Browse content similar to Knees Up Wilmott-Brown. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Have a look at this mob. | 0:00:02 | 0:00:03 | |
Ah! Look at the state of 'em. | 0:00:03 | 0:00:04 | |
Oh, they want shooting, don't they? | 0:00:04 | 0:00:08 | |
And to think one of them could be living next door. | 0:00:08 | 0:00:12 | |
Oh, it makes you sick. | 0:00:12 | 0:00:13 | |
STRICTLY COME DANCING THEME MUSIC PLAYS | 0:00:13 | 0:00:15 | |
Thank God that's over. KNOCK AT DOOR | 0:00:17 | 0:00:20 | |
-Hello, Nan! -Here he is! Ha-ha-ha-ha. | 0:00:20 | 0:00:23 | |
This programme contains strong language. | 0:00:23 | 0:00:29 | |
You come up and see me? You come up and see me? | 0:00:29 | 0:00:31 | |
You come to fix my lamp? | 0:00:31 | 0:00:33 | |
No, Nan, I've come to get you. | 0:00:33 | 0:00:34 | |
The tenants are meeting downstairs. It's all kicking off. | 0:00:34 | 0:00:37 | |
-Who is it? -The tenants' association. | 0:00:37 | 0:00:39 | |
Load of moaning old trollops. | 0:00:39 | 0:00:42 | |
Ha-ha-ha-ha! | 0:00:42 | 0:00:44 | |
Nan, people are going to lose their homes if we don't do something. | 0:00:44 | 0:00:47 | |
They'll all be turfed out. | 0:00:47 | 0:00:48 | |
What, so my lamp's just going to fix itself, is it? | 0:00:48 | 0:00:50 | |
Nan, it's not that bad - you've got three other lights. | 0:00:52 | 0:00:54 | |
Look, I've made muffins for the cake sale. | 0:00:54 | 0:00:57 | |
Oh, not this shit again. | 0:00:57 | 0:00:59 | |
What are they this time? | 0:01:00 | 0:01:03 | |
Flaxseed and aubergine. | 0:01:03 | 0:01:04 | |
Flaxseed and aubergine. | 0:01:05 | 0:01:07 | |
Oh, you are spoiling us, Ambassador. | 0:01:08 | 0:01:10 | |
All right, well, I'll go down while you fix my lamp. | 0:01:12 | 0:01:16 | |
All right, I'll have a quick look. | 0:01:16 | 0:01:17 | |
Here... | 0:01:17 | 0:01:19 | |
These ain't bad, son. | 0:01:19 | 0:01:20 | |
-What's the matter with it, then? -I don't know, love... | 0:01:20 | 0:01:23 | |
Argh! | 0:01:23 | 0:01:25 | |
..but the electrician told me not to touch it. | 0:01:25 | 0:01:27 | |
I'm afraid the rumours are true. | 0:01:35 | 0:01:36 | |
Pressman Developments have bought the freehold for this building | 0:01:36 | 0:01:39 | |
-from the council. -CROWD GRUMBLES | 0:01:39 | 0:01:41 | |
They're going to raise our rents forcing us to leave | 0:01:41 | 0:01:43 | |
so they can turn this place into luxury apartments. | 0:01:43 | 0:01:46 | |
They're sending a man called Charles Wilmott down to talk to us. | 0:01:46 | 0:01:50 | |
Here we are! The dream team. | 0:01:50 | 0:01:53 | |
It's always us lot, innit? | 0:01:53 | 0:01:55 | |
Oh, Mrs Taylor, you're here. | 0:01:55 | 0:01:57 | |
Yeah. Sorry, I'm late, | 0:01:57 | 0:01:58 | |
but this one was rolling around on the floor like a dog. | 0:01:58 | 0:02:00 | |
-I brought you some muffins. -You all right, Jamie? | 0:02:02 | 0:02:04 | |
Course he's all right. | 0:02:04 | 0:02:05 | |
I told him not to put his hands where they're not wanted. | 0:02:05 | 0:02:08 | |
She's heard that before. | 0:02:09 | 0:02:11 | |
You all right, Peggy? You're looking well. | 0:02:12 | 0:02:14 | |
-Is that a new hat? -Yeah. -Yeah... | 0:02:14 | 0:02:17 | |
Gawd knows who's bought her that. | 0:02:17 | 0:02:20 | |
She got a different fella every week. | 0:02:20 | 0:02:22 | |
Peggy the Tart, we used to call her. | 0:02:22 | 0:02:25 | |
Didn't we, Peg? Well, still do. | 0:02:25 | 0:02:27 | |
Mrs Taylor, please! | 0:02:29 | 0:02:30 | |
She knows! There's no judgment here, love! | 0:02:30 | 0:02:34 | |
I mean, good luck to you, Pegs - still going strong at your age. | 0:02:34 | 0:02:37 | |
Mrs Taylor, if you've finished talking to my mother... | 0:02:37 | 0:02:40 | |
..may I continue? | 0:02:45 | 0:02:46 | |
Please do, love. | 0:02:46 | 0:02:48 | |
Nothing like listening to a whining old lesbian... | 0:02:48 | 0:02:52 | |
to make you appreciate your life. | 0:02:52 | 0:02:54 | |
Well, two things - firstly, I am not a lesbian, | 0:02:57 | 0:02:59 | |
and secondly, you own your flat, Mrs Taylor, | 0:02:59 | 0:03:02 | |
so you're not a tenant, | 0:03:02 | 0:03:04 | |
so this issue doesn't affect you. | 0:03:04 | 0:03:06 | |
No, no, we are a community. I'm here for you. | 0:03:06 | 0:03:09 | |
I've seen that film Pride. | 0:03:10 | 0:03:12 | |
Very moving. | 0:03:14 | 0:03:15 | |
No... No, all you gay miners deserve a chance. | 0:03:15 | 0:03:18 | |
You all right, Daphne? | 0:03:22 | 0:03:23 | |
Yeah... | 0:03:25 | 0:03:26 | |
So, we need to decide on a plan of action. | 0:03:28 | 0:03:31 | |
We could chain ourselves to the building. | 0:03:31 | 0:03:33 | |
Well, it wouldn't be the first time you've been tied up, would it, Peg? | 0:03:33 | 0:03:37 | |
Ha-ha-ha-ha-ha! | 0:03:37 | 0:03:38 | |
Filth, she was. | 0:03:40 | 0:03:41 | |
That's a good idea, but before we attempt something that dramatic, | 0:03:42 | 0:03:45 | |
I think we need to make some noise. | 0:03:45 | 0:03:47 | |
We need to get ourselves on the news... | 0:03:47 | 0:03:49 | |
You on the telly? | 0:03:49 | 0:03:51 | |
Oh, I think you'll struggle, love. | 0:03:51 | 0:03:53 | |
Unless they're bringing back Prisoner: Cell Block H. | 0:03:53 | 0:03:55 | |
Listen, I am leader of this group... | 0:03:58 | 0:04:00 | |
What you need is a leader. | 0:04:00 | 0:04:02 | |
What did I just say? | 0:04:02 | 0:04:04 | |
I don't know... Something about KD Lang? | 0:04:04 | 0:04:07 | |
As head of the tenants' association, I am the leader. | 0:04:09 | 0:04:13 | |
Oh, self-appointed. | 0:04:13 | 0:04:14 | |
And I think it's time I stood up for what's right, | 0:04:14 | 0:04:17 | |
and I want you out, we all want you out. | 0:04:17 | 0:04:20 | |
-TENANTS: -Yeah. -What?! You can't kick me out. | 0:04:20 | 0:04:23 | |
Why not? All you ever do is make things worse. | 0:04:23 | 0:04:25 | |
Come on! | 0:04:25 | 0:04:27 | |
-You're rude... -Yeah. -..you're insensitive... -Check. | 0:04:27 | 0:04:30 | |
..you reduce everyone to a social or sexual stereotype... | 0:04:30 | 0:04:33 | |
Oh, thank you. | 0:04:33 | 0:04:34 | |
..and it's time you went. | 0:04:36 | 0:04:37 | |
Is this cos I don't fancy you? | 0:04:39 | 0:04:41 | |
Oh, please leave us alone so we can get something done for once. | 0:04:47 | 0:04:50 | |
Well, they don't want me out, do you? | 0:04:50 | 0:04:52 | |
If you think Mrs Taylor should leave the group, | 0:04:52 | 0:04:54 | |
please raise your hand. | 0:04:54 | 0:04:55 | |
Well, that is charming, innit? | 0:04:57 | 0:04:59 | |
You want me out, do you, Daph? | 0:04:59 | 0:05:01 | |
You, with your big pig head? | 0:05:01 | 0:05:03 | |
Mrs Taylor! | 0:05:05 | 0:05:06 | |
She got a head like a pig, the woman. | 0:05:06 | 0:05:08 | |
Oh, not you and all, Trong Tri? | 0:05:09 | 0:05:13 | |
SHE SPEAKS IN VIETNAMESE | 0:05:13 | 0:05:16 | |
HE SPEAKS IN VIETNAMESE | 0:05:16 | 0:05:19 | |
Oh, fuck you, then. | 0:05:19 | 0:05:21 | |
-What about you, Peg? You with me? -No. | 0:05:23 | 0:05:26 | |
Oh, et tu, Peg? | 0:05:26 | 0:05:28 | |
Oh, after all I've done for you. All the secrets I've kept. | 0:05:28 | 0:05:32 | |
I've never told anyone what a crusty old whore you are. | 0:05:32 | 0:05:35 | |
Jamie! You just going to sit there and let 'em treat me like this? | 0:05:37 | 0:05:41 | |
Well... Oh... | 0:05:41 | 0:05:43 | |
Useless! | 0:05:45 | 0:05:48 | |
Well... Well, good luck without me, | 0:05:48 | 0:05:51 | |
but you'll be sorry. | 0:05:51 | 0:05:52 | |
You'll regret this. | 0:05:52 | 0:05:54 | |
But you mark my words, | 0:05:54 | 0:05:56 | |
I am never setting foot | 0:05:56 | 0:05:58 | |
in this dirty, pox-ridden lesbian hideaway again. | 0:05:58 | 0:06:02 | |
Forgot me grandson. | 0:06:09 | 0:06:10 | |
You finished with my smoke alarm yet? | 0:06:17 | 0:06:20 | |
Nan, give me a chance, I'm still a bit shaky. | 0:06:20 | 0:06:23 | |
Oh, pull yourself together, you big nance. | 0:06:23 | 0:06:26 | |
Nan, I really think you should make peace with the neighbours, | 0:06:27 | 0:06:30 | |
-they could do with your help. -Oh, shut up. | 0:06:30 | 0:06:32 | |
POINTLESS THEME MUSIC PLAYS Here it is. Here's me programme. | 0:06:32 | 0:06:35 | |
Pointless. | 0:06:35 | 0:06:37 | |
You seen it? Oh, I love it. | 0:06:37 | 0:06:40 | |
There's a giant who keeps the scores. | 0:06:40 | 0:06:42 | |
He's not a giant, Nan. | 0:06:43 | 0:06:45 | |
Ah, it's marvellous, innit? | 0:06:45 | 0:06:46 | |
Remember when I was volunteering with that tribe in the Sudan? | 0:06:46 | 0:06:49 | |
Oh, here we go. | 0:06:49 | 0:06:51 | |
Well, there was a big fight in the village | 0:06:52 | 0:06:54 | |
and one of the tribal elders brought everyone together. | 0:06:54 | 0:06:57 | |
He was amazing. | 0:06:57 | 0:06:58 | |
He had this saying, | 0:06:58 | 0:07:00 | |
"You can break a coconut with an elephant's hoof, | 0:07:00 | 0:07:03 | |
"but you don't get to sip its milk." | 0:07:03 | 0:07:05 | |
Yeah, I've got a saying too, love. | 0:07:06 | 0:07:08 | |
"You can take an age to fix my smoke alarm... | 0:07:10 | 0:07:13 | |
"..but you ain't coming down that fucking ladder till it's done." | 0:07:14 | 0:07:17 | |
Ha-ha-ha-ha-ha! | 0:07:21 | 0:07:23 | |
-KNOCK AT DOOR -Can you get that, Nan? | 0:07:24 | 0:07:27 | |
Oh, Gawd, have I got to do everything around here? | 0:07:27 | 0:07:30 | |
SHE FARTS Ooh. | 0:07:31 | 0:07:34 | |
I'll tell you what, those flaxseeds will get you up. | 0:07:34 | 0:07:37 | |
KNOCK AT DOOR Yes, all right. I'm coming, ain't I? | 0:07:39 | 0:07:42 | |
Ugh! | 0:07:44 | 0:07:45 | |
Oh, mind yourself. | 0:07:48 | 0:07:50 | |
-Hello. Mrs Taylor? -Yeah. | 0:07:51 | 0:07:53 | |
My name's Charles Wilmott. | 0:07:53 | 0:07:55 | |
Ah, it's not charity is it, love? | 0:07:55 | 0:07:56 | |
Cos I get enough of that with this one. | 0:07:56 | 0:07:59 | |
He's always banging on about the orphans in Sydenham. | 0:07:59 | 0:08:02 | |
It was the Sudan. Nan, don't talk to him. | 0:08:04 | 0:08:06 | |
No. Mrs Taylor, I'm here about a business opportunity... | 0:08:06 | 0:08:09 | |
Oh, I'm not doing any more pyramid schemes. | 0:08:09 | 0:08:12 | |
I once got lumbered with having to shift 3,000 letterheads. | 0:08:12 | 0:08:16 | |
No, I think this is something that actually... | 0:08:16 | 0:08:18 | |
No-one wants gold-embossed stationery with my name at the top - | 0:08:18 | 0:08:21 | |
I see that now. | 0:08:21 | 0:08:23 | |
Mrs Taylor, if you would just let me speak... | 0:08:23 | 0:08:25 | |
Nan, this is the man we're trying to stop. | 0:08:25 | 0:08:27 | |
Mrs Taylor, I'm head of acquisitions from Pressman Developments, | 0:08:27 | 0:08:31 | |
and I have a business proposition | 0:08:31 | 0:08:32 | |
that I believe could make you a lot of money. | 0:08:32 | 0:08:34 | |
Ooh, why didn't you say so? | 0:08:34 | 0:08:36 | |
In you go, son. Ha-ha-ha! | 0:08:36 | 0:08:39 | |
-Go on, go on - you can fix my smoke alarm later. -Oh! | 0:08:39 | 0:08:43 | |
Oh, careful, love, that wall's just been painted. | 0:08:43 | 0:08:46 | |
Ha-ha-ha-ha-ha! | 0:08:46 | 0:08:47 | |
So...Wilmott-Brown... | 0:08:52 | 0:08:56 | |
-No, it's actually Charles Wilmott. -Yeah. | 0:08:56 | 0:08:59 | |
This business opportunity you speak of... | 0:08:59 | 0:09:01 | |
Yes, I knew as soon as I heard about you | 0:09:01 | 0:09:03 | |
-you were an impressive woman. -Oh... | 0:09:03 | 0:09:04 | |
You're not like the others in this building - | 0:09:04 | 0:09:06 | |
-you have foresight... -I do. -..ambition... -You're right. | 0:09:06 | 0:09:09 | |
-..enterprise... -Go on. | 0:09:09 | 0:09:10 | |
And you own your own flat. | 0:09:11 | 0:09:13 | |
Yes, I do. I've always been ahead of the curve. | 0:09:13 | 0:09:15 | |
-Take a seat. -Oh, thank you. | 0:09:15 | 0:09:17 | |
These, erm, these people downstairs... These, er... | 0:09:17 | 0:09:20 | |
Lesbians? | 0:09:20 | 0:09:21 | |
They're getting out of hand and they want to stop us. | 0:09:24 | 0:09:26 | |
Us! Good, honest businesspeople like you and me. | 0:09:26 | 0:09:29 | |
Did I ever tell you about my letterhead scheme? | 0:09:29 | 0:09:31 | |
They need placating and they need guidance, | 0:09:31 | 0:09:34 | |
which is where you come in. | 0:09:34 | 0:09:35 | |
Why? Because you know how these people tick. | 0:09:35 | 0:09:37 | |
You have their ear, they look up to you. | 0:09:37 | 0:09:39 | |
Yeah... I am their favourite. | 0:09:39 | 0:09:43 | |
I'm like a village elder. | 0:09:44 | 0:09:46 | |
I have this saying... | 0:09:48 | 0:09:49 | |
"You can milk an elephant with a coconut... | 0:09:51 | 0:09:55 | |
"..but you can't something something hoof." | 0:09:56 | 0:10:00 | |
Muffin? | 0:10:04 | 0:10:05 | |
Thank you. | 0:10:06 | 0:10:07 | |
I think you and I should join forces | 0:10:07 | 0:10:09 | |
so we can make a better world for both of us. | 0:10:09 | 0:10:11 | |
Are you with me, Mrs Taylor? | 0:10:11 | 0:10:13 | |
I am, love. You and me - a power couple. | 0:10:13 | 0:10:17 | |
Like Jackie O and KFC. | 0:10:17 | 0:10:19 | |
-JFK. -No, thanks, darling. I've already eaten. | 0:10:22 | 0:10:25 | |
-Oh! Flaxseed and aubergine? -Oh, the world's gone mad. | 0:10:26 | 0:10:30 | |
-KNOCK AT DOOR -Nan, I think I've got concussion. | 0:10:31 | 0:10:35 | |
Ha-ha-ha-ha-ha! | 0:10:35 | 0:10:36 | |
Remember, nice and big so people can read them. | 0:10:40 | 0:10:43 | |
Good afternoon. | 0:10:43 | 0:10:44 | |
Mrs Taylor, I thought we discussed this. | 0:10:50 | 0:10:53 | |
I am not here for why you think I am here. | 0:10:53 | 0:10:56 | |
I am here for with my good friend Wilmott-Brown, | 0:10:56 | 0:10:59 | |
to talk to you all lot. | 0:10:59 | 0:11:01 | |
-It's actually Charles Wilmott. -TENANTS GROAN | 0:11:01 | 0:11:03 | |
Hello, everyone. Lovely to see you. May we take to the stage? | 0:11:03 | 0:11:05 | |
We're actually having a private meeting. | 0:11:05 | 0:11:07 | |
That's all right, this won't take long. Mrs Taylor. | 0:11:07 | 0:11:09 | |
Oh, thank you. | 0:11:09 | 0:11:11 | |
-Oh, here we go. -So, as you may have heard... | 0:11:11 | 0:11:13 | |
Testing, testing, one, two, three. | 0:11:13 | 0:11:16 | |
I think it's fine. Thank you, Mrs Taylor. | 0:11:16 | 0:11:17 | |
So, Pressman Developments... | 0:11:17 | 0:11:19 | |
Peter Piper picked a peck of pickled peppers. | 0:11:19 | 0:11:21 | |
-Stop that. -You're welcome. | 0:11:21 | 0:11:22 | |
Now, as you may have heard, Pressman Developments | 0:11:22 | 0:11:24 | |
-have acquired the freehold... -You backed the council into a corner! | 0:11:24 | 0:11:27 | |
I can assure you it was negotiated. | 0:11:27 | 0:11:29 | |
You forced them into bed with the fat cats and the bankers. | 0:11:29 | 0:11:32 | |
Oh, here, she's off again - always in bed with someone. | 0:11:32 | 0:11:35 | |
-I was told I'm being moved to Stoke! -What a shithole. | 0:11:36 | 0:11:39 | |
Stoke has a warm and vibrant history. | 0:11:39 | 0:11:42 | |
Still very much of a shithole. | 0:11:42 | 0:11:44 | |
And I'm being moved to a one-bedroom flat. | 0:11:45 | 0:11:48 | |
Yeah, see, she does like to have a waiting room as well. | 0:11:48 | 0:11:51 | |
All right, Jamie? | 0:11:53 | 0:11:54 | |
Oh, here he is - the walking dead. | 0:11:54 | 0:11:57 | |
I'm not talking to you, Nan. | 0:11:58 | 0:11:59 | |
Well, why not? What have I done? | 0:11:59 | 0:12:02 | |
You know what you've done. | 0:12:02 | 0:12:03 | |
You turned your back on your community | 0:12:03 | 0:12:05 | |
-and teamed up with the enemy. -TENANTS: -Yeah. | 0:12:05 | 0:12:07 | |
Oh, that? Oh, I thought you found out about your car. | 0:12:07 | 0:12:09 | |
-What about my car? -Nothing. | 0:12:11 | 0:12:12 | |
Sorry, Joan, may I go back to the point? | 0:12:13 | 0:12:15 | |
Look, the point is, | 0:12:15 | 0:12:16 | |
we're regenerating and we ain't got room for the likes of you. | 0:12:16 | 0:12:19 | |
TENANTS GROAN | 0:12:19 | 0:12:21 | |
We're bringing in a new breed of resident - | 0:12:21 | 0:12:23 | |
the fashionistas, the Russian oligarchs, | 0:12:23 | 0:12:27 | |
Frank Lampard - | 0:12:27 | 0:12:29 | |
and you lot are being moved to Stoke, and good riddance. | 0:12:29 | 0:12:32 | |
Ha-ha-ha-ha! TENANTS BOO | 0:12:32 | 0:12:34 | |
And it'll serve you right for chucking me out! Ha-ha-ha-ha! | 0:12:34 | 0:12:38 | |
Look, I would like to point out these are not my words at all. | 0:12:38 | 0:12:40 | |
I don't agree with what Mrs Taylor is saying at all. | 0:12:40 | 0:12:42 | |
Start packing! Ha-ha-ha-ha! Oh! | 0:12:42 | 0:12:45 | |
Have a look. Ha-ha... | 0:12:47 | 0:12:49 | |
We're watching a telly programme | 0:12:50 | 0:12:53 | |
of people watching the telly... on the telly. | 0:12:53 | 0:12:58 | |
Ha-ha. | 0:12:58 | 0:12:59 | |
I mean, we're actually watching people watching the telly... | 0:12:59 | 0:13:03 | |
on the telly. | 0:13:03 | 0:13:05 | |
-BOTH: -What a load of old shit. | 0:13:06 | 0:13:09 | |
Ha-ha-ha-ha! | 0:13:10 | 0:13:11 | |
-We have a laugh, don't we? -Yeah. | 0:13:13 | 0:13:16 | |
-Me and you, we're just like that gay couple. -Yes. | 0:13:16 | 0:13:20 | |
Laughing and laughing, watching the telly, eating muffins. | 0:13:21 | 0:13:26 | |
Yes. | 0:13:26 | 0:13:27 | |
So, Joan, do you mind if we talk about the contracts now? | 0:13:27 | 0:13:30 | |
-Here, love, have the last muffin. -Oh, no, you have it. | 0:13:30 | 0:13:33 | |
No, go on, darling. It's the last muffin. | 0:13:33 | 0:13:35 | |
Oh, no, I couldn't. | 0:13:35 | 0:13:36 | |
Go on, you'll enjoy that. It's the last one. | 0:13:36 | 0:13:38 | |
Oh, well, if you insist. | 0:13:38 | 0:13:40 | |
What, you're taking the last muffin? | 0:13:43 | 0:13:45 | |
Yeah. Well, they're very good. | 0:13:46 | 0:13:48 | |
Yeah. Oh, you're having it, are you? | 0:13:48 | 0:13:50 | |
-Yes, thank you. Mm! -Yeah... | 0:13:50 | 0:13:53 | |
Yeah, you'll, er... | 0:13:57 | 0:13:59 | |
You'll enjoy that, won't you, the...last muffin. | 0:13:59 | 0:14:03 | |
-Does it taste nice, do it? -Mm. | 0:14:04 | 0:14:06 | |
It will do, won't it? What, with being the last one. | 0:14:06 | 0:14:09 | |
He's had the last muffin. | 0:14:11 | 0:14:12 | |
Humph! | 0:14:15 | 0:14:16 | |
What a fucking liberty! | 0:14:18 | 0:14:20 | |
SHOUTS: He's had the last muffin, the man! | 0:14:22 | 0:14:25 | |
"Would you like the last muffin?" | 0:14:25 | 0:14:27 | |
"Oh, no, I couldn't possibly." | 0:14:27 | 0:14:29 | |
Then he's turned around and eaten the last fucking muffin! | 0:14:29 | 0:14:33 | |
Dirty fucking muffin-guzzling bastard! | 0:14:33 | 0:14:37 | |
Do you want a cup of tea, love? | 0:14:39 | 0:14:40 | |
No, I think I'm fine. | 0:14:43 | 0:14:44 | |
I think it's time we dealt with the contracts, though. | 0:14:44 | 0:14:47 | |
I do need you to sign them. | 0:14:47 | 0:14:48 | |
What's that, darling? | 0:14:48 | 0:14:50 | |
Well, it's what we've been discussing. | 0:14:50 | 0:14:51 | |
It's what we've discussed for days now, the sale of your flat. | 0:14:51 | 0:14:54 | |
Oh! Oh, I ain't selling my flat. | 0:14:54 | 0:14:56 | |
Mrs Taylor, we've been through this. | 0:14:57 | 0:14:59 | |
With the money you make from the sale, | 0:14:59 | 0:15:00 | |
-you're going to move somewhere nice. You...you did say. -Did I? | 0:15:00 | 0:15:03 | |
Well, between Pointless and Gogglebox I'm barely conscious. | 0:15:03 | 0:15:06 | |
But you must realise you... you can't stay here. | 0:15:08 | 0:15:11 | |
Why not, love? This is where I live. | 0:15:11 | 0:15:13 | |
And with that mob gone, we'll be laughing. | 0:15:13 | 0:15:15 | |
I don't think you understand. | 0:15:17 | 0:15:18 | |
It's not just the building we're improving, it's the clientele. | 0:15:18 | 0:15:21 | |
Oh, I know, darling. | 0:15:21 | 0:15:22 | |
I can't wait to meet me new neighbours - | 0:15:22 | 0:15:24 | |
Vorderman, Sugar, Manilow... | 0:15:24 | 0:15:28 | |
whoever it was won The Voice. | 0:15:28 | 0:15:30 | |
But Mrs Taylor, you won't be here. | 0:15:33 | 0:15:36 | |
Oh, yes, I will, darling, and I shall fit right in. | 0:15:36 | 0:15:39 | |
Now, pack it up cos the posh drunks are on. | 0:15:39 | 0:15:42 | |
-Mrs Taylor, I've done everything you've asked of me. -Yeah. | 0:15:43 | 0:15:45 | |
-I fixed your lamp. -Yeah. -I fixed your smoke alarm. -Ah. | 0:15:45 | 0:15:48 | |
I spent three days looking for your remote | 0:15:48 | 0:15:50 | |
-which, it turns out, you left in the fridge. -Ha-ha-ha. | 0:15:50 | 0:15:53 | |
All I asked of you was to help me | 0:15:53 | 0:15:55 | |
and all you did was mess everything up. | 0:15:55 | 0:15:57 | |
Now take the cheque and sign the contract. | 0:15:57 | 0:15:59 | |
But...but why can't I stay? | 0:15:59 | 0:16:02 | |
Because my clients don't want to see a throwback old Cockney washerwoman | 0:16:03 | 0:16:07 | |
cluttering up their new luxury apartments. | 0:16:07 | 0:16:09 | |
Now take the money and piss off! | 0:16:09 | 0:16:12 | |
Well, well, well... | 0:16:15 | 0:16:17 | |
..Wilmott-Brown. | 0:16:18 | 0:16:20 | |
You shown your true colours, ain't you, son? | 0:16:23 | 0:16:25 | |
I didn't like you when you ran The Dagmar | 0:16:27 | 0:16:29 | |
and I don't like you now. | 0:16:29 | 0:16:31 | |
And if you think I can be bought | 0:16:37 | 0:16:41 | |
with your dirty corporate money, | 0:16:41 | 0:16:42 | |
you can think again. | 0:16:42 | 0:16:45 | |
Now, get out of my flat | 0:16:45 | 0:16:46 | |
because the Lilt Ladies are about to watch Poldark. | 0:16:46 | 0:16:49 | |
SHE FARTS | 0:16:52 | 0:16:54 | |
And if I am not very much mistaken, | 0:17:00 | 0:17:03 | |
I've just ponied myself. | 0:17:03 | 0:17:05 | |
Come on, people, we can't lose momentum now. | 0:17:10 | 0:17:12 | |
The fight to save the estate is officially on! | 0:17:12 | 0:17:15 | |
-TENANTS: -Yay! -We have 10,000 names on the petition... -Yay! | 0:17:15 | 0:17:18 | |
..and we are marching on Westminster tomorrow morning! | 0:17:18 | 0:17:21 | |
-Hooray! -Here she is! TENANTS GRUMBLE | 0:17:21 | 0:17:25 | |
She's come up and see you! | 0:17:25 | 0:17:26 | |
She's come to save the day. | 0:17:26 | 0:17:28 | |
How dare you show your face in here, | 0:17:28 | 0:17:30 | |
you self-serving, nasty, poisonous old witch. | 0:17:30 | 0:17:33 | |
No need to apologise. | 0:17:33 | 0:17:36 | |
We're all friends here. | 0:17:36 | 0:17:37 | |
Right, everyone, just ignore her. | 0:17:37 | 0:17:38 | |
I can't believe what I'm seeing. | 0:17:38 | 0:17:41 | |
Where's your fight? | 0:17:41 | 0:17:42 | |
-It's time you stood up for yourselves. -We are! | 0:17:42 | 0:17:45 | |
Do you mind? I'm speaking. | 0:17:45 | 0:17:47 | |
I say we get a petition signed and march to Westminster. | 0:17:47 | 0:17:52 | |
We're already going to Westminster! | 0:17:52 | 0:17:54 | |
See, that's impressive - I've only just suggested that. | 0:17:54 | 0:17:57 | |
See what happens when I take the lead? | 0:17:57 | 0:17:59 | |
I cannot express how much we don't need you. | 0:17:59 | 0:18:02 | |
Well, you might change your mind when I tell you | 0:18:02 | 0:18:04 | |
the secret information I have managed to purloin. | 0:18:04 | 0:18:06 | |
What's that, then? | 0:18:06 | 0:18:07 | |
Wilmott-Brown is moving you all to Stoke. | 0:18:07 | 0:18:09 | |
-TENANTS GRUMBLE -I told you that! | 0:18:09 | 0:18:12 | |
And I will be addressing that this evening | 0:18:12 | 0:18:14 | |
when I appear on Newsnight. | 0:18:14 | 0:18:15 | |
What?! You can't go on Newsnight. | 0:18:15 | 0:18:18 | |
-Why not? -Well...because of this. | 0:18:18 | 0:18:21 | |
And this. | 0:18:23 | 0:18:24 | |
But mainly this. | 0:18:24 | 0:18:26 | |
Mrs Taylor, please. | 0:18:26 | 0:18:27 | |
You need me out there with you, love. | 0:18:27 | 0:18:30 | |
I mean, no disrespect, sweetheart, | 0:18:30 | 0:18:32 | |
but you've got a face like a ruptured arse. | 0:18:32 | 0:18:34 | |
I think I'll do perfectly well without you. | 0:18:37 | 0:18:40 | |
Yeah, I hear what you're saying - we'll both go. | 0:18:40 | 0:18:42 | |
No, it'll just be me. | 0:18:42 | 0:18:43 | |
-Just me and you - understood. -Stop it. | 0:18:43 | 0:18:45 | |
I like your shoes. | 0:18:45 | 0:18:47 | |
Why are you suddenly interested?! | 0:18:47 | 0:18:49 | |
Because I care about each and every one of you. | 0:18:49 | 0:18:52 | |
-TENANTS GRUMBLE -No, you don't. -No, I don't. | 0:18:52 | 0:18:54 | |
But Wilmott-Brown ate my last muffin | 0:18:55 | 0:18:58 | |
and now I'm going to destroy him. | 0:18:58 | 0:19:01 | |
Oh, please go away! | 0:19:02 | 0:19:03 | |
Come on, then! Off we go! Come on, everyone together! | 0:19:03 | 0:19:07 | |
Peggy, try not to boff anyone before you get there. | 0:19:07 | 0:19:10 | |
There is no way you are coming with me on Newsnight. | 0:19:10 | 0:19:14 | |
With my looks and your...shoes, we'll take this town by storm. | 0:19:14 | 0:19:18 | |
You are not coming! | 0:19:18 | 0:19:20 | |
Shall I wear the shoes? | 0:19:20 | 0:19:22 | |
Ugh! | 0:19:22 | 0:19:23 | |
Tonight on Newsnight, residents from a council block in East London | 0:19:30 | 0:19:33 | |
who are fighting back against, what they call, social cleansing. | 0:19:33 | 0:19:37 | |
We're joined by Charles Wilmott, for Pressman Developments, | 0:19:37 | 0:19:40 | |
and Lorna Finch and Joan Taylor, | 0:19:40 | 0:19:42 | |
the heads of the tenants' association for Mason House. | 0:19:42 | 0:19:45 | |
Head. Head of the association. | 0:19:45 | 0:19:49 | |
JOAN SPITS | 0:19:49 | 0:19:51 | |
OK. Let's, er, let's start with you, er, Mrs Finch. | 0:19:52 | 0:19:55 | |
Well, it's miss, natch. | 0:19:55 | 0:19:58 | |
-May I speak freely? -Yes. No, do, do. | 0:19:59 | 0:20:02 | |
You look a lot different in the flesh, Paxo. | 0:20:03 | 0:20:06 | |
Can I call you Paxo, Paxo? Ha-ha-ha. | 0:20:06 | 0:20:08 | |
You had a bit of work done? | 0:20:08 | 0:20:10 | |
What's happened to your eyes? What's happened to your ears? | 0:20:10 | 0:20:12 | |
Actually, I'm not Jeremy Paxman. | 0:20:12 | 0:20:14 | |
He's Evan Davis. | 0:20:14 | 0:20:16 | |
What, from the Dragons' Den?! | 0:20:16 | 0:20:18 | |
Blimey! You landed on your feet, ain't ya? | 0:20:18 | 0:20:20 | |
Look, may I speak? | 0:20:22 | 0:20:23 | |
I don't know how you got the nerve after what you did to Kathy Beale. | 0:20:23 | 0:20:26 | |
Yes, thank you, Mrs Taylor... | 0:20:31 | 0:20:33 | |
Please, please can we just try and stay on the topic? | 0:20:33 | 0:20:36 | |
Look, the issue, as far as I'm concerned, | 0:20:36 | 0:20:38 | |
is about progress and people's fear of it. | 0:20:38 | 0:20:40 | |
No, the issue is about fairness and choice. | 0:20:40 | 0:20:42 | |
Sh. Love, I don't think they speak lesbian on the telly. | 0:20:42 | 0:20:46 | |
-Now, that is offensive. We're not having any of that. -Shame. | 0:20:48 | 0:20:51 | |
I much prefer Paxo. | 0:20:53 | 0:20:55 | |
Mr Wilmott, the charges that are being levelled against your company | 0:20:55 | 0:20:58 | |
are pretty serious. | 0:20:58 | 0:20:59 | |
All right, Duncan Bannatyne, I'll deal with this. | 0:20:59 | 0:21:03 | |
We can all run a leisure centre... | 0:21:03 | 0:21:05 | |
..but this is Newsnight, love. I know how this works. | 0:21:06 | 0:21:09 | |
Wilmott-Brown... | 0:21:11 | 0:21:13 | |
Not my name. | 0:21:14 | 0:21:15 | |
Just one question... | 0:21:15 | 0:21:17 | |
did you take my last muffin? | 0:21:17 | 0:21:19 | |
-Excuse me? -Did you take my last muffin, Wilmott-Brown? | 0:21:22 | 0:21:25 | |
-Sorry, is that your actual question? -Did you take my last muffin? | 0:21:25 | 0:21:28 | |
-Look... -Simple yes or no - did you take my last muffin? | 0:21:28 | 0:21:30 | |
-Could we just stay on topic? -Answer the question, Wilmott-Brown. | 0:21:30 | 0:21:33 | |
-Did you take my last muffin? -It's not about... | 0:21:33 | 0:21:35 | |
-Did you take my last muffin? -I think... | 0:21:35 | 0:21:37 | |
-Did you or did you not take my last muffin? -Mrs Taylor... | 0:21:37 | 0:21:39 | |
-Did you take my last muffin? -Mrs... -Did you take my last muffin? | 0:21:39 | 0:21:42 | |
Did you take my last muffin? | 0:21:42 | 0:21:44 | |
Fine! Yes, I took your last muffin. | 0:21:44 | 0:21:46 | |
And that is how it's done. | 0:21:46 | 0:21:47 | |
Time for the weather. | 0:21:48 | 0:21:50 | |
OK. I think maybe it's time we gave Ms Finch and Mr Wilmott | 0:21:54 | 0:21:59 | |
a bit of a chance to have their say. | 0:21:59 | 0:22:01 | |
Oh, right. Well, suit yourself. | 0:22:01 | 0:22:03 | |
Mr Wilmott, none of the tenants were offered any say | 0:22:03 | 0:22:06 | |
in where they would be relocated. | 0:22:06 | 0:22:07 | |
Well, that is blatantly not true. | 0:22:07 | 0:22:09 | |
You were all sent detailed letters explaining all of your options. | 0:22:09 | 0:22:11 | |
Our lack of options! | 0:22:11 | 0:22:13 | |
Well, if you can afford the rent, then nothing has to change. | 0:22:13 | 0:22:16 | |
New batch. | 0:22:16 | 0:22:17 | |
But, Mr Wilmott, the danger is you talk of progress | 0:22:19 | 0:22:22 | |
while ignoring all the people who it negatively impacts. | 0:22:22 | 0:22:24 | |
Exactly, Evan. We're being moved around like cattle, | 0:22:24 | 0:22:27 | |
while his company profits from it. | 0:22:27 | 0:22:28 | |
You make it sound like we're throwing you out on the street. | 0:22:28 | 0:22:31 | |
Oh, that is delicious. | 0:22:35 | 0:22:36 | |
Look, as far as we're concerned, this came out of nowhere. | 0:22:36 | 0:22:39 | |
-Moist. -Look around you - | 0:22:39 | 0:22:41 | |
you are living in one of the richest boroughs in London... | 0:22:41 | 0:22:44 | |
-Moist and delicious. -..and your building doesn't reflect that. | 0:22:44 | 0:22:46 | |
-Moist... -But, Mr... -..but still with a bit of a bite. | 0:22:46 | 0:22:49 | |
Mr Wilmott, that doesn't automatically mean | 0:22:49 | 0:22:51 | |
the homes have to follow suit, does it? | 0:22:51 | 0:22:53 | |
I won't be a minute. | 0:22:54 | 0:22:55 | |
This is the sort of the cold-hearted ruthlessness I'm talking about. | 0:22:56 | 0:22:59 | |
-It's not ruthless, it's realistic. -It's injustice! | 0:22:59 | 0:23:03 | |
JOAN FARTS | 0:23:03 | 0:23:05 | |
JOAN CONTINUES TO FART | 0:23:07 | 0:23:10 | |
Oh! That was one I didn't want. | 0:23:15 | 0:23:18 | |
There is, of course, the very real issue of the locals | 0:23:27 | 0:23:31 | |
who can now no longer afford to live in their own area. | 0:23:31 | 0:23:34 | |
Exactly, Evan. | 0:23:34 | 0:23:35 | |
We can all pretend there's such a thing as a free market, but... | 0:23:36 | 0:23:39 | |
We can also pretend that... | 0:23:39 | 0:23:41 | |
..that money isn't important. | 0:23:43 | 0:23:45 | |
Cor blimey, crack a window, someone! | 0:23:45 | 0:23:47 | |
She's poisoning me! | 0:23:49 | 0:23:51 | |
Well, thank you all so much for coming in. | 0:23:53 | 0:23:56 | |
Don't worry, love, they'll edit you out. | 0:24:00 | 0:24:02 | |
Well, that's the end of the road. | 0:24:05 | 0:24:07 | |
We did what we could. It wasn't enough, and I'm sorry. | 0:24:07 | 0:24:10 | |
Oi, oi! Here she is! Victorious! Autographs later. | 0:24:10 | 0:24:15 | |
Victorious? Have you lost your mind? You've absolutely annihilated us. | 0:24:15 | 0:24:19 | |
How's that? | 0:24:19 | 0:24:20 | |
Every ounce of credibility we had is gone. | 0:24:20 | 0:24:22 | |
The campaign's dead in the water, we're a laughing stock. | 0:24:22 | 0:24:25 | |
Well, that's a bit harsh. | 0:24:25 | 0:24:26 | |
You farted on Newsnight... | 0:24:26 | 0:24:30 | |
for 11 seconds. | 0:24:30 | 0:24:32 | |
That could've been any one of us. | 0:24:33 | 0:24:36 | |
Well, I for one would certainly like to thank you, Joan. | 0:24:36 | 0:24:38 | |
Oh, what are you doing here? Come to gloat? | 0:24:38 | 0:24:40 | |
No, not at all. I'm very grateful for what you did. | 0:24:40 | 0:24:42 | |
Thanks to Joan here, | 0:24:42 | 0:24:44 | |
you all now have one month to vacate your premises - | 0:24:44 | 0:24:47 | |
-government-approved. -TENANTS GRUMBLE | 0:24:47 | 0:24:49 | |
Oh... | 0:24:49 | 0:24:51 | |
Still, be that as it may, | 0:24:52 | 0:24:55 | |
are we all agreed it is in very bad form to take the last muffin? | 0:24:55 | 0:24:59 | |
No-one cares, Nan. | 0:24:59 | 0:25:01 | |
Do you not get this? We have lost our homes. | 0:25:01 | 0:25:04 | |
Oh, where's your fight? This ain't over! | 0:25:04 | 0:25:08 | |
Have I got to do everything myself? | 0:25:08 | 0:25:11 | |
I hope you're pleased with yourself, Mr Wilmott. | 0:25:11 | 0:25:13 | |
You don't know the meaning of the word community. | 0:25:13 | 0:25:15 | |
Community? You people wear that word like a medal, | 0:25:15 | 0:25:19 | |
like it means something. | 0:25:19 | 0:25:20 | |
It means that we're good, honest, hard-working people | 0:25:20 | 0:25:26 | |
who support each other no matter what our sexual orientation. | 0:25:26 | 0:25:30 | |
Be we straight... | 0:25:32 | 0:25:34 | |
lesbian... | 0:25:34 | 0:25:36 | |
..Vietnamese... | 0:25:37 | 0:25:38 | |
..head like a pig... | 0:25:40 | 0:25:41 | |
..or prostitute. | 0:25:42 | 0:25:44 | |
-Decent people who are prepared to fight to the end. TENANTS: -Yeah. | 0:25:45 | 0:25:50 | |
No. Layabouts, abandoners, scum. | 0:25:50 | 0:25:55 | |
Well, I must admit, I do agree to a certain extent. | 0:25:55 | 0:25:59 | |
But nonetheless, it's time for action, | 0:25:59 | 0:26:01 | |
and you will see us united in chains rather than give up our homes, right? | 0:26:01 | 0:26:07 | |
-TENANTS: -Yeah! | 0:26:07 | 0:26:08 | |
Oh, spare me the salt of the earth, we-take-care-of-our-own bit | 0:26:08 | 0:26:13 | |
because I know you don't. | 0:26:13 | 0:26:14 | |
And nothing makes me happier than to see | 0:26:14 | 0:26:16 | |
the people who abandoned me get what they deserve. | 0:26:16 | 0:26:18 | |
Well, I mean, look, these are a mess. | 0:26:18 | 0:26:19 | |
What do you mean abandoned? | 0:26:19 | 0:26:21 | |
Well, if you must know, | 0:26:21 | 0:26:22 | |
I was born right here on this estate, | 0:26:22 | 0:26:25 | |
but I wasn't raised here because... | 0:26:25 | 0:26:26 | |
Well, because my mother didn't want me. | 0:26:26 | 0:26:28 | |
That's the proud, upstanding community you're talking about. | 0:26:28 | 0:26:31 | |
What a load of old shit. | 0:26:31 | 0:26:33 | |
-So, did you ever find your mother? -No. Don't even know her name. | 0:26:33 | 0:26:36 | |
All I do know is that | 0:26:36 | 0:26:37 | |
she's a selfish, heartless, inconsiderate monster. | 0:26:37 | 0:26:40 | |
Oh, and she had red hair. | 0:26:40 | 0:26:42 | |
I mean, I won't let them beat me. | 0:26:45 | 0:26:47 | |
Hold on a minute. So your mum was a nasty, selfish, abandoning woman | 0:26:47 | 0:26:52 | |
who lived on this estate... and had red hair? | 0:26:52 | 0:26:55 | |
What? | 0:26:56 | 0:26:57 | |
Mum? | 0:27:00 | 0:27:01 | |
Oh, don't look at me, love - mine was out of a bottle. | 0:27:01 | 0:27:04 | |
Son? | 0:27:04 | 0:27:05 | |
Mum? | 0:27:06 | 0:27:08 | |
Peggy? | 0:27:08 | 0:27:09 | |
Mum? | 0:27:09 | 0:27:10 | |
Course it's Peggy. Her knees ain't touched since 1952. | 0:27:10 | 0:27:15 | |
I am so sorry, son. | 0:27:19 | 0:27:22 | |
Oh, it broke my heart to give you up, | 0:27:22 | 0:27:24 | |
but you were born in a brothel - dem's da rules. | 0:27:24 | 0:27:27 | |
You don't know how long I've waited to hear those words. | 0:27:27 | 0:27:30 | |
Ugh! | 0:27:31 | 0:27:32 | |
Well, I can't believe this. I don't know what to say. | 0:27:34 | 0:27:37 | |
Well, what I do know is nobody's going to Stoke, | 0:27:37 | 0:27:40 | |
not on my watch. | 0:27:40 | 0:27:42 | |
You can all stay here! | 0:27:42 | 0:27:43 | |
THEY CHEER I did it! I saved the estate! | 0:27:43 | 0:27:48 | |
Come on, let's have a knees-up! | 0:27:49 | 0:27:51 | |
Wilmott-Brown, do the honours, son! | 0:27:51 | 0:27:54 | |
-ALL: -# Oh, knees up, Wilmott-Brown | 0:27:56 | 0:27:58 | |
# Knees up, Wilmott-Brown | 0:27:58 | 0:28:00 | |
# Under the table you must go | 0:28:00 | 0:28:02 | |
-# Ee-aye, ee-aye, ee-aye-oh... # -Who's got the keys? | 0:28:02 | 0:28:04 | |
I'm locked in! | 0:28:04 | 0:28:05 | |
Go and get the keys! | 0:28:05 | 0:28:08 | |
Get the fucking keys, someone. | 0:28:08 | 0:28:09 | |
# Knees up, Wilmott-Brown. # | 0:28:09 | 0:28:11 | |
Ain't this nice, hey? | 0:28:15 | 0:28:17 | |
You all right, Jaim? | 0:28:17 | 0:28:19 | |
Mm, mm... | 0:28:19 | 0:28:21 | |
Here, Lorna, you could've brought | 0:28:21 | 0:28:22 | |
one of your lesbian mates up here, you know, love - I don't mind. | 0:28:22 | 0:28:26 | |
I'm not a lesbian. | 0:28:26 | 0:28:27 | |
I don't know why you're so defensive, darling. | 0:28:27 | 0:28:30 | |
I mean, we were all at it during the war. | 0:28:30 | 0:28:32 | |
-You had to. -Well, I must say I'm surprised. | 0:28:33 | 0:28:36 | |
Oh, yeah. | 0:28:36 | 0:28:37 | |
Me and Maggie Griffith, we were the first round here. | 0:28:37 | 0:28:40 | |
And it wasn't as accepted, you know, like it is nowadays. | 0:28:40 | 0:28:44 | |
They used to shout at us in the streets. | 0:28:44 | 0:28:47 | |
"Look out! The lesbians are here!" | 0:28:47 | 0:28:49 | |
Not lesbians, vegans. | 0:28:51 | 0:28:53 | |
I must say, Joan, you've shown a lot of character this week. | 0:28:56 | 0:28:59 | |
Oh, how's that, darling? | 0:28:59 | 0:29:00 | |
Well, there's not many people who've torn up a cheque | 0:29:00 | 0:29:03 | |
without even looking at it. | 0:29:03 | 0:29:04 | |
When did I do that? | 0:29:04 | 0:29:05 | |
When you turned down the 1.8 million? | 0:29:05 | 0:29:06 | |
How much? | 0:29:08 | 0:29:09 | |
1.8 million. | 0:29:10 | 0:29:11 | |
That's how much the cheque was for your flat. | 0:29:11 | 0:29:14 | |
1.8 million? | 0:29:14 | 0:29:16 | |
1.8 fucking million? | 0:29:17 | 0:29:20 | |
I'd tear the place down with me own bare hands | 0:29:20 | 0:29:23 | |
for 1.8 fucking million! | 0:29:23 | 0:29:26 |