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MUSIC: I'm a Scatman by Scatman John | 0:00:02 | 0:00:05 | |
# Bwi ba ba bada bo | 0:00:05 | 0:00:07 | |
# Baba ba da bo | 0:00:07 | 0:00:09 | |
# Bwi ba ba bada bo... # | 0:00:09 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:10 | 0:00:17 | |
Hello and welcome to Bad Language, | 0:00:21 | 0:00:24 | |
the show all about everyday words, phrases and sayings. | 0:00:24 | 0:00:27 | |
And tonight to see what makes it tick, | 0:00:27 | 0:00:29 | |
which isn't the first time that's been done in Belfast... | 0:00:29 | 0:00:32 | |
LAUGHTER | 0:00:32 | 0:00:33 | |
..here are our teams. | 0:00:33 | 0:00:34 | |
Joining our team captain Susan Calman is Jarred Christmas. | 0:00:34 | 0:00:37 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:39 | |
And with captain Paul Sinha, it's Mickey Bartlett. | 0:00:40 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:45 | |
We kick off with our first round, entitled Osama Bin Language... | 0:00:46 | 0:00:50 | |
MACHINE GUNFIRE | 0:00:50 | 0:00:51 | |
It's a typewriter. | 0:00:51 | 0:00:53 | |
..where our teams nominate words and phrases that they | 0:00:53 | 0:00:56 | |
think are a menace to society and should be taken out. | 0:00:56 | 0:00:59 | |
Then our audience of linguistic scholars... | 0:00:59 | 0:01:01 | |
LAUGHTER | 0:01:01 | 0:01:03 | |
..will decide which ones should be removed permanently | 0:01:03 | 0:01:06 | |
from conversation and banish them to the bin of bad language. | 0:01:06 | 0:01:10 | |
-Er...Jarred... -Yes. | 0:01:10 | 0:01:11 | |
Dear boy, what phrase or word would you like to see permanently | 0:01:11 | 0:01:15 | |
binned from our beautiful language? | 0:01:15 | 0:01:17 | |
"I'm not being racist, but..." | 0:01:17 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:23 | |
The popular choice. | 0:01:23 | 0:01:24 | |
Because...it's only ever used by racists! | 0:01:26 | 0:01:30 | |
It's...because it's a disclaimer. | 0:01:31 | 0:01:33 | |
People who have a disclaimer, you can't trust them, can you? | 0:01:33 | 0:01:37 | |
And that's essentially what that phrase is. | 0:01:37 | 0:01:38 | |
Like, if your partner came out with, "Look, I'm not cheating on you, but... | 0:01:38 | 0:01:43 | |
"..your brother is awesome in bed..." | 0:01:45 | 0:01:47 | |
You know, you're not going to trust that person, are you? | 0:01:48 | 0:01:50 | |
Everyone just sort of goes, "OK, I'm going to say this | 0:01:50 | 0:01:53 | |
"and then I'm going to be really racist but you're going to have to forgive me | 0:01:53 | 0:01:56 | |
"because I was so nice at this point." | 0:01:56 | 0:01:58 | |
It's bullshit, it's got to go. | 0:01:58 | 0:02:00 | |
It needs to go. | 0:02:00 | 0:02:01 | |
In Northern Ireland we don't really do racism properly because we had a war for years. | 0:02:01 | 0:02:05 | |
-Oh, you do. -We don't, really. | 0:02:05 | 0:02:06 | |
We're only messing, because... | 0:02:06 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:10 | |
That is the best thing I've ever heard. | 0:02:12 | 0:02:14 | |
-"Oh, no, listen, we were only messing." -We totally are, though. | 0:02:14 | 0:02:16 | |
For years we had, you know, "Who's the best type of white people?" war, right? | 0:02:16 | 0:02:20 | |
We had that. And then everyone else came over, we're like, " Oh, hello, come on over, come on over, | 0:02:20 | 0:02:24 | |
"gay people, whaaaa...? Come on over, come on over, come on over..." | 0:02:24 | 0:02:27 | |
It's a bad phrase, I agree. | 0:02:27 | 0:02:28 | |
It's not as bad as, "I am being racist AND...", | 0:02:28 | 0:02:30 | |
which I really hate, to be perfectly honest with you. | 0:02:30 | 0:02:33 | |
I think the audience cheering when you said that just shows how much Belfast has changed. | 0:02:33 | 0:02:37 | |
I remember playing the Empire 15 years ago, walking onto stage | 0:02:37 | 0:02:41 | |
and people just hated me cos I was English. | 0:02:41 | 0:02:43 | |
Um... | 0:02:43 | 0:02:44 | |
APPLAUSE | 0:02:44 | 0:02:47 | |
So... | 0:02:47 | 0:02:48 | |
So, Jarred has gone for "I'm not racist, but..." | 0:02:52 | 0:02:55 | |
Needs to go. | 0:02:55 | 0:02:56 | |
I think that's good that Australians like yourself are taking a stand. LAUGHTER | 0:02:56 | 0:03:00 | |
Oh, sorry, New Zealand, New Zealand, sorry. | 0:03:00 | 0:03:02 | |
We need to clear that up, I am from New Zealand. | 0:03:02 | 0:03:04 | |
What he just did there was the worst kind of racism. | 0:03:04 | 0:03:07 | |
Rivalry between Australia and New Zealand's based on the fact that Australia keeps trying | 0:03:08 | 0:03:12 | |
to steal famous New Zealanders, claim them as their own. Crowded House? Great Kiwi band. | 0:03:12 | 0:03:16 | |
The Aussies tried to steal them. | 0:03:16 | 0:03:19 | |
Russell Crowe? Oh, we've fought about him. | 0:03:19 | 0:03:22 | |
"He's Aussie." "He's Kiwi." "He's Aussie." "He's Kiwi." | 0:03:22 | 0:03:24 | |
Then he turned out to be a total prick, so we were like, "Australia, you can have him." | 0:03:24 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
APPLAUSE | 0:03:29 | 0:03:31 | |
He's yours. | 0:03:31 | 0:03:32 | |
Thanks, Jarred. OK, Mickey. | 0:03:35 | 0:03:37 | |
What word or phrase would you like to see binned from the English-language? | 0:03:37 | 0:03:40 | |
Man boobs. | 0:03:40 | 0:03:41 | |
I know that... | 0:03:44 | 0:03:45 | |
I know man boobs is a direct description of what they are, | 0:03:45 | 0:03:48 | |
but I've recently grown a pair and... | 0:03:48 | 0:03:50 | |
-Of man boobs? -Yeah. -Oh, right. -No-one told me, Paul. | 0:03:52 | 0:03:55 | |
My dad didn't take me aside and say, "Son, one day... | 0:03:55 | 0:03:58 | |
"You're going to look like Mummy." | 0:03:58 | 0:04:00 | |
Mummy's from Lurgan. | 0:04:02 | 0:04:03 | |
You know how it is. | 0:04:03 | 0:04:05 | |
I have man boobs now and they don't think it's fair, | 0:04:05 | 0:04:07 | |
ladies and gentlemen, that I have to carry these things around. | 0:04:07 | 0:04:10 | |
You don't understand the struggle. | 0:04:10 | 0:04:11 | |
You don't know what it's like to brush your teeth as a grown man | 0:04:11 | 0:04:14 | |
in the morning with no T-shirt on, | 0:04:14 | 0:04:15 | |
spit toothpaste out and it lands on your own ditty. | 0:04:15 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:19 | |
APPLAUSE | 0:04:19 | 0:04:21 | |
Mickey, can I just ask a question regarding the language? | 0:04:25 | 0:04:28 | |
Is it that it's the boobs aspect that you don't like, | 0:04:28 | 0:04:33 | |
so it's kind of making it slightly more... | 0:04:33 | 0:04:35 | |
Cos you are a very ruggedly handsome man, if I may be so bold. | 0:04:35 | 0:04:38 | |
-With tits. -Yeah. -I don't know, I'm a lesbian... | 0:04:38 | 0:04:41 | |
I'm gorgeous. | 0:04:41 | 0:04:42 | |
I look like a rugby player, like, here, | 0:04:42 | 0:04:43 | |
but from here down I'm like a 17-year-old netballer. | 0:04:43 | 0:04:46 | |
That's very confusing! So... | 0:04:47 | 0:04:49 | |
-It's sort of Caitlin Jenner's middle stage, isn't it? -THEY LAUGH | 0:04:49 | 0:04:52 | |
Yeah. | 0:04:52 | 0:04:54 | |
Is it the boobs part that you object to and you want it to be a more... | 0:04:54 | 0:04:57 | |
Cos getting rid of the word doesn't get rid of the... | 0:04:57 | 0:05:00 | |
I haven't seen them, so I can't judge what they're like... | 0:05:00 | 0:05:03 | |
Oh, hang on, hang on. Hang on a second! | 0:05:03 | 0:05:06 | |
-That's some Arnold Schwarzenegger nonsense. -There's muscle underneath. | 0:05:06 | 0:05:10 | |
-Right. -Can you do the theme tune? | 0:05:10 | 0:05:11 | |
-HE SINGS: -# Bwi ba ba bada bo... # | 0:05:11 | 0:05:13 | |
-I can do the... -Do them to that. | 0:05:13 | 0:05:15 | |
Can we actually play the theme tune again and see if Mickey can actually...? | 0:05:15 | 0:05:18 | |
SCAT INTRO TO I'M A SCATMAN | 0:05:18 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
CHEERING AND APPLAUSE | 0:05:22 | 0:05:24 | |
MUSIC: I'm A Scatman by John Scatman | 0:05:24 | 0:05:28 | |
I take it back, keep it. | 0:05:30 | 0:05:32 | |
You see, that's a talent that you have there. | 0:05:32 | 0:05:35 | |
-Would you like a more masculine term for what they are? -Man tits? | 0:05:35 | 0:05:39 | |
-Dancing pecs? -That'd be nice. | 0:05:39 | 0:05:41 | |
You've got dancing pecs. | 0:05:41 | 0:05:43 | |
-SUSAN: -Breasticles. | 0:05:43 | 0:05:45 | |
Breasticles, you suggest breasticles. | 0:05:45 | 0:05:47 | |
APPLAUSE | 0:05:47 | 0:05:50 | |
Well done. | 0:05:53 | 0:05:55 | |
I don't know about you guys, but that's the kind of comedy I like. | 0:05:55 | 0:05:59 | |
We stand up, she does the comedy, beautiful. | 0:05:59 | 0:06:02 | |
And thanks to my old English teacher who made it to tonight's show. | 0:06:02 | 0:06:06 | |
-Breasticles! -HE LAUGHS | 0:06:06 | 0:06:08 | |
Susan, you're up next. | 0:06:08 | 0:06:10 | |
Which word or phrase gets on your proverbial wick and you would like to see binned? | 0:06:10 | 0:06:15 | |
Well, the phrase I would like to see binned is, | 0:06:15 | 0:06:18 | |
"What's the worst that could happen?" | 0:06:18 | 0:06:20 | |
It's a phrase...my mother uses it quite a lot. She's trying to help. | 0:06:22 | 0:06:26 | |
I have a fear of flying. | 0:06:26 | 0:06:28 | |
When I said to her, "I'm coming to Belfast," "What's the worst that could happen?" | 0:06:28 | 0:06:31 | |
"I could die, Mother. That is the worst thing that could happen. | 0:06:31 | 0:06:34 | |
She may as well have said to me, "You are going to die." | 0:06:34 | 0:06:37 | |
I'm a negative person, to be fair, it's the way I was brought up. | 0:06:37 | 0:06:41 | |
-So, it's essentially optimists that you have a problem with? -OK, yes. -Yes? | 0:06:41 | 0:06:45 | |
Because I think negative people like myself are essential to keep the country going. | 0:06:45 | 0:06:49 | |
I agree with you. | 0:06:49 | 0:06:50 | |
Because if everyone was optimistic, nothing would ever get done. | 0:06:50 | 0:06:54 | |
You know, it's those people who say, "Let's not plan things. | 0:06:54 | 0:06:56 | |
"Let's just see what happens." | 0:06:56 | 0:06:58 | |
No, let's plan everything. | 0:06:58 | 0:07:00 | |
This is not so much linguistics as Susan on the psychiatrist's couch, isn't it? | 0:07:00 | 0:07:04 | |
I think it is. | 0:07:04 | 0:07:06 | |
I think you're getting quite a lot of support from the Northern Ireland audience, | 0:07:06 | 0:07:09 | |
because Northern Irish people, we're quite... | 0:07:09 | 0:07:11 | |
-We are backwards and negative and never happy. -We are. | 0:07:11 | 0:07:15 | |
It feels as though Northern Ireland years and years ago said, | 0:07:15 | 0:07:19 | |
"What's the worst that can happen?" and it fucking did. | 0:07:19 | 0:07:22 | |
LAUGHTER | 0:07:22 | 0:07:25 | |
And this comes from a man that looks like a cuddly Gerry Adams, the young years. | 0:07:25 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
Is it not good to set expectations low, then, | 0:07:32 | 0:07:35 | |
because anything else is a triumph? | 0:07:35 | 0:07:37 | |
-I mean, Ryanair should have their slogan as "What's the worst that could happen?" -Yeah. | 0:07:37 | 0:07:42 | |
Cos if you board a Ryanair plane, and you think, "Well, I could die," | 0:07:42 | 0:07:46 | |
then when they land at an airport 75 miles away from where you thought you were going to land, | 0:07:46 | 0:07:51 | |
you'll go, "This is actually all right, this is not the worst that can happen." | 0:07:51 | 0:07:55 | |
I've just been on a long-haul flight and we had really terrible turbulence. Like, proper... | 0:07:55 | 0:08:02 | |
You know, like you're on a rollercoaster ride. | 0:08:02 | 0:08:05 | |
Your bum's coming off the seat and everything. It was amazing. | 0:08:05 | 0:08:08 | |
But I was looking at the flight plan | 0:08:09 | 0:08:11 | |
and it was the exact same spot where that Air Malaysia flight had gone down, | 0:08:11 | 0:08:15 | |
where they were searching for it, right? | 0:08:15 | 0:08:18 | |
And I shouldn't have said that out loud. | 0:08:18 | 0:08:21 | |
On the plus side, if it did go down, at least there would already be people looking. | 0:08:21 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:28 | |
APPLAUSE | 0:08:28 | 0:08:30 | |
I tell you what, though, I would get Air Malaysia before I would get Aer Lingus. | 0:08:32 | 0:08:36 | |
Do you ever fly Aer Lingus? | 0:08:36 | 0:08:37 | |
You know the way most planes have a serial number at the front of the plane | 0:08:37 | 0:08:40 | |
and you can see it looks very responsible? | 0:08:40 | 0:08:42 | |
Instead of serial numbers, Aer Lingus name the planes. | 0:08:42 | 0:08:44 | |
And I don't know if you know how terrifying it is to climb inside Phidelma. | 0:08:44 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
APPLAUSE | 0:08:50 | 0:08:52 | |
Er...thanks, Susan. | 0:08:52 | 0:08:53 | |
Paul. Your phrase. | 0:08:55 | 0:08:56 | |
"Giving it 100%." | 0:08:56 | 0:08:58 | |
Everybody always says you can't give anything 110% | 0:08:58 | 0:09:02 | |
and they are of course right. | 0:09:02 | 0:09:04 | |
It's physically impossible. | 0:09:04 | 0:09:05 | |
But you can't give 100% either, because we are human beings with all our flaws and contradictions. | 0:09:05 | 0:09:10 | |
If you're giving 60%, you're doing pretty well, | 0:09:10 | 0:09:15 | |
so don't ever say you're giving 100%, because it's just physically impossible. | 0:09:15 | 0:09:19 | |
If you're going in for surgery and just as you're passing out... | 0:09:19 | 0:09:25 | |
you say to the surgeon, "Do a really good job, man," you know, | 0:09:25 | 0:09:28 | |
"Save my life," and he'll go," "I'll give it 60%." | 0:09:28 | 0:09:32 | |
LAUGHTER | 0:09:32 | 0:09:34 | |
Even, look, dare I say it, even during the act of lovemaking... | 0:09:34 | 0:09:39 | |
Going into it, you're thinking, "I'm going to give this 100%," | 0:09:40 | 0:09:42 | |
but partway through, your mind's drifting. | 0:09:42 | 0:09:46 | |
I'm not being racist, but you're right. | 0:09:46 | 0:09:48 | |
You see, my problem is when people say they're going to give more than 100%, | 0:09:49 | 0:09:53 | |
I remember seeing Wayne Rooney on an interview after a game, | 0:09:53 | 0:09:56 | |
and he said, "The lads gave 150%." | 0:09:56 | 0:09:59 | |
Somebody needs to take Wayne aside and kind of explain that in terms that Wayne understands. | 0:09:59 | 0:10:04 | |
You know, "Wayne, that's like having two hookers in your room and trying to shag three of them." | 0:10:04 | 0:10:10 | |
The first time, specifically, when you go out with someone | 0:10:13 | 0:10:15 | |
and you are about to do the sexy-sexy time, | 0:10:15 | 0:10:18 | |
you want the person to be, like, "I'm going to give this 100%!" | 0:10:18 | 0:10:22 | |
You've got... "I'm just going to do this!" | 0:10:22 | 0:10:25 | |
-Get stuck in! -The enthusiasm earns you points. | 0:10:25 | 0:10:27 | |
Just get right in there and don't you stop! | 0:10:27 | 0:10:30 | |
-Right in there! -Don't disappoint me! | 0:10:30 | 0:10:33 | |
You're only giving 60%! | 0:10:35 | 0:10:38 | |
I'll be honest, the other 40% is your fault! | 0:10:39 | 0:10:42 | |
APPLAUSE | 0:10:42 | 0:10:45 | |
OK, we will now go to our learned audience who have heard | 0:10:45 | 0:10:49 | |
tonight's arguments and, by a round of applause or a cheer, | 0:10:49 | 0:10:52 | |
we will choose one that we will bin for ever from the language, | 0:10:52 | 0:10:55 | |
so first up... "What's the worst that could happen?" | 0:10:55 | 0:10:58 | |
APPLAUSE AND SCATTERED WHOOPING | 0:10:58 | 0:11:02 | |
Next up we have "man boobs". | 0:11:02 | 0:11:04 | |
CHEERING AND APPLAUSE | 0:11:04 | 0:11:07 | |
"I'm not racist, but..." | 0:11:08 | 0:11:10 | |
LOUD CHEERING AND ENTHUSIASTIC APPLAUSE | 0:11:10 | 0:11:14 | |
Something tells me they might have to give this 100%, Paul! | 0:11:14 | 0:11:18 | |
PAUL LAUGHS | 0:11:18 | 0:11:19 | |
"Giving it 100%." | 0:11:19 | 0:11:22 | |
CHEERING AND APPLAUSE | 0:11:22 | 0:11:25 | |
And so I can tell you, folks, that after that round, | 0:11:25 | 0:11:27 | |
going into the bin of bad language, it is | 0:11:27 | 0:11:30 | |
"I'm not racist, but..." | 0:11:30 | 0:11:31 | |
CHEERING | 0:11:31 | 0:11:34 | |
Good riddance! | 0:11:34 | 0:11:36 | |
OK, our next round is called I'll Get Me Quote. | 0:11:39 | 0:11:43 | |
We have picked out a couple of quotes for our two teams. | 0:11:43 | 0:11:45 | |
All they've got to do is work out who wrote what. | 0:11:45 | 0:11:48 | |
OK, so Susan and Jarred, you are going first, here is your quote. | 0:11:48 | 0:11:53 | |
Here are your options. | 0:12:00 | 0:12:02 | |
Was it Sir Elton John? | 0:12:02 | 0:12:03 | |
Taylor Swift? | 0:12:03 | 0:12:05 | |
Kim Jong-un? LAUGHTER | 0:12:05 | 0:12:07 | |
-Or Wayne Rooney? -Wow! | 0:12:07 | 0:12:09 | |
Good, good range of people there. | 0:12:09 | 0:12:13 | |
OK. Kim Jong-un, known for his surprise parties. | 0:12:13 | 0:12:16 | |
What do we really know about North Korea? | 0:12:16 | 0:12:21 | |
-Very little. -I'll tell you what I know. -What? | 0:12:21 | 0:12:23 | |
-South Korea is better than North Korea. -Why? | 0:12:23 | 0:12:25 | |
Because South Korea has got Seoul! | 0:12:25 | 0:12:27 | |
LAUGHTER | 0:12:27 | 0:12:31 | |
Traditionally, Wayne Rooney is thought of as perhaps not | 0:12:31 | 0:12:34 | |
the world's most intelligent of gentlemen. | 0:12:34 | 0:12:36 | |
I don't know, I've never met him, he might be a scholar, | 0:12:36 | 0:12:39 | |
but I'm not... That's quite a big sentence, | 0:12:39 | 0:12:43 | |
-isn't it? -Yeah, it is. | 0:12:43 | 0:12:44 | |
And I don't know whether he would just go, "I bought you something!" | 0:12:44 | 0:12:47 | |
-You know, rather than... So, next up we've got... -Elton! | 0:12:47 | 0:12:51 | |
Now, Elton, he likes buying stuff. | 0:12:51 | 0:12:53 | |
I think Elton John... Look, this is just a theory. | 0:12:53 | 0:12:57 | |
Ha-ha! Tell me more, Jarred! | 0:12:57 | 0:12:59 | |
I think Elton John, in the '70s, went to a costume party | 0:12:59 | 0:13:03 | |
-and hasn't been home yet. -Right. | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
And the last one is the best woman alive today, | 0:13:08 | 0:13:13 | |
Taylor Swift. | 0:13:13 | 0:13:14 | |
Love her, love her, love her. | 0:13:14 | 0:13:16 | |
You are a fan? | 0:13:16 | 0:13:18 | |
Love her, love her, love her. | 0:13:18 | 0:13:21 | |
While we're having a little think about this, | 0:13:21 | 0:13:23 | |
we have an extra bonus quote. | 0:13:23 | 0:13:24 | |
If someone can actually tell us who said this... | 0:13:24 | 0:13:27 | |
"My neighbour opposite was washing her windows | 0:13:27 | 0:13:30 | |
"and saw me dancing to Taylor Swift's Shake It Off. | 0:13:30 | 0:13:33 | |
"I got a thumb up..." Sorry, "I got a thumbs-up. | 0:13:33 | 0:13:37 | |
"So did she. #allgood" | 0:13:37 | 0:13:40 | |
That was me! | 0:13:40 | 0:13:42 | |
That was you? | 0:13:42 | 0:13:43 | |
-I tweeted it because it happened. -And because you've got no curtains. | 0:13:43 | 0:13:46 | |
Yeah, I've got no curtains, | 0:13:46 | 0:13:48 | |
so I was dancing to Shake It Off in my living room. | 0:13:48 | 0:13:50 | |
We can actually show you the tweet, Susan, here it is. | 0:13:50 | 0:13:53 | |
Which is... You know, I think that's a lovely tweet. | 0:13:53 | 0:13:55 | |
If we have a little look at the time that that tweet took place at... | 0:13:55 | 0:14:00 | |
LAUGHTER | 0:14:00 | 0:14:02 | |
I'm not sure what's more enjoyable, | 0:14:02 | 0:14:04 | |
the fact that you were actually dancing to Taylor Swift | 0:14:04 | 0:14:06 | |
at four o'clock in the morning | 0:14:06 | 0:14:08 | |
or your Glasgow neighbour was washing her windows. | 0:14:08 | 0:14:11 | |
OK, I have insomnia, so I don't sleep, | 0:14:13 | 0:14:16 | |
but what I do is I go into the living room and I just... | 0:14:16 | 0:14:19 | |
I put on my headphones and I dance around the place | 0:14:19 | 0:14:21 | |
because it's better than sitting worrying about life, so... | 0:14:21 | 0:14:24 | |
Cue the music. | 0:14:24 | 0:14:26 | |
-# I'm dancing on my own... # -Oh, no! | 0:14:26 | 0:14:28 | |
# ..I'll make the moves up as I go... # | 0:14:28 | 0:14:30 | |
So, it's... | 0:14:30 | 0:14:31 | |
CHEERING | 0:14:31 | 0:14:33 | |
And we just have a special present for Susan here. | 0:14:49 | 0:14:53 | |
This is a little photograph we thought you might be interested in. | 0:14:53 | 0:14:56 | |
Here we go. | 0:14:56 | 0:14:57 | |
Oh, you... Oh, my God! | 0:14:57 | 0:14:59 | |
That is when the PK met the Taytay. | 0:15:00 | 0:15:04 | |
When did that happen? | 0:15:04 | 0:15:06 | |
That happened in Nashville couple of years ago | 0:15:06 | 0:15:09 | |
and she has got a thumb up, | 0:15:09 | 0:15:10 | |
that's why I've got that expression there too. | 0:15:10 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
So, I think she is a generous woman. | 0:15:15 | 0:15:17 | |
She's going out with a Scotsman now, so she's got great taste. | 0:15:17 | 0:15:20 | |
-Yes, she is! -Calvin Harris. | 0:15:20 | 0:15:22 | |
Let's do it in her voice. Let's try it in everybody's voices | 0:15:22 | 0:15:25 | |
apart from Kim Jong-un's cos that could get awkward. | 0:15:25 | 0:15:27 | |
-Oh, yes, right. -Wayne Rooney. | 0:15:27 | 0:15:29 | |
-Um, where is he from? Liverpool? -Liverpool. | 0:15:29 | 0:15:32 | |
-IN EXAGGERATED SCOUSE ACCENT: -Fucking hell! | 0:15:32 | 0:15:34 | |
GUTTURAL GIBBERISH | 0:15:34 | 0:15:38 | |
-I don't think it was him. -I don't think it was him. | 0:15:38 | 0:15:41 | |
-Shall I do Taylor Swift? -You SHOULD do Taylor Swift. | 0:15:41 | 0:15:43 | |
LAUGHTER | 0:15:43 | 0:15:47 | |
SUSAN READS IN AN EXAGGERATED AMERICAN ACCENT | 0:15:50 | 0:15:55 | |
-It's a Muppet I was doing. -It's Taylor Swift! | 0:15:59 | 0:16:02 | |
-I think it's Taylor Swift. -You think it is Taylor Swift? | 0:16:02 | 0:16:04 | |
-Yeah. -I would say that as well. | 0:16:04 | 0:16:06 | |
Wayne Rooney? Yeah. | 0:16:06 | 0:16:07 | |
Kim Jong-un hasn't written an autobiography, | 0:16:07 | 0:16:09 | |
it just wouldn't sell that well outside of North Korea, | 0:16:09 | 0:16:12 | |
so it's between Taylor Swift and Wayne Rooney. | 0:16:12 | 0:16:14 | |
-It's Wayne Rooney. -OK. | 0:16:14 | 0:16:16 | |
-I'm going to go with my captain. Wayne Rooney. -SUSAN: -Damn it! | 0:16:16 | 0:16:19 | |
The correct answer, of course, | 0:16:19 | 0:16:21 | |
is Wayne Rooney. | 0:16:21 | 0:16:22 | |
APPLAUSE | 0:16:22 | 0:16:24 | |
Paul's team, here is your quote. | 0:16:27 | 0:16:30 | |
Whose words are they? | 0:16:43 | 0:16:45 | |
Is it Daniel Craig? | 0:16:45 | 0:16:46 | |
Michael Flatley? | 0:16:46 | 0:16:48 | |
Danny Dyer? | 0:16:48 | 0:16:49 | |
Or Bruce Forsyth? | 0:16:49 | 0:16:50 | |
There we go. | 0:16:50 | 0:16:52 | |
-PAUL: -Michael Flatley was born in Chicago. | 0:16:52 | 0:16:54 | |
-Have you seen the way he dances? -He doesn't even dance! | 0:16:54 | 0:16:56 | |
I hate him! In Lord Of The Dance, if you ever watch that show, | 0:16:56 | 0:16:59 | |
he doesn't even dance, he waits right till the end | 0:16:59 | 0:17:02 | |
and then he walks out and slaps someone's arse | 0:17:02 | 0:17:04 | |
and does a Usain Bolt and takes... | 0:17:04 | 0:17:05 | |
He just takes all the credit. | 0:17:05 | 0:17:07 | |
There's 400 blokes standing behind him, knackered, | 0:17:07 | 0:17:09 | |
like "Why is he getting all the money?!" | 0:17:09 | 0:17:12 | |
Being from New Zealand and seeing Lord Of The Dance, | 0:17:12 | 0:17:16 | |
and Michael Flatley stuff, from an outsider's perspective as well, | 0:17:16 | 0:17:20 | |
I just want to say, | 0:17:20 | 0:17:21 | |
-I think it's awful. -Yeah. | 0:17:21 | 0:17:23 | |
LAUGHTER | 0:17:23 | 0:17:25 | |
APPLAUSE | 0:17:25 | 0:17:27 | |
The thing is, whenever you are immersed in a particular thing, | 0:17:29 | 0:17:33 | |
so in...in Scotland, if a tourist comes up, | 0:17:33 | 0:17:37 | |
I am trained to be Jimmy Krankie, Lulu or Nicola Sturgeon. | 0:17:37 | 0:17:41 | |
-So... -Will you do the Braveheart thing? | 0:17:41 | 0:17:45 | |
OK, OK, OK! | 0:17:45 | 0:17:47 | |
-I love the Braveheart thing! -We're all taught this at school now! | 0:17:47 | 0:17:50 | |
OK... | 0:17:50 | 0:17:51 | |
-SHRIEKS: -FREEDOM! | 0:17:51 | 0:17:53 | |
So good! | 0:17:54 | 0:17:55 | |
It's like there is an Australian in the room. | 0:17:55 | 0:17:58 | |
My favourite Mel Gibson story about Braveheart, | 0:17:58 | 0:18:01 | |
it was actually filmed in Ireland and they filmed it down at Ardmore | 0:18:01 | 0:18:04 | |
and they give them the Irish army as extras | 0:18:04 | 0:18:07 | |
and they all dressed up as the warriors | 0:18:07 | 0:18:11 | |
and Mel Gibson turned up one day and all the guys were in costume | 0:18:11 | 0:18:15 | |
and he thought he would have a bit of banter with one of the guys, | 0:18:15 | 0:18:18 | |
just to... And he said, "And what's under your kilt?" | 0:18:18 | 0:18:21 | |
He went, "Your wife's lipstick." | 0:18:21 | 0:18:23 | |
LAUGHTER | 0:18:23 | 0:18:27 | |
-PAUL: -It doesn't sound like Bruce. | 0:18:29 | 0:18:31 | |
He wouldn't say "pasting", though, would he? | 0:18:31 | 0:18:33 | |
It's just not his language. | 0:18:33 | 0:18:35 | |
Daniel Craig is...rumoured to be | 0:18:35 | 0:18:37 | |
being replaced by Idris Elba, causing great controversy. | 0:18:37 | 0:18:40 | |
-I'm not being racist, but... -Yeah. | 0:18:40 | 0:18:43 | |
I'd like to see Michael Flatley replaced by Idris Elba, | 0:18:43 | 0:18:46 | |
that would be a fantastic cultural change. | 0:18:46 | 0:18:48 | |
I would like to see the first black Lord Of The Dance. | 0:18:48 | 0:18:50 | |
-I think that would be great. -I think that would work. | 0:18:50 | 0:18:53 | |
I thought you were going to say, | 0:18:53 | 0:18:54 | |
"I'd like to see Michael Flatley be the next James Bond." | 0:18:54 | 0:18:57 | |
That would have been an entirely different... | 0:18:57 | 0:18:59 | |
He could actually do the... | 0:18:59 | 0:19:00 | |
HE HUMS THE JAMES BOND THEME AND TAPS FEET IN TIME | 0:19:00 | 0:19:04 | |
You think it's Bruce? | 0:19:06 | 0:19:08 | |
-Yeah, I think it's Bruce. -What do you think? | 0:19:08 | 0:19:10 | |
-SUSAN: -Well, the text, I don't think it's Bruce | 0:19:10 | 0:19:14 | |
because I don't think he would necessarily give anyone a pasting. | 0:19:14 | 0:19:17 | |
It's true, actually, Bruce would probably have chinned them. | 0:19:17 | 0:19:20 | |
-The only thing... -AUDIENCE GROANS | 0:19:20 | 0:19:22 | |
Oh, come on! | 0:19:22 | 0:19:23 | |
What I was going to say is, I think Michael Flatley... | 0:19:23 | 0:19:26 | |
Somewhere in the back of my mind, reading up on Riverdance, | 0:19:26 | 0:19:29 | |
I think he did boxing at some point, | 0:19:29 | 0:19:31 | |
so I think it would be Flatley, actually. Would you agree? | 0:19:31 | 0:19:34 | |
I would say Flatley. | 0:19:34 | 0:19:36 | |
OK, guys, it is your question, so we are going to need an answer. | 0:19:36 | 0:19:40 | |
-I think it's Danny Dyer. -Yeah, go for Danny Dyer. | 0:19:40 | 0:19:42 | |
You are agreed with Danny Dyer. | 0:19:42 | 0:19:44 | |
I can tell you that the correct answer was | 0:19:44 | 0:19:46 | |
-Bruce Forsyth. -Oh-ho-ho! | 0:19:46 | 0:19:48 | |
Bruce Forsyth who said he gave his abuser... | 0:19:48 | 0:19:52 | |
AS BRUCE: "..a right pasting." | 0:19:52 | 0:19:54 | |
APPLAUSE | 0:19:54 | 0:19:55 | |
And at the end of that round, the winners are Paul and Micky. | 0:19:55 | 0:19:58 | |
CHEERING | 0:19:58 | 0:20:01 | |
Now, as we all know, | 0:20:04 | 0:20:05 | |
language is a powerful tool that can be used for both good and evil. | 0:20:05 | 0:20:09 | |
At best, it can inspire and seduce, | 0:20:09 | 0:20:11 | |
at worst, it can make us buy useless crap from the home shopping channel | 0:20:11 | 0:20:14 | |
when we come in from the pub pissed. | 0:20:14 | 0:20:16 | |
Our next round is called Ad-libs, | 0:20:16 | 0:20:18 | |
where we ask our two teams to park their morals | 0:20:18 | 0:20:20 | |
and embrace the language of advertising | 0:20:20 | 0:20:23 | |
to sell us a range of genuine items. | 0:20:23 | 0:20:26 | |
First of all, for Paul's team, here is your item. | 0:20:26 | 0:20:31 | |
If you can actually guess what words Paul and Micky will use | 0:20:31 | 0:20:34 | |
when they are trying to sell these beautiful items, | 0:20:34 | 0:20:38 | |
it will be a point for each. | 0:20:38 | 0:20:40 | |
-We'll pass them across. -Thank you. | 0:20:40 | 0:20:42 | |
Shall we put them on? | 0:20:42 | 0:20:44 | |
I think it would be better if you did, yeah. | 0:20:44 | 0:20:46 | |
It actually says Handerpants. | 0:20:46 | 0:20:48 | |
-OK, time up, stop writing now. -Yep, yep, yep, yep. | 0:20:48 | 0:20:51 | |
-Time up! -Yes, done, done. | 0:20:51 | 0:20:53 | |
What are you going to do? What are you going to do?! | 0:20:53 | 0:20:55 | |
This is the most bizarre game of bingo I have ever seen in my life. | 0:20:57 | 0:21:01 | |
-How did they get so many words on so... -I know! | 0:21:01 | 0:21:04 | |
Guys! Stop! | 0:21:04 | 0:21:07 | |
OK, guys. | 0:21:07 | 0:21:08 | |
These are called Handerpants. You've got to admire the... | 0:21:08 | 0:21:11 | |
-BUZZER -Pants! | 0:21:11 | 0:21:13 | |
But that's what they're called! | 0:21:13 | 0:21:15 | |
Doesn't matter, mate. | 0:21:15 | 0:21:16 | |
They are underpants for your hands. Why... | 0:21:16 | 0:21:21 | |
-BUZZER -Hand! | 0:21:21 | 0:21:22 | |
Good lateral thinking there, Jarred, I don't know how you got to that(!) | 0:21:24 | 0:21:27 | |
We've all been, thanks to Tinder and Match.com and whatnot, | 0:21:27 | 0:21:31 | |
on dates that weren't quite right. | 0:21:31 | 0:21:33 | |
Well, this is the polite way of getting out of date. | 0:21:33 | 0:21:36 | |
Don't look like the bad one by getting out in the middle of dinner, | 0:21:36 | 0:21:39 | |
simply put this on and go, "I really would like to fondle your hair," | 0:21:39 | 0:21:43 | |
and before long, you know, | 0:21:43 | 0:21:44 | |
she will have disappeared and the date will be over. | 0:21:44 | 0:21:47 | |
So, it is a great advantage to get out of difficult dates. | 0:21:47 | 0:21:50 | |
That's as good as I can do at the moment. Can you do anything? | 0:21:50 | 0:21:53 | |
What we do is we put a little bit of chocolate just here... | 0:21:53 | 0:21:56 | |
GROANING AND LAUGHTER | 0:21:56 | 0:21:59 | |
I watched a documentary recently called | 0:22:03 | 0:22:06 | |
The Man With The Small Arse And Five Willies. | 0:22:06 | 0:22:08 | |
-Oh! -JARRED BUZZES REPEATEDLY | 0:22:08 | 0:22:11 | |
LAUGHTER AND APPLAUSE | 0:22:13 | 0:22:16 | |
I can't believe I put down "willy"! | 0:22:19 | 0:22:21 | |
-MICKY: -This is a stupid game! -I have literally never been happier! | 0:22:21 | 0:22:24 | |
The psychologist Pavlov, of course, explored the idea | 0:22:24 | 0:22:27 | |
that certain conditioning would make you think of certain things, | 0:22:27 | 0:22:31 | |
so having pants on your hands | 0:22:31 | 0:22:32 | |
will always disgust people. This is the most | 0:22:32 | 0:22:35 | |
disgusting thing I've ever seen! What is wrong with gloves? | 0:22:35 | 0:22:38 | |
-Oh, shit! -BUZZER | 0:22:38 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:43 | |
So let's have the cards. Here we go. Let's see... | 0:22:45 | 0:22:47 | |
Well, they did get quite a lot, I have to say. | 0:22:47 | 0:22:49 | |
Yeah, lost count, mate! | 0:22:49 | 0:22:50 | |
We have this, which is... | 0:22:50 | 0:22:53 | |
Paul. | 0:22:53 | 0:22:54 | |
I was expecting one of you to at least say each other's name, | 0:22:54 | 0:22:57 | |
-but you didn't do it. -Oh! | 0:22:57 | 0:22:58 | |
David Beckham. Well, you see, I thought they might have gone with | 0:23:01 | 0:23:04 | |
make your hands look like David Beckham. | 0:23:04 | 0:23:05 | |
-Yes. -Good shout. | 0:23:05 | 0:23:07 | |
So you can stay at home and think that David Beckham is... | 0:23:07 | 0:23:11 | |
Oh, come on, David! | 0:23:13 | 0:23:15 | |
Oh, no! | 0:23:15 | 0:23:17 | |
Oh, David, get off me! | 0:23:17 | 0:23:18 | |
Oh, no, David! | 0:23:18 | 0:23:20 | |
Shame, David! | 0:23:20 | 0:23:22 | |
I'll show you the meaning of golden balls! | 0:23:22 | 0:23:24 | |
These are the Handerpants. | 0:23:26 | 0:23:28 | |
How much do we think we paid for these? | 0:23:28 | 0:23:31 | |
-That... That's a five... -£19.95! | 0:23:31 | 0:23:34 | |
-That's a £5 job, that's a £5 job. -No, way less. | 0:23:34 | 0:23:37 | |
-PAUL: -957... -I'm going for, like, three quid in a pound shop. | 0:23:37 | 0:23:42 | |
Three quid in a pound shop?! You've been ripped off, mate! | 0:23:42 | 0:23:45 | |
I know! | 0:23:45 | 0:23:46 | |
The actual price for our Handerpants | 0:23:48 | 0:23:50 | |
was £8.90. | 0:23:50 | 0:23:53 | |
Susan's team, this is your item - | 0:23:53 | 0:23:56 | |
this beautiful teapot | 0:23:56 | 0:23:59 | |
with a clock. | 0:23:59 | 0:24:01 | |
There we go. So we'll pass this over. | 0:24:01 | 0:24:03 | |
That's very, very delicate. | 0:24:03 | 0:24:05 | |
So, we are selling this? | 0:24:05 | 0:24:06 | |
You are selling this as best you can. | 0:24:06 | 0:24:09 | |
I've watched a lot of home shopping channels. | 0:24:09 | 0:24:11 | |
I love them. Diamonique? | 0:24:11 | 0:24:13 | |
Does anyone ever watch the Diamonique hour? It's great. | 0:24:13 | 0:24:15 | |
-The what? -Diamonique. | 0:24:15 | 0:24:17 | |
-ENGLISH ACCENT: -It's like real diamonds, but it's not diamonds, | 0:24:17 | 0:24:20 | |
but no-one will know it's not a diamond | 0:24:20 | 0:24:22 | |
and it's only £5, but it looks like a diamond. | 0:24:22 | 0:24:24 | |
Time's up, guys, by the way. | 0:24:24 | 0:24:25 | |
-PAUL: -Really? -Time's up, there we go. | 0:24:25 | 0:24:27 | |
-OK, so... -Welcome... -..Susan and Jarred, off you go. | 0:24:27 | 0:24:31 | |
So, hi, everyone, and welcome to this home shopping hour | 0:24:31 | 0:24:35 | |
with myself and Jarred. | 0:24:35 | 0:24:37 | |
What are we selling today, Jarred? | 0:24:37 | 0:24:38 | |
Today, we are selling, em, the... | 0:24:38 | 0:24:41 | |
Clocktease. | 0:24:41 | 0:24:43 | |
BUZZER Yeah, clock. | 0:24:43 | 0:24:46 | |
We'll give you a point for that. Continue. | 0:24:46 | 0:24:48 | |
-Clocktease is one word. -LAUGHTER | 0:24:48 | 0:24:51 | |
And tell me something, | 0:24:51 | 0:24:52 | |
I can do what and what at the same time? | 0:24:52 | 0:24:55 | |
I can quench me thirst, but also check what time it is? | 0:24:55 | 0:24:59 | |
Yes, you can. | 0:24:59 | 0:25:00 | |
Do you think this is suitable for all ages, Jarred? | 0:25:00 | 0:25:04 | |
I would recommend...pensioners, | 0:25:04 | 0:25:07 | |
but I would not rule out under-pensionage age. | 0:25:07 | 0:25:11 | |
So, if you want to buy this beautiful Clocktease, | 0:25:11 | 0:25:14 | |
you can just phone in just now. How much is it again, Jarred? | 0:25:14 | 0:25:17 | |
Three... | 0:25:17 | 0:25:18 | |
easy... | 0:25:18 | 0:25:20 | |
payment instalments | 0:25:20 | 0:25:21 | |
of a price that you can't quite afford! | 0:25:21 | 0:25:24 | |
The Clocktease. There you go, ladies and gentlemen, | 0:25:24 | 0:25:26 | |
hope you enjoy it. Hope you buy it. | 0:25:26 | 0:25:28 | |
BUZZER | 0:25:28 | 0:25:29 | |
APPLAUSE | 0:25:29 | 0:25:32 | |
There it is, the Clocktease. | 0:25:32 | 0:25:34 | |
Guys, let's have a little look. | 0:25:34 | 0:25:36 | |
-I don't even want to hand these over. -Here we go. | 0:25:36 | 0:25:38 | |
Let's see what's in the brain of Micky and Paul. | 0:25:38 | 0:25:42 | |
First up, we have... | 0:25:42 | 0:25:43 | |
Lapsang souchong. I thought they might name a tea. | 0:25:46 | 0:25:48 | |
-SUSAN: -How specific did they think we were going to be?! | 0:25:48 | 0:25:51 | |
You've come to Ireland and you are naming posh tea?! | 0:25:51 | 0:25:54 | |
People are going, "That's not Barry's!" | 0:25:54 | 0:25:57 | |
Spout? | 0:25:58 | 0:26:00 | |
I panicked and started writing down what I saw. | 0:26:00 | 0:26:03 | |
-Taylor Swift! -I'm not obsessed with her! | 0:26:03 | 0:26:06 | |
I'm not going to say everything about Taylor Swift. | 0:26:06 | 0:26:08 | |
I'll be honest, Taylor Swift is on the tip of her tongue. | 0:26:08 | 0:26:11 | |
It is the Dawn's Bright Herald Teapot Clock, | 0:26:15 | 0:26:18 | |
it is part of a range. | 0:26:18 | 0:26:19 | |
You can have it with the robin on top, | 0:26:19 | 0:26:22 | |
a tit on the bottom | 0:26:22 | 0:26:24 | |
or a thrush on the spout, apparently. | 0:26:24 | 0:26:26 | |
That's what they say. | 0:26:26 | 0:26:28 | |
Ooh, well done! | 0:26:31 | 0:26:32 | |
I can tell you, ladies and gentlemen, | 0:26:32 | 0:26:35 | |
that we bought that from the home shopping channel for... | 0:26:35 | 0:26:38 | |
Paul, what do we think? | 0:26:38 | 0:26:40 | |
-Well, I'll... -It's up to you. -I'll go with you. | 0:26:40 | 0:26:42 | |
Eight quid. | 0:26:42 | 0:26:44 | |
25. | 0:26:44 | 0:26:45 | |
LAUGHTER | 0:26:45 | 0:26:47 | |
The audience laughing because we think that's too high or too low? | 0:26:47 | 0:26:50 | |
-AUDIENCE: -Too high. -Too high? Really? | 0:26:50 | 0:26:53 | |
£68.97. | 0:26:53 | 0:26:57 | |
Ha-ha-ha-ha! All of you, "It's not worth anything!" | 0:26:57 | 0:27:00 | |
It's what we paid for this piece of... | 0:27:00 | 0:27:03 | |
There it is. There it is. | 0:27:03 | 0:27:06 | |
It's solid, that, isn't it? | 0:27:06 | 0:27:08 | |
It is solid, I was very much... Oh, I'm so sorry. | 0:27:08 | 0:27:11 | |
I'm so sorry, Susan. | 0:27:11 | 0:27:12 | |
Susan has gone Acorn Antiques on us! | 0:27:12 | 0:27:15 | |
If that's worth 68 quid, | 0:27:15 | 0:27:17 | |
I'll get something for it at the airport on the way home! | 0:27:17 | 0:27:20 | |
And so, at the end of the show, I can tell you that | 0:27:26 | 0:27:28 | |
in second place this evening, | 0:27:28 | 0:27:30 | |
let's give it up for Paul and for Micky. | 0:27:30 | 0:27:32 | |
APPLAUSE | 0:27:32 | 0:27:34 | |
Which means that tonight's supercalifragilisticexpialidociouses | 0:27:35 | 0:27:38 | |
are Susan and Jarred. | 0:27:38 | 0:27:40 | |
CHEERING | 0:27:40 | 0:27:42 | |
There we are! | 0:27:42 | 0:27:44 | |
And before we go, | 0:27:46 | 0:27:47 | |
if you think you've used some bad language in your time, | 0:27:47 | 0:27:50 | |
remember it could be a lot worse, like this. | 0:27:50 | 0:27:52 | |
And finally, this one from a guy who was so drunk | 0:28:04 | 0:28:08 | |
he ended up texting himself. | 0:28:08 | 0:28:10 | |
That is all we have time for. A big thanks to our guests, | 0:28:18 | 0:28:21 | |
to Susan Calman and Jarred Christmas | 0:28:21 | 0:28:23 | |
and to Paul Sinha and to Micky Bartlett. | 0:28:23 | 0:28:25 | |
I'm Patrick Kielty. Thank you very much, goodnight. | 0:28:25 | 0:28:28 | |
CHEERING AND APPLAUSE | 0:28:28 | 0:28:30 |