Episode 6 WHOOPS I MISSED THE BUS
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Transcript
| Line | From | To | |
|---|---|---|---|
The lights are up, the cameras are rolling and we are ready for a take. | 4:00:17 | 4:00:20 | |
Cheers from the audience, please! CHEERING | 4:00:20 | 4:00:22 | |
It's time for Whoops, I Missed The Bus! | 4:00:22 | 4:00:25 | |
Action! | 4:00:25 | 4:00:26 | |
What's Laura up to? | 4:00:26 | 4:00:28 | |
I'm ready to...go! | 4:00:28 | 4:00:30 | |
Who's on the back seat? Why, it's these two! | 4:00:30 | 4:00:33 | |
Wh... Oh, this one. | 4:00:33 | 4:00:34 | |
And guess who this is an impression of? | 4:00:36 | 4:00:39 | |
Job done for today. Clinic closed. | 4:00:39 | 4:00:42 | |
And if we're lucky, we may spot the rare CBBC vlogger. | 4:00:42 | 4:00:45 | |
Oh, look! There's three of them there! It's Laura, Rhys and TC. | 4:00:45 | 4:00:49 | |
Apparently, your eyes will turn square if you watch too much CBBC. | 4:00:49 | 4:00:52 | |
Pssht! | 4:00:52 | 4:00:54 | |
Whoa! | 4:00:54 | 4:00:57 | |
But now, roll out the red carpet, | 4:01:00 | 4:01:02 | |
switch the spotlight on and prepare for a show stopping performance. | 4:01:02 | 4:01:06 | |
It's our very own diva, Rhys! | 4:01:06 | 4:01:09 | |
Hetty Feather is a pretty class series. | 4:01:09 | 4:01:10 | |
They don't call it a favourite five for nothing. | 4:01:10 | 4:01:12 | |
But you have to admit, it's a little bit... | 4:01:12 | 4:01:14 | |
How shall I say this? It's not... | 4:01:14 | 4:01:17 | |
Full of fun. | 4:01:18 | 4:01:20 | |
Aargh! | 4:01:20 | 4:01:22 | |
If this was a battle, you would be dead or injured by now. | 4:01:22 | 4:01:24 | |
Or joyful, come to think of it. | 4:01:24 | 4:01:26 | |
Unless you want a lifetime of disappointment, | 4:01:26 | 4:01:28 | |
I suggest you keep your ambitions realistic. | 4:01:28 | 4:01:31 | |
Come on, come on! | 4:01:31 | 4:01:33 | |
Not fun, not joyful, | 4:01:33 | 4:01:36 | |
there must be a word here to describe what I'm trying to convey. | 4:01:36 | 4:01:39 | |
Ah, yes! | 4:01:39 | 4:01:40 | |
Depressing. | 4:01:40 | 4:01:41 | |
Hetty Feather can be depressing. | 4:01:41 | 4:01:44 | |
Don't get me wrong, I love it, it's a great drama. | 4:01:44 | 4:01:46 | |
But, man oh man, the workhouse, the running away, | 4:01:46 | 4:01:51 | |
Matron Bottomly and her scowl. | 4:01:51 | 4:01:53 | |
# Da-da-da, da-da-da, da-da-da, da-da-da | 4:01:53 | 4:01:56 | |
# She's so mean, da-da-da, da-da-da | 4:01:56 | 4:01:59 | |
# Mean matron! # | 4:01:59 | 4:02:00 | |
This week's episode, though. | 4:02:00 | 4:02:03 | |
Oh, my goodness. | 4:02:03 | 4:02:04 | |
Love triangles, family reunions, | 4:02:04 | 4:02:06 | |
so many "ooh" moments that I don't know where to start. | 4:02:06 | 4:02:08 | |
Well, let's start with Walter. | 4:02:08 | 4:02:09 | |
Because it seems that Hetty is not the only one with | 4:02:09 | 4:02:12 | |
a lost and found parent. | 4:02:12 | 4:02:13 | |
You have a father now. | 4:02:13 | 4:02:15 | |
And I have a son. | 4:02:15 | 4:02:17 | |
I lost you once, I don't want to lose you again. | 4:02:17 | 4:02:19 | |
Hang on. The cook's assistant turns out to be Hetty's mum and now | 4:02:19 | 4:02:23 | |
the Army Sergeant turns out to be Walt's dad. | 4:02:23 | 4:02:25 | |
Are all the staff at the hospital secretly parents of the foundlings? | 4:02:25 | 4:02:28 | |
Is the matron secretly someone's mum? | 4:02:28 | 4:02:31 | |
The horror! # Mean matron! # | 4:02:31 | 4:02:33 | |
Then, there's the romance. | 4:02:33 | 4:02:35 | |
So much romance. | 4:02:35 | 4:02:36 | |
Like Mathias and Harriet, the oohs! | 4:02:36 | 4:02:39 | |
Oh! | 4:02:42 | 4:02:44 | |
Ooh! | 4:02:46 | 4:02:48 | |
These two even risk burning hot wax for each other. | 4:02:48 | 4:02:51 | |
Mathias? | 4:02:52 | 4:02:54 | |
Ah! Aargh! Aargh! | 4:02:57 | 4:02:59 | |
Ow! | 4:03:00 | 4:03:01 | |
But move over, Marriet, because there's a new couple in town, | 4:03:01 | 4:03:05 | |
Nurse Winterson and the constable. | 4:03:05 | 4:03:07 | |
FOOTSTEPS | 4:03:08 | 4:03:10 | |
Could this episode get any more The Next Step? At one point, I was | 4:03:12 | 4:03:16 | |
expecting them all to start dancing about their feelings. | 4:03:16 | 4:03:19 | |
What do you mean, it happened? | 4:03:19 | 4:03:20 | |
Bonus CD? | 4:03:23 | 4:03:24 | |
Huh. What do you know? | 4:03:36 | 4:03:38 | |
That was officially bonkers. | 4:03:38 | 4:03:40 | |
But you lot are officially amazing. | 4:03:40 | 4:03:43 | |
It's time for your 15-second mini-vlogs. | 4:03:43 | 4:03:45 | |
Take it away, Billy-ho! | 4:03:45 | 4:03:47 | |
My favourite shows on CBBC are... | 4:03:47 | 4:03:51 | |
Millie Inbetween, The Dumping Ground and The Worst Witch. | 4:03:51 | 4:03:55 | |
My favourite characters are Millie, Mildred and Jody. | 4:03:55 | 4:04:01 | |
-Nice work! -My favourite show is The Worst Witch. | 4:04:01 | 4:04:04 | |
I love it when Maud and Mildred go on their magical adventures. | 4:04:04 | 4:04:07 | |
I find it very funny. | 4:04:07 | 4:04:09 | |
I think I've watched all of the episodes at least three times. | 4:04:09 | 4:04:13 | |
-Well done! -My favourite CBBC show is InterNOT | 4:04:13 | 4:04:17 | |
because it is based on the internet. | 4:04:17 | 4:04:19 | |
My two favourite characters are Madison and Chloe because they are | 4:04:19 | 4:04:22 | |
really sarcastic to each other but they pretend to be nice. | 4:04:22 | 4:04:25 | |
-Love their work. -My favourite show on CBBC is The Dumping Ground, | 4:04:25 | 4:04:30 | |
because it has so much drama. | 4:04:30 | 4:04:31 | |
My favourite character is Candi-Rose, | 4:04:31 | 4:04:33 | |
because she likes pink, like me. | 4:04:33 | 4:04:35 | |
Bravo, encore, we want more! You know how it works. | 4:04:35 | 4:04:39 | |
Just record a 15-second mini-vlog about your favourite CBBC show | 4:04:39 | 4:04:43 | |
and send it in via the Whoops web page. | 4:04:43 | 4:04:45 | |
You could be the next star of CBBC! | 4:04:45 | 4:04:48 | |
Now that bus has pulled up in town and who should be on the back seat | 4:04:48 | 4:04:51 | |
but the stars of Hetty Feather! | 4:04:51 | 4:04:53 | |
Didn't realise they had buses in Victorian times! | 4:04:53 | 4:04:56 | |
My oh, my, it is only Hetty Feather and her foundling brother Gideon, | 4:04:58 | 4:05:02 | |
AKA actors Isabel and Dasharn. | 4:05:02 | 4:05:03 | |
Make yourselves comfortable on the back seat and we will get going. | 4:05:03 | 4:05:07 | |
Do an impression of each other's character. | 4:05:07 | 4:05:09 | |
Gid! | 4:05:09 | 4:05:10 | |
Gid, no, Gid! | 4:05:10 | 4:05:13 | |
That's the best I've got! | 4:05:13 | 4:05:15 | |
Hetty, don't do that! Hetty, no, it's too dangerous! | 4:05:15 | 4:05:17 | |
Hetty, no, no, no! | 4:05:17 | 4:05:20 | |
Describe each other in one word. | 4:05:20 | 4:05:22 | |
I'd have to say you're very optimistic. | 4:05:22 | 4:05:25 | |
Always got a smile on your face. | 4:05:25 | 4:05:26 | |
Oh, thanks. You're quite creative. | 4:05:26 | 4:05:28 | |
You always making up songs and dancing. | 4:05:28 | 4:05:31 | |
-On set. -Yeah! | 4:05:31 | 4:05:33 | |
Would you rather spend a night in the tench | 4:05:33 | 4:05:35 | |
or spend a day hanging out with Matron? | 4:05:35 | 4:05:37 | |
The tench for me! I can't do Matron, she is too scary, she scares me. | 4:05:37 | 4:05:41 | |
-The tench. -Oh, no. | 4:05:41 | 4:05:43 | |
A day hanging out with Matron. | 4:05:43 | 4:05:44 | |
I've been in the tench, you don't want to go there! | 4:05:44 | 4:05:46 | |
Do you have any secret talents? | 4:05:46 | 4:05:48 | |
Don't know if it is secret, I can dance. | 4:05:48 | 4:05:50 | |
But I don't think that is a secret to anyone. | 4:05:50 | 4:05:52 | |
I think it's pretty well-known. | 4:05:52 | 4:05:53 | |
I don't have a secret talent, but I dance as well, so... | 4:05:53 | 4:05:56 | |
I'll copy your answer. | 4:05:56 | 4:05:58 | |
The face. | 4:05:59 | 4:06:00 | |
What face? Oh, this one. | 4:06:00 | 4:06:03 | |
The eyes. | 4:06:03 | 4:06:04 | |
Tell us your favourite joke. | 4:06:06 | 4:06:07 | |
-Knock, knock. -Who's there? -No-one. | 4:06:07 | 4:06:10 | |
No-one who? | 4:06:10 | 4:06:11 | |
Oh, I get it! Cos there's no-one there! I get it. | 4:06:13 | 4:06:16 | |
-Mine is what does a man with two left feet wear? -What does he wear? | 4:06:16 | 4:06:19 | |
Flip-flips. | 4:06:19 | 4:06:21 | |
That's a lot better than mine. | 4:06:21 | 4:06:22 | |
Rub your head and pat your stomach. | 4:06:22 | 4:06:24 | |
-Oh, you said rub, didn't you? -Oh, rub, and pat. | 4:06:26 | 4:06:30 | |
-I think you've got it. -I got it, right? -Yeah, you did it. -Yeah. | 4:06:30 | 4:06:33 | |
Say your name backwards. | 4:06:33 | 4:06:35 | |
Nrahsad. | 4:06:35 | 4:06:36 | |
Lebasi. | 4:06:36 | 4:06:37 | |
-I think everyone knows that. -Everyone knows their name backwards. | 4:06:37 | 4:06:40 | |
I definitely do. | 4:06:40 | 4:06:41 | |
Cor, blimey! You two are a right entertaining pair. | 4:06:41 | 4:06:44 | |
Proper charmed me, you have! Onwards, Miss Driver, | 4:06:44 | 4:06:47 | |
these two have earned their keep! | 4:06:47 | 4:06:49 | |
I'm going to officially say that this is officially one of the most | 4:06:54 | 4:06:57 | |
exciting episodes and it's amazing! | 4:06:57 | 4:07:00 | |
What a bunker...officially! | 4:07:00 | 4:07:02 | |
Oh, wait... "Please tell Laura to make her hints a bit better." | 4:07:02 | 4:07:05 | |
OK, well, this week it's Officially Amazing Goes Bunkers! | 4:07:05 | 4:07:08 | |
Is that a bit better? Less hint, more title. | 4:07:08 | 4:07:12 | |
And there's something slightly different about this series. | 4:07:12 | 4:07:14 | |
The Hulk in hot pants... Mr Cherry! | 4:07:14 | 4:07:18 | |
No, Mr Cherry hasn't decided to give up the leggings. Guess again. | 4:07:18 | 4:07:21 | |
-# USA! # -Yes, there's a live studio audience! | 4:07:21 | 4:07:25 | |
Sometimes I wish my vlogs had an audience. | 4:07:25 | 4:07:27 | |
Yaaaay! | 4:07:27 | 4:07:28 | |
Hey, that's where my hat went! | 4:07:28 | 4:07:31 | |
And can you guess the first record of the show? | 4:07:31 | 4:07:33 | |
There's no way I'm even going to be able to hint about this. | 4:07:33 | 4:07:36 | |
The whip must remove the cap completely | 4:07:36 | 4:07:38 | |
without damaging the bottle. | 4:07:38 | 4:07:40 | |
Bottle-cap whipping, yes! | 4:07:40 | 4:07:42 | |
-I mean, super impressive. Look at that. -Ride 'em, cowboy! | 4:07:42 | 4:07:46 | |
But how do you even discover you have that talent? | 4:07:46 | 4:07:48 | |
Hey, Laura, you don't have something to open my bottle, do you? | 4:07:48 | 4:07:51 | |
Yeah, sure. Like a bottle opener? | 4:07:51 | 4:07:52 | |
No, I only open my bottles with a whip. | 4:07:52 | 4:07:55 | |
What? And have you seen the juggling and leap-frogging? | 4:07:55 | 4:07:57 | |
That must take some serious concentration. | 4:07:57 | 4:08:00 | |
And the leapers are on fine form. | 4:08:00 | 4:08:03 | |
Just like that concentration our Miles must have needed for | 4:08:04 | 4:08:07 | |
his biscuit-stacking challenge the other week. | 4:08:07 | 4:08:09 | |
A record equally as risky, as dangerous as... | 4:08:09 | 4:08:12 | |
Yeah, I mean, it's stacking biscuits, isn't it? | 4:08:12 | 4:08:15 | |
Four seconds left. 16. Ooh, that was a big one. 17. | 4:08:15 | 4:08:19 | |
17 biscuits? I would have eaten them by the time I got to three | 4:08:19 | 4:08:22 | |
so well done, Miles. Not on your intro, though. | 4:08:22 | 4:08:25 | |
-That could have been worked on. -# Do-do-do-do-do-me! # | 4:08:25 | 4:08:29 | |
Mmm, I think I need an intro too and my intro will be better than that. | 4:08:29 | 4:08:32 | |
It's officially competitive here on Whoops! Let's do this. | 4:08:32 | 4:08:35 | |
Right, Cherry leaps, Ray backflips and Steve, well, | 4:08:37 | 4:08:40 | |
the less said about the Sizzler the better. | 4:08:40 | 4:08:42 | |
Let's all immediately forget about that tongue thing. | 4:08:42 | 4:08:45 | |
A good intro, Laura. | 4:08:45 | 4:08:47 | |
Ooh, I've got just the thing. | 4:08:47 | 4:08:50 | |
Yeah? Go big or go home. | 4:08:51 | 4:08:53 | |
That's my motto and, since I am already home, | 4:08:53 | 4:08:56 | |
I've got no choice but to go big. | 4:08:56 | 4:08:59 | |
Don't think about it too hard. | 4:08:59 | 4:09:00 | |
Time for my Officially Amazing world record challenge. Ooh! | 4:09:00 | 4:09:04 | |
So there's only one of me but I'm going to attempt it anyway. | 4:09:09 | 4:09:11 | |
Bring on the coffee beans! | 4:09:11 | 4:09:12 | |
Right, I'm ready to go. | 4:09:12 | 4:09:16 | |
Ooh, this is fiddly. | 4:09:16 | 4:09:18 | |
Oh, right, OK, two. | 4:09:18 | 4:09:20 | |
Ah, this isn't... | 4:09:20 | 4:09:22 | |
No, three. | 4:09:22 | 4:09:24 | |
I spoke too soon. I spoke too soon. | 4:09:24 | 4:09:26 | |
Four. | 4:09:27 | 4:09:29 | |
Five. | 4:09:29 | 4:09:31 | |
Six. | 4:09:31 | 4:09:32 | |
Oh, it's so fiddly. Oh, that's fallen off. Does that count? | 4:09:32 | 4:09:35 | |
Seven. Eight. | 4:09:35 | 4:09:38 | |
Nine. | 4:09:38 | 4:09:40 | |
Ten. Argh! | 4:09:40 | 4:09:42 | |
Do one more, there we go. Ooh. | 4:09:42 | 4:09:44 | |
Did I do it? I need Champna here with an Officially Amazing clock. | 4:09:44 | 4:09:48 | |
What's my time? | 4:09:48 | 4:09:49 | |
Hey, that's under 35 seconds. | 4:09:49 | 4:09:51 | |
Yay! | 4:09:51 | 4:09:53 | |
I'm going to get practising and see if I can get an even better time. | 4:09:53 | 4:09:56 | |
Maybe I should attempt the record for best introduction ever. Yeah! | 4:09:56 | 4:09:59 | |
Is this even a record? Who cares? Hey! | 4:10:02 | 4:10:05 | |
Night, Mum and Dad. | 4:10:10 | 4:10:12 | |
I hope I have another good dream tonight, you know. | 4:10:12 | 4:10:14 | |
# News, I got good news. # | 4:10:21 | 4:10:23 | |
HE SQUAWKS | 4:10:23 | 4:10:25 | |
What the biscuit apple mince pie was that?! | 4:10:25 | 4:10:29 | |
Horrible Histories presents Monstrous Musicians. | 4:10:29 | 4:10:33 | |
For a second I was upset that I couldn't get back to sleep | 4:10:33 | 4:10:36 | |
after hearing that painful noise, but then I realised there's | 4:10:36 | 4:10:39 | |
a brand-new series of Horrible Histories. Gah! Come on! | 4:10:39 | 4:10:42 | |
The unique shape of the Neanderthal throat combined with their | 4:10:42 | 4:10:45 | |
powerful chest and massive noses, creates a sound you'll never forget. | 4:10:45 | 4:10:49 | |
HE SQUAWKS | 4:10:49 | 4:10:51 | |
Please, no more. My ears! | 4:10:51 | 4:10:52 | |
This week, some of history's most respectable figures were back | 4:10:52 | 4:10:55 | |
with a bang, literally. | 4:10:55 | 4:10:58 | |
My gosh, I'm sure back in the day it couldn't have been that bad. | 4:11:01 | 4:11:05 | |
I mean, take Harriet Tubman and her fellow African Americans. | 4:11:05 | 4:11:08 | |
# When the sun comes up, dear Lord we'll say | 4:11:08 | 4:11:11 | |
# The big dark woman is coming this way. # | 4:11:11 | 4:11:15 | |
# De-de-de-de-de, de-de-de-de. # | 4:11:15 | 4:11:19 | |
Tune! Not only did Harriet Tubman's gospel song bang, | 4:11:19 | 4:11:22 | |
but they were especially coded to help slaves escape. | 4:11:22 | 4:11:25 | |
Harriet, my G. | 4:11:25 | 4:11:26 | |
With skills like that, you can turn any situation into a song. | 4:11:26 | 4:11:30 | |
# Can you pa-a-a-a-a-ass | 4:11:30 | 4:11:33 | |
# Pass me a spoon | 4:11:33 | 4:11:35 | |
# Cos I need to eat my soup? # | 4:11:37 | 4:11:40 | |
As well as the origins of music, check out some epic dance moves | 4:11:43 | 4:11:46 | |
from none other than the king of rock and roll. | 4:11:46 | 4:11:49 | |
In three, two, one... | 4:11:49 | 4:11:51 | |
# Well, since my baby left me. # | 4:11:51 | 4:11:54 | |
Whoa! | 4:11:54 | 4:11:57 | |
-What was that? -What, this? | 4:11:57 | 4:12:00 | |
Go on, Elvis. Man's got some moves. | 4:12:00 | 4:12:04 | |
You know, I thought about making up a dance of my own actually. | 4:12:04 | 4:12:07 | |
It's called The Tee Cee. | 4:12:07 | 4:12:09 | |
# Tee Cee | 4:12:11 | 4:12:13 | |
# Tee Cee. # | 4:12:14 | 4:12:16 | |
OK, so maybe I should just stick to singing at the dinner table. | 4:12:16 | 4:12:19 | |
# Can I have some bread with my soup? | 4:12:19 | 4:12:24 | |
# Thank yo-o-o-o-u. # | 4:12:24 | 4:12:27 | |
What magnificent vlogging. I'm officially entertained. | 4:12:27 | 4:12:30 | |
Now who wants to play everyone's favourite game? | 4:12:30 | 4:12:32 | |
No, not Danger Mouse on the CBBC website. | 4:12:32 | 4:12:34 | |
Get ready to guess that impression cos it's time for... | 4:12:34 | 4:12:37 | |
If it's heads, I'm going to walk out that door and never come back. | 4:12:38 | 4:12:43 | |
Guess whom! | 4:12:43 | 4:12:45 | |
If it's tails, | 4:12:45 | 4:12:46 | |
I'm going to walk out that door and I'm never going to come back. | 4:12:46 | 4:12:51 | |
It was James from The Next Step. | 4:12:51 | 4:12:53 | |
All right, cockers, I'm a little dog from Wigan. | 4:12:53 | 4:12:56 | |
Guess whom! | 4:12:56 | 4:12:59 | |
Wahey, all right, cockers? How dos? | 4:12:59 | 4:13:03 | |
It was Hacker T Dog. | 4:13:03 | 4:13:05 | |
Job done for today. Clinic closed. | 4:13:05 | 4:13:08 | |
Guess whom! | 4:13:08 | 4:13:11 | |
Job done for today. Clinic closed. | 4:13:11 | 4:13:14 | |
I was Doctor Xand from Operation Ouch. | 4:13:14 | 4:13:16 | |
You transformed right before my eyes. | 4:13:16 | 4:13:19 | |
Don't just watch, join in. | 4:13:19 | 4:13:20 | |
Record your impression of a CBBC character. | 4:13:20 | 4:13:22 | |
Remember to tell us who you were and get it send to us via the | 4:13:22 | 4:13:25 | |
Whoops web page. | 4:13:25 | 4:13:26 | |
It's easy-peasy! Guess whom! | 4:13:26 | 4:13:29 | |
Now get your knives and forks at the ready cos we've got an | 4:13:29 | 4:13:31 | |
enormous buffet of telly treats just for you. | 4:13:31 | 4:13:34 | |
It's all the best bits from CBBC this week. Ha-ha! | 4:13:34 | 4:13:38 | |
Bernard! | 4:13:44 | 4:13:47 | |
Penfold! | 4:13:47 | 4:13:48 | |
Bernard! | 4:13:53 | 4:13:55 | |
Yippee! | 4:13:56 | 4:13:58 | |
Oh, heck! | 4:13:58 | 4:14:00 | |
It's OK, Bernard, you go. | 4:14:04 | 4:14:07 | |
I can learn to live without you. | 4:14:07 | 4:14:10 | |
# Oh, why can't you hold me in the street? | 4:14:12 | 4:14:17 | |
# Why can't I kiss you on the dance floor? | 4:14:17 | 4:14:20 | |
# I wish that it could be like that | 4:14:22 | 4:14:26 | |
# Why can't we be like that? | 4:14:26 | 4:14:28 | |
# Cos I'm yours. # | 4:14:28 | 4:14:31 | |
# BBC Music Day | 4:14:33 | 4:14:35 | |
# I said, Music Day. # | 4:14:35 | 4:14:38 | |
Karim. | 4:14:38 | 4:14:39 | |
# We promise that you'll never be bored | 4:14:39 | 4:14:44 | |
# Our guests and games will have a sweet chord | 4:14:44 | 4:14:48 | |
# Of Music Day, yeah | 4:14:48 | 4:14:51 | |
# Music Day, yeah. # | 4:14:51 | 4:14:54 | |
Whoo! | 4:15:01 | 4:15:02 | |
Ladies and gentlemen, it's 5 After Midnight! | 4:15:02 | 4:15:05 | |
What fun but all good things must come to an end. | 4:15:11 | 4:15:14 | |
Now don't start weeping into your Cornflakes. | 4:15:14 | 4:15:16 | |
You can find all of this on the CBBC iPlayer. | 4:15:16 | 4:15:18 | |
Now am I going to get that bus today? Of course I'm not. | 4:15:18 | 4:15:21 | |
But it's all right. | 4:15:21 | 4:15:22 | |
I've always wanted to do a 15-mile hike alone in the rain(!) | 4:15:22 | 4:15:26 |