Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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Jumpeth on board, friends, for thou art invited upon a magical | 0:00:04 | 0:00:07 | |
journey through the wonders of last week's CBBC. | 0:00:07 | 0:00:10 | |
It's Whoops I Missed The Bus, | 0:00:10 | 0:00:12 | |
and you don't want to miss any of it, doth thou? | 0:00:12 | 0:00:14 | |
Crank up your speakers for a bit of this. | 0:00:14 | 0:00:17 | |
# Because there's nothing more that I can say... # | 0:00:17 | 0:00:20 | |
Yay, vlogger Tee Cee's back! | 0:00:20 | 0:00:22 | |
Pink? Green? Oh, the pressure, it's just too much! | 0:00:22 | 0:00:26 | |
And can anyone explain this? | 0:00:26 | 0:00:28 | |
What does it say?! Is it a toy? | 0:00:28 | 0:00:31 | |
Ooh, play with me! Words on the screen? | 0:00:31 | 0:00:33 | |
AS DAVID ATTENBOROUGH: And now, if we listen very carefully, | 0:00:33 | 0:00:35 | |
we may be lucky enough to see the rare CBBC lesser-spotted vlogger. | 0:00:35 | 0:00:39 | |
There's two of them now! It's Laura and Myles. | 0:00:39 | 0:00:43 | |
Oh, am I on? Oh, I'm on. | 0:00:43 | 0:00:44 | |
OK. You want a vlog? You-You can have a vlog. | 0:00:44 | 0:00:47 | |
After I've finished the tea. | 0:00:47 | 0:00:49 | |
There's nothing in it. | 0:00:49 | 0:00:50 | |
Pay attention, CBBC fanatics, for the time has come. | 0:00:53 | 0:00:56 | |
She's here, she's ready | 0:00:56 | 0:00:57 | |
and she's got more CBBC gossip than anyone I know. It's our Laura. | 0:00:57 | 0:01:01 | |
To be or not to be, that is the question. | 0:01:01 | 0:01:03 | |
The question might be "What am I talking about?" | 0:01:03 | 0:01:05 | |
If you've been watching what I've been watching, | 0:01:05 | 0:01:08 | |
you might have a clue. Get ready to become epic at Shakespeare! | 0:01:08 | 0:01:11 | |
I bet you didn't know rapping could have anything to do with the Bard. | 0:01:11 | 0:01:15 | |
RAPS: ..ancient grudge break to new mutiny | 0:01:15 | 0:01:17 | |
Where civil blood makes civil hands unclean... | 0:01:17 | 0:01:19 | |
I can do this! I can Shakespeare. Let's hit it. | 0:01:19 | 0:01:22 | |
First I need to pick a verse and give it a beat. | 0:01:22 | 0:01:24 | |
SHE BEATBOXES | 0:01:24 | 0:01:26 | |
I know what's missing here. | 0:01:26 | 0:01:29 | |
OK, maybe I'll work on that later. In the meantime, | 0:01:29 | 0:01:31 | |
Maxine gives us some useful acting tips. | 0:01:31 | 0:01:33 | |
The first way I'm going to do it is accusing. Is it challenging? | 0:01:33 | 0:01:37 | |
"Seems," madam? Nay, it IS. | 0:01:37 | 0:01:39 | |
I know not "seems"! | 0:01:39 | 0:01:41 | |
Scary! | 0:01:41 | 0:01:43 | |
Or I could just explain to Gertrude my situation. | 0:01:43 | 0:01:46 | |
"Seems," madam? | 0:01:46 | 0:01:49 | |
Nay, it is. | 0:01:49 | 0:01:51 | |
I know not "seems". Ah. Nicer. | 0:01:51 | 0:01:53 | |
As Maxine points out, there's lots of ways | 0:01:53 | 0:01:55 | |
to say the lines that Shakespeare wrote. | 0:01:55 | 0:01:57 | |
The way you say something can completely change the meaning, | 0:01:57 | 0:02:00 | |
just like in real life. | 0:02:00 | 0:02:02 | |
I'm really happy about that. | 0:02:02 | 0:02:03 | |
I'm really happy about that(!) | 0:02:03 | 0:02:04 | |
ANGRY: I'm really happy about that! | 0:02:04 | 0:02:06 | |
Too much? Maybe just a bit. | 0:02:06 | 0:02:08 | |
And there's an exciting countdown in the show? What could it be? | 0:02:08 | 0:02:11 | |
A countdown of quotes or characters or even the best romances? | 0:02:11 | 0:02:14 | |
Welcome to Ye Olde Charte, | 0:02:14 | 0:02:16 | |
counting down the top 10 Shakespearean deaths. | 0:02:16 | 0:02:19 | |
Deaths?! A countdown of deaths? | 0:02:19 | 0:02:21 | |
Royal sons Chiron and Demetrius are killed, drained of blood, | 0:02:21 | 0:02:24 | |
minced up and put in a meat pie. | 0:02:24 | 0:02:26 | |
I'm definitely not jealous of Shakespeare's characters. | 0:02:26 | 0:02:29 | |
Did he just say "meat pie"? | 0:02:29 | 0:02:30 | |
If you've wondered what Shakespeare would have sounded like, here's Ben. | 0:02:30 | 0:02:33 | |
Oh, for a Muse of fire that would ascend | 0:02:33 | 0:02:37 | |
The brightest heaven of invention... | 0:02:37 | 0:02:40 | |
Oh, for a Muse of fire, I be vlogging for thou. | 0:02:40 | 0:02:42 | |
I think I've got the hang of this! Now just to dress the part. | 0:02:42 | 0:02:45 | |
You could wear a more traditional costume or perhaps something | 0:02:45 | 0:02:49 | |
a little later, or, really, | 0:02:49 | 0:02:51 | |
anything you have in your wardrobe. | 0:02:51 | 0:02:53 | |
Pause. Is that a hoodie I see there? | 0:02:53 | 0:02:56 | |
Yes, it is! That's what I'm wearing! | 0:02:56 | 0:02:57 | |
Wow, I really know how to master this Shakespeare practice. | 0:02:57 | 0:03:00 | |
Now just to learn my lines. | 0:03:00 | 0:03:02 | |
When I actually work out what my lines are. | 0:03:02 | 0:03:04 | |
Right, I might have lost them. | 0:03:06 | 0:03:07 | |
And by "might", I mean, I definitely have. | 0:03:07 | 0:03:09 | |
SHE BEATBOXES | 0:03:09 | 0:03:12 | |
Beatboxing will distract everyone, right? Yes? | 0:03:12 | 0:03:15 | |
Laura, old pal, I've got one word for that. | 0:03:16 | 0:03:19 | |
Utterly epic. | 0:03:19 | 0:03:20 | |
Also, apparently, I can't count. | 0:03:20 | 0:03:22 | |
Moving on, I think it's high time we heard from you. | 0:03:22 | 0:03:25 | |
I love The Dumping Ground. The Dumping Ground. Why? | 0:03:25 | 0:03:30 | |
Because it's really emotive, | 0:03:30 | 0:03:33 | |
it has too much drama, plus it picks you up and puts you in a happy mood. | 0:03:33 | 0:03:38 | |
Well done! My favourite TV show on CBBC is "Operation Ouch!", | 0:03:38 | 0:03:43 | |
because you learn lots of facts about the human body, | 0:03:43 | 0:03:46 | |
and Chris and Xan are very, VERY funny. | 0:03:46 | 0:03:50 | |
Also, I love Whoops I Missed The Bus, because I love vlogging. | 0:03:50 | 0:03:54 | |
Yes! I love watching The Dumping Ground, because it's so awesome. | 0:03:54 | 0:03:57 | |
I never, ever want to stop watching it. | 0:03:57 | 0:04:00 | |
My favourite character is Tee, and I never, ever, EVER miss an episode. | 0:04:00 | 0:04:05 | |
I also like Lauren, Katie, Kravim and Hacker and Dodge, | 0:04:05 | 0:04:09 | |
because they're great. I even drew this picture. | 0:04:09 | 0:04:12 | |
Lovely work! | 0:04:13 | 0:04:14 | |
My favourite show on CBBC is The Next Step, because I love to | 0:04:14 | 0:04:18 | |
dance, and Lost Found Music Studio, because I love to sing. | 0:04:18 | 0:04:22 | |
I sing everywhere I go, sing whilst I'm going to school, | 0:04:22 | 0:04:25 | |
sing in the bath, sing in the shower. | 0:04:25 | 0:04:28 | |
And in the toilet. | 0:04:28 | 0:04:30 | |
I love you, CBBC! Bye! | 0:04:30 | 0:04:34 | |
CHEERING AND APPLAUSE You guys really are top banana. | 0:04:34 | 0:04:36 | |
If you want to get in on the act, just record a 15-second clip of | 0:04:36 | 0:04:40 | |
yourself telling us all about your top CBBC show | 0:04:40 | 0:04:42 | |
and send it in via the Whoops web page. | 0:04:42 | 0:04:45 | |
Now, have you "Found" our brand-new CBBC series, | 0:04:45 | 0:04:47 | |
or are you "Lost" on what I'm getting at? | 0:04:47 | 0:04:49 | |
Did you see what I was doing there with the...? | 0:04:49 | 0:04:51 | |
Ah, forget it. Just feast your eyes on this. | 0:04:51 | 0:04:54 | |
So, to get my part on the show, I got a call from my agent to | 0:05:03 | 0:05:07 | |
go down for an audition, and I actually auditioned four times | 0:05:07 | 0:05:11 | |
before I actually got the part. | 0:05:11 | 0:05:13 | |
Why would I waste my time getting to know you? | 0:05:13 | 0:05:16 | |
Stumped me there, Sarah. | 0:05:18 | 0:05:20 | |
I went in for two or three callbacks for a bunch | 0:05:21 | 0:05:25 | |
of different cast mates, and it was a really fun experience. | 0:05:25 | 0:05:27 | |
Well, we'll see who's got a better voice, then. No, no. No. | 0:05:27 | 0:05:30 | |
It's-It's all right. Are we scared? | 0:05:30 | 0:05:33 | |
We did improv scenes and singing, and that was fun. | 0:05:33 | 0:05:35 | |
# So give it up, up All of your love, love | 0:05:35 | 0:05:38 | |
# And don't run, run away... | 0:05:38 | 0:05:41 | |
# If it's no, no Then let me go, go | 0:05:41 | 0:05:44 | |
# Because there's nothing more that I can say | 0:05:44 | 0:05:48 | |
# Because you set me on fire... # | 0:05:48 | 0:05:50 | |
'My first one was Fire. | 0:05:50 | 0:05:51 | |
'I think that was, like, one of the best days of my life.' | 0:05:51 | 0:05:54 | |
I really showed myself, showed them what I can be and what I can do. | 0:05:54 | 0:05:58 | |
I brought up a keyboard, and it was a huge workout. | 0:05:58 | 0:06:02 | |
# When you're up so high you never want to fall... # | 0:06:02 | 0:06:07 | |
I was walking up the stairs and I was like, | 0:06:07 | 0:06:09 | |
"Mom, I don't think I can do this, it's too heavy!" | 0:06:09 | 0:06:12 | |
And it was all for a bigger purpose, so I'm so glad I did it. | 0:06:12 | 0:06:15 | |
I went in there and I did my thing, and I got a callback! | 0:06:15 | 0:06:19 | |
I would say I'm probably a mix between a baritone and a tenor. | 0:06:19 | 0:06:22 | |
My range is a bit off-er now because I'm going through voice changes! | 0:06:22 | 0:06:26 | |
'After that audition, I thought I blew it.' | 0:06:26 | 0:06:28 | |
But, y'know, I didn't, I got the callback, | 0:06:28 | 0:06:31 | |
and I'm here right now, so it ended up working out really well. | 0:06:31 | 0:06:34 | |
Clara's audition is very similar to my audition, | 0:06:34 | 0:06:38 | |
because I was very nervous for my audition. | 0:06:38 | 0:06:41 | |
Are you a little nervous? I'm not a morning person. | 0:06:41 | 0:06:43 | |
I'm nervous, too. Yeah. | 0:06:43 | 0:06:44 | |
'And I think that the auditioners could sense that.' | 0:06:44 | 0:06:47 | |
They gave me words of encouragement, and then I wasn't as nervous. | 0:06:47 | 0:06:51 | |
It was so much better and I felt so much more comfortable, | 0:06:51 | 0:06:54 | |
and I had a lot more fun. | 0:06:54 | 0:06:56 | |
And I think that the same thing happens to Clara halfway | 0:06:56 | 0:06:59 | |
through her audition, when Isaac gets up and starts clapping for her | 0:06:59 | 0:07:03 | |
and she just realises that it's fun, its not nerve-racking | 0:07:03 | 0:07:06 | |
and she should relax and just perform. | 0:07:06 | 0:07:08 | |
Sensational Shakespeare is a Horrible Histories special | 0:07:13 | 0:07:16 | |
all about William Shakespeare, the famous writer who has | 0:07:16 | 0:07:19 | |
the surname that sounds like a dangerous dance move. | 0:07:19 | 0:07:23 | |
"I'm Shakespeare." "I'd prefer it if you didn't, mate. | 0:07:23 | 0:07:25 | |
"Not around here. Don't be waving that about. | 0:07:25 | 0:07:27 | |
"You'll have someone's eye out with all that business, Will." | 0:07:27 | 0:07:30 | |
# I am Shakespeare | 0:07:30 | 0:07:33 | |
# I'm working hard on my writing | 0:07:33 | 0:07:35 | |
# I've got sound investments | 0:07:35 | 0:07:37 | |
# And I'm not into fighting. # What?! | 0:07:37 | 0:07:40 | |
The rapping part was not in the history books. | 0:07:40 | 0:07:42 | |
"Open your textbooks to page 100." | 0:07:42 | 0:07:44 | |
"Miss, William Shakespeare's rapping to me." | 0:07:44 | 0:07:46 | |
"Yes, that...that is accurate." | 0:07:46 | 0:07:48 | |
Sensational Shakespeare delivers the history of the past | 0:07:48 | 0:07:50 | |
but in a modern, interesting way. | 0:07:50 | 0:07:52 | |
There's rapping, there's news reports, tablets, all that, | 0:07:52 | 0:07:55 | |
all the touch, scroll... All technology. | 0:07:55 | 0:07:58 | |
Hey, history lovers. | 0:07:58 | 0:08:00 | |
Coming at you is loads of brills and loads of thrills. | 0:08:00 | 0:08:03 | |
It's the top three most epic things ever in Elizabethan entertainment. | 0:08:03 | 0:08:08 | |
At three, The Taming Of The Shrew by William Shakespeare. | 0:08:08 | 0:08:13 | |
The boy from the sticks has come out of nowhere | 0:08:13 | 0:08:16 | |
and is taking the London theatre scene by storm. | 0:08:16 | 0:08:19 | |
I do wonder what Shakespeare would say if he saw that. | 0:08:19 | 0:08:21 | |
Yeah, we have TVs and tablets and laptops, so we can just place | 0:08:21 | 0:08:25 | |
our fingers onto keys and stories can rush out really quickly. | 0:08:25 | 0:08:28 | |
And Shakespeare would probably be like, "Wow, that's amazing. | 0:08:28 | 0:08:31 | |
"You know, does everyone just write stories, then?" | 0:08:31 | 0:08:34 | |
"Well, no, because there's also this thing called | 0:08:34 | 0:08:36 | |
"the internet on there, which sort of stops that writing process. | 0:08:36 | 0:08:42 | |
"Do you know about cat videos?" | 0:08:42 | 0:08:45 | |
"No, I'm from the past, we didn't have cats." | 0:08:45 | 0:08:48 | |
That is probably why Shakespeare could write so many plays - | 0:08:48 | 0:08:51 | |
there was nothing else going on. No distractions. | 0:08:51 | 0:08:53 | |
He's writing, there's nothing out the window - | 0:08:53 | 0:08:55 | |
just a horse walking by. Nothing else for him to be doing | 0:08:55 | 0:08:57 | |
so he might as well write Romeo And Juliet. | 0:08:57 | 0:08:59 | |
But again, unlike modern times, he stopped after the first one, | 0:08:59 | 0:09:02 | |
Romeo And Juliet. | 0:09:02 | 0:09:03 | |
He didn't keep going until Romeo And Juliet Five - | 0:09:03 | 0:09:06 | |
Chaos Initiative, and everyone is a robot | 0:09:06 | 0:09:08 | |
and they split the final movie into two parts for some reason. | 0:09:08 | 0:09:11 | |
William Shakespeare also probably never... I'm doing history now. | 0:09:11 | 0:09:14 | |
I've just put myself in charge of history. | 0:09:14 | 0:09:16 | |
He probably made up so many words | 0:09:16 | 0:09:17 | |
because there's no spell-check on paper. | 0:09:17 | 0:09:20 | |
If he didn't know how to spell something, | 0:09:20 | 0:09:23 | |
save the embarrassment, pluck out a word | 0:09:23 | 0:09:25 | |
and no-one can tell you you're wrong because you just made it up. | 0:09:25 | 0:09:28 | |
Oh, I'm Shakespeare. "Oh, the sky looks...mm... | 0:09:28 | 0:09:31 | |
"..miseratablouf." | 0:09:32 | 0:09:34 | |
"Are you trying to say the sky looks miserable?" | 0:09:34 | 0:09:36 | |
But I do have one idea for why he was always writing, though... | 0:09:36 | 0:09:39 | |
There were no loos in Elizabethan theatres and, worse still, | 0:09:39 | 0:09:42 | |
no loos in a lot of the houses, so people just chucked their poo | 0:09:42 | 0:09:45 | |
and wee out of the window every morning. | 0:09:45 | 0:09:47 | |
If you just stay indoors, keep your head down, there's no chance of... | 0:09:47 | 0:09:52 | |
that happening. | 0:09:52 | 0:09:53 | |
"It's starting to rain - better head inside." | 0:09:53 | 0:09:55 | |
"That's not rain, Will." | 0:09:55 | 0:09:56 | |
So, Arthur. | 0:10:01 | 0:10:03 | |
Hands down one of the best CBBC shows ever. | 0:10:03 | 0:10:06 | |
Now, before we even get into this week's episode, | 0:10:06 | 0:10:09 | |
can we just applaud the fantastic introduction into the show? | 0:10:09 | 0:10:12 | |
No, seriously, look at how it starts! | 0:10:12 | 0:10:14 | |
# Every day when you're walking down the street | 0:10:14 | 0:10:18 | |
# Everybody that you meet | 0:10:18 | 0:10:20 | |
# Has an original point of view. # | 0:10:20 | 0:10:24 | |
The confidence in your stride, it's actually beautiful. | 0:10:24 | 0:10:26 | |
You own that pavement, boy! | 0:10:26 | 0:10:28 | |
One thing that I love about this show is that there's always | 0:10:28 | 0:10:31 | |
a dilemma to be solved. You can't help but feel involved. | 0:10:31 | 0:10:34 | |
So, Arthur wins a pair of tickets to his favourite concert, right? | 0:10:34 | 0:10:38 | |
But he can only choose one out of eight friends to take with him. | 0:10:38 | 0:10:41 | |
That's a lot of pressure. I mean, what would you do? | 0:10:41 | 0:10:44 | |
So, who are you going to take? | 0:10:44 | 0:10:46 | |
Yeah! | 0:10:46 | 0:10:47 | |
Um... | 0:10:47 | 0:10:49 | |
Look here, I have trouble selecting what socks to wear in the morning, | 0:10:49 | 0:10:53 | |
never mind having to choose between my best mates. | 0:10:53 | 0:10:56 | |
Yellow? Pink? Green? | 0:10:56 | 0:10:58 | |
Oh, the pressure, it's just too much! | 0:10:58 | 0:11:00 | |
And just when you thought things couldn't get any more | 0:11:00 | 0:11:02 | |
difficult for Arthur, this happens. | 0:11:02 | 0:11:04 | |
PHONE RINGS | 0:11:04 | 0:11:05 | |
Mom, please can we not answer the phone for a while? | 0:11:05 | 0:11:09 | |
Not the phone, not the phone! | 0:11:09 | 0:11:10 | |
I know you're probably taking Buster, | 0:11:10 | 0:11:12 | |
but I just want to say I was the first one in school | 0:11:12 | 0:11:14 | |
to like Static Airways. | 0:11:14 | 0:11:16 | |
You remember that day in kindergarten | 0:11:16 | 0:11:18 | |
when I played their first single for show and tell? | 0:11:18 | 0:11:20 | |
Whoa, whoa, whoa, whoa. | 0:11:20 | 0:11:22 | |
#TeamTooMuch! | 0:11:23 | 0:11:25 | |
Sometimes in situations like this you have to go back to basics. | 0:11:25 | 0:11:29 | |
And clearly, there's only one simple solution here. | 0:11:29 | 0:11:32 | |
I can't believe it takes a four-year-old girl | 0:11:32 | 0:11:35 | |
to suggest picking straws. | 0:11:35 | 0:11:36 | |
Why didn't I think of that? | 0:11:36 | 0:11:38 | |
And there you have it - problem solved. Boom! | 0:11:38 | 0:11:41 | |
Cheers, Tee Cee. That was enough to make me want to burst into song! | 0:11:41 | 0:11:46 | |
But I won't, because you're going to need your ears to hear | 0:11:46 | 0:11:49 | |
what our furry companions think about CBBC. | 0:11:49 | 0:11:51 | |
It's time for... | 0:11:51 | 0:11:52 | |
I love CBBC, I love the telly. So technicolour. | 0:11:55 | 0:11:58 | |
Ella, Ella, I can't read. What does that say? What does it say?! | 0:11:58 | 0:12:01 | |
Is it a toy? Oh, play with me! Words on the screen? | 0:12:01 | 0:12:04 | |
I do, I love All Over The Place. It's so funny. | 0:12:04 | 0:12:07 | |
OK, I'm bored now. Bye. | 0:12:07 | 0:12:09 | |
Ah, Sam and Mark hiding in someone's house again. | 0:12:09 | 0:12:13 | |
Wait, are they in my house? | 0:12:13 | 0:12:14 | |
Lara, check behind the couch for two stray comedy presenters, | 0:12:14 | 0:12:17 | |
would you? | 0:12:17 | 0:12:18 | |
# Whoa-ho-ho ho-ho | 0:12:18 | 0:12:22 | |
# I'm a hamster | 0:12:22 | 0:12:24 | |
# I am so tiny | 0:12:24 | 0:12:26 | |
# But I am mighty | 0:12:26 | 0:12:27 | |
# I'm a hamster | 0:12:27 | 0:12:29 | |
# Ah! # | 0:12:29 | 0:12:31 | |
I could totally be a presenter on that couch. | 0:12:31 | 0:12:33 | |
Ahem, in today's news, I chased a mouse, | 0:12:33 | 0:12:37 | |
I chased my tail and I also slept for 26 hours. | 0:12:37 | 0:12:40 | |
Oh, and Nikki was late with my biscuits, hint, hint. | 0:12:40 | 0:12:44 | |
Does your budgie like Blue Peter? | 0:12:44 | 0:12:46 | |
Does your fish like Four O'Clock Club? Does your zebra like...? | 0:12:46 | 0:12:49 | |
No, hang on, we don't have any shows beginning with Z...yet. | 0:12:49 | 0:12:53 | |
Never mind, just send us a clip of your pet watching CBBC | 0:12:53 | 0:12:55 | |
and we'll give them a voice. What you thinking, pet? | 0:12:55 | 0:12:58 | |
Now, tear your eyes away from your phone or tablet | 0:12:58 | 0:13:01 | |
for the next 90 seconds, | 0:13:01 | 0:13:02 | |
because we've got all the best bits from the last week. | 0:13:02 | 0:13:05 | |
Ready? Put that tablet down, Aisha. I can see you, you know. | 0:13:05 | 0:13:09 | |
Pointy bits sting for wasp. | 0:13:09 | 0:13:11 | |
Resident drones stand by. | 0:13:11 | 0:13:14 | |
Begin popping in three, two, one... | 0:13:14 | 0:13:18 | |
Air Marshal has his hands full keeping order here. | 0:13:20 | 0:13:22 | |
And look at this! Flame-thrower! | 0:13:22 | 0:13:27 | |
Raygun halitosis. | 0:13:27 | 0:13:28 | |
He zapped two straight away. | 0:13:28 | 0:13:30 | |
Every single time she dances, it's amazing. | 0:13:34 | 0:13:36 | |
But this time is different. | 0:13:36 | 0:13:38 | |
She's killing it. | 0:13:38 | 0:13:39 | |
Dancing is such an incredible feeling. | 0:13:43 | 0:13:45 | |
It's like you're on cloud nine. | 0:13:45 | 0:13:48 | |
When I'm doing my solo, it feels like I'm meant to be on that team. | 0:13:48 | 0:13:53 | |
Every phrase in the rest of the song was invented by The Bard. | 0:14:07 | 0:14:10 | |
Oh, yeah! | 0:14:10 | 0:14:12 | |
# Let me break the ice Don't catch a cold | 0:14:12 | 0:14:14 | |
# Don't give me short shrift in this brave new world | 0:14:14 | 0:14:16 | |
# It's a foregone conclusion come what may | 0:14:16 | 0:14:18 | |
# Cos every dog will have its day | 0:14:18 | 0:14:20 | |
# So don't send us packing It's a witching time | 0:14:20 | 0:14:23 | |
# There's no rhyme, no reason There's a reason it rhymes | 0:14:23 | 0:14:25 | |
# There's a method to me madness Give the devil his due | 0:14:25 | 0:14:27 | |
# And listen to the song To thine own self be true. # | 0:14:27 | 0:14:30 | |
Shakespeare! Shakespeare. | 0:14:36 | 0:14:37 | |
Correct. The next is... | 0:14:37 | 0:14:39 | |
Fakespeare? | 0:14:41 | 0:14:42 | |
Correct, 2-2. What's it going to be? | 0:14:42 | 0:14:44 | |
If I get this right you get a pie. | 0:14:47 | 0:14:48 | |
Erm, ah, Shakespeare! | 0:14:48 | 0:14:50 | |
It is, yes! | 0:14:51 | 0:14:53 | |
Charlotte's in for this pie! | 0:14:53 | 0:14:55 | |
Three, two, one, go! | 0:14:56 | 0:14:59 | |
Oh, thanks, Charlotte. Did you enjoy that? | 0:14:59 | 0:15:01 | |
That's your lot until next time. | 0:15:01 | 0:15:03 | |
But before I go, to be late or not to be late...for the bus? | 0:15:03 | 0:15:07 | |
That is the question. Yeah, missed it again. | 0:15:07 | 0:15:10 | |
Mum is not going to be happy. I'm going to be grounded. | 0:15:10 | 0:15:12 | |
Driver, returneth to me! | 0:15:12 | 0:15:14 |