Browse content similar to Olympics. Check below for episodes and series from the same categories and more!
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# Wheels on fire | 0:00:02 | 0:00:04 | |
# Rolling down the road | 0:00:04 | 0:00:10 | |
# Best notify my next of kin | 0:00:10 | 0:00:15 | |
# This wheel shall explode. # | 0:00:15 | 0:00:22 | |
Hello. | 0:00:35 | 0:00:37 | |
Hello, hello. Are you open? | 0:00:39 | 0:00:40 | |
I've got an appointment. | 0:00:47 | 0:00:50 | |
Stella! | 0:01:01 | 0:01:04 | |
-Oh, God! -Any luck? | 0:01:09 | 0:01:13 | |
I think she just must have really weird opening times or something | 0:01:13 | 0:01:16 | |
in her shop, you know. | 0:01:16 | 0:01:18 | |
Oh, yes, that'll be it. | 0:01:18 | 0:01:20 | |
I mean, there's designers would kill to have me wearing their clothes. | 0:01:21 | 0:01:25 | |
I mean, I have put on a couple of pounds | 0:01:25 | 0:01:27 | |
but there's fatter women than me out there wearing Stella. | 0:01:27 | 0:01:30 | |
Of course there are. | 0:01:30 | 0:01:32 | |
Stop it! Stop it! | 0:01:32 | 0:01:35 | |
There must be someone still thinks I'm happening. | 0:01:35 | 0:01:37 | |
There is that one that's always on the phone. | 0:01:37 | 0:01:41 | |
-What? -Begging, begging. | 0:01:41 | 0:01:42 | |
"Oh, please, please." | 0:01:42 | 0:01:45 | |
Who? Why don't you ever tell me these things? | 0:01:45 | 0:01:47 | |
You know, little drunken pirate. | 0:01:47 | 0:01:50 | |
"All ugly people go to hell. Go to hell and die." | 0:01:50 | 0:01:55 | |
John Galliano? | 0:01:55 | 0:01:57 | |
Yes. | 0:01:57 | 0:01:58 | |
Darling, that would be fashion death. | 0:01:58 | 0:02:01 | |
I don't think even Schindler could rescue me from that faux pas. | 0:02:01 | 0:02:04 | |
No, darling, go and make more phone calls, more phone calls. | 0:02:04 | 0:02:07 | |
Call Stella's people again. | 0:02:07 | 0:02:08 | |
Oh, God. Laundry in basement. | 0:02:15 | 0:02:19 | |
There's some old pants under my bed that need moving. | 0:02:19 | 0:02:23 | |
Mum! | 0:02:23 | 0:02:24 | |
I thought you were still in Africa. | 0:02:27 | 0:02:29 | |
I just got back. | 0:02:29 | 0:02:31 | |
Oh, sweetheart. Look at you. Ooh! | 0:02:31 | 0:02:35 | |
You and... Darling, sweetheart... | 0:02:36 | 0:02:40 | |
Darling, it's just you. | 0:02:41 | 0:02:44 | |
Where's my little granddaughter, Lola? | 0:02:44 | 0:02:46 | |
Where is she, darling? Where is she? | 0:02:46 | 0:02:48 | |
Mum, Jane is seven now. She's not going to be inside a biscuit. | 0:02:48 | 0:02:52 | |
Well, darling, where is she? | 0:02:54 | 0:02:55 | |
She lives in Africa. | 0:02:55 | 0:02:57 | |
Oh, lives in Africa! How am I supposed to see her, darling? | 0:02:57 | 0:03:00 | |
Take out a court order? | 0:03:00 | 0:03:02 | |
You could just get on a plane. I'm not stopping you. | 0:03:02 | 0:03:04 | |
I think you are. | 0:03:04 | 0:03:05 | |
So, I'm just stuck with you am I, now? | 0:03:08 | 0:03:10 | |
For six months of the year, yes. | 0:03:10 | 0:03:12 | |
Oh, God! | 0:03:12 | 0:03:13 | |
After all the time I've kept you alive, darling, with food, with money. | 0:03:13 | 0:03:18 | |
This is the thanks I get, is it? | 0:03:18 | 0:03:19 | |
Yes. | 0:03:19 | 0:03:21 | |
All right. | 0:03:22 | 0:03:23 | |
Mum, this place is a mess. | 0:03:25 | 0:03:26 | |
Yeah, but it's all biodegrading, darling, isn't it? | 0:03:26 | 0:03:30 | |
It's eco, sweetheart. | 0:03:31 | 0:03:32 | |
You let it go down to nothing and then use it as shampoo or something. | 0:03:32 | 0:03:35 | |
I read that. I read that. | 0:03:35 | 0:03:37 | |
Well, it's disgusting. Have you been eating in? | 0:03:38 | 0:03:41 | |
No, darling. There wasn't any food in and yet somehow today man comes with food. | 0:03:41 | 0:03:45 | |
I did a Waitrose order before I left Nigeria. | 0:03:48 | 0:03:51 | |
Oh. It's good being global, innit, darling. | 0:03:51 | 0:03:54 | |
It has its uses, global. | 0:03:54 | 0:03:56 | |
Is this all your filth? | 0:03:56 | 0:03:58 | |
No, Patsy's living... | 0:03:58 | 0:04:00 | |
Oh! | 0:04:00 | 0:04:02 | |
Yeah, oh! Oh, I'm sorry I've got a friend. | 0:04:02 | 0:04:04 | |
I'm sorry I'm not a little hermit crab living in a small shell under the sea. | 0:04:04 | 0:04:07 | |
I'm sorry. | 0:04:07 | 0:04:09 | |
What's all this Mother Africa? | 0:04:09 | 0:04:12 | |
What's all that? Hey? | 0:04:12 | 0:04:15 | |
-Well, Jane and John and... -Lola. | 0:04:15 | 0:04:19 | |
..and the other wives... | 0:04:19 | 0:04:21 | |
Sss, wivesss, is it? | 0:04:21 | 0:04:24 | |
..gave me a big send-off. | 0:04:24 | 0:04:27 | |
I bet they did. | 0:04:27 | 0:04:28 | |
And this is traditional costume. | 0:04:32 | 0:04:34 | |
Oh, right. | 0:04:34 | 0:04:35 | |
So John me old Mufasa and his ten wives gave you a bit of an hakuna matata, did they, darling? | 0:04:35 | 0:04:41 | |
He only has nine wives, Mum. | 0:04:41 | 0:04:44 | |
Oh, what did he do, melt one down for glue, trade it in for a goat? | 0:04:44 | 0:04:48 | |
You are so ignorant. | 0:04:48 | 0:04:50 | |
Yeah, and proud of it. | 0:04:50 | 0:04:52 | |
Anyway, they've succeeded where I've failed all these years. | 0:04:52 | 0:04:54 | |
Look at you! Colour, colour! | 0:04:54 | 0:04:57 | |
-Where are you going? -I'm going to change. | 0:04:59 | 0:05:01 | |
No, darling, no, darling. Stay here. I want to take a picture of you in colour. | 0:05:01 | 0:05:04 | |
I love it, I love it, I love it. Hang on. I'll get my camera. | 0:05:04 | 0:05:07 | |
Eddy? | 0:05:09 | 0:05:10 | |
Ed. Ed, darling. | 0:05:10 | 0:05:12 | |
Did you get my Tena Lady pants, darling? | 0:05:13 | 0:05:15 | |
Because it's just that I find I'm, you know, I'm needing them | 0:05:16 | 0:05:20 | |
more and more nowadays, darling. | 0:05:20 | 0:05:22 | |
I'm not completely secure when I sneeze, you know what I mean? | 0:05:22 | 0:05:25 | |
Ahhhh! | 0:05:25 | 0:05:26 | |
Incontinence pants? | 0:05:29 | 0:05:30 | |
-Oh! I will kill you. -No, don't kill her! | 0:05:30 | 0:05:33 | |
Don't kill her. Don't' kill her until I've taken a picture. | 0:05:33 | 0:05:36 | |
Here we go. Ah, in colour, yes, for my Facebook. Here we go. Ha ha! | 0:05:36 | 0:05:42 | |
Any way, what are you two doing here? | 0:05:42 | 0:05:44 | |
We live here. | 0:05:44 | 0:05:45 | |
Yes, but I thought you were getting out of London for the Olympics. | 0:05:46 | 0:05:49 | |
No, darling, I rented my house to Michael Douglas. | 0:05:49 | 0:05:53 | |
-Michael Douglas, Eddy? -Don't you remember Michael Douglas? | 0:05:53 | 0:05:56 | |
-Michael Douglas? -Michael Douglas? | 0:05:56 | 0:05:57 | |
Yes, Michael Douglas you little budgerigar, Michael Douglas. | 0:05:57 | 0:06:00 | |
What the one that looks like an old tortoise who's married to Catherine Zeta Jones? | 0:06:00 | 0:06:06 | |
Is he going to bring Catherine with him? | 0:06:06 | 0:06:07 | |
She'd rather cramp his style. | 0:06:07 | 0:06:09 | |
PATSY AND EDINA LAUGH | 0:06:09 | 0:06:10 | |
Your style, you mean. | 0:06:10 | 0:06:12 | |
No. If Catherine comes, she won't be in London long. | 0:06:12 | 0:06:15 | |
She'll be off to the Mumbles, won't she? | 0:06:15 | 0:06:17 | |
Any way, darling, before he comes, we're going to have a full top-to-tail renovation. | 0:06:17 | 0:06:21 | |
We're going to have the Grand Designs of makeovers. | 0:06:21 | 0:06:24 | |
We're going to be exfoliated, augmented, liposuctioned, | 0:06:24 | 0:06:27 | |
lasered and lifted, darling. | 0:06:27 | 0:06:28 | |
I'll be wearing my buttocks as a head dress by the time he arrives. | 0:06:28 | 0:06:32 | |
And I'm going to have just a little tightening procedure. | 0:06:32 | 0:06:37 | |
Won't he have come to watch the Olympics? | 0:06:37 | 0:06:40 | |
(MOCKING) Mmm, mmm, mmm, mmm, Olympics? | 0:06:40 | 0:06:41 | |
No, darling! He's a player, but a player of a very different kind. | 0:06:41 | 0:06:46 | |
He's be our ticket to all the clubs in London, isn't he, darling? | 0:06:46 | 0:06:49 | |
He is Hollywood royalty, sweetheart. | 0:06:49 | 0:06:50 | |
Well, you better hurry up, because it starts this week. | 0:06:50 | 0:06:54 | |
What? | 0:06:54 | 0:06:55 | |
The Olympics. | 0:06:55 | 0:06:56 | |
What? | 0:06:56 | 0:06:58 | |
No! Darling, did you know it started this week? | 0:07:00 | 0:07:03 | |
-What? -The, the, the, the running, the Olympics. | 0:07:03 | 0:07:07 | |
Where? | 0:07:07 | 0:07:08 | |
Oh, my God, how can you have missed it? | 0:07:08 | 0:07:10 | |
Even coming from the airport, it's everywhere. | 0:07:10 | 0:07:12 | |
Darling, it's been everywhere for five bloody years, hasn't it? | 0:07:12 | 0:07:16 | |
Will we, won't we? Will it be built, won't it be built? | 0:07:18 | 0:07:22 | |
Will we win? No, we won't. | 0:07:22 | 0:07:24 | |
Darling, excuse me if I missed it actually started. | 0:07:24 | 0:07:26 | |
It's been like tinnitus! | 0:07:26 | 0:07:28 | |
I am Spartacus. | 0:07:30 | 0:07:32 | |
Oh, God, Eddy - a talking sperm. | 0:07:33 | 0:07:35 | |
He's on his way. | 0:07:37 | 0:07:39 | |
-What? What, who, what? -Spartacus. | 0:07:40 | 0:07:42 | |
Spartacus. What's... (GASPS) Michael Douglas? | 0:07:42 | 0:07:46 | |
He wasn't Spartacus. | 0:07:46 | 0:07:47 | |
No, I am Spartacus. | 0:07:47 | 0:07:49 | |
-I am Spartacus! I am Spartacus! -Stop it. | 0:07:49 | 0:07:52 | |
He comes. | 0:07:52 | 0:07:54 | |
What, he's on his way from America? | 0:07:54 | 0:07:57 | |
No, from the airport. | 0:07:57 | 0:07:59 | |
No! No, no, no, no! | 0:07:59 | 0:08:02 | |
I was going to be thin. Oh, God! | 0:08:02 | 0:08:04 | |
Quick, get the Hoover, give me lipo, get a knife, slice off the fat. | 0:08:04 | 0:08:08 | |
You can't be here, darling. you can't be here, sweetheart. | 0:08:08 | 0:08:12 | |
Oh, yes, you can if you serve. Be staff, be staff. | 0:08:12 | 0:08:15 | |
Serve, sweetheart, and none of your lip, all right? | 0:08:15 | 0:08:18 | |
-Come on, Pats, we've got to get ready. -Yes, but Eddy, | 0:08:18 | 0:08:20 | |
-I need a little bit of a tidy up. -I've got a razor upstairs. | 0:08:20 | 0:08:23 | |
No, darling, I mean a real, you know, sort of clipping, you know. | 0:08:23 | 0:08:26 | |
-I need scissors. -All right, sweetheart. I've got scissors. | 0:08:26 | 0:08:28 | |
You're disgusting. | 0:08:28 | 0:08:30 | |
Oh, it comes to us all, you know, darling. The swinging saloon doors. | 0:08:30 | 0:08:36 | |
What are you dressed as? | 0:08:36 | 0:08:38 | |
I represent a shattered Olympic dream. | 0:08:38 | 0:08:41 | |
SHE DOES AFRICAN CHANT | 0:08:41 | 0:08:44 | |
SHE ULULATES | 0:08:45 | 0:08:47 | |
Fabulous, fabulous, fabulous. | 0:08:53 | 0:08:56 | |
Sweetheart, sweetheart, look, darling, | 0:08:58 | 0:09:00 | |
I've got a few sexy bits and pieces. What do you think? | 0:09:00 | 0:09:03 | |
It's for Michael. For Michael. | 0:09:03 | 0:09:05 | |
Is he into that sort of thing? | 0:09:05 | 0:09:06 | |
No, I'd be wearing it, I'd be wearing it. | 0:09:06 | 0:09:08 | |
-Oh, no, Eddy, no. -No? No, oh. | 0:09:08 | 0:09:11 | |
I'll just leave them about the house, give him a thrill. | 0:09:11 | 0:09:13 | |
PATSY LAUGHS | 0:09:13 | 0:09:14 | |
Oh, darling. Bloody hell, that's strong, sweetheart, isn't it? | 0:09:15 | 0:09:20 | |
I can't see if I'm making up a pore or a nostril. What's that? | 0:09:20 | 0:09:23 | |
-Oh, it's a nostril. -Eddy, Eddy, darling, darling, darling. | 0:09:23 | 0:09:26 | |
How do I look? How do I look, Eddy? | 0:09:26 | 0:09:28 | |
I can... I think I can see a panty line. | 0:09:28 | 0:09:30 | |
-But Eddy. -What? | 0:09:30 | 0:09:32 | |
-I'm not wearing any pants. -Oh! | 0:09:32 | 0:09:34 | |
-Oh, no! -No, no! | 0:09:34 | 0:09:36 | |
It's just folds of old skin, it must be. | 0:09:36 | 0:09:38 | |
No, no! Oh, Eddy! | 0:09:38 | 0:09:41 | |
-It'll be all right, darling. Darling? -Yeah? | 0:09:41 | 0:09:43 | |
Darling, wear my control body. Wear my control body, | 0:09:43 | 0:09:46 | |
my elasticated control body. Come on, it's for Michael, it's for Michael. | 0:09:46 | 0:09:51 | |
We're going to be hitting the town, darling, aren't we? | 0:09:51 | 0:09:54 | |
Oh, yeah. | 0:09:54 | 0:09:56 | |
I mean, darling, you know, there's spank DJs out there | 0:09:56 | 0:09:59 | |
I haven't even danced to yet. | 0:09:59 | 0:10:01 | |
Honey Dijon is killing it. I haven't even lived it. | 0:10:01 | 0:10:03 | |
-And Narcissister, darling. -What's that, darling? | 0:10:03 | 0:10:05 | |
Well, she's a kind of crazy disco performance artist. | 0:10:05 | 0:10:08 | |
She pulls things out of her pussy on a rotating platform singing I'm Every Woman. | 0:10:08 | 0:10:11 | |
He'll love that, won't he? He'll love that. Yeah. | 0:10:11 | 0:10:14 | |
Oh, yeah, there's so much stuff that's happening and going | 0:10:14 | 0:10:17 | |
and fierce and major out there and we're going to be there. | 0:10:17 | 0:10:20 | |
But those clubs won't have us any more. | 0:10:20 | 0:10:22 | |
Well, they will if Michael is with us, won't they, sweetheart? | 0:10:22 | 0:10:25 | |
Eddy, can't we just go to Shoreditch House, sit on a little sofa, | 0:10:25 | 0:10:29 | |
get in a few drinks, smooch a little waiter, see who's there. | 0:10:29 | 0:10:33 | |
-Lovely. -No, no, no! | 0:10:33 | 0:10:35 | |
I will not let doors close on me yet, darling. I won't. Come on. | 0:10:35 | 0:10:39 | |
We're going to party and show him a good time. | 0:10:39 | 0:10:41 | |
-Yeah. -Come on, let's get into these. -OK, yeah. | 0:10:41 | 0:10:44 | |
-Pop your foot in. -Pop in. -Pop your foot in. -Pop in. | 0:10:44 | 0:10:46 | |
Pop your little foot in. Now jump, jump, jump, jump. | 0:10:46 | 0:10:49 | |
-You want to jump? -You jump! | 0:10:49 | 0:10:51 | |
-Well, look at you, dear. -Oh, hello, Gran. | 0:10:51 | 0:10:56 | |
-Do you like it? -Oh, yes! | 0:10:56 | 0:10:59 | |
I once had a table cloth like that. | 0:10:59 | 0:11:02 | |
Is that what all those others are wearing out there in the, er... | 0:11:03 | 0:11:07 | |
The, you know, hm-hm, hm-hm... | 0:11:07 | 0:11:09 | |
Harem? | 0:11:12 | 0:11:13 | |
Oh, it's not really a harem, Gran. | 0:11:13 | 0:11:17 | |
I feel very special when I'm with his other wives. | 0:11:17 | 0:11:20 | |
Good. | 0:11:20 | 0:11:22 | |
Erm, how is little Jane? | 0:11:22 | 0:11:24 | |
Oh, she's very nice and she's quite grown up. | 0:11:24 | 0:11:27 | |
She's not so little any more. I've got a picture. | 0:11:27 | 0:11:31 | |
Oh, she's beautiful, dear. | 0:11:31 | 0:11:35 | |
Definitely yours? | 0:11:35 | 0:11:37 | |
Yes. | 0:11:38 | 0:11:40 | |
Anyway, we've decided that I'm going to spend three months here | 0:11:40 | 0:11:44 | |
then three months over there because I've got such a lot of important work with the various charities. | 0:11:44 | 0:11:49 | |
And I don't want Lola... | 0:11:49 | 0:11:51 | |
Jane to have to keep changing schools. | 0:11:51 | 0:11:54 | |
Oh, no, no. | 0:11:54 | 0:11:56 | |
It, erm... It gets very hot out there, doesn't it, dear? | 0:11:56 | 0:11:59 | |
-Yes, it does. -Mm. | 0:11:59 | 0:12:01 | |
And the bathroom facilities? | 0:12:01 | 0:12:05 | |
Squat and hope it doesn't hit your shoes? | 0:12:05 | 0:12:08 | |
Yes, it's a bit splattery. | 0:12:11 | 0:12:13 | |
Well, I understand why you've come back, dear. | 0:12:15 | 0:12:19 | |
-You and I like our comforts, don't we? -Mm. | 0:12:19 | 0:12:21 | |
And Jane is very happy. | 0:12:21 | 0:12:24 | |
-Are you going to be watching the Olympics? -Oh, yes. | 0:12:24 | 0:12:27 | |
It's one of the reasons I came home. | 0:12:27 | 0:12:28 | |
I want to watch it on the telly here because the coverage will be so much better. | 0:12:28 | 0:12:31 | |
-Will you? -Oh, yes. | 0:12:31 | 0:12:34 | |
I shall be waving a flag for the BLTs. | 0:12:34 | 0:12:37 | |
You mean Team GB. | 0:12:37 | 0:12:39 | |
Oh, the gays and bisexuals, dear? | 0:12:39 | 0:12:42 | |
I thought they had their own games. | 0:12:43 | 0:12:47 | |
Come on, darling, come on, come on, come on. Step, step, step, step. | 0:12:47 | 0:12:51 | |
This, it's very, sort of, tight. | 0:12:51 | 0:12:54 | |
It's tight cos you're looking fabulous! Now stand, stand, stand. | 0:12:54 | 0:12:57 | |
-Stand, go on. -Waaay! Oh! | 0:12:57 | 0:13:00 | |
-Come on, sweetheart. -It'll be all right. -Come on, darling. | 0:13:00 | 0:13:03 | |
Where's Bubble? Darling, go and get Saffy to bring up a tray of drinks for Michael Douglas. | 0:13:03 | 0:13:07 | |
What does he drink? | 0:13:07 | 0:13:08 | |
-He's an alcoholic, isn't he? I mean... -So? -Everything! Everything! | 0:13:08 | 0:13:13 | |
Come on. Come, come, come, come. | 0:13:13 | 0:13:16 | |
Are you going to sit here, sweetheart. Just... | 0:13:18 | 0:13:20 | |
-Visible panty line? -No, darling, nothing, nothing. You're a tube. | 0:13:20 | 0:13:23 | |
-You're just a tube. -It's not very easy, darling. | 0:13:23 | 0:13:25 | |
There you are, darling. You sit down. | 0:13:25 | 0:13:27 | |
PATSY SNEEZES | 0:13:27 | 0:13:29 | |
Darling, which end sneezed then? | 0:13:35 | 0:13:37 | |
-Both ends, Eddy. -Oh, God. | 0:13:37 | 0:13:40 | |
Just stay sitting. Oh, the door! Oh, my God! | 0:13:40 | 0:13:43 | |
Clear, clear, clear! I'm getting the door! | 0:13:43 | 0:13:46 | |
Oh, Michael's at my door. | 0:13:46 | 0:13:49 | |
(GIGGLES) Michael! | 0:13:49 | 0:13:51 | |
Hi, hi, hi. It's us! | 0:13:51 | 0:13:53 | |
Hello! | 0:13:55 | 0:13:56 | |
You stay back. I'm going to make sure it's safe. | 0:13:59 | 0:14:01 | |
-Hello! -Oh, my God! | 0:14:01 | 0:14:04 | |
Whoopi? | 0:14:04 | 0:14:05 | |
No, it's me. | 0:14:05 | 0:14:07 | |
-Queen Latifah? -No! | 0:14:07 | 0:14:09 | |
-It's me! -Oh, it's you! Of course it's you. | 0:14:09 | 0:14:13 | |
Then it's safe, Marshall. Come on. | 0:14:13 | 0:14:14 | |
What are you doing here? You can't be here. | 0:14:14 | 0:14:16 | |
-We've got Michael Douglas coming. -Oh, no, no. | 0:14:16 | 0:14:18 | |
-He's not coming. He gave Marshall his trip. -What? | 0:14:18 | 0:14:22 | |
-I've been his caddy. -Oh! | 0:14:22 | 0:14:23 | |
Michael, Catherine... | 0:14:23 | 0:14:25 | |
No, it's not them! It's not them, darling. | 0:14:25 | 0:14:27 | |
What are you doing here? | 0:14:30 | 0:14:33 | |
-Well, Marshall caught sex addiction from Michael Douglas. -Oh! | 0:14:33 | 0:14:37 | |
So I got him on a programme. | 0:14:37 | 0:14:39 | |
Really? | 0:14:39 | 0:14:40 | |
-Oh, you have nothing to worry about. -Oh, I don't care. | 0:14:40 | 0:14:43 | |
You definitely have nothing to worry about. | 0:14:43 | 0:14:45 | |
-OK, thank you. -I don't have sex addiction, Bo. | 0:14:45 | 0:14:48 | |
Do you hear that trickling sound, Marshall. | 0:14:48 | 0:14:50 | |
Yeah, that's a little river we call denial. | 0:14:50 | 0:14:53 | |
-Would you like a cup of tea? -No, no, no! | 0:14:53 | 0:14:56 | |
Get out, get out! Why does nothing work for me any more? | 0:14:56 | 0:15:01 | |
I don't want you here. | 0:15:01 | 0:15:02 | |
I don't want you, I don't want you, I don't want you. | 0:15:02 | 0:15:05 | |
Why are you here and why are you so old? Mmm? | 0:15:05 | 0:15:08 | |
Have I been in a coma and just woken up? Look at me! | 0:15:08 | 0:15:12 | |
I mean, honestly! | 0:15:12 | 0:15:13 | |
I'm not a cup of tea, I'm a party girl! | 0:15:17 | 0:15:21 | |
I've still got it. I'm still going, I'm still alive. | 0:15:21 | 0:15:24 | |
Come on, Pats, we're still alive! | 0:15:24 | 0:15:27 | |
Still alive. I'm still alive. Come on, Pats. | 0:15:27 | 0:15:31 | |
Because we are still party girls. | 0:15:31 | 0:15:33 | |
God, why isn't there a pill to make people disappear? Come on, come on. | 0:15:33 | 0:15:36 | |
Pats, Pats. Pats. Pats. | 0:15:36 | 0:15:39 | |
Mum, stop it. | 0:15:39 | 0:15:41 | |
-She's not breathing. -Breathe, breathe, Pats. Come on. | 0:15:41 | 0:15:46 | |
Oh, my God, what is she wearing? | 0:15:46 | 0:15:49 | |
That's just my control body. Just my control... | 0:15:49 | 0:15:52 | |
-Well, it's suffocating her. -No! | 0:15:52 | 0:15:54 | |
Crushing what organs she has left. | 0:15:54 | 0:15:57 | |
-Do something! -Go and get me some scissors. | 0:15:57 | 0:15:59 | |
-Let me help. -Don't you get near that woman's crotch | 0:15:59 | 0:16:02 | |
or I'll twist your little head off. | 0:16:02 | 0:16:05 | |
-Come on! -Mum, she hasn't got a pulse. | 0:16:05 | 0:16:07 | |
She doesn't have a pulse, darling. She's never had a pulse. | 0:16:07 | 0:16:11 | |
-Get out of the way, I'll do CPR. -Oh, God! | 0:16:11 | 0:16:13 | |
Ah! | 0:16:13 | 0:16:14 | |
Uh! | 0:16:14 | 0:16:16 | |
-Michael, Catherine.... -No, no, no, it's not them, darling. | 0:16:17 | 0:16:22 | |
-So how are you both? -We're fine. | 0:16:23 | 0:16:27 | |
We are not fine. Marshall. | 0:16:27 | 0:16:28 | |
Now keep your hands where I can see them. | 0:16:28 | 0:16:32 | |
I had to get him out of that depraved environment, | 0:16:32 | 0:16:34 | |
that crazy golf scene with Michael Douglas. | 0:16:34 | 0:16:37 | |
I was his caddy. | 0:16:37 | 0:16:39 | |
Oh, yes, anything for Michael. | 0:16:39 | 0:16:42 | |
Always looking for Michael's golf balls in the rough at night clubs. | 0:16:42 | 0:16:46 | |
"Oh, I'm just looking for Michael's golf ball, | 0:16:46 | 0:16:48 | |
"that's why I have my hand up this woman's vagina." | 0:16:48 | 0:16:51 | |
That didn't happen! | 0:16:51 | 0:16:53 | |
It happened. It happened, Marshall. Oh, and the golf parties. | 0:16:53 | 0:16:57 | |
Naked women spread eagle on the floor for putting practice. | 0:16:57 | 0:17:02 | |
And you get an Indonesian one and she pops the ball BACK to you. | 0:17:02 | 0:17:06 | |
Isn't that right? | 0:17:06 | 0:17:07 | |
Did you ever get a hole in one, Marshall? | 0:17:07 | 0:17:10 | |
-He's a sex fiend. -Bo, you're having a bad menopause. | 0:17:10 | 0:17:14 | |
Saffy, all I want is a normal amount of sex. | 0:17:14 | 0:17:19 | |
Shall we talk about something else? | 0:17:19 | 0:17:21 | |
Oh, no. When there's something like this that's got its grip on you, | 0:17:21 | 0:17:24 | |
it's hard to let go. | 0:17:24 | 0:17:25 | |
Yeah, when you dance with a gorilla, the gorilla leads. | 0:17:25 | 0:17:29 | |
Oh, and you are the gorilla? | 0:17:29 | 0:17:31 | |
No, I'm not the gorilla. Don't you people know about addiction? | 0:17:36 | 0:17:39 | |
-She's got me on the 12 Steps. -Yeah. | 0:17:39 | 0:17:42 | |
And it's a staircase, not an escalator. | 0:17:42 | 0:17:44 | |
You've got to work at it. You've got some stinking thinking, mister. | 0:17:44 | 0:17:49 | |
Oh, why don't we have a meeting? | 0:17:49 | 0:17:50 | |
I've got to go upstairs. Will you be all right, Gran? | 0:17:50 | 0:17:53 | |
Oh, yes, fine, dear. I shall plug into my iTunes. | 0:17:53 | 0:17:56 | |
She can stay in the meeting with us. OK, everybody ready? | 0:17:56 | 0:17:59 | |
All right, let's convene. | 0:17:59 | 0:18:01 | |
Oh, who do we have here? "Hello, I'm Susan." | 0:18:01 | 0:18:05 | |
Well, hello, Susan and welcome. "And I'm an alcoholic." | 0:18:05 | 0:18:09 | |
Susan, you're in the wrong meeting! This is sex addiction! | 0:18:09 | 0:18:13 | |
Isn't that funny? She wandered in. "I'm an alcoholic." | 0:18:13 | 0:18:17 | |
You're in the wrong... Go! | 0:18:17 | 0:18:20 | |
-Funny. Isn't it funny? -Oh... | 0:18:20 | 0:18:22 | |
Another shattered dream? | 0:18:30 | 0:18:31 | |
How dare you! | 0:18:31 | 0:18:32 | |
Still very much alive. | 0:18:34 | 0:18:35 | |
-You all right now? -Yeah, darling, fine. | 0:18:41 | 0:18:43 | |
Just waiting for a little kidney to get back into place. | 0:18:43 | 0:18:46 | |
It just feels like the world's closing up on me, darling. | 0:18:46 | 0:18:50 | |
There's so much new stuff happening out there and... | 0:18:50 | 0:18:54 | |
I just can't keep up. | 0:18:54 | 0:18:56 | |
-Do you mind, Eddy? -What? -I mean, do you mind? | 0:18:56 | 0:18:58 | |
I know what you're feeling, darling, but really, I just don't even care. | 0:18:58 | 0:19:03 | |
Oh, I suppose there is a certain numbness. Yes. | 0:19:03 | 0:19:07 | |
-I'm quite glad the old gecko didn't show. -Are you? | 0:19:07 | 0:19:10 | |
-Yeah. -Yeah, yeah. Cheers. Yeah. | 0:19:10 | 0:19:13 | |
You all right? | 0:19:13 | 0:19:14 | |
-Yes. -Yes! | 0:19:14 | 0:19:16 | |
PATSY HICCUPS | 0:19:19 | 0:19:21 | |
-Mum? -Mm? -I want you to listen. -Oh, God, here we go. | 0:19:22 | 0:19:27 | |
I don't understand why you're so desperate. | 0:19:27 | 0:19:30 | |
Because it feels like the whole world of doors is closing on me. | 0:19:30 | 0:19:34 | |
Closing, closing, closing. | 0:19:34 | 0:19:35 | |
Of course, but you're blind to the doors that are opening up to you. | 0:19:35 | 0:19:39 | |
Oh, oh, oh. You mean age appropriate doors, darling, | 0:19:39 | 0:19:42 | |
is that what you're talking about? | 0:19:42 | 0:19:43 | |
Well, let me tell you, where I want to be doesn't seem to want me. | 0:19:43 | 0:19:47 | |
Oh, for God's sake. | 0:19:47 | 0:19:48 | |
One of the biggest events ever in the history of London is taking place on your doorstep. | 0:19:48 | 0:19:52 | |
Why have you not taken an interest? | 0:19:52 | 0:19:55 | |
Cher is at the O2? | 0:19:55 | 0:19:57 | |
-The Olympics! -Oh, no, Eddy. | 0:19:59 | 0:20:02 | |
Not bloody sport, darling. | 0:20:02 | 0:20:04 | |
Remember sport in school? | 0:20:04 | 0:20:06 | |
Just big blue pants and blotchy legs and a very tight aertex shirt. | 0:20:06 | 0:20:10 | |
And huge teenage knockers just wobbling, wobbling. | 0:20:10 | 0:20:13 | |
200 metres, blob, blob, blob, blob. | 0:20:13 | 0:20:16 | |
Hurdles. | 0:20:16 | 0:20:18 | |
Hurdles, hurdles, hurdles! Ow! | 0:20:18 | 0:20:21 | |
Are you blaming the games kit? | 0:20:21 | 0:20:23 | |
Yes, what's your excuse? | 0:20:23 | 0:20:25 | |
I was very good at games, you just never came to my sports days. | 0:20:25 | 0:20:29 | |
That's not true. I remember the eggyspoony race. | 0:20:29 | 0:20:31 | |
Yes, and you ate the egg. | 0:20:31 | 0:20:33 | |
-And she... -Yeah I, I shagged the gym master on the long jump pitch. | 0:20:33 | 0:20:37 | |
You see, darling, we were there, we were there. | 0:20:37 | 0:20:41 | |
What are you going to do, just sit in here and fester? | 0:20:41 | 0:20:44 | |
-Oh, piss off! -Piss off. | 0:20:44 | 0:20:46 | |
Fine. | 0:20:51 | 0:20:52 | |
But let me tell you, next time, it might be a case of "Do not revive" on your sad old corpse. | 0:20:53 | 0:20:59 | |
Urgh! | 0:21:01 | 0:21:02 | |
OK, Mama! Mama! Mama, you got something to share? | 0:21:04 | 0:21:09 | |
I'm watching an old Homes Under the Hammer, dear. | 0:21:09 | 0:21:12 | |
Listen, Bo, I don't have sex addiction. You have menopause. | 0:21:12 | 0:21:17 | |
Why can't you see that having menopause is a natural part of being a woman? | 0:21:17 | 0:21:22 | |
Why can't you see that being stupid is a natural part of being a man? | 0:21:22 | 0:21:26 | |
I still have hormones. | 0:21:26 | 0:21:28 | |
Yeah, my ovaries are popping around in there like a pinball machine. | 0:21:28 | 0:21:32 | |
Oh, there goes an egg. | 0:21:32 | 0:21:33 | |
Bo, you're bitchy and sweaty and sleepy and grumpy. | 0:21:33 | 0:21:37 | |
Oh, Marshall, what are those, the menopause dwarves? | 0:21:37 | 0:21:40 | |
OK. That's it. I'm going out. I need some air. | 0:21:40 | 0:21:45 | |
Oh, look who thinks he's God. Well, you know what, | 0:21:45 | 0:21:47 | |
if God were small enough to understand, | 0:21:47 | 0:21:49 | |
I wouldn't be big enough to be God. | 0:21:49 | 0:21:51 | |
-You're not God, Bo. -No, but I'm bigger than you. | 0:21:51 | 0:21:54 | |
Don't go up those stairs. Do not go up those stairs. Do not go up. | 0:21:54 | 0:21:58 | |
Do not go up those stairs! | 0:21:58 | 0:22:01 | |
-Stop running with those little legs! -I'm going out, Bo. | 0:22:01 | 0:22:04 | |
We have all these Michael Douglas invites, | 0:22:04 | 0:22:06 | |
and God damn it, I'm going to use them. | 0:22:06 | 0:22:08 | |
Wait for me, my wild mustang. Somebody get me my lasso! | 0:22:08 | 0:22:12 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
APPLAUSE | 0:22:20 | 0:22:23 | |
Oh, Michael Douglas, plus one. | 0:22:30 | 0:22:33 | |
-What's that for? -Ugh! | 0:22:33 | 0:22:35 | |
It's an invite, darling. Can't tell what it's for, | 0:22:35 | 0:22:37 | |
something gone wrong with their graphics or something. | 0:22:37 | 0:22:40 | |
Mum, that's the Olympics logo. | 0:22:40 | 0:22:42 | |
Is it? | 0:22:44 | 0:22:45 | |
-Oh, oh. -Why don't you go? It's a door. | 0:22:46 | 0:22:49 | |
It's not a door. Will you stop going on about the doors? | 0:22:49 | 0:22:52 | |
-All right, it's a party. -It's a par.. | 0:22:52 | 0:22:54 | |
-Oh! -And there's champagne. | 0:22:54 | 0:22:56 | |
Champagne. | 0:22:56 | 0:22:58 | |
SHE "RETCHES" | 0:22:58 | 0:22:59 | |
Pats... | 0:23:01 | 0:23:03 | |
# This wheel shall explode! # | 0:23:03 | 0:23:06 | |
Darling, it's for SPARTS. I told you. | 0:23:06 | 0:23:09 | |
Not those bloody elasticated pants. | 0:23:09 | 0:23:11 | |
No darling, no darling. SPARTS. Sports and Arts. | 0:23:11 | 0:23:14 | |
It's for the Olympics. | 0:23:14 | 0:23:16 | |
Oh, thank you. | 0:23:16 | 0:23:18 | |
-Hello, can I introduce you to someone? -If you must. | 0:23:18 | 0:23:21 | |
-Dame Kelly Holmes. -Nice to meet you. | 0:23:21 | 0:23:23 | |
-Double Olympic champion, of course. -Dame, is it? | 0:23:23 | 0:23:26 | |
-Yes, that's right. -What's that for? | 0:23:26 | 0:23:28 | |
-Well... -A bit of running, was it? -That's right. Lots of running. | 0:23:28 | 0:23:31 | |
Will you be doing the running in this running races, the Olympics? | 0:23:31 | 0:23:34 | |
No, I've actually retired now, so, erm... Yeah. | 0:23:34 | 0:23:37 | |
I've lost Marshall. I walk away for two seconds and he's gone. | 0:23:37 | 0:23:42 | |
The little Casanova. | 0:23:42 | 0:23:44 | |
Marshall? | 0:23:44 | 0:23:45 | |
Lots and lots of it... | 0:23:49 | 0:23:51 | |
Marshall! | 0:23:51 | 0:23:52 | |
-Don't make a scene, Bo. -Who is this? | 0:23:52 | 0:23:55 | |
Who is this? Who is THIS? This is his wife! | 0:23:55 | 0:23:59 | |
Well, we were only talking. | 0:23:59 | 0:24:01 | |
Bo, this is Tanni. | 0:24:01 | 0:24:02 | |
Tanni, Tanni. | 0:24:02 | 0:24:05 | |
Satan be thy name. | 0:24:05 | 0:24:06 | |
Why don't you take a dagger and thrust it into my heart? | 0:24:06 | 0:24:09 | |
Tanni. Cute name for the devil. | 0:24:09 | 0:24:13 | |
-Tanni, can I help? -Yeah, I'm going to mingle. | 0:24:13 | 0:24:17 | |
Don't let them follow me. | 0:24:17 | 0:24:18 | |
I've got your back. | 0:24:18 | 0:24:20 | |
So, Mark, you're an athlete. What's your distance? | 0:24:22 | 0:24:25 | |
Do you do sort of long and slow or short, powerful bursts? | 0:24:25 | 0:24:29 | |
I'm a sprinter. | 0:24:29 | 0:24:30 | |
-Darling, he's blind. -Yeah. Suits me, darling, that's lucky. | 0:24:32 | 0:24:36 | |
Ladies and gentlemen, in a minute there will be some speeches | 0:24:36 | 0:24:40 | |
-from the Head of the Arts Council. -Let's go, Eddy. | 0:24:40 | 0:24:42 | |
We don't want any speeches. | 0:24:42 | 0:24:43 | |
And Miss Stella McCartney. | 0:24:43 | 0:24:45 | |
Stella?! | 0:24:45 | 0:24:47 | |
Who designed the uniforms and kit for the British team. | 0:24:47 | 0:24:50 | |
Stella games kit? | 0:24:50 | 0:24:52 | |
Darling, if I'd had a Stella games kit, | 0:24:52 | 0:24:54 | |
I would have become a runner, wouldn't I? | 0:24:54 | 0:24:56 | |
I could wear Stella. Stella! | 0:24:56 | 0:24:58 | |
I'm going over there to clear it up once and for all. | 0:25:01 | 0:25:03 | |
If she knew me, she would love me. | 0:25:03 | 0:25:05 | |
Oh, if you do go up to her, remember you're a somebody. | 0:25:05 | 0:25:07 | |
Do it with dignity, Eds, and don't take any nonsense from her. | 0:25:07 | 0:25:10 | |
Oh... Stella! | 0:25:10 | 0:25:11 | |
Stella, Stella. Stella, Stella. | 0:25:11 | 0:25:14 | |
Stella, Stella, Stella. | 0:25:15 | 0:25:18 | |
Stella, why don't you love me? | 0:25:18 | 0:25:20 | |
I don't know you. | 0:25:20 | 0:25:22 | |
But I would look great in your clothes, wouldn't I? | 0:25:22 | 0:25:24 | |
I'm not... I don't think so. | 0:25:24 | 0:25:26 | |
-Stella, Stella. -Don't touch me. | 0:25:26 | 0:25:28 | |
-Patsy knows your dad, sweetheart. -Oh. | 0:25:28 | 0:25:29 | |
Well, I had him once in a small cupboard back stage in Hamburg. | 0:25:29 | 0:25:33 | |
I think it was him. It was one of the four. Might've been Yoko Ono. | 0:25:33 | 0:25:36 | |
This is Mark. He likes us. | 0:25:36 | 0:25:39 | |
He's blind. | 0:25:39 | 0:25:41 | |
But darling, blind is the new black. | 0:25:41 | 0:25:43 | |
Sorry, you're going to have to leave. | 0:25:43 | 0:25:45 | |
-Oh, oh. Steady, steady. -What? What? | 0:25:45 | 0:25:49 | |
What? What? | 0:25:49 | 0:25:50 | |
Sorry about that, Stella. | 0:25:50 | 0:25:52 | |
She's been a nightmare. She has been stalking me. | 0:25:52 | 0:25:55 | |
Eddy, they really upset you. Get up there, get up there. | 0:25:59 | 0:26:02 | |
Last time I ever...be like that, being nice to people. | 0:26:02 | 0:26:07 | |
Ow, ow, ow, ow, ow. | 0:26:11 | 0:26:13 | |
Darling, I don't think we came in this way. | 0:26:13 | 0:26:16 | |
We came out of these doors. | 0:26:16 | 0:26:17 | |
It's empty. | 0:26:30 | 0:26:31 | |
That's because no-one could get tickets, isn't it, darling? | 0:26:31 | 0:26:34 | |
Wow! | 0:26:37 | 0:26:39 | |
ROUSING SPORTS THEME | 0:26:39 | 0:26:40 | |
I actually want to stay! | 0:27:01 | 0:27:03 | |
That's fine, thank you. | 0:27:03 | 0:27:05 | |
You're discouraging me from taking up sport. | 0:27:05 | 0:27:10 | |
Thank you very much, thank you very much. | 0:27:10 | 0:27:12 | |
-This is nice, dear. -Yes, Gran. | 0:27:26 | 0:27:29 | |
Marshall, we can watch the opening ceremonies, | 0:27:29 | 0:27:31 | |
but if I see one body part twitch, I'm tightening the straps. | 0:27:31 | 0:27:34 | |
Leave it, Bo. | 0:27:34 | 0:27:36 | |
Oh, God, what's happening, what's happening? What's happening? | 0:27:36 | 0:27:41 | |
The opening ceremony is just about to start. | 0:27:41 | 0:27:43 | |
Oh, Eddy, look. Oh, Eddy, look, we were there. | 0:27:43 | 0:27:45 | |
That's where we were, the stripey bit. We were there, darling. | 0:27:45 | 0:27:49 | |
Opening ceremony. Right, let's take bets. | 0:27:49 | 0:27:51 | |
Elton John at the piano, Candle in the Wind. | 0:27:51 | 0:27:53 | |
Toupee eight foot above his head. What's the bet? | 0:27:53 | 0:27:55 | |
Marching band. (BOOMING VOICE) Brian Blessed saying something smaaa... | 0:27:55 | 0:27:59 | |
Sad old London buses and break dancers. Yes, come on. | 0:27:59 | 0:28:03 | |
Gran, what are these? | 0:28:03 | 0:28:04 | |
Oh, they're the tickets, dear. | 0:28:04 | 0:28:07 | |
But I don't really see why anyone would want to actually be there | 0:28:07 | 0:28:11 | |
when they can watch it in comfort on the good old Auntie Beeb. | 0:28:11 | 0:28:14 | |
Yes, and there's Clare Balding. | 0:28:14 | 0:28:17 | |
Is she dear? Oh! | 0:28:17 | 0:28:19 | |
ROUSING SPORTS THEME | 0:28:21 | 0:28:23 | |
# Wheels on fire | 0:28:44 | 0:28:47 | |
# Rollin' down the road | 0:28:47 | 0:28:52 | |
# Best notify my next of kin | 0:28:52 | 0:28:57 | |
# This wheel shall explode! # | 0:28:57 | 0:29:02 | |
Subtitles by Red Bee Media Ltd | 0:29:07 | 0:29:10 |