Browse content similar to The Thirteenth Floor Part One. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Congratulations, you've reached Level 13.' | 0:00:09 | 0:00:12 | |
-Alicia? What are you doing? -Sorry, Mrs Hatcher. | 0:00:19 | 0:00:22 | |
I was just waiting for my dad to pick me up. | 0:00:22 | 0:00:24 | |
You were playing one of your own games again, weren't you? | 0:00:24 | 0:00:26 | |
Give me the memory stick. | 0:00:26 | 0:00:29 | |
-I wasn't doing any harm. -Oh? | 0:00:29 | 0:00:31 | |
And what if your grubby game-code infected our systems with a virus? | 0:00:31 | 0:00:36 | |
You're a receptionist. | 0:00:36 | 0:00:37 | |
"Hello." Pick up the phone and leave the game designs to me. | 0:00:37 | 0:00:42 | |
Now please go home. Some of us have proper work to do. | 0:00:42 | 0:00:45 | |
Night. | 0:00:49 | 0:00:51 | |
Oh! Sorry! | 0:00:55 | 0:00:58 | |
I didn't mean to frighten you, miss. | 0:00:58 | 0:01:00 | |
Course not, Mervyn. Good night. | 0:01:00 | 0:01:02 | |
Taking the stairs? It's a long, long walk down, miss. | 0:01:02 | 0:01:06 | |
-'Doors opening.' -No, thanks. I don't like lifts. | 0:01:06 | 0:01:09 | |
-But 20 floors, miss. -I know. | 0:01:09 | 0:01:12 | |
I should've asked what floor it was before I took the job. | 0:01:12 | 0:01:15 | |
Good night, Mervyn. | 0:01:15 | 0:01:17 | |
'Doors closing.' | 0:01:19 | 0:01:20 | |
-Good night. -Night. | 0:01:24 | 0:01:25 | |
ZAP! | 0:01:29 | 0:01:31 | |
The building seems deserted. | 0:01:40 | 0:01:42 | |
According to my scans the magical energy source is 18.6 metres | 0:01:48 | 0:01:52 | |
above your position. It registers like no form of magic seen before. | 0:01:52 | 0:01:56 | |
I shall investigate. | 0:01:58 | 0:02:00 | |
'Doors opening.' | 0:02:07 | 0:02:09 | |
Not only primitive but innumerate. | 0:02:12 | 0:02:15 | |
They have neglected to add a 13th floor - they are pathetic. | 0:02:17 | 0:02:21 | |
My examination of their culture reveals humans believe | 0:02:21 | 0:02:24 | |
the number 13 to be unlucky. | 0:02:24 | 0:02:27 | |
I find them so amusing. | 0:02:28 | 0:02:30 | |
I find them irritating. | 0:02:30 | 0:02:32 | |
'Doors closing.' | 0:02:34 | 0:02:36 | |
HE CHUCKLES | 0:02:40 | 0:02:43 | |
LIFT MUSIC PLAYS | 0:02:44 | 0:02:46 | |
What? What is this inferior human technology? | 0:02:53 | 0:02:57 | |
Varg, come in. Do you read me, Varg? | 0:02:58 | 0:03:01 | |
Hail the might of Nekron! | 0:03:10 | 0:03:12 | |
How does Varg's mission proceed? | 0:03:13 | 0:03:16 | |
I regret I have lost him. Varg, are you there? | 0:03:16 | 0:03:19 | |
CRASH! | 0:03:30 | 0:03:32 | |
-'Floor 13.' -What? | 0:03:35 | 0:03:38 | |
'Doors opening.' | 0:03:38 | 0:03:39 | |
VARG SCREAMS | 0:03:43 | 0:03:45 | |
'Doors opening.' | 0:03:48 | 0:03:50 | |
HE CACKLES | 0:04:00 | 0:04:02 | |
This place is so cool. | 0:04:29 | 0:04:31 | |
-Hi, we're from King's Park School on work experience. -Yeah. | 0:04:33 | 0:04:37 | |
-Tom Clarke, Benny Sherwood. -Yeah, got you here. | 0:04:37 | 0:04:39 | |
Benny Sherwood, you're at Psyke Games on the 20th floor. | 0:04:39 | 0:04:43 | |
Tom Clarke, you're on the 12th, at Gabrielle Hair Products. | 0:04:43 | 0:04:48 | |
What? | 0:04:48 | 0:04:49 | |
Hang on, no. We're both supposed to be at Psyke Games. | 0:04:51 | 0:04:55 | |
Not what it says here. | 0:04:55 | 0:04:56 | |
YOU were supposed to hack into the school's work experience lists | 0:05:00 | 0:05:03 | |
and get us both into Psyke Games. | 0:05:03 | 0:05:06 | |
They've obviously messed them up this end. | 0:05:06 | 0:05:08 | |
I said we should've used magic. | 0:05:08 | 0:05:10 | |
Anyway, it makes no difference. | 0:05:10 | 0:05:12 | |
There've been bursts of magical energy in this building, OK? | 0:05:12 | 0:05:15 | |
They could be from the 12th floor or the 20th. | 0:05:15 | 0:05:18 | |
It doesn't matter. We just had to get on the inside. | 0:05:18 | 0:05:20 | |
Easy for you to say - | 0:05:20 | 0:05:22 | |
you're not stuck at Gabrielle Hair Products all week, are you? | 0:05:22 | 0:05:25 | |
'Doors opening.' | 0:05:25 | 0:05:28 | |
Look, just keep in touch, yeah? | 0:05:28 | 0:05:30 | |
If you see anything freaky, text me. | 0:05:30 | 0:05:32 | |
'Doors closing.' | 0:05:32 | 0:05:33 | |
Well, that's freaky for a start. There's no 13th floor. | 0:05:35 | 0:05:39 | |
Superstition, I guess. | 0:05:39 | 0:05:41 | |
Triskaidekaphobia. | 0:05:41 | 0:05:44 | |
What? | 0:05:44 | 0:05:45 | |
Triskaidekaphobia. Fear of the number 13. | 0:05:45 | 0:05:49 | |
Look, some streets don't have a number 13 | 0:05:51 | 0:05:53 | |
and some airlines don't have a row 13. | 0:05:53 | 0:05:56 | |
But you're telling me there's not a magical reason for it? | 0:05:56 | 0:05:59 | |
No. Course there isn't. | 0:05:59 | 0:06:01 | |
'Doors opening. Floor 12.' | 0:06:01 | 0:06:04 | |
They're just the facts, Tom. Hope work isn't too hair-raising for you. | 0:06:05 | 0:06:09 | |
'Doors closing.' | 0:06:11 | 0:06:12 | |
'Doors opening. Floor 20.' | 0:06:17 | 0:06:20 | |
Psyke Games. | 0:06:23 | 0:06:25 | |
'Doors closing.' | 0:06:26 | 0:06:28 | |
Is that a tooth? | 0:06:38 | 0:06:40 | |
Oh, I found it on the floor. | 0:06:40 | 0:06:42 | |
It's weird. Never seen one like this before. | 0:06:42 | 0:06:46 | |
What's it doing round here? | 0:06:47 | 0:06:49 | |
It looks like... | 0:06:49 | 0:06:51 | |
I don't know, a boar's tooth? | 0:06:51 | 0:06:53 | |
Doesn't look like the sort of place you keep boars. | 0:06:53 | 0:06:55 | |
There's a lab on the tenth floor. They work with the museum. | 0:06:55 | 0:06:58 | |
Maybe it's something to do with them. Hold this. | 0:06:58 | 0:07:01 | |
Carnivore. Look at the serration on the edge. | 0:07:03 | 0:07:07 | |
Not a boar, then. They forage, they're pigs. | 0:07:07 | 0:07:09 | |
No, they're omnivores, they'll eat anything. | 0:07:09 | 0:07:13 | |
But I still don't see how it ended up here. | 0:07:13 | 0:07:15 | |
It's a mystery. | 0:07:15 | 0:07:16 | |
And who are you, anyway? | 0:07:17 | 0:07:19 | |
Oh, I'm Benny Sherwood. I'm on work experience. Psyke Games. | 0:07:19 | 0:07:23 | |
Better get a move on, then - my coffee break's over | 0:07:23 | 0:07:25 | |
and if you think a boar's vicious, wait till you meet Mrs Hatcher. | 0:07:25 | 0:07:29 | |
This place is cool! | 0:07:34 | 0:07:36 | |
Wow! | 0:07:36 | 0:07:37 | |
So you work here? | 0:07:37 | 0:07:39 | |
Good morning, sir. My name's Alicia. How can I help you? | 0:07:39 | 0:07:43 | |
How comes you know about carnivore teeth? | 0:07:46 | 0:07:48 | |
The same reason you walk around with a magnifying glass. | 0:07:48 | 0:07:50 | |
I'm a geek. | 0:07:50 | 0:07:52 | |
-Are you the boy from King's Park? -Yes, I'm Benny Sherwood. | 0:07:52 | 0:07:56 | |
Oh, Elizabeth Hatcher. Welcome to Psyke Games. | 0:07:56 | 0:07:59 | |
Now I suppose your idea of a work placement here means you'll be | 0:07:59 | 0:08:01 | |
playing Buck Warren and the Maltese Rabbit all day long. | 0:08:01 | 0:08:06 | |
Well, that won't be happening, young man. | 0:08:06 | 0:08:08 | |
You're here for work experience and work you shall do. | 0:08:08 | 0:08:13 | |
Actually, that's fine by me. | 0:08:13 | 0:08:15 | |
Excuse me. You've got a fault in your parser code. | 0:08:19 | 0:08:21 | |
-Look. Close the loop and the program will work. -Excuse me... | 0:08:21 | 0:08:24 | |
-I promise. Try it. -What are you trying to do, ruin me? | 0:08:24 | 0:08:28 | |
No, I know what I'm doing. | 0:08:28 | 0:08:29 | |
My dad runs his own software company. | 0:08:29 | 0:08:32 | |
Sherwood... | 0:08:33 | 0:08:36 | |
Richard Sherwood of Sherwood Intelligence? | 0:08:36 | 0:08:40 | |
Yeah, that's right. | 0:08:40 | 0:08:41 | |
Benny! I'm on my way to a meeting across town. | 0:08:41 | 0:08:44 | |
Why don't you come with me? | 0:08:44 | 0:08:46 | |
And on the way we can have a nice little chat about - I don't know - | 0:08:46 | 0:08:50 | |
the software business? | 0:08:50 | 0:08:51 | |
Be back later. | 0:08:51 | 0:08:53 | |
So, Benny my darling, tell me, | 0:08:53 | 0:08:55 | |
how many programmers does your daddy employ? | 0:08:55 | 0:08:59 | |
Oh. I'd say... twice as many as you have. | 0:08:59 | 0:09:02 | |
-Oh. -At least. -Really? That's a lot. | 0:09:02 | 0:09:05 | |
Mervyn! Will you watch what you're doing? Ouch! | 0:09:07 | 0:09:10 | |
Sorry, Mrs Hatcher, miss. | 0:09:10 | 0:09:13 | |
Please, miss, please... | 0:09:13 | 0:09:15 | |
Let me... | 0:09:15 | 0:09:16 | |
'Doors opening.' | 0:09:16 | 0:09:18 | |
Well, at least he's good for something. | 0:09:18 | 0:09:20 | |
Oh, my phone! I've left it on my desk. | 0:09:22 | 0:09:24 | |
-Be a darling, Benny, and get it for me. -Course. | 0:09:24 | 0:09:26 | |
-I'll be downstairs in reception. -OK. | 0:09:26 | 0:09:29 | |
-Excuse me. -'Doors closing.' | 0:09:30 | 0:09:33 | |
Going down. | 0:09:40 | 0:09:42 | |
BANG! | 0:09:48 | 0:09:50 | |
This is ridiculous. | 0:09:55 | 0:09:57 | |
'Floor 13.' | 0:10:08 | 0:10:10 | |
This is stupid. There is no... | 0:10:10 | 0:10:12 | |
'Doors opening.' | 0:10:12 | 0:10:14 | |
This makes no sense! | 0:10:20 | 0:10:21 | |
Varg cannot disappear without trace. | 0:10:21 | 0:10:24 | |
Daughter, you have failed me. | 0:10:24 | 0:10:28 | |
I apologize, Father. | 0:10:28 | 0:10:29 | |
The wizards have captured him! I feel it in my molecules! | 0:10:29 | 0:10:36 | |
You will go to Earth and find him, Lexi! | 0:10:36 | 0:10:40 | |
But the work period of that Earth sector will have begun. | 0:10:40 | 0:10:43 | |
It will be teeming with humans. | 0:10:43 | 0:10:45 | |
Then use the form filter. | 0:10:45 | 0:10:46 | |
Walk among them as one of their own. | 0:10:48 | 0:10:51 | |
Search, and locate your brother! | 0:10:51 | 0:10:54 | |
As the King commands, so it is done. | 0:10:54 | 0:10:57 | |
So have you got that, Tom, yeah? | 0:11:04 | 0:11:07 | |
On ciabatta, got it. | 0:11:07 | 0:11:09 | |
Hey, Tom! What's big in hair this week? | 0:11:09 | 0:11:11 | |
They've got me running errands to the sandwich shop for lunch. | 0:11:11 | 0:11:14 | |
You get to play computer games | 0:11:14 | 0:11:16 | |
while I'm buying coronation chicken with mixed salad on onion bread. | 0:11:16 | 0:11:19 | |
Mine's a chicken salad sub, thanks. | 0:11:19 | 0:11:21 | |
Yeah, you're so funny. Meanwhile, we've got a job to do. | 0:11:21 | 0:11:25 | |
Something or someone here is pumping out bursts of magic and if we | 0:11:25 | 0:11:28 | |
don't shut it down, the Nekross are going to be stopping by for a snack. | 0:11:28 | 0:11:31 | |
-And not coronation chicken. -Keep your eyes open. | 0:11:31 | 0:11:34 | |
Excuse me, do you know where Mrs Hatcher went? | 0:11:40 | 0:11:42 | |
-She was supposed to come here. -I haven't seen her. | 0:11:42 | 0:11:44 | |
But she got into the lift. | 0:11:44 | 0:11:46 | |
Then she got off on another floor. She hasn't been down here. | 0:11:46 | 0:11:50 | |
Thanks. | 0:11:50 | 0:11:51 | |
Exquisite Excellency, all is prepared for your departure. | 0:11:58 | 0:12:01 | |
Thank you, Technician 15. | 0:12:01 | 0:12:03 | |
Forgive my indelicacy, I find this appearance distinctly... | 0:12:11 | 0:12:15 | |
nauseating. | 0:12:15 | 0:12:17 | |
It can be disconcerting. The humans are indeed repulsive. | 0:12:17 | 0:12:22 | |
But I must rescue my brother | 0:12:22 | 0:12:23 | |
and it is but a technological illusion. | 0:12:23 | 0:12:26 | |
I shall always be Nekross inside. | 0:12:26 | 0:12:29 | |
Indeed. Hail the might of Nekron. | 0:12:29 | 0:12:32 | |
Beam me to Earth. | 0:12:32 | 0:12:34 | |
As my Excellency commands. | 0:12:34 | 0:12:36 | |
Do not forget to wash your hands. | 0:12:49 | 0:12:51 | |
They say her car's still in the car park. | 0:12:53 | 0:12:55 | |
She hasn't gone anywhere. | 0:12:55 | 0:12:57 | |
-This is weird. -Weirder than you think. | 0:12:57 | 0:13:00 | |
Why? What do you mean? | 0:13:00 | 0:13:01 | |
There's strange stuff going on here. | 0:13:02 | 0:13:04 | |
I mean, we're talking Gates Of Eternity level six strange. | 0:13:04 | 0:13:08 | |
-I've never played Gates Of Eternity. -And you call yourself a geek? | 0:13:08 | 0:13:12 | |
Well, take it from me, it's brain-scrambling weird. | 0:13:12 | 0:13:16 | |
This office block has got a reputation for people going missing. | 0:13:17 | 0:13:20 | |
It's all in here - Wyvern House. | 0:13:20 | 0:13:22 | |
It was built ten years ago | 0:13:22 | 0:13:23 | |
and people have been going missing ever since. | 0:13:23 | 0:13:26 | |
People would come in for work and then at some point... | 0:13:26 | 0:13:30 | |
it's like they just vanished. | 0:13:30 | 0:13:32 | |
Their cars were just left in the car park. Like Mrs Hatcher's. | 0:13:32 | 0:13:35 | |
The CCTV cameras never even showed them leaving the building. | 0:13:35 | 0:13:38 | |
And it isn't just this building. Look... | 0:13:38 | 0:13:41 | |
Before they built Wyvern House there was a hotel here. | 0:13:41 | 0:13:44 | |
"Family disappears from Ambassador Hotel." | 0:13:44 | 0:13:46 | |
And it says they all disappeared from room 13. | 0:13:46 | 0:13:49 | |
There's something taking people, Benny. | 0:13:50 | 0:13:53 | |
-That's why I came to work here. -Why? | 0:13:53 | 0:13:55 | |
Where was I going to work, somewhere boring and normal? | 0:13:55 | 0:13:59 | |
Or somewhere where there's a mad mystery to solve? | 0:13:59 | 0:14:03 | |
Mad mysteries are cool. | 0:14:03 | 0:14:04 | |
I knew you'd see it like me. Geeks united! | 0:14:04 | 0:14:07 | |
-Have you still got that tooth? -Yeah, of course. | 0:14:11 | 0:14:14 | |
Thanks. | 0:14:14 | 0:14:16 | |
And, you know, there could be a connection. | 0:14:16 | 0:14:18 | |
Like, between the Hand of Multekh and the missing children | 0:14:18 | 0:14:21 | |
of Buck Warren and the Last Hutch on the Left. | 0:14:21 | 0:14:23 | |
Yeah, that's what I was just thinking. | 0:14:23 | 0:14:26 | |
Apart from the hand thing. I need to make a phone call. | 0:14:26 | 0:14:29 | |
Look, Benny, don't do anything, not till I get back. | 0:14:33 | 0:14:36 | |
It's all right, Tom. | 0:14:36 | 0:14:37 | |
We don't need magic right now, we need science. | 0:14:37 | 0:14:39 | |
There's a research lab on the tenth floor. | 0:14:39 | 0:14:42 | |
I need to get in there. | 0:14:42 | 0:14:43 | |
-What, in the middle of the day? -I've got a plan. | 0:14:43 | 0:14:45 | |
When you get back, find a back door. And don't worry, there's no fire. | 0:14:45 | 0:14:50 | |
Benny, what are you talking about? What fire? | 0:14:50 | 0:14:52 | |
-Benny! What are you doing? -Come on. | 0:14:52 | 0:14:54 | |
-Let's go, come on! -Benny?! | 0:14:57 | 0:14:59 | |
ALARM WAILS | 0:14:59 | 0:15:01 | |
You can't just go setting fire alarms off! | 0:15:05 | 0:15:08 | |
Look, if people are missing, then it's not safe here. | 0:15:08 | 0:15:10 | |
I need to evacuate this building until I find out what's going on. | 0:15:10 | 0:15:13 | |
You mean until we find out. This is my investigation, remember? | 0:15:13 | 0:15:17 | |
'Please evacuate the building.' | 0:15:17 | 0:15:20 | |
'Please evacuate the building.' | 0:15:21 | 0:15:23 | |
'Please evacuate the building.' | 0:15:25 | 0:15:27 | |
'Please evacuate the building.' | 0:15:29 | 0:15:32 | |
'Please evacuate the building.' | 0:15:34 | 0:15:37 | |
It's all right. No-one's here. | 0:15:38 | 0:15:40 | |
That's a dissecting microscope. | 0:15:43 | 0:15:45 | |
Yeah, that's right. I need to take a closer look at this. | 0:15:45 | 0:15:49 | |
-What are you looking for? -Proof... | 0:15:49 | 0:15:51 | |
that this tooth has a connection with what's going on here. | 0:15:51 | 0:15:55 | |
And? What do you see? | 0:15:56 | 0:15:59 | |
This cellular composition... | 0:15:59 | 0:16:01 | |
I've never seen anything like it before. | 0:16:01 | 0:16:04 | |
-DOOR CLOSES -Someone's coming! Hide! -Quick, run! | 0:16:06 | 0:16:10 | |
A magical molar. | 0:16:30 | 0:16:32 | |
How mirthful. | 0:16:33 | 0:16:35 | |
Do you want to come out now? | 0:16:50 | 0:16:52 | |
Or shall I just disintegrate where you hide like rodents? | 0:16:52 | 0:16:55 | |
OK. | 0:16:56 | 0:16:58 | |
Don't shoot! | 0:17:00 | 0:17:01 | |
Who are you? | 0:17:03 | 0:17:04 | |
An old friend of Benjamin Sherwood's. | 0:17:04 | 0:17:06 | |
I don't believe we've met. | 0:17:06 | 0:17:09 | |
-I'm... -Irrelevant. | 0:17:09 | 0:17:11 | |
If he doesn't tell me what he has done with my brother, | 0:17:11 | 0:17:14 | |
in five seconds you'll be nothing more than a momentary flash | 0:17:14 | 0:17:18 | |
of hydrogen and carbon particles. | 0:17:18 | 0:17:20 | |
Leave her alone! I haven't done anything with your brother! | 0:17:20 | 0:17:23 | |
Is he with Tom Clarke? | 0:17:23 | 0:17:25 | |
I think I'd notice a yellow, snake-headed big guy in blue armour. | 0:17:25 | 0:17:29 | |
Hello again, Lucy. Long time no see. | 0:17:30 | 0:17:33 | |
Don't play games with me. | 0:17:33 | 0:17:36 | |
Varg came to this building | 0:17:36 | 0:17:38 | |
when we detected traces of strong magic here. | 0:17:38 | 0:17:40 | |
Magic? She said magic! | 0:17:40 | 0:17:42 | |
And then we lost all contact with him. | 0:17:42 | 0:17:45 | |
This is the work of wizards! | 0:17:45 | 0:17:47 | |
Wizards?! She said wizards! | 0:17:47 | 0:17:50 | |
Lexi, I swear I don't know what you're talking about. | 0:17:50 | 0:17:54 | |
We don't go around kidnapping aliens! | 0:17:54 | 0:17:56 | |
-Aliens?! He said aliens! -Just go with it. | 0:17:56 | 0:17:58 | |
Lexi, it wasn't us that took your brother. | 0:18:00 | 0:18:03 | |
It was this building. | 0:18:06 | 0:18:08 | |
People have been disappearing for decades. | 0:18:08 | 0:18:10 | |
Mrs Hatcher, Alicia's boss, she vanished today. | 0:18:10 | 0:18:13 | |
I think there's something that they fall through, and maybe | 0:18:13 | 0:18:16 | |
that's what happened to Varg - only that tooth has magic in it. | 0:18:16 | 0:18:20 | |
So maybe that something is a threshold of enchantment. | 0:18:20 | 0:18:22 | |
Can I have a look at that? | 0:18:22 | 0:18:25 | |
Does anybody want to tell me what they're talking about? | 0:18:25 | 0:18:28 | |
Please? | 0:18:28 | 0:18:29 | |
I agree with the Earth girl. Explain. Quickly. | 0:18:30 | 0:18:35 | |
It's not a threshold of enchantment. | 0:18:35 | 0:18:37 | |
It's a Never-way. A magical gateway. This is from the Neverside. | 0:18:38 | 0:18:43 | |
I can feel it. | 0:18:43 | 0:18:44 | |
And you can't go there, Lexi. | 0:18:46 | 0:18:48 | |
I will rescue my brother wherever he is. | 0:18:48 | 0:18:52 | |
You are a wizard - you will take me there! | 0:18:52 | 0:18:55 | |
No. I can't. | 0:18:55 | 0:18:57 | |
You will take me there or they will be obliterated. | 0:18:57 | 0:19:01 | |
Moh-shah-dah! | 0:19:01 | 0:19:03 | |
Run, Benny! | 0:19:03 | 0:19:05 | |
Is this amazing, or what?! | 0:19:11 | 0:19:13 | |
'Doors closing.' | 0:19:19 | 0:19:20 | |
'Doors opening.' | 0:19:20 | 0:19:22 | |
Not so fast. I intend to find my brother | 0:19:22 | 0:19:26 | |
and YOU will help me. | 0:19:26 | 0:19:28 | |
'Doors closing.' | 0:19:28 | 0:19:30 | |
LIFT MUSIC PLAYS | 0:19:31 | 0:19:33 | |
BANG! | 0:19:39 | 0:19:40 | |
-Is this your doing? -No! No way! | 0:19:42 | 0:19:45 | |
'Floor 13.' | 0:19:57 | 0:19:58 | |
But there isn't a 13th floor. | 0:19:59 | 0:20:02 | |
'Doors opening.' | 0:20:02 | 0:20:05 | |
This is impossible. | 0:20:12 | 0:20:15 | |
This is just a crude transportation device. | 0:20:15 | 0:20:18 | |
We can't have been teleported. | 0:20:18 | 0:20:20 | |
We haven't. | 0:20:21 | 0:20:23 | |
We've come through a Never-way. | 0:20:27 | 0:20:29 | |
Out there... | 0:20:31 | 0:20:34 | |
that's the Neverside. | 0:20:34 | 0:20:36 | |
A realm of raw magic, of chaos. | 0:20:38 | 0:20:41 | |
A place of dreams and nightmares. | 0:20:42 | 0:20:45 | |
And things that go bump in the night. | 0:20:47 | 0:20:49 | |
I have studied the tales your kind tell your children. | 0:20:51 | 0:20:54 | |
To scare them at bedtime. And you call the Nekross cruel. | 0:20:54 | 0:20:58 | |
People told kids those stories to protect them. | 0:20:58 | 0:21:01 | |
And most of those stories started here. | 0:21:03 | 0:21:06 | |
Then we shall look for this "bogeyman". | 0:21:06 | 0:21:09 | |
He may be able to find my brother! | 0:21:09 | 0:21:11 | |
No, no, no! We have to go back inside. | 0:21:11 | 0:21:13 | |
Not until we find Varg! | 0:21:13 | 0:21:14 | |
-'Doors closing.' -No! | 0:21:14 | 0:21:17 | |
Spectacular! | 0:21:22 | 0:21:25 | |
MERVYN CHUCKLES | 0:21:32 | 0:21:34 | |
'Doors opening.' | 0:21:40 | 0:21:42 | |
Ah...nectar of the Neverside! | 0:21:50 | 0:21:55 | |
Lexi, listen to me, please. This is crazy. | 0:21:58 | 0:22:02 | |
You don't know where Varg is. | 0:22:02 | 0:22:04 | |
And the Neverside - it's huge. | 0:22:05 | 0:22:07 | |
There are all sorts of different realms here - | 0:22:07 | 0:22:10 | |
different worlds, almost. | 0:22:10 | 0:22:12 | |
-You've got no idea what you've got us into. -Are you scared? | 0:22:12 | 0:22:15 | |
I know what this place is, what sort of things live here. | 0:22:16 | 0:22:19 | |
You don't. | 0:22:19 | 0:22:20 | |
ROARING | 0:22:20 | 0:22:22 | |
Things like that. | 0:22:24 | 0:22:25 | |
My weapon's failed. | 0:22:28 | 0:22:31 | |
But that can't happen! This isn't right. | 0:22:31 | 0:22:33 | |
Run! | 0:22:36 | 0:22:38 | |
I told you this place was dangerous. | 0:22:45 | 0:22:47 | |
And your gun, it won't work here. No technology will. | 0:22:52 | 0:22:56 | |
-It's magic only. -Well, that's not right, is it? | 0:22:56 | 0:23:00 | |
Or I wouldn't still look like Lucy, would I? | 0:23:00 | 0:23:03 | |
Are you all right? You sound... | 0:23:03 | 0:23:05 | |
-different. -I don't know what you're talking about, I'm fine. | 0:23:05 | 0:23:08 | |
I think my form filter's jammed. | 0:23:08 | 0:23:10 | |
-Lexi... -No! What's happened? What's happened to me? | 0:23:16 | 0:23:19 | |
You've become human. It's the Neverside. | 0:23:19 | 0:23:22 | |
Somehow it's turned you into what the form filter was | 0:23:22 | 0:23:24 | |
pretending you were. | 0:23:24 | 0:23:26 | |
-It's like it made your wish come true. -I don't wish to be human! | 0:23:26 | 0:23:29 | |
I know, all right? I know. I don't understand it. | 0:23:29 | 0:23:34 | |
I don't know anything like enough about the Neverside. | 0:23:34 | 0:23:37 | |
But the whole place is raw magic. | 0:23:37 | 0:23:40 | |
Anything can happen here. | 0:23:42 | 0:23:43 | |
This skin, it's soft, warm... | 0:23:43 | 0:23:46 | |
-and this... -It's hair. | 0:23:46 | 0:23:50 | |
It's pointless. But it doesn't matter. | 0:23:50 | 0:23:52 | |
I'm Nekross inside, and I still have a mission - to save my brother. | 0:23:54 | 0:23:59 | |
I presume the unfortunate effects of this magic will reverse | 0:23:59 | 0:24:02 | |
-once we leave. -Yes. I think so... | 0:24:02 | 0:24:05 | |
It had better! | 0:24:06 | 0:24:08 | |
Then we must find Varg and find a way out of this wretched world. | 0:24:09 | 0:24:13 | |
I can't get hold of Tom's phone. | 0:24:20 | 0:24:21 | |
It's saying it's out of range, but it can't be. | 0:24:21 | 0:24:24 | |
You don't think - you know - that they've gone... | 0:24:24 | 0:24:26 | |
-like Mrs Hatcher, and the others? -I don't know. | 0:24:26 | 0:24:29 | |
Mervyn, Mervyn, we're looking for someone. | 0:24:30 | 0:24:34 | |
A really tall blonde woman and a boy about 16 with dark hair. | 0:24:34 | 0:24:37 | |
-Have you seen them? -Friends of yours? | 0:24:37 | 0:24:39 | |
One of them is. Have you seen him? It's really important. | 0:24:39 | 0:24:42 | |
Maybe they'll have gone missing like the others. | 0:24:43 | 0:24:48 | |
-Is that what you're thinking? -You know about the missing people? | 0:24:48 | 0:24:52 | |
None of them ever comes back. Not one. | 0:24:52 | 0:24:55 | |
Not ever. | 0:24:57 | 0:24:58 | |
Well, I'm getting Tom back. Wherever he is. | 0:25:00 | 0:25:03 | |
Come on. | 0:25:03 | 0:25:04 | |
To survive in a hostile environment information is essential. | 0:25:06 | 0:25:10 | |
Tell me what you know about the Neverside. | 0:25:10 | 0:25:13 | |
I suppose you would call it another dimension. | 0:25:13 | 0:25:16 | |
My gran taught me a bit about it, and I bet she'll come and find us. | 0:25:16 | 0:25:20 | |
How comforting. | 0:25:20 | 0:25:22 | |
It's like a twin to our world, only back there magic is rare | 0:25:23 | 0:25:27 | |
and here it's... | 0:25:27 | 0:25:30 | |
It's in everything. | 0:25:30 | 0:25:32 | |
Including the life forms? | 0:25:32 | 0:25:34 | |
Yeah. | 0:25:36 | 0:25:37 | |
Wraiths, banshees, goblins, Neverside witches. | 0:25:39 | 0:25:42 | |
Who are you, hag? | 0:25:50 | 0:25:52 | |
Wait! Are you a witch? | 0:25:52 | 0:25:55 | |
I never thought I'd see another human. | 0:25:55 | 0:25:59 | |
All these years I've been here, and nobody else came. | 0:25:59 | 0:26:04 | |
You mean you came through the Never-way? From Wyvern House? | 0:26:04 | 0:26:08 | |
How long have you been here? Who are you? | 0:26:08 | 0:26:12 | |
My name? My name.... | 0:26:12 | 0:26:15 | |
My name... | 0:26:16 | 0:26:17 | |
My name is... | 0:26:17 | 0:26:20 | |
Elizabeth Hatcher. | 0:26:21 | 0:26:24 | |
Elizabeth Hatcher! | 0:26:24 | 0:26:26 | |
No. You can't be. | 0:26:26 | 0:26:28 | |
You're the boss of Psyke Games. | 0:26:30 | 0:26:33 | |
Yes. I was... | 0:26:33 | 0:26:36 | |
a long time ago. | 0:26:36 | 0:26:37 | |
Benny said he saw you get in the lift. That was only... | 0:26:39 | 0:26:43 | |
a couple of hours ago. | 0:26:43 | 0:26:45 | |
-I've been here over 30 years! -That's impossible. | 0:26:45 | 0:26:48 | |
I counted every single day, waiting for someone to come. | 0:26:48 | 0:26:53 | |
-Waiting for the lift to come back. -What's going on? | 0:26:53 | 0:26:56 | |
It's the Neverside. | 0:26:59 | 0:27:01 | |
Look, my gran might be able to find us. | 0:27:03 | 0:27:05 | |
And it might only take her a couple of hours | 0:27:05 | 0:27:07 | |
but this side of the elevator - time works differently. | 0:27:07 | 0:27:10 | |
Lexi... | 0:27:11 | 0:27:14 | |
we could be here for decades. | 0:27:14 | 0:27:16 | |
TWIG SNAPS | 0:27:16 | 0:27:18 | |
GROWLING | 0:27:18 | 0:27:19 | |
HE ROARS | 0:27:19 | 0:27:21 | |
-But I'm your enemy. -Not any more. | 0:27:27 | 0:27:30 | |
CREATURE ROARS | 0:27:30 | 0:27:32 | |
Every Never-way has a troll as a gatekeeper. | 0:27:32 | 0:27:35 | |
They live off its magical energy. | 0:27:35 | 0:27:37 | |
I don't want to be here years! I want to go home! | 0:27:37 | 0:27:40 | |
We want my son back from the Neverside. | 0:27:40 | 0:27:42 | |
-You might not want him back now. -What's that supposed to mean? | 0:27:42 | 0:27:45 | |
TOM CASTS SPELL | 0:27:45 | 0:27:47 | |
What can you offer a troll for his services? | 0:27:47 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:06 |