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This programme contains adult Hello. I'm Charlie Brooker and you | :02:23. | :02:30. | |
are watching Weekly Wipe. Britain's least comfortable man. David | :02:30. | :02:32. | |
Cameron was surprised by the reception he received from the One | :02:32. | :02:38. | |
Direction, but he he doesn't know he is beautiful. Scenes caught on | :02:38. | :02:48. | |
:02:48. | :02:52. | ||
Panorama as Iceland's boss spells out his meat meat testing policy. | :02:52. | :03:02. | |
B beef. Obesity footage. And young British | :03:02. | :03:05. | |
backpacker finds himself stranded in Daybreak. | :03:06. | :03:11. | |
I am happy to say that Sam and his mum, Claire, join us from Australia. | :03:11. | :03:18. | |
We start here. The Catholic Church in shock as the | :03:18. | :03:24. | |
Pope says, "I quit.". The world's holiest man pulled the most | :03:24. | :03:26. | |
spectacular sickie. Reporters ran around telling everyone the news | :03:26. | :03:31. | |
about the Pope's resignation and let me tell you, they were shocked. | :03:31. | :03:35. | |
Truly shocked. Oh, I'm so shocked. | :03:35. | :03:43. | |
See! I mean who can believe it? The Pope has resigned. You are joking. | :03:43. | :03:46. | |
The Pope? Oh my god. | :03:46. | :03:53. | |
As you could see, papal traditions include being carted around in a | :03:53. | :03:58. | |
Perspex box and posing for merchandise, appearing on Jools | :03:58. | :04:03. | |
Holland and as captured on Vatican television, watching young men | :04:03. | :04:10. | |
peeling their clothes off, before forming a big tower as the nuns | :04:10. | :04:19. | |
look on. He had enough and announced his departure. I hope God | :04:19. | :04:23. | |
will give him a good reference. At least Benedict was polite enough | :04:23. | :04:30. | |
to resune. The last Pope just stopped showing up to work. We got | :04:30. | :04:36. | |
how good a Pope he was. Pope Benedict, a man of wisdom, | :04:36. | :04:41. | |
there is no such thing as instant wis do. | :04:41. | :04:45. | |
-- wisdom. Anyway, now the Pope had poped off, | :04:45. | :04:51. | |
the news was concern with who was next? Peck was old when he got the | :04:51. | :04:54. | |
-- Pope Benedict was old when he got the job. | :04:54. | :05:04. | |
The news began profiling the youthful new candidates in scenes | :05:04. | :05:08. | |
which resembled beat'em up. Peter Turkson wins. | :05:08. | :05:17. | |
Or a run-down of competitors in the over 75s category on X Factor. | :05:17. | :05:20. | |
Maybe Louis Walsh would come in and get them to form a group. There was | :05:20. | :05:25. | |
the possibility of a black Pope. A black Pope sounds like a new | :05:25. | :05:28. | |
Quentin Tarantino movie. I guess you could say it would be a dark | :05:28. | :05:32. | |
reboot for the Pope franchise if you were racist. | :05:32. | :05:38. | |
Anyway, we will have to wait until March to find out who is going to | :05:38. | :05:43. | |
play Popeman. You can tell when it has has happened because the white | :05:43. | :05:47. | |
smoke comes out and he comes out with a new head on, the Pope does | :05:47. | :05:51. | |
that. You are joking, the Pope? Oh my god. | :05:51. | :05:56. | |
You know what it is like when something you have seen gets | :05:56. | :06:01. | |
snapped up by Hollywood and makes it more violent and crowd pleasing, | :06:01. | :06:08. | |
well they have down that with a Raoul Moat story or the Christopher | :06:08. | :06:12. | |
Dorner story. He had the looks of Danny Glover and the insanity of | :06:12. | :06:16. | |
Mel Gibson. The US news was recounting this tale of a former LA | :06:16. | :06:22. | |
PD officer on the run vowing revenge against everyone he said | :06:22. | :06:26. | |
had crossed him. They present it had like a thriller. Of course, he | :06:26. | :06:28. | |
know has he is doing, we trained him. | :06:28. | :06:33. | |
A manhunt for one of his own. He was a member of the of the armed | :06:33. | :06:38. | |
forces. He is armed and dangerous. | :06:38. | :06:44. | |
Dorner vanish forcing the news to construct a full blown panic from a | :06:44. | :06:52. | |
handful of photographs and blurry CCTV and countless alarm graphics. | :06:52. | :06:58. | |
Some US news outfits went out of their way not to glorify the killer | :06:58. | :07:02. | |
with CNN's Anderson Cooper using the killer's name as little as | :07:03. | :07:05. | |
possible. Everybody knows the person's name. | :07:05. | :07:10. | |
A shot of the times these shooters want attention. They want their | :07:10. | :07:16. | |
names to live on. The news networks were flinging | :07:16. | :07:26. | |
:07:26. | :07:32. | ||
every dorn every Dorner person. is a 300lb dummy. In is 300lbs. | :07:33. | :07:38. | |
This is a strong man? Right. And treated to reminders of his | :07:38. | :07:44. | |
arsenal. He Weaponry that he might be able to shoot into the sky. P. | :07:44. | :07:50. | |
If America banned guns, the only way for maniacs to become famous is | :07:50. | :07:59. | |
to sing on talent shows. Dorner's minute was being -- mind was being | :07:59. | :08:09. | |
:08:09. | :08:17. | ||
probed. He is a classic 81 nar narsasist. | :08:17. | :08:21. | |
Thank you. A good interview. | :08:21. | :08:28. | |
What are you up to after the rampage? The news was pouring over | :08:29. | :08:37. | |
Dorner's manifesto. This Is my last resort the LAPD suppressed the | :08:37. | :08:41. | |
truth and it led to deadly consequences. | :08:41. | :08:48. | |
He listed celebrities he liked and praised Michelle Obama's new fringe. | :08:48. | :08:53. | |
As well as haircuts, he praised left-wingers like Mia Farrow and | :08:53. | :09:01. | |
Hillary Clinton. Dorner's admiration for left-wingers annoyed | :09:01. | :09:07. | |
Sean Hannity. Those on the left are dismissing the notion that his | :09:07. | :09:13. | |
shooting his rampage had anything to do with his political ideology. | :09:13. | :09:17. | |
Just Just because this guy liked left-wingers, I don't like him, I | :09:17. | :09:23. | |
blame them. You blame him. Yes, do I not blame | :09:23. | :09:33. | |
:09:33. | :09:37. | ||
them. Gazza turned up offering to help out in the Raoul Moat story. | :09:37. | :09:40. | |
Christopher Dorner there, is Charlie Sheen. You mentioned me in | :09:40. | :09:43. | |
your manifesto. Thank you for your kind words. I am urging you to call | :09:43. | :09:47. | |
me. Let's figure out together how to end this thing. | :09:47. | :09:51. | |
We should work out to end this thing. If you ask me, this third | :09:51. | :09:56. | |
act is kind of depressing, Chris. The third act panned out like any | :09:56. | :10:00. | |
modern blockbuster, there was speeding cars and more guns and a | :10:00. | :10:06. | |
violent siege finale. Then as the vulture cam circled on | :10:06. | :10:11. | |
all news networks the police set fire to the cabin and Christopher | :10:11. | :10:16. | |
Dorner perished inside. Of course, this kind of thing has | :10:16. | :10:19. | |
become so repetitive in the US, it is a movie everyone has seen before | :10:19. | :10:24. | |
about 100 times and so it came to pass that as Christopher Dorner's | :10:24. | :10:29. | |
corpse burnt on live television, an unimpressed Bill O'Reilly through | :10:29. | :10:33. | |
languidly to a break. We believe that if the Associated | :10:33. | :10:37. | |
Press is correct that this guy is toast. All right, he is either | :10:37. | :10:42. | |
probably dead, either by suicide or the police got him. But we will | :10:42. | :10:46. | |
keep you posted and we will be back in a moment. | :10:46. | :10:50. | |
There was this programme called Wonderful Life which was about how | :10:50. | :10:55. | |
science did all the life. It was like this holiday thing where Marco | :10:55. | :10:59. | |
went out of Take That goes around the world and looks like things | :10:59. | :11:05. | |
like he is on an album cover or one of his unpopular solo projects. Tas | :11:05. | :11:07. | |
lovely holiday and then something goes wrong. | :11:07. | :11:11. | |
He is on his own and he looks like he is thinking and you are like, | :11:11. | :11:16. | |
this is trouble. And sure enough, he starts saying all this moody | :11:16. | :11:19. | |
stuff. What is it that makes something | :11:19. | :11:24. | |
alive? What is the difference between the living and the dead? | :11:24. | :11:28. | |
What is life... Well, my friend Paul went to Thailand, he a bad | :11:28. | :11:32. | |
pill and ended up crying and trying to run into the sea for three weeks | :11:32. | :11:36. | |
and this is just like that. It is like he had a bad pill. He walks | :11:36. | :11:41. | |
around all night, through a sort of burning graveyard until he starts | :11:41. | :11:46. | |
sounding all stoned and depressed. It is hard to accept when you die, | :11:46. | :11:51. | |
you will stop existing and you are, your life, the essence of you, is | :11:51. | :11:57. | |
just really something that emerges from an inan mat bag of stuff. | :11:57. | :12:04. | |
That's when his mind totally snaps and he spends the rest of his | :12:04. | :12:08. | |
holiday spiralling out of control. He builds stuff out of bottles. | :12:09. | :12:14. | |
stuff he says gets madder and madder until you are like, "Someone | :12:14. | :12:20. | |
has to step in and get this bloke help." The chicken is radiating | :12:20. | :12:24. | |
disorder out into the wider universe. And it is sad because he | :12:24. | :12:29. | |
really wants you to understand what he is on about. He doesn't know it | :12:29. | :12:33. | |
is pointless. Then he starts peaking and has all these crazy man | :12:34. | :12:38. | |
visions where he sees the whole galaxy in his head and he describes | :12:38. | :12:42. | |
this hippie stuff. Just by by being alive, we too, are | :12:42. | :12:45. | |
part of the process of energy transformation that drives the | :12:45. | :12:50. | |
evolution of the universe. And then he looks calm and you realise that | :12:50. | :12:55. | |
he thinks he found the meaning of life. Even though he is past help, | :12:55. | :13:00. | |
you think, "Fair enough mate, good for you. Enjoy the rest of your | :13:00. | :13:06. | |
holiday. Try and not to run into the sea.". I wonder what is going | :13:06. | :13:13. | |
on in the world? Our main store story at at least one meteor has | :13:13. | :13:18. | |
come down in sen Central London injuring at least 500 people. | :13:18. | :13:28. | |
:13:28. | :13:32. | ||
Christ. Oh my god. Forgive me, I think said Central London, I meant | :13:32. | :13:35. | |
central Russia. Thank God for that. Russia has been | :13:35. | :13:39. | |
destroyed. This a series of pant browning | :13:39. | :13:47. | |
images, great God almighty tossed a rock at the Earth which resembled a | :13:47. | :13:53. | |
game of Angry Birds. News Channels had been in training for the end of | :13:53. | :13:59. | |
the world. The blast blew out windows and rocked offices and | :13:59. | :14:03. | |
disrupted charming school lessons and injured hundreds, but looked | :14:03. | :14:08. | |
amazing on telly. A massive asteroid was headed for | :14:08. | :14:11. | |
our fragile earth bauble and the scientists who were promise it | :14:11. | :14:17. | |
wouldn't hit us were the same ones who hadn't seen the Russian meteor | :14:17. | :14:25. | |
coming. The One Show put a clock on the | :14:25. | :14:34. | |
screen. Life continues. In the event, the near miss looked | :14:34. | :14:42. | |
painfully boring compared to the Michael story. Guess who has got | :14:42. | :14:47. | |
the highest score of all time on asteroids? Yes, that's right, the | :14:47. | :14:54. | |
Pope. You are joking, the Pope? Oh my god. | :14:54. | :15:04. | |
:15:04. | :15:07. | ||
This is a poem about ast asteroid. An asteroid was heading to earth. | :15:07. | :15:13. | |
Obama bolt and The Queen hired a meeting room above a pub and after | :15:13. | :15:20. | |
some some some banter they hatched a plan. Russian timber and Indian | :15:20. | :15:26. | |
rope and then god himself would swing out and catch the asteroid in | :15:26. | :15:32. | |
the net and the French would eat it. Everyone on the planet who had an | :15:32. | :15:37. | |
access to a telly and an interest in current affairs tuned in to | :15:37. | :15:42. | |
watch their press conference, during which the asteroid hit and | :15:42. | :15:45. | |
everyone apart from some Eskimoes were wiped out. That particular | :15:46. | :15:54. | |
telly cast was all the Eskimoes spoke about as they fished for for | :15:54. | :15:58. | |
seals and drank heavily. You know who comes across well? | :15:58. | :16:04. | |
People in reality shows. I will tell you agrees with that statement, | :16:04. | :16:11. | |
Doug Stanhope. I am Doug Stanhope and that's why I | :16:11. | :16:16. | |
drink. At some point in the history of | :16:16. | :16:21. | |
reality TV, they realised as long as we have one as hole on the TV, | :16:21. | :16:26. | |
people will watch. We have a bunch of people who are going to sing | :16:26. | :16:31. | |
sing horrible songs so badly that you wouldn't want to hear them from | :16:31. | :16:41. | |
:16:41. | :16:42. | ||
the original artist. If fucking Daniel came on my car stereo. Why | :16:42. | :16:51. | |
would I watch a show with amateurs? You will have a guy that that will | :16:51. | :16:58. | |
better will berate them? Once they have that formula set, they realise | :16:58. | :17:04. | |
we can use this in any setting for a reality show as long as there is | :17:04. | :17:09. | |
an ass hole. OK, we got an American chopper, you are watching people | :17:09. | :17:13. | |
build a motorcycle, how interesting can that be? Wait, the father is a | :17:13. | :17:16. | |
shit head and he is mean to everybody. Let's tune in again and | :17:16. | :17:24. | |
see how this goes. I am going to (BLEEP) We should have moved these | :17:24. | :17:31. | |
out, jackass. Ask yourself would I watch this in in real life? Would I | :17:31. | :17:36. | |
go to a pawn shop and stand around waiting for someone to cash in | :17:36. | :17:41. | |
their valuables to pay their fucking cable bill or buy more | :17:41. | :17:50. | |
rock? No. You would if you added an imba seal like this guy. They have | :17:50. | :17:58. | |
to have depleted the supply of dicks on the planet. | :17:58. | :18:08. | |
:18:08. | :18:10. | ||
People aren't dicky enough. Storage Wars is a show where they they bid | :18:10. | :18:20. | |
:18:20. | :18:23. | ||
on abandoned storage units. When he bids, he will go... 500 bucks. | :18:23. | :18:28. | |
1,000. That's all you got in this market? | :18:28. | :18:36. | |
You need to go to Dick School, my friend. You could take dick lessons. | :18:37. | :18:46. | |
:18:47. | :18:48. | ||
Not only is this show a weak, carbon copy of Kitchen Nightmares | :18:48. | :18:52. | |
who had a dick in Gordon Ramsay. All he knows is he has to be a dick | :18:52. | :18:55. | |
so he is a dick all the time. How dare you pick up warm chicken | :18:55. | :18:57. | |
and pick up cheese with your hand and pick up spices with your hand. | :18:58. | :19:01. | |
Shame on you. Shut it down. Nobody eats. | :19:02. | :19:05. | |
He is an ass hole when he is talking to the camera. He can't | :19:05. | :19:09. | |
even turn it on. If these people don't shape up, I will fire | :19:09. | :19:15. | |
everyone one of them. I can't contain myself. He is not a | :19:15. | :19:21. | |
great employee, he is a lazy slob. Don't rope me into this. I am a guy | :19:21. | :19:27. | |
on a couch. All these shows have created a culture where people want | :19:27. | :19:32. | |
to be dicks. Kids are looking up at the TV going, "I hope I can be that | :19:32. | :19:37. | |
big of a dick one day." I hope I don't have to go to acting school. | :19:37. | :19:44. | |
I just have to be a really good fucking ass hole. Fuck Gary Oldman | :19:44. | :19:54. | |
:19:54. | :19:54. | ||
this guy has to do work. This guy is a jerk off. | :19:54. | :20:00. | |
Royalty And as mucky foreign magazines publish pictures of | :20:00. | :20:04. | |
pregnant Kate, Quentin Letts condemn their publication. | :20:04. | :20:08. | |
They have published photos of our Kate and she has got her little | :20:08. | :20:11. | |
bump appearing, of course. There are people saying that this is an | :20:11. | :20:19. | |
invasion of privacy, I think they may have a point. | :20:19. | :20:26. | |
Quentin's argument - This Morning showed the shot. | :20:26. | :20:28. | |
This magazine should be called cheap. | :20:28. | :20:36. | |
And this programme is called This Morning. Perhaps thanks to that | :20:36. | :20:43. | |
bikini flash, it should be called This Porning. | :20:43. | :20:46. | |
Quentin was was prepared to stand up for the British press. | :20:46. | :20:52. | |
There has been a lot of talk about the rotten old British press and we | :20:52. | :20:56. | |
are beyond the the pail. The internet version of Quentin's | :20:56. | :21:06. | |
paper, the Daily Mail ran photos of woods of Evan Rachel Wood's unborn | :21:06. | :21:11. | |
baby. Thereby, unsetting a non- Royal pregnant woman. The day after | :21:11. | :21:16. | |
that, the Sun newspaper also flew the flag for British journalism by | :21:16. | :21:22. | |
running a different bikini snap on the front page of Jubious Judgement. | :21:22. | :21:31. | |
The press often treats women like whores or pieces of meat, or | :21:31. | :21:37. | |
whoresmeat. You know who likes horsemeat? You are joking, the | :21:37. | :21:47. | |
Pope? The decision by an Italian magazine to print snaps of a | :21:47. | :21:50. | |
pregnant duchess. This is what you think, it is your thoughts, your | :21:50. | :22:00. | |
words, your soul. It is Points of a view in Points Of View. | :22:00. | :22:04. | |
Printing pictures of pregnant women is impertinent particularly when | :22:04. | :22:14. | |
:22:14. | :22:14. | ||
the woman involved is a Royal. She is indeed, the Queen's daughter, | :22:14. | :22:24. | |
the dim boa it -- dimbo Italians don't realise that. Not everyone | :22:24. | :22:30. | |
was overwhelmed with sympathy with Kate. Someone visited the Guardian | :22:30. | :22:35. | |
to say, "Enough of this shit. If this family wants to put itself as | :22:35. | :22:42. | |
the representative of GB, they can hardly complain when someone takes | :22:42. | :22:45. | |
photographs.". We will try and pass that on to the department | :22:45. | :22:51. | |
responsible. Skyfall came out on DVD this week. It is the 2,000th | :22:51. | :23:01. | |
:23:01. | :23:01. | ||
film starring James Bond. It is the longest running franchise in movie | :23:02. | :23:11. | |
:23:12. | :23:16. | ||
history if you don't count amateur pornography. In an odd departure, | :23:16. | :23:20. | |
he makes overtures to Bond. What makes you think this is my first | :23:20. | :23:27. | |
time? Oh, Mr Mr Bond. Alongside booms and bangs, there | :23:27. | :23:35. | |
are reminder that James Bond is a bit on the old side. Bond Superiors | :23:35. | :23:40. | |
discuss. You don't need to be an operative to see the obvious. It is | :23:40. | :23:47. | |
a young man's game. Skyfall doubles as a big budget on | :23:47. | :23:55. | |
whether the Bond archetype belongs in the 21st century. Yes, he does. | :23:55. | :24:02. | |
A shit load of people have to die to prove that point. Despite not | :24:02. | :24:06. | |
making much more sense than me going... Skyfall is entertaining | :24:06. | :24:13. | |
from start to bum end and has a bit where James Bond makes the most | :24:13. | :24:17. | |
most James Bondan entrance of all time. Well, he can do that kind of | :24:17. | :24:27. | |
thing. He is James Bond. Joining me are Jesse Armstrong and I see and | :24:27. | :24:32. | |
Izzy Suity. You carry a loaded firearm. Yes. | :24:32. | :24:41. | |
Have you got it on you? Yes. James Bond is like the guy who gets | :24:41. | :24:48. | |
a nosebleed. It is like Colin Staples. | :24:48. | :24:57. | |
I liked Skyfall. It was a good James Bond film. I think they are | :24:57. | :25:01. | |
for children, really, but you know, within the category of James Bond | :25:01. | :25:06. | |
films, I thought it was a good one. What I really like, there is no | :25:06. | :25:12. | |
sub-text really in the script or or the acting. If he is cross, he will | :25:12. | :25:19. | |
look cross. If he hurts his hand, he goes. | :25:19. | :25:21. | |
LAUGHTER There is a bit where he is holding | :25:21. | :25:25. | |
on to the lift and he goes... LAUGHTER | :25:25. | :25:27. | |
This is your definition of an enjoyable film. It is clear every | :25:27. | :25:31. | |
moment this is what is happening. Yes, everyone says what they mean | :25:31. | :25:35. | |
and everyone looks sad, happy or confused. There is a lot of | :25:35. | :25:38. | |
romancing that generally goes on in Bond films. There is not so much in | :25:38. | :25:42. | |
this one, but he walks into a woman's shower without... Asking | :25:42. | :25:44. | |
her. Asking her consent. | :25:45. | :25:49. | |
That bit is worrying, isn't it? It is constructed like a joke. There | :25:49. | :25:52. | |
is a woman who is sort of in sexual bondage to this man and then the | :25:52. | :25:57. | |
joke is somebody is walking up behind her, pressing themselves | :25:57. | :26:04. | |
against her and a, aah, it is all right, it is it is James Bond. | :26:04. | :26:09. | |
There would be a different tone if you could see James Bond'ser | :26:09. | :26:19. | |
:26:19. | :26:21. | ||
rection. -- -- -- James Bond's erection. Or if he had half an | :26:21. | :26:24. | |
erection. Clearly, James Bond is a dick. He | :26:24. | :26:29. | |
is the sort of person, you would meet him at a barbecue and he would | :26:29. | :26:34. | |
be looking at his enormous watch and trying to move on and go home | :26:34. | :26:38. | |
and read his car magazine. I think he is just a wanker. | :26:38. | :26:42. | |
I can't imagine him making small talk at a barbecue. | :26:42. | :26:52. | |
:26:52. | :26:58. | ||
I don't think he would would invest in a conversation for long. | :26:58. | :27:04. | |
Defecation and Andrex send Dawn Porter to foist bog roll on people. | :27:04. | :27:14. | |
:27:14. | :27:15. | ||
I am here to talk about bums. Dawn Porter encourages them to plop | :27:15. | :27:18. | |
and white. Not as nice as I thought they would | :27:18. | :27:26. | |
What have you been eating? Horse. Andrex wants to promote a | :27:26. | :27:30. | |
conversation on bum wiping techniques by asking if we scrunch | :27:30. | :27:36. | |
toilet paper or fold it. Don't be square, scrunch. | :27:36. | :27:41. | |
Fabulous, fold. Scrunch like me, number three. | :27:41. | :27:46. | |
I can't wait for the next one if they ask if you ever got a bit of | :27:47. | :27:52. | |
shit shit on your fingers. This is the next step. First, it will it | :27:52. | :27:57. | |
will how do you wipe and next, can I watch you do it. Andrex will be | :27:57. | :28:02. | |
filming it on a smartphone. Behave. As the horsemeat scandal scandal | :28:02. | :28:09. | |
continues, the news continues to turn your TV into an abattoir. All | :28:09. | :28:13. | |
this meat coverage is the sort of thing that makes vegetarians happy | :28:13. | :28:19. | |
or it would if they had the energy to experience happiness. Sky News | :28:19. | :28:22. | |
had testimony from an informer in the meat industry, who turned out | :28:22. | :28:27. | |
to be the biggest meat whistle- blower since your mum. Horsemeat is | :28:27. | :28:32. | |
showing up everything where, you can't even pop out for a crafty fag | :28:32. | :28:35. | |
without finding horsemeat in your cigarette. The question is, where | :28:35. | :28:41. | |
is it all coming from from? The horsemeat scandal more fd into the | :28:41. | :28:47. | |
international horsemeat scandal as reporters pursued the trail of | :28:47. | :28:53. | |
edible hooves. Our food is locally sourced, but only in galactic terms. | :28:53. | :28:58. | |
Journalist touched down in France and eventually Romania. Any attempt | :28:58. | :29:03. | |
to get our cameras into abattoirs or meat processing factories in | :29:03. | :29:06. | |
Romania has been met with the same answer - no. | :29:06. | :29:12. | |
There was an indication that Romania is a medieval hamlet where | :29:12. | :29:16. | |
horses are used as machinery. The Romanian abattoir industry managed | :29:16. | :29:21. | |
to dig up the least convincing representative imagine imaginable. | :29:21. | :29:27. | |
A man smoking with a floor with an array of animal skulls. | :29:27. | :29:35. | |
Horsemeat. The end by beef meat. No sooner had the news landed in | :29:35. | :29:45. | |
:29:45. | :29:46. | ||
foreign land then food food cops moved in. They raided premises in | :29:46. | :29:53. |