Browse content similar to Making History. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I phoned to apologise for being so ungentlemanly. | 0:00:02 | 0:00:05 | |
Will you let me the privilege of making it up to you? | 0:00:05 | 0:00:07 | |
You're no Saviour. No-one will stop us! | 0:00:07 | 0:00:11 | |
I'm a friend when you need one. | 0:00:11 | 0:00:13 | |
Recently, there's been this minority | 0:00:13 | 0:00:16 | |
who seem keen to get you guys out in the open. | 0:00:16 | 0:00:18 | |
They found Jenny Wilson's body at Upper Neuadd reservoir. Nobody goes there, it's desolate! | 0:00:18 | 0:00:23 | |
Brace yourself for some serious cuddling. | 0:00:23 | 0:00:27 | |
-But you have to come with me! -Who are you? | 0:00:27 | 0:00:29 | |
It's me, Annie. | 0:00:29 | 0:00:30 | |
I'm Eve. | 0:00:30 | 0:00:32 | |
This programme contains some strong language and scenes that viewers may find upsetting | 0:00:32 | 0:00:37 | |
It's not dissatisfaction. | 0:00:37 | 0:00:39 | |
It's a feeling more akin to having been born in captivity. | 0:00:39 | 0:00:43 | |
A seeping realisation that your dreams and ambitions | 0:00:43 | 0:00:47 | |
are just too big, too rich for this domestic world. | 0:00:47 | 0:00:51 | |
OK, are you planning to say anything I can use as your defence? | 0:00:51 | 0:00:55 | |
A defence for what? | 0:00:55 | 0:00:56 | |
What you were arrested for! Illegal gambling. | 0:00:56 | 0:00:59 | |
Specifically, according to the reams of documents and papers they found, | 0:00:59 | 0:01:04 | |
dog fights. | 0:01:04 | 0:01:06 | |
Don't worry about that. | 0:01:06 | 0:01:08 | |
Until recently, any dealings with the police | 0:01:08 | 0:01:12 | |
were handled by our family solicitor, Robert Mercer. | 0:01:12 | 0:01:16 | |
But he passed away... | 0:01:16 | 0:01:18 | |
unexpectedly on the 24th of this month, so... | 0:01:18 | 0:01:22 | |
Today's the 20th. | 0:01:22 | 0:01:23 | |
Is it? | 0:01:23 | 0:01:24 | |
Hmm. Anyway. | 0:01:25 | 0:01:27 | |
Therefore we need a new legal representative. | 0:01:27 | 0:01:31 | |
And destiny has decided...it's you. | 0:01:31 | 0:01:35 | |
Well, I don't think you're really in the position. | 0:01:37 | 0:01:40 | |
I already have a job. | 0:01:40 | 0:01:41 | |
But you're bored, Mr Cutler. | 0:01:41 | 0:01:44 | |
In your lifetime, | 0:01:45 | 0:01:47 | |
how many people have told you | 0:01:47 | 0:01:50 | |
you're going to achieve great things? | 0:01:50 | 0:01:53 | |
That you're destined to become a history maker? | 0:01:53 | 0:01:57 | |
This is hardly... | 0:01:57 | 0:01:59 | |
I don't know, a few. | 0:02:00 | 0:02:02 | |
-Now, can we just...? -The thing is, | 0:02:02 | 0:02:03 | |
you agree. | 0:02:03 | 0:02:06 | |
Roy... | 0:02:08 | 0:02:09 | |
..would you mind shutting the door? | 0:02:11 | 0:02:13 | |
CUTLER SCREAMS | 0:02:18 | 0:02:21 | |
Very soon, some very special people will arrive. | 0:02:25 | 0:02:30 | |
And I'm planning something to welcome them. | 0:02:30 | 0:02:33 | |
A tribute. | 0:02:33 | 0:02:35 | |
Now, their gratitude will be... | 0:02:35 | 0:02:38 | |
spectacular, and I want you to be a part of it. | 0:02:38 | 0:02:43 | |
Why you? | 0:02:43 | 0:02:44 | |
Because I could see that you were men whose dreams are too big, | 0:02:44 | 0:02:48 | |
too rich for this domestic world. | 0:02:48 | 0:02:51 | |
History makers, my friends... | 0:02:51 | 0:02:52 | |
GATE CRASHES OPEN | 0:02:52 | 0:02:54 | |
My God! | 0:03:11 | 0:03:13 | |
It's you! | 0:03:14 | 0:03:16 | |
Mum! | 0:03:22 | 0:03:24 | |
But it's me, it's Eve. | 0:03:25 | 0:03:27 | |
Eve is a baby. | 0:03:27 | 0:03:28 | |
I know, I know, but I grew up. | 0:03:29 | 0:03:31 | |
I needed to tell you something, | 0:03:31 | 0:03:33 | |
so I died and came back through my history, like how Lia took Mitchell to his past. | 0:03:33 | 0:03:37 | |
That's what gave me the idea. Every single moment is here somewhere. | 0:03:37 | 0:03:40 | |
-You just need to... -How do you know about Mitchell? | 0:03:40 | 0:03:43 | |
You told me everything. | 0:03:43 | 0:03:45 | |
Mitchell, George and Nina. | 0:03:45 | 0:03:47 | |
Lia, McNair, Gilbert, Herrick. | 0:03:47 | 0:03:49 | |
These are the stories I grew up with. | 0:03:49 | 0:03:52 | |
So what is it? This thing that you want to tell me. | 0:03:56 | 0:04:00 | |
Mum... | 0:04:00 | 0:04:01 | |
Just tell me...so that I can go. | 0:04:01 | 0:04:04 | |
I have to show you. | 0:04:07 | 0:04:09 | |
Show me what? | 0:04:11 | 0:04:12 | |
My present. | 0:04:12 | 0:04:14 | |
Your future. | 0:04:16 | 0:04:17 | |
What are you doing here? | 0:04:20 | 0:04:21 | |
I was going to ask you the same thing. | 0:04:21 | 0:04:24 | |
Oh, look at you. | 0:04:31 | 0:04:34 | |
I can't believe it! | 0:04:34 | 0:04:36 | |
They found the body of a coroner. At the reservoir in Upper Neuadd. | 0:04:36 | 0:04:40 | |
Someone's been working out! | 0:04:40 | 0:04:42 | |
That's where we used to... | 0:04:42 | 0:04:44 | |
Bury our corpses, yeah. Like you said at the time, | 0:04:44 | 0:04:47 | |
lots of off-road parking, peaceful spot. | 0:04:47 | 0:04:49 | |
That coroner filed a report, | 0:04:49 | 0:04:51 | |
saying human flesh was found in the stomach of the Box Tunnel killer. | 0:04:51 | 0:04:54 | |
You told her to. Why? | 0:04:54 | 0:04:56 | |
Christ, is this what we're talking about? | 0:04:56 | 0:04:59 | |
55 years, Hal. | 0:04:59 | 0:05:01 | |
Mark, two glasses and a decanter. | 0:05:04 | 0:05:07 | |
Let me introduce you to the guys. | 0:05:08 | 0:05:10 | |
Guys, this is Hal. He... | 0:05:10 | 0:05:15 | |
Well, he made me. | 0:05:15 | 0:05:17 | |
This guy was a monster, take it from me. | 0:05:17 | 0:05:20 | |
We used to get up to some stuff. Tell them, Hal, what we used to do. | 0:05:20 | 0:05:23 | |
-Long time ago. -Seems like yesterday to me. | 0:05:23 | 0:05:26 | |
DRINK IS POURED | 0:05:26 | 0:05:28 | |
Ah, brilliant. | 0:05:28 | 0:05:29 | |
God, it is good to see you. | 0:05:30 | 0:05:32 | |
To us. To you. | 0:05:38 | 0:05:41 | |
What's the matter? Take it. | 0:05:43 | 0:05:45 | |
Hal? | 0:05:47 | 0:05:48 | |
I need to... | 0:05:52 | 0:05:53 | |
I'll come back. | 0:05:53 | 0:05:55 | |
You're going? | 0:05:55 | 0:05:57 | |
Again? You're kidding me? | 0:05:57 | 0:05:58 | |
I just need... | 0:06:00 | 0:06:02 | |
I'll be back, I promise. | 0:06:02 | 0:06:04 | |
And we'll talk. | 0:06:04 | 0:06:06 | |
EVE GURGLES | 0:06:16 | 0:06:18 | |
-Are you sure Annie didn't say anything? -No, I told you. | 0:06:24 | 0:06:27 | |
Why would she just leave like that? | 0:06:27 | 0:06:30 | |
Where are you taking Alex tonight? | 0:06:30 | 0:06:33 | |
I've heard Holiday On Ice is in town. You should take her there. | 0:06:33 | 0:06:36 | |
Me and Eve were talking about it earlier, weren't we? | 0:06:36 | 0:06:39 | |
It looks brilliant. And she'd get in for free. | 0:06:39 | 0:06:42 | |
Eve, not Alex. | 0:06:42 | 0:06:44 | |
We're meeting at a bar. Then I expect we'll have supper. | 0:06:46 | 0:06:48 | |
The chef at the Parc Hotel has a Michelin star. | 0:06:48 | 0:06:51 | |
I read a review in the Observer. | 0:06:51 | 0:06:52 | |
Oh, I know the place you mean. | 0:06:52 | 0:06:54 | |
I was looking in the window the other day | 0:06:54 | 0:06:56 | |
and the manager come out and shooed me away. | 0:06:56 | 0:06:58 | |
Right, I guess I'll have that ravioli then. | 0:07:00 | 0:07:03 | |
Sorry, are you suggesting I invite you along too? | 0:07:05 | 0:07:09 | |
-No. Shut up. That'd be mad. -Three people can't have dinner together. That's barbaric! | 0:07:09 | 0:07:13 | |
You can't ring up Alex this late and canc... | 0:07:13 | 0:07:16 | |
I have no intention of... | 0:07:16 | 0:07:18 | |
HE BREATHES DEEPLY | 0:07:19 | 0:07:20 | |
-Was there anything else? -Yeah, I need you to take Eve for a bit. | 0:07:22 | 0:07:25 | |
-No. Eve and I don't get along. -Don't be soft. | 0:07:25 | 0:07:27 | |
She thinks you're brilliant. Look, she's laughing. | 0:07:27 | 0:07:30 | |
EVE CRIES | 0:07:30 | 0:07:31 | |
What happens if Annie never comes back? | 0:07:31 | 0:07:34 | |
What if we have to look after Eve forever, | 0:07:34 | 0:07:36 | |
and if I want to get married? Who'll take me on with a kid in tow? | 0:07:36 | 0:07:39 | |
-Yes, of course. Otherwise you're quite the catch(!) -What? | 0:07:39 | 0:07:42 | |
Nothing. | 0:07:42 | 0:07:44 | |
An hour. | 0:07:46 | 0:07:47 | |
Be good. | 0:07:49 | 0:07:51 | |
She was your kill. | 0:08:02 | 0:08:04 | |
Yeah, I didn't realise we'd decided that. | 0:08:05 | 0:08:08 | |
Lucky Fergus was there to finish the job. | 0:08:08 | 0:08:11 | |
That keeps happening. | 0:08:11 | 0:08:13 | |
I think "keeps" is a bit... | 0:08:13 | 0:08:15 | |
You like the blood, though. | 0:08:15 | 0:08:18 | |
Have you got any? | 0:08:18 | 0:08:19 | |
I mean...yeah. | 0:08:20 | 0:08:24 | |
You're becoming the drunk who never buys a round. | 0:08:28 | 0:08:30 | |
All we require...is everything. | 0:08:32 | 0:08:37 | |
KNOCK AT DOOR | 0:08:45 | 0:08:47 | |
Tom. Thank God you're here. | 0:08:49 | 0:08:51 | |
Mr Cutler, how are you doing? | 0:08:51 | 0:08:53 | |
Now, as I said on the phone, the Old Ones arrive tomorrow. | 0:08:53 | 0:08:57 | |
But it's OK, cos I've got a plan. | 0:08:57 | 0:09:00 | |
Once they've disembarked, they'll gather in a building in the city. | 0:09:00 | 0:09:03 | |
This is the last time they'll all be in the same place together | 0:09:03 | 0:09:07 | |
before they fan out and start tearing the world apart. | 0:09:07 | 0:09:09 | |
But here's the thing, tomorrow is a full moon. | 0:09:09 | 0:09:12 | |
So what I was thinking was, I get you in there, you transform and... | 0:09:12 | 0:09:17 | |
how can I put this? | 0:09:17 | 0:09:18 | |
Tear them to shreds. | 0:09:18 | 0:09:21 | |
Hey, you have a skill set that sets you apart. | 0:09:21 | 0:09:24 | |
I'm sorry. I can't. | 0:09:24 | 0:09:25 | |
What? | 0:09:25 | 0:09:26 | |
"All me life, I've felt like a weapon. | 0:09:27 | 0:09:29 | |
"Something blunt and simple. | 0:09:29 | 0:09:31 | |
"But I want to be human now. | 0:09:31 | 0:09:33 | |
"To argue our case like a human. | 0:09:33 | 0:09:35 | |
"I want to be clever and subtle | 0:09:35 | 0:09:37 | |
"and to use proper words and be tactical." | 0:09:37 | 0:09:39 | |
And what could be more noble? But I think you... | 0:09:39 | 0:09:42 | |
You know what I saw, the first time we met? A hero. | 0:09:42 | 0:09:45 | |
-A history maker. -There's more. | 0:09:45 | 0:09:47 | |
"I was brought up to believe all vampires are evil, | 0:09:47 | 0:09:50 | |
"vampires can't change. But then I meet vampires who are nice. | 0:09:50 | 0:09:53 | |
"For example, there's you, for instance. Point." | 0:09:53 | 0:09:55 | |
Oh! | 0:09:55 | 0:09:57 | |
"So now I don't know what to think." | 0:09:59 | 0:10:01 | |
Yeah... No, I totally... | 0:10:01 | 0:10:03 | |
But the Old Ones are different, Tom. | 0:10:03 | 0:10:05 | |
They've spent too long killing and feeding to be reformed. | 0:10:05 | 0:10:08 | |
It does something to their mind. | 0:10:08 | 0:10:10 | |
"So at the end of the day, it's best if we didn't see each other again. | 0:10:10 | 0:10:13 | |
"Thank you. Then leave." | 0:10:13 | 0:10:15 | |
There are people who need to see me do this! | 0:10:15 | 0:10:17 | |
You know what? | 0:10:23 | 0:10:25 | |
You're right. | 0:10:25 | 0:10:26 | |
In fact, to show you that there's no hard feelings, Tom, | 0:10:26 | 0:10:29 | |
let me buy you dinner. | 0:10:29 | 0:10:32 | |
-Dinner? -I know this little place, it's small... | 0:10:32 | 0:10:35 | |
Yeah, go on, then. | 0:10:35 | 0:10:36 | |
Good. | 0:10:37 | 0:10:38 | |
So this is the future? Really? | 0:10:40 | 0:10:43 | |
For you, yeah. | 0:10:43 | 0:10:44 | |
Ooh, do people have jet packs? | 0:10:46 | 0:10:48 | |
No. No, mostly everyone's dead. | 0:10:48 | 0:10:50 | |
Oh. | 0:10:50 | 0:10:52 | |
Where are we? | 0:10:52 | 0:10:54 | |
Funnily enough, YOU brought ME here. | 0:10:54 | 0:10:56 | |
I was a baby when humanity fell. | 0:10:56 | 0:10:59 | |
You're just days away, you know. | 0:10:59 | 0:11:02 | |
The Old Ones arrive soon. That's when it starts. | 0:11:02 | 0:11:05 | |
At first no-one believed it. | 0:11:05 | 0:11:08 | |
They'd heard rumours, but there were no photos, no footage. | 0:11:08 | 0:11:12 | |
Then vampires killed the Prime Minister on national television. | 0:11:12 | 0:11:15 | |
And, um, what did we do? | 0:11:18 | 0:11:21 | |
You wanted to get me somewhere safe, but the airports were under siege. | 0:11:21 | 0:11:25 | |
So...you brought me here. | 0:11:25 | 0:11:28 | |
You, me and Tom. | 0:11:29 | 0:11:30 | |
But everyone else had the same idea. | 0:11:30 | 0:11:34 | |
There must have been 50,000 people here, | 0:11:34 | 0:11:37 | |
cramming onto ferries, yachts, container ships, tug boats. | 0:11:37 | 0:11:41 | |
A biblical exodus. | 0:11:41 | 0:11:44 | |
You told me the ships were groaning with the weight of them. | 0:11:44 | 0:11:47 | |
And then the screams started. | 0:11:49 | 0:11:51 | |
SCREAMING | 0:11:51 | 0:11:52 | |
Vampires started killing people from the back of the crowd. | 0:11:52 | 0:11:56 | |
There was this huge surge as everyone pushed forward, trying to get away. | 0:11:56 | 0:12:00 | |
But...there was nowhere for them to go. They just... | 0:12:00 | 0:12:05 | |
You told me it was like | 0:12:05 | 0:12:07 | |
the water was boiling. | 0:12:07 | 0:12:10 | |
So many people. | 0:12:10 | 0:12:12 | |
Someone must have fought back. | 0:12:12 | 0:12:14 | |
Of course. | 0:12:14 | 0:12:15 | |
Whole countries stayed under human control for a while. | 0:12:15 | 0:12:20 | |
But they'd get so overwhelmed by refugees, | 0:12:20 | 0:12:22 | |
they'd have to start closing their borders | 0:12:22 | 0:12:25 | |
and negotiating with the vampires. | 0:12:25 | 0:12:28 | |
And then, eventually they fell too. | 0:12:28 | 0:12:30 | |
Um... | 0:12:31 | 0:12:32 | |
I'm not saying that I believe that you are, um... | 0:12:33 | 0:12:37 | |
you know, | 0:12:37 | 0:12:39 | |
who you say you are... | 0:12:39 | 0:12:41 | |
But... | 0:12:41 | 0:12:42 | |
Aren't you the Saviour? | 0:12:45 | 0:12:46 | |
-I am. -Then why is this happening? Why didn't you stop it? | 0:12:46 | 0:12:50 | |
Because of you. | 0:12:50 | 0:12:51 | |
Me? | 0:12:51 | 0:12:53 | |
How? | 0:12:56 | 0:12:57 | |
We're getting to that. | 0:12:57 | 0:12:59 | |
Come on. | 0:12:59 | 0:13:00 | |
MUSIC: "Who Needs The Sunshine?" by The Heavy | 0:13:03 | 0:13:06 | |
(WHISPERS) You can do this. | 0:13:19 | 0:13:21 | |
You can do this. | 0:13:21 | 0:13:22 | |
You can do this. | 0:13:22 | 0:13:24 | |
# I make a good man Like a bad son | 0:13:26 | 0:13:30 | |
# Like a daddy that you call number one | 0:13:30 | 0:13:34 | |
# I see this big heart | 0:13:34 | 0:13:36 | |
# Like a big steak | 0:13:36 | 0:13:39 | |
# Making your love make me feel the lick | 0:13:39 | 0:13:43 | |
# So when the clouds come... # | 0:13:43 | 0:13:46 | |
Funny thing is, I've been thinking about you recently. | 0:13:50 | 0:13:54 | |
Maybe that's why I buried the coroner there. | 0:13:54 | 0:13:57 | |
As a message for me? | 0:13:57 | 0:13:58 | |
No, nothing like that. | 0:13:58 | 0:14:00 | |
I really did think you were proper dead. | 0:14:00 | 0:14:03 | |
No, more of an homage. Because of what I'm doing, I guess. | 0:14:03 | 0:14:06 | |
Which is? | 0:14:06 | 0:14:08 | |
You're very curious. That's new. | 0:14:08 | 0:14:11 | |
Perhaps I can help. | 0:14:11 | 0:14:13 | |
Why did you go? | 0:14:16 | 0:14:17 | |
I deserve to know that much. | 0:14:17 | 0:14:20 | |
I wanted something different. | 0:14:20 | 0:14:21 | |
You couldn't talk to me about it? | 0:14:21 | 0:14:23 | |
No, you were part of "it". | 0:14:23 | 0:14:24 | |
You marooned me, in a different world. | 0:14:24 | 0:14:27 | |
You... | 0:14:27 | 0:14:29 | |
Talk about burning my bridges. | 0:14:29 | 0:14:31 | |
Yeah. | 0:14:31 | 0:14:33 | |
HE CHUCKLES | 0:14:33 | 0:14:34 | |
"Yeah"? | 0:14:34 | 0:14:36 | |
That's all? | 0:14:36 | 0:14:38 | |
"Yeah"?! | 0:14:38 | 0:14:39 | |
So, your new life, your "something different", | 0:14:47 | 0:14:51 | |
you must have got bored, then. | 0:14:51 | 0:14:54 | |
-Bored? -This is the crucible. | 0:14:54 | 0:14:56 | |
This is where the Old Ones are headed. But here you are! | 0:14:56 | 0:15:00 | |
That's not the behaviour of somebody who wants to stay hidden. | 0:15:00 | 0:15:03 | |
When do they arrive? | 0:15:05 | 0:15:07 | |
Soon, I guess. | 0:15:07 | 0:15:08 | |
No-one knows. You're a circumspect bunch. | 0:15:08 | 0:15:11 | |
Look, you could go straight back to the top of the pile. | 0:15:12 | 0:15:16 | |
That's cool, that's your rightful place. | 0:15:16 | 0:15:19 | |
All I ask for in return is, | 0:15:19 | 0:15:22 | |
when they write the history of what's about to happen, | 0:15:22 | 0:15:25 | |
they give me a mention. And a statue. | 0:15:25 | 0:15:28 | |
And...maybe Brazil. | 0:15:28 | 0:15:30 | |
In return for what? | 0:15:30 | 0:15:32 | |
It's traditional to present the Old Ones | 0:15:32 | 0:15:35 | |
with a tribute on their arrival. | 0:15:35 | 0:15:36 | |
So whatever this is, it's for them? | 0:15:36 | 0:15:39 | |
-I would have told you this morning if you'd hung around. -I'm here now. | 0:15:39 | 0:15:43 | |
In body... | 0:15:43 | 0:15:45 | |
yeah. | 0:15:45 | 0:15:47 | |
What do you say? | 0:15:56 | 0:15:57 | |
Old times? | 0:15:58 | 0:16:00 | |
And then you'll tell me? | 0:16:04 | 0:16:05 | |
And then I'll tell you. | 0:16:05 | 0:16:07 | |
Did you think this was the end? | 0:16:14 | 0:16:17 | |
Did you think deification comes without small print? | 0:16:19 | 0:16:22 | |
What do I have to do? | 0:16:22 | 0:16:25 | |
Nick? Who is it? | 0:16:25 | 0:16:26 | |
No, not her. Please. | 0:16:29 | 0:16:31 | |
Nick! | 0:16:31 | 0:16:33 | |
It's no-one, just some people from work. | 0:16:33 | 0:16:37 | |
Just go back to bed. | 0:16:37 | 0:16:39 | |
Humanity and mercy are an old skin, don't you understand? | 0:16:39 | 0:16:42 | |
What do they want? It's after midnight. | 0:16:42 | 0:16:44 | |
To be truly free, to finally become a history maker, | 0:16:44 | 0:16:49 | |
you must shed it. | 0:16:49 | 0:16:50 | |
Hello? | 0:16:50 | 0:16:52 | |
What's going on? | 0:16:55 | 0:16:57 | |
Mrs Cutler. | 0:16:57 | 0:16:59 | |
Rachel, isn't it? | 0:16:59 | 0:17:01 | |
My name is Henry Yorke, | 0:17:01 | 0:17:03 | |
I'm a colleague of your husband's. | 0:17:03 | 0:17:06 | |
I can't apologise enough for the intrusion. | 0:17:07 | 0:17:09 | |
It is a little late. | 0:17:09 | 0:17:11 | |
Believe me, only a matter of the utmost importance would compel me | 0:17:11 | 0:17:14 | |
to disturb you at such an ungodly hour. | 0:17:14 | 0:17:17 | |
Well, if it's important... | 0:17:17 | 0:17:18 | |
No, we are denying him the company of an angel. | 0:17:18 | 0:17:21 | |
He shall be with you in a matter of moments. | 0:17:21 | 0:17:24 | |
Fucking kill her. | 0:17:32 | 0:17:34 | |
I can't. | 0:17:34 | 0:17:36 | |
I'm sorry. Not my wife. | 0:17:37 | 0:17:39 | |
Let's go. | 0:17:41 | 0:17:42 | |
Thank you. | 0:17:42 | 0:17:44 | |
I had such hopes for you. | 0:17:48 | 0:17:50 | |
Ahh! | 0:18:14 | 0:18:16 | |
You still don't believe me, do you? That I am who I say I am. | 0:18:17 | 0:18:21 | |
It's a lot to take in. | 0:18:21 | 0:18:23 | |
Why are you looking at me like that? | 0:18:25 | 0:18:28 | |
I haven't seen you since I was 18. I've missed you. | 0:18:28 | 0:18:32 | |
Why, what happened to me? | 0:18:32 | 0:18:34 | |
Um...it doesn't matter. We should... | 0:18:35 | 0:18:38 | |
What happened to me? | 0:18:38 | 0:18:41 | |
Come on. | 0:18:41 | 0:18:43 | |
Oh, Jesus! | 0:18:52 | 0:18:54 | |
God, finally! I have had one of the most bullshit days. | 0:18:54 | 0:18:59 | |
So my middle brother, | 0:18:59 | 0:19:01 | |
Ryan, gets a tattoo. | 0:19:01 | 0:19:04 | |
Sit down, will you? | 0:19:04 | 0:19:05 | |
Anyway, he manages to find | 0:19:05 | 0:19:08 | |
the only dyslexic tattooist in all of south Wales. | 0:19:08 | 0:19:12 | |
I don't know how, but this guy manages to spell "Arsenal" | 0:19:12 | 0:19:15 | |
with a "K"! I mean... | 0:19:15 | 0:19:17 | |
I like your mouth. | 0:19:17 | 0:19:20 | |
Oh, thanks, sugar! | 0:19:20 | 0:19:21 | |
I'm sure that sounded less creepy in your head. | 0:19:21 | 0:19:24 | |
I bought you a drink, by the way. But you were late, so I drank it. | 0:19:24 | 0:19:28 | |
-I've been drinking already. -Hmm. | 0:19:28 | 0:19:30 | |
Creepy and a day drinker. | 0:19:30 | 0:19:33 | |
Well, I'm just going to put this out there - we should get married. | 0:19:33 | 0:19:36 | |
I like your neck, too. | 0:19:36 | 0:19:38 | |
Are you aiming for enigmatic or...? | 0:19:40 | 0:19:43 | |
Cos what I'm getting is "sociopath"! | 0:19:45 | 0:19:48 | |
I bet your skin tastes of salt. | 0:19:48 | 0:19:50 | |
OK, no, this is getting a little old. | 0:19:50 | 0:19:54 | |
But, lucky for you, | 0:19:54 | 0:19:56 | |
I'm yet to have sex under the coalition government, so... | 0:19:56 | 0:19:59 | |
You want to have sex? | 0:19:59 | 0:20:02 | |
We can have sex. | 0:20:02 | 0:20:03 | |
Yeah, OK, I think I preferred it when you were Forrest Gump. | 0:20:04 | 0:20:07 | |
I think I'm going to hurt you. | 0:20:07 | 0:20:08 | |
Hal. Don't do this. Just...be nice | 0:20:08 | 0:20:12 | |
I'm not nice. | 0:20:13 | 0:20:15 | |
So pretend! | 0:20:15 | 0:20:17 | |
Jesus! You know, I just... | 0:20:17 | 0:20:20 | |
I just wanted one gentle thing to happen. | 0:20:20 | 0:20:23 | |
You know, one thing that wasn't my brothers or my dad or... | 0:20:23 | 0:20:27 | |
OK, seriously? | 0:20:27 | 0:20:29 | |
Fuck you. | 0:20:29 | 0:20:31 | |
Oh, my God, I am so stupid. | 0:20:31 | 0:20:33 | |
You know, it really doesn't matter how nice they look, | 0:20:33 | 0:20:36 | |
it's just the fingerprints that tell them apart. | 0:20:36 | 0:20:39 | |
HE SHIVERS | 0:20:45 | 0:20:48 | |
Tell me about Tom. | 0:20:48 | 0:20:50 | |
But you knew him. | 0:20:51 | 0:20:53 | |
Not very well. | 0:20:53 | 0:20:54 | |
Well, he's a child. He's lovely. | 0:20:54 | 0:20:57 | |
He's like a pet. A bloody big one, | 0:20:57 | 0:21:00 | |
like a St Bernard or a horse or something. | 0:21:00 | 0:21:02 | |
But, you know, he's physically incapable of lying or being cruel | 0:21:02 | 0:21:06 | |
so I do worry about him, almost as much as I worry about you... | 0:21:06 | 0:21:09 | |
you know who. | 0:21:09 | 0:21:11 | |
But he's, yeah, just a kid, really. | 0:21:11 | 0:21:14 | |
He shouldn't be killing vampires, | 0:21:14 | 0:21:16 | |
he should be getting disappointing A level results! | 0:21:16 | 0:21:20 | |
He died here. | 0:21:20 | 0:21:21 | |
A few years ago, the vampires rounded up | 0:21:23 | 0:21:25 | |
all the humans and werewolves they could find. | 0:21:25 | 0:21:29 | |
The humans were branded with an "H", and the werewolves with a "W", | 0:21:29 | 0:21:32 | |
and put into these camps. | 0:21:32 | 0:21:35 | |
There was an outbreak of cholera. | 0:21:35 | 0:21:37 | |
Hundreds died, and the vampires brought back the dog fights. | 0:21:37 | 0:21:42 | |
That's... | 0:21:43 | 0:21:44 | |
That's what happened to Tom? | 0:21:45 | 0:21:47 | |
He was a...a cold man. | 0:21:47 | 0:21:49 | |
Difficult to like, if I'm honest. | 0:21:49 | 0:21:51 | |
There were rumours he'd killed some humans by accident one time | 0:21:51 | 0:21:55 | |
and never got over it. | 0:21:55 | 0:21:57 | |
Some say he held back during his final dog fight, | 0:21:57 | 0:21:59 | |
even after he'd transformed. | 0:21:59 | 0:22:01 | |
He'd rather have died than kill again. | 0:22:01 | 0:22:04 | |
And where did I go? | 0:22:06 | 0:22:08 | |
After everything fell apart, | 0:22:08 | 0:22:11 | |
you, um... | 0:22:11 | 0:22:12 | |
you buried friend after friend, | 0:22:12 | 0:22:15 | |
you began to lose control of your tangibility | 0:22:15 | 0:22:17 | |
until eventually you just... | 0:22:17 | 0:22:20 | |
..drifted apart. | 0:22:22 | 0:22:23 | |
Like smoke on the breeze. | 0:22:23 | 0:22:26 | |
Well, glad I asked! | 0:22:29 | 0:22:31 | |
One more stop. | 0:22:33 | 0:22:35 | |
I've saved the best till last. | 0:22:35 | 0:22:37 | |
DOOR OPENS | 0:22:44 | 0:22:46 | |
Oh, it's you. | 0:22:47 | 0:22:49 | |
Have you heard anything off Annie? | 0:22:49 | 0:22:51 | |
I'm getting a bit worried. | 0:22:51 | 0:22:53 | |
What happens if she's completed her business and passed over? | 0:22:53 | 0:22:56 | |
How'd it go with Alex? You didn't kill her, did you? | 0:22:56 | 0:22:59 | |
Tell me tomorrow. I've got to go out for something to eat now. | 0:22:59 | 0:23:02 | |
Apparently this place has got seven Michelin stars | 0:23:02 | 0:23:05 | |
and you get bread in a basket, and at the end you get coffee. | 0:23:05 | 0:23:08 | |
So, how do I look? | 0:23:08 | 0:23:10 | |
I splashed out, didn't I? Went to the Cancer Research shop. | 0:23:10 | 0:23:13 | |
Right, I'll be back for 11. | 0:23:13 | 0:23:15 | |
Oh, I hope Annie comes back soon. | 0:23:15 | 0:23:17 | |
Oh, the Old Ones are coming tomorrow, | 0:23:18 | 0:23:20 | |
so in the morning, we need to draw up a plan of action. | 0:23:20 | 0:23:23 | |
Eve usually wakes up in an hour for a feed. | 0:23:23 | 0:23:26 | |
You're enjoying this, aren't you? | 0:23:31 | 0:23:33 | |
Oh, yeah. Yeah, it's Christmas(!) | 0:23:33 | 0:23:35 | |
Just tell me the thing. | 0:23:35 | 0:23:37 | |
No, look, there's stuff you need to see first. | 0:23:37 | 0:23:39 | |
Right, that's it. I'm not moving. | 0:23:39 | 0:23:42 | |
Mum! | 0:23:44 | 0:23:45 | |
Annie. | 0:23:45 | 0:23:46 | |
-Feels good to sit down. -God, I'd forgotten how... -How what? | 0:23:46 | 0:23:49 | |
-No, nothing. Never mind. -No, no, no, how what? | 0:23:49 | 0:23:52 | |
-How irritating you can be! -Oh, well, that's nice! | 0:23:52 | 0:23:54 | |
-You get this fucking... -Don't swear. | 0:23:54 | 0:23:56 | |
Sorry. This fixation, you can be so... oh! | 0:23:56 | 0:23:59 | |
You can be so difficult sometimes! | 0:23:59 | 0:24:01 | |
Oh, well, I'm sorry. | 0:24:01 | 0:24:02 | |
Maybe I should just, ah, wither and dissolve. | 0:24:02 | 0:24:05 | |
Oh, God, no, not this! | 0:24:05 | 0:24:06 | |
No, you go on. Go on without me. And don't worry about me. | 0:24:06 | 0:24:09 | |
-Because I would hate to be a burden to you. -OK, look. I'm sorry. | 0:24:09 | 0:24:13 | |
You know, I try my very best. | 0:24:13 | 0:24:15 | |
And if trying your best is a crime, then yes, shoot me now. | 0:24:15 | 0:24:18 | |
I know, I know, I know. | 0:24:18 | 0:24:21 | |
That came out wrong, OK? | 0:24:21 | 0:24:23 | |
I'm sorry, Mum. | 0:24:23 | 0:24:24 | |
SHE SNIFFS | 0:24:25 | 0:24:27 | |
Have you been smoking? | 0:24:29 | 0:24:30 | |
Come on. | 0:24:32 | 0:24:33 | |
End of the line. | 0:24:35 | 0:24:36 | |
Manager thought you might be more comfortable with this. | 0:24:44 | 0:24:47 | |
Oh, no, you're all right, thanks. | 0:24:49 | 0:24:51 | |
No, they mean put it on. | 0:24:51 | 0:24:52 | |
Places like this, they like you to wear a tie. | 0:24:52 | 0:24:56 | |
It's my fault, I should have said. | 0:24:56 | 0:24:58 | |
Oh, right. Sorry. | 0:24:58 | 0:25:01 | |
-You know how to tie a tie? -Never worn one. | 0:25:02 | 0:25:05 | |
Me dad said vampires could use them to choke or garrotte us in a fight. | 0:25:05 | 0:25:09 | |
Well, let's take that risk. Come here. | 0:25:09 | 0:25:12 | |
There you go. Ignore them. | 0:25:25 | 0:25:28 | |
Who? | 0:25:28 | 0:25:30 | |
The other customers. They're staring. It's fine. | 0:25:30 | 0:25:33 | |
Are they? | 0:25:33 | 0:25:34 | |
So, Shiraz or Merlot? | 0:25:36 | 0:25:39 | |
Um, that's a toughie... | 0:25:41 | 0:25:43 | |
I'm sorry I can't help you out with the Old Ones. | 0:25:47 | 0:25:50 | |
I just think we should have another go at trying to reason with them. | 0:25:50 | 0:25:54 | |
Hey, Tom, it's fine. Really. | 0:25:54 | 0:25:56 | |
Do I detect Allison's influence? | 0:25:56 | 0:25:58 | |
You're such a sweet couple. People that different don't usually last. | 0:26:00 | 0:26:04 | |
But I've a good feeling about you two. | 0:26:04 | 0:26:06 | |
She's gone back to her family, as it goes. | 0:26:06 | 0:26:08 | |
She wanted to stay, but I wouldn't let her. | 0:26:08 | 0:26:11 | |
This life ain't for her. | 0:26:11 | 0:26:13 | |
But I've got a plan. | 0:26:15 | 0:26:16 | |
I'm going to sort meself out, get all polite and clever and that. | 0:26:16 | 0:26:19 | |
And go and see her. | 0:26:19 | 0:26:20 | |
Just turn up, like. | 0:26:20 | 0:26:22 | |
THEY BOTH LAUGH | 0:26:22 | 0:26:23 | |
That's brilliant. She's going to stick around, is she? | 0:26:23 | 0:26:27 | |
-She won't hook up with anyone else? -Allison's not like that. | 0:26:27 | 0:26:30 | |
Hmm? | 0:26:30 | 0:26:32 | |
Nah, of course not. | 0:26:32 | 0:26:33 | |
No, stability, prospects, culture, | 0:26:33 | 0:26:36 | |
she's not the kind of girl to worry about things like that. | 0:26:36 | 0:26:39 | |
And her parents will adore you, I just know it. | 0:26:39 | 0:26:42 | |
Her parents? Do you think so? | 0:26:44 | 0:26:46 | |
Are you serious? | 0:26:46 | 0:26:47 | |
Imagine your daughter brought you home. | 0:26:47 | 0:26:50 | |
What's not to love? | 0:26:50 | 0:26:51 | |
EVE CRIES | 0:27:06 | 0:27:08 | |
I wanted to show you what happened to Hal. | 0:27:12 | 0:27:16 | |
Don't tell me, | 0:27:16 | 0:27:17 | |
they chopped him into little pieces | 0:27:17 | 0:27:20 | |
and sprinkled him over the HMS Belfast. | 0:27:20 | 0:27:22 | |
Turn around. | 0:27:24 | 0:27:26 | |
EVE GURGLES | 0:27:33 | 0:27:35 | |
That's Hal? | 0:27:41 | 0:27:42 | |
-(CHANTING) -Lord Hal, Lord Hal, Lord Hal. | 0:27:42 | 0:27:45 | |
One of their most ruthless commanders. | 0:27:45 | 0:27:48 | |
Those camps I showed you, | 0:27:48 | 0:27:50 | |
they were his idea. | 0:27:50 | 0:27:52 | |
He's violent, sadistic and, well, | 0:27:53 | 0:27:56 | |
quite literally their poster boy. | 0:27:56 | 0:27:58 | |
EVE CRIES | 0:28:00 | 0:28:02 | |
No. | 0:28:05 | 0:28:06 | |
No, I... I won't believe it. He's... | 0:28:06 | 0:28:09 | |
He's not evil. Not any more. | 0:28:09 | 0:28:12 | |
He lives with us. You know him. He's changed your nappies. | 0:28:12 | 0:28:15 | |
That's the only Hal I know. | 0:28:15 | 0:28:17 | |
You see, my history and yours | 0:28:17 | 0:28:19 | |
started to separate the moment I appeared to him and Leo and Pearl. | 0:28:19 | 0:28:23 | |
That was you? Why? | 0:28:25 | 0:28:27 | |
I've been trying to rewrite history. | 0:28:27 | 0:28:29 | |
I thought getting Hal into the house would do that. | 0:28:29 | 0:28:32 | |
Well...and you have. So maybe that's it now. | 0:28:32 | 0:28:35 | |
-That's it, you've done enough! -Well, how am I? | 0:28:35 | 0:28:37 | |
I mean, the baby. How is the baby? | 0:28:37 | 0:28:40 | |
She's fine. | 0:28:40 | 0:28:41 | |
There's your answer, then. | 0:28:41 | 0:28:43 | |
Look, we're done now. | 0:28:44 | 0:28:46 | |
I'm taking you home. | 0:28:46 | 0:28:47 | |
Then I'll tell you what you need to do. | 0:28:47 | 0:28:49 | |
Annie? | 0:29:01 | 0:29:03 | |
Hal? | 0:29:04 | 0:29:06 | |
EVE GURGLES | 0:29:12 | 0:29:14 | |
Hello there. Eh? | 0:29:14 | 0:29:16 | |
Yeah. You all right? You all right?! | 0:29:19 | 0:29:21 | |
TOM MAKES BABY NOISES | 0:29:21 | 0:29:23 | |
Go in there. Would the nice little baby sleep? | 0:29:23 | 0:29:26 | |
Ay-up, you been on the Kia-Ora? | 0:29:26 | 0:29:29 | |
You're drunk. | 0:29:29 | 0:29:31 | |
And you're stupid. | 0:29:31 | 0:29:33 | |
But in the morning, I shall be sober... | 0:29:33 | 0:29:36 | |
.something, something, something. | 0:29:37 | 0:29:39 | |
What are you doing? Get off! | 0:29:39 | 0:29:41 | |
Outside. | 0:29:41 | 0:29:43 | |
Oh, my God, fisticuffs? | 0:29:43 | 0:29:44 | |
Not in front of Eve. | 0:29:44 | 0:29:46 | |
You've been drinking blood. | 0:29:46 | 0:29:48 | |
Relax. No-one died. | 0:29:48 | 0:29:49 | |
He was right, the Old Ones really are the worst. | 0:29:49 | 0:29:52 | |
-Who was right? -When Annie comes back, we'll tell her what you did. | 0:29:52 | 0:29:55 | |
Annie's not coming back! | 0:29:55 | 0:29:57 | |
What? Of course she is. Shut up about that. | 0:29:57 | 0:30:00 | |
Annie! | 0:30:00 | 0:30:02 | |
Annie. | 0:30:02 | 0:30:04 | |
Come out, come out, wherever you are! | 0:30:04 | 0:30:06 | |
She wouldn't just leave me, leave Eve like that. | 0:30:06 | 0:30:09 | |
You're a child, you know that? | 0:30:11 | 0:30:13 | |
Watching you negotiate grown-up emotions is like... | 0:30:13 | 0:30:17 | |
watching a gorilla perform keyhole surgery. | 0:30:17 | 0:30:21 | |
Maybe I am. | 0:30:21 | 0:30:24 | |
Maybe I'd rather be that than a monster. | 0:30:24 | 0:30:26 | |
HAL CHUCKLES | 0:30:26 | 0:30:27 | |
This is what I'm saying! | 0:30:27 | 0:30:29 | |
This is why Annie's gone! | 0:30:29 | 0:30:31 | |
Same with Allison. | 0:30:31 | 0:30:33 | |
They worked it out! You idiot. | 0:30:33 | 0:30:36 | |
We can raid the dressing-up box and pretend to be human, | 0:30:36 | 0:30:40 | |
but, ultimately, what's the point? | 0:30:40 | 0:30:43 | |
Sooner or later, we all go back to being the monsters we truly are. | 0:30:43 | 0:30:48 | |
RINGING TONE | 0:30:58 | 0:31:00 | |
Mr Cutler? | 0:31:03 | 0:31:04 | |
Nick? | 0:31:04 | 0:31:06 | |
It's Tom. | 0:31:06 | 0:31:07 | |
I'm in. | 0:31:08 | 0:31:09 | |
FEVERED BREATHING | 0:31:24 | 0:31:26 | |
Cutler. | 0:32:16 | 0:32:17 | |
What's going on? | 0:32:38 | 0:32:40 | |
So suspicious! | 0:32:40 | 0:32:41 | |
We're just pleased to see you. | 0:32:42 | 0:32:44 | |
Actually, it's more than that. We wanted to reassure you. | 0:32:49 | 0:32:52 | |
-What about? -The other night. | 0:32:52 | 0:32:54 | |
Your wife. | 0:32:54 | 0:32:55 | |
Perhaps killing just isn't your strong suit. No matter. | 0:32:55 | 0:32:59 | |
We all have different roles to play. | 0:33:01 | 0:33:03 | |
You provide us with legal advice. | 0:33:05 | 0:33:08 | |
Louis here is the muscle. | 0:33:08 | 0:33:10 | |
And Dennis, well... | 0:33:10 | 0:33:13 | |
Actually, Dennis, what do you do, apart from eat biscuits? | 0:33:13 | 0:33:17 | |
Anyway. | 0:33:22 | 0:33:24 | |
Let's put all of that behind us. Hm? | 0:33:28 | 0:33:30 | |
Take it. | 0:33:33 | 0:33:34 | |
Yesterday was your first blood for how long? | 0:33:35 | 0:33:39 | |
I mean, you were pretty out of it. | 0:33:39 | 0:33:41 | |
55 years. | 0:33:42 | 0:33:43 | |
-This glass is filthy. Let me get one of the guys... -It's fine! | 0:33:45 | 0:33:48 | |
Really. | 0:33:48 | 0:33:50 | |
It's fine. | 0:33:50 | 0:33:51 | |
OK. | 0:33:51 | 0:33:53 | |
55 years! Man, that is a long time to be doing a Fossey. | 0:33:54 | 0:33:58 | |
Doing a what? | 0:33:58 | 0:34:00 | |
Hanging out with the primates, like Dian Fossey. | 0:34:00 | 0:34:04 | |
Gorillas In The Mist? | 0:34:04 | 0:34:06 | |
Ah, forget it. | 0:34:06 | 0:34:07 | |
Oh, please, again? | 0:34:13 | 0:34:15 | |
Come on, Hal, you want this. | 0:34:15 | 0:34:17 | |
HAL LAUGHS | 0:34:51 | 0:34:53 | |
What? | 0:34:53 | 0:34:54 | |
THEY ALL LAUGH | 0:34:54 | 0:34:57 | |
What?! | 0:34:57 | 0:34:58 | |
What's so funny? | 0:34:59 | 0:35:02 | |
Are you enjoying that? | 0:35:05 | 0:35:07 | |
I suppose I'd better tell you what I've been doing, then. | 0:35:08 | 0:35:11 | |
HE CHUCKLES | 0:35:12 | 0:35:13 | |
I'm nervous about telling you. | 0:35:15 | 0:35:18 | |
No, OK, come on. | 0:35:19 | 0:35:20 | |
The Old Ones, they think humanity | 0:35:21 | 0:35:23 | |
will just hand them the keys to the planet. | 0:35:23 | 0:35:26 | |
They haven't seen old grandmothers in Afghanistan | 0:35:26 | 0:35:29 | |
try to scratch the eyes out of Marines. Now, blunt is no good. | 0:35:29 | 0:35:33 | |
To overthrow an incentivised and resourceful race, | 0:35:33 | 0:35:37 | |
we've...we've got to be sneaky. | 0:35:37 | 0:35:39 | |
Softly, softly, massacre monkey. | 0:35:39 | 0:35:41 | |
OK, how do you make a rat look less threatening? | 0:35:41 | 0:35:45 | |
You put it next to a shark. | 0:35:45 | 0:35:48 | |
So, how do you make humans love vampires? | 0:35:48 | 0:35:51 | |
Show them something worse? | 0:35:51 | 0:35:53 | |
Werewolves. | 0:35:58 | 0:36:00 | |
You're going to reveal werewolves? | 0:36:02 | 0:36:04 | |
The coroner's report, the YouTube footage, | 0:36:04 | 0:36:07 | |
that was just preparing the ground. | 0:36:07 | 0:36:09 | |
Tonight is the last full moon before the Old Ones arrive | 0:36:09 | 0:36:11 | |
and in a few hours, this place will be packed full with people, | 0:36:11 | 0:36:15 | |
mainly young people, all with their camera phones and Twitter, | 0:36:15 | 0:36:19 | |
and all the technology we need to spread this event around the globe. | 0:36:19 | 0:36:23 | |
What event? | 0:36:24 | 0:36:26 | |
We get a werewolf - now, I've got him already - | 0:36:27 | 0:36:30 | |
and we drop him in here just before the full moon. | 0:36:30 | 0:36:33 | |
We lock a few doors - not all, we want some of the witnesses to escape | 0:36:33 | 0:36:37 | |
and we let him transform in front of all those people and their phones. | 0:36:37 | 0:36:43 | |
It'll be a massacre - utter panic and chaos. | 0:36:43 | 0:36:46 | |
You know, there's even a name for this? | 0:36:48 | 0:36:50 | |
Terrorists call it "a spectacular". | 0:36:50 | 0:36:54 | |
And then what happens? | 0:36:56 | 0:36:58 | |
The reveal. | 0:36:58 | 0:37:00 | |
Who will save us from the big bad wolf? | 0:37:00 | 0:37:03 | |
Ba-da-ba-bah! | 0:37:03 | 0:37:05 | |
It's us! | 0:37:06 | 0:37:08 | |
We have created a nightmare and now we provide the antidote. | 0:37:08 | 0:37:12 | |
Now this is where the others got it wrong. | 0:37:12 | 0:37:14 | |
You try and take the world by force | 0:37:14 | 0:37:17 | |
and humanity will fight you on every street corner. | 0:37:17 | 0:37:19 | |
But frighten them? | 0:37:19 | 0:37:22 | |
They'll line up, loosen their collars | 0:37:22 | 0:37:24 | |
and they'll bare their veins. | 0:37:24 | 0:37:27 | |
I'm not just doing this for the Old Ones. | 0:37:28 | 0:37:32 | |
I'm doing it for you. | 0:37:32 | 0:37:33 | |
I wanted to make you proud, | 0:37:33 | 0:37:36 | |
be a history maker. | 0:37:36 | 0:37:38 | |
This is... | 0:37:43 | 0:37:44 | |
This is insane. | 0:37:46 | 0:37:47 | |
Hmm. | 0:37:47 | 0:37:49 | |
I knew you'd be like this. | 0:37:49 | 0:37:52 | |
Soon as you came back, I could... smell that mercy on you, | 0:37:52 | 0:37:56 | |
like...like cigarette smoke. | 0:37:56 | 0:37:58 | |
Look, Hal, it happens! | 0:37:58 | 0:38:01 | |
Christ, it happened to me. | 0:38:01 | 0:38:03 | |
But, luckily... | 0:38:03 | 0:38:05 | |
you were there to help me through it. | 0:38:06 | 0:38:08 | |
And now I'm going to return the favour. | 0:38:08 | 0:38:11 | |
We weren't sure if you'd work it out when you tasted the blood. | 0:38:45 | 0:38:48 | |
I don't know if it works like that, between husbands and wives. | 0:38:48 | 0:38:52 | |
Apparently not. | 0:38:52 | 0:38:54 | |
What's going on? | 0:38:58 | 0:38:59 | |
No, no! | 0:39:07 | 0:39:09 | |
Ssh, ssh, ssh, ssh, ssh! | 0:39:09 | 0:39:11 | |
Don't you understand what I've done? | 0:39:13 | 0:39:16 | |
I've set you free. | 0:39:16 | 0:39:18 | |
But I don't want you to thank me. | 0:39:19 | 0:39:21 | |
I knew something was wrong when you freaked out over the blood. | 0:39:22 | 0:39:26 | |
So I had you followed, and there you were, breaking bread with a human! | 0:39:26 | 0:39:30 | |
How did her blood taste? | 0:39:30 | 0:39:32 | |
I know what it's like. | 0:39:34 | 0:39:35 | |
They get under your skin. | 0:39:35 | 0:39:38 | |
But I don't want you to thank me. | 0:39:38 | 0:39:39 | |
No, we're even now | 0:39:39 | 0:39:41 | |
and we can watch dawn break over the new world together. | 0:39:41 | 0:39:44 | |
Who's the werewolf? | 0:39:45 | 0:39:46 | |
Does it matter? | 0:39:46 | 0:39:48 | |
-Who is he?! -His name's Tom. Why? | 0:39:48 | 0:39:51 | |
Of course. | 0:39:52 | 0:39:54 | |
This is why you coming back is so perfect. | 0:39:54 | 0:39:57 | |
Now this is the end of the journey that you started me on! | 0:39:57 | 0:40:00 | |
Don't do this. | 0:40:00 | 0:40:01 | |
Please. | 0:40:03 | 0:40:04 | |
Sorry, what? | 0:40:04 | 0:40:06 | |
I'll do anything. | 0:40:06 | 0:40:07 | |
Just stop this. | 0:40:09 | 0:40:11 | |
What are you doing? | 0:40:11 | 0:40:12 | |
Oh, God, are you begging?! | 0:40:14 | 0:40:17 | |
Now you stop! Seriously, it's horrid! | 0:40:17 | 0:40:20 | |
Please. Cutler. | 0:40:20 | 0:40:22 | |
Nick. | 0:40:23 | 0:40:25 | |
HE LAUGHS | 0:40:25 | 0:40:27 | |
Now he's calling me Nick! | 0:40:27 | 0:40:30 | |
You can't do this! You're... | 0:40:30 | 0:40:33 | |
You're Hal Yorke! | 0:40:33 | 0:40:35 | |
-I'm going to heave. -Remember what you were. | 0:40:36 | 0:40:39 | |
What I was? No, you stole that from me! | 0:40:45 | 0:40:48 | |
You dragged me into this world, you killed my wife, | 0:40:48 | 0:40:52 | |
you turned me into a murderer, an addict. | 0:40:52 | 0:40:54 | |
You made me abandon my whole species! | 0:40:54 | 0:40:57 | |
I know. | 0:40:57 | 0:40:58 | |
-And there aren't words to tell you how sorry I am... -No! | 0:41:00 | 0:41:03 | |
No, you do not do that and then apologise. | 0:41:03 | 0:41:06 | |
-No, sir! -I can't let this happen, Cutler. | 0:41:06 | 0:41:10 | |
I will kill you if I have to. | 0:41:10 | 0:41:12 | |
But I will not let you take their world. | 0:41:12 | 0:41:15 | |
We don't deserve it. | 0:41:16 | 0:41:18 | |
Fair enough. | 0:41:31 | 0:41:32 | |
But you'll have to get out of here first. | 0:41:38 | 0:41:41 | |
DOOR LOCKS | 0:41:41 | 0:41:43 | |
Bugger. | 0:41:43 | 0:41:44 | |
SLOW HAND-CLAPPING | 0:41:44 | 0:41:47 | |
Well done. | 0:41:47 | 0:41:49 | |
No, seriously, that was...brilliant. | 0:41:49 | 0:41:52 | |
Just when I thought this holiday could not possibly get any worse. | 0:41:53 | 0:41:57 | |
OK. What is it that you want me to do? | 0:42:03 | 0:42:06 | |
Kill me. | 0:42:07 | 0:42:08 | |
All my life, I've been carried around like a mascot, | 0:42:11 | 0:42:15 | |
while the world around me crumbled and burned. | 0:42:15 | 0:42:18 | |
I didn't understand. Wasn't I supposed to stop this happening? | 0:42:18 | 0:42:21 | |
Then I got the final piece of the scripture, | 0:42:21 | 0:42:24 | |
and there it was. | 0:42:24 | 0:42:26 | |
In order to fulfil her destiny, | 0:42:27 | 0:42:29 | |
the War Child must die. | 0:42:29 | 0:42:31 | |
It was too late for me to change my world, | 0:42:34 | 0:42:38 | |
but maybe I could stop it ever happening. | 0:42:38 | 0:42:40 | |
So you sent Hal? | 0:42:40 | 0:42:42 | |
Hal is a monster in my world. | 0:42:42 | 0:42:44 | |
I assumed he'd kill me as soon as he worked out who I was. | 0:42:44 | 0:42:48 | |
When that didn't work, I sent Kirby. | 0:42:48 | 0:42:50 | |
-You put that animal in my home? -You've seen what was at stake! | 0:42:50 | 0:42:54 | |
But I can't kill you. | 0:42:57 | 0:42:59 | |
I don't have a burnt arm. All that stuff about the Nemesis... | 0:42:59 | 0:43:03 | |
I'm the killer. | 0:43:09 | 0:43:11 | |
I orchestrated this. You're just the knife. | 0:43:11 | 0:43:14 | |
-The burn. -Saviour and Nemesis. | 0:43:14 | 0:43:17 | |
Talk about multi-tasking... | 0:43:18 | 0:43:19 | |
You were in one of those camps? | 0:43:21 | 0:43:23 | |
They didn't know who I was. I always had false papers. | 0:43:23 | 0:43:26 | |
I was just rounded up with the others. | 0:43:26 | 0:43:29 | |
Eve, I am so sorry. | 0:43:29 | 0:43:30 | |
Look, I could send a thousand threats, | 0:43:30 | 0:43:33 | |
but Kirby made me realise your love for me would always defeat them. | 0:43:33 | 0:43:37 | |
So I had to come to you direct, | 0:43:37 | 0:43:39 | |
show you the world you'd created. | 0:43:39 | 0:43:42 | |
Alex, focus on my voice. Alex, Alex, you're in shock. | 0:43:44 | 0:43:47 | |
Er, no, you idiot. I was in shock, | 0:43:47 | 0:43:50 | |
Yeah, but I've been hiding in here now for about what, um, ten hours. | 0:43:50 | 0:43:54 | |
So I've gone from shock, via denial and depression | 0:43:54 | 0:43:58 | |
and, rather surprisingly, hunger and randiness, | 0:43:58 | 0:44:01 | |
to a frothing rage. | 0:44:01 | 0:44:04 | |
I swear I will avenge your death. | 0:44:04 | 0:44:06 | |
Firstly, someone needs a Tic Tac. | 0:44:06 | 0:44:09 | |
And, secondly, did I just hear right? | 0:44:09 | 0:44:12 | |
Did he say that you drank my blood? | 0:44:12 | 0:44:14 | |
I didn't realise it was your blood. | 0:44:14 | 0:44:16 | |
Oh, is that meant to make me feel better?! | 0:44:16 | 0:44:19 | |
I knew this would happen! I should never have gone out with you. | 0:44:19 | 0:44:22 | |
You bullied me into that drink. | 0:44:22 | 0:44:24 | |
Which drink? In the bar, or when you drank my blood? | 0:44:24 | 0:44:27 | |
Nah, I... | 0:44:27 | 0:44:28 | |
Christ, I was jowly. | 0:44:31 | 0:44:33 | |
How will killing you save the world? | 0:44:33 | 0:44:37 | |
All I know is, everything else on the parchment came true. | 0:44:37 | 0:44:40 | |
But I was protected all my life, and humanity fell. | 0:44:40 | 0:44:44 | |
Well, then, why didn't you kill you? | 0:44:44 | 0:44:46 | |
Mmm? Why didn't you pass over, go through a door and...you know? | 0:44:46 | 0:44:51 | |
A ghost can't be in the same place as its living body. That would be weird. | 0:44:51 | 0:44:55 | |
Sorry. What was I thinking(?) | 0:44:55 | 0:44:57 | |
This'll take you home. | 0:44:59 | 0:45:01 | |
I'm going?! | 0:45:01 | 0:45:02 | |
Yeah, you've... | 0:45:02 | 0:45:04 | |
You've got stuff to do. | 0:45:04 | 0:45:06 | |
Was I a good mother? | 0:45:08 | 0:45:10 | |
I'm not fishing, or anything, I just want to make sure that you felt... | 0:45:10 | 0:45:14 | |
..loved. | 0:45:16 | 0:45:18 | |
It wasn't a world for children. | 0:45:20 | 0:45:22 | |
But, yeah... | 0:45:23 | 0:45:25 | |
you were. | 0:45:25 | 0:45:27 | |
The best. | 0:45:28 | 0:45:29 | |
You're very brave. | 0:45:32 | 0:45:33 | |
And I'm proud of that. | 0:45:34 | 0:45:37 | |
And I make a bloody good cup of tea. | 0:45:37 | 0:45:39 | |
That's my girl! | 0:45:39 | 0:45:41 | |
Yay. | 0:45:41 | 0:45:43 | |
We'd better not, um... | 0:45:44 | 0:45:47 | |
It'll make things harder for you. | 0:45:47 | 0:45:49 | |
Yeah. | 0:45:49 | 0:45:51 | |
Remember, | 0:45:57 | 0:45:59 | |
a moment will come when you have to choose between letting me live... | 0:45:59 | 0:46:03 | |
and letting me die. | 0:46:03 | 0:46:05 | |
If you want to stop this happening, you have to let me die. | 0:46:06 | 0:46:10 | |
Goodbye, Eve. | 0:46:16 | 0:46:17 | |
Goodbye... | 0:46:17 | 0:46:19 | |
...Mum. | 0:46:25 | 0:46:26 | |
I'm sure Annie or Hal will be back any minute, but I've got to go. | 0:46:28 | 0:46:31 | |
I can't be near you tonight. | 0:46:31 | 0:46:33 | |
CAR HORN BLARES | 0:46:33 | 0:46:34 | |
You've been changed, bathed and fed. | 0:46:34 | 0:46:36 | |
We've watched Top Gear for two hours so you've got to be tired by now. | 0:46:36 | 0:46:40 | |
HE MAKES BABY NOISES | 0:46:40 | 0:46:43 | |
Where the bloody hell have you been? | 0:46:43 | 0:46:45 | |
Is she OK? | 0:46:45 | 0:46:46 | |
She's been going mad, she misses you. We all miss you! | 0:46:46 | 0:46:49 | |
And I need to talk to you about Hal. I think he's back on the blood. | 0:46:49 | 0:46:53 | |
-What? -I've got to go, full moon and stuff. | 0:46:53 | 0:46:56 | |
-Just stay here, yeah? -Tom... | 0:46:56 | 0:46:58 | |
The Old Ones are going to be here any day now, | 0:46:58 | 0:47:01 | |
if they're not already. | 0:47:01 | 0:47:03 | |
To stop them, we might have to... | 0:47:03 | 0:47:05 | |
..do terrible things. | 0:47:08 | 0:47:10 | |
What choice do we have? | 0:47:10 | 0:47:11 | |
None. | 0:47:11 | 0:47:13 | |
It's not fair, is it? | 0:47:14 | 0:47:15 | |
No. | 0:47:15 | 0:47:17 | |
DOORBELL RINGS | 0:47:17 | 0:47:19 | |
EVE GURGLES | 0:47:19 | 0:47:20 | |
Hey, champ! How are you feeling? | 0:47:27 | 0:47:29 | |
What's all this? Just in case I change my mind? | 0:47:29 | 0:47:32 | |
-No, I just wanted to make sure you get there safely. -EVE CRIES | 0:47:32 | 0:47:35 | |
Have you got a baby in there? | 0:47:35 | 0:47:37 | |
Yeah. George and Nina's. | 0:47:37 | 0:47:39 | |
-The War Child? -Don't tell me you believe all that and all? | 0:47:41 | 0:47:44 | |
I thought Regus killed her? | 0:47:44 | 0:47:46 | |
No, he slipped her to Annie during the kerfuffle. | 0:47:46 | 0:47:49 | |
Are you all right? | 0:47:52 | 0:47:53 | |
No. We do this. We stick with this. | 0:47:55 | 0:47:58 | |
Let's go save the world! | 0:47:59 | 0:48:01 | |
-You can rent-a-ghost outside and open the door. -I can what?! | 0:48:16 | 0:48:19 | |
It's what Annie called it. I've no idea why. | 0:48:19 | 0:48:22 | |
It means teleporting. You can teleport! | 0:48:22 | 0:48:24 | |
I was about to say, "Wow, what have you been drinking?" | 0:48:24 | 0:48:27 | |
But I guess I know the answer to that one. | 0:48:27 | 0:48:29 | |
-We have to stop Cutler! You don't know what he's going to do! -I do, actually. | 0:48:29 | 0:48:33 | |
Before he killed me, he monologued the whole thing. | 0:48:33 | 0:48:36 | |
I didn't think people actually did that. | 0:48:36 | 0:48:38 | |
Can we open the door, please?! | 0:48:38 | 0:48:40 | |
Right. | 0:48:40 | 0:48:41 | |
Yeah. | 0:48:41 | 0:48:43 | |
Well?! | 0:48:43 | 0:48:44 | |
I assume you just close your eyes and picture yourself somewhere else. | 0:48:44 | 0:48:48 | |
Trust me, I've been doing that since you arrived. | 0:48:48 | 0:48:52 | |
Now, the Old Ones have arrived. They're on their way. | 0:48:52 | 0:48:55 | |
I've got to do the meet and greet, | 0:48:55 | 0:48:57 | |
then, when we're at a full moon, I'll make myself scarce, | 0:48:57 | 0:49:00 | |
one of my guys will open the door for you and skedaddle, | 0:49:00 | 0:49:03 | |
leaving you...well, to do your thing. | 0:49:03 | 0:49:06 | |
HE EXHALES | 0:49:07 | 0:49:09 | |
It'll be fine, honest! | 0:49:15 | 0:49:17 | |
Look, no-one will forget what you do tonight. | 0:49:19 | 0:49:22 | |
You're going to be famous, Tom. A history maker. | 0:49:23 | 0:49:27 | |
You're going to make your dad so proud. | 0:49:33 | 0:49:36 | |
And, take it from me, there should be no better feeling than that. | 0:49:36 | 0:49:41 | |
Whoa! Yes! | 0:49:49 | 0:49:51 | |
How far was that? | 0:49:51 | 0:49:53 | |
Like two feet? Woo-hoo! | 0:49:53 | 0:49:55 | |
Yes! | 0:49:55 | 0:49:56 | |
In the same room. | 0:49:56 | 0:49:58 | |
-In the wrong direction. -Well, you try Ghostbusting. | 0:49:58 | 0:50:00 | |
Rent-a-ghosting! God, the moment we get out of here, | 0:50:00 | 0:50:03 | |
-we are never seeing each other again. -Oh, really? | 0:50:03 | 0:50:06 | |
I thought this was the beginning of a relationship(!) | 0:50:06 | 0:50:09 | |
HE SCOFFS | 0:50:09 | 0:50:10 | |
-Cutler! -"So, how did you two meet?" "Well, bit of a funny story. | 0:50:10 | 0:50:15 | |
"His friend killed me and he drank my blood." Ha! | 0:50:15 | 0:50:19 | |
Ha(!) Get outside and open this door. | 0:50:19 | 0:50:22 | |
You know, for someone who works in the service industry, | 0:50:24 | 0:50:27 | |
you have terrible people skills. | 0:50:27 | 0:50:29 | |
DANCE MUSIC THROBS | 0:50:29 | 0:50:31 | |
HE SNIFFS | 0:51:00 | 0:51:02 | |
Those aren't vampires. | 0:51:06 | 0:51:08 | |
Mr Cutler! | 0:51:23 | 0:51:25 | |
There's been a mistake! | 0:51:25 | 0:51:27 | |
Those people aren't vampires! | 0:51:27 | 0:51:29 | |
You need to get them out of here! | 0:51:29 | 0:51:31 | |
Argh! | 0:51:31 | 0:51:33 | |
MUSIC POUNDS | 0:51:33 | 0:51:35 | |
Ah, yes! | 0:51:43 | 0:51:46 | |
In your own time(!) | 0:51:46 | 0:51:47 | |
All right, all right. Jesus! | 0:51:47 | 0:51:49 | |
Right. Great. | 0:51:54 | 0:51:56 | |
Thank you. | 0:51:57 | 0:51:59 | |
Er, wait! What the hell do I do now? | 0:52:00 | 0:52:03 | |
What? | 0:52:03 | 0:52:04 | |
I don't know. | 0:52:04 | 0:52:06 | |
Anyway, must dash. Friend about to kill lots of people. | 0:52:06 | 0:52:09 | |
I'm really dead, aren't I? This is all actually happening. | 0:52:09 | 0:52:14 | |
I... I don't understand. | 0:52:14 | 0:52:17 | |
I came here for a holiday and now I'm...now I'm dead. | 0:52:17 | 0:52:21 | |
And now my brothers and my dad are going to have to grieve for me. | 0:52:21 | 0:52:25 | |
Well, there's... We'll have to get my body to them somehow. | 0:52:25 | 0:52:29 | |
There'll be stuff to organise | 0:52:29 | 0:52:30 | |
and Ryan has a tattoo with a bloody typo on it... | 0:52:30 | 0:52:35 | |
And I'm... | 0:52:37 | 0:52:39 | |
I'm really dead. | 0:52:41 | 0:52:43 | |
Come with me. | 0:52:45 | 0:52:46 | |
We'll sort out... | 0:52:46 | 0:52:47 | |
..this, then we'll sort out you. | 0:52:48 | 0:52:50 | |
STRANGLED GROWLING | 0:52:57 | 0:52:58 | |
MUSIC BLARES | 0:52:59 | 0:53:01 | |
Argh! | 0:53:01 | 0:53:03 | |
GROWLING | 0:53:08 | 0:53:11 | |
Get out. Everybody! | 0:53:18 | 0:53:20 | |
Get out! | 0:53:20 | 0:53:21 | |
MUSIC BLARES | 0:53:21 | 0:53:23 | |
SNARLING | 0:53:23 | 0:53:24 | |
Get out! | 0:53:32 | 0:53:34 | |
Listen to me. You have to get out of here. It's an emergency! | 0:53:50 | 0:53:54 | |
Please, move! Quickly, towards... | 0:53:54 | 0:53:56 | |
HOWLING | 0:53:56 | 0:53:59 | |
Do it, now! | 0:54:02 | 0:54:03 | |
SNARLING | 0:54:09 | 0:54:12 | |
GROWLING | 0:54:23 | 0:54:25 | |
RUN! | 0:54:37 | 0:54:39 | |
SNARLING | 0:54:39 | 0:54:40 | |
SCREAMING | 0:54:40 | 0:54:42 | |
SCREAMING | 0:54:53 | 0:54:54 | |
You're welcome(!) You're welcome. | 0:55:08 | 0:55:11 | |
SNARLING | 0:55:22 | 0:55:24 | |
# Que sera, sera | 0:55:38 | 0:55:40 | |
# Whatever will be, will be | 0:55:41 | 0:55:44 | |
# The future's not ours to see | 0:55:46 | 0:55:50 | |
# Que sera, sera. # | 0:55:51 | 0:55:53 | |
Well, then... | 0:56:17 | 0:56:19 | |
Who's hungry? | 0:56:22 | 0:56:24 | |
Subtitles by Red Bee Media Ltd | 0:57:13 | 0:57:15 |