Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains adult humour. | 0:00:02 | 0:00:08 | |
TECHNO MUSIC PLAYS | 0:00:17 | 0:00:19 | |
All right? I'm Jolly Boy John. | 0:00:19 | 0:00:21 | |
Jolly Boy John pointing at his granny's pet turtle is For Real. | 0:00:21 | 0:00:24 | |
Jolly Boy John wearing his granny's tights on his heid | 0:00:27 | 0:00:29 | |
and asking her pet turtle some hard questions is For Real. | 0:00:29 | 0:00:32 | |
Here, how come your ma managed to get pregnant with you | 0:00:32 | 0:00:35 | |
while your da was in the jail, ya mad turtle? | 0:00:35 | 0:00:37 | |
What you going about with a cosh for, ya mad turtle? | 0:00:37 | 0:00:40 | |
Mad turtle! Mad turtle! Mad turtle! Get Real! | 0:00:40 | 0:00:43 | |
Jolly Boy John pouring all his granny's false teeth | 0:00:43 | 0:00:45 | |
down the legs of her tights and swinging them round his heid | 0:00:45 | 0:00:48 | |
and wearing a bikini made of her three pet turtles is For Real. | 0:00:48 | 0:00:51 | |
# I'm dressing like my granny with a turtle over my fanny | 0:00:51 | 0:00:53 | |
# Oh! Dressing like my granny with a turtle over my fanny, yo! # | 0:00:53 | 0:00:58 | |
For Real! | 0:00:58 | 0:00:59 | |
Mad, mad turtle, turtle, turtle, turtle! | 0:00:59 | 0:01:01 | |
Charlie Nicholas, Chris Kamara, Jeff Stelling, | 0:01:01 | 0:01:04 | |
you're on that football | 0:01:04 | 0:01:05 | |
trying to be as For Real as Jolly Boy John...Get Real! | 0:01:05 | 0:01:09 | |
Mad Turtle! | 0:01:09 | 0:01:11 | |
Right, you, Toshan, remember what the match commander told us. | 0:01:11 | 0:01:17 | |
Nae watching the game. | 0:01:17 | 0:01:19 | |
Eyes on the crowd at all times, like quality polis. | 0:01:19 | 0:01:22 | |
Nae watching Burnistoun United tanking your lot, McGregor. | 0:01:22 | 0:01:26 | |
Nae watching United City | 0:01:26 | 0:01:27 | |
putting all your airy-fairy wee players on their arses. | 0:01:27 | 0:01:30 | |
None o' that. Quality polis. | 0:01:30 | 0:01:32 | |
Quality polis. | 0:01:32 | 0:01:34 | |
CROWD ROARS | 0:01:34 | 0:01:36 | |
Eyes on the crowd, on the crowd! | 0:01:42 | 0:01:45 | |
Eyes skelped on the crowd a belter! | 0:01:45 | 0:01:47 | |
Right, that's it. I'm gonnae...eh... | 0:01:52 | 0:01:55 | |
I'm gonnae check there's nae violence | 0:01:55 | 0:01:58 | |
happening on the field, right? | 0:01:58 | 0:02:01 | |
Yes! Yes! Off you go! | 0:02:01 | 0:02:04 | |
Off you go, you dirty bastard! | 0:02:04 | 0:02:07 | |
Yes! Yes! | 0:02:07 | 0:02:08 | |
Your team are gonnae get pumped now, | 0:02:12 | 0:02:14 | |
cos you've just had a guy sent off. | 0:02:14 | 0:02:16 | |
I hate your lot! I hate them! | 0:02:16 | 0:02:18 | |
I hate yours! | 0:02:18 | 0:02:20 | |
Aw, there he is, eh?! | 0:02:24 | 0:02:26 | |
The quality goalie, eh? | 0:02:26 | 0:02:29 | |
Toshan, give this HERO his ball back. | 0:02:29 | 0:02:31 | |
HE SPRAYS PEPPER AND GOALIE SCREAMS | 0:02:35 | 0:02:37 | |
I never touched him or nothin'! Get off! | 0:02:37 | 0:02:39 | |
That was play-acting, sure it was?! | 0:02:39 | 0:02:41 | |
-Toshan! -Ho! | 0:02:41 | 0:02:43 | |
Gaffer, you'll need to send down the horses. | 0:02:43 | 0:02:46 | |
That's another riot on the go. | 0:02:46 | 0:02:48 | |
Aye, it was a sending off. | 0:02:49 | 0:02:51 | |
Aye, it was a sending off! | 0:02:51 | 0:02:53 | |
You're a United fan an' all? I'll tell you what then, | 0:02:53 | 0:02:56 | |
Your team are shite! | 0:02:56 | 0:02:58 | |
Yis are shite! | 0:02:58 | 0:03:00 | |
You come doon here and say that to my face! | 0:03:00 | 0:03:03 | |
Come and say that to my face, you rat, you! | 0:03:03 | 0:03:05 | |
Get your hands off us, ya horrors! | 0:03:13 | 0:03:16 | |
There are special offers on sharp sand at B&Q, | 0:03:24 | 0:03:28 | |
and there are SPECIAL OFFERS on sharp sand at B&Q. | 0:03:28 | 0:03:33 | |
And then there's me... | 0:03:33 | 0:03:36 | |
Ahhh! | 0:03:41 | 0:03:44 | |
I had no idea my muscles were so tense. | 0:03:44 | 0:03:48 | |
Ahhh! | 0:03:48 | 0:03:49 | |
Aw, I just feel so relaxed! | 0:03:49 | 0:03:51 | |
Would you like a happy ending? | 0:03:55 | 0:03:57 | |
I would love a happy ending. | 0:03:57 | 0:04:01 | |
Well, just turn over onto your back. | 0:04:01 | 0:04:03 | |
You were separated in care as young children | 0:04:11 | 0:04:14 | |
when your mother abandoned you after your father's death. | 0:04:14 | 0:04:17 | |
His adopted family moved to Australia | 0:04:17 | 0:04:20 | |
and you haven't seen or heard from each other in over thirty years. | 0:04:20 | 0:04:25 | |
It's your brother, Craig! | 0:04:25 | 0:04:26 | |
I can't believe it's you! | 0:04:30 | 0:04:33 | |
And it's your mother, Morag! | 0:04:33 | 0:04:35 | |
My boys, my boys! I'm so sorry! | 0:04:37 | 0:04:40 | |
Oh, your stauner looks just like your Dad's used to! | 0:04:42 | 0:04:45 | |
He'd have been so proud of you, son! | 0:04:45 | 0:04:49 | |
Burnistoun, I want to sing to y'all tonight. Hit me! | 0:04:51 | 0:04:59 | |
# Baby, baby | 0:05:07 | 0:05:13 | |
# I want to touch you and hold you tight... # | 0:05:13 | 0:05:19 | |
Wahh! | 0:05:19 | 0:05:22 | |
# Baby, baby | 0:05:22 | 0:05:27 | |
# I want to hold you and squeeze you just right | 0:05:27 | 0:05:35 | |
HE WINCES | 0:05:35 | 0:05:37 | |
HE MUMBLES | 0:05:50 | 0:05:52 | |
# I'm sorry, baby | 0:06:00 | 0:06:03 | |
# Just remembered about death for a moment there | 0:06:03 | 0:06:06 | |
# Baby | 0:06:06 | 0:06:10 | |
# I love you | 0:06:10 | 0:06:13 | |
# I love you... # | 0:06:13 | 0:06:16 | |
Whoo! | 0:06:16 | 0:06:17 | |
Buy it! | 0:06:21 | 0:06:23 | |
Buy it! | 0:06:25 | 0:06:26 | |
Buy what? | 0:06:26 | 0:06:28 | |
I drive one of these myself. Just buy it! | 0:06:28 | 0:06:30 | |
I hope Paul's giving you the red carpet treatment | 0:06:33 | 0:06:35 | |
because if he's not, I'll butcher his ear lobes! | 0:06:35 | 0:06:38 | |
THEY MAKE FIGHTING NOISES | 0:06:38 | 0:06:40 | |
Yeah, yeah, yeah, yeah. | 0:06:50 | 0:06:52 | |
I actually drive one of these myself. | 0:06:52 | 0:06:54 | |
I just bought a new car! | 0:06:54 | 0:06:57 | |
New, schmoo, yer maw buzzes glue! Buy it! | 0:06:57 | 0:06:59 | |
-Buy it! -Buy it! | 0:06:59 | 0:07:01 | |
-Buy it! -Buy it! | 0:07:01 | 0:07:02 | |
-Bleurgh! -Bleurgh! | 0:07:02 | 0:07:04 | |
-Bleurgh! -Bleurgh! | 0:07:04 | 0:07:05 | |
-Bleurgh! -Bleurgh! | 0:07:05 | 0:07:06 | |
-Bleurgh! -Bleurgh! | 0:07:06 | 0:07:08 | |
All right! | 0:07:08 | 0:07:09 | |
Waaahhh! I assume you'll be wanting | 0:07:09 | 0:07:11 | |
the tip-top-toppety of the r-r-r-ray-ray-range? | 0:07:11 | 0:07:16 | |
-Top! -Toppetty! -Top! -Toppetty! | 0:07:16 | 0:07:19 | |
-Top! -Toppetty! -Top! | 0:07:19 | 0:07:20 | |
Top-top-top....TOOOOOOP! | 0:07:20 | 0:07:23 | |
-TOOOOOOOP! -Top! Top! Top! Top! | 0:07:23 | 0:07:28 | |
-TOOOOOOOP! -Top! Top! Top! Top! | 0:07:28 | 0:07:30 | |
-All right! -Yes! | 0:07:30 | 0:07:31 | |
HE SOBS | 0:07:31 | 0:07:34 | |
THEY SING CELEBRATORY SONG | 0:07:34 | 0:07:36 | |
DRAMATIC MUSIC | 0:07:39 | 0:07:41 | |
See the next time you have a fish supper | 0:07:43 | 0:07:46 | |
and you find a black chip? | 0:07:46 | 0:07:48 | |
That's a government chip! | 0:07:49 | 0:07:51 | |
HE PANTS | 0:07:54 | 0:07:56 | |
Keep your eyes open! | 0:07:59 | 0:08:00 | |
GAMES CONSOLE CONTROLLERS CLICK | 0:08:03 | 0:08:06 | |
-HE SNIGGERS -Aw naw! | 0:08:17 | 0:08:20 | |
Here's Marky boy coming again! | 0:08:20 | 0:08:22 | |
THEY GROAN AND SIGH | 0:08:22 | 0:08:23 | |
Who's Marky boy? | 0:08:23 | 0:08:25 | |
Our mate. He used to be all right, | 0:08:25 | 0:08:28 | |
but he took something at a party one night and had a bad trip. | 0:08:28 | 0:08:32 | |
It's totally messed him up. | 0:08:32 | 0:08:34 | |
He thought he was taking an ecstasy | 0:08:34 | 0:08:35 | |
but he ended up taking one of they Thatcher pills. | 0:08:35 | 0:08:38 | |
Now half the people that took them think they're Maggie Thatcher. | 0:08:38 | 0:08:40 | |
Maggie Thatcher? | 0:08:40 | 0:08:43 | |
All right, boys? | 0:08:45 | 0:08:47 | |
All right, Marky? | 0:08:47 | 0:08:49 | |
Marky, this is DO. DO, Marky. | 0:08:49 | 0:08:52 | |
All right mate? | 0:08:52 | 0:08:54 | |
Diego? Sounds a wee bit Argentinian to me, mate. | 0:08:55 | 0:08:58 | |
Where you fae? | 0:08:58 | 0:09:00 | |
Burnistoun. | 0:09:00 | 0:09:01 | |
You'd better be, mate. You'd better be. Do you know who I am? | 0:09:01 | 0:09:04 | |
I'm Maggie Thatcher, mate. | 0:09:05 | 0:09:08 | |
I'm your Prime Minister! | 0:09:08 | 0:09:10 | |
Right, Marky, sit down. Don't start your shite. | 0:09:10 | 0:09:13 | |
Sorry, man. Sorry. | 0:09:13 | 0:09:15 | |
I've been getting my heid nipped about shipyards all day, man. | 0:09:15 | 0:09:19 | |
I'll tell you, see by the time I'm done with the Scottish, | 0:09:19 | 0:09:21 | |
they'll no forget me. | 0:09:21 | 0:09:23 | |
Where d'ye stay? | 0:09:26 | 0:09:27 | |
Faulkner Drive. | 0:09:29 | 0:09:31 | |
The Falkland Islands?! | 0:09:31 | 0:09:32 | |
You want to try and claim the Falkland Islands?! | 0:09:32 | 0:09:35 | |
You and me, square go the now, Maradona! | 0:09:35 | 0:09:37 | |
I'll get the navy to torpedo your wee fat tadger for you! | 0:09:37 | 0:09:40 | |
Do you think I'm just gonnae take this? | 0:09:40 | 0:09:44 | |
You've got some brass neck coming here to Ten Downing Street | 0:09:44 | 0:09:47 | |
to square up to the Iron Lady, Nigel Lawson and Norman Tebbitt! | 0:09:47 | 0:09:53 | |
Listen mate, we were all having a good time | 0:09:53 | 0:09:55 | |
before you walked in that door, | 0:09:55 | 0:09:56 | |
so why don't you turn yoursel' back around and walk back oot? | 0:09:56 | 0:10:01 | |
Listen, the lady's not for turning, ya fanny! | 0:10:01 | 0:10:06 | |
The lady's not for turning. | 0:10:06 | 0:10:10 | |
I think what my Right Honourable Friend is trying to say here | 0:10:10 | 0:10:13 | |
is that we all have everything we need to have a good time, right? | 0:10:13 | 0:10:17 | |
Whoa, whoa, whoa! | 0:10:29 | 0:10:31 | |
My ma's not wanting us drinking up here, Mark. | 0:10:31 | 0:10:33 | |
Tell your ma to shut it or I'll shut down that factory she works in. | 0:10:33 | 0:10:37 | |
I'm playing the winner. | 0:10:39 | 0:10:41 | |
Oh-ho-ho! It's a magnificent strike! | 0:10:41 | 0:10:45 | |
Miners' strike?! | 0:10:45 | 0:10:47 | |
Right, come here you, ya mad Scargill! | 0:10:47 | 0:10:50 | |
There's the Hand of God, Diego! Ya wee prick! | 0:10:50 | 0:10:55 | |
The wee man came into the side over the past few weeks. | 0:10:55 | 0:10:58 | |
He's done great. | 0:10:58 | 0:10:59 | |
We saw his potential in training from the start of the season, | 0:10:59 | 0:11:02 | |
and at 17, he's only going to get better. | 0:11:02 | 0:11:05 | |
So John, would you do the honour of presenting him | 0:11:05 | 0:11:09 | |
with the Richie Stroke Burnistoun Butcher Man of the Match? | 0:11:09 | 0:11:13 | |
Ho! Ho! | 0:11:13 | 0:11:16 | |
It's against the law to supply an under-ager with drink, sure it is! | 0:11:16 | 0:11:22 | |
I'm going to have to take you down to the station, pal! Know that way? | 0:11:22 | 0:11:26 | |
And that is getting taxed an' all, ya diving wee dick! | 0:11:29 | 0:11:33 | |
Oh-ho-ho! There he is, eh? | 0:11:39 | 0:11:42 | |
# Oh-ho-ho! Oh-ho-ho! | 0:11:42 | 0:11:47 | |
# Tommy, Tommy, gis a wave | 0:11:47 | 0:11:49 | |
# Tommy, gis a wave | 0:11:49 | 0:11:51 | |
# Tommy, Tommy, gis a wave. # | 0:11:51 | 0:11:54 | |
Yas! | 0:11:54 | 0:11:56 | |
Ah, brilliant, man, brilliant! | 0:11:56 | 0:11:59 | |
The wee man came into the side over the last few weeks. He's done great. | 0:11:59 | 0:12:03 | |
We saw his potential in training...when we sneaked in... | 0:12:03 | 0:12:06 | |
from the start of the season, and at seventeen, | 0:12:06 | 0:12:09 | |
he's only going to get better. | 0:12:09 | 0:12:11 | |
Just wondering, eh, any more police going to invade my interview? | 0:12:11 | 0:12:15 | |
One of us, or one of them? | 0:12:19 | 0:12:21 | |
They're all one of them, big man. | 0:12:21 | 0:12:23 | |
Aye, too right. | 0:12:23 | 0:12:26 | |
I'll tell ye something, don't (BLEEP) ever offer me that again! | 0:12:29 | 0:12:32 | |
Peppered! HE SPRAYS PEPPER | 0:12:32 | 0:12:35 | |
REPORTER SCREAMS AND COUGHS | 0:12:35 | 0:12:38 | |
Quality polis! | 0:12:38 | 0:12:40 | |
# Let me see you dance | 0:12:49 | 0:12:51 | |
# Let me see you dance | 0:12:51 | 0:12:53 | |
# Let me see you dance | 0:12:53 | 0:12:54 | |
# Let me see you dance, y'all | 0:12:54 | 0:12:56 | |
# Let me see you dance... # | 0:12:56 | 0:12:59 | |
Now I want everybody on their feet for this one | 0:12:59 | 0:13:03 | |
# Let me see you dance | 0:13:03 | 0:13:04 | |
# Let me see you dance... # | 0:13:04 | 0:13:07 | |
Everybody, everybody! | 0:13:07 | 0:13:08 | |
Nah, I'm all right | 0:13:08 | 0:13:10 | |
# Let me see you dance... # | 0:13:10 | 0:13:13 | |
C'mon! | 0:13:13 | 0:13:15 | |
All right! | 0:13:15 | 0:13:16 | |
# Let me see you dance... # | 0:13:16 | 0:13:17 | |
And I don't want to see no stepping from side to side dance either. | 0:13:21 | 0:13:24 | |
I want to see some real dancing in here tonight, y'all. | 0:13:24 | 0:13:28 | |
Turn the house lights on. | 0:13:28 | 0:13:31 | |
I want to see my people dancing. | 0:13:31 | 0:13:34 | |
Stop the music. | 0:13:39 | 0:13:42 | |
But everybody keep dancing. | 0:13:42 | 0:13:44 | |
But I want y'all to dance in silence. | 0:13:44 | 0:13:46 | |
Now I want all my band off the stage. | 0:13:52 | 0:13:54 | |
Thank you, guys. | 0:13:54 | 0:13:55 | |
But everybody keep dancing. | 0:13:57 | 0:13:59 | |
Keep dancing. | 0:13:59 | 0:14:01 | |
Let me see you dance. | 0:14:01 | 0:14:03 | |
Now I'm going to choose one of y'all from the audience tonight. | 0:14:03 | 0:14:07 | |
You. | 0:14:10 | 0:14:11 | |
The guy with the mustard sweater on. | 0:14:11 | 0:14:14 | |
The guy looking at the floor, with the mustard sweater on. | 0:14:14 | 0:14:17 | |
Let me see you dance. | 0:14:17 | 0:14:20 | |
Yeah! | 0:14:20 | 0:14:22 | |
Now I want everybody to stop dancing, | 0:14:22 | 0:14:25 | |
everybody except this guy, and watch this guy dance. | 0:14:25 | 0:14:28 | |
Let everybody see you dance. | 0:14:31 | 0:14:33 | |
All right. Now I want everybody to leave now | 0:14:36 | 0:14:39 | |
except this guy. | 0:14:39 | 0:14:41 | |
You've been a wonderful audience. Goodnight! | 0:14:41 | 0:14:44 | |
You keep dancing. | 0:14:44 | 0:14:46 | |
Let me see you dance. | 0:14:46 | 0:14:49 | |
Let me see you dance. | 0:14:49 | 0:14:51 | |
Let me see you dance. | 0:15:00 | 0:15:02 | |
Decent wee pub this, in't it? | 0:15:09 | 0:15:12 | |
Aye. | 0:15:12 | 0:15:13 | |
Have you noticed anything, but? | 0:15:13 | 0:15:15 | |
What? | 0:15:15 | 0:15:17 | |
Look at all the punters in here. | 0:15:17 | 0:15:20 | |
-Ancient. -Is this an old man's pub? | 0:15:28 | 0:15:31 | |
Is this a smelly old granda's pub? | 0:15:31 | 0:15:32 | |
-Ho, barman! -Barman! | 0:15:32 | 0:15:36 | |
-What is it? -Is this an old man's pub, barman? | 0:15:36 | 0:15:38 | |
Do we look like a couple of old granda's staunin' here, barman? | 0:15:38 | 0:15:41 | |
Do we look like a couple of pishy old granda's here, barman? | 0:15:41 | 0:15:44 | |
Naw. It's just a pub. | 0:15:44 | 0:15:46 | |
Here, auld yin! | 0:15:46 | 0:15:49 | |
-Aye? -Can you hear me, auld yin? | 0:15:49 | 0:15:51 | |
Will we speak up a bit for ye, auld yin? | 0:15:51 | 0:15:54 | |
-Turn up your hearing aid, auld yin! -I can hear ye. | 0:15:54 | 0:15:57 | |
Is this an auld man's pub? | 0:15:57 | 0:15:59 | |
Are we like a couple of smelly auld pishy men in here, auld yin? | 0:15:59 | 0:16:02 | |
Can ye hear us? I'm sayin'... | 0:16:02 | 0:16:04 | |
I can hear ye. | 0:16:04 | 0:16:06 | |
Is this an auld coffin-dodgers' pub? | 0:16:06 | 0:16:08 | |
Do we look like we're wearing yellow stained trousers in here, auld yin? | 0:16:08 | 0:16:13 | |
This is just a family pub. | 0:16:13 | 0:16:15 | |
Aw, it's just for families, is it, eh? | 0:16:15 | 0:16:21 | |
Is that you judging us because we're in a same-sex relationship? | 0:16:21 | 0:16:26 | |
Typical auld man's pub, auld man's prejudice. | 0:16:26 | 0:16:30 | |
C'mon Joe - up the road. | 0:16:30 | 0:16:32 | |
-Up the road now! -Up the road. -Up the road. | 0:16:32 | 0:16:36 | |
-Up the road. -Up the road now! | 0:16:37 | 0:16:41 | |
-Up the road, Joe. -Up the road now, up the road. | 0:16:41 | 0:16:43 | |
-Up the road now! -Up the road. -Up the road. | 0:16:47 | 0:16:49 | |
Up the road! | 0:16:49 | 0:16:51 | |
-Up the road! -Up the road! | 0:16:53 | 0:16:54 | |
Here, mate. See the next time you're posting a letter, | 0:16:58 | 0:17:01 | |
have a listen at that slot. | 0:17:01 | 0:17:03 | |
See if you hear beeping or somebody complaining about their working conditions, | 0:17:03 | 0:17:08 | |
that's a government postbox. | 0:17:08 | 0:17:10 | |
DRAMATIC MUSIC | 0:17:10 | 0:17:12 | |
Keep your eyes open. | 0:17:14 | 0:17:16 | |
All right, Peter? | 0:17:38 | 0:17:40 | |
Aye. | 0:17:40 | 0:17:42 | |
All right, I'll go hame and put my trainers on. | 0:18:25 | 0:18:28 | |
Sake! | 0:18:28 | 0:18:29 | |
CAMERA SHUTTERS CLICK | 0:18:33 | 0:18:35 | |
Aagh! | 0:18:41 | 0:18:42 | |
This'll do for my maw's hall. | 0:18:44 | 0:18:47 | |
What can I get you? | 0:18:59 | 0:19:01 | |
Double cheeseburger meal, please. With a banana milkshake. | 0:19:01 | 0:19:04 | |
Anything else? | 0:19:04 | 0:19:06 | |
Big Tasty meal. Er, large, with a Diet Coke. | 0:19:06 | 0:19:10 | |
Anything else? | 0:19:10 | 0:19:11 | |
Anything else? | 0:19:14 | 0:19:16 | |
-Anything else? -No! | 0:19:19 | 0:19:22 | |
Anything else? | 0:19:22 | 0:19:24 | |
Anything else? | 0:19:29 | 0:19:30 | |
Sorry, I just remembered about death there. | 0:19:32 | 0:19:35 | |
Mozzarella dippers as well, please. And an apple pie. | 0:19:35 | 0:19:38 | |
That's all. | 0:19:38 | 0:19:39 | |
-Pay at the next window. -Hey. | 0:19:40 | 0:19:43 | |
Trainers! | 0:20:01 | 0:20:03 | |
HE SIGHS | 0:20:19 | 0:20:21 | |
What you want to do today, mate? | 0:20:21 | 0:20:23 | |
Don't know, mate. What do you want to do? | 0:20:23 | 0:20:26 | |
-I'm no' fussed, mate. It's up to you. -I'm quite happy with whatever. | 0:20:26 | 0:20:30 | |
-Naw, honestly, you decide. -Naw, why don't you decide? | 0:20:30 | 0:20:34 | |
How can you no' decide? | 0:20:34 | 0:20:36 | |
Cos I'm no' bothered. You decide. | 0:20:36 | 0:20:38 | |
I'm no bothered either, mate. Whatever. | 0:20:38 | 0:20:40 | |
Don't "whatever" me, mate. You decide. | 0:20:40 | 0:20:43 | |
I don't care, mate. | 0:20:43 | 0:20:44 | |
I don't care either, mate. So you decide, ya joke! | 0:20:44 | 0:20:48 | |
You're the joke, mate. | 0:20:48 | 0:20:49 | |
You're the one that can't decide what he wants to do. | 0:20:49 | 0:20:52 | |
Well, maybe I don't want to do anything, mate! | 0:20:52 | 0:20:56 | |
I was only asking you what you what you wanted to do, all right? | 0:20:58 | 0:21:01 | |
So decide! | 0:21:01 | 0:21:03 | |
You decide. | 0:21:03 | 0:21:05 | |
NAW! | 0:21:05 | 0:21:06 | |
DECI-I-I-I-DE! | 0:21:06 | 0:21:09 | |
NAW! | 0:21:09 | 0:21:11 | |
DECI-I-I-I-DE! | 0:21:11 | 0:21:14 | |
Here's what I want to do today, mate, all right? | 0:21:14 | 0:21:18 | |
I would love to go to your funeral, mate, | 0:21:18 | 0:21:21 | |
I'd carry the coffin up the stairs to that crematorium myself. | 0:21:21 | 0:21:25 | |
I'd have a wee party hat on, mate, and I'd be singing | 0:21:25 | 0:21:28 | |
# Do-do-do-do dah-dah-dah-dah | 0:21:28 | 0:21:31 | |
# It's a celebration This bastard's getting burnt! # | 0:21:31 | 0:21:36 | |
I'll tell you what I want to do today, mate. | 0:21:36 | 0:21:39 | |
I would love to get cremated, mate. | 0:21:39 | 0:21:43 | |
BURN ME! BURN ME! | 0:21:43 | 0:21:48 | |
And when they put me into that fiery furnace, | 0:21:48 | 0:21:50 | |
I'll reach out with my hand and I'll grab your neck | 0:21:50 | 0:21:53 | |
and I'll pull ye in beside me, mate. | 0:21:53 | 0:21:57 | |
AND WE'LL BOTH BURN TOGETHER! | 0:21:57 | 0:22:02 | |
Well, here is what I want to do today, mate. | 0:22:02 | 0:22:06 | |
I would love for you to pull me into that furnace, mate, | 0:22:06 | 0:22:09 | |
and then I'd jump out, a big fireball with legs, | 0:22:09 | 0:22:13 | |
and I'd climb over your maw and your sisters | 0:22:13 | 0:22:16 | |
and with all that hairspray they wear, mate, | 0:22:16 | 0:22:19 | |
they would go up like a row of big fat fireworks! | 0:22:19 | 0:22:22 | |
BOOM! POW! OOH! AAH! | 0:22:22 | 0:22:26 | |
Your whole family deid! | 0:22:26 | 0:22:29 | |
Every single person that loves you, mate! | 0:22:29 | 0:22:32 | |
Deid! | 0:22:32 | 0:22:34 | |
Every single memory of your existence on this planet, mate, | 0:22:34 | 0:22:39 | |
extinguished. | 0:22:39 | 0:22:42 | |
I HATE YOU! | 0:22:42 | 0:22:45 | |
I don't suppose you'll be wanting to go for a run in the new van | 0:22:48 | 0:22:52 | |
I bought for us. | 0:22:52 | 0:22:54 | |
Palsmobile, mate. | 0:23:04 | 0:23:08 | |
Palsmobile. | 0:23:08 | 0:23:11 | |
Pals only. | 0:23:11 | 0:23:14 | |
HE SNIFFS | 0:23:14 | 0:23:16 | |
Hello. | 0:23:23 | 0:23:25 | |
Get yer dugs up on their feecht | 0:23:25 | 0:23:28 | |
for Herry McLoudery. | 0:23:28 | 0:23:30 | |
The nicht went the braw ken tak alang a' way | 0:23:33 | 0:23:38 | |
And the quine went the nicht wi' the drum an' scatch | 0:23:38 | 0:23:41 | |
And awa', and awa' and it eywis wis awa' | 0:23:41 | 0:23:45 | |
And the model's dating Benedict Cumberbatch. | 0:23:45 | 0:23:49 | |
Right. Yer mam wants me to learn you the family trade cos you're a rocket | 0:23:54 | 0:23:59 | |
and your superstar DJ lifestyle's gettin' you nowhere. | 0:23:59 | 0:24:02 | |
This guy's supposed to pay me two grand a week ago. | 0:24:02 | 0:24:05 | |
So we'll act like I'm no here. | 0:24:05 | 0:24:07 | |
You go in, demand the money. I'll watch, see how you get on. | 0:24:07 | 0:24:11 | |
Get in there, show him your stuff. | 0:24:11 | 0:24:13 | |
I'm on it. | 0:24:13 | 0:24:15 | |
Show him my stuff. | 0:24:19 | 0:24:22 | |
Show him my stuff. | 0:24:22 | 0:24:24 | |
-What do you want? -Show us your muff. | 0:24:28 | 0:24:31 | |
-What? -I mean, show us your fanny. | 0:24:31 | 0:24:33 | |
I mean, gie me the stuff, ya fanny. | 0:24:33 | 0:24:37 | |
-Who are you? -I'm DJ Bertie Booster. | 0:24:37 | 0:24:41 | |
I mean, I'm Uncle Gary's nephew. | 0:24:41 | 0:24:44 | |
DJ Bertie Booster's my showbiz name. | 0:24:44 | 0:24:47 | |
Well, listen, wee man. | 0:24:47 | 0:24:48 | |
We'll boost ye out that window there if you don't piss off. | 0:24:48 | 0:24:53 | |
That's fair do's, that's quality feedback. I'll just... | 0:24:56 | 0:24:59 | |
What's that? | 0:24:59 | 0:25:01 | |
I just think the guy's maybe a wee bit short on cash, right, | 0:25:01 | 0:25:04 | |
-and if we let him save up... -You want people to think they can bump me outta dough? | 0:25:04 | 0:25:09 | |
Get back in there. | 0:25:09 | 0:25:10 | |
Nobody bumps my uncle outta dough... | 0:25:14 | 0:25:17 | |
I am gonnae pump your uncle in his hole! | 0:25:19 | 0:25:22 | |
What you talking aboot? | 0:25:22 | 0:25:24 | |
Look, tell you what. Geez us a tenner now, right? | 0:25:24 | 0:25:27 | |
How about I stick this tumbler up your arse | 0:25:27 | 0:25:30 | |
-and pour you a pint of my shoes? -I don't know what that really means | 0:25:30 | 0:25:34 | |
but I'll just go anyway in case it happens | 0:25:34 | 0:25:37 | |
and I don't like it. | 0:25:37 | 0:25:38 | |
-It's a work-in-progress. -We're no' negotiating here! | 0:25:40 | 0:25:43 | |
Stop shoutin' at us, Uncle Gary, | 0:25:43 | 0:25:45 | |
-or I'll pour a pint of arse on your shoes. -What?! | 0:25:45 | 0:25:49 | |
I never said anything. | 0:25:49 | 0:25:50 | |
Listen.... | 0:25:50 | 0:25:54 | |
"I'm fae Gary Riley. I want his money." | 0:25:54 | 0:25:56 | |
And then break something if you need to. Get in there. | 0:25:56 | 0:26:00 | |
Right.... | 0:26:02 | 0:26:04 | |
Looks like we've had a little accident. | 0:26:11 | 0:26:15 | |
I'm here for Gary Riley. Gie me his money. | 0:26:16 | 0:26:20 | |
Listen, wee man, I don't know you fae Adam. | 0:26:20 | 0:26:22 | |
So if Gary Riley wants his money, tell him to send somebody I know. | 0:26:22 | 0:26:27 | |
What if I prove to you that I'm Gary Riley's nephew? | 0:26:27 | 0:26:31 | |
And how would you do that? | 0:26:31 | 0:26:34 | |
I'll tell you something only a family member would know. | 0:26:34 | 0:26:37 | |
Go, then. | 0:26:37 | 0:26:38 | |
Right. Right. | 0:26:38 | 0:26:40 | |
When I was a wee boy, Uncle Gary took me to Blackpool | 0:26:41 | 0:26:44 | |
and we went on the Grand National. | 0:26:44 | 0:26:46 | |
He had a bad hangover and when we went over the fastest bump, | 0:26:46 | 0:26:51 | |
he shat himself. | 0:26:51 | 0:26:53 | |
MEN LAUGH | 0:26:53 | 0:26:55 | |
What, yous don't believe me? Uncle Gary? | 0:26:55 | 0:26:58 | |
Uncle Gary? | 0:27:00 | 0:27:01 | |
Looking for a Friday night DJ? | 0:27:05 | 0:27:09 | |
Fair do's. | 0:27:09 | 0:27:11 | |
And what will you be putting | 0:27:15 | 0:27:17 | |
into the Burnistoun Winter Gardens time capsule? | 0:27:17 | 0:27:20 | |
I'm going to put in this Ben 10 toy | 0:27:20 | 0:27:22 | |
so that Burnistoun children of the future | 0:27:22 | 0:27:24 | |
will know what boys played with in the year 2012. | 0:27:24 | 0:27:27 | |
I'm putting in this CD, | 0:27:31 | 0:27:33 | |
because it's the music that's meant the most to me in 2012. | 0:27:33 | 0:27:37 | |
Well, I think that's everybody. So we'll... | 0:27:41 | 0:27:44 | |
MAN CLEARS THROAT I've got something. | 0:27:44 | 0:27:47 | |
I'm putting in this sawn-off shotgun | 0:27:50 | 0:27:53 | |
so that the polis cannae trace... | 0:27:53 | 0:27:56 | |
so that the polis of the future can have a better understanding | 0:27:56 | 0:28:01 | |
of how I robbed...how criminals robbed post offices in the past. | 0:28:01 | 0:28:07 | |
Right. I... | 0:28:10 | 0:28:14 | |
I'll put in this machete, so the Burnistoun children of the future | 0:28:14 | 0:28:18 | |
know that hitmen sent up from London to do you in | 0:28:18 | 0:28:21 | |
need to be dealt with in a brutal manner | 0:28:21 | 0:28:23 | |
to send the message to the Burnistoun boys... | 0:28:23 | 0:28:26 | |
So children of the future understand what a good machete looks like. | 0:28:28 | 0:28:32 | |
If we could maybe not have any more weapons going into the time capsule, | 0:28:37 | 0:28:41 | |
it's not really the kind of... | 0:28:41 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |