Browse content similar to Job. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Wheel's on fire | 0:00:01 | 0:00:05 | |
# Rolling down the road | 0:00:05 | 0:00:10 | |
# Best notify my next of kin | 0:00:10 | 0:00:15 | |
# This wheel shall explode. # | 0:00:15 | 0:00:20 | |
Why don't you have your meeting here today? Just call your people... | 0:00:22 | 0:00:25 | |
Alarm, alarm, CCTV! | 0:00:25 | 0:00:27 | |
-..and call your people and have the meeting here. -What colour was that colour? | 0:00:27 | 0:00:31 | |
Speed, speed, Patsy. Speed today. | 0:00:31 | 0:00:33 | |
Ah, well, look who it is. | 0:00:57 | 0:01:00 | |
Miss Lazy, Lazy, Lazy Woman. | 0:01:02 | 0:01:05 | |
And her scrawny friend. | 0:01:06 | 0:01:09 | |
Stopping in at the spa because you think you deserve it. | 0:01:09 | 0:01:12 | |
Just like all the other women that come in here. | 0:01:12 | 0:01:15 | |
Lazy, lazy, lazy, lazy women needing time out from their privileged lives. | 0:01:15 | 0:01:21 | |
Spoilt, stupid... | 0:01:21 | 0:01:25 | |
and lazy! | 0:01:25 | 0:01:26 | |
What! | 0:01:27 | 0:01:30 | |
Is your little daughter out of prison now? | 0:01:30 | 0:01:32 | |
Yes, she is. | 0:01:32 | 0:01:33 | |
Are you working today? | 0:01:34 | 0:01:36 | |
I'm working now, thank you. I'm always working. | 0:01:36 | 0:01:39 | |
Oh. | 0:01:39 | 0:01:40 | |
Fat woman. | 0:01:40 | 0:01:41 | |
Come in here and you stuff your rich face with naughty cupcakes | 0:01:43 | 0:01:46 | |
and then cry, "Oh, I have to go for a detox." | 0:01:46 | 0:01:49 | |
Well, there's not enough herbs and lemon can take the poison out of you. | 0:01:49 | 0:01:53 | |
Look at the yummy mummies come in here. | 0:01:55 | 0:01:57 | |
Soft, skinny women come in and have their sad little bones massaged. | 0:01:57 | 0:02:03 | |
So tired, so stressed from having two children and a big house. | 0:02:03 | 0:02:09 | |
And then telling me how poor they are and how I've made them sane again. | 0:02:09 | 0:02:13 | |
"Oh, do you know the Cotswolds?" | 0:02:13 | 0:02:18 | |
I want to kill them. Kill them! | 0:02:18 | 0:02:21 | |
Get me the Harper's and Tatler. | 0:02:21 | 0:02:23 | |
Ooh, hey. | 0:02:27 | 0:02:31 | |
-What? -You've mellowed. | 0:02:31 | 0:02:33 | |
-Yeah, I like these nails. -Fabulous. -Although I quite like gels, I might have mixes. | 0:02:54 | 0:02:58 | |
I don't know what to have next time. Are you working, darling, today? | 0:02:58 | 0:03:02 | |
-Yeah, I've got my office set up. -Oh, working here? -Yeah. A little Chanel, ha ha ha! | 0:03:02 | 0:03:07 | |
-Well, not all day. I'll see you for lunch. -No, no, I'll see you at lunch. | 0:03:07 | 0:03:11 | |
So, January issue. | 0:03:11 | 0:03:12 | |
Bulimic. | 0:03:17 | 0:03:18 | |
Foetus. | 0:03:20 | 0:03:21 | |
I can see a pube. | 0:03:22 | 0:03:24 | |
SHE SNIFFS | 0:03:25 | 0:03:27 | |
-Right, so... -No, don't panic. We don't have to work yet. | 0:03:31 | 0:03:34 | |
No, the intern's not here yet. | 0:03:34 | 0:03:37 | |
Oh, fabulous. | 0:03:37 | 0:03:38 | |
Oh, darling, what's happened? A little bit of a Princess Margaret? | 0:03:38 | 0:03:42 | |
No, well... | 0:03:42 | 0:03:44 | |
Oh, go on, tell her. It's hysterical! | 0:03:44 | 0:03:47 | |
-It's not hysterical. In fact, it's very painful. -No, really, it's very funny. | 0:03:48 | 0:03:55 | |
Look, just tell me what happened. | 0:03:55 | 0:03:57 | |
Well, I...had a fish pedicure. | 0:03:57 | 0:04:00 | |
Which is not what it sounds because fish don't have feet. | 0:04:01 | 0:04:05 | |
No, it's where they nibble off all the hard bits and one nibbled | 0:04:05 | 0:04:09 | |
on a soft bit and once one had drawn blood it was a feeding frenzy. | 0:04:09 | 0:04:13 | |
Where is that bloody intern? I want to finish this before lunch. | 0:04:13 | 0:04:16 | |
I thought we might run something on the credit crunch. | 0:04:16 | 0:04:19 | |
The what? | 0:04:19 | 0:04:21 | |
The credit crunch. | 0:04:21 | 0:04:23 | |
The what? | 0:04:23 | 0:04:24 | |
The credit crunch. | 0:04:24 | 0:04:26 | |
-The what? -The recession. | 0:04:26 | 0:04:29 | |
Oh, don't be an idiot. Our super-rich readers are untouched by the recession. | 0:04:29 | 0:04:33 | |
This magazine is the Argos catalogue for the fabulous, | 0:04:33 | 0:04:38 | |
diamond-studded whores of the oligarchs. | 0:04:38 | 0:04:42 | |
Darling, they know nothing of the breadline. | 0:04:42 | 0:04:45 | |
They don't do carbs, they do caviar. | 0:04:45 | 0:04:47 | |
Sorry. | 0:04:50 | 0:04:51 | |
-I've been waiting. -Sorry. | 0:04:51 | 0:04:54 | |
So, did you meet the advertisers? | 0:04:54 | 0:04:56 | |
-Um, yeah. -And did you check out this month's productions? | 0:04:56 | 0:04:59 | |
Yeah. | 0:04:59 | 0:05:00 | |
-Did you talk through the layouts? -Oh, yeah. -Did you do all the returns? -Yes. | 0:05:00 | 0:05:04 | |
And, oh, I had lunch with Karl Lagerfeld. | 0:05:04 | 0:05:06 | |
Why? | 0:05:06 | 0:05:08 | |
He's this month's main feature. | 0:05:09 | 0:05:11 | |
-Oh. -I love Karl. -Adore. | 0:05:11 | 0:05:15 | |
But what's happening with his ponytail? | 0:05:15 | 0:05:18 | |
Oh, he's thinning. | 0:05:18 | 0:05:19 | |
He's bald! Darling, he's got a comb-over from a nose hair. | 0:05:19 | 0:05:23 | |
Genius! | 0:05:24 | 0:05:26 | |
-I need more fags. -Wha... But... | 0:05:26 | 0:05:29 | |
Don't "but" me, you little snotrag, just go. | 0:05:29 | 0:05:32 | |
THEY LAUGH | 0:05:32 | 0:05:35 | |
Why am I doing this? | 0:05:45 | 0:05:46 | |
It's work experience. | 0:05:46 | 0:05:49 | |
Right, here we go, here we go... | 0:05:49 | 0:05:51 | |
Oh, ah, ooh, ah, ah, ooh, darling? I need this table. | 0:05:51 | 0:05:55 | |
Mum, I'm having a meeting about the charity. | 0:05:55 | 0:05:57 | |
-Oh, God, is this a new one? -Who? -That. | 0:05:57 | 0:06:03 | |
Just don't speak to me, please, Mum. Leave me alone and get on with your own useless existence. | 0:06:03 | 0:06:07 | |
-Oh... -SHE SNORTS | 0:06:07 | 0:06:08 | |
Right, agenda. Now, we need to talk about the Keecha Project and Wellgild | 0:06:09 | 0:06:16 | |
and I need a field report on fundraising activities. How was it? | 0:06:16 | 0:06:20 | |
-Really hard. -SHE SOBS -Oh, sorry. | 0:06:20 | 0:06:24 | |
For heaven's sake. | 0:06:24 | 0:06:25 | |
All right, I've got ideas. Take down my ideas. | 0:06:25 | 0:06:28 | |
-Here we go, here we go, here we go. Brainstorm. -Stop it! -What? | 0:06:28 | 0:06:31 | |
-She's writing on it. -On the pad. | 0:06:31 | 0:06:33 | |
-No. -That's ridiculous. | 0:06:33 | 0:06:36 | |
Why are you doing that? | 0:06:36 | 0:06:38 | |
It's a pad! | 0:06:38 | 0:06:40 | |
She's an idiot. She knows nothing. | 0:06:42 | 0:06:45 | |
No, I know too much. That's why I'm here. | 0:06:45 | 0:06:50 | |
Yeah, all right. | 0:06:50 | 0:06:51 | |
-Shall I do it? -No, you just do what you're paid to do. | 0:06:51 | 0:06:54 | |
-I don't get paid. -All right, do what you're not paid to do. | 0:06:54 | 0:06:57 | |
Do the mid-morning lunch run. Go on, two sushis and a bacon sandwich now! | 0:06:57 | 0:07:01 | |
Have you got a report? | 0:07:02 | 0:07:04 | |
Day one, welcome songs and speech. | 0:07:04 | 0:07:07 | |
Day two, drive into Kasumu City buying materials for the chicken coop. | 0:07:07 | 0:07:13 | |
Day three, thought I had malaria but it was just sunstroke. | 0:07:13 | 0:07:20 | |
SHE SOBS | 0:07:20 | 0:07:21 | |
God, stop it. Will you stop it? | 0:07:21 | 0:07:24 | |
All right, just...stop it now, just send it to me. | 0:07:24 | 0:07:28 | |
I should've gone. I know Africa. I'm married to an African. | 0:07:28 | 0:07:31 | |
I have a child in Africa. | 0:07:31 | 0:07:32 | |
-Yeah, child in Africa, mm-mmm. -Just go. | 0:07:32 | 0:07:36 | |
But what about the fundraising, the bring-and-buy, the car washathon? | 0:07:36 | 0:07:41 | |
Just go, please. | 0:07:41 | 0:07:42 | |
The car washathon? | 0:07:46 | 0:07:47 | |
Shut up. | 0:07:47 | 0:07:48 | |
A car washathon, darling? | 0:07:49 | 0:07:51 | |
How much is that going to raise? Sixpence, is it, sweetheart? | 0:07:53 | 0:07:56 | |
Actually, I could get you people who could fill your coffers, darling. | 0:07:56 | 0:08:00 | |
-I could get you Liz Hurley. Get Liz Hurley. -Elizabeth Hurley? -Yes. | 0:08:00 | 0:08:03 | |
Eeh, come on, old girl. | 0:08:03 | 0:08:06 | |
SHE NEIGHS | 0:08:06 | 0:08:09 | |
Someone muck her out whilst I take her down the red carpet. | 0:08:11 | 0:08:15 | |
Clip, clop, clip, clop. It's only another charity do, Lizzy. | 0:08:15 | 0:08:20 | |
-Take her out, take her out. Take her upstairs. -Come on, let me put you out to grass. | 0:08:23 | 0:08:29 | |
-Can you manage these stairs with your Gucci hooves? -Oh, just... | 0:08:29 | 0:08:34 | |
Clippety clop, clippety clop. Neigh, neigh, neigh. | 0:08:34 | 0:08:38 | |
Darling. | 0:08:43 | 0:08:45 | |
Shall I rub your marma points, marma points, marma points? | 0:08:46 | 0:08:49 | |
It's a Kabbalistic tool. | 0:08:49 | 0:08:51 | |
All right, Mum, I was just... I was just thinking about Jane. | 0:08:51 | 0:08:54 | |
Oh, Lola, darling? Is she going to come back from Africa soon, darling? | 0:08:54 | 0:08:57 | |
Why would I want Jane to have anything to do with you? | 0:08:57 | 0:09:00 | |
A sad, fat woman who contributes nothing to this world? | 0:09:00 | 0:09:04 | |
-I work, darling, I work. -No, no, you don't. | 0:09:05 | 0:09:08 | |
You have spent all morning having your nails done. | 0:09:08 | 0:09:11 | |
You live off other people. You invent a purpose for yourself. | 0:09:11 | 0:09:14 | |
That is not a real job. | 0:09:14 | 0:09:16 | |
You only have two clients and they both hate you. | 0:09:16 | 0:09:18 | |
You're a sad, useless failure that nobody wants to know. | 0:09:20 | 0:09:23 | |
Now why would Jane want to know you? | 0:09:23 | 0:09:25 | |
You were a terrible mother and you're an even worse grandmother. | 0:09:27 | 0:09:31 | |
With very good nails. | 0:09:35 | 0:09:37 | |
Oh, cheer up, Eddy. Don't let the little tick get to you. | 0:09:42 | 0:09:46 | |
Darling, from the mouths of little ticks sometimes come little tick truths. | 0:09:46 | 0:09:50 | |
Are you eating? | 0:09:52 | 0:09:53 | |
No, I got it for you. | 0:09:53 | 0:09:54 | |
Darling, I'm trying not to eat. I don't want two lunches. | 0:09:54 | 0:09:57 | |
But I like doing things for you, Eddy. | 0:09:57 | 0:09:59 | |
-Just chew and spit. Don't waste it. -All right, I won't waste it. | 0:09:59 | 0:10:02 | |
I'm sorry, madam, you can't smoke in here. | 0:10:02 | 0:10:05 | |
Mais avez-vous aucune idee qui suis-je? Mmm? | 0:10:05 | 0:10:09 | |
-Eddy, Eddy, Eddy, Eddy? -Yes, Pats, Pats? | 0:10:09 | 0:10:11 | |
Eddy, do you know who that is? | 0:10:11 | 0:10:13 | |
-No. -Christ, it's Jeanne Durand. | 0:10:15 | 0:10:17 | |
-Jeanne Durand? -Yeah, it's THE Jeanne Durand. | 0:10:17 | 0:10:20 | |
THE Durand. | 0:10:20 | 0:10:22 | |
I go for a cigarette, you make a decision. | 0:10:22 | 0:10:25 | |
-Imagine who she's worked with. -Yeah. | 0:10:30 | 0:10:32 | |
Truffaut, Chabrol, Polanski. | 0:10:32 | 0:10:34 | |
Names, names, names. | 0:10:34 | 0:10:35 | |
French names, French names, French names. | 0:10:35 | 0:10:37 | |
Jeanne Durand. Saffy likes Jeanne Durand. | 0:10:37 | 0:10:40 | |
-She's got her poster in her room. -Well, I like Jeanne Durand. -Yeah, you do. | 0:10:40 | 0:10:43 | |
The look that speaks volumes and the mouth that says nothing. | 0:10:43 | 0:10:46 | |
-Yeah. She looks good, doesn't she? -Yeah. Well, she's French. | 0:10:46 | 0:10:49 | |
Yeah, I know, darling, but you know, Bardot? | 0:10:49 | 0:10:52 | |
Well, if you can't save the face, save the animals. | 0:10:52 | 0:10:55 | |
Whose idea was this? | 0:10:58 | 0:10:59 | |
Come on. Let's get out of here before she comes back. | 0:10:59 | 0:11:02 | |
Jeanne Durand. | 0:11:02 | 0:11:04 | |
Darling, imagine how proud Saffy would be, and Lola, darling, | 0:11:04 | 0:11:08 | |
if I knew Jeanne Durand. "Come over for lunch because Jeanne Durand's going to be there. | 0:11:08 | 0:11:13 | |
"Come over for dinner, meet Jeanne Durand." | 0:11:13 | 0:11:15 | |
I would be the person who had Jeanne Durand. | 0:11:15 | 0:11:18 | |
-Darling, I could represent her. -Whoa, steady, darling, steady. -What, what? | 0:11:18 | 0:11:22 | |
-Well, the woman's not... -What? -She's not an idiot. | 0:11:22 | 0:11:25 | |
So, what is the decision? | 0:11:26 | 0:11:28 | |
I'm not happy, I can tell you. | 0:11:30 | 0:11:31 | |
Oh, dear. | 0:11:31 | 0:11:33 | |
Can we make you happy? | 0:11:33 | 0:11:34 | |
You see, why can't you understand? | 0:11:34 | 0:11:38 | |
I don't want to be heavy, I want to be light. | 0:11:38 | 0:11:41 | |
-I've always been a comic actress. -Yeah, yeah. -I'm laughing now. | 0:11:41 | 0:11:45 | |
But really, I want to sing. | 0:11:45 | 0:11:48 | |
I only have ever wanted to sing. | 0:11:48 | 0:11:51 | |
Of course, of course. Like Marlene, like Piaf. | 0:11:51 | 0:11:53 | |
Le Petit Filou. | 0:11:53 | 0:11:55 | |
Oui, absolument. | 0:11:55 | 0:11:57 | |
A singer, singing, yes... | 0:11:57 | 0:11:59 | |
FORK CLATTERS | 0:11:59 | 0:12:00 | |
Darling, darling, darling, can she sing, can she sing? | 0:12:00 | 0:12:03 | |
-Of course she can sing. She was one of the Singing Umbrellas Of Cherbourg. -Perfect. | 0:12:03 | 0:12:07 | |
Yes, of course, Miss Durand. I mean, what would you like to sing? | 0:12:07 | 0:12:11 | |
Gainsbourg, Piaf, Brel. Light, light. | 0:12:11 | 0:12:15 | |
Go for it, Eddy. | 0:12:15 | 0:12:16 | |
Yes, well, I'd be very proud to represent you in a tour of singing. | 0:12:16 | 0:12:22 | |
La Durand, Carnegie Hall. | 0:12:24 | 0:12:27 | |
Yes, perfect. | 0:12:27 | 0:12:29 | |
J-j-je suis tres... (happy, happy, happy...) | 0:12:29 | 0:12:32 | |
-Heureuse. -Heureuse! And... (grateful, grateful...) | 0:12:32 | 0:12:35 | |
Gras. | 0:12:35 | 0:12:36 | |
Je suis tres heureuse et tres, tres gras. | 0:12:36 | 0:12:38 | |
Oui. | 0:12:38 | 0:12:40 | |
Oi, garcon. Champagne. | 0:12:40 | 0:12:41 | |
PIANO PLAYS | 0:12:43 | 0:12:45 | |
What have you got on here at the moment? | 0:12:46 | 0:12:49 | |
The Proms. | 0:12:49 | 0:12:50 | |
Oh, yes, I love the Proms. | 0:12:50 | 0:12:52 | |
So do I. It's been so popular that we've actually had to stop people clapping between movements. | 0:12:52 | 0:12:59 | |
At the Proms? Anyway, I want it for Jeanne Durand. | 0:12:59 | 0:13:03 | |
Yeah, Jeanne Durand. THE Jeanne Durand. | 0:13:03 | 0:13:06 | |
An Evening With. Singing. | 0:13:06 | 0:13:08 | |
I'm just going out here. Can you say something? I'll see if I can hear you. | 0:13:08 | 0:13:11 | |
-Oh, all right, darling. -I absolutely adore Durand. | 0:13:11 | 0:13:14 | |
-This couldn't be a more perfect venue. -Well, we'll see, frankly. | 0:13:14 | 0:13:17 | |
Can you hear me, Eds? | 0:13:17 | 0:13:18 | |
Yes, I can hear you, darling. Can you hear me? | 0:13:18 | 0:13:21 | |
Yeah. Sing something. | 0:13:21 | 0:13:23 | |
She will be using microphones, presumably? | 0:13:23 | 0:13:25 | |
-Yeah, have you got mics? -Yes. -Good. | 0:13:25 | 0:13:27 | |
Sing, Eds. | 0:13:27 | 0:13:29 | |
What should I sing, what to sing, what to sing, what to sing...? | 0:13:29 | 0:13:32 | |
SHE HUMS TUNELESSLY | 0:13:32 | 0:13:34 | |
# Walking down the road | 0:13:34 | 0:13:36 | |
# Walking down the road | 0:13:36 | 0:13:40 | |
# Walking down the road | 0:13:40 | 0:13:43 | |
# Looking at the trees | 0:13:43 | 0:13:47 | |
# People passing by | 0:13:47 | 0:13:50 | |
# They say, "How do you look so great for your age today?" | 0:13:50 | 0:13:56 | |
# I dunno, I dunno... | 0:13:56 | 0:13:59 | |
Hello? Hello? | 0:13:59 | 0:14:01 | |
What? | 0:14:02 | 0:14:04 | |
So, when did you want to book the hall? I have dates in 2015. | 0:14:04 | 0:14:08 | |
2015?! No, soon. | 0:14:08 | 0:14:10 | |
Don't give me 2015 or I'll have you clapping between movements for the rest of your life. | 0:14:10 | 0:14:16 | |
We only have one night in the next four years | 0:14:16 | 0:14:19 | |
and that's this Sunday night. Someone died. | 0:14:19 | 0:14:23 | |
Good. | 0:14:23 | 0:14:24 | |
Book us in. Durand Sings. | 0:14:24 | 0:14:27 | |
I've just been on the phone to the Albert Hall, darling. It's all booked. | 0:14:29 | 0:14:32 | |
-I've struck a pretty good deal - 70/40 split. What do you think? -Oh, well done, Eddy. | 0:14:32 | 0:14:37 | |
Did you check on her this morning? | 0:14:37 | 0:14:38 | |
-Yes, darling, she's alive, she's alive. -Is she staying here? | 0:14:38 | 0:14:42 | |
-Yes. She's upstairs. -Who is, dear? -Jeanne Durand. | 0:14:42 | 0:14:45 | |
Oh, I'm a huge fan. | 0:14:45 | 0:14:47 | |
-Which one is here, dear? -What? | 0:14:47 | 0:14:50 | |
-Well, is it Simon Le Bon? -No. | 0:14:50 | 0:14:52 | |
-Or is it the pretty one who still puts his face on? -No, no. | 0:14:52 | 0:14:56 | |
Not Duran Duran, Jeanne Durand! | 0:14:56 | 0:14:59 | |
Lots of..."Oui! La belle de nuit!" | 0:14:59 | 0:15:01 | |
She was Julia's Knee. | 0:15:01 | 0:15:02 | |
-MUFFLED: -She was Julia's Knee. -Jeanne Durand? | 0:15:02 | 0:15:05 | |
Oh, not her, Eddy! Can't we keep this just to ourselves? | 0:15:05 | 0:15:07 | |
Yeah, darling, Jeanne Durand. | 0:15:10 | 0:15:12 | |
She's upstairs. | 0:15:12 | 0:15:14 | |
I represent her now, darling. | 0:15:14 | 0:15:16 | |
We're working up a little set for the Albert Hall. | 0:15:16 | 0:15:18 | |
"Durand Sings." | 0:15:18 | 0:15:20 | |
That's shut you up, hasn't it? Hmm? | 0:15:21 | 0:15:23 | |
Shut you up, hasn't it? | 0:15:24 | 0:15:26 | |
Bubble, have you called all the people? | 0:15:26 | 0:15:29 | |
I want it in all the national papers, all the gay press. We'll have a listening party - | 0:15:29 | 0:15:33 | |
a private soiree for the critics round at my house. | 0:15:33 | 0:15:35 | |
Worldwide coverage, television interviews. Stop press! | 0:15:35 | 0:15:38 | |
Or shall I just Twitter? | 0:15:38 | 0:15:40 | |
Yeah, that should do it. | 0:15:41 | 0:15:43 | |
-Oh, dear. -Darling, darling, darling. | 0:15:43 | 0:15:45 | |
She's here, she's here, she's here. Jeanne Durand, Jeanne Durand. | 0:15:45 | 0:15:48 | |
CRASH! | 0:15:48 | 0:15:50 | |
Miss Durand. | 0:15:52 | 0:15:54 | |
Here, Miss Durand, Miss Durand, Miss Durand. | 0:15:54 | 0:15:57 | |
Miss Durand, Miss Durand. | 0:15:57 | 0:15:59 | |
Saffy, this is Jeanne Durand. Saffy. | 0:16:02 | 0:16:04 | |
This is my daughter, Saffron. Jeanne Durand. | 0:16:04 | 0:16:07 | |
Madame, vous etes magnifique | 0:16:07 | 0:16:09 | |
et j'ai tous vos films sur une etagere speciale dans ma chambre. | 0:16:09 | 0:16:13 | |
Go away, go away. | 0:16:13 | 0:16:16 | |
This is...this is my mother who's just leaving. | 0:16:16 | 0:16:19 | |
-Of course, it's Nick Rhodes! -It's not Nick Rhodes. | 0:16:20 | 0:16:23 | |
-He'll be wearing that eye shadow till the day he dies. -Stop it. | 0:16:26 | 0:16:29 | |
Go, go, go. | 0:16:29 | 0:16:30 | |
-Patsy, get her something, get her something. -French breakfast. | 0:16:30 | 0:16:34 | |
-Yes. -Nicotine macchiato. -There we go. | 0:16:34 | 0:16:36 | |
-So, dites-moi... -Yes, dites-moi. | 0:16:39 | 0:16:41 | |
When do we work? I like to work. How long do we have? | 0:16:41 | 0:16:44 | |
-Just under a week. -Nearly a week. | 0:16:44 | 0:16:45 | |
-Good, good, so we must work hard. -We must work hard. | 0:16:45 | 0:16:48 | |
-Work, work, work. -Work, work, work. | 0:16:48 | 0:16:50 | |
I love to work. | 0:16:50 | 0:16:51 | |
-I love to work. Yes, we must work. -DOOR BUZZER | 0:16:51 | 0:16:54 | |
-Who's that? -Pianist's here. -Work, work. Oh, pianist is here! | 0:16:54 | 0:16:57 | |
We could work now. Let's work. | 0:16:57 | 0:16:58 | |
Later, later. | 0:16:58 | 0:17:00 | |
-I'm not a machine. -OK. She's not a machine. | 0:17:03 | 0:17:05 | |
She's not a machine. Anyway, je suis tres, tres gras, tres gras. | 0:17:05 | 0:17:09 | |
-No, Mum, don't speak French! -She is French! That's why I'm speaking French. | 0:17:09 | 0:17:12 | |
Yes, but you're telling her you're a fatty. | 0:17:12 | 0:17:14 | |
Even in French, the truth will out. | 0:17:22 | 0:17:25 | |
Oh, thank you very much(!) | 0:17:25 | 0:17:28 | |
Ah, one of my favourites. | 0:17:29 | 0:17:33 | |
PIANIST PLAYS: "La Vie En Rose" | 0:17:35 | 0:17:37 | |
SHE MUMBLES | 0:17:45 | 0:17:48 | |
PIANO STOPS | 0:17:56 | 0:17:57 | |
No, no. I will try again. I think it was the wrong key for me. | 0:17:59 | 0:18:03 | |
PIANO STARTS AGAIN | 0:18:06 | 0:18:08 | |
(Saffy, Saffy, Saffy, get out, get out, get out, get out.) | 0:18:10 | 0:18:14 | |
Get out of here. What are you doing? Jeanne is singing. | 0:18:14 | 0:18:18 | |
-I can't hear anything. -Well, she's...she's warming up, darling. | 0:18:18 | 0:18:22 | |
Get out. Get out, get out, get out. | 0:18:22 | 0:18:24 | |
JEANNE MUMBLES | 0:18:24 | 0:18:27 | |
Wonderful lyrics. | 0:18:34 | 0:18:37 | |
Uh-oh! | 0:18:38 | 0:18:41 | |
Pats, you said she could sing. | 0:18:42 | 0:18:44 | |
JEANNE MUMBLES | 0:18:49 | 0:18:51 | |
Stop, stop, stop, stop. | 0:18:51 | 0:18:54 | |
What now? | 0:18:54 | 0:18:56 | |
Well, go on, tell her, tell her. She'll take it from you. | 0:18:56 | 0:19:00 | |
-Jeanne, this is Baby Bunton. -Emma. | 0:19:00 | 0:19:03 | |
This is Emma Bunton. | 0:19:03 | 0:19:06 | |
-Jeanne...I can't hear you. -Can't hear you. | 0:19:06 | 0:19:09 | |
That's because I've stopped singing. | 0:19:09 | 0:19:12 | |
-No... -No, when you were singing, we couldn't hear. -Couldn't hear you. | 0:19:12 | 0:19:18 | |
Well, you know why. | 0:19:18 | 0:19:20 | |
You are young. | 0:19:20 | 0:19:21 | |
You spend your life like all the young people with the headphones. | 0:19:21 | 0:19:25 | |
Whaa, whaa, whaa, whaa, whaa! | 0:19:25 | 0:19:27 | |
Loud music, everyone walking down the streets starring in their own movie. | 0:19:27 | 0:19:32 | |
-Oh, God. -Nobody listens. | 0:19:32 | 0:19:35 | |
Are you a singer? | 0:19:35 | 0:19:36 | |
Yes, she's a sort of singer, aren't you, sweetheart? | 0:19:36 | 0:19:39 | |
I am a singer! | 0:19:42 | 0:19:44 | |
She is a singer. Well, sing her one of your songs. Go on. | 0:19:44 | 0:19:47 | |
# Promise I made Promise I made... # | 0:19:47 | 0:19:50 | |
That...that is Girls Aloud. | 0:19:51 | 0:19:53 | |
Well, sing her one of your Spicies. | 0:19:53 | 0:19:55 | |
-DOOR BUZZER -# Mama, I... | 0:19:55 | 0:19:58 | |
Oh, no, no. You're shouting at me! That's not singing. | 0:19:58 | 0:20:01 | |
Oh, for God's sake. Oh, thank God, it's Lulu! | 0:20:01 | 0:20:05 | |
Thank God for Lulu. | 0:20:05 | 0:20:08 | |
Thank God! | 0:20:08 | 0:20:09 | |
-Oh, God. -You said you had a job for me, right? | 0:20:09 | 0:20:13 | |
Yeah, darling, this is the job. We've got to get her to sing. | 0:20:13 | 0:20:17 | |
Yeah, but what do I make out of this? | 0:20:17 | 0:20:19 | |
Darling, you get champagne. Champagne for Lulu. Get champagne. | 0:20:19 | 0:20:22 | |
-Cupcakes for Lulu! -EDDY CHUCKLES WEAKLY | 0:20:24 | 0:20:27 | |
Money for Lulu. | 0:20:27 | 0:20:28 | |
-Ah! -Ah. | 0:20:28 | 0:20:31 | |
-OK. -Come on, come on, let Lulu through. | 0:20:31 | 0:20:34 | |
She needs volume. | 0:20:34 | 0:20:35 | |
-Oh, I can do that. -She can do volume. | 0:20:35 | 0:20:38 | |
Now, let me see. You have to project. | 0:20:38 | 0:20:40 | |
-You have to push your voice right into the mic. -I've tried that. | 0:20:40 | 0:20:44 | |
Will you let me take care of this? | 0:20:44 | 0:20:46 | |
I am a little bit more experienced and just a little bit older. | 0:20:46 | 0:20:49 | |
Uh, a lot older! | 0:20:49 | 0:20:52 | |
So, darling, darling, darling, darling, | 0:20:53 | 0:20:56 | |
Lulu, Lulu...I've just got to get her to hold the mic closer to her mouth, all right? | 0:20:56 | 0:21:01 | |
Call yourself professionals, you two! Come on! Come on. | 0:21:01 | 0:21:04 | |
Can you not smoke? I don't want to die young. | 0:21:04 | 0:21:07 | |
-Why not die young? Life is so overrated. -Oh. | 0:21:07 | 0:21:10 | |
Do you see what I'm working with? Lulu, Lulu, | 0:21:10 | 0:21:13 | |
I've booked the Albert Hall for her! Yes! | 0:21:13 | 0:21:17 | |
Jeanne, Lulu is a singer. | 0:21:17 | 0:21:19 | |
-Yes. -Shall I sing? | 0:21:19 | 0:21:21 | |
-Yeah go on. -All right. Listen. -LULU BREATHES IN | 0:21:21 | 0:21:24 | |
Oh, actually, no, no, no, don't, don't. | 0:21:24 | 0:21:26 | |
No, don't, no, don't. | 0:21:26 | 0:21:28 | |
-I tried that as well. -Yeah, we tried that, we tried that. | 0:21:30 | 0:21:34 | |
-OK. -Just... Go on. -Look, look, look, Jeanne, | 0:21:34 | 0:21:36 | |
they want to hear you, | 0:21:36 | 0:21:38 | |
-you know? So you've got to give yourself to them. -No, no, no. | 0:21:38 | 0:21:41 | |
-When I sing, they come to me. -Oh, God. | 0:21:41 | 0:21:44 | |
They'd have to be sitting on your dentures to hear you, that's for sure. | 0:21:44 | 0:21:47 | |
Look, you've got to sing up. | 0:21:49 | 0:21:51 | |
You just grab the mic, you sing right into the mic, make a noise. | 0:21:51 | 0:21:54 | |
-A noise. -Sing, woman! -Sing...voice. -Use your voice and sing! | 0:21:54 | 0:21:59 | |
-No, no, no, no, no, no. You are killing my muse. -Oh. | 0:21:59 | 0:22:02 | |
-What do you think I am, an entertainer? -Oh, for God's sake. | 0:22:02 | 0:22:06 | |
Jeanne, Jeanne, Jeanne, Jeanne, Jeanne, Jeanne... | 0:22:06 | 0:22:10 | |
What? | 0:22:10 | 0:22:11 | |
You know what. She can't sing, can she? | 0:22:11 | 0:22:13 | |
Darling, this is work in progress, all right? | 0:22:13 | 0:22:17 | |
-I think she's deaf. -Well, I think you're deaf! | 0:22:17 | 0:22:20 | |
-And I think she's an idiot. -Well, I think you're an idiot! | 0:22:22 | 0:22:26 | |
Mum, what are you going to do? You can't let her do this. | 0:22:28 | 0:22:31 | |
Darling, I'm doing this for you, aren't I? After all you said. | 0:22:31 | 0:22:34 | |
I'm doing this to make Lola proud. You love Jeanne Durand | 0:22:34 | 0:22:37 | |
and if I've got Jeanne Durand, I can't be a failure, can I? | 0:22:37 | 0:22:40 | |
Granny must be doing something right. | 0:22:40 | 0:22:42 | |
Mum, stop it now. | 0:22:42 | 0:22:43 | |
No. Where did she go? | 0:22:43 | 0:22:47 | |
-She's in the cupboard. -Oh, God. | 0:22:47 | 0:22:49 | |
Jeanne, it's a cupboard! | 0:22:52 | 0:22:54 | |
Oh, dear. | 0:22:55 | 0:22:57 | |
Shut up! Anyway, darling, she'll be all right tomorrow. I've put her to bed now. | 0:22:57 | 0:23:01 | |
No, she won't. | 0:23:01 | 0:23:03 | |
Well, then I'll change the name of the show. | 0:23:03 | 0:23:05 | |
Oh, to what? | 0:23:05 | 0:23:07 | |
Jeanne Durand Talking Songs. | 0:23:08 | 0:23:10 | |
You'll be a laughing stock. | 0:23:10 | 0:23:13 | |
-No, I've got till tomorrow evening, sweetheart. -Afternoon. | 0:23:13 | 0:23:16 | |
-Evening. -Afternoon. | 0:23:16 | 0:23:18 | |
You've got the listening party | 0:23:18 | 0:23:20 | |
with all the big critics tomorrow here in the afternoon. | 0:23:20 | 0:23:23 | |
-Oh, shit. -Eddy, darling... -What? | 0:23:23 | 0:23:26 | |
-I'm your best friend and I've never let you down... -No, never. | 0:23:26 | 0:23:29 | |
-..and I've never asked you to do this before. But, no, Eddy, don't do it. -Oh! | 0:23:29 | 0:23:33 | |
PIANIST PLAYS | 0:23:34 | 0:23:36 | |
LOW MURMUR OF CONVERSATIONS | 0:23:36 | 0:23:38 | |
Cheers, cheers. | 0:23:48 | 0:23:51 | |
It's amazing that nobody has had this idea before. | 0:23:51 | 0:23:54 | |
-"Durand Sings." -Durand Sings, yes. | 0:23:54 | 0:23:57 | |
Because of course we all remember her as one of the Singing Umbrellas Of Cherbourg. | 0:23:57 | 0:24:02 | |
Oh, Cherbourg. Yes, yes. | 0:24:02 | 0:24:03 | |
So, Mark, do you like Jeanne Durand? | 0:24:03 | 0:24:06 | |
Yeah, I think I first fell in love with her bouche. | 0:24:06 | 0:24:09 | |
-You've seen her bouche? -Of course. | 0:24:14 | 0:24:17 | |
I thought you were a happily married man. | 0:24:17 | 0:24:19 | |
Ladies and gentlemen, Edina Monsoon presents... | 0:24:35 | 0:24:40 | |
Miss Jeanne Durand. | 0:24:40 | 0:24:43 | |
PIANO PLAYS | 0:24:43 | 0:24:47 | |
Thank you. Thank you. | 0:24:52 | 0:24:55 | |
Well, let me just say... | 0:24:55 | 0:24:59 | |
I'm not an actor. | 0:24:59 | 0:25:00 | |
I am. | 0:25:01 | 0:25:03 | |
I'm not a singer. | 0:25:03 | 0:25:05 | |
I am song. | 0:25:05 | 0:25:07 | |
I don't smoke. | 0:25:12 | 0:25:13 | |
I am a cigarette. | 0:25:14 | 0:25:16 | |
Yeah, all right, all right. Jeanne, Miss Jeanne Durand. | 0:25:16 | 0:25:20 | |
-I'm not a photograph... -Oh, for God's sake. -..I'm a painting by Matisse. | 0:25:21 | 0:25:25 | |
Just start, just start. | 0:25:25 | 0:25:27 | |
# Ne me quitte pas | 0:25:31 | 0:25:35 | |
# Il faut oublier | 0:25:35 | 0:25:38 | |
# Tout peut s'oublier | 0:25:38 | 0:25:41 | |
# Qui s'enfuit deja | 0:25:41 | 0:25:43 | |
# Oublier le temps | 0:25:43 | 0:25:45 | |
# Des malentendus | 0:25:45 | 0:25:47 | |
# Et le temps perdu | 0:25:47 | 0:25:50 | |
# A savoir comment | 0:25:50 | 0:25:53 | |
# Oublier ces heures | 0:25:53 | 0:25:55 | |
# Qui tuaient parfois | 0:25:55 | 0:25:57 | |
# A coups de pourquoi | 0:25:57 | 0:26:00 | |
# Le coeur du bonheur | 0:26:00 | 0:26:03 | |
# Ne me quitte pas | 0:26:04 | 0:26:07 | |
# Ne me quitte pas | 0:26:07 | 0:26:09 | |
# Ne me quitte pas | 0:26:09 | 0:26:12 | |
# Ne me quitte pas. # | 0:26:12 | 0:26:16 | |
CHEERING AND APPLAUSE | 0:26:16 | 0:26:18 | |
< Encore! | 0:26:20 | 0:26:21 | |
Fabulous, fabulous. | 0:26:26 | 0:26:28 | |
I know. | 0:26:28 | 0:26:29 | |
Next stop, Carnegie Hall. | 0:26:29 | 0:26:31 | |
I'm taking new management. | 0:26:31 | 0:26:33 | |
BUBBLE SOBS | 0:26:33 | 0:26:35 | |
Oh, just take it, just take it. I don't care. | 0:26:40 | 0:26:44 | |
BUBBLE LAUGHS MANIACALLY | 0:26:44 | 0:26:46 | |
Oh, don't worry. It's all right, I'm not proud of myself, darling, | 0:26:53 | 0:26:56 | |
-it's all right. -It's OK. -What? | 0:26:56 | 0:26:58 | |
I know what you're going to say, darling! Yeah. | 0:26:58 | 0:27:00 | |
Why would Lola ever want to know an idiot like this? But I tried, didn't I, sweetheart? I tried. | 0:27:00 | 0:27:05 | |
Mum, I'm... SAFFY SOBS | 0:27:05 | 0:27:08 | |
What, what? | 0:27:08 | 0:27:09 | |
Oh, no, no, sweetheart. Ah, la, la, la. Darling. | 0:27:09 | 0:27:12 | |
I understand. It's fine, it's fine. | 0:27:12 | 0:27:15 | |
No, Mum, I'm the one who's not good enough. | 0:27:15 | 0:27:18 | |
-I'm the one. -What? | 0:27:18 | 0:27:19 | |
I just made it your fault because I... | 0:27:19 | 0:27:22 | |
couldn't cope with the guilt about Jane. | 0:27:22 | 0:27:25 | |
-I'm a terrible mother. -Oh... | 0:27:25 | 0:27:27 | |
-I'm sorry I made it your fault. -Oh, darling. Come on, sweetheart. | 0:27:27 | 0:27:31 | |
This is all a bit psychological, isn't it, sweetheart, eh? | 0:27:31 | 0:27:36 | |
Come on, everything is my fault, darling. | 0:27:36 | 0:27:38 | |
Everything is my fault, isn't it? No damage done. | 0:27:38 | 0:27:41 | |
Well, there's a French woman about to give a mute concert at the Carnegie Hall. | 0:27:41 | 0:27:45 | |
That's all right. | 0:27:46 | 0:27:47 | |
New York gays are very forgiving. | 0:27:47 | 0:27:50 | |
They are, they are. | 0:27:50 | 0:27:52 | |
Oh, darling. | 0:27:52 | 0:27:54 | |
Oh, sweetheart. | 0:27:54 | 0:27:56 | |
Oh, hugs, hugs, hugs. | 0:27:56 | 0:27:58 | |
Oh, darling. | 0:27:58 | 0:27:59 | |
Awww! | 0:28:02 | 0:28:05 | |
-Come on, Eddy, we're going to Mahiki's. -Oh, great. | 0:28:05 | 0:28:08 | |
EDDY CHUCKLES | 0:28:08 | 0:28:10 | |
-Is it a club? -Yes, it... | 0:28:10 | 0:28:12 | |
Do you want to come? | 0:28:20 | 0:28:21 | |
-No. -No. -No. | 0:28:21 | 0:28:22 | |
# Wheel's on fire | 0:28:26 | 0:28:28 | |
# Rolling down the road | 0:28:28 | 0:28:34 | |
# Best notify my next of kin | 0:28:34 | 0:28:38 | |
# This wheel shall explode... # | 0:28:38 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 | |
E-mail [email protected] | 0:28:49 | 0:28:52 |