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This programme contains very strong language and adult humour. | 0:00:02 | 0:00:04 | |
Get off! Piss off, bitch! Fuck off! | 0:00:04 | 0:00:06 | |
-I'm sleeping on it. -It's not fair. -Well, I got here first. | 0:00:06 | 0:00:08 | |
I'm going to sleep, everyone, so... | 0:00:08 | 0:00:10 | |
DANIEL: 'I worked out that this thing, right, | 0:00:10 | 0:00:12 | |
'that if your family thinks you're asleep, | 0:00:12 | 0:00:14 | |
'then they say shit about you.' | 0:00:14 | 0:00:16 | |
Going to sleep, everyone. | 0:00:16 | 0:00:18 | |
'So what I've started doing is, I, like, fake being asleep.' | 0:00:18 | 0:00:22 | |
So I acts like I'm asleep, just faking it. | 0:00:22 | 0:00:24 | |
And if you fake it for long enough your family starts talking about you. | 0:00:24 | 0:00:28 | |
Guys, I'm asleep. | 0:00:28 | 0:00:29 | |
So if you want to talk about me or whatever, | 0:00:29 | 0:00:32 | |
I'm not going to hear it because I'm asleep, OK? | 0:00:32 | 0:00:35 | |
DANIEL: 'I'm actually really good at acting asleep, | 0:00:35 | 0:00:38 | |
'so I know all the things to do to act it. | 0:00:38 | 0:00:40 | |
'So you snore.' | 0:00:40 | 0:00:41 | |
HE SNORES | 0:00:41 | 0:00:43 | |
'You sort of make a weird noise like as if you're asleep. | 0:00:43 | 0:00:47 | |
'And just keep your eyes really still. | 0:00:47 | 0:00:50 | |
'And then, man, my family can't help themselves.' | 0:00:50 | 0:00:53 | |
Tys. Tys. Tyson. | 0:00:53 | 0:00:56 | |
Just talk about whatever, mate. | 0:00:56 | 0:00:59 | |
Like, Mum was going on about... | 0:00:59 | 0:01:01 | |
Cos I was trying out for Dunt footy team, right, | 0:01:01 | 0:01:04 | |
and she goes to Nath, "I don't reckon Daniel's going to make it | 0:01:04 | 0:01:07 | |
"because he's not that good this year." | 0:01:07 | 0:01:09 | |
And I was fucking pissed off. | 0:01:09 | 0:01:10 | |
-Mum. -There's no need to... | 0:01:10 | 0:01:12 | |
I'm asleep, so whatever you say I probably won't hear it, so... | 0:01:12 | 0:01:15 | |
SOFT VOICES | 0:01:15 | 0:01:18 | |
What?! | 0:01:18 | 0:01:19 | |
What did you say? | 0:01:19 | 0:01:21 | |
Mum? | 0:01:24 | 0:01:25 | |
-LASQUISHA: -Tell us about your exciting new music | 0:02:11 | 0:02:14 | |
and your album launch. | 0:02:14 | 0:02:16 | |
Well, yeah, I get out of here in one week, motherfuckers. | 0:02:16 | 0:02:19 | |
And then I'm going to have my showcase. | 0:02:19 | 0:02:21 | |
And my new album's going to be called The Real Me. Yeah. | 0:02:21 | 0:02:24 | |
Read that shit. | 0:02:26 | 0:02:28 | |
Oh. | 0:02:28 | 0:02:29 | |
What message do you have for all your hatters? | 0:02:29 | 0:02:32 | |
What the fuck? | 0:02:32 | 0:02:33 | |
It's "haters", not "hatters". Read that shit. | 0:02:33 | 0:02:36 | |
Read it. | 0:02:36 | 0:02:37 | |
What message do you have for all your haters? | 0:02:37 | 0:02:40 | |
You want to do this shit or not? You said you wanted to do this shit. | 0:02:40 | 0:02:45 | |
You know what? I DON'T want to do this. I already told you, I don't want to fucking do it. | 0:02:45 | 0:02:49 | |
-Why'd you say you want to do this shit if you... -I don't fucking want to do it. It's dumb. | 0:02:49 | 0:02:53 | |
SMOUSE: 'I'm getting my shit on for my album launch. | 0:02:53 | 0:02:57 | |
'I got Lasquisha, she going to be my backup dancer. | 0:02:57 | 0:02:59 | |
'I got Danthony, he going to be looking after the music side and shit.' | 0:02:59 | 0:03:03 | |
Are you ready for something really motherfucking exciting? | 0:03:03 | 0:03:06 | |
Here it is, here. | 0:03:06 | 0:03:07 | |
Here, motherfuckers, here, the resurrection is here. | 0:03:07 | 0:03:10 | |
S-dot-mouse-exclamation-mark is back. | 0:03:10 | 0:03:14 | |
The future has arrived, motherfuckers! | 0:03:14 | 0:03:16 | |
SMOUSE: 'But I want my show to be tight, you know? | 0:03:16 | 0:03:19 | |
'I'm gonna come on stage, blow all them motherfuckers' minds. | 0:03:19 | 0:03:23 | |
'They're gonna know that the King of Hip-Hop is back.' | 0:03:23 | 0:03:25 | |
Freeze that shit there, baby. | 0:03:25 | 0:03:28 | |
Yeah, yeah, yeah, yeah, you ready for me to play my new shit? | 0:03:28 | 0:03:32 | |
Play that track, Danthony. | 0:03:32 | 0:03:34 | |
Yeah, we'll go on from there. | 0:03:34 | 0:03:36 | |
'People are going to be talking about my album launch' | 0:03:36 | 0:03:39 | |
like it's the resurrection of some kind of...person, | 0:03:39 | 0:03:43 | |
you know what I'm saying? | 0:03:43 | 0:03:45 | |
Like, it's going to be so big, bigger than when Jesus got born, | 0:03:45 | 0:03:49 | |
you know what I'm saying? | 0:03:49 | 0:03:51 | |
Look at my ass in that shit. | 0:03:51 | 0:03:52 | |
'I come up with a lot of ideas to revolutionise my act.' | 0:03:52 | 0:03:55 | |
You got to start with clothes, you know? | 0:03:55 | 0:03:58 | |
When you're talking image, you're talking clothes. | 0:03:58 | 0:04:00 | |
I'm going for a tight-fitting bold colour, as you can see. | 0:04:00 | 0:04:04 | |
Tight at the bottom and they're kind of loose at the top. | 0:04:04 | 0:04:07 | |
You walk on stage with this look, which mother-fucker wearing this shit? | 0:04:07 | 0:04:10 | |
No mother-fucker. | 0:04:10 | 0:04:12 | |
Kids, they're going to be wearing this shit | 0:04:12 | 0:04:14 | |
in a couple of years from now, maybe even one year from now. | 0:04:14 | 0:04:17 | |
I got S-dot-mouse-exclamation-mark embroiderised on the back there, | 0:04:17 | 0:04:20 | |
you know what I'm saying? | 0:04:20 | 0:04:22 | |
-Imagine that on the cover of the album. -Nobody could get away with that. -Look at that shit. | 0:04:22 | 0:04:26 | |
S-dot-mouse-exclamation-mark is back, | 0:04:26 | 0:04:29 | |
and he is some crazy, futuristic motherfucking nigga, | 0:04:29 | 0:04:32 | |
you know what I'm saying? | 0:04:32 | 0:04:34 | |
Rather than going for the two ski boots I just got the one ski boot, | 0:04:34 | 0:04:38 | |
you know what I'm saying? | 0:04:38 | 0:04:39 | |
You got the one glove, you know? Just rock it with the one, you know? | 0:04:39 | 0:04:42 | |
He's just silver, you know? He's a silver guy. | 0:04:42 | 0:04:45 | |
No, he's not, he's red. | 0:04:45 | 0:04:46 | |
That shit look tight. | 0:04:46 | 0:04:49 | |
I'm here. I'm here. | 0:04:49 | 0:04:50 | |
You got to think outside the square if you want to be remembered. | 0:04:50 | 0:04:53 | |
One, two, bam! | 0:04:53 | 0:04:56 | |
Yes. | 0:04:56 | 0:04:57 | |
-PENNY: -'We were on yard duty, Gran and I, | 0:05:08 | 0:05:10 | |
'when the boys let us know what was going on.' | 0:05:10 | 0:05:12 | |
I had to stay, so Gran ran back to the house with the boys from pig duty. | 0:05:12 | 0:05:16 | |
'And unfortunately it was a grim discovery.' | 0:05:16 | 0:05:19 | |
Oh, God! Oh, God! | 0:05:19 | 0:05:22 | |
Oh, no! | 0:05:22 | 0:05:24 | |
Oh, Kerri-Anne! | 0:05:24 | 0:05:25 | |
-JACOB: -Just found her like that, Gran. | 0:05:25 | 0:05:27 | |
We were feeding the pigs and we just found her like that. | 0:05:27 | 0:05:30 | |
GRAN: 'Well, I've had to hold things together this morning | 0:05:30 | 0:05:33 | |
'for the sake of keeping face.' | 0:05:33 | 0:05:35 | |
But Kerri-Anne, no, she was the one. | 0:05:35 | 0:05:38 | |
She was, um... | 0:05:38 | 0:05:41 | |
I think, of all of them to go, that's probably been the hardest one. | 0:05:41 | 0:05:44 | |
So... | 0:05:44 | 0:05:46 | |
'I think only Penny knows how much that guinea pig meant to me. | 0:05:46 | 0:05:50 | |
'So, yeah, I mean, a little emotional this morning, | 0:05:52 | 0:05:55 | |
'and...try to remind myself that it's just an animal.' | 0:05:55 | 0:05:58 | |
Looks like someone did it on purpose, I reckon. | 0:05:58 | 0:06:01 | |
Let's not jump to conclusions, fellas, anything could have happened. | 0:06:01 | 0:06:04 | |
'The boys think Talib's involved, cos of his history.' | 0:06:04 | 0:06:07 | |
I don't think he is. My gut tells me he's not involved. | 0:06:07 | 0:06:11 | |
'The problem's going to be trying to maintain control. | 0:06:11 | 0:06:14 | |
'I don't think the boys are going to handle this thing very well at all.' | 0:06:14 | 0:06:17 | |
-JACOB: -What happened when you was at Gran's house before? | 0:06:17 | 0:06:20 | |
-KERRY: -These bikes, can they go? | 0:06:24 | 0:06:26 | |
DANIEL: 'Mum and Steve are, like, freaking out about the wedding. | 0:06:27 | 0:06:30 | |
'They're all, like, nervous and getting all shitty about it.' | 0:06:30 | 0:06:34 | |
-Where have you two been? -Town. | 0:06:34 | 0:06:36 | |
Daniel, you're supposed to be helping us. | 0:06:36 | 0:06:39 | |
'It's like they think the whole world | 0:06:39 | 0:06:41 | |
'revolves around them and their wedding. | 0:06:41 | 0:06:43 | |
'But I don't really give a shit.' | 0:06:43 | 0:06:44 | |
We've got a wedding on tomorrow. | 0:06:44 | 0:06:46 | |
Cos today this awesome thing happened in town, right? This truck ran off the main road, | 0:06:46 | 0:06:52 | |
smashed through this fence | 0:06:52 | 0:06:54 | |
and came about that close | 0:06:54 | 0:06:56 | |
to demolishing this house and killing all the people inside. | 0:06:56 | 0:06:59 | |
Fuck, man! | 0:06:59 | 0:07:01 | |
'Me and Black Daniel came up with this idea, right? | 0:07:01 | 0:07:03 | |
'You know how the Legends are coming to Nath's farewell party?' | 0:07:03 | 0:07:06 | |
Well, Gran, she's got RSVP'd from Blake Oakfield and Tim Okazaki, | 0:07:06 | 0:07:11 | |
so we know they're definitely coming for sure. | 0:07:11 | 0:07:14 | |
But Smouse, she hasn't heard from him yet. | 0:07:14 | 0:07:16 | |
Imagine, like, getting squashed by that. Oh, fuck! | 0:07:16 | 0:07:20 | |
'So me and Black Daniel were thinking that we'd come up with this idea that we write to him | 0:07:20 | 0:07:24 | |
'and we say that this little kid | 0:07:24 | 0:07:27 | |
'got squashed by a truck that ran off the road. | 0:07:27 | 0:07:29 | |
'Like, we just bullshit and tell him that that happened.' | 0:07:29 | 0:07:32 | |
We're going to make it an Aboriginal kid, just to make it... | 0:07:32 | 0:07:34 | |
We'll say this abo kid, right, got squashed by the truck | 0:07:34 | 0:07:37 | |
and we really need Smouse to come to Dunt to, like, | 0:07:37 | 0:07:41 | |
help us all get over it and shit. | 0:07:41 | 0:07:43 | |
-Aborigine kid. -Right, here we go. | 0:07:43 | 0:07:46 | |
-What about that one, dot face? -Um... No, no. | 0:07:46 | 0:07:49 | |
-Is that a dude or... -I'm not quite sure. | 0:07:49 | 0:07:52 | |
-What about this one? -Yeah. | 0:07:52 | 0:07:54 | |
-He looks the best. -Yeah, that's a good one! | 0:07:54 | 0:07:55 | |
Imagine if you found out that kid got squashed, | 0:07:55 | 0:07:58 | |
you'd be here in a flash, man. | 0:07:58 | 0:08:00 | |
Right, I'll go through the letter. | 0:08:00 | 0:08:01 | |
"Dear Smouse, last night a tragedy happened. | 0:08:01 | 0:08:04 | |
"A little Aborigine kid got squashed by a truck." | 0:08:04 | 0:08:07 | |
Um, do we give him a name? | 0:08:07 | 0:08:09 | |
What about..."Wally"? | 0:08:09 | 0:08:12 | |
-That's fucking... That's ridiculous, man. -Yeah, that'll work for sure. -Wally. | 0:08:12 | 0:08:15 | |
"His name was Wally and he was seven. | 0:08:15 | 0:08:17 | |
"Please can you come to Dunt and visit us to help us cope? | 0:08:17 | 0:08:20 | |
"We've already invited you to my twin brother Nathan's party. | 0:08:20 | 0:08:22 | |
"He's deaf and he's being sent away to deaf school | 0:08:22 | 0:08:25 | |
"and he loves your music. | 0:08:25 | 0:08:26 | |
"Even though he's deaf he listens to the vibrations through the speakers. | 0:08:26 | 0:08:29 | |
"If you come you'll help the grieving town of Dunt | 0:08:29 | 0:08:31 | |
"get over the loss of a little Aborigine boy called Wally." | 0:08:31 | 0:08:36 | |
-Yes. -Awesome. -Dude, that is so going to work. -Should we send it? | 0:08:36 | 0:08:39 | |
-Yeah. -Sent. There we go. | 0:08:39 | 0:08:41 | |
Sweet. This is fucking sick. | 0:08:41 | 0:08:45 | |
GRAN: Make sure we go deep enough. | 0:08:45 | 0:08:47 | |
Right, OK, pop her in, thanks, Talib. | 0:08:50 | 0:08:52 | |
SHE SIGHS | 0:08:53 | 0:08:56 | |
See you, darling. | 0:08:56 | 0:08:58 | |
OK. | 0:08:59 | 0:09:01 | |
Nice one, dog wanker, you killed Gran's favourite thing. | 0:09:03 | 0:09:06 | |
Stop it. He had nothing to do with it. | 0:09:06 | 0:09:09 | |
If you want to spend the afternoon in Isolation, you're going the right way about it. | 0:09:09 | 0:09:13 | |
Be sensible for my sake, please. | 0:09:13 | 0:09:15 | |
GRAN: 'I tried to keep the burial as low-key as possible. | 0:09:15 | 0:09:18 | |
'Didn't want to make a big fuss.' | 0:09:18 | 0:09:20 | |
All right. | 0:09:20 | 0:09:21 | |
'So far so good with the Talib situation. | 0:09:21 | 0:09:24 | |
'There's been a few whispers amongst the boys,' | 0:09:24 | 0:09:26 | |
but, you know, fingers are being pointed a little bit, | 0:09:26 | 0:09:29 | |
but I just hope that it doesn't escalate. | 0:09:29 | 0:09:33 | |
Whoever wants to play Twister, come and line up here, please. | 0:09:33 | 0:09:36 | |
Talib, I'll get you playing, please. | 0:09:36 | 0:09:39 | |
'My real concern is that if Talib retaliates to the provocation,' | 0:09:39 | 0:09:43 | |
he might find himself in Iso, | 0:09:43 | 0:09:45 | |
and that would not be a good place for him at this stage. | 0:09:45 | 0:09:48 | |
Right, Marlon's playing. That's the four of us, then. | 0:09:48 | 0:09:50 | |
-That's the team. Right. -Hey, Doggie. | 0:09:50 | 0:09:52 | |
-What happened to Kerri-Anne, mate? -What did you do to her? | 0:09:52 | 0:09:55 | |
-Shoosh, please, Marlon. -Up the arse? -MARLON AND JACOB LAUGH | 0:09:55 | 0:09:59 | |
-Come on, you're supposed to be good at this. -It's easy. | 0:09:59 | 0:10:02 | |
-Talib, you have your go, mate. -Hey! -What did you get? | 0:10:02 | 0:10:05 | |
-My go, fucker. -Why is it your go? | 0:10:05 | 0:10:07 | |
Cos it goes clockwise. Don't you remember that, Gran? | 0:10:07 | 0:10:10 | |
All right, just let him go. It goes clockwise. | 0:10:10 | 0:10:12 | |
-Burk-burk-burk-burk! -What did you get? | 0:10:12 | 0:10:15 | |
Come on, speak, boy. Bark. Come on. Bark. | 0:10:15 | 0:10:17 | |
-Leave him alone. -Don't you remember how to bark? | 0:10:17 | 0:10:20 | |
-All right, you got feet, green. -He does know, remember? | 0:10:20 | 0:10:23 | |
-And hands, blue. -He knows how to whimper. | 0:10:23 | 0:10:26 | |
Hey, man, get your dick out of my face. | 0:10:26 | 0:10:28 | |
-Leave him alone. -Did you put the finger up her arsehole? | 0:10:28 | 0:10:30 | |
Shoosh! | 0:10:30 | 0:10:31 | |
-Chill out, you two. -Tell him to play properly. | 0:10:31 | 0:10:34 | |
-I'm trying to play fucking Twister. -He is playing properly. | 0:10:34 | 0:10:36 | |
Leave him alone. | 0:10:36 | 0:10:37 | |
Talib, got a new name for you. the guinea raper. | 0:10:37 | 0:10:40 | |
Cos I reckon you fucked Kerri-Anne before you killed her. | 0:10:40 | 0:10:42 | |
Jacob, shoosh. | 0:10:42 | 0:10:44 | |
-Thought I saw sperm on her. -Guys. | 0:10:44 | 0:10:46 | |
Talib, leave him alone. | 0:10:46 | 0:10:48 | |
YELLING | 0:10:48 | 0:10:50 | |
-Settle down! -Get off him, Brad! Brad, get off him! | 0:10:50 | 0:10:54 | |
Get down! Get down! | 0:10:55 | 0:10:57 | |
YELLING | 0:10:57 | 0:10:59 | |
You bloody deserved that, Marlon! | 0:10:59 | 0:11:01 | |
-MARLON: -Get off me! -BRAD: -I told you to settle down. | 0:11:01 | 0:11:03 | |
-I've just about had enough of you. -Shut up, everyone! | 0:11:03 | 0:11:07 | |
SMOUSE: 'Yeah, yeah, this is the all-important photo shoot' | 0:11:10 | 0:11:13 | |
for the album cover for The Real Me, my new independent release. | 0:11:13 | 0:11:17 | |
You give me directions, nigga. Yeah, what you want. | 0:11:17 | 0:11:20 | |
-LASQUISHA: -Take your glasses off. -DANTHONY: -I want you to flex. | 0:11:20 | 0:11:23 | |
You like that shit? Yeah, that's the album cover! | 0:11:23 | 0:11:25 | |
-DANTHONY: -Bam! -That's the album cover, yeah. | 0:11:25 | 0:11:28 | |
Yeah, take that shit. | 0:11:28 | 0:11:30 | |
-Question shit. You gotta question shit. -There we go. -Yeah. | 0:11:30 | 0:11:33 | |
-Nobody's doing this, baby. -No-one's doing this shit. -Nobody. | 0:11:33 | 0:11:36 | |
Cos that shit is from the future, if you know what I'm saying. | 0:11:36 | 0:11:39 | |
-Yeah, that shit! -Let's open up those flaps. | 0:11:39 | 0:11:41 | |
Babe, you take these. | 0:11:41 | 0:11:42 | |
'The nipple shirt is a kind of iconic look, | 0:11:42 | 0:11:45 | |
'if you know what I'm saying. | 0:11:45 | 0:11:46 | |
'I think it's going to take off with the kids.' | 0:11:46 | 0:11:48 | |
-Motherfucking... -OK. | 0:11:48 | 0:11:51 | |
That's a fucking great idea. | 0:11:51 | 0:11:54 | |
-Yes! -Look at me, man, like you want to kill the camera, yo. | 0:11:54 | 0:11:57 | |
Yeah, I wanna kill you, nigga, yeah. | 0:11:57 | 0:11:59 | |
'Fashion. You got to be fashion forward in this industry.' | 0:11:59 | 0:12:03 | |
You can never have too much silver in the future. | 0:12:03 | 0:12:06 | |
'You got to make shit up that don't exist, if you know what I'm saying.' | 0:12:06 | 0:12:10 | |
-Yeah, how am I looking, babe? -You look good. | 0:12:10 | 0:12:13 | |
Turn around. Act surprised. Bam! | 0:12:13 | 0:12:15 | |
-What about some kind of smooth shit? -Yeah. | 0:12:15 | 0:12:18 | |
-Two, three. -Jump. | 0:12:18 | 0:12:20 | |
Jump. And jump. | 0:12:20 | 0:12:22 | |
Jump. Yes. | 0:12:24 | 0:12:26 | |
-Want to do a lying-down shot. Take that, babe. -OK. -A centrefold? | 0:12:26 | 0:12:29 | |
Yeah, a centrefold kind of thing, | 0:12:29 | 0:12:31 | |
like fold-out in the middle of the CD. | 0:12:31 | 0:12:33 | |
How's that shit? | 0:12:33 | 0:12:34 | |
Move around a little bit. | 0:12:35 | 0:12:37 | |
-Is that good? -There you go. | 0:12:37 | 0:12:39 | |
-Yeah, what about a bit of fist? -That works, that works. -Yeah. | 0:12:39 | 0:12:42 | |
HELICOPTER WHIRRS | 0:12:42 | 0:12:44 | |
What the fuck? | 0:12:44 | 0:12:46 | |
Look at that shit. Why is that motherfucker so low? | 0:12:46 | 0:12:50 | |
Y'all tripping. That ain't no paparazzi, bro. | 0:12:50 | 0:12:52 | |
Keep posing, man. | 0:12:52 | 0:12:53 | |
This could be like a fold-out or a poster or some shit, | 0:12:53 | 0:12:56 | |
you know what I'm saying? | 0:12:56 | 0:12:59 | |
Get my feet too. Feet to head, yeah. | 0:12:59 | 0:13:01 | |
'Well, Talib's got himself two days of isolation for the fight, which has been a real tragedy.' | 0:13:04 | 0:13:09 | |
It's going to be quite a setback for him | 0:13:09 | 0:13:12 | |
when he was just starting to find his feet. | 0:13:12 | 0:13:14 | |
'I've spoken to Julie about doing the initial eight-hour shift on Iso, | 0:13:16 | 0:13:20 | |
'just to ease Talib into it.' | 0:13:20 | 0:13:21 | |
Not exactly five-star, is it? | 0:13:21 | 0:13:23 | |
'It can be fairly tricky first time round. | 0:13:23 | 0:13:26 | |
'It's not a fun place to be. | 0:13:26 | 0:13:28 | |
'I usually avoid the Iso shift' | 0:13:29 | 0:13:32 | |
cos it brings back a lot of bad memories for me. | 0:13:32 | 0:13:34 | |
That's where I lost my Tony 15 years ago. | 0:13:34 | 0:13:37 | |
And yes, you never forget them. | 0:13:37 | 0:13:41 | |
Hi, Justin. Right, I'm on tonight. | 0:13:41 | 0:13:44 | |
So if there's anything you need, I'm here for you. | 0:13:44 | 0:13:46 | |
Within reason, that is. | 0:13:46 | 0:13:49 | |
All right. | 0:13:49 | 0:13:50 | |
'Looks like I've got two non-talkers in tonight. | 0:13:50 | 0:13:53 | |
'Justin's not a happy camper at all. | 0:13:53 | 0:13:55 | |
'Yes, with he and Talib giving me the mister silent treatment | 0:13:55 | 0:13:58 | |
'looks like it's going to be quite a long shift. | 0:13:58 | 0:14:01 | |
'But I'll do my best to keep them entertained.' | 0:14:01 | 0:14:04 | |
And that's when I left boarding school, | 0:14:04 | 0:14:06 | |
which was not...not fun times. | 0:14:06 | 0:14:10 | |
All right, joke time. Joke time. | 0:14:10 | 0:14:12 | |
Um, OK. | 0:14:12 | 0:14:14 | |
How many Iso kids does it take to cook a lamington? | 0:14:14 | 0:14:18 | |
Two. One to cook it and the other to tell you to fuck off. | 0:14:19 | 0:14:22 | |
SHE LAUGHS | 0:14:22 | 0:14:24 | |
All right. What else? | 0:14:24 | 0:14:27 | |
# You've done me wrong Your time is up | 0:14:27 | 0:14:30 | |
# You took a sip, just a sip From the devil's cup. # | 0:14:30 | 0:14:34 | |
What other jokes do I know? | 0:14:34 | 0:14:36 | |
Jokes, jokes, jokes. | 0:14:36 | 0:14:38 | |
Hey, fellas, did you want anything from the wine cellar? | 0:14:38 | 0:14:41 | |
I'll just go down and get it. SHE HALF-LAUGHS | 0:14:41 | 0:14:45 | |
Um, how do you root a prison officer? | 0:14:45 | 0:14:49 | |
Actually, I don't... I don't know the answer to that one. | 0:14:50 | 0:14:53 | |
I'm just thinking. Trying to think of jokes that would appeal to you. | 0:14:53 | 0:14:57 | |
Guys, it's freezing in here. | 0:14:58 | 0:15:01 | |
Extra blankets, Talib. | 0:15:01 | 0:15:04 | |
Come and grab 'em. | 0:15:04 | 0:15:06 | |
Don't know why it's so cold in here tonight. | 0:15:06 | 0:15:09 | |
There you go. Take a couple of those so you don't get itchy. | 0:15:09 | 0:15:14 | |
Right. | 0:15:15 | 0:15:16 | |
Pop those on. It's freezing. You freezing? | 0:15:18 | 0:15:21 | |
Are you tired? | 0:15:21 | 0:15:23 | |
Go to sleep if you're tired. Don't stay up for my sake. | 0:15:23 | 0:15:26 | |
Night-night. | 0:15:28 | 0:15:29 | |
-TYSON: -Follow me, Jamie! | 0:15:31 | 0:15:33 | |
-It's shitty, this game. -Jamie, will you get ready, please?! | 0:15:33 | 0:15:37 | |
Boys, can you look after Kayden? | 0:15:37 | 0:15:38 | |
DANIEL: 'Today's the day for Mum and Steve's wedding. | 0:15:38 | 0:15:42 | |
'Me and Nath are best men, so fair bit of responsibility there.' | 0:15:42 | 0:15:45 | |
Oi, is that straight? | 0:15:45 | 0:15:47 | |
'We had to wear suits. | 0:15:47 | 0:15:49 | |
'Nath's got one of Dad's old suits on. | 0:15:49 | 0:15:51 | |
'I got my suit that we bought for my Year 10 social, | 0:15:51 | 0:15:53 | |
'but yeah, that's before I had me growth spurt.' | 0:15:53 | 0:15:56 | |
Oi, Mum! | 0:15:56 | 0:15:57 | |
The suit's too small. It's dividing my balls. | 0:15:57 | 0:16:01 | |
NATHAN LAUGHS Shut the fuck up! At least I don't look like a clown, dickhead. | 0:16:01 | 0:16:05 | |
'Oh, Nath's had the funniest idea.' | 0:16:05 | 0:16:07 | |
Like, he's going to give Steve the rings, right? | 0:16:07 | 0:16:10 | |
Nath, do the ring thing. | 0:16:10 | 0:16:12 | |
'But he reckons he's going to give them to Steve in the ceremony | 0:16:12 | 0:16:14 | |
'on his middle fingers.' | 0:16:14 | 0:16:16 | |
Can't believe you thought of that shit! You're a funny bastard, Nath. | 0:16:16 | 0:16:19 | |
'And I'm pretty excited after, | 0:16:19 | 0:16:21 | |
'cos I'm looking after wedding entertainment. | 0:16:21 | 0:16:24 | |
'So, yeah, got a few things planned. | 0:16:24 | 0:16:25 | |
'Me and my mates will be doing some stuff there, so, yeah, should be good.' | 0:16:25 | 0:16:29 | |
-No fuckin' way. Get that shit off. -It looked good. | 0:16:29 | 0:16:32 | |
He's a fucking bloke dog. He's not wearing flowers. Stick it on Fuckos. | 0:16:32 | 0:16:36 | |
All right, guys, when Mum comes in, you've got to say she looks nice. | 0:16:36 | 0:16:40 | |
That's what you're supposed to say to brides, OK? | 0:16:40 | 0:16:42 | |
-No way. YOU say it. -Fucking say it or I'll punch you. | 0:16:42 | 0:16:45 | |
-You too, Nathan. -Can't see. -Don't fucking forget. | 0:16:45 | 0:16:47 | |
Guys, the guests are here. You should be outside. | 0:16:47 | 0:16:51 | |
-You like quite nice in that...outfit. What do you guys reckon? -Thanks, Dan. | 0:16:51 | 0:16:55 | |
-JULIA: -Yeah, Mum, you look good. -Yep. Yep. -Fucking say it. | 0:16:55 | 0:17:00 | |
You're a little fuckwit, Nathan. I told you. | 0:17:00 | 0:17:02 | |
-Oh, Daniel, not today. -What? I'm the fucking nice one. | 0:17:02 | 0:17:06 | |
Fuck! Thanks for getting me in trouble, dickhead. | 0:17:06 | 0:17:08 | |
HE CHUCKLES | 0:17:08 | 0:17:10 | |
Motherfuck! | 0:17:11 | 0:17:13 | |
'Yeah, I'm pissed off.' | 0:17:13 | 0:17:14 | |
It turns out that that helicopter that went over my house | 0:17:14 | 0:17:17 | |
was the paparazzi. | 0:17:17 | 0:17:19 | |
-DANTHONY: -"Slap my fat gut." -That shot ain't real. That ain't real. | 0:17:19 | 0:17:23 | |
-That shit there. -That definitely ain't real, man. -They fucked with that shit. | 0:17:23 | 0:17:26 | |
Now they're saying lies about me. They say I got fat since I been locked up. | 0:17:26 | 0:17:30 | |
-"Lose some weight, nigga." -Motherfuck. | 0:17:30 | 0:17:33 | |
"I used to have a crush on you. Now you could probably crush me. | 0:17:33 | 0:17:37 | |
"It's over, fat-ass." | 0:17:37 | 0:17:38 | |
Fuck you. Delete that shit. | 0:17:38 | 0:17:41 | |
What the fuck? Anyone who believes that shit is a mother-ass-fucker. | 0:17:41 | 0:17:45 | |
I got to say there, junior, | 0:17:45 | 0:17:47 | |
that the size of your meal portions lately has increased significantly. | 0:17:47 | 0:17:51 | |
-What the fuck?! -Look, you're 25 years old. | 0:17:51 | 0:17:54 | |
Your metabolism is slowing down. You got to watch your weight. | 0:17:54 | 0:17:57 | |
Do you not understand that this shit is fake? | 0:17:57 | 0:17:59 | |
They made that shit. | 0:17:59 | 0:18:01 | |
They fucked with the photo to make me look fat to diss me. | 0:18:01 | 0:18:04 | |
It's motherfucking fake! | 0:18:04 | 0:18:05 | |
No, it's motherfucking denial, is what it is. | 0:18:05 | 0:18:09 | |
See, you need to get off this motherfucking scooter some time, man, | 0:18:09 | 0:18:12 | |
and engage in some incidental exercises | 0:18:12 | 0:18:15 | |
for the first time in your life. | 0:18:15 | 0:18:17 | |
Can you shut up? Can you shut up while I'm dealing with this shit? | 0:18:17 | 0:18:20 | |
You don't look this good at the age of 62 | 0:18:20 | 0:18:22 | |
from sitting on your ass, that's all I'm saying. | 0:18:22 | 0:18:25 | |
-That's all I'm saying. -Motherfuck. | 0:18:25 | 0:18:27 | |
You're gonna look like the Michelin Man in a minute. | 0:18:27 | 0:18:29 | |
It's a motherfucking fake photo. | 0:18:29 | 0:18:31 | |
Get that in your head and don't give me your shit. | 0:18:31 | 0:18:34 | |
Motherfuck! | 0:18:34 | 0:18:36 | |
What's going on? Excuse me, what's going on? | 0:18:40 | 0:18:43 | |
Who is it? Who is it? I'm Ruth Sims, I'm a senior officer here! | 0:18:43 | 0:18:46 | |
Talib! | 0:18:47 | 0:18:48 | |
-PENNY: -'We got the call at 3:00am, and we just ran. | 0:18:48 | 0:18:51 | |
'The duty officer just told us | 0:18:51 | 0:18:53 | |
'that there'd been a suicide attempt in isolation and an ambulance had been called.' | 0:18:53 | 0:18:57 | |
Oh, Talib! Are you OK? Are you all right? | 0:18:57 | 0:19:01 | |
-What happened? Is it Justin? BRAD: -It's Justin Keast. | 0:19:01 | 0:19:03 | |
He's tried to hang himself with a blanket. | 0:19:03 | 0:19:05 | |
I looked away for one minute and I don't know what happened. | 0:19:05 | 0:19:08 | |
Oh, no. Did he see anything? | 0:19:08 | 0:19:10 | |
-No, no, he was asleep. -You were asleep, were you? | 0:19:10 | 0:19:13 | |
The ambos reckon he's going to be all right, though. | 0:19:13 | 0:19:16 | |
-They think he'll be OK? -They reckon he'll be fine. -That's a relief. | 0:19:16 | 0:19:19 | |
Thank God. | 0:19:19 | 0:19:20 | |
We've got to get you sorted. | 0:19:20 | 0:19:23 | |
You can't put him back in Iso, though. | 0:19:23 | 0:19:25 | |
No, God, no, he's not going back to Iso. | 0:19:25 | 0:19:27 | |
You're going back to your own cell tonight. | 0:19:27 | 0:19:29 | |
I don't know why there was blankets in there anyway. | 0:19:29 | 0:19:32 | |
-Any idiot knows there's no blankets and sheets in Isolation. -Yeah. | 0:19:32 | 0:19:35 | |
True. | 0:19:35 | 0:19:37 | |
OK, we'll get you back to your cell. | 0:19:38 | 0:19:40 | |
-WOMAN: -And it's a love that Kerry and Steve | 0:19:40 | 0:19:43 | |
wanted you all here today to witness. | 0:19:43 | 0:19:45 | |
The bond of marriage is an important commitment to one another, | 0:19:45 | 0:19:49 | |
a promise to love and care for each other for the rest of your lives. | 0:19:49 | 0:19:55 | |
And so it's at this point in the ceremony | 0:19:55 | 0:19:58 | |
that I ask our best man, Nathan, to pass us the rings. | 0:19:58 | 0:20:02 | |
DANIEL: 'I thought the wedding was going to be boring as, | 0:20:08 | 0:20:11 | |
'but it was pretty fun. | 0:20:11 | 0:20:12 | |
'Like, the ring thing, when Nath did the ring thing,' | 0:20:12 | 0:20:15 | |
I pissed my pants, man, it was so fucking funny. | 0:20:15 | 0:20:18 | |
'Like, I couldn't stop laughing.' | 0:20:18 | 0:20:20 | |
And me and my mates, like, we knew it was coming. | 0:20:20 | 0:20:22 | |
But we were pissing ourselves. | 0:20:22 | 0:20:24 | |
..husband and wife. | 0:20:24 | 0:20:26 | |
'It was good after, cos I got to give a speech. | 0:20:31 | 0:20:34 | |
'Then me and my mates did the wedding entertainment.' | 0:20:34 | 0:20:37 | |
Um...yeah, when I first met Steve I thought he was a bit of a dickhead. | 0:20:37 | 0:20:40 | |
And if my real dad was here I reckon he'd be pretty pissed off. | 0:20:40 | 0:20:45 | |
But, um, yeah, once you get to know Steve he's all right. | 0:20:45 | 0:20:49 | |
And I reckon my dad would want my mum to be happy, | 0:20:49 | 0:20:52 | |
so...so welcome to the family, Steve, | 0:20:52 | 0:20:54 | |
and Kayden and Fuckos. | 0:20:54 | 0:20:56 | |
Now we will continue with the wedding entertainment | 0:20:56 | 0:21:00 | |
that me and my mates have planned. | 0:21:00 | 0:21:02 | |
First up, it's me and Nathan with freestyle rapping. | 0:21:04 | 0:21:07 | |
Go. HE BEATBOXES | 0:21:07 | 0:21:10 | |
# Yeah Yeah | 0:21:10 | 0:21:11 | |
# Marriage, marriage, marriage, marriage | 0:21:11 | 0:21:15 | |
# Steve, Steve, I wanted you to leave | 0:21:15 | 0:21:18 | |
# But you stayed for ages Like dogs in cages | 0:21:18 | 0:21:21 | |
# Yeah Yeah | 0:21:21 | 0:21:23 | |
# Mum, Mum, we know you're not dumb | 0:21:23 | 0:21:25 | |
# But you told us you liked Steve You didn't want him to leave | 0:21:25 | 0:21:30 | |
# Mum, Mum Wedding, wedding | 0:21:30 | 0:21:33 | |
# Where is this heading? | 0:21:33 | 0:21:34 | |
# Yeah Yeah | 0:21:34 | 0:21:35 | |
# Yeah. # | 0:21:35 | 0:21:37 | |
Now, as I continue rapping, I want you to look around, | 0:21:37 | 0:21:41 | |
cos we got some more wedding entertainment, me and my mates. | 0:21:41 | 0:21:45 | |
# It's Black Daniel with the BMX | 0:21:45 | 0:21:47 | |
# Yeah Yeah | 0:21:47 | 0:21:49 | |
# Turn around, because it's Loki and a skating demo on the skate ramp | 0:21:50 | 0:21:54 | |
# Go, Loki | 0:21:54 | 0:21:55 | |
# Yeah, yeah Please look up to the roof | 0:21:57 | 0:22:00 | |
# Because it's Jayden and a parkour demo | 0:22:00 | 0:22:04 | |
# Yeah, yeah | 0:22:04 | 0:22:05 | |
# Wedding, wedding Where is this heading? | 0:22:05 | 0:22:08 | |
# Mum and Steve! Mum and Steve! | 0:22:08 | 0:22:11 | |
# Steve, Steve What's up your sleeve? | 0:22:11 | 0:22:14 | |
# Marriage, marriage, marriage, marriage | 0:22:14 | 0:22:18 | |
# Yeah. # Stop. | 0:22:18 | 0:22:19 | |
Thank you. | 0:22:20 | 0:22:22 | |
APPLAUSE | 0:22:22 | 0:22:25 | |
SMOUSE: Listen, all you fans, you got to hear this. | 0:22:27 | 0:22:29 | |
I am not fat, OK? | 0:22:29 | 0:22:31 | |
You don't believe the shit that you read. | 0:22:31 | 0:22:33 | |
I may have stacked on a tiny little bit of weight since I been locked up, | 0:22:33 | 0:22:37 | |
but I'm not as fat as them motherfuckers say I am. | 0:22:37 | 0:22:39 | |
They fucked with that photo. Look, motherfucker. | 0:22:39 | 0:22:42 | |
Does that look like fat to you? | 0:22:42 | 0:22:43 | |
That ain't fucking fat, you know what I'm saying? | 0:22:43 | 0:22:45 | |
'I had to post a video blog to clear the air.' | 0:22:45 | 0:22:48 | |
My real fans, they sticking by me. | 0:22:48 | 0:22:50 | |
They sending me positive messages. | 0:22:50 | 0:22:52 | |
They give me a boost cos they know I'm hurting. | 0:22:52 | 0:22:55 | |
"I love you, Smouse, and your music. | 0:22:55 | 0:22:57 | |
"Even if you get really fat, I still love you." | 0:22:57 | 0:23:00 | |
-That shit ain't bad. -It's not good, though. | 0:23:00 | 0:23:03 | |
-Let me see. -Any other shit in there? | 0:23:03 | 0:23:05 | |
No. | 0:23:05 | 0:23:07 | |
Oh, wait. No, no, no, no. | 0:23:07 | 0:23:09 | |
-What the fuck did that say? -Nothing, nothing. | 0:23:09 | 0:23:12 | |
HE LAUGHS What's funny, motherfucker? | 0:23:13 | 0:23:17 | |
Haters, bro, don't worry, don't worry. | 0:23:17 | 0:23:19 | |
That seems to be the only good one on this page, man. | 0:23:19 | 0:23:22 | |
Got to be some more shit in there. | 0:23:22 | 0:23:25 | |
Ooh, OK, wait, hold up. We got this kid from Australia, dog. | 0:23:25 | 0:23:28 | |
He doesn't say anything about you being fat, | 0:23:28 | 0:23:30 | |
but he says some nice shit. | 0:23:30 | 0:23:32 | |
-Look. -Read that shit out. | 0:23:32 | 0:23:34 | |
He's got a twin brother. He loves my music. | 0:23:36 | 0:23:39 | |
Wants me to go to Australia | 0:23:40 | 0:23:43 | |
cos a little black kid got squashed by a truck. | 0:23:43 | 0:23:46 | |
Man, that's fucking sick. Show me that picture. | 0:23:46 | 0:23:49 | |
Oh, fuck, man, what a waste! | 0:23:49 | 0:23:51 | |
Read me some more positive shit. | 0:23:51 | 0:23:53 | |
You're getting me down right now, motherfucker. | 0:23:53 | 0:23:57 | |
MESSAGE TONE | 0:23:58 | 0:24:01 | |
What the fuck? | 0:24:07 | 0:24:08 | |
What the fuck?! | 0:24:08 | 0:24:11 | |
Lasquisha, she's dumping my ass! | 0:24:11 | 0:24:13 | |
She's dumping me. | 0:24:13 | 0:24:15 | |
"I've been giving so much of myself to you lately | 0:24:15 | 0:24:18 | |
"I didn't even notice how fat you got yourself. | 0:24:18 | 0:24:21 | |
"I don't want to be associated with a fat-ass nigga. | 0:24:21 | 0:24:24 | |
"I'm moving on, Smouse. Good luck with all your shit." | 0:24:24 | 0:24:27 | |
Smiley face. What the fuck is that? | 0:24:27 | 0:24:29 | |
-That's fucked up. -She's dumping me cos I'm fat? | 0:24:29 | 0:24:32 | |
Hey, son, if you ask me, | 0:24:32 | 0:24:33 | |
that chipmunk-sounding bitch did you a huge-ass favour. | 0:24:33 | 0:24:36 | |
-The fuck! -She ain't nothing but a gold-digging bitch. | 0:24:36 | 0:24:39 | |
You think that's what I want to hear right now, motherfucker? | 0:24:39 | 0:24:42 | |
That's not helpful. | 0:24:42 | 0:24:43 | |
Hey, look, there was a time when your mamma gained all that weight | 0:24:43 | 0:24:46 | |
and I was thinking about dumping her ass. | 0:24:46 | 0:24:49 | |
I probably should have. | 0:24:49 | 0:24:50 | |
-Could you shut the fuck up, please? -It's going to be all right. | 0:24:50 | 0:24:54 | |
But I understand how she feel. Nobody like laying up next to a big ol' fat-ass. | 0:24:54 | 0:24:59 | |
Shut the fuck up! | 0:24:59 | 0:25:00 | |
Man! | 0:25:01 | 0:25:03 | |
Look, we've got to address what happened. | 0:25:04 | 0:25:08 | |
-You were the one, I think, that gave them these extra sheets. -Yes, I did. | 0:25:08 | 0:25:11 | |
-I gave them a few, yes. -A few? | 0:25:11 | 0:25:14 | |
I've been told enough to cover them five times over. Now, look, really... | 0:25:14 | 0:25:18 | |
The heating must have been out down there, cos... | 0:25:18 | 0:25:21 | |
We should look into that, cos they were very cold. | 0:25:21 | 0:25:24 | |
-Hey, come on. -I just wanted to help them. | 0:25:24 | 0:25:27 | |
You know that the rule is that they have to have non-dangerous sheets. | 0:25:27 | 0:25:31 | |
It's just unaccept... It's unbelievable. | 0:25:31 | 0:25:35 | |
It was a very silly... silly mistake. I... | 0:25:35 | 0:25:37 | |
I've never felt more terrible about something, Julie. | 0:25:39 | 0:25:42 | |
I feel terrible. | 0:25:44 | 0:25:46 | |
You're going to have to tell me what's going on here. | 0:25:46 | 0:25:49 | |
You've left keys in the detainees' cells. | 0:25:49 | 0:25:51 | |
You've been turning up late for shifts. You've forgotten shifts. | 0:25:51 | 0:25:55 | |
You even forgot your performance review last week. | 0:25:55 | 0:25:58 | |
What is going on? | 0:25:58 | 0:26:00 | |
I don't know. I just... I'm making silly mistakes. | 0:26:00 | 0:26:04 | |
Look, I've got to put the boys first. You know that. | 0:26:04 | 0:26:07 | |
Yes, I understand that. | 0:26:07 | 0:26:09 | |
You know that the next step for me | 0:26:09 | 0:26:11 | |
is that I have to call in the department. | 0:26:11 | 0:26:13 | |
I'd rather you didn't... | 0:26:13 | 0:26:16 | |
..do that, because I... | 0:26:16 | 0:26:18 | |
I'm sorry, but you're going to have to talk to them. | 0:26:18 | 0:26:21 | |
Do you think they'll send me away? | 0:26:21 | 0:26:24 | |
-SHE SIGHS -Look, don't make this any harder. I...I hope not. I really hope not. | 0:26:24 | 0:26:30 | |
I don't want to go. | 0:26:32 | 0:26:35 | |
SMOUSE: 'Tonight is my album launch, my showcase.' | 0:26:41 | 0:26:43 | |
I got my trademark dance move. That's that shit there. | 0:26:43 | 0:26:46 | |
# Get your dick out my shoulders... # | 0:26:46 | 0:26:49 | |
-MAN: -Slap your elbows, asshole! | 0:26:49 | 0:26:51 | |
I'm sensing some hate in the room. | 0:26:51 | 0:26:52 | |
Maybe my new album is bad. | 0:26:52 | 0:26:54 | |
-DANTHONY: -He's had an epiphany. | 0:26:54 | 0:26:56 | |
Some nigga got squashed in Australia. | 0:26:56 | 0:26:58 | |
# I feel like a squashed nigga. # | 0:26:58 | 0:27:00 | |
DANIEL: We've got Nath's farewell party this weekend. | 0:27:00 | 0:27:03 | |
Make waves! | 0:27:03 | 0:27:05 | |
-Is it sign language? -Did he say "dick"? | 0:27:05 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:07 | |
Three celebrities come to Dunt, I'll buy you a car. | 0:27:07 | 0:27:10 | |
You will be. They will be coming. | 0:27:10 | 0:27:13 | |
JEN: Tim! | 0:27:13 | 0:27:14 | |
He spent all his time with her, leaving a mess for me to clean up. | 0:27:14 | 0:27:18 | |
That's for you, slut. | 0:27:18 | 0:27:19 | |
We'll lose a lot of money over this. | 0:27:19 | 0:27:21 | |
I'm fucking pissed off. | 0:27:21 | 0:27:23 | |
"Fuck you, Tim. I'm off to kill myself and the dog." | 0:27:23 | 0:27:25 | |
Everyone freaks out when you're not around. | 0:27:25 | 0:27:28 | |
-Let's go home, Mum. -No. | 0:27:28 | 0:27:29 | |
I'm a Japanese lady. | 0:27:29 | 0:27:31 | |
Sometimes it's hard to stand up for myself. | 0:27:31 | 0:27:32 | |
I'm going to start an internet rumour you had sex with your own dead mother | 0:27:32 | 0:27:36 | |
up the arse! | 0:27:36 | 0:27:37 | |
CHEERING AND APPLAUSE GRAN: Oh, wowee! | 0:27:37 | 0:27:39 | |
Your mamma's getting horny. She won't fuck with you in the house. | 0:27:39 | 0:27:42 | |
-How are you? -Good one, Steve. | 0:27:42 | 0:27:44 | |
Shut the fuck up and deal with it yourself. | 0:27:44 | 0:27:46 |