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-I'm really dead, aren't I? This is all actually happening. -Come with me. | 0:00:02 | 0:00:04 | |
How do you make humans love vampires? | 0:00:04 | 0:00:07 | |
HAL: You show them something worse? | 0:00:07 | 0:00:09 | |
I was protected all my life and humanity fell. | 0:00:09 | 0:00:12 | |
-What is it that you want me to do? -Kill me. | 0:00:12 | 0:00:15 | |
ANNIE: The Old Ones are going to be here any day now. | 0:00:15 | 0:00:17 | |
To stop them, we might have to do terrible things. | 0:00:17 | 0:00:19 | |
What choice do we have? | 0:00:19 | 0:00:21 | |
SNARLING | 0:00:21 | 0:00:22 | |
You're welcome. You're welcome(!) | 0:00:22 | 0:00:25 | |
Who's hungry? | 0:00:30 | 0:00:32 | |
Contains some strong language. | 0:00:35 | 0:00:39 | |
Contains scenes which some viewers may find upsetting. | 0:00:39 | 0:00:43 | |
Do you know who I am? | 0:01:37 | 0:01:39 | |
I was in the area, as they say. | 0:01:43 | 0:01:46 | |
What about you, Isaac Daniels? | 0:01:47 | 0:01:50 | |
Why are you in the area? | 0:01:50 | 0:01:53 | |
We're on our way back from seeing my father. | 0:01:53 | 0:01:56 | |
He's in one of the resettlement camps in London West. | 0:01:56 | 0:02:00 | |
-Do you know what tomorrow is? -Of course, sir. | 0:02:00 | 0:02:04 | |
11th April. Ten years ago tomorrow, | 0:02:04 | 0:02:06 | |
you killed the prime minister live on television. | 0:02:06 | 0:02:10 | |
He was appealing for calm. | 0:02:10 | 0:02:11 | |
He looked so pale. His tie was askew. | 0:02:12 | 0:02:15 | |
We've got parades planned, curfews, executions, so... | 0:02:17 | 0:02:22 | |
a curious day to go visiting relatives. | 0:02:22 | 0:02:25 | |
-Don't you think? -My father's sick. | 0:02:26 | 0:02:30 | |
There's a letter there from his medical officer, | 0:02:30 | 0:02:32 | |
along with our identification papers and our internal travel visas. | 0:02:32 | 0:02:37 | |
I just wanted Zoe to see her grandfather | 0:02:38 | 0:02:40 | |
one last time before he passes. | 0:02:40 | 0:02:42 | |
-Zoe. -She's my daughter. | 0:02:44 | 0:02:48 | |
She's 11. She was born before the pregnancy embargo. | 0:02:48 | 0:02:52 | |
Is she the one in the car? | 0:02:52 | 0:02:54 | |
She looks exhausted, poor poppet. | 0:02:55 | 0:02:59 | |
It's been a long day. | 0:02:59 | 0:03:01 | |
Well, I won't detain you any longer. | 0:03:03 | 0:03:05 | |
Oh, one last question. | 0:03:13 | 0:03:17 | |
Your daughter... | 0:03:17 | 0:03:18 | |
What colour are her eyes? | 0:03:20 | 0:03:23 | |
Come, Mr Daniels. It's hardly a complex question. | 0:03:25 | 0:03:28 | |
What colour are your daughter's eyes? | 0:03:28 | 0:03:31 | |
You don't remember, do you? | 0:03:33 | 0:03:36 | |
I daresay when the other agent handed her over with her fake papers, | 0:03:37 | 0:03:41 | |
you looked her up and down and thought, | 0:03:41 | 0:03:44 | |
"Is this what all the fuss is about? | 0:03:44 | 0:03:47 | |
"This is the War Child?" | 0:03:48 | 0:03:50 | |
But the one thing you didn't take in was the colour of her eyes. | 0:03:52 | 0:03:57 | |
And, now, of course, you're thinking that you've taken too long to reply, | 0:03:58 | 0:04:02 | |
so, instead, you're calculating the chances of fighting your way out | 0:04:02 | 0:04:06 | |
and which of us to disable first. | 0:04:06 | 0:04:08 | |
-You won't win, you know! -I think we already have. | 0:04:10 | 0:04:13 | |
Humanity will survive somehow. You can't kill us all. | 0:04:13 | 0:04:17 | |
I don't intend to. | 0:04:17 | 0:04:18 | |
You're delicious. | 0:04:21 | 0:04:22 | |
Run, Eve, run! | 0:04:29 | 0:04:31 | |
Follow her at a distance. | 0:05:04 | 0:05:07 | |
Make sure she reaches her rendezvous safely. | 0:05:07 | 0:05:10 | |
She's a very precious cargo. | 0:05:12 | 0:05:14 | |
Be seeing you, Eve. | 0:05:18 | 0:05:19 | |
Why am I still here? | 0:05:35 | 0:05:36 | |
Does everyone just become a ghost for a wee bit? | 0:05:37 | 0:05:40 | |
No. | 0:05:40 | 0:05:42 | |
No, you must have unfinished business. | 0:05:42 | 0:05:44 | |
Something we must resolve, before you can pass over. | 0:05:44 | 0:05:47 | |
Well, we can poke around my business later. | 0:05:48 | 0:05:50 | |
First, I want to beat seven shades of shite out of Cutler. | 0:05:50 | 0:05:53 | |
Hey, maybe that is my unfinished business? | 0:05:55 | 0:05:57 | |
Unfinished business tends to be something | 0:05:57 | 0:05:58 | |
more life-affirming than beating someone up. | 0:05:58 | 0:06:01 | |
-Not if you're Scottish. -She's right. | 0:06:01 | 0:06:03 | |
We get Cutler. First we try the docks. | 0:06:03 | 0:06:06 | |
If he ain't there, we go to his office. | 0:06:06 | 0:06:07 | |
But we don't stop until we find him. | 0:06:07 | 0:06:09 | |
Um... I'm just going to go and sit in the van for a bit. | 0:06:09 | 0:06:15 | |
You're her first werewolf. We forget. It's a lot to process. | 0:06:17 | 0:06:21 | |
I ain't never felt frightening before. | 0:06:21 | 0:06:23 | |
VAN DOOR SHUTTING | 0:06:23 | 0:06:25 | |
Thank you. | 0:06:26 | 0:06:27 | |
I could've killed all those people. I could've killed you. | 0:06:29 | 0:06:31 | |
Alex got the people out. I just lured you into the van. | 0:06:31 | 0:06:33 | |
I can't believe I let it happen! | 0:06:33 | 0:06:35 | |
I'm always dead stealthy with my transformations. | 0:06:35 | 0:06:37 | |
I've taken a step backwards too. | 0:06:39 | 0:06:41 | |
I've been drinking blood. | 0:06:43 | 0:06:45 | |
The first time was genuinely to gain Cutler's trust, Tom, the second wasn't. | 0:06:45 | 0:06:50 | |
Where are you now? | 0:06:50 | 0:06:51 | |
Leo once said that we were on the outside of humanity so that we might guard it. | 0:06:52 | 0:06:57 | |
He made it sound like a privilege, rather than a burden. | 0:06:58 | 0:07:00 | |
I don't think any of us deserve that job any more. | 0:07:05 | 0:07:07 | |
Then we must earn it back. | 0:07:08 | 0:07:10 | |
And you are? | 0:07:31 | 0:07:33 | |
Er, Cutler. | 0:07:33 | 0:07:35 | |
Nick Cutler. | 0:07:35 | 0:07:37 | |
There was no-one here to greet us, | 0:07:37 | 0:07:39 | |
Cutler, Nick Cutler. | 0:07:39 | 0:07:41 | |
We... We weren't sure when you were arriving. It's been... | 0:07:42 | 0:07:46 | |
I'm all that's left. Everyone else ran away or got proper dead. | 0:07:47 | 0:07:51 | |
How? | 0:07:51 | 0:07:52 | |
Werewolves. | 0:07:52 | 0:07:54 | |
We had a bit of an infestation. | 0:07:54 | 0:07:56 | |
Do you hear that, Milo? | 0:07:56 | 0:07:58 | |
Your brothers have been causing a rumpus. | 0:07:58 | 0:08:01 | |
So... | 0:08:01 | 0:08:03 | |
You're the last man standing? | 0:08:03 | 0:08:06 | |
A tribute must be paid, nonetheless. | 0:08:08 | 0:08:10 | |
I last came to Britain | 0:08:12 | 0:08:15 | |
in 1779. | 0:08:15 | 0:08:18 | |
My people took me to a village. | 0:08:19 | 0:08:22 | |
They'd killed all the adults | 0:08:22 | 0:08:24 | |
and used the bodies to create a tableau of scenes from our history. | 0:08:24 | 0:08:28 | |
The children sang to me. | 0:08:28 | 0:08:30 | |
And then we made wine from their blood. | 0:08:30 | 0:08:33 | |
I was so touched. | 0:08:33 | 0:08:35 | |
What do you have for me, Cutler, Nick Cutler? | 0:08:36 | 0:08:39 | |
Ooh. | 0:08:40 | 0:08:42 | |
Only the world. | 0:08:43 | 0:08:45 | |
I was planning just to take the world. | 0:08:50 | 0:08:53 | |
I didn't realise I needed you to give it to me. | 0:08:53 | 0:08:56 | |
Oh. Something to ease the transition then. | 0:08:57 | 0:09:00 | |
OK. Advances in technology have given humanity | 0:09:03 | 0:09:08 | |
the means to coordinate and marshal their forces in a way they never could before. | 0:09:08 | 0:09:13 | |
But, more than that, they're so used to having the run of the place, | 0:09:13 | 0:09:15 | |
-I don't think they'll capitulate... -What's the matter? | 0:09:15 | 0:09:18 | |
He's here. | 0:09:18 | 0:09:19 | |
And taking the world by force may entail decimating | 0:09:19 | 0:09:23 | |
a significant part of our future food stocks. | 0:09:23 | 0:09:26 | |
But what if we could make them welcome us? | 0:09:27 | 0:09:30 | |
-Is that even possible? -We have to get out of here! | 0:09:30 | 0:09:33 | |
CLANGING | 0:09:37 | 0:09:38 | |
Yes. | 0:09:40 | 0:09:41 | |
By presenting them with something worse. | 0:09:44 | 0:09:47 | |
Worse than me? | 0:09:48 | 0:09:50 | |
Well... | 0:09:50 | 0:09:51 | |
Not worse, of course, but something less elegant, perhaps. | 0:09:51 | 0:09:56 | |
-Werewolves. -What was that, you little fuck? | 0:09:56 | 0:09:59 | |
-TOM: What are we doing? -Please, just keep moving. | 0:10:00 | 0:10:02 | |
Who was that guy? Big cheese guy? | 0:10:02 | 0:10:04 | |
He's called Mr Snow. | 0:10:04 | 0:10:06 | |
And he's the very worst thing in the world. | 0:10:06 | 0:10:08 | |
Why are we running away? Did he see you? | 0:10:08 | 0:10:09 | |
I wouldn't be here if he had! | 0:10:09 | 0:10:11 | |
-Why, cos he'd have killed you? -No! | 0:10:11 | 0:10:13 | |
Because he'd have told me to join him and I would. | 0:10:13 | 0:10:15 | |
Nice to know. | 0:10:15 | 0:10:17 | |
You don't understand. | 0:10:17 | 0:10:19 | |
Snow was one of the first. | 0:10:19 | 0:10:21 | |
The blood that's passed from vampire to recruit, generation after generation, | 0:10:21 | 0:10:25 | |
you can trace it back to him. He's in our DNA. | 0:10:25 | 0:10:28 | |
We have to get away from here. | 0:10:29 | 0:10:31 | |
But we were gonna get Cutler? | 0:10:32 | 0:10:33 | |
-Cutler doesn't matter any more. -Well, maybe not to you. | 0:10:33 | 0:10:36 | |
God's sake! | 0:10:36 | 0:10:39 | |
Mr Snow is here. | 0:10:39 | 0:10:41 | |
That changes everything. | 0:10:41 | 0:10:43 | |
The longer I stay here, the more chance there is of me... | 0:10:43 | 0:10:46 | |
...of him finding me. | 0:10:48 | 0:10:49 | |
Last night, humanity saw the beginning of the end of its reign. | 0:10:56 | 0:11:00 | |
Welcome to Britain, Mr Snow. | 0:11:03 | 0:11:05 | |
The revolution is being televised. | 0:11:05 | 0:11:09 | |
CANNED LAUGHTER | 0:11:09 | 0:11:11 | |
Judging by this, we'd be doing them a favour. | 0:11:15 | 0:11:18 | |
In 2001, William chose to study geography... | 0:11:18 | 0:11:22 | |
Am I missing something? Is he giving me a television set? | 0:11:22 | 0:11:26 | |
I don't understand. Someone must have reported it. | 0:11:26 | 0:11:30 | |
Because I already have a television the size of a bed sheet. | 0:11:30 | 0:11:33 | |
They must be suppressing it somehow. There were witnesses! | 0:11:33 | 0:11:36 | |
-Witnesses to what? -I had a werewolf, | 0:11:36 | 0:11:39 | |
I let him loose in a nightclub, I saw them filming him. | 0:11:39 | 0:11:43 | |
The world would've found out about them, they would've been terrified, | 0:11:43 | 0:11:45 | |
they'd want us to save them. | 0:11:45 | 0:11:47 | |
Thanks to you, breweries the world over are safe from piss-ups. | 0:11:47 | 0:11:51 | |
But I've been working on this! | 0:11:51 | 0:11:53 | |
My own blood. | 0:11:57 | 0:11:59 | |
It'll sting. | 0:11:59 | 0:12:01 | |
A tribute must still be paid, Cutler, Nick Cutler. | 0:12:01 | 0:12:05 | |
It's a question of protocol. | 0:12:05 | 0:12:07 | |
Or there'll be consequences. | 0:12:07 | 0:12:10 | |
The War Child. The human saviour, the child from the myth - she's here. | 0:12:12 | 0:12:17 | |
I know where they're hiding her. I could go there now and I could kill her for you. | 0:12:18 | 0:12:22 | |
No-one touches that child. | 0:12:22 | 0:12:24 | |
But the skin parchments say she'll destroy vampires. | 0:12:29 | 0:12:33 | |
That's the final piece. | 0:12:35 | 0:12:38 | |
Death of the Godhead. | 0:12:38 | 0:12:39 | |
Humanity lives. | 0:12:39 | 0:12:42 | |
-What? -To save humanity, | 0:12:42 | 0:12:45 | |
she must be killed. | 0:12:45 | 0:12:47 | |
And, therefore, she must live. | 0:12:47 | 0:12:49 | |
But we didn't know. | 0:12:49 | 0:12:51 | |
These eyes have looked upon pharaohs | 0:12:56 | 0:12:59 | |
and the son of the carpenter. | 0:12:59 | 0:13:02 | |
And, now, they must look at you... | 0:13:04 | 0:13:07 | |
...proudly showing me your idea, | 0:13:09 | 0:13:11 | |
like a child with a handful of its own excrement. | 0:13:11 | 0:13:15 | |
I have never known humiliation, | 0:13:17 | 0:13:20 | |
failure or obscurity. | 0:13:20 | 0:13:23 | |
How does it make you feel? | 0:13:24 | 0:13:26 | |
Like coming home, I imagine. | 0:13:27 | 0:13:30 | |
I've already forgotten your name. | 0:13:36 | 0:13:39 | |
My name's Cutler. I'll make sure you remember that! | 0:13:42 | 0:13:45 | |
You're nothing but a relic. I'll make sure you remember my name! | 0:13:45 | 0:13:49 | |
CHILDREN CHANTING | 0:13:49 | 0:13:52 | |
Oh, yeah, meant to say. Annie's back. | 0:14:16 | 0:14:18 | |
Where have you been?! | 0:14:18 | 0:14:20 | |
To the future. | 0:14:21 | 0:14:23 | |
Annie, the Old Ones have arrived. | 0:14:23 | 0:14:24 | |
-We saw them at the warehouse. -Yeah, Eve said they'd be here soon. | 0:14:24 | 0:14:29 | |
Eve's been here the whole time. | 0:14:29 | 0:14:31 | |
Grown-up Eve. | 0:14:31 | 0:14:33 | |
She died an adult. | 0:14:33 | 0:14:35 | |
She travelled back through purgatory to find me, | 0:14:35 | 0:14:37 | |
because there was something I needed to know. | 0:14:37 | 0:14:40 | |
-She took me into her corridor... -SNIGGERING | 0:14:41 | 0:14:43 | |
"Took me into her corridor"! | 0:14:46 | 0:14:48 | |
Sorry, misjudged the mood. | 0:14:51 | 0:14:53 | |
Who is that? | 0:14:53 | 0:14:55 | |
Um, this is Alex. | 0:14:55 | 0:14:57 | |
THAT drank my blood. | 0:14:57 | 0:14:59 | |
It had to happen, I guess. | 0:15:01 | 0:15:03 | |
I saw it in the future, what happens to all of us. | 0:15:03 | 0:15:07 | |
Where I go. | 0:15:07 | 0:15:09 | |
How Tom dies. | 0:15:09 | 0:15:11 | |
And how you... | 0:15:11 | 0:15:14 | |
Revert... | 0:15:14 | 0:15:15 | |
-...to what I once was? -So much worse. | 0:15:16 | 0:15:20 | |
Each time it tends to amplify. | 0:15:21 | 0:15:23 | |
But this was a momentary blip, nothing more. | 0:15:25 | 0:15:28 | |
What a minute... | 0:15:28 | 0:15:30 | |
Baby Eve took you to the future? | 0:15:30 | 0:15:32 | |
That's crackers. | 0:15:33 | 0:15:34 | |
Before Mitchell could bring me back from purgatory, | 0:15:36 | 0:15:39 | |
he had to revisit moments from his past. | 0:15:39 | 0:15:42 | |
The places that Eve took me were moments from her past, | 0:15:42 | 0:15:47 | |
just moments that hadn't happened to us. | 0:15:47 | 0:15:50 | |
Yet. | 0:15:50 | 0:15:51 | |
I had to see...how terrible the future is... | 0:15:52 | 0:15:56 | |
...because what I have to do to stop it is really, really hard. | 0:15:59 | 0:16:04 | |
Eve must die. | 0:16:09 | 0:16:11 | |
It's the last part of the myth. | 0:16:14 | 0:16:16 | |
Eve saves humanity... | 0:16:16 | 0:16:18 | |
...by dying. | 0:16:20 | 0:16:21 | |
Does the Nemesis... | 0:16:21 | 0:16:23 | |
Whoever it is with the burn, is that who kills her? | 0:16:25 | 0:16:27 | |
She is the Nemesis. | 0:16:27 | 0:16:28 | |
She has the burn. | 0:16:29 | 0:16:31 | |
I'm just...the weapon. | 0:16:33 | 0:16:36 | |
Right, first off, we need to get her out of here. | 0:16:36 | 0:16:39 | |
This is not a group decision. | 0:16:39 | 0:16:41 | |
I saw the future. Me. And Eve made it very clear that if she lives, | 0:16:43 | 0:16:49 | |
then I'm responsible and nobody else. | 0:16:49 | 0:16:53 | |
You don't believe it, do you? | 0:16:53 | 0:16:54 | |
I don't know! Everything else on that bloody parchment's come true! | 0:16:54 | 0:16:58 | |
Annie. Are you saying you might hurt Eve? | 0:16:58 | 0:17:02 | |
How could you even say that to me? | 0:17:02 | 0:17:04 | |
I could never, ever hurt a child! | 0:17:04 | 0:17:07 | |
But if someone else tried to harm her... | 0:17:07 | 0:17:09 | |
...what would you do then? | 0:17:12 | 0:17:13 | |
Jesus. | 0:17:26 | 0:17:27 | |
OK, look. | 0:17:30 | 0:17:31 | |
If we can concentrate our energies on destroying the Old Ones, | 0:17:31 | 0:17:35 | |
perhaps we can remove Eve from the equation entirely. | 0:17:35 | 0:17:37 | |
We blow 'em up. | 0:17:37 | 0:17:39 | |
Of course, brilliant. | 0:17:39 | 0:17:41 | |
Do vampires die if you blow them up? | 0:17:41 | 0:17:43 | |
Most things die, if you blow them up. | 0:17:43 | 0:17:45 | |
Sadly we can't, what with us, ha, not living in a cartoon. | 0:17:45 | 0:17:48 | |
Well, actually, Mr bloody Radio 4, we can. | 0:17:48 | 0:17:51 | |
And I'll show you how. My team, with me. | 0:17:51 | 0:17:55 | |
Look, I'm still not comfortable leaving them alone together. | 0:18:14 | 0:18:17 | |
-We could take Eve with us. -To your explosives workshop?! | 0:18:17 | 0:18:20 | |
No way. Uh-uh. | 0:18:27 | 0:18:29 | |
Eve needs protecting. | 0:18:29 | 0:18:30 | |
Yeah, but by me?! | 0:18:30 | 0:18:33 | |
I'm dead. | 0:18:33 | 0:18:34 | |
Yet I've never met anyone so unaffected by their own mortality. | 0:18:34 | 0:18:38 | |
-SIGHS -You've got one hour. | 0:18:40 | 0:18:43 | |
By which time, I'll have worked out whether that was a dig or not. | 0:18:43 | 0:18:46 | |
What do you think? I've been putting a bit aside every day. | 0:19:12 | 0:19:15 | |
It's the cooking oil? | 0:19:15 | 0:19:16 | |
You can make explosives out of cooking oil? | 0:19:16 | 0:19:19 | |
Well, there's a bit more to it than that. | 0:19:19 | 0:19:22 | |
What's all that junk you've been gathering? | 0:19:23 | 0:19:25 | |
You didn't really think I was building a swimming pool in the back garden, did you? | 0:19:25 | 0:19:28 | |
How long have you been planning this?! | 0:19:28 | 0:19:30 | |
Not really been planning anything. Just picked it up off McNair. | 0:19:30 | 0:19:33 | |
Always be kind and polite and have the materials to build a bomb. | 0:19:33 | 0:19:37 | |
-So, what do we do? -We make 'em. | 0:19:39 | 0:19:41 | |
Then I strap 'em to myself, walk into the vampires' nest and set 'em off. | 0:19:41 | 0:19:45 | |
Need to get some more bits. Pass us the order pad, I'll write 'em down for you. | 0:19:45 | 0:19:48 | |
Wait a minute. Tom...then you'll get blown up too. | 0:19:48 | 0:19:51 | |
Well, I don't know how to build a remote detonator. McNair always did 'em. | 0:19:51 | 0:19:54 | |
-I just knocked out the explosives. -Tom! | 0:19:54 | 0:19:56 | |
Well, what else do we do?! | 0:19:56 | 0:19:58 | |
Even you said, if we target the Old Ones, we take Eve out of the abrasion. | 0:19:58 | 0:20:01 | |
You really are one of the most remarkable people I've ever met. | 0:20:05 | 0:20:08 | |
All right, calm down! | 0:20:08 | 0:20:10 | |
-Let me come too. -Well, then, you'll cop it and all. | 0:20:13 | 0:20:16 | |
-I've had a good innings. -What if Mr Snow tells you not to? | 0:20:16 | 0:20:19 | |
Then...you must bring matters to a swift conclusion. | 0:20:19 | 0:20:23 | |
I didn't think you liked shaking hands? | 0:20:26 | 0:20:28 | |
Well, today is a day of firsts. | 0:20:28 | 0:20:30 | |
And lasts. | 0:20:33 | 0:20:35 | |
So... | 0:20:43 | 0:20:45 | |
Make-up! | 0:20:45 | 0:20:47 | |
What do you use? | 0:20:47 | 0:20:49 | |
Avon? | 0:20:49 | 0:20:50 | |
Do they still make Avon? And shoes! | 0:20:50 | 0:20:54 | |
Ha! Got to love shoes! | 0:20:54 | 0:20:56 | |
What's your favourite...shoe? | 0:20:58 | 0:21:01 | |
God, I love your... | 0:21:01 | 0:21:03 | |
woolly... | 0:21:03 | 0:21:05 | |
welly...th... | 0:21:05 | 0:21:07 | |
Oh, I have no idea what I am talking about. | 0:21:09 | 0:21:13 | |
I've spent the last seven years with four smelly men. | 0:21:13 | 0:21:15 | |
I've completely forgotten how to talk to other women. | 0:21:15 | 0:21:18 | |
-Don't worry. -Look, | 0:21:18 | 0:21:20 | |
I'll be out of your hair soon enough. | 0:21:20 | 0:21:22 | |
When Hal gets back, we're gonna go and do my... | 0:21:22 | 0:21:24 | |
unfinished business thing and then I... | 0:21:24 | 0:21:28 | |
climb through a magic window, or something. | 0:21:28 | 0:21:32 | |
Do you have any idea what it might be? | 0:21:33 | 0:21:36 | |
He thinks it's about someone finding my body, | 0:21:36 | 0:21:39 | |
giving my family closure. | 0:21:39 | 0:21:41 | |
What about you? You're still here. | 0:21:42 | 0:21:44 | |
What's your unfinished business? | 0:21:44 | 0:21:46 | |
I think my unfinished business ship has sailed. | 0:21:48 | 0:21:50 | |
I think I'm here to stay. I think... | 0:21:50 | 0:21:54 | |
I think that they're scared of me. | 0:21:54 | 0:21:56 | |
"They"? | 0:21:56 | 0:21:58 | |
They're the men with sticks and ropes. I saw them when I died. | 0:21:58 | 0:22:02 | |
Thought they were evil morris dancers. | 0:22:02 | 0:22:05 | |
What are they? | 0:22:06 | 0:22:08 | |
Your basic agents for the afterlife, but... | 0:22:08 | 0:22:10 | |
...they're all bluff. | 0:22:12 | 0:22:14 | |
I mean, just stay...stay frosty, and you'll be fine. | 0:22:14 | 0:22:19 | |
How'm I doing? You know, girl talk? | 0:22:19 | 0:22:22 | |
Yeah. You're doing fine. | 0:22:24 | 0:22:26 | |
Well, you're just like a bloke, really. | 0:22:26 | 0:22:28 | |
Well, a bloke with tits. | 0:22:28 | 0:22:30 | |
Or, to put it another way, my dad! | 0:22:30 | 0:22:32 | |
Great(!) | 0:22:34 | 0:22:35 | |
Well, hopefully, Hal and you will get your body back to your family | 0:22:37 | 0:22:42 | |
and that'll be that. But, um... | 0:22:42 | 0:22:44 | |
...just in case you're here for a while, | 0:22:46 | 0:22:48 | |
why don't I teach you some of the tricks of the ghost trade, hmm? | 0:22:48 | 0:22:52 | |
Come on. I think we could both do with the distraction. | 0:22:53 | 0:22:56 | |
JANGLING Right, nearly done! | 0:23:03 | 0:23:06 | |
All we need are those two rucksacks... | 0:23:06 | 0:23:09 | |
It's Tom, isn't it? | 0:23:09 | 0:23:10 | |
What do you want? | 0:23:11 | 0:23:13 | |
Well, I suppose a bacon sandwich is out of the question? | 0:23:13 | 0:23:14 | |
-Kitchen's closed, mate. -Really? | 0:23:14 | 0:23:17 | |
Cos you're cooking something back there. | 0:23:17 | 0:23:20 | |
Is that... | 0:23:20 | 0:23:22 | |
muriatic acid? | 0:23:22 | 0:23:24 | |
And peroxide? Tom... | 0:23:25 | 0:23:29 | |
What are you up to? | 0:23:29 | 0:23:30 | |
Let's start again. I'm Milo. | 0:23:32 | 0:23:34 | |
I think you saw me at the warehouse. | 0:23:34 | 0:23:37 | |
And I think I saw you. | 0:23:37 | 0:23:39 | |
We need to talk about Eve. | 0:23:40 | 0:23:43 | |
Now, Tom, it's very important that you answer this question. | 0:23:43 | 0:23:45 | |
Is she safe? | 0:23:45 | 0:23:47 | |
I'm not telling you where she is. | 0:23:47 | 0:23:48 | |
I didn't ask you that. I asked if she was safe. | 0:23:48 | 0:23:51 | |
She's with her mum. | 0:23:51 | 0:23:52 | |
But is it secure there? | 0:23:52 | 0:23:54 | |
Do you really think she's the humans' saviour? | 0:23:54 | 0:23:56 | |
Are you being sponsored to avoid answering my question? | 0:23:56 | 0:23:59 | |
Whether she is or not is immaterial. | 0:24:00 | 0:24:02 | |
The vampires believe it. | 0:24:02 | 0:24:03 | |
Now, Tom, can Eve's mum protect her? | 0:24:03 | 0:24:06 | |
You need to give her to us. To me and the vampires. | 0:24:08 | 0:24:11 | |
Why would I do that? | 0:24:11 | 0:24:13 | |
Cos once the other werewolves, the ghosts, any vampires with human sympathies, | 0:24:13 | 0:24:17 | |
once they find out Eve's death is the key to humanity's survival, | 0:24:17 | 0:24:22 | |
they'll fall on that house like a plague. | 0:24:22 | 0:24:25 | |
And even you won't be able to fight them all off. | 0:24:25 | 0:24:29 | |
-Well, maybe I've already got a plan. -Oh, yeah. | 0:24:29 | 0:24:33 | |
-Your home economics bomb. -Or I'll run away. Look after her myself. | 0:24:33 | 0:24:37 | |
They'll find you and they'll kill you both. | 0:24:37 | 0:24:39 | |
What are you doing, hanging around with a load of vampires? | 0:24:39 | 0:24:41 | |
Because there's nothing noble about being on the side that loses. | 0:24:41 | 0:24:44 | |
I bet you support Manchester United as well, don't you? | 0:24:44 | 0:24:46 | |
You know, they're an incredibly skilful team... | 0:24:46 | 0:24:49 | |
-Do you know what vampires do to us? -They don't do it to me. | 0:24:49 | 0:24:52 | |
-They will. -Then I'll review the situation. | 0:24:52 | 0:24:55 | |
How can you look at yourself in the mirror?! | 0:24:55 | 0:24:56 | |
There's not much call for mirrors in our bit of Bolivia. | 0:24:56 | 0:24:59 | |
There's one in the back. Go and have a look, I dare you. | 0:24:59 | 0:25:02 | |
It's simple survival, Tom. | 0:25:02 | 0:25:04 | |
You find the biggest kid in the playground... | 0:25:05 | 0:25:07 | |
and you stand next to him. | 0:25:07 | 0:25:09 | |
I didn't know cowards had their own school. | 0:25:09 | 0:25:12 | |
You have no idea what I had to do to be accepted by them. | 0:25:15 | 0:25:18 | |
So you can call me an opportunist, | 0:25:18 | 0:25:21 | |
you can even call me a traitor... | 0:25:21 | 0:25:23 | |
but never, EVER call me a coward. | 0:25:23 | 0:25:28 | |
Kill her, keep her, hand her over. | 0:25:35 | 0:25:39 | |
I'll survive whatever you do. | 0:25:39 | 0:25:41 | |
I'm telling you this as a... | 0:25:41 | 0:25:43 | |
favour, from one werewolf to another. | 0:25:43 | 0:25:48 | |
Everyone in the world wants that baby dead. | 0:25:48 | 0:25:51 | |
Except the vampires. | 0:25:51 | 0:25:54 | |
JANGLING | 0:25:59 | 0:26:01 | |
DOOR CLOSING | 0:26:01 | 0:26:03 | |
Yes! | 0:26:13 | 0:26:15 | |
Ah, you learn quickly, Skywalker. | 0:26:15 | 0:26:18 | |
I thank you. | 0:26:18 | 0:26:19 | |
Rentaghosting's still my favourite though. | 0:26:19 | 0:26:22 | |
Oh... What's the biggest thing you've ever Rentaghosted with? | 0:26:22 | 0:26:25 | |
Er, hey, listen. | 0:26:25 | 0:26:27 | |
This is not a party trick. This is an invaluable defensive weapon. | 0:26:27 | 0:26:32 | |
-An armchair. -LAUGHS | 0:26:32 | 0:26:34 | |
OK, I know. | 0:26:34 | 0:26:36 | |
But, listen, you cannot Rentaghost with a living thing. | 0:26:36 | 0:26:38 | |
That's the only rule. | 0:26:38 | 0:26:40 | |
KNOCKING AT DOOR | 0:26:40 | 0:26:42 | |
DOORBELL RINGING | 0:26:42 | 0:26:44 | |
POUNDING ON DOOR | 0:26:44 | 0:26:45 | |
POUNDING ON DOOR | 0:26:48 | 0:26:49 | |
DOORBELL RINGING | 0:26:49 | 0:26:51 | |
Shit! That's him! That's the vampire that killed me. | 0:26:53 | 0:26:56 | |
-POUNDING ON DOOR -Oh, OK. Um... | 0:26:56 | 0:26:58 | |
I want you to go upstairs and wait in one of the rooms until... | 0:26:58 | 0:27:02 | |
-POUNDING ON DOOR -Well, until it's all over. | 0:27:02 | 0:27:05 | |
-And what are you going to do? -I, um... | 0:27:05 | 0:27:07 | |
POUNDING ON DOOR | 0:27:07 | 0:27:10 | |
I don't know. | 0:27:10 | 0:27:11 | |
That looks a lot easier in films. | 0:27:13 | 0:27:16 | |
Hey. | 0:27:17 | 0:27:18 | |
Didn't I kill you? | 0:27:20 | 0:27:21 | |
Believe me, I'm as surprised that we're having this conversation as you are. | 0:27:21 | 0:27:25 | |
Ask me in. | 0:27:25 | 0:27:26 | |
No, I can't. | 0:27:27 | 0:27:29 | |
I can't. | 0:27:29 | 0:27:31 | |
EVE GURGLING | 0:27:31 | 0:27:33 | |
Ask me in! | 0:27:33 | 0:27:34 | |
Argh! | 0:27:40 | 0:27:41 | |
CUTLER SCREAMING | 0:27:42 | 0:27:46 | |
Argh! | 0:27:49 | 0:27:52 | |
Annie! Please, Annie, do something! | 0:28:00 | 0:28:03 | |
Argh! | 0:28:03 | 0:28:04 | |
PANTING AND SCREAMING | 0:28:09 | 0:28:11 | |
Annie, let him. | 0:28:16 | 0:28:17 | |
Please, let him do this. | 0:28:18 | 0:28:20 | |
Who's that? | 0:28:22 | 0:28:23 | |
Argh! | 0:28:24 | 0:28:26 | |
Oh, my God. | 0:28:29 | 0:28:31 | |
EVE WHIMPERING | 0:28:41 | 0:28:42 | |
OK, I don't really know what I am talking about here, | 0:28:46 | 0:28:49 | |
but apparently the baby needs to stay alive for the vampires to do their thing, | 0:28:49 | 0:28:54 | |
so, you hurt her and you will get struck by lightning or fall down a well. | 0:28:54 | 0:29:01 | |
-Something. -I know. | 0:29:01 | 0:29:03 | |
Right, good. | 0:29:03 | 0:29:04 | |
What? | 0:29:05 | 0:29:07 | |
The baby dies, the vampires die. That's why I'm here. | 0:29:07 | 0:29:12 | |
I tried to help, but you wouldn't even let me explain. | 0:29:12 | 0:29:16 | |
-Annie, let him do it, please! -No! | 0:29:16 | 0:29:19 | |
Please, this has to happen. | 0:29:19 | 0:29:20 | |
I always knew I'd make history. | 0:29:22 | 0:29:25 | |
Least no-one will forget me now. | 0:29:25 | 0:29:28 | |
You know, I... | 0:29:29 | 0:29:30 | |
I should say something. | 0:29:30 | 0:29:33 | |
I am signing the death warrant for my entire species. | 0:29:33 | 0:29:37 | |
I should mark the occasion somehow. | 0:29:37 | 0:29:41 | |
So... | 0:29:44 | 0:29:45 | |
This is how it ends... | 0:29:45 | 0:29:48 | |
This is what it was all for. | 0:29:49 | 0:29:51 | |
-EVE CRYING -No! | 0:29:51 | 0:29:53 | |
Annie, no! | 0:29:56 | 0:29:59 | |
Annie, what have you done? | 0:29:59 | 0:30:00 | |
EVE CRYING | 0:30:00 | 0:30:03 | |
-Oh, God, Eve! I'm so sorry! -EVE CRYING LUSTILY | 0:30:08 | 0:30:11 | |
I'm so sorry! | 0:30:11 | 0:30:13 | |
Shh, shh! | 0:30:13 | 0:30:15 | |
I'm so sorry. | 0:30:15 | 0:30:17 | |
Shh, shh! Shh. | 0:30:17 | 0:30:20 | |
I'm sorry. | 0:30:22 | 0:30:24 | |
Sorry? Annie, you saved her! | 0:30:24 | 0:30:28 | |
No. No, you don't understand. | 0:30:28 | 0:30:31 | |
I've betrayed you all. | 0:30:31 | 0:30:34 | |
I'd rather let the world burn than hurt her. | 0:30:34 | 0:30:37 | |
I let the vampires win and I'm always gonna let them win. | 0:30:37 | 0:30:41 | |
PANTING | 0:30:41 | 0:30:43 | |
You, er... | 0:30:43 | 0:30:45 | |
You need to get Hal. | 0:30:46 | 0:30:48 | |
And find your body. | 0:30:48 | 0:30:50 | |
And pass on, because things are going to get very bad, very, very quickly. | 0:30:50 | 0:30:54 | |
Trust me. | 0:30:54 | 0:30:56 | |
Trust me, you don't want to be here for what happens next. | 0:30:56 | 0:30:59 | |
ALEX: Tell me something. Am I totally invisible? | 0:31:07 | 0:31:11 | |
What are you doing?! You're supposed to be looking after Eve. | 0:31:11 | 0:31:13 | |
Fine. Annie had a change of heart. | 0:31:13 | 0:31:15 | |
Cutler came back to kill Eve and Annie kebab-ed him. | 0:31:15 | 0:31:18 | |
What, Cutler's dead? | 0:31:21 | 0:31:22 | |
If we nipped back to my caravan now, where my family are, would they see me? | 0:31:22 | 0:31:25 | |
Cos I would really like to get a change of clothes. | 0:31:25 | 0:31:28 | |
I mean, I wore them for our date, which, frankly, | 0:31:30 | 0:31:33 | |
was a mixed success. | 0:31:33 | 0:31:35 | |
Are you OK? | 0:31:37 | 0:31:38 | |
Yes, sorry. | 0:31:38 | 0:31:40 | |
It's just there was a time when Cutler and I were friends. | 0:31:41 | 0:31:43 | |
Thin ice, Hal. Hm? | 0:31:44 | 0:31:46 | |
Thin...ice. | 0:31:46 | 0:31:48 | |
You can't change clothes. | 0:31:48 | 0:31:50 | |
Ghosts are stuck in whatever they died in. | 0:31:50 | 0:31:52 | |
I'm stuck like this? | 0:31:54 | 0:31:55 | |
For ever?! | 0:31:57 | 0:31:58 | |
But I look like a girl! | 0:32:01 | 0:32:03 | |
OK, OK. | 0:32:05 | 0:32:06 | |
That's it. We are finding my body and I am totally passing over. | 0:32:06 | 0:32:12 | |
The policeman said there was a bomb scare. | 0:32:14 | 0:32:17 | |
No mention of werewolves, no panic. All very routine and unexciting. | 0:32:17 | 0:32:20 | |
Have they found my body? | 0:32:20 | 0:32:21 | |
I don't understand. Cutler wouldn't have prepared a cover story. | 0:32:21 | 0:32:25 | |
He was too sure his plan would work. | 0:32:25 | 0:32:26 | |
-It's like somebody's tidying this up. -Hal. | 0:32:26 | 0:32:28 | |
Did you ask about my body? | 0:32:30 | 0:32:31 | |
No. I thought that might have looked a little suspicious. | 0:32:31 | 0:32:34 | |
They can't arrest you for asking a question. | 0:32:34 | 0:32:36 | |
No, but it would imply I was involved. | 0:32:36 | 0:32:39 | |
You were involved. | 0:32:39 | 0:32:41 | |
Tangentially. I was involved tangentially. | 0:32:41 | 0:32:43 | |
You weren't drinking my blood "tangentially"! | 0:32:43 | 0:32:45 | |
How many times are you going to bring that up?! | 0:32:45 | 0:32:46 | |
I don't know, I mean, you're the expert. What's the usual amount, hm? | 0:32:46 | 0:32:49 | |
Anyway... | 0:32:49 | 0:32:51 | |
There was no mention of a body. | 0:32:51 | 0:32:53 | |
Well, we should go and have a look. | 0:32:53 | 0:32:55 | |
You can Rentaghost in. What about me? | 0:32:56 | 0:32:58 | |
I can't just walk past the policemen. | 0:32:58 | 0:33:00 | |
Cutler took me in through a different door. | 0:33:00 | 0:33:02 | |
Come on. | 0:33:03 | 0:33:05 | |
DOOR CREAKING | 0:33:05 | 0:33:06 | |
FLIES BUZZING | 0:33:15 | 0:33:17 | |
Before anyone finds me, can you do something with my body, please? | 0:33:17 | 0:33:22 | |
Um...like... | 0:33:22 | 0:33:24 | |
take away all those tubes and stuff? | 0:33:24 | 0:33:27 | |
I don't want my family to think that it was any more brutal and weird as it was. | 0:33:28 | 0:33:34 | |
FLIES BUZZING | 0:33:34 | 0:33:36 | |
So, um...what do we do next? | 0:34:12 | 0:34:16 | |
Alert the police. That will begin the process | 0:34:16 | 0:34:19 | |
and, if that completes your business, your door will appear. | 0:34:19 | 0:34:22 | |
FOOTSTEPS | 0:34:22 | 0:34:23 | |
Shit. | 0:34:23 | 0:34:25 | |
They must have heard us. Turn off the lights. | 0:34:25 | 0:34:28 | |
Certainly a little neater than we're used to. | 0:34:43 | 0:34:45 | |
Shall we say 45 seconds, gentlemen? | 0:34:47 | 0:34:51 | |
Sir? | 0:35:23 | 0:35:24 | |
37 seconds. | 0:35:27 | 0:35:30 | |
Very deft, gentlemen, very deft. | 0:35:31 | 0:35:34 | |
But let's not dally. | 0:35:35 | 0:35:37 | |
I think we've got company. | 0:35:38 | 0:35:40 | |
-Who the hell were they?! -I've no idea. | 0:36:00 | 0:36:03 | |
But they weren't vampires, or they'd have seen you. | 0:36:03 | 0:36:05 | |
You should follow them. | 0:36:08 | 0:36:10 | |
-What if my door comes? -I'll stall it. | 0:36:10 | 0:36:13 | |
HEARTBEAT POUNDING | 0:36:22 | 0:36:24 | |
I thought it was a momentary blip. | 0:36:38 | 0:36:42 | |
Your cafe is cleaner than most operating theatres | 0:36:43 | 0:36:46 | |
and yet, here you are, licking congealed blood off a floor. | 0:36:46 | 0:36:50 | |
Is that the hold it has over you? | 0:36:50 | 0:36:52 | |
That must suck spectacularly. | 0:36:55 | 0:36:57 | |
It's been a very long... | 0:37:03 | 0:37:05 | |
500 years. | 0:37:05 | 0:37:07 | |
Who are those men? Did you see where they went? | 0:37:07 | 0:37:10 | |
They took me and put me in a van they had parked round the back. | 0:37:10 | 0:37:15 | |
What, an ambulance, a police van? | 0:37:15 | 0:37:16 | |
Just a van van. And then they drove off. | 0:37:16 | 0:37:19 | |
Great! No fucking door then? | 0:37:22 | 0:37:25 | |
MR SNOW: By the pricking of my thumbs... | 0:37:35 | 0:37:37 | |
something wicked this way comes. | 0:37:37 | 0:37:41 | |
I want you to run Britain for me. | 0:37:45 | 0:37:48 | |
When the hurly-burly's done. | 0:37:49 | 0:37:51 | |
The devil showed him all the kingdoms of the world and said, | 0:37:51 | 0:37:54 | |
"All this I will give you if you will bow down and worship me." | 0:37:54 | 0:37:57 | |
You think I'm tempting you? | 0:37:57 | 0:37:59 | |
Surely the point of temptation | 0:38:01 | 0:38:03 | |
is to prompt a decision that's not yet been made? | 0:38:03 | 0:38:05 | |
What do you mean? | 0:38:07 | 0:38:09 | |
What do you stay alive for? | 0:38:10 | 0:38:12 | |
That endless scurrying from bad to good to bad again? | 0:38:13 | 0:38:17 | |
Must've been exhausting. | 0:38:17 | 0:38:19 | |
And each return to bad brought with it a little flurry of deaths. | 0:38:21 | 0:38:25 | |
Tell me... | 0:38:25 | 0:38:27 | |
if you admired humans so much... | 0:38:27 | 0:38:31 | |
...why did you keep inflicting your failures upon them? | 0:38:32 | 0:38:35 | |
Because I think...one day, I'll win. | 0:38:35 | 0:38:39 | |
And if the lion wishes hard enough... | 0:38:39 | 0:38:41 | |
...perhaps one day, he'll become a lamb. | 0:38:42 | 0:38:44 | |
You have a whole army. | 0:38:44 | 0:38:46 | |
Why this interest in me? | 0:38:46 | 0:38:48 | |
For time spent. Services rendered. | 0:38:48 | 0:38:51 | |
Blood shed. | 0:38:53 | 0:38:54 | |
But it's not just that. | 0:38:56 | 0:38:58 | |
Having one of the Old Ones on the outside, | 0:38:58 | 0:39:02 | |
I don't like the aesthetic. | 0:39:02 | 0:39:04 | |
Then I could flee. | 0:39:04 | 0:39:06 | |
I've hid from you for 55 years. I could do it again. | 0:39:07 | 0:39:09 | |
Back to Southend? | 0:39:11 | 0:39:14 | |
With a new werewolf and ghost, like Leo and Pearl and Tom and Annie? | 0:39:15 | 0:39:21 | |
Something about that format clearly appeals to you. | 0:39:21 | 0:39:25 | |
How did you know? | 0:39:25 | 0:39:27 | |
Oh, Hal... | 0:39:28 | 0:39:29 | |
You weren't hiding. | 0:39:31 | 0:39:33 | |
I was just giving you the afternoon off. | 0:39:34 | 0:39:38 | |
What are you waiting for? Just tell me to join you. | 0:39:38 | 0:39:41 | |
Why did you move to this city? | 0:39:42 | 0:39:44 | |
-My friend came here to die. -And you stayed? | 0:39:47 | 0:39:50 | |
There was stability. | 0:39:51 | 0:39:52 | |
Of sorts. | 0:39:54 | 0:39:56 | |
And us, in time. | 0:39:57 | 0:39:59 | |
I don't want any part of this! | 0:40:00 | 0:40:03 | |
A man who wants to stop gambling doesn't move to Las Vegas. | 0:40:05 | 0:40:09 | |
Never was someone so tortured for so long, | 0:40:12 | 0:40:15 | |
so needlessly. | 0:40:15 | 0:40:18 | |
But it's over now. | 0:40:19 | 0:40:21 | |
We've come to rescue you. | 0:40:23 | 0:40:25 | |
As you knew we would. | 0:40:25 | 0:40:27 | |
Why haven't I told you to join me? | 0:40:36 | 0:40:38 | |
Because I have you already. | 0:40:39 | 0:40:41 | |
Heart and mind. | 0:40:43 | 0:40:45 | |
EVE FUSSING | 0:41:08 | 0:41:11 | |
Shh, shh, shh. | 0:41:11 | 0:41:12 | |
I have a condition. | 0:42:05 | 0:42:07 | |
I stay with her. | 0:42:07 | 0:42:08 | |
With you. To make sure nothing happens to her. | 0:42:08 | 0:42:11 | |
You'll be given chores. | 0:42:13 | 0:42:15 | |
You won't like them. | 0:42:16 | 0:42:17 | |
You don't have to take her. I'm not going anywhere. | 0:42:23 | 0:42:26 | |
A quick cuddle. | 0:42:27 | 0:42:28 | |
It's fine. | 0:42:28 | 0:42:30 | |
You're all right. | 0:42:36 | 0:42:38 | |
Look at her. | 0:42:47 | 0:42:50 | |
So soft. | 0:42:51 | 0:42:52 | |
So cruel. | 0:42:54 | 0:42:55 | |
Hail! Hail! | 0:43:00 | 0:43:04 | |
Hail! | 0:43:04 | 0:43:07 | |
Hail! Hail! | 0:43:07 | 0:43:10 | |
Hail! | 0:43:10 | 0:43:12 | |
HAL: You were right. | 0:43:18 | 0:43:20 | |
I stayed here because I knew you were coming. | 0:43:22 | 0:43:24 | |
TOM: No, Hal, don't do this. | 0:43:24 | 0:43:26 | |
But not to join you. There was something else I had to do. | 0:43:26 | 0:43:30 | |
Tom, get the baby and get out. | 0:43:33 | 0:43:34 | |
It'll never end. | 0:43:36 | 0:43:38 | |
I'll never be free until I do this. | 0:43:38 | 0:43:41 | |
There's no shame in this. | 0:43:45 | 0:43:47 | |
I want you to know that. | 0:43:47 | 0:43:49 | |
Get back! | 0:43:49 | 0:43:51 | |
It's just the death rattle of your humanity. | 0:43:51 | 0:43:54 | |
Mercy's last hurrah. | 0:43:56 | 0:43:58 | |
Let it fade and decay, Hal. | 0:44:00 | 0:44:03 | |
WHISPERING: Fade and decay. | 0:44:03 | 0:44:06 | |
Untangle yourself... | 0:44:08 | 0:44:09 | |
...from its grip. | 0:44:13 | 0:44:15 | |
Celebrate and be glad. | 0:44:41 | 0:44:43 | |
For this, your brother, was dead and is alive again. | 0:44:44 | 0:44:49 | |
He was lost... | 0:44:49 | 0:44:51 | |
...and is found. | 0:44:52 | 0:44:54 | |
Give me back my fucking baby. | 0:44:55 | 0:44:59 | |
-Get out of my way! -You need to stay out here. | 0:45:18 | 0:45:20 | |
I'm so pleased to finally meet you, Annie. | 0:45:42 | 0:45:44 | |
Can I just say... | 0:45:45 | 0:45:47 | |
it was an honour watching you in action. | 0:45:47 | 0:45:50 | |
EVE WHIMPERING | 0:45:50 | 0:45:52 | |
I think you'll be a worthy guardian for this precious cargo. | 0:46:01 | 0:46:06 | |
-What? -Surely you must know by now | 0:46:06 | 0:46:09 | |
that we want her kept alive? | 0:46:09 | 0:46:11 | |
And who better to safeguard our future than you. | 0:46:11 | 0:46:15 | |
-Is this a joke? -Change of plan, that's all. | 0:46:16 | 0:46:19 | |
I had considered...raising her myself. | 0:46:20 | 0:46:23 | |
She's have been fed, worshipped, | 0:46:25 | 0:46:27 | |
kept safe in a tower of bone. | 0:46:27 | 0:46:30 | |
Oh, I think we'd have got a good 80 years out of her, | 0:46:30 | 0:46:34 | |
before she passed of her own accord. | 0:46:34 | 0:46:37 | |
By which time, any remaining humans would have been docile or... | 0:46:38 | 0:46:41 | |
...utterly demented. | 0:46:42 | 0:46:45 | |
But now I'm not so sure. | 0:46:46 | 0:46:48 | |
Of course, you'll have to keep the truth about her | 0:46:48 | 0:46:52 | |
secret from any remnants of resistance. | 0:46:52 | 0:46:55 | |
Become furtive, lie to your friends. | 0:46:56 | 0:46:58 | |
Let them die to keep her alive. | 0:47:00 | 0:47:01 | |
But at least she'll live. | 0:47:02 | 0:47:04 | |
So... | 0:47:05 | 0:47:07 | |
can we get you a taxi? | 0:47:07 | 0:47:10 | |
I don't understand. | 0:47:14 | 0:47:15 | |
-How does keeping her alive save you? -I've often wondered that myself. | 0:47:16 | 0:47:20 | |
Perhaps the remaining humans wait so long for her to save them | 0:47:21 | 0:47:25 | |
that they never build a cohesive defence. | 0:47:25 | 0:47:28 | |
That's the funny thing about saviours. | 0:47:29 | 0:47:31 | |
It can make one a little... | 0:47:33 | 0:47:35 | |
...dependent. | 0:47:36 | 0:47:37 | |
And what will you do...to the world? | 0:47:37 | 0:47:40 | |
Pluck it apart. | 0:47:40 | 0:47:43 | |
Like a child with a spider. | 0:47:43 | 0:47:46 | |
Hal isn't a living thing. | 0:47:58 | 0:48:00 | |
-What? -Hal isn't a living thing. | 0:48:02 | 0:48:04 | |
I love you. | 0:48:12 | 0:48:14 | |
Where's Annie? Where's Eve? | 0:48:14 | 0:48:15 | |
No! | 0:48:18 | 0:48:20 | |
Eve? Eve! | 0:48:25 | 0:48:29 | |
Oh! | 0:48:35 | 0:48:37 | |
EVE GURGLING | 0:48:55 | 0:48:56 | |
-Oh! -SIGHS | 0:49:01 | 0:49:05 | |
GROWN-UP EVE: You did it, Annie! | 0:49:06 | 0:49:08 | |
So, am I really here? | 0:49:14 | 0:49:16 | |
That was your unfinished business. | 0:49:16 | 0:49:19 | |
All you had to do was save the world. | 0:49:19 | 0:49:22 | |
-And I can't go back? -No. | 0:49:26 | 0:49:29 | |
But, then, you never were one for following rules. | 0:49:30 | 0:49:34 | |
Go on. | 0:49:48 | 0:49:49 | |
They're expecting you. | 0:49:51 | 0:49:52 | |
Who? | 0:49:54 | 0:49:56 | |
Who do you think? | 0:49:57 | 0:49:59 | |
Oh, come with me! I want them to meet you. | 0:50:00 | 0:50:03 | |
I can't. | 0:50:03 | 0:50:05 | |
There isn't time. | 0:50:06 | 0:50:07 | |
Eve, you're... you're fading. | 0:50:12 | 0:50:16 | |
I never happen now. | 0:50:16 | 0:50:17 | |
I never grew up. | 0:50:19 | 0:50:20 | |
I never saw the things I saw. | 0:50:22 | 0:50:24 | |
That's the only me now. | 0:50:27 | 0:50:29 | |
-I'm sorry. -Don't be! | 0:50:35 | 0:50:37 | |
You saved us all. | 0:50:40 | 0:50:43 | |
There are things that should be seen. | 0:51:18 | 0:51:20 | |
And things that should remain hidden. | 0:51:21 | 0:51:24 | |
Last night, in that nightclub, | 0:51:26 | 0:51:29 | |
you caught a glimpse of something you shouldn't have. | 0:51:29 | 0:51:32 | |
Like when Dorothy sees the wizard behind the curtain. | 0:51:32 | 0:51:36 | |
That wasn't your fault. You weren't to know. | 0:51:37 | 0:51:41 | |
But see those things you did. | 0:51:42 | 0:51:45 | |
And that means you have been noticed. | 0:51:45 | 0:51:48 | |
By me. | 0:51:48 | 0:51:49 | |
And you don't want to be noticed by me. | 0:51:49 | 0:51:53 | |
They're not new things. | 0:51:56 | 0:51:58 | |
They're very, very old. | 0:51:58 | 0:52:01 | |
And you're not the first to see them. | 0:52:02 | 0:52:04 | |
So why were they a surprise? | 0:52:06 | 0:52:09 | |
Why didn't you know about them years ago? | 0:52:09 | 0:52:11 | |
Because, for as long as there have been creatures like that... | 0:52:13 | 0:52:17 | |
...there have been men like me. | 0:52:18 | 0:52:21 | |
Silent, modest men, whose job it is to keep the secret things | 0:52:21 | 0:52:28 | |
secret. | 0:52:28 | 0:52:30 | |
Think of us as the domestic staff of the world. | 0:52:31 | 0:52:36 | |
We appear in the dead of night and sweep up the mess and bury the bodies, | 0:52:36 | 0:52:40 | |
so the world is clean and smart for you the next day. | 0:52:40 | 0:52:44 | |
We don't work for these creatures. | 0:52:46 | 0:52:49 | |
Most of them don't know we even exist, now. | 0:52:50 | 0:52:53 | |
We work for you. | 0:52:53 | 0:52:55 | |
But men like me... | 0:52:56 | 0:52:58 | |
...are magicians too. | 0:52:59 | 0:53:02 | |
And, if we need to, | 0:53:03 | 0:53:04 | |
we can make people disappear in a puff of smoke. | 0:53:04 | 0:53:08 | |
Do you understand what I'm saying? | 0:53:09 | 0:53:13 | |
Now... | 0:53:16 | 0:53:17 | |
...I believe you captured the creature on your phone? | 0:53:19 | 0:53:23 | |
I would very much like to have that phone. | 0:53:25 | 0:53:27 | |
Mr Rook! | 0:54:06 | 0:54:08 | |
We haven't seen you down here in quite a while. | 0:54:08 | 0:54:11 | |
Busy as the veritable bee, Arthur. | 0:54:11 | 0:54:13 | |
-Are you well? -Fine, thank you, sir. | 0:54:13 | 0:54:15 | |
And the weather's on the turn, finally. | 0:54:15 | 0:54:18 | |
My primroses are out. | 0:54:18 | 0:54:21 | |
Zhivago's Nightclub, Barry. | 0:54:21 | 0:54:23 | |
Type one, query, types two and three. | 0:54:23 | 0:54:26 | |
That's a new file, isn't it, sir? | 0:54:26 | 0:54:27 | |
Might be on my list of drop-offs. I could take it for you. | 0:54:27 | 0:54:30 | |
Er, Barry... | 0:54:30 | 0:54:34 | |
Bristol... | 0:54:34 | 0:54:35 | |
63... No. I'm afraid not, sir. | 0:54:35 | 0:54:39 | |
Drop it on the trolley. | 0:54:39 | 0:54:41 | |
-Save you the bother. -Wouldn't dream of it, Arthur. | 0:54:41 | 0:54:44 | |
-Um... Aisle 209, sir. -Right you are. | 0:54:44 | 0:54:47 | |
-Thank you, Arthur! -Time for a cup of tea, sir? | 0:55:14 | 0:55:17 | |
Another time. | 0:55:17 | 0:55:19 | |
I've got a five o'clock with the Secretary of State. | 0:55:19 | 0:55:22 | |
You know what they say, no rest for the wicked. | 0:55:22 | 0:55:25 | |
HAL: I wasn't ready. You crept up on me. | 0:55:30 | 0:55:32 | |
You shouldn't have had your music so loud and you'd have heard us coming, wouldn't you? | 0:55:32 | 0:55:35 | |
Let's start tomorrow, I need to defrost the freezer. | 0:55:35 | 0:55:37 | |
We've started already, mate. | 0:55:37 | 0:55:39 | |
Hey. | 0:55:39 | 0:55:41 | |
Untie me, you fucking hound, or I will tear your throat out! | 0:55:41 | 0:55:45 | |
Ooh, language! | 0:55:45 | 0:55:47 | |
Untie me, bitch! Do it! Now! | 0:55:47 | 0:55:50 | |
TOM: Hal, shush, you're being rude now. | 0:55:50 | 0:55:51 | |
I'm sorry. Alex, I'm very sorry. | 0:55:53 | 0:55:57 | |
It goes in cycles. | 0:55:58 | 0:56:01 | |
50 years, then 55, from good to bad to good to worse. | 0:56:01 | 0:56:04 | |
Maybe we can stop the cycle. | 0:56:04 | 0:56:06 | |
Force you to stay good and then you'll break it? | 0:56:07 | 0:56:10 | |
-Like a fever. -But I'll scream. | 0:56:10 | 0:56:14 | |
And I'll shout and I'll plead and I'll threaten you. | 0:56:14 | 0:56:16 | |
We don't understand most of what you're saying anyway. | 0:56:16 | 0:56:18 | |
Then why are you doing this? | 0:56:18 | 0:56:19 | |
Cos you're my best mate. | 0:56:23 | 0:56:24 | |
Subtitles by Red Bee Media Ltd | 0:56:57 | 0:57:02 |