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# Wormy fish-killers Convoys of caterpillars | 0:00:02 | 0:00:04 | |
-# Super-clever, brainless slime... # -Ugh! | 0:00:04 | 0:00:06 | |
# Bunny rabbit swarms, raging storms | 0:00:06 | 0:00:08 | |
# And pigs that swim at dinner time | 0:00:08 | 0:00:10 | |
# Tornadoes of fire Starfish going haywire | 0:00:10 | 0:00:13 | |
-# Algae balls from space! # -What?! | 0:00:13 | 0:00:15 | |
# Prairie dogs that chat Birds going splat | 0:00:15 | 0:00:17 | |
# And fish slapping in your face | 0:00:17 | 0:00:19 | |
# They're wild and weird Wild and weird | 0:00:19 | 0:00:21 | |
# Really, really wild and really, really weird | 0:00:21 | 0:00:23 | |
# They're wild and weird Wild and weird | 0:00:23 | 0:00:25 | |
# They're really, really wild | 0:00:25 | 0:00:27 | |
# They're really, really wild and weird... # | 0:00:27 | 0:00:29 | |
Coming up on today's show... | 0:00:29 | 0:00:31 | |
Some strange sounds. | 0:00:31 | 0:00:33 | |
The man who grunts for a living. | 0:00:33 | 0:00:35 | |
A squeaky Mexican wave. | 0:00:37 | 0:00:39 | |
And a bad case of underwater wind. | 0:00:39 | 0:00:42 | |
SPLAT, SPLAT, SPLAT | 0:00:56 | 0:00:58 | |
-What's that? -That? | 0:00:58 | 0:01:01 | |
That is a pronoun used to identify a specific person or thing. | 0:01:01 | 0:01:04 | |
No, not the word, that sound. | 0:01:04 | 0:01:07 | |
Oh, you want me to tell you what that strange, unidentified sound is? | 0:01:07 | 0:01:11 | |
Yes. | 0:01:11 | 0:01:12 | |
It's a clown flicking jam on a mosquito. | 0:01:14 | 0:01:16 | |
-Really? -No, if I knew what it was, it would be a strange, | 0:01:16 | 0:01:20 | |
unidentified sound, would it? | 0:01:20 | 0:01:22 | |
Hey, I do know all about another weird noise, though. | 0:01:22 | 0:01:24 | |
Here you are. | 0:01:24 | 0:01:25 | |
MOSQUITO BUZZING | 0:01:25 | 0:01:28 | |
SPLAT | 0:01:29 | 0:01:30 | |
Welcome to Florida, in the deep South of America, | 0:01:32 | 0:01:35 | |
where among the mist-shroud trees... | 0:01:35 | 0:01:38 | |
BURP | 0:01:38 | 0:01:39 | |
-Oh, Tim! -No, that wasn't me. | 0:01:39 | 0:01:42 | |
It's part of the story, look. | 0:01:42 | 0:01:44 | |
Where among the mist-shroud trees, | 0:01:44 | 0:01:46 | |
a strange sound breaks the tranquillity. | 0:01:46 | 0:01:49 | |
GRUNTING | 0:01:49 | 0:01:53 | |
It's being made by this man, Gary Revell, | 0:01:53 | 0:01:56 | |
and he has a very peculiar job. | 0:01:56 | 0:01:59 | |
I not only love what I do, | 0:01:59 | 0:02:01 | |
I'm bonded to it. | 0:02:01 | 0:02:03 | |
Oh, does he sell glue? | 0:02:03 | 0:02:05 | |
It's in my blood to do this. | 0:02:05 | 0:02:07 | |
He's a vampire. No, a haematologist. | 0:02:07 | 0:02:10 | |
No, Gary is actually a musician of sorts. | 0:02:10 | 0:02:13 | |
There is a technique to it, there is an art. | 0:02:13 | 0:02:16 | |
It's like playing an instrument - either you can play it | 0:02:16 | 0:02:19 | |
or you can't. | 0:02:19 | 0:02:20 | |
And to a certain group of subterranean invertebrates, | 0:02:22 | 0:02:25 | |
Gary's unusual melodies are the equivalent of a Justin Bieber gig. | 0:02:25 | 0:02:29 | |
Because Gary is a worm grunter. | 0:02:30 | 0:02:32 | |
A worm grunter? | 0:02:37 | 0:02:39 | |
Yeah, when it comes to collecting worms, | 0:02:39 | 0:02:41 | |
Gary is the best in the business. | 0:02:41 | 0:02:44 | |
There is no other technique | 0:02:45 | 0:02:48 | |
that I know of that can get these worms like this, | 0:02:48 | 0:02:52 | |
but with this right here, it's simple. | 0:02:52 | 0:02:54 | |
A wooden stub and a piece of iron. | 0:02:54 | 0:02:56 | |
Well, that sounds easy enough. | 0:02:56 | 0:02:58 | |
It seems that earthworms are irresistibly drawn | 0:03:00 | 0:03:02 | |
to Gary's grunting. | 0:03:02 | 0:03:04 | |
All his wife, Audrey, has to do is gather them up and sell them on to | 0:03:04 | 0:03:08 | |
the local fishermen. | 0:03:08 | 0:03:10 | |
GRUNTING | 0:03:10 | 0:03:12 | |
Oh! | 0:03:12 | 0:03:14 | |
-Look, I got one. -Really? | 0:03:14 | 0:03:16 | |
Oh, no, it's just an old noodle. | 0:03:16 | 0:03:18 | |
So, what makes the worms so drawn to Gary's good vibrations? | 0:03:25 | 0:03:29 | |
Is it time for a scientist? | 0:03:29 | 0:03:31 | |
Absolutely. Allow me to introduce Professor Ken Catania. | 0:03:31 | 0:03:34 | |
Being on the surface of the soil, | 0:03:35 | 0:03:37 | |
it's the last place you want to be if you're an earthworm. | 0:03:37 | 0:03:39 | |
There's birds and snakes and lizards and ants and all kinds of things | 0:03:39 | 0:03:43 | |
that can eat you, not to mention you're out in the sun. | 0:03:43 | 0:03:45 | |
Why would an earthworm come up out of the ground when it senses | 0:03:45 | 0:03:49 | |
vibrations? | 0:03:49 | 0:03:50 | |
To find out, Ken hit the road and went to visit Gary and Audrey, | 0:03:50 | 0:03:53 | |
and he was amazed by what he saw. | 0:03:53 | 0:03:56 | |
Up came the earthworms, out of the ground. | 0:03:56 | 0:03:58 | |
Audrey could go around and collect thousands of them. | 0:03:58 | 0:04:01 | |
It was just really something to see. | 0:04:01 | 0:04:03 | |
And they are huge earthworms, so it is really dramatic. | 0:04:03 | 0:04:06 | |
So, what on earth? | 0:04:06 | 0:04:08 | |
-Get it? -Yeah. -Earth, earthworms. | 0:04:09 | 0:04:11 | |
-Yeah. -Never mind. | 0:04:12 | 0:04:14 | |
What is going on, then? | 0:04:14 | 0:04:16 | |
Well, Ken suspected that so many worms would only surface so quickly | 0:04:16 | 0:04:20 | |
if they were running scared. | 0:04:20 | 0:04:22 | |
If you're chasing your dinner, you don't want to risk your life. | 0:04:22 | 0:04:26 | |
But if you are about to be dinner, | 0:04:26 | 0:04:28 | |
you need to risk your life to escape. | 0:04:28 | 0:04:31 | |
And his suspicions were confirmed with the help of an old friend. | 0:04:31 | 0:04:35 | |
-Father Christmas? -No, that's Charles Darwin. | 0:04:35 | 0:04:37 | |
Charles Darwin is Father Christmas? | 0:04:37 | 0:04:39 | |
-Oh, just listen. -Darwin says that it has often been reported that when | 0:04:39 | 0:04:43 | |
the ground is beaten or made to tremble that worms believe they're | 0:04:43 | 0:04:47 | |
pursued by a mole and will exit their burrows to the surface. | 0:04:47 | 0:04:51 | |
So Ken believed the vibration of Gary's grunting | 0:04:51 | 0:04:54 | |
was mimicking the tunnelling of the worms' ultimate predator | 0:04:54 | 0:04:59 | |
- the mole. | 0:04:59 | 0:05:00 | |
But how to prove it? | 0:05:02 | 0:05:03 | |
Gary had a bucket of worms | 0:05:03 | 0:05:06 | |
and I had collected a mole and... | 0:05:06 | 0:05:09 | |
Hang on, hang on. He collected a mole? | 0:05:09 | 0:05:12 | |
Where from, Moles "R" Us? | 0:05:12 | 0:05:14 | |
-That's good. -Moles And Spencer's. | 0:05:15 | 0:05:18 | |
Moles-isons? | 0:05:19 | 0:05:21 | |
Good. | 0:05:21 | 0:05:22 | |
Mole... | 0:05:22 | 0:05:23 | |
Uh, mole... | 0:05:23 | 0:05:25 | |
I can't think of any more. | 0:05:25 | 0:05:27 | |
Nor me. | 0:05:27 | 0:05:29 | |
Well, anyway, Ken released his mole back into the ground and... | 0:05:29 | 0:05:33 | |
Up came the worms, streaming up to the surface, | 0:05:33 | 0:05:35 | |
and that was just great because the two of us sort of looked at each | 0:05:35 | 0:05:39 | |
other and thought, "It's probably moles." | 0:05:39 | 0:05:42 | |
So it turns out worm grunters | 0:05:42 | 0:05:44 | |
are actually world-class mole impersonators. | 0:05:44 | 0:05:48 | |
The sound that the worm grunters are making is like the giant mother of | 0:05:48 | 0:05:53 | |
all moles. | 0:05:53 | 0:05:54 | |
To an earthworm, that is a terrifying sound. | 0:05:54 | 0:05:59 | |
That is what he told me, he said, "You're a giant mole." | 0:05:59 | 0:06:02 | |
And I said, "That works for me." | 0:06:02 | 0:06:05 | |
Why do all your stories | 0:06:07 | 0:06:09 | |
have to be about things that are slimy and wriggly? | 0:06:09 | 0:06:12 | |
Because cute, fluffy, little animals are boring, aren't they? | 0:06:12 | 0:06:15 | |
Oh, I beg to differ! | 0:06:15 | 0:06:17 | |
Watch this. | 0:06:17 | 0:06:18 | |
Here's another odd auditory tale from North America, | 0:06:18 | 0:06:21 | |
this time from the Great Plains. | 0:06:21 | 0:06:23 | |
These giant expanses of open grasslands are home to some rather | 0:06:23 | 0:06:27 | |
cute and cuddly inhabitants. | 0:06:27 | 0:06:29 | |
-Meerkats. -No, prairie dogs. | 0:06:29 | 0:06:31 | |
An animal famed for their... | 0:06:31 | 0:06:33 | |
-Car insurance. -No, a spectacular network of underground burrows. | 0:06:33 | 0:06:38 | |
They create vast subterranean tunnels where these fluffy rodents | 0:06:38 | 0:06:42 | |
form complex social groups. | 0:06:42 | 0:06:44 | |
But, recently, some prairie dogs have been spotted acting | 0:06:44 | 0:06:47 | |
very oddly indeed. | 0:06:47 | 0:06:49 | |
THEY SQUEAK | 0:06:49 | 0:06:52 | |
Look at that. Brilliant, they're doing a Mexican wave! | 0:06:54 | 0:06:57 | |
Naomi, it appears | 0:07:04 | 0:07:06 | |
we have another curious sound-based conundrum to solve. | 0:07:06 | 0:07:09 | |
It's time to call in the expert. | 0:07:09 | 0:07:11 | |
Another scientist. | 0:07:11 | 0:07:13 | |
No, me, Naomi. | 0:07:13 | 0:07:15 | |
Me. | 0:07:15 | 0:07:17 | |
These squeaky spasms are clearly courtship calls made by the males to | 0:07:18 | 0:07:22 | |
impress their lady friends. | 0:07:22 | 0:07:24 | |
Actually, all prairie dogs make these strange squeaks - young, old, | 0:07:24 | 0:07:28 | |
male and female - so that's that theory in the bin. | 0:07:28 | 0:07:31 | |
Well, what I really meant to say was they are alarm calls. | 0:07:31 | 0:07:34 | |
After all, there are plenty of prairie dog predators around. | 0:07:34 | 0:07:38 | |
Like that big-eared dog, yeah. | 0:07:38 | 0:07:40 | |
And the worm thing. | 0:07:40 | 0:07:42 | |
You mean foxes and rattlesnakes, Mr Expert? | 0:07:42 | 0:07:44 | |
If you want to use the scientific term, yes. | 0:07:44 | 0:07:47 | |
I think we should ask a proper expert. | 0:07:48 | 0:07:51 | |
How about Professor Slobodchikoff? | 0:07:51 | 0:07:53 | |
-Bless you. -Of Northern Arizona University. | 0:07:53 | 0:07:56 | |
Sure, anyone can be an expert if they are from some fancy pants | 0:07:56 | 0:07:59 | |
university. | 0:07:59 | 0:08:01 | |
I bet he's got loads of hi-tech equipment and gadgetry to | 0:08:01 | 0:08:04 | |
help him as well, hasn't it? | 0:08:04 | 0:08:05 | |
Hm, not exactly. | 0:08:05 | 0:08:07 | |
Using some rather unique research techniques. | 0:08:10 | 0:08:13 | |
Whoa, whoa, whoa! What's that? | 0:08:13 | 0:08:14 | |
It's a fake mounted badger being pulled across the grass by a small | 0:08:14 | 0:08:18 | |
man hiding in a tent. | 0:08:18 | 0:08:19 | |
OK. | 0:08:20 | 0:08:22 | |
Con and his team have discovered that prairie dogs use a different | 0:08:22 | 0:08:26 | |
alarm call for each predator, | 0:08:26 | 0:08:28 | |
and these calls contain huge amount of information. | 0:08:28 | 0:08:31 | |
We think that each one of these chirps contains a noun-like word | 0:08:31 | 0:08:36 | |
and it also contains adjective-like words, so we might say, | 0:08:36 | 0:08:39 | |
"tall, skinny, a coyote with yellow fur," | 0:08:39 | 0:08:44 | |
and the prairie dogs manage to put all of this into a single chirp. | 0:08:44 | 0:08:49 | |
Wait, so prairie dogs can talk to one another? | 0:08:49 | 0:08:52 | |
Yes, they can change the meaning of their calls by varying the harmonics | 0:08:52 | 0:08:56 | |
within each chirp. | 0:08:56 | 0:08:57 | |
So what does, "yip-yap" mean? | 0:08:57 | 0:09:00 | |
Tim! I can't believe you just said that. | 0:09:00 | 0:09:03 | |
Sorry. | 0:09:03 | 0:09:05 | |
Some scientists now believe that, apart from us humans, | 0:09:05 | 0:09:08 | |
prairie dogs may have the most complex language found anywhere in | 0:09:08 | 0:09:11 | |
the animal kingdom. | 0:09:11 | 0:09:13 | |
And rather than being alarm calls, | 0:09:13 | 0:09:15 | |
Con and his team now think our squeaky Mexican waves are probably | 0:09:15 | 0:09:18 | |
an all-clear signal or a way of reporting in for duty. | 0:09:18 | 0:09:22 | |
So, hang on, they don't know for sure? | 0:09:24 | 0:09:26 | |
No, not yet, but they're working on it. | 0:09:26 | 0:09:29 | |
Well, I would call that Ward-one, Experts-nil. | 0:09:29 | 0:09:32 | |
Why? You don't know what they mean either. | 0:09:32 | 0:09:34 | |
Details, Naomi, details. | 0:09:34 | 0:09:36 | |
Anyway, I've got another eerie ear-based mystery for us. | 0:09:36 | 0:09:39 | |
And this time it involves travelling back to the 1980s. | 0:09:39 | 0:09:43 | |
Perfect. | 0:09:45 | 0:09:46 | |
Sweden. Or to be more precise, the waters around Sweden. | 0:09:49 | 0:09:52 | |
And strange things are happening. | 0:09:52 | 0:09:54 | |
Remember, this was the 1980s and the East and West are still engaged in | 0:09:57 | 0:10:02 | |
the Cold War. | 0:10:02 | 0:10:03 | |
Isn't that the one with the giant polar bear? | 0:10:03 | 0:10:06 | |
No, you're thinking of The Golden Compass. | 0:10:06 | 0:10:08 | |
-Oh. -The Cold War was between Russia and, well, | 0:10:09 | 0:10:12 | |
pretty much everyone else, and Sweden was right on the front line. | 0:10:12 | 0:10:16 | |
Russian submarines were regularly reported off the Swedish coast, | 0:10:16 | 0:10:19 | |
so the canny Swedes came up with the idea of using | 0:10:19 | 0:10:22 | |
underwater microphones. | 0:10:22 | 0:10:24 | |
Oh, I love canny Swedes. | 0:10:24 | 0:10:26 | |
-Do you? -Yeah. | 0:10:26 | 0:10:28 | |
And canny peas and canny carrots. | 0:10:28 | 0:10:31 | |
Terrible. | 0:10:33 | 0:10:34 | |
The Swedish Navy use the microphones to detect the Russian submarines. | 0:10:36 | 0:10:41 | |
And the sound the subs made was imaginatively labelled | 0:10:41 | 0:10:43 | |
the typical sound. | 0:10:43 | 0:10:45 | |
-Catchy. -Hm. | 0:10:45 | 0:10:47 | |
But when the Cold War ended and the Russian submarines went home, | 0:10:47 | 0:10:50 | |
something strange happened - | 0:10:50 | 0:10:52 | |
the Swedish Navy could still hear the typical sound. | 0:10:52 | 0:10:57 | |
So if it wasn't being made by submarines, | 0:10:57 | 0:11:00 | |
what had they been listening to all these years? | 0:11:00 | 0:11:03 | |
To solve this marine mystery, | 0:11:04 | 0:11:06 | |
the Navy called in a team of ocean acoustic experts, | 0:11:06 | 0:11:09 | |
including Magnus Wahlberg. | 0:11:09 | 0:11:11 | |
We're all sitting quiet in this room, listening very carefully, | 0:11:11 | 0:11:15 | |
and then they play the sound for us. | 0:11:15 | 0:11:17 | |
RADIO STATIC | 0:11:17 | 0:11:19 | |
It sounded like someone frying bacon. | 0:11:19 | 0:11:21 | |
Magnus immediately realised the Navy had been fooled | 0:11:24 | 0:11:27 | |
by a red herring. | 0:11:27 | 0:11:29 | |
So, what was it then? | 0:11:31 | 0:11:32 | |
I just told you, a herring. | 0:11:32 | 0:11:34 | |
Oh. | 0:11:34 | 0:11:36 | |
There's only one way to produce the typical sound, | 0:11:36 | 0:11:38 | |
and that is to squeeze a herring. | 0:11:38 | 0:11:40 | |
So there we go, that wraps that story up perfectly. | 0:11:41 | 0:11:44 | |
Whoa, whoa, whoa, did he just say squeeze a herring? | 0:11:44 | 0:11:47 | |
Why would you do that? | 0:11:47 | 0:11:49 | |
I can't tell you any more, it's a classified military secret. | 0:11:49 | 0:11:52 | |
-What? -Hm. Interrogate me all you like, I will not break. | 0:11:52 | 0:11:55 | |
-Go on. -OK. | 0:11:58 | 0:11:59 | |
So herring is a very interesting fish. | 0:12:01 | 0:12:03 | |
It has a swim bladder. | 0:12:03 | 0:12:04 | |
The herring will pump in air to its swim bladder to sort of keep afloat. | 0:12:04 | 0:12:08 | |
The funny thing with herring is it has a canal from the swim bladder | 0:12:08 | 0:12:12 | |
and out to the anal opening. | 0:12:12 | 0:12:14 | |
So they can sort of fart, if you want. | 0:12:16 | 0:12:19 | |
BUBBLING | 0:12:19 | 0:12:21 | |
And each time they release this bubble, that will cause sound. | 0:12:21 | 0:12:26 | |
So you can have millions and millions of herring. | 0:12:28 | 0:12:30 | |
One school can be like several square miles. | 0:12:30 | 0:12:33 | |
You'll have this cacophony of... | 0:12:33 | 0:12:35 | |
farts coming and you will hear this, it's like | 0:12:35 | 0:12:39 | |
a roar of farts coming | 0:12:39 | 0:12:41 | |
and it can actually sound quite impressive. | 0:12:41 | 0:12:44 | |
Never mind about the sound, what about the smell? | 0:12:44 | 0:12:47 | |
They use this as what we call an anti-predator defence, | 0:12:48 | 0:12:52 | |
so you have a killer whale or a dolphin chasing a herring school, | 0:12:52 | 0:12:56 | |
they can release a lot of air, and the dolphin is like, "Hey, | 0:12:56 | 0:12:59 | |
"where did the herring go? I can just see bubbles now." | 0:12:59 | 0:13:02 | |
If you think about this guy moving through the water, | 0:13:02 | 0:13:05 | |
all of the herring will sort of be scared and probably release | 0:13:05 | 0:13:08 | |
all these bubbles. | 0:13:08 | 0:13:09 | |
And the sonar operator inside here, he will be like, | 0:13:09 | 0:13:12 | |
"I can hear the Soviet submarine, it's just next to us!" | 0:13:12 | 0:13:15 | |
So the Swedish Navy had been mistaking a school of flatulent fish | 0:13:15 | 0:13:19 | |
for Soviet subs all along... | 0:13:19 | 0:13:20 | |
..making this a rather embarrassing case | 0:13:22 | 0:13:25 | |
of mistaken identity. | 0:13:25 | 0:13:26 | |
Well, I think we got to the bottom of that one. | 0:13:31 | 0:13:34 | |
Great, does that mean we can get out of these ridiculous clothes now? | 0:13:34 | 0:13:37 | |
Yeah, because I tell you what, these cowboy boots are really comfortable. | 0:13:37 | 0:13:41 | |
HE FARTS | 0:13:41 | 0:13:42 | |
Uh, there is a herring at the door, I think. | 0:13:45 | 0:13:47 | |
I'm just going to go and check to see. Uh... | 0:13:47 | 0:13:52 | |
# They're wild and weird Wild and weird | 0:13:52 | 0:13:54 | |
# Really, really wild and really, really weird | 0:13:54 | 0:13:56 | |
# They're wild and weird Wild and weird | 0:13:56 | 0:13:59 | |
# They're really, really wild | 0:13:59 | 0:14:00 | |
# They're really, really wild and weird | 0:14:00 | 0:14:02 | |
# Wild and weird. # | 0:14:06 | 0:14:09 |