miserably! | 0:12:14 | 0:12:20 | |
Oh, dear. Bad luck, team. | 0:12:20 | 0:12:22 | |
You must now vote for who you think the Saboteur was and why. | 0:12:24 | 0:12:30 | |
Martha, who do you think the Saboteur was? | 0:12:30 | 0:12:33 | |
I think it was Katie, cos she wasn't joining in our conversations | 0:12:33 | 0:12:36 | |
and she agreed when we picked the wrong one. | 0:12:36 | 0:12:38 | |
-Nicolas? -I think the Saboteur might have been Martha, | 0:12:38 | 0:12:44 | |
because she kept picking people with bowling hats. | 0:12:44 | 0:12:48 | |
-Katie? -I think the Saboteur was Martha, | 0:12:48 | 0:12:51 | |
because whenever I said something, she disagreed. | 0:12:51 | 0:12:55 | |
-Craig? -I thought it was Martha, | 0:12:55 | 0:12:56 | |
-because every time we got one wrong, she had suggested it. -Lauren? | 0:12:56 | 0:13:00 | |
I thought it was Martha, because she picked all the wrong ones. | 0:13:00 | 0:13:05 | |
You have voted for... | 0:13:05 | 0:13:06 | |
Martha. | 0:13:06 | 0:13:08 | |
I can now reveal the Saboteur was in fact... | 0:13:08 | 0:13:11 | |
..Katie. | 0:13:16 | 0:13:19 | |
See?! | 0:13:19 | 0:13:20 | |
Sorry. | 0:13:20 | 0:13:22 | |
Told you so! | 0:13:22 | 0:13:23 | |
Martha, you will not be leaving this room. | 0:13:23 | 0:13:27 | |
The others could still win the key of freedom | 0:13:27 | 0:13:31 | |
and are free to pass to the next floor. | 0:13:31 | 0:13:34 | |
Ooh! Trapped and the only one to spot the Saboteur - unlucky! | 0:13:34 | 0:13:39 | |
Martha, any last words? | 0:13:46 | 0:13:50 | |
I'm devastated. Who's going to feed my rabbits? | 0:13:50 | 0:13:53 | |
Poor unfortunate Martha. | 0:13:53 | 0:13:56 | |
Your Trapped...Ever After. | 0:13:56 | 0:14:02 | |
Poor little Martha. As much as she tried, no-one believed her. | 0:14:02 | 0:14:07 | |
She's Trapped on floor five. | 0:14:07 | 0:14:10 | |
Floor four, The Wolf And The Nut. | 0:14:10 | 0:14:15 | |
Fact, a wolf's howl can be heard from ten miles away. | 0:14:15 | 0:14:19 | |
HOWLING | 0:14:19 | 0:14:20 | |
That one sounded a lot closer. | 0:14:20 | 0:14:23 | |
There once was a wolf hunter called Scarlet. | 0:14:24 | 0:14:27 | |
One terrible day, a wolf ate her granny and she said... | 0:14:27 | 0:14:30 | |
I'm going to find that wolf and cut off his head. | 0:14:30 | 0:14:34 | |
But first I need to get some sleep. | 0:14:34 | 0:14:37 | |
But sleep she could not because the bed was riddled with scrumble nuts. | 0:14:37 | 0:14:41 | |
Unfortunates must find the nuts between the mattresses on her bed. | 0:14:41 | 0:14:46 | |
They must choose carefully | 0:14:46 | 0:14:48 | |
because lurking within is an angry child-eating wolf. | 0:14:48 | 0:14:51 | |
Find the wolf three times and they fail. | 0:14:51 | 0:14:54 | |
Remember, one of them is not to be trusted, but who is it? | 0:14:55 | 0:15:01 | |
'Craig, do not react. | 0:15:02 | 0:15:04 | |
'It's you again. | 0:15:04 | 0:15:06 | |
'Each time I will tell you what part of the bed the wolf is in. | 0:15:06 | 0:15:10 | |
'It's up to you to guide your team towards it. | 0:15:10 | 0:15:14 | |
'But be careful, you don't want to be detected. | 0:15:14 | 0:15:17 | |
'I will guide you through your whisper clip.' | 0:15:17 | 0:15:20 | |
Oh, Craig is the Saboteur for the second time. | 0:15:20 | 0:15:25 | |
That's not fair. Ha ha. | 0:15:25 | 0:15:27 | |
Unfortunates, to pass, you must find three scrumble nuts. | 0:15:27 | 0:15:34 | |
Let the challenge begin... | 0:15:34 | 0:15:37 | |
now. | 0:15:37 | 0:15:38 | |
So guys, you know what to do. | 0:15:38 | 0:15:40 | |
It's top, middle or bottom. | 0:15:40 | 0:15:42 | |
'Craig, the wolf is in the top of the bed.' | 0:15:42 | 0:15:45 | |
What do you think, what do you think, Katie? | 0:15:45 | 0:15:48 | |
-Maybe in the middle. -'No.' | 0:15:48 | 0:15:51 | |
I would say the top. I would say the top. | 0:15:51 | 0:15:53 | |
'That's it.' | 0:15:53 | 0:15:56 | |
-When you've decided, let me know. -I think we agree top. | 0:15:56 | 0:16:01 | |
OK. Place your hand into the mattress. | 0:16:01 | 0:16:04 | |
'Well, done, Craig. This will be one to you.' | 0:16:04 | 0:16:09 | |
GROWLING | 0:16:12 | 0:16:13 | |
You've got saliva all over your hands. That is gross. | 0:16:13 | 0:16:17 | |
I am never going to get any sleep if you don't find me a scrumble nut. | 0:16:17 | 0:16:21 | |
Follow me. | 0:16:21 | 0:16:23 | |
'The wolf is in the top of the bed. Convince them. | 0:16:23 | 0:16:25 | |
Top, middle or bottom? | 0:16:27 | 0:16:28 | |
Maybe it's top | 0:16:28 | 0:16:30 | |
cos maybe the wolf's already been there | 0:16:30 | 0:16:33 | |
so maybe it's like moved down a bit. | 0:16:33 | 0:16:35 | |
'Not too forceful, Craig.' | 0:16:35 | 0:16:36 | |
It's up to you. What do you think? | 0:16:36 | 0:16:39 | |
Shall we take the top? | 0:16:39 | 0:16:40 | |
I don't know. | 0:16:40 | 0:16:42 | |
-What are you going for? -I'll go for on top. | 0:16:42 | 0:16:45 | |
OK. You're going for the top? | 0:16:45 | 0:16:46 | |
'Brilliant. And it looked like Nicholas' idea.' | 0:16:46 | 0:16:49 | |
Scrumble nut. | 0:16:49 | 0:16:51 | |
GROWLING | 0:16:51 | 0:16:52 | |
This is disgusting. | 0:16:54 | 0:16:55 | |
What happened? | 0:16:55 | 0:16:56 | |
-The wolf again. -There's no wolves. I would know. | 0:16:56 | 0:16:59 | |
Now let's move round to the next side. | 0:16:59 | 0:17:01 | |
'They only need one more wolf to fail. | 0:17:01 | 0:17:04 | |
'He's in the bottom of the bed.' | 0:17:04 | 0:17:07 | |
Top, middle or bottom? | 0:17:07 | 0:17:09 | |
OK. I'm not saying anything. | 0:17:09 | 0:17:11 | |
-The bottom? -'The girls are going for the bottom. | 0:17:11 | 0:17:13 | |
'See what happens.' | 0:17:13 | 0:17:15 | |
I need a scrumble nut! Which one are you going for? | 0:17:15 | 0:17:18 | |
-The bottom. -The bottom. | 0:17:18 | 0:17:21 | |
Are you sure? | 0:17:21 | 0:17:22 | |
'Good acting, Craig. | 0:17:22 | 0:17:23 | |
'You've thrown them off the scent.' | 0:17:23 | 0:17:25 | |
Find me a scrumble nut. | 0:17:25 | 0:17:26 | |
They didn't find a single scrumble nut | 0:17:26 | 0:17:31 | |
and this will be three bites. | 0:17:31 | 0:17:33 | |
GROWLING | 0:17:33 | 0:17:35 | |
You guys are useless. | 0:17:35 | 0:17:37 | |
Unfortunates, you have failed miserably. | 0:17:38 | 0:17:45 | |
Oh, seriously sneaky sabotage. | 0:17:45 | 0:17:49 | |
You must now vote for who you think the Saboteur was and why. | 0:17:49 | 0:17:54 | |
Nicholas, who do you think the Saboteur was? | 0:17:54 | 0:17:58 | |
The Saboteur might have been Craig | 0:17:58 | 0:18:00 | |
cos whichever one he picked we always went for. | 0:18:00 | 0:18:03 | |
Katie. | 0:18:03 | 0:18:04 | |
I think it was Nicholas because he was acting suspiciously. | 0:18:04 | 0:18:09 | |
-Craig. -I also thought it was Nicholas | 0:18:09 | 0:18:11 | |
-because he seemed to be acting suspiciously. -Lauren. | 0:18:11 | 0:18:15 | |
I thought it was Nicholas cos he kept on telling us the wrong one. | 0:18:15 | 0:18:19 | |
You have voted for Nicholas. | 0:18:19 | 0:18:21 | |
I can now reveal the Saboteur was in fact... | 0:18:21 | 0:18:26 | |
..Craig. | 0:18:32 | 0:18:33 | |
Told you. | 0:18:35 | 0:18:36 | |
I actually told you. | 0:18:36 | 0:18:38 | |
Sorry. | 0:18:38 | 0:18:39 | |
-Nicholas, you will not be leaving this room. -OK. | 0:18:39 | 0:18:43 | |
The others are free to pass to the next floor. | 0:18:43 | 0:18:46 | |
Trapped. Superb sabotage technique again. | 0:18:46 | 0:18:50 | |
Nicholas, any last words? | 0:18:55 | 0:18:59 | |
At least I get to stay here with the girl and the wolf. | 0:18:59 | 0:19:02 | |
Poor unfortunate Nicholas. | 0:19:02 | 0:19:05 | |
You're Trapped...Ever After. | 0:19:05 | 0:19:11 | |
Poor little Nicholas feels sick to the core, betrayed by his friends. | 0:19:11 | 0:19:17 | |
He's Trapped on floor four. | 0:19:17 | 0:19:19 | |
PHONE RINGS | 0:19:19 | 0:19:21 | |
What? | 0:19:23 | 0:19:24 | |
Who is this? | 0:19:24 | 0:19:25 | |
What do you mean me? It can't be me. | 0:19:25 | 0:19:27 | |
I'm me, you're you. | 0:19:27 | 0:19:29 | |
Yes. Goodbye. | 0:19:29 | 0:19:30 | |
Now, where were we? | 0:19:30 | 0:19:32 | |
Oh, yes. | 0:19:32 | 0:19:34 | |
Zak is Trapped on floor six, Martha is Trapped on floor five | 0:19:34 | 0:19:40 | |
and poor little Nicholas is Trapped on floor four. | 0:19:40 | 0:19:43 | |
Floor three, A Child For Tea. | 0:19:45 | 0:19:49 | |
She might have trouble getting this lot in a teapot. | 0:19:49 | 0:19:52 | |
There once was a lady, so kindly was she, | 0:19:52 | 0:19:55 | |
that children were always invited for tea. | 0:19:55 | 0:19:58 | |
Cooey! | 0:19:58 | 0:19:59 | |
She may seem all smiley and nice but beware, | 0:19:59 | 0:20:02 | |
this old granny is far from it. | 0:20:02 | 0:20:06 | |
Come on in, dear. Take a seat. | 0:20:06 | 0:20:09 | |
You're just in time to try my treats. | 0:20:09 | 0:20:12 | |
Fatten them up she might, | 0:20:12 | 0:20:14 | |
but Unfortunates beware, they must eat two good sweets. | 0:20:14 | 0:20:18 | |
Eating two bad sweets spells disaster and one of them cannot be trusted. | 0:20:18 | 0:20:24 | |
So who will it be? | 0:20:26 | 0:20:28 | |
'Lauren, do not react. You are the Saboteur. | 0:20:31 | 0:20:34 | |
'I will tell you which of the granny's sweets are bad. | 0:20:34 | 0:20:37 | |
'It is up to you how you use this information. | 0:20:37 | 0:20:41 | |
'Be careful, you don't want to be detected. | 0:20:41 | 0:20:44 | |
'I will guide you through your whisper clip.' | 0:20:44 | 0:20:47 | |
Lauren is the next Saboteur. | 0:20:47 | 0:20:50 | |
What are the chances of that? | 0:20:50 | 0:20:51 | |
One in three. | 0:20:51 | 0:20:53 | |
Unfortunates, to pass, you must eat two good sweets. | 0:20:53 | 0:20:59 | |
Let the challenge begin now. | 0:20:59 | 0:21:03 | |
Oh! Aren't you adorable? | 0:21:03 | 0:21:06 | |
I love having children for tea. | 0:21:06 | 0:21:08 | |
I couldn't eat a whole one. | 0:21:08 | 0:21:11 | |
Actually, I could. | 0:21:12 | 0:21:15 | |
I have. | 0:21:15 | 0:21:16 | |
And I will. | 0:21:16 | 0:21:18 | |
You have to pick one of these beautiful treats. | 0:21:20 | 0:21:23 | |
'OK, Lauren. The good sweet is on the red plate. | 0:21:23 | 0:21:26 | |
Don't let them eat that one. | 0:21:26 | 0:21:28 | |
I mean, you might think that looks good but it might taste bad inside. | 0:21:28 | 0:21:33 | |
-'Good.' -That could be the same then. -True. | 0:21:33 | 0:21:36 | |
I think we should maybe go for that one. | 0:21:36 | 0:21:39 | |
'Excellent.' | 0:21:39 | 0:21:41 | |
Who's going to try and take a big juicy bite? | 0:21:41 | 0:21:44 | |
Craig. | 0:21:44 | 0:21:46 | |
-'This will be one to you.' -Big bite. | 0:21:46 | 0:21:50 | |
'Poor Craig.' | 0:21:50 | 0:21:52 | |
How's it taste? | 0:21:52 | 0:21:53 | |
Not very nice. | 0:21:54 | 0:21:55 | |
Not very nice. What a shame. | 0:21:55 | 0:21:57 | |
Do you want to spit it out, hen? | 0:21:57 | 0:22:01 | |
Lovely. | 0:22:03 | 0:22:04 | |
'You only need one more bad sweet.' | 0:22:04 | 0:22:07 | |
Don't worry, we've got some more here. | 0:22:07 | 0:22:10 | |
Here we go. | 0:22:10 | 0:22:12 | |
'Lauren, the good sweet is on the blue plate. | 0:22:12 | 0:22:15 | |
'Guide them to the other two.' | 0:22:15 | 0:22:17 | |
The egg looks OK. | 0:22:17 | 0:22:19 | |
'No. That's the good sweet.' | 0:22:19 | 0:22:21 | |
I would say maybe that one. | 0:22:21 | 0:22:24 | |
-'Speak up.' -Yeah. | 0:22:24 | 0:22:25 | |
-The egg. -Who's going to try it? | 0:22:25 | 0:22:28 | |
-Katie. -Katie. | 0:22:28 | 0:22:30 | |
'You let them have that too easily. | 0:22:30 | 0:22:32 | |
'Speak up on the next one.' | 0:22:32 | 0:22:34 | |
Nice juicy bite now. Don't be shy. | 0:22:34 | 0:22:36 | |
'You may look pleased now, | 0:22:40 | 0:22:42 | |
'but another one of those and you're Trapped. | 0:22:42 | 0:22:45 | |
'Make yourself heard this time. | 0:22:47 | 0:22:49 | |
'It's your last chance.' | 0:22:49 | 0:22:51 | |
Oh, three more beautiful treats to choose from. | 0:22:52 | 0:22:56 | |
'The good sweet is on the red plate.' | 0:22:56 | 0:22:59 | |
These two cos that one don't look very nice. | 0:22:59 | 0:23:01 | |
'It doesn't matter which one they go for | 0:23:01 | 0:23:03 | |
'as long as it's not red.' | 0:23:03 | 0:23:05 | |
It might be really nice. | 0:23:05 | 0:23:06 | |
But it doesn't look that good. | 0:23:06 | 0:23:09 | |
Exactly. I think maybe that one. | 0:23:09 | 0:23:11 | |
-'No.' -We should go for that one. | 0:23:11 | 0:23:14 | |
'Talk them out of it.' | 0:23:14 | 0:23:16 | |
So then, big juicy bite. | 0:23:16 | 0:23:17 | |
'It's too late. | 0:23:19 | 0:23:21 | |
'You've blown it.' | 0:23:23 | 0:23:24 | |
You've passed. | 0:23:28 | 0:23:29 | |
Unfortunates, you have passed. | 0:23:31 | 0:23:35 | |
Curses! | 0:23:35 | 0:23:38 | |
Havocation. | 0:23:38 | 0:23:41 | |
You have passed | 0:23:41 | 0:23:43 | |
therefore the Saboteur is automatically locked in the room. | 0:23:43 | 0:23:46 | |
But before I reveal the other lucky Unfortunate, | 0:23:46 | 0:23:50 | |
who do you think the Saboteur was and why? Katie. | 0:23:50 | 0:23:54 | |
I think it was Lauren because she chose the sweet quite quickly. | 0:23:54 | 0:23:58 | |
Lauren. | 0:23:58 | 0:24:00 | |
-I thought it was Craig because he picked all the wrong ones. -Craig. | 0:24:00 | 0:24:04 | |
I thought it was Lauren because she kept on making me change my mind. | 0:24:04 | 0:24:08 | |
You have voted for... | 0:24:08 | 0:24:10 | |
Lauren. | 0:24:10 | 0:24:11 | |
I can now reveal the Saboteur was in fact... | 0:24:11 | 0:24:16 | |
..Lauren. | 0:24:19 | 0:24:21 | |
Lauren, you failed to sabotage the challenge | 0:24:24 | 0:24:27 | |
and you were detected therefore you will not be leaving this room. | 0:24:27 | 0:24:31 | |
Katie and Craig will go head to head in the fight for freedom. | 0:24:31 | 0:24:36 | |
Automatic trapification. | 0:24:36 | 0:24:40 | |
Lauren, any last words? | 0:24:45 | 0:24:48 | |
I hope the granny doesn't eat me. | 0:24:48 | 0:24:51 | |
Poor Unfortunate Lauren. | 0:24:51 | 0:24:55 | |
You're Trapped...Ever After. | 0:24:55 | 0:25:01 | |
Poor little Lauren. | 0:25:01 | 0:25:03 | |
All the others could see she was playing against them. | 0:25:03 | 0:25:06 | |
She's Trapped on floor three. | 0:25:06 | 0:25:08 | |
Floor two, The Fight For Freedom. | 0:25:08 | 0:25:13 | |
This is it. I'm so excited I could crank up a cranberry. | 0:25:13 | 0:25:17 | |
Unfortunates, this is your only chance | 0:25:17 | 0:25:21 | |
to win the key of freedom and escape. | 0:25:21 | 0:25:23 | |
I will ask you questions about your time in the Tower. | 0:25:23 | 0:25:27 | |
Get it right and you take one step closer to the key. | 0:25:27 | 0:25:31 | |
Get it wrong and your opponent takes the step. | 0:25:31 | 0:25:34 | |
It's a race to the key and there can only be one winner. | 0:25:34 | 0:25:37 | |
Katie, your first question. | 0:25:37 | 0:25:41 | |
What colour were the portrait frames in Midnight Bride? | 0:25:42 | 0:25:45 | |
Gold. | 0:25:45 | 0:25:47 | |
Correct. They were gold. | 0:25:47 | 0:25:49 | |
Take one step towards the key. | 0:25:49 | 0:25:52 | |
Craig, your first question. | 0:25:55 | 0:25:58 | |
Who was the Saboteur on floor four? | 0:25:58 | 0:26:01 | |
Was it me? | 0:26:03 | 0:26:06 | |
Correct. It was you. | 0:26:06 | 0:26:07 | |
Take one step towards the key. | 0:26:07 | 0:26:11 | |
Katie, how many times | 0:26:13 | 0:26:15 | |
did the bride scream on floor five? | 0:26:15 | 0:26:17 | |
Three times. | 0:26:18 | 0:26:20 | |
Correct. It was three. | 0:26:20 | 0:26:22 | |
Take one step closer towards the key. | 0:26:22 | 0:26:27 | |
Craig, what was directly on top of the trap door on floor six? | 0:26:27 | 0:26:33 | |
Was it the tower of blocks? | 0:26:36 | 0:26:38 | |
Incorrect. It was a rug. | 0:26:39 | 0:26:42 | |
Katie, take Craig's towards the key. | 0:26:42 | 0:26:47 | |
Katie, answer this question correctly | 0:26:47 | 0:26:50 | |
and you will win your freedom. | 0:26:50 | 0:26:52 | |
Answer it incorrectly and Craig is still in with a chance. | 0:26:52 | 0:26:57 | |
What colour were the marriage man's gloves on floor five? | 0:26:57 | 0:27:01 | |
Black. | 0:27:04 | 0:27:05 | |
Correct. They were black. | 0:27:05 | 0:27:08 | |
Katie, congratulations. You have won the key of freedom. | 0:27:09 | 0:27:13 | |
Take it. | 0:27:13 | 0:27:15 | |
Poor Unfortunate Craig. | 0:27:17 | 0:27:21 | |
You're Trapped. | 0:27:21 | 0:27:23 | |
Katie, you have won your freedom. | 0:27:23 | 0:27:27 | |
Take the key and leave the Tower before I change my mind. | 0:27:27 | 0:27:32 | |
Poor little Craig. | 0:27:32 | 0:27:35 | |
Missed out on the key. | 0:27:35 | 0:27:36 | |
Katie escaped and now she's free. | 0:27:36 | 0:27:40 | |
Freedom at last. | 0:27:42 | 0:27:43 | |
Oh, shut your noise hole. | 0:27:44 | 0:27:46 | |
So, Katie is free ever after and so are you, for now. | 0:27:46 | 0:27:52 | |
Ha ha ha ha! | 0:27:52 | 0:27:55 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:28:00 | |
Email [email protected] | 0:28:00 | 0:28:02 |