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Contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:04 | |
-I thought I heard the door. -Or did you hear my heart begin to beat faster? | 0:00:04 | 0:00:07 | |
-Catch you later, sweet cheeks. -If we let you walk out of here, we're putting people's lives at risk. | 0:00:07 | 0:00:12 | |
Maybe. Or maybe I'm better than you think. | 0:00:12 | 0:00:14 | |
There are good vampires out there. Hope you'll give me a call. I'm a friend when you need one. | 0:00:14 | 0:00:19 | |
The Nemesis has a burnt arm. | 0:00:19 | 0:00:21 | |
What, and that's it? | 0:00:21 | 0:00:22 | |
Perhaps the myth is wrong. | 0:00:22 | 0:00:24 | |
This person with the burn, perhaps they don't pose a threat after all. | 0:00:24 | 0:00:26 | |
(SHIVERS) | 0:00:28 | 0:00:30 | |
BELL TOLLS | 0:00:33 | 0:00:37 | |
Oh, my gosh! | 0:01:23 | 0:01:24 | |
We are so totally going to get busted. | 0:01:24 | 0:01:28 | |
Can you imagine Daddy's face if they expel me? OMG. | 0:01:28 | 0:01:31 | |
Like, I could hardly show my face at Henley. | 0:01:31 | 0:01:33 | |
Sorry. | 0:01:33 | 0:01:35 | |
It's so romantic. | 0:01:37 | 0:01:39 | |
Break into my school grounds. Most boys don't really notice me, | 0:01:39 | 0:01:42 | |
but I'm getting contacts next month, unless you prefer me like this. | 0:01:42 | 0:01:45 | |
Adam, am I prettier in glasses or contacts? | 0:01:46 | 0:01:49 | |
Er...your face is a poem. | 0:01:49 | 0:01:51 | |
Your voice is wine and your eyes are a symphony. | 0:01:51 | 0:01:54 | |
So... And you have spectacular jubblies. Can I just...? | 0:01:54 | 0:01:58 | |
I'm not putting out here. | 0:01:58 | 0:01:59 | |
God, Annabella Royston-Howe got caught in the chapel | 0:01:59 | 0:02:02 | |
with Jonny Powell from St Edmund's, | 0:02:02 | 0:02:04 | |
which means she's been banished to Switzerland, | 0:02:04 | 0:02:06 | |
-there's no way she'll not the May Ball. -Neither will you. | 0:02:06 | 0:02:09 | |
I'm sorry? | 0:02:09 | 0:02:10 | |
I'm sorry, I can't...I can't keep doing this, I can't keep it together... | 0:02:10 | 0:02:13 | |
OK, if you promise not to tell anybody, I'll give you a quick tug. | 0:02:13 | 0:02:18 | |
But only if you promise not to cry afterwards, like Harry Crosby. | 0:02:18 | 0:02:21 | |
It's not what I need. (HISSES) | 0:02:21 | 0:02:24 | |
Henrietta Marshall-Parker, straight back to the dorm, thank you very much. | 0:02:24 | 0:02:28 | |
And you, young man, are in a great deal of trouble. | 0:02:28 | 0:02:31 | |
Well, hello! | 0:02:31 | 0:02:33 | |
PEACOCK CRIES | 0:02:33 | 0:02:35 | |
# When your world around is crumbling down | 0:02:37 | 0:02:40 | |
# Darlin', reach out | 0:02:40 | 0:02:44 | |
# Reach out... # | 0:02:44 | 0:02:48 | |
MIMICS DRUMS | 0:02:48 | 0:02:50 | |
# I'll be there | 0:02:50 | 0:02:53 | |
# With a love.... # | 0:02:53 | 0:02:55 | |
Could you take Eve for a minute, cos I need to warm up some milk? | 0:02:57 | 0:03:00 | |
Marigolds. Sorry. | 0:03:00 | 0:03:03 | |
KNOCKING AT DOOR | 0:03:03 | 0:03:04 | |
DOORBELL RINGING | 0:03:04 | 0:03:06 | |
EVE GURGLES | 0:03:07 | 0:03:08 | |
KNOCKING CONTINUES | 0:03:08 | 0:03:10 | |
What's going on? | 0:03:12 | 0:03:14 | |
Nina, George, anyone in? | 0:03:15 | 0:03:17 | |
-Who's that? -Mitchell, Annie? | 0:03:18 | 0:03:20 | |
I recognise that voice. | 0:03:20 | 0:03:22 | |
I am chicka-chicka back. | 0:03:22 | 0:03:25 | |
And I've brought with me one sexy motherf... Ah! | 0:03:25 | 0:03:27 | |
Oh, God! | 0:03:27 | 0:03:30 | |
Can someone please let me in? | 0:03:30 | 0:03:32 | |
Go on, it's fine, let him in. | 0:03:32 | 0:03:33 | |
It's definitely not The Nemesis. | 0:03:33 | 0:03:36 | |
He's way too much of a knob for that. | 0:03:36 | 0:03:38 | |
Who the hell are you? | 0:03:40 | 0:03:42 | |
-Who the bloody hell are you? -For goodness' sake, Adam! | 0:03:42 | 0:03:45 | |
Yvonne Bradshaw. Apologies for the intrusion. | 0:03:45 | 0:03:49 | |
Bit of bother. | 0:03:49 | 0:03:50 | |
Marigolds. Sorry. | 0:03:50 | 0:03:52 | |
Oh, right you are. | 0:03:52 | 0:03:55 | |
Oh, put some clothes on, man, this isn't The Jungle Book! | 0:03:55 | 0:03:58 | |
Oh, yes, sorry. | 0:03:58 | 0:04:00 | |
Yvonne, your friend. | 0:04:00 | 0:04:02 | |
Does she have a burn on her body? | 0:04:02 | 0:04:04 | |
Hell, no. Believe me, I've licked every inch of that real estate. | 0:04:04 | 0:04:07 | |
You know what I'm talking about, brother. | 0:04:07 | 0:04:10 | |
-EVE GURGLES -Yvonne Bradshaw. | 0:04:10 | 0:04:13 | |
How do you do? | 0:04:13 | 0:04:14 | |
Huh... | 0:04:14 | 0:04:16 | |
Adam, your friend can see me. | 0:04:16 | 0:04:18 | |
Should I not? | 0:04:18 | 0:04:20 | |
A baby - how lovely! | 0:04:20 | 0:04:22 | |
-Is this the father? -No. | 0:04:22 | 0:04:24 | |
No. No, no, definitely not, no. | 0:04:24 | 0:04:26 | |
The naked fellow, then? | 0:04:26 | 0:04:29 | |
It's complicated. | 0:04:29 | 0:04:30 | |
Ah, yes. Adam warned me you were different. | 0:04:30 | 0:04:34 | |
But never let it be said that Yvonne Bradshaw isn't "open minded". | 0:04:34 | 0:04:38 | |
Our head of French is a member of Amnesty, so I know the drill. | 0:04:38 | 0:04:43 | |
So where's George and the others? | 0:04:43 | 0:04:46 | |
I'm afraid they died. | 0:04:49 | 0:04:51 | |
-Oh, Annie, I'm so sorry. Are you OK? -No. No, not really. Um... | 0:04:53 | 0:04:58 | |
But thank you. Thanks. | 0:04:59 | 0:05:01 | |
Adam... | 0:05:01 | 0:05:02 | |
would you like us to go? | 0:05:02 | 0:05:04 | |
Regardless of what is waiting for us out there, we can go if you prefer. | 0:05:04 | 0:05:08 | |
Brave soldier. | 0:05:11 | 0:05:12 | |
Now, sorry for imposing on you all like this | 0:05:14 | 0:05:17 | |
and apologies too for the other trouble that's bound to follow. | 0:05:17 | 0:05:20 | |
What trouble? | 0:05:20 | 0:05:21 | |
You, dear. Men, dear. | 0:05:21 | 0:05:23 | |
-Very sorry about that. Tom McNair, nice to meet you. -Yvonne Bradshaw. | 0:05:23 | 0:05:28 | |
Oh... All right, Littlest Hobo, drop. | 0:05:34 | 0:05:37 | |
What can we do for you, Yvonne? | 0:05:37 | 0:05:39 | |
Straight to the point, very good. | 0:05:39 | 0:05:41 | |
Er, I believe, in modern parlance, one might say we are... | 0:05:41 | 0:05:44 | |
on the run. | 0:05:44 | 0:05:46 | |
Hoo-hoo-hoo! | 0:05:46 | 0:05:48 | |
W-Why? What have you done? | 0:05:48 | 0:05:50 | |
-Her. -Adam. | 0:05:50 | 0:05:52 | |
Oh, all right, sorry, miss. | 0:05:52 | 0:05:54 | |
Adam and I are in love. | 0:05:54 | 0:05:57 | |
LAUGHING | 0:05:57 | 0:05:59 | |
You're in love? | 0:05:59 | 0:06:01 | |
Mm-hm. | 0:06:01 | 0:06:02 | |
Like, I see you, baby. | 0:06:02 | 0:06:04 | |
And there's nothing going on down there. | 0:06:04 | 0:06:07 | |
What do you think of that? | 0:06:07 | 0:06:09 | |
-EVE GURGLES -I'd rather not. | 0:06:09 | 0:06:12 | |
Oh, I know what you're thinking. I know what you're all thinking. | 0:06:14 | 0:06:18 | |
What can a super-fox like that see in this? | 0:06:18 | 0:06:21 | |
Answer. | 0:06:21 | 0:06:22 | |
-Perseverance. -Stuck at it. | 0:06:22 | 0:06:25 | |
Stuck at it. And believe me, I'd stick it... | 0:06:26 | 0:06:29 | |
Adam Jacobs! There is a staircase in that hallway, | 0:06:29 | 0:06:32 | |
and on that staircase there will be a naughty step. Do I make myself clear? | 0:06:32 | 0:06:36 | |
Yeah. Yeah, and I'm sorry. | 0:06:36 | 0:06:37 | |
Sorry, miss. | 0:06:37 | 0:06:39 | |
He can be rather boisterous. | 0:06:39 | 0:06:41 | |
But rather adorable too. | 0:06:42 | 0:06:44 | |
I have to admit, I was less than impressed at first. | 0:06:44 | 0:06:48 | |
You see, I get so much unwanted attention. | 0:06:48 | 0:06:50 | |
Single, married, engaged - I don't get a moment's peace. | 0:06:50 | 0:06:54 | |
Really? | 0:06:54 | 0:06:56 | |
They calm down eventually. But it can be damn tiresome. | 0:06:56 | 0:06:59 | |
Last parents' evening, the police had to be called. | 0:06:59 | 0:07:02 | |
And that Brad Pitt guy, he was all over you like a rash, wasn't he? Tell 'em. | 0:07:02 | 0:07:06 | |
He was filming in the school chapel. | 0:07:06 | 0:07:08 | |
We were introduced, and... | 0:07:08 | 0:07:11 | |
...well, all I can say is... he has a lovely trailer. | 0:07:12 | 0:07:15 | |
Oh, and surprisingly small hands. | 0:07:16 | 0:07:18 | |
But what impressed me about Adam was his level of application. | 0:07:18 | 0:07:23 | |
I'm well aware he's in the first flush of youth and... | 0:07:23 | 0:07:26 | |
-I'm... -Approaching your prime. | 0:07:26 | 0:07:28 | |
But don't be fooled by everything he says and does. | 0:07:28 | 0:07:31 | |
He's mature beyond his years. | 0:07:31 | 0:07:33 | |
EVE GURGLES | 0:07:35 | 0:07:37 | |
She doesn't know what you are, does she? | 0:07:37 | 0:07:40 | |
My point is, I do. | 0:07:40 | 0:07:42 | |
Age is merely a number. | 0:07:42 | 0:07:44 | |
And what matters lies in the heart. | 0:07:44 | 0:07:47 | |
Sadly, the press didn't see it that way, and the headlines have been | 0:07:48 | 0:07:51 | |
-positively purple. -Yeah. | 0:07:51 | 0:07:53 | |
"Sordid Schoolmistress Seduces Student." | 0:07:53 | 0:07:56 | |
If one of my girls had used sloppy alliteration like that in an essay, | 0:07:56 | 0:07:59 | |
I'd be speaking to the parents. | 0:07:59 | 0:08:01 | |
Oi, teacher, leave that kid alone. | 0:08:01 | 0:08:03 | |
Technically inaccurate, as I was never actually his teacher. | 0:08:03 | 0:08:06 | |
Likes the virgin. | 0:08:06 | 0:08:08 | |
Again, inaccurate, because I am a legendary swordsman. | 0:08:08 | 0:08:11 | |
I wanted to stand our ground. | 0:08:11 | 0:08:13 | |
Answer their blasted questions, pose for a couple of pictures, | 0:08:13 | 0:08:17 | |
and donate the cheque to a dog shelter. | 0:08:17 | 0:08:19 | |
But Adam came over all camera shy. | 0:08:19 | 0:08:22 | |
-Ah, funny, that. -And now you're on the run. | 0:08:22 | 0:08:24 | |
We were but it's cool, thanks to my manoeuvres and shit. | 0:08:24 | 0:08:27 | |
Why is there people outside with cameras and microphones? | 0:08:27 | 0:08:30 | |
Tom, shut the curtains. Tom, shut the bloody curtains. Jesus, | 0:08:34 | 0:08:37 | |
tell me you didn't lead the press to our door. | 0:08:37 | 0:08:39 | |
Well, they might not be anything to do with us. | 0:08:39 | 0:08:41 | |
DOORBELL RINGING, BANGING | 0:08:41 | 0:08:43 | |
MAN: Adam, come on, I know you're in there. | 0:08:43 | 0:08:46 | |
-KNOCKING -Might be a different Adam. | 0:08:46 | 0:08:48 | |
MAN: Adam Jacobs. No point hiding, mate. | 0:08:48 | 0:08:51 | |
Oh, for f...karking hell! | 0:08:51 | 0:08:54 | |
How did they find us, huh? | 0:08:54 | 0:08:56 | |
MAN: That is your car parked outside, isn't it? | 0:08:56 | 0:08:59 | |
Hey, Adam, I heard she tied you down with her sports bra. | 0:08:59 | 0:09:04 | |
Oh, this is too much. | 0:09:04 | 0:09:06 | |
It's one thing harassing us, it's quite another inconveniencing you. | 0:09:06 | 0:09:10 | |
Besides, I will not tolerate grubby talk in the presence of an infant. | 0:09:10 | 0:09:13 | |
Come on, Adam, we're going out there together. Print and be damned. | 0:09:13 | 0:09:17 | |
-They can't take your photo. -I appreciate your concern. | 0:09:17 | 0:09:20 | |
No, really. They can't. | 0:09:20 | 0:09:22 | |
But as Thomas Kempis said, "Love feels no burden, | 0:09:22 | 0:09:25 | |
-"thinks nothing of trouble..." -Wouldn't go out there, if I were you. | 0:09:25 | 0:09:28 | |
"...attempts what is above its strength..." | 0:09:28 | 0:09:30 | |
-For God's sake, Adam, they've got cameras. -"...pleads no excuse of impossibility. | 0:09:30 | 0:09:34 | |
"for it thinks all things lawful for itself, and all things possible." | 0:09:34 | 0:09:38 | |
Right, darling... | 0:09:38 | 0:09:40 | |
-let's show our faces to the world. -ALL: No! No, no, no! | 0:09:40 | 0:09:43 | |
OK. | 0:09:46 | 0:09:47 | |
She's been odd since I got here. | 0:09:47 | 0:09:49 | |
Now you're all at it. What on earth is going on? | 0:09:49 | 0:09:53 | |
GRUNTS AND PANTS | 0:10:01 | 0:10:07 | |
You're a vampire? | 0:10:17 | 0:10:19 | |
So's he. | 0:10:19 | 0:10:20 | |
And Thomas is a werewolf and Annie is a ghost. | 0:10:20 | 0:10:25 | |
And you're actually 47. | 0:10:26 | 0:10:28 | |
Mm-hm. For my 12th birthday, I got an Etch A Sketch. | 0:10:28 | 0:10:31 | |
Our school gym was opened by Suzi Quatro. | 0:10:31 | 0:10:35 | |
Adam, if you wish to terminate our relationship, | 0:10:35 | 0:10:37 | |
please just say so, rather than insult my intelligence with this...bunkum. | 0:10:37 | 0:10:42 | |
-No, it's not. -I've abandoned everything for you. | 0:10:42 | 0:10:44 | |
My job, my home, my reputation. | 0:10:45 | 0:10:49 | |
I implore you, do not repay me with this. | 0:10:49 | 0:10:52 | |
Why else wouldn't I want my photo taken? | 0:10:52 | 0:10:55 | |
Why would I deprive the world of this? | 0:10:55 | 0:10:57 | |
Look at me. | 0:10:57 | 0:10:58 | |
It's partly why I brought you here. | 0:11:00 | 0:11:02 | |
It's so I could break the news to you. | 0:11:02 | 0:11:05 | |
Please, don't bin me. | 0:11:05 | 0:11:07 | |
I know I'm not worthy of you and I know you've turned down thousands of men. | 0:11:07 | 0:11:11 | |
I know what a nightmare it's been with the hassling and the dying... | 0:11:11 | 0:11:14 | |
Dying? W-What? | 0:11:14 | 0:11:17 | |
Despite all the attention, I've actually only had two consorts. | 0:11:17 | 0:11:21 | |
They both died. Terribly tragic. Rather put me off the whole thing. | 0:11:22 | 0:11:25 | |
Yeah, but I'm already dead. | 0:11:25 | 0:11:28 | |
I'm perfect for you. | 0:11:28 | 0:11:29 | |
I knew when I first saw you... | 0:11:29 | 0:11:32 | |
Actually, I was after the other girl. | 0:11:32 | 0:11:35 | |
And then you came and you threw me out. | 0:11:35 | 0:11:37 | |
And then you came to me in a dream, and since then you're all I can think of. | 0:11:37 | 0:11:41 | |
Yvonne, I need you. I'm begging you, please. | 0:11:44 | 0:11:46 | |
Adam... | 0:11:48 | 0:11:50 | |
...you're clearly troubled. | 0:11:52 | 0:11:54 | |
That beautiful noggin is playing tricks on you. | 0:11:55 | 0:11:57 | |
A mirror. Get me a mirror | 0:11:57 | 0:11:59 | |
-and I'll prove it to you. -No... I mean, there's no need. | 0:11:59 | 0:12:03 | |
You're suffering from a delusion. As are your friends. | 0:12:03 | 0:12:07 | |
Let's just leave it at that. | 0:12:07 | 0:12:09 | |
It doesn't change the extraordinary boy you are. | 0:12:09 | 0:12:12 | |
Nor my love for him, not one jot. | 0:12:12 | 0:12:16 | |
-Oh, my... -Adam...one step at a time. | 0:12:16 | 0:12:20 | |
Now, what are we going to do about those infernal reporters? | 0:12:22 | 0:12:26 | |
Do you want me to go and shoo them off? | 0:12:26 | 0:12:29 | |
I'm afraid that might make matters worse. | 0:12:29 | 0:12:32 | |
Yes, you're probably right. | 0:12:32 | 0:12:33 | |
Maybe if we just lay low for a few days, they'll get bored. | 0:12:33 | 0:12:37 | |
I'm afraid you're going to be stuck with us. | 0:12:37 | 0:12:40 | |
Right. | 0:12:40 | 0:12:41 | |
Brilliant. | 0:12:41 | 0:12:42 | |
Sorted. Do you mind if I have a quick nap? | 0:12:42 | 0:12:46 | |
I'm just absolutely cream crackered. Full moon last night. | 0:12:46 | 0:12:49 | |
Well, quite. | 0:12:51 | 0:12:52 | |
Tom, don't forget you've got Eve at three. | 0:12:55 | 0:12:58 | |
Now...where's the guest bedroom? | 0:13:02 | 0:13:05 | |
And, er, do you have clean sheets and a flannel? | 0:13:05 | 0:13:08 | |
SQUELCHING | 0:13:11 | 0:13:14 | |
Hello. | 0:13:56 | 0:13:57 | |
We need to take your statement down for an affidavit. | 0:13:57 | 0:14:00 | |
I'm sorry? | 0:14:00 | 0:14:01 | |
Judge wants to see me in his chambers in ten minutes. | 0:14:01 | 0:14:04 | |
So we need to habeas corpus, in mens rea, mutatis mutandis and whatnot. | 0:14:04 | 0:14:08 | |
Eh? | 0:14:08 | 0:14:10 | |
Well? What are we going to tell the judge? | 0:14:10 | 0:14:13 | |
I didn't know you was a barrister. | 0:14:15 | 0:14:17 | |
I love barristers. | 0:14:19 | 0:14:21 | |
Now... | 0:14:22 | 0:14:24 | |
how shall we plead? | 0:14:24 | 0:14:26 | |
Guilty? | 0:14:26 | 0:14:27 | |
I certainly feel guilty. | 0:14:29 | 0:14:32 | |
I'll be as guilty as you want. | 0:14:32 | 0:14:35 | |
I'll defend you. | 0:14:36 | 0:14:39 | |
Onus probandi, my love. | 0:14:39 | 0:14:41 | |
Subpoena duces tecum. | 0:14:41 | 0:14:44 | |
Now, undress me, | 0:14:46 | 0:14:48 | |
ad infinitum, ad libitum. | 0:14:48 | 0:14:51 | |
After all... | 0:14:51 | 0:14:53 | |
degustibus non est disputandum. | 0:14:53 | 0:14:58 | |
HEAVY BREATHING | 0:14:59 | 0:15:03 | |
EVE GURGLES | 0:15:10 | 0:15:12 | |
What's up, dude? | 0:15:40 | 0:15:41 | |
So I hear you're an Old One. | 0:15:43 | 0:15:45 | |
Colour me impressed. It's like meeting the Queen. | 0:15:45 | 0:15:48 | |
Shouldn't you be looking after your girlfriend? | 0:15:48 | 0:15:51 | |
No, she wanted some quiet time, so she's off reading the Dick. | 0:15:51 | 0:15:53 | |
The Dick Francis. She thinks we're nuts. | 0:15:53 | 0:15:56 | |
We've shattered her entire belief system. Let her process that | 0:15:56 | 0:15:59 | |
-in the way she chooses. -Hmm. | 0:15:59 | 0:16:01 | |
A domino. | 0:16:03 | 0:16:05 | |
It's yours, right. | 0:16:08 | 0:16:10 | |
So, have you had much luck, recently, any action on the ladies? | 0:16:10 | 0:16:13 | |
I bet you have. You're quite a... | 0:16:13 | 0:16:16 | |
I know what it's like to unleash the beast, | 0:16:16 | 0:16:19 | |
the beast inside the trousers. | 0:16:19 | 0:16:21 | |
You know what I'm talking about. | 0:16:21 | 0:16:23 | |
Just, er, watch yourself with my Yvonne. | 0:16:24 | 0:16:27 | |
Cos I will kill you. | 0:16:28 | 0:16:30 | |
I have no interest in her. | 0:16:30 | 0:16:32 | |
Yeah, you'd better not. | 0:16:32 | 0:16:34 | |
It's boring in here. D'you wanna... | 0:16:37 | 0:16:40 | |
smoke? | 0:16:40 | 0:16:41 | |
EVE GURGLES | 0:16:41 | 0:16:43 | |
Forgot. What are you gonna do with her? | 0:16:44 | 0:16:46 | |
What do you mean? | 0:16:46 | 0:16:48 | |
Well, how do you entertain a blob? | 0:16:48 | 0:16:50 | |
Ah, um... | 0:16:50 | 0:16:52 | |
I thought I'd read her some poetry. | 0:16:52 | 0:16:54 | |
Wow! | 0:16:54 | 0:16:55 | |
You know, it's like the last days of Rome in here. | 0:16:55 | 0:16:58 | |
See you later. | 0:16:59 | 0:17:01 | |
Hey. | 0:17:02 | 0:17:04 | |
Don't go outside. | 0:17:04 | 0:17:06 | |
Oh, give me some credit. | 0:17:06 | 0:17:07 | |
Have you seen Yvonne? | 0:17:16 | 0:17:17 | |
I think she's reading in her room. | 0:17:19 | 0:17:21 | |
Oh, brilliant. I can use these | 0:17:21 | 0:17:24 | |
to control the jets in my swimming pool. | 0:17:24 | 0:17:26 | |
Swimming pool? | 0:17:26 | 0:17:28 | |
Yes, naturally. Did you want something, Tom? | 0:17:28 | 0:17:30 | |
That Yvonne's dead clever, i'nt she? D'you think she'd like some flowers? | 0:17:32 | 0:17:36 | |
Cos her room's dead dull and pretty girls like flowers. | 0:17:36 | 0:17:39 | |
She's a guest and she needs looking after. | 0:17:39 | 0:17:41 | |
And I'd quite like to...look after her. | 0:17:41 | 0:17:44 | |
EVE GURGLES | 0:17:48 | 0:17:49 | |
Oi-oi! | 0:18:03 | 0:18:05 | |
SHUTTER CLICKING | 0:18:05 | 0:18:06 | |
Ha-ha! Gotcha! | 0:18:06 | 0:18:07 | |
CHUCKLING | 0:18:07 | 0:18:08 | |
Yeah. | 0:18:10 | 0:18:11 | |
SNIFFS | 0:18:11 | 0:18:12 | |
There was about five of 'em, but I weren't scared. I just staked 'em all. | 0:18:21 | 0:18:24 | |
Bam-bam, one after the other. Took those bloodsuckers down. | 0:18:24 | 0:18:27 | |
-Crumbs. -I wouldn't do anything to Adam. | 0:18:27 | 0:18:29 | |
Unless you want me to. | 0:18:29 | 0:18:30 | |
Trust me and my guns. | 0:18:30 | 0:18:32 | |
-And so it begins. -What? | 0:18:32 | 0:18:34 | |
Nothing, dear. | 0:18:36 | 0:18:37 | |
Are you guys OK? | 0:18:37 | 0:18:39 | |
Of course, I'm looking after her. | 0:18:39 | 0:18:41 | |
Yes, he's being very attentive. | 0:18:41 | 0:18:44 | |
I could show you the cellar! | 0:18:44 | 0:18:46 | |
Adam, we have to go. | 0:18:46 | 0:18:48 | |
Why, what's the matter? | 0:18:48 | 0:18:49 | |
It's happening with Tom, the old trouble. | 0:18:49 | 0:18:53 | |
Oh, really? Well, that's fine. If he tries anything, I'll just knee him in the trouser department. | 0:18:53 | 0:18:57 | |
KNOCKING MAN: Come on, guys, | 0:18:57 | 0:18:59 | |
this is ridiculous. Talk to me. | 0:18:59 | 0:19:01 | |
No-one's in! | 0:19:01 | 0:19:03 | |
MAN: Hey, Yvonne, answer this. | 0:19:05 | 0:19:08 | |
Why do weird things happen when I try to take a photo of your boyfriend? | 0:19:08 | 0:19:12 | |
Have you been outside? | 0:19:14 | 0:19:15 | |
-What? No. When? -MAN: I'll show you the photos if you'd like. | 0:19:15 | 0:19:20 | |
Yeah, I went out the back from there. | 0:19:21 | 0:19:24 | |
-Why? -Were you smoking? | 0:19:24 | 0:19:26 | |
-No. -I bet he was. Dirty, filthy habit. | 0:19:26 | 0:19:30 | |
MAN: It's fine, guys, I mean I'm sure someone in there can give me | 0:19:30 | 0:19:33 | |
a perfectly reasonably explanation. | 0:19:33 | 0:19:35 | |
-What are we going to do? -Don't be scared. I'm here. | 0:19:35 | 0:19:39 | |
Oi, back off! | 0:19:39 | 0:19:40 | |
-KNOCKING AT DOOR -We need to defuse the situation. | 0:19:40 | 0:19:43 | |
I can't talk to him in case he takes my picture. If Yvonne or Adam go out there, | 0:19:43 | 0:19:47 | |
it'll make things even worse. | 0:19:47 | 0:19:48 | |
OK. So... | 0:19:48 | 0:19:50 | |
we need to...confuse them. | 0:19:50 | 0:19:52 | |
Yes. | 0:19:54 | 0:19:55 | |
SHUTTERS CLICKING | 0:19:56 | 0:19:59 | |
-I was hoping to speak to Adam or Yvonne. -They don't wanna talk to you, mate. | 0:20:00 | 0:20:03 | |
-So they are here. -No. Maybe they are. | 0:20:03 | 0:20:06 | |
-Who are you? -Tom McNair. | 0:20:06 | 0:20:08 | |
-Um...no comment. -Look, mate, all this stuff about Adam and Yvonne, frankly I couldn't give a toss. | 0:20:08 | 0:20:14 | |
-Good luck to them, I say. -Good. -I'm more interested | 0:20:14 | 0:20:18 | |
-in the photos I took of little Adam round the back. -Uh-oh! | 0:20:18 | 0:20:21 | |
I thought getting a shot of him with a fag might be worth some cash, | 0:20:21 | 0:20:24 | |
illustrating how he's already been corrupted, blah-blah-blah. | 0:20:24 | 0:20:26 | |
But then I looked at my camera. | 0:20:26 | 0:20:28 | |
What would you say if I told you that he didn't show up on any of the photos? | 0:20:28 | 0:20:32 | |
-Piss sticks! -Piss sticks! | 0:20:32 | 0:20:34 | |
Now I'm starting to think the real story is something else entirely. | 0:20:34 | 0:20:37 | |
-Like what? -Like what? | 0:20:37 | 0:20:39 | |
Maybe young Adam isn't as innocent as everyone thinks. | 0:20:39 | 0:20:43 | |
-Tom, come inside and shut the door. -I'm going inside and shutting the door. | 0:20:45 | 0:20:49 | |
I'm staying at the Hemmington Hotel, room 906. | 0:20:49 | 0:20:51 | |
If you have anything you want to get off your chest, come and find me? | 0:20:51 | 0:20:54 | |
Oh, you...! You guys are going to want to hear this. | 0:20:57 | 0:21:01 | |
Yeah. Adam...was smoking. | 0:21:01 | 0:21:04 | |
-What? -He's a filthy liar and you should dump him straight away. | 0:21:05 | 0:21:08 | |
No, the journalist has taken a picture of Adam and now he is suspicious. | 0:21:08 | 0:21:14 | |
How could you trust somebody | 0:21:14 | 0:21:15 | |
-who lies to you like that? -Hal, you'll have to go after him. | 0:21:15 | 0:21:18 | |
And do what? | 0:21:18 | 0:21:19 | |
Don't think I don't know what you're doing, trying to make me look bad | 0:21:19 | 0:21:22 | |
so you can move in on her. I see right through you. | 0:21:22 | 0:21:24 | |
Anybody hear that, then, that sort of whining? | 0:21:24 | 0:21:26 | |
Just...threaten him or something and find out what else he knows. | 0:21:26 | 0:21:30 | |
I'm not your bloody henchman. | 0:21:30 | 0:21:32 | |
No, but if he's suspicious, then we have to do something. | 0:21:32 | 0:21:34 | |
Listen, Fred Basset, I will take you down! | 0:21:34 | 0:21:37 | |
There it is again. Did anybody hear it at all? | 0:21:37 | 0:21:38 | |
Even so, to access that part of me right now is too risky. I'm sorry. | 0:21:38 | 0:21:41 | |
I'm sorry, we're creating such a muddle, aren't we? | 0:21:41 | 0:21:45 | |
Would you excuse me for a moment? | 0:21:48 | 0:21:51 | |
Oh, what the hell is wrong with you two? | 0:21:55 | 0:21:57 | |
-Nothing. -Nothing. | 0:21:57 | 0:21:59 | |
KNOCK AT DOOR | 0:22:07 | 0:22:09 | |
Mr Cutler, Pete Travis. Could I have two minutes? | 0:22:09 | 0:22:11 | |
Sorry, I've got to be in court in literally... | 0:22:11 | 0:22:13 | |
I'd like to talk to you about Tom McNair. | 0:22:13 | 0:22:15 | |
Here's a thing. I'm a journalist. | 0:22:15 | 0:22:17 | |
I've got this habit. It's just something I do | 0:22:17 | 0:22:20 | |
whenever I meet someone. I do a little digging. | 0:22:20 | 0:22:23 | |
You know, just the headlines. | 0:22:23 | 0:22:25 | |
But with Tom... | 0:22:25 | 0:22:27 | |
there's nothing. Bit of an information vacuum, you could say. | 0:22:27 | 0:22:31 | |
Until last week, | 0:22:31 | 0:22:33 | |
when someone with that name was arrested on suspicion of ABH | 0:22:33 | 0:22:36 | |
and then released by, um... | 0:22:36 | 0:22:38 | |
Oh, look at that. It was you. | 0:22:40 | 0:22:42 | |
Ha. | 0:22:42 | 0:22:43 | |
Funny case, this one, mate, cos when they looked at the CCTV footage, | 0:22:44 | 0:22:48 | |
he appears to be kicking the crap out of thin air. | 0:22:48 | 0:22:51 | |
I mean, the poor arresting officer has had the piss ripped out of him ever since. | 0:22:51 | 0:22:55 | |
His mates...have even made copies of the DVD. | 0:22:55 | 0:22:58 | |
And would you believe it? One of those copies has reached me. | 0:22:58 | 0:23:02 | |
I've got loads of stuff like this. | 0:23:03 | 0:23:05 | |
CCTV, home movies, people being attacked by invisible men. | 0:23:05 | 0:23:09 | |
Objects floating in thin air. | 0:23:09 | 0:23:12 | |
And then there's the affidavits. | 0:23:12 | 0:23:14 | |
Police files, postmortem reports. | 0:23:16 | 0:23:18 | |
When you know where to look... | 0:23:18 | 0:23:20 | |
and there are cases like this going back hundreds of years. | 0:23:20 | 0:23:25 | |
And the only way something like that could stay hidden for so long is if someone | 0:23:25 | 0:23:29 | |
is covering this up. | 0:23:29 | 0:23:31 | |
Husbands, fathers, wives, sons, daughters, judges, police... | 0:23:31 | 0:23:35 | |
solicitors... | 0:23:35 | 0:23:37 | |
You're right. | 0:23:40 | 0:23:42 | |
What? | 0:23:43 | 0:23:44 | |
I know what you're saying... and you're right. | 0:23:44 | 0:23:48 | |
Tom McNair was kicking the crap out of a vampire. | 0:23:48 | 0:23:51 | |
Well, isn't that what you wanted to hear? | 0:23:52 | 0:23:55 | |
Now, the thing is, Pete... | 0:23:55 | 0:23:57 | |
now, they aren't the real problem. | 0:23:57 | 0:23:59 | |
Some of them are predators, sure, | 0:23:59 | 0:24:01 | |
but most, they lead normal lives, | 0:24:01 | 0:24:04 | |
manage their condition, live anonymously, no harm done. | 0:24:04 | 0:24:07 | |
No, the ones you wanna be scared of are the werewolves. | 0:24:07 | 0:24:11 | |
-Shut up. -Hey, if you have as much evidence as you say, | 0:24:11 | 0:24:14 | |
then somewhere you'll hear whisper about werewolves. | 0:24:14 | 0:24:17 | |
Yeah, I just... | 0:24:19 | 0:24:20 | |
...I didn't believe it. | 0:24:21 | 0:24:23 | |
So... | 0:24:23 | 0:24:24 | |
...vampires are fine. | 0:24:25 | 0:24:27 | |
But werewolves are stretching it a bit. | 0:24:28 | 0:24:30 | |
That's your story, Pete. | 0:24:32 | 0:24:33 | |
That's what the public need to hear because the threat's growing | 0:24:33 | 0:24:37 | |
and no-one can see it. | 0:24:37 | 0:24:38 | |
No. | 0:24:38 | 0:24:39 | |
I hear stories about...vampires. | 0:24:39 | 0:24:42 | |
Maybe it could be about both. | 0:24:42 | 0:24:44 | |
I've been trying to get my story out there for years, but what can I do? | 0:24:44 | 0:24:48 | |
I'm a duty solicitor in bloody Trumpton. | 0:24:48 | 0:24:52 | |
What if... | 0:24:52 | 0:24:53 | |
we pooled our resources. | 0:24:53 | 0:24:55 | |
Now, where you're staying, I'd love to see all the research you've done. It sounds fascinating. | 0:24:56 | 0:25:01 | |
Jesus! | 0:25:11 | 0:25:13 | |
I didn't see you come in. | 0:25:13 | 0:25:15 | |
Er...you must excuse... | 0:25:15 | 0:25:18 | |
Does it scare you? | 0:25:18 | 0:25:21 | |
The burn? | 0:25:22 | 0:25:23 | |
Yes, of course it does. | 0:25:23 | 0:25:26 | |
Oh, it shouldn't. | 0:25:26 | 0:25:27 | |
It's a badge of honour. | 0:25:27 | 0:25:29 | |
A sign of your greatness. | 0:25:29 | 0:25:31 | |
Who sent you? Why are you here? | 0:25:31 | 0:25:33 | |
It reminds you of who you really are... | 0:25:33 | 0:25:36 | |
...how extraordinary you can be. | 0:25:37 | 0:25:40 | |
Have your place in history. | 0:25:40 | 0:25:42 | |
I don't want to be that man again. | 0:25:42 | 0:25:44 | |
Yes, you do. | 0:25:44 | 0:25:45 | |
Deep down, you know you do. | 0:25:45 | 0:25:48 | |
Aren't you hungry, Hal? | 0:25:50 | 0:25:53 | |
I'm always hungry. | 0:25:54 | 0:25:55 | |
Would you like to feast? | 0:25:55 | 0:25:57 | |
You can't deny what you are. | 0:26:00 | 0:26:02 | |
You must embrace it. | 0:26:03 | 0:26:05 | |
Enjoy it. | 0:26:06 | 0:26:07 | |
Enjoy the lust. | 0:26:08 | 0:26:10 | |
Embrace the pleasure. | 0:26:10 | 0:26:13 | |
Yes! | 0:26:13 | 0:26:14 | |
Yes! Do it! | 0:26:14 | 0:26:17 | |
Do it! | 0:26:17 | 0:26:19 | |
GASPS | 0:26:19 | 0:26:20 | |
Bloody stairs. We're not allowed to do anything spooky | 0:26:27 | 0:26:31 | |
in case we freak Yvonne out. | 0:26:31 | 0:26:32 | |
Is it me, or is there something... very strange about her? | 0:26:32 | 0:26:36 | |
Besides the fact that she's completely delusional? | 0:26:36 | 0:26:39 | |
All that stuff about, "Kriss Akabusi chased me round Morrisons." | 0:26:39 | 0:26:43 | |
Please! You know, when I was 16, a photographer told me | 0:26:43 | 0:26:46 | |
I was pretty enough to be in a catalogue. | 0:26:46 | 0:26:48 | |
Yeah, a catalogue, Hal. | 0:26:48 | 0:26:50 | |
You don't hear me going on about it. | 0:26:50 | 0:26:52 | |
I've only been here a few weeks, you've already told me twice. | 0:26:52 | 0:26:55 | |
And another thing. How come she can see me? | 0:26:55 | 0:26:59 | |
Hal? | 0:27:00 | 0:27:01 | |
Oh... | 0:27:02 | 0:27:04 | |
Sausage, bacon, two eggs, tomatoes, fried bread? | 0:27:04 | 0:27:06 | |
What are you trying to do - give her a heart attack? | 0:27:06 | 0:27:08 | |
Banana yoghurt. Right, my love? | 0:27:08 | 0:27:10 | |
-I know all her needs. -Or I could do you boily eggy soldiers? | 0:27:10 | 0:27:13 | |
Just a cup of tea, please. | 0:27:13 | 0:27:14 | |
-Coming right up. -No, I'll get it. -I've started it... | 0:27:14 | 0:27:17 | |
Boys. | 0:27:20 | 0:27:21 | |
Won't you sit down? | 0:27:22 | 0:27:25 | |
Did you sleep well? | 0:27:30 | 0:27:32 | |
Well...you know what it's like - new bed, new surroundings. | 0:27:33 | 0:27:37 | |
Maybe it's the company you keep. | 0:27:37 | 0:27:39 | |
Maybe you need to find an alternative... | 0:27:39 | 0:27:41 | |
Here we go. | 0:27:43 | 0:27:45 | |
-Oi, what you saying? -Oh, it's nothing, dear. | 0:27:46 | 0:27:49 | |
Listen, Count Dracula, don't think you'll get anywhere with her. She's mine. | 0:27:49 | 0:27:52 | |
Our bedroom was like the Discovery Channel last night. Tell him. | 0:27:52 | 0:27:55 | |
I wouldn't touch it, if I were you. He's not washed his mug properly or anything. | 0:27:55 | 0:27:58 | |
Look at you both. | 0:27:58 | 0:28:00 | |
This is a woman of culture.... | 0:28:00 | 0:28:02 | |
of learning. | 0:28:02 | 0:28:03 | |
You know, you remind me of a conquest back in Madrid in 1784. | 0:28:03 | 0:28:08 | |
I wooed her with a thousand tulips. | 0:28:08 | 0:28:11 | |
Oh, just... well, that'd be your first mistake. | 0:28:12 | 0:28:16 | |
You have awful hay fever, don't you? | 0:28:16 | 0:28:18 | |
It's true, I'm a martyr to it. | 0:28:18 | 0:28:20 | |
I could show you me stakes. I've named 'em. | 0:28:20 | 0:28:22 | |
Thor, Beowulf, Conan, Duncan... | 0:28:22 | 0:28:24 | |
And I'm sure they're absolutely charming. | 0:28:24 | 0:28:26 | |
Yes, run along and play with your toys, child. | 0:28:26 | 0:28:30 | |
Right, enough of this. I brought her here, so she's sodding well mine. | 0:28:30 | 0:28:33 | |
Finders keepers, losers weepers. Double baggies, | 0:28:33 | 0:28:35 | |
no fingers crossed. Come on, Yvonne, let's go upstairs and suck face. | 0:28:35 | 0:28:38 | |
She is no longer interested in you. | 0:28:38 | 0:28:41 | |
I have been astonished that men could die... | 0:28:47 | 0:28:50 | |
martyrs for their religion. I have shuddered at it. | 0:28:50 | 0:28:54 | |
I shudder no more. | 0:28:56 | 0:28:57 | |
Oh, Keats. That's lovely, dear. | 0:28:58 | 0:29:02 | |
Now, if you'll excuse me, I... | 0:29:02 | 0:29:04 | |
I could be martyred for my religion. | 0:29:04 | 0:29:06 | |
Love is my religion and I could die for that. | 0:29:06 | 0:29:10 | |
I could die for you. | 0:29:12 | 0:29:14 | |
Oh...now, er... | 0:29:15 | 0:29:18 | |
EXHALING | 0:29:18 | 0:29:19 | |
# There once was a girl from south China | 0:29:19 | 0:29:22 | |
# Who had a capacious va... # | 0:29:22 | 0:29:24 | |
You really are a foul-mouthed little oik, you know that? | 0:29:24 | 0:29:27 | |
Adam... | 0:29:28 | 0:29:29 | |
Leave her alone. | 0:29:29 | 0:29:31 | |
Mm, let me think about it. | 0:29:31 | 0:29:33 | |
-I've thought about it. -No. | 0:29:33 | 0:29:35 | |
-Well, think again. -Ha, what's this? | 0:29:35 | 0:29:37 | |
-Does the hound want another whipping? -Try it. | 0:29:37 | 0:29:40 | |
Not me favourite, but Duncan'll do the job. | 0:29:40 | 0:29:42 | |
No, no, please. | 0:29:42 | 0:29:43 | |
- Yes, please do it, stake him. - Good morning, everyone. So... | 0:29:43 | 0:29:47 | |
I was thinking about getting Eve a new pram. | 0:29:47 | 0:29:51 | |
Something really fancy. I don't want her to feel left behind. | 0:29:51 | 0:29:55 | |
And I don't want her growing up with an image problem. Tea, anyone? | 0:29:55 | 0:29:58 | |
Tom, kill. | 0:30:01 | 0:30:03 | |
SQUELCHING | 0:30:17 | 0:30:18 | |
I will destroy all those who get in my way. | 0:30:24 | 0:30:27 | |
The streets will run with blood. | 0:30:27 | 0:30:30 | |
Yeah...you can have her. | 0:30:33 | 0:30:34 | |
My champion. | 0:31:00 | 0:31:02 | |
You've killed the boy. | 0:31:04 | 0:31:05 | |
Now kill the baby. | 0:31:07 | 0:31:09 | |
Realise your potential. | 0:31:09 | 0:31:11 | |
Kill the baby... | 0:31:13 | 0:31:14 | |
...then drain me dry. | 0:31:15 | 0:31:17 | |
You are unleashed. | 0:31:19 | 0:31:21 | |
EVE GRIZZLES | 0:31:25 | 0:31:28 | |
(WHISPERS) Do it. | 0:31:32 | 0:31:34 | |
Do it. | 0:31:36 | 0:31:37 | |
(LOUDER) Do it! | 0:31:40 | 0:31:41 | |
Ughh! | 0:31:51 | 0:31:52 | |
KNOCKING | 0:31:56 | 0:31:57 | |
Oh, good, you're awake. | 0:31:57 | 0:31:59 | |
Listen, I think we really need to talk about that reporter guy | 0:31:59 | 0:32:02 | |
because when Mitchell got his photograph taken, it caused no end of... | 0:32:02 | 0:32:06 | |
-Hit me. -What? | 0:32:06 | 0:32:07 | |
-Around the face. -Why? | 0:32:07 | 0:32:09 | |
Do it! | 0:32:09 | 0:32:10 | |
Again, harder. | 0:32:11 | 0:32:12 | |
-Oh! -Ah! I'm sorry. | 0:32:13 | 0:32:15 | |
-God, that hurt. -What's wrong with you? | 0:32:15 | 0:32:17 | |
Yvonne. | 0:32:17 | 0:32:19 | |
She's a succubus. | 0:32:20 | 0:32:22 | |
A what? | 0:32:22 | 0:32:23 | |
A succubus. | 0:32:23 | 0:32:25 | |
The daughter of a demon and a human. | 0:32:25 | 0:32:27 | |
According to Hal, they infect men through touch | 0:32:29 | 0:32:32 | |
and appear to them in their dreams. | 0:32:32 | 0:32:35 | |
Men fall in love with them and they stay that way as long as they're near them. | 0:32:35 | 0:32:39 | |
And, um... | 0:32:39 | 0:32:41 | |
when they... | 0:32:41 | 0:32:43 | |
you know, when they have, um... (MOUTHS) | 0:32:43 | 0:32:47 | |
...they suck the life out of them. | 0:32:47 | 0:32:49 | |
Poppycock! | 0:32:52 | 0:32:53 | |
But look at how Tom has acted ever since you arrived. | 0:32:53 | 0:32:56 | |
And Hal is so scared he's locked himself in his room. | 0:32:56 | 0:32:59 | |
You said it yourself, it happens all the time. | 0:32:59 | 0:33:02 | |
There's nothing heretical about that, just rotten luck. | 0:33:02 | 0:33:06 | |
What about your lovers? | 0:33:07 | 0:33:10 | |
You... You said they died. | 0:33:10 | 0:33:12 | |
Tragic accident. | 0:33:14 | 0:33:15 | |
Did they die during... | 0:33:15 | 0:33:17 | |
...sex? | 0:33:18 | 0:33:19 | |
But Adam and I have... | 0:33:21 | 0:33:23 | |
...been intimate for weeks now | 0:33:25 | 0:33:27 | |
and he seems perfectly fine to me. | 0:33:27 | 0:33:29 | |
Yes, but, um, he's already dead. Don't you see? | 0:33:29 | 0:33:33 | |
It's because he's a vampire and you're a ghost and... | 0:33:33 | 0:33:38 | |
I do know that it's a lot to get your head around. | 0:33:38 | 0:33:41 | |
I can't...believe it, Annie. If I accept that, then I have to accept what I am too. | 0:33:41 | 0:33:47 | |
Mother hardly spoke about my father. | 0:33:53 | 0:33:56 | |
Simply said that he was... | 0:33:58 | 0:34:00 | |
...beautiful... | 0:34:01 | 0:34:02 | |
...and cruel. | 0:34:05 | 0:34:06 | |
A demon, you say? | 0:34:11 | 0:34:14 | |
So... | 0:34:19 | 0:34:21 | |
...all these men, who pursue me... | 0:34:22 | 0:34:24 | |
...they don't actually like me? | 0:34:26 | 0:34:28 | |
They're just under some damn silly spell? | 0:34:28 | 0:34:30 | |
Even... | 0:34:32 | 0:34:33 | |
...even Adam. | 0:34:35 | 0:34:37 | |
Probably, yeah. | 0:34:37 | 0:34:39 | |
But I love him. | 0:34:39 | 0:34:40 | |
I really do. | 0:34:42 | 0:34:44 | |
For the first time in my life, I genuinely love someone. | 0:34:45 | 0:34:50 | |
He's sweet and kind and... | 0:34:52 | 0:34:55 | |
...we look after each other and he's... | 0:34:56 | 0:34:59 | |
I was about to say... | 0:35:03 | 0:35:05 | |
he's my soul mate, but then... | 0:35:05 | 0:35:07 | |
...perhaps I don't even possess a soul. | 0:35:08 | 0:35:10 | |
Does he really... | 0:35:11 | 0:35:13 | |
...not feel anything? | 0:35:15 | 0:35:17 | |
As long as he's near you... | 0:35:17 | 0:35:19 | |
...he's under your spell. | 0:35:20 | 0:35:22 | |
Then... | 0:35:22 | 0:35:24 | |
...would you be so kind as to take him out of the house, | 0:35:25 | 0:35:29 | |
just to find out what he really feels? | 0:35:29 | 0:35:31 | |
I'm sure he loves me. | 0:35:36 | 0:35:37 | |
He knows I'm not a monster. | 0:35:39 | 0:35:41 | |
The way he talks... | 0:35:41 | 0:35:43 | |
...the way we laugh... | 0:35:45 | 0:35:47 | |
...that can't all be a lie. | 0:35:48 | 0:35:50 | |
Can it? | 0:35:55 | 0:35:57 | |
Oh, no, don't push. I'm not leaving her on her own, | 0:35:57 | 0:35:59 | |
not with that dog cocking his leg all over the place. | 0:35:59 | 0:36:02 | |
-Wolf, not dog. Wolf cocking its leg. -Tom, get back in your room. And please, | 0:36:02 | 0:36:06 | |
-stay away from Yvonne, OK? -Yes, stay away from my lady. | 0:36:06 | 0:36:09 | |
-What if the house catches on fire? -Then yes, yes, of course. -What if baby Eve starts crying? | 0:36:09 | 0:36:13 | |
Yes, if baby Eve starts crying or the house catches on fire. | 0:36:13 | 0:36:16 | |
Otherwise you stay in your room and away from Yvonne. Now, promise me. | 0:36:16 | 0:36:19 | |
Fine, I promise. | 0:36:19 | 0:36:21 | |
Right. | 0:36:21 | 0:36:22 | |
-Good. Right, let's get you out of here. -What about the reporters? | 0:36:22 | 0:36:26 | |
Thought of that. We're going to swaddle. | 0:36:26 | 0:36:29 | |
-ADAM: -Can they not see my legs? | 0:36:34 | 0:36:35 | |
-ANNIE: Not if we move quickly. -Hey, I'm in no hurry, | 0:36:35 | 0:36:38 | |
you know what they say, "What happens under the jumper stays under the jumper." | 0:36:38 | 0:36:42 | |
Hey, can you feel that? | 0:36:42 | 0:36:44 | |
Adam! Shut up! | 0:36:45 | 0:36:48 | |
-Oh, Hal was right. -What do you mean? | 0:36:48 | 0:36:51 | |
The spell's worn off already. | 0:36:51 | 0:36:53 | |
Holy shit! | 0:36:54 | 0:36:55 | |
She really does love you. | 0:36:56 | 0:36:58 | |
Yeah. She loves me so much she'd have killed me if I wasn't already dead. | 0:36:58 | 0:37:02 | |
-Adam... -And you really think I would have gone off with her | 0:37:02 | 0:37:06 | |
if she hadn't screwed with my head? Come on, I'm into blondes... | 0:37:06 | 0:37:10 | |
with low self-esteem and a perfect rack. | 0:37:10 | 0:37:13 | |
It's not her fault. She didn't do it on purpose. | 0:37:13 | 0:37:15 | |
It's just... It's just what she is. | 0:37:15 | 0:37:17 | |
Yeah, I just thought, with her, I'd cracked it. | 0:37:17 | 0:37:20 | |
You know, I haven't thought about blood for six months? | 0:37:20 | 0:37:23 | |
For six months I haven't stared at a girl's neck and imagined tearing into her. | 0:37:23 | 0:37:27 | |
I haven't followed anyone home and thought about killing them. | 0:37:27 | 0:37:30 | |
I thought I'd beaten it, I thought I was free. | 0:37:30 | 0:37:34 | |
You know, we used to dance together. | 0:37:34 | 0:37:36 | |
We did the foxtrot naked. | 0:37:36 | 0:37:38 | |
And that's not even a euphemism. | 0:37:38 | 0:37:40 | |
I thought it was wonderful. | 0:37:40 | 0:37:42 | |
How sad is that? | 0:37:44 | 0:37:45 | |
Where are you going? | 0:37:48 | 0:37:49 | |
Somewhere to think about things and get wasted. | 0:37:49 | 0:37:52 | |
Well? | 0:37:59 | 0:38:01 | |
I see. | 0:38:06 | 0:38:08 | |
Look, he's just angry. | 0:38:08 | 0:38:10 | |
And that's just... | 0:38:10 | 0:38:11 | |
Adam. | 0:38:11 | 0:38:13 | |
Maybe he'll come to his senses. Is that what you're saying? | 0:38:14 | 0:38:17 | |
It was quite ludicrous, when you think about it. | 0:38:20 | 0:38:24 | |
A woman my age with him. | 0:38:24 | 0:38:26 | |
And...who'd want someone who can only get a man by tricking him? | 0:38:28 | 0:38:33 | |
No. | 0:38:36 | 0:38:37 | |
Lucky boy. | 0:38:40 | 0:38:42 | |
Got out just in time. | 0:38:43 | 0:38:45 | |
Would you excuse me, please? | 0:38:50 | 0:38:52 | |
WOMAN: Yvonne, what do you have to add to the papers' claims? | 0:38:59 | 0:39:03 | |
Is it true you're having it off with Adam Jacobs? | 0:39:03 | 0:39:05 | |
I wish to make a statement. | 0:39:05 | 0:39:07 | |
My name is Yvonne Bradshaw. | 0:39:10 | 0:39:12 | |
I've been the headmistress at St Hilda's for the past five years | 0:39:12 | 0:39:16 | |
and a proud and professional teacher of young women throughout my entire career. | 0:39:16 | 0:39:20 | |
Or so I would have you think. | 0:39:22 | 0:39:24 | |
I stole a boy's innocence... | 0:39:27 | 0:39:29 | |
just like you wrote, because I could. | 0:39:29 | 0:39:33 | |
I did it...because I hate you all. | 0:39:33 | 0:39:36 | |
Because I'm a monster | 0:39:36 | 0:39:39 | |
and you all deserve my contempt and my wrath. | 0:39:39 | 0:39:42 | |
There. | 0:39:42 | 0:39:44 | |
Happy now? | 0:39:44 | 0:39:46 | |
What else do you want? | 0:39:46 | 0:39:48 | |
Aren't I disgusting enough? | 0:39:48 | 0:39:51 | |
Well? | 0:39:52 | 0:39:54 | |
Well? | 0:39:56 | 0:39:57 | |
Just one more thing, Yvonne. | 0:40:01 | 0:40:02 | |
Do you know what Adam is yet? | 0:40:02 | 0:40:04 | |
What's going on? | 0:40:15 | 0:40:16 | |
Everyone knows everything. | 0:40:16 | 0:40:18 | |
Adam's gone off in a huff and Yvonne has had a meltdown | 0:40:18 | 0:40:21 | |
-on the local news. -Where is she now? | 0:40:21 | 0:40:23 | |
Downstairs in a bit of a state, but we've got a bigger problem. | 0:40:23 | 0:40:27 | |
The journalist. | 0:40:27 | 0:40:28 | |
What do you propose we do? | 0:40:28 | 0:40:30 | |
Silence him. | 0:40:30 | 0:40:32 | |
Just a bit. | 0:40:32 | 0:40:33 | |
He's a danger to the house, Hal. | 0:40:33 | 0:40:36 | |
Let's do it. | 0:40:38 | 0:40:40 | |
Hi. | 0:40:52 | 0:40:54 | |
Sorry, mate. | 0:40:54 | 0:40:55 | |
You came. Brilliant. | 0:40:56 | 0:40:58 | |
Why wouldn't I? Sounds like you've got some amazing things to show me. | 0:40:58 | 0:41:02 | |
You show me yours, I'll show you mine. | 0:41:02 | 0:41:03 | |
Well, come in then. | 0:41:12 | 0:41:13 | |
STREET NOISE AND LAUGHING | 0:41:26 | 0:41:29 | |
Do you want my professional opinion? | 0:42:11 | 0:42:13 | |
This is weak. | 0:42:14 | 0:42:16 | |
Pictures of empty rooms. No, what you have here at best is corroborating evidence | 0:42:16 | 0:42:22 | |
There's a difference between that and actual proof. | 0:42:22 | 0:42:24 | |
Like a vampire. | 0:42:24 | 0:42:26 | |
In person. | 0:42:26 | 0:42:27 | |
Like that kid I saw at that house. | 0:42:29 | 0:42:32 | |
Yeah. | 0:42:32 | 0:42:33 | |
Why is this so important to you anyway? | 0:42:34 | 0:42:36 | |
I was 12. | 0:42:36 | 0:42:38 | |
Um... | 0:42:38 | 0:42:40 | |
Mum had a new boyfriend. | 0:42:40 | 0:42:42 | |
Told me all about him. | 0:42:43 | 0:42:45 | |
Said, if we were lucky, if she played her cards right, | 0:42:45 | 0:42:50 | |
we'd get out of our poxy one-bedroom flat above the Chinese. | 0:42:50 | 0:42:53 | |
She let him in with his mates. | 0:42:55 | 0:42:57 | |
So polite at first. | 0:42:59 | 0:43:01 | |
So polite. | 0:43:02 | 0:43:03 | |
They couldn't stop laughing as they did it. | 0:43:07 | 0:43:09 | |
I've been following them ever since. Using my work to chase leads. | 0:43:11 | 0:43:15 | |
I didn't care what stories I covered, I just wanted to find them. | 0:43:15 | 0:43:18 | |
And I'd get so close...you know. | 0:43:19 | 0:43:22 | |
A photograph without an image... | 0:43:23 | 0:43:26 | |
a story of a body found drained of blood, always so close. | 0:43:26 | 0:43:31 | |
But you're right, mate, you're right. Without something tangible, | 0:43:35 | 0:43:38 | |
it really is just a load of pictures of empty rooms. | 0:43:38 | 0:43:41 | |
Hey... | 0:43:41 | 0:43:42 | |
keep looking. | 0:43:42 | 0:43:44 | |
Keep digging, you'll find it one day. | 0:43:44 | 0:43:47 | |
Thank you. | 0:43:48 | 0:43:49 | |
Here's a funny thing. | 0:43:54 | 0:43:56 | |
You couldn't come into my room until I invited you. | 0:43:56 | 0:44:00 | |
Why was that, Mr Cutler? | 0:44:01 | 0:44:03 | |
Gotcha. | 0:44:08 | 0:44:10 | |
FLOORBOARDS CREAKING | 0:44:42 | 0:44:43 | |
Hello? | 0:44:43 | 0:44:44 | |
Yvonne, if that's you, I'm not allowed out. | 0:44:44 | 0:44:48 | |
CREAKING | 0:44:57 | 0:44:59 | |
I'm not quite sure I feel the same about you any more. | 0:44:59 | 0:45:02 | |
Hope you don't mind. | 0:45:03 | 0:45:05 | |
What do you want? | 0:45:07 | 0:45:09 | |
To expose you, of course. | 0:45:09 | 0:45:11 | |
Show you to the world. | 0:45:11 | 0:45:12 | |
I can't let that happen, Pete, you understand that, don't you? | 0:45:12 | 0:45:16 | |
Well... | 0:45:16 | 0:45:17 | |
you know where the door is. | 0:45:17 | 0:45:20 | |
Oh! | 0:45:20 | 0:45:21 | |
Ha-ha-ha. | 0:45:21 | 0:45:22 | |
Oh! | 0:45:24 | 0:45:26 | |
So... So we're going to be spending some time together, are we, Pete? | 0:45:26 | 0:45:29 | |
For a while. | 0:45:29 | 0:45:31 | |
And then my friends are coming. | 0:45:31 | 0:45:33 | |
My journalist friends. | 0:45:34 | 0:45:36 | |
And my police friends. | 0:45:36 | 0:45:39 | |
With cameras. | 0:45:39 | 0:45:40 | |
Oh... | 0:45:40 | 0:45:42 | |
Ha! | 0:45:47 | 0:45:49 | |
SNARLING | 0:45:49 | 0:45:51 | |
You can kill me if you want. | 0:46:11 | 0:46:13 | |
Kill me and drink me. | 0:46:13 | 0:46:16 | |
But you can't get out. | 0:46:16 | 0:46:17 | |
And they'll come. | 0:46:19 | 0:46:20 | |
And they'll see what you are. | 0:46:20 | 0:46:22 | |
And the truth will finally be out. | 0:46:22 | 0:46:25 | |
HISSING | 0:46:36 | 0:46:38 | |
Mate, turn the TV up. Turn the volume up. Up. Any time today would be brilliant. | 0:46:54 | 0:47:00 | |
I stole a boy's innocence, just like you wrote, | 0:47:01 | 0:47:04 | |
because I could. | 0:47:04 | 0:47:06 | |
I did it...because I hate you all. | 0:47:06 | 0:47:11 | |
Because I'm a monster | 0:47:11 | 0:47:13 | |
and you all deserve my contempt and my wrath. | 0:47:13 | 0:47:16 | |
There. | 0:47:16 | 0:47:18 | |
Happy now? | 0:47:18 | 0:47:19 | |
-Have you been following me? -What else do you want? | 0:47:19 | 0:47:22 | |
Aren't I disgusting enough? | 0:47:24 | 0:47:25 | |
Well? | 0:47:26 | 0:47:28 | |
-No. -Well? | 0:47:29 | 0:47:31 | |
What's it going to be? Good cop, bad cop? | 0:47:34 | 0:47:37 | |
I could be good cop, suddenly turned crazy, psycho ghost cop. | 0:47:37 | 0:47:41 | |
What do you think? | 0:47:41 | 0:47:42 | |
Hal, cover your eyes. There's a cross. | 0:47:58 | 0:48:01 | |
I'm an Old One, crosses don't affect us. | 0:48:01 | 0:48:04 | |
About 300 years ago, I ended up in a monastery in Budapest. | 0:48:04 | 0:48:08 | |
The monks... | 0:48:10 | 0:48:11 | |
...lured me into a cell, pinned crucifixes to every wall. I was trapped... | 0:48:12 | 0:48:15 | |
...for nine months. | 0:48:16 | 0:48:18 | |
Then one of them came and asked if I would repent of all my sins. I killed him. | 0:48:20 | 0:48:23 | |
I draped his body over mine and then I used it as a shield to approach the door. | 0:48:25 | 0:48:29 | |
He had a vampire in here, trapped in just the same way. | 0:48:33 | 0:48:38 | |
And it looked like he had the same idea. | 0:48:40 | 0:48:42 | |
Or they'd heard my story. | 0:48:42 | 0:48:45 | |
OK, you need to get out of here. | 0:48:45 | 0:48:48 | |
Hal... | 0:48:48 | 0:48:51 | |
Hal! | 0:48:53 | 0:48:55 | |
Hm? | 0:48:55 | 0:48:56 | |
Fine. | 0:48:58 | 0:48:59 | |
I'm fine! | 0:48:59 | 0:49:01 | |
But, you're right, we should go. | 0:49:03 | 0:49:05 | |
CLICK | 0:49:15 | 0:49:16 | |
I'm sorry, Miss, I don't mean to be rude... | 0:49:22 | 0:49:24 | |
Then don't be. | 0:49:24 | 0:49:26 | |
Don't look at me like that. I promised. | 0:49:27 | 0:49:29 | |
I understand. | 0:49:29 | 0:49:31 | |
Let's shake hands and say no more about it. | 0:49:33 | 0:49:35 | |
Tom? | 0:49:37 | 0:49:39 | |
It's just a handshake. | 0:49:40 | 0:49:41 | |
There. | 0:49:49 | 0:49:50 | |
That wasn't so bad, was it? | 0:49:50 | 0:49:53 | |
You can't blame me for wanting love, can you? | 0:49:54 | 0:49:57 | |
I can give you all the love you need. | 0:49:57 | 0:49:59 | |
You get so lonely. | 0:49:59 | 0:50:01 | |
So miserable. | 0:50:01 | 0:50:03 | |
So...desperate for some affection. | 0:50:03 | 0:50:07 | |
Here I am. | 0:50:08 | 0:50:09 | |
-Please don't blame me. -I won't blame you for anything. | 0:50:12 | 0:50:16 | |
I'm going to kill you tonight, dear Tom. | 0:50:16 | 0:50:20 | |
I have to. | 0:50:20 | 0:50:21 | |
It's what I am. | 0:50:21 | 0:50:23 | |
That's what I love about you. | 0:50:23 | 0:50:25 | |
You're sweet. | 0:50:25 | 0:50:26 | |
And you're gorgeous. | 0:50:26 | 0:50:27 | |
Close your eyes. | 0:50:28 | 0:50:30 | |
Don't look at me. Close your eyes. | 0:50:30 | 0:50:33 | |
It'll all be over soon. | 0:50:33 | 0:50:35 | |
-DOOR SLAMS -ADAM: Yvonne? Yvonne! | 0:50:37 | 0:50:39 | |
Adam? | 0:50:39 | 0:50:40 | |
Oh, no! | 0:50:41 | 0:50:43 | |
Adam! | 0:50:43 | 0:50:44 | |
Adam? | 0:50:45 | 0:50:47 | |
Don't... Don't! | 0:50:47 | 0:50:48 | |
-You came back! -Don't open the bloody door. | 0:50:50 | 0:50:52 | |
Don't! | 0:50:52 | 0:50:54 | |
I'll be under your spell again. | 0:50:54 | 0:50:56 | |
I just want to talk to you straight. OK? | 0:50:56 | 0:50:59 | |
Yes. | 0:51:01 | 0:51:02 | |
Tell me straight. | 0:51:04 | 0:51:06 | |
I saw you on telly. | 0:51:06 | 0:51:07 | |
-You looked lush. -That's just the spell talking. | 0:51:08 | 0:51:11 | |
I saw what you said. You're not a monster. | 0:51:12 | 0:51:14 | |
But I am. | 0:51:14 | 0:51:16 | |
No, you're not. You're lonely. | 0:51:16 | 0:51:19 | |
I was lonely, before I met you. | 0:51:19 | 0:51:21 | |
I tricked you, Adam. | 0:51:22 | 0:51:24 | |
Yeah, but not on purpose. It wasn't on purpose. | 0:51:24 | 0:51:27 | |
You know I nearly did something terrible? | 0:51:28 | 0:51:30 | |
So did I. | 0:51:32 | 0:51:33 | |
A moment of madness. That's all. | 0:51:33 | 0:51:36 | |
That's all it takes, isn't it? | 0:51:36 | 0:51:38 | |
I hate being a vampire. | 0:51:39 | 0:51:41 | |
I hate being a succubus. | 0:51:41 | 0:51:44 | |
We're both trapped. | 0:51:44 | 0:51:45 | |
We should be trapped together. | 0:51:47 | 0:51:49 | |
You know, I honestly think you're ace. I really do. | 0:51:50 | 0:51:53 | |
And I know I'm an idiot. | 0:51:54 | 0:51:56 | |
I know. And I know I say stupid things. | 0:51:56 | 0:51:58 | |
And I'm bloody irritating. | 0:51:58 | 0:51:59 | |
But you're not, my love, you're none of those things! | 0:51:59 | 0:52:02 | |
With you, I felt safe. | 0:52:02 | 0:52:03 | |
All the hunger and the anger went away. | 0:52:03 | 0:52:06 | |
I felt loved and...I loved you. | 0:52:07 | 0:52:10 | |
That was just a spell. | 0:52:10 | 0:52:12 | |
Yeah, but, look, now there's no magic and I still love you. | 0:52:12 | 0:52:16 | |
We're just afraid of being alone. | 0:52:18 | 0:52:20 | |
Yeah, well, maybe that's what love is. | 0:52:23 | 0:52:25 | |
Just because we're a bit rubbish and we're cursed because of what we are | 0:52:27 | 0:52:30 | |
doesn't mean we can't be happy. | 0:52:30 | 0:52:32 | |
I don't deserve you. | 0:52:32 | 0:52:33 | |
I love you. | 0:52:36 | 0:52:37 | |
But you don't, Adam, not really. | 0:52:38 | 0:52:41 | |
I really do. | 0:52:41 | 0:52:42 | |
-And I'm coming in to prove it. -No, no! | 0:52:42 | 0:52:45 | |
I can't let you do this! | 0:52:45 | 0:52:47 | |
Well, bloody run away, then, go on, run. Cos I'll just come after you. | 0:52:47 | 0:52:49 | |
It doesn't matter how many thousands of miles we are apart, | 0:52:50 | 0:52:53 | |
I'll still be under your spell. | 0:52:53 | 0:52:55 | |
We should get there some time the following afternoon. | 0:53:20 | 0:53:23 | |
Ah, the Isle of Grimsay. | 0:53:23 | 0:53:26 | |
Beautiful. | 0:53:28 | 0:53:29 | |
Have you been there? | 0:53:29 | 0:53:31 | |
-He's been everywhere. -Come on, Yvonne. If we're not there by seven, my cock will explode. | 0:53:31 | 0:53:36 | |
Adam Jacobs, am I going to have to wash your mouth out with soap? | 0:53:36 | 0:53:39 | |
Irresistible, isn't he? CAR DOOR CLOSES | 0:53:42 | 0:53:45 | |
Would you say goodbye to Tom for us? | 0:53:45 | 0:53:47 | |
Er, yes. And he's really sorry that he couldn't be here. | 0:53:47 | 0:53:50 | |
He just thought it would be better if he... | 0:53:50 | 0:53:54 | |
hid. | 0:53:54 | 0:53:56 | |
Adam... | 0:54:14 | 0:54:15 | |
Little twat. | 0:54:16 | 0:54:17 | |
-I'm really going to miss him. -CAR HORN BEEPS | 0:54:18 | 0:54:21 | |
You do know Tom's planning to build a swimming pool in the back garden? | 0:54:23 | 0:54:27 | |
Er, yes! | 0:54:27 | 0:54:28 | |
-You're in denial about it, aren't you? -Yes. | 0:54:29 | 0:54:32 | |
-It's brilliant. -Annie? | 0:54:32 | 0:54:35 | |
I really was going to hurt that journalist. | 0:54:37 | 0:54:40 | |
And I wanted you to. It's why I dragged you along with me. | 0:54:41 | 0:54:45 | |
Ever since I killed Kirby, I've... | 0:54:46 | 0:54:49 | |
...wanted to do it again. | 0:54:50 | 0:54:52 | |
It's like a drug, isn't it? | 0:54:53 | 0:54:55 | |
But you didn't. | 0:54:56 | 0:54:58 | |
And you didn't drink blood. You're stronger than that. | 0:54:58 | 0:55:02 | |
I suppose I must be. | 0:55:03 | 0:55:05 | |
I really can control myself. | 0:55:07 | 0:55:09 | |
Um, I need to give Eve her dinner. | 0:55:12 | 0:55:14 | |
I'll do it. | 0:55:14 | 0:55:16 | |
-Oh... -I can do it! | 0:55:17 | 0:55:18 | |
OK. | 0:55:19 | 0:55:21 | |
TAPPING OF KEYSTROKES | 0:55:26 | 0:55:29 | |
Thomas, You're about to become very, very famous. | 0:55:48 | 0:55:52 | |
SCREAMING We're both werewolves! | 0:55:55 | 0:55:57 | |
-SCREAMING STOPS -I'm Allison, by the way. -Tom. | 0:55:57 | 0:56:00 | |
-It's had over a million hits. -It was a trap by the vampires. | 0:56:00 | 0:56:03 | |
Tom said you might be the man to explain how this stuff is getting out there. | 0:56:03 | 0:56:07 | |
This is actually the first I've heard about it. | 0:56:07 | 0:56:09 | |
Argh! | 0:56:09 | 0:56:10 | |
ANNIE: I'm going to help you solve your unfinished business. | 0:56:10 | 0:56:14 | |
-I expect some decent compo out of this. -Alex! Hello! | 0:56:14 | 0:56:17 | |
You seem a little bit...mental. | 0:56:17 | 0:56:20 | |
HEARTBEATS | 0:56:21 | 0:56:25 |