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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | :02:16. | :02:17. | |
LANGUAGE LANGUAGE | :02:17. | :02:18. | |
LANGUAGE This is Weekly Wipe, a show about | :02:18. | :02:19. | |
This is Weekly Wipe, a show about This is Weekly Wipe, a show about | :02:19. | :02:22. | |
things that are happening, things like this: | :02:22. | :02:23. | |
like this: Political harassment crisis, Lib | :02:23. | :02:25. | |
Political harassment crisis, Lib Political harassment crisis, Lib | :02:25. | :02:26. | |
Dems accused of rubbing millions up Dems accused of rubbing millions up | :02:26. | :02:28. | |
Dems accused of rubbing millions up the wrong way while in office. | :02:28. | :02:30. | |
the wrong way while in office. the wrong way while in office. | :02:30. | :02:32. | |
Scotland's top cardinal steps down, Scotland's top cardinal steps down, | :02:32. | :02:33. | |
Scotland's top cardinal steps down, Catholic Church unhappy with The | :02:33. | :02:34. | |
Catholic Church unhappy with The Catholic Church unhappy with The | :02:34. | :02:35. | |
Life of O'Brien. There are rumours Life of O'Brien. There are rumours | :02:35. | :02:37. | |
Life of O'Brien. There are rumours an institution somewhere may be | :02:37. | :02:39. | |
an institution somewhere may be harbouring appropriate behaviour. | :02:39. | :02:42. | |
harbouring appropriate behaviour. harbouring appropriate behaviour. | :02:42. | :02:46. | |
In astonishing scenes, having won In astonishing scenes, having won | :02:46. | :02:47. | |
In astonishing scenes, having won the New Orleans Half Marathon, Mo | :02:47. | :02:49. | |
the New Orleans Half Marathon, Mo the New Orleans Half Marathon, Mo | :02:49. | :02:51. | |
the New Orleans Half Marathon, Mo Farah was in a 10,000 metre cringe. | :02:51. | :02:54. | |
Farah was in a 10,000 metre cringe. Farah was in a 10,000 metre cringe. | :02:54. | :02:54. | |
Farah was in a 10,000 metre cringe. Haven't you run before? That is the | :02:54. | :02:56. | |
Haven't you run before? That is the Haven't you run before? That is the | :02:56. | :02:57. | |
Haven't you run before? That is the sort of thing that's been going on | :02:57. | :03:00. | |
sort of thing that's been going on but we start here. | :03:00. | :03:03. | |
but we start here. So-called Blade Runner, Oscar | :03:03. | :03:04. | |
So-called Blade Runner, Oscar Pistorius overcame disability to | :03:04. | :03:07. | |
Pistorius overcame disability to Pistorius overcame disability to | :03:07. | :03:13. | |
become a Paralympian and hero to become a Paralympian and hero to | :03:13. | :03:14. | |
millions. His girlfriend Reeva millions. His girlfriend Reeva | :03:14. | :03:17. | |
millions. His girlfriend Reeva Steenkamp was a model and celebrity. | :03:17. | :03:19. | |
Steenkamp was a model and celebrity. Steenkamp was a model and celebrity. | :03:19. | :03:20. | |
Steenkamp has been killed and Steenkamp has been killed and | :03:20. | :03:21. | |
Steenkamp has been killed and Steenkamp has been killed and | :03:21. | :03:23. | |
Pistorius is at the centre of the Pistorius is at the centre of the | :03:23. | :03:24. | |
Pistorius is at the centre of the most sensational news coverage in | :03:24. | :03:26. | |
most sensational news coverage in most sensational news coverage in | :03:26. | :03:27. | |
years. Oscar Pistorius charged with years. Oscar Pistorius charged with | :03:27. | :03:28. | |
years. Oscar Pistorius charged with shooting dead his girlfriend at his | :03:28. | :03:29. | |
shooting dead his girlfriend at his shooting dead his girlfriend at his | :03:29. | :03:30. | |
home. He will appear in court home. He will appear in court | :03:30. | :03:31. | |
home. He will appear in court tomorrow morning. It's left South | :03:31. | :03:32. | |
tomorrow morning. It's left South tomorrow morning. It's left South | :03:32. | :03:35. | |
Africa and the sporting world in Africa and the sporting world in | :03:35. | :03:36. | |
Africa and the sporting world in shock. A murder case involving a | :03:36. | :03:37. | |
shock. A murder case involving a shock. A murder case involving a | :03:37. | :03:38. | |
shock. A murder case involving a super model and one of the biggest | :03:38. | :03:40. | |
super model and one of the biggest super model and one of the biggest | :03:40. | :03:41. | |
athletes in the world was athletes in the world was | :03:41. | :03:41. | |
athletes in the world was irrestistible to the media. It was | :03:41. | :03:43. | |
irrestistible to the media. It was irrestistible to the media. It was | :03:43. | :03:47. | |
a crime story that interested the a crime story that interested the | :03:47. | :03:51. | |
entertainment media, too. Pistorius entertainment media, too. Pistorius | :03:51. | :03:52. | |
entertainment media, too. Pistorius hired a high-profile defence team | :03:52. | :03:53. | |
hired a high-profile defence team hired a high-profile defence team | :03:53. | :03:55. | |
hired a high-profile defence team setting the stage for a real real | :03:55. | :03:57. | |
setting the stage for a real real setting the stage for a real real | :03:57. | :03:59. | |
courtroom drama. His bail hearing courtroom drama. His bail hearing | :03:59. | :04:02. | |
courtroom drama. His bail hearing was postponed until Tuesday. | :04:02. | :04:03. | |
was postponed until Tuesday. was postponed until Tuesday. | :04:03. | :04:04. | |
Pistorius's bail hearing began it Pistorius's bail hearing began it | :04:04. | :04:05. | |
Pistorius's bail hearing began it was clear the world's reporters | :04:05. | :04:06. | |
was clear the world's reporters was clear the world's reporters | :04:06. | :04:07. | |
was clear the world's reporters could keep a close eye on him | :04:07. | :04:08. | |
could keep a close eye on him could keep a close eye on him | :04:08. | :04:09. | |
throughout, at times likening it to throughout, at times likening it to | :04:09. | :04:11. | |
throughout, at times likening it to throughout, at times likening it to | :04:11. | :04:12. | |
a sporting event. As many eyes were a sporting event. As many eyes were | :04:12. | :04:13. | |
a sporting event. As many eyes were a sporting event. As many eyes were | :04:13. | :04:14. | |
trained on Pistorius in the dock as trained on Pistorius in the dock as | :04:14. | :04:15. | |
trained on Pistorius in the dock as trained on Pistorius in the dock as | :04:15. | :04:20. | |
in any stadium he has performed in. in any stadium he has performed in. | :04:20. | :04:24. | |
in any stadium he has performed in. More to 'discus' than any decathlon. | :04:24. | :04:25. | |
More to 'discus' than any decathlon. More to 'discus' than any decathlon. | :04:25. | :04:26. | |
More to 'discus' than any decathlon. The trial had begun, in a sense | :04:26. | :04:27. | |
The trial had begun, in a sense The trial had begun, in a sense | :04:27. | :04:28. | |
The trial had begun, in a sense The trial had begun, in a sense | :04:28. | :04:34. | |
with all of us in the role of juror. with all of us in the role of juror. | :04:34. | :04:37. | |
Accused murderer and Olympic Accused murderer and Olympic | :04:37. | :04:37. | |
Accused murderer and Olympic athlete Oscar Pistorius. We were | :04:38. | :04:42. | |
athlete Oscar Pistorius. We were athlete Oscar Pistorius. We were | :04:42. | :04:43. | |
treat today video game recreations treat today video game recreations | :04:43. | :04:46. | |
treat today video game recreations of the crime scene. And lengthy | :04:46. | :04:47. | |
of the crime scene. And lengthy speculation over the conflicting | :04:47. | :04:49. | |
speculation over the conflicting accounts. There are indications | :04:50. | :04:50. | |
accounts. There are indications accounts. There are indications | :04:50. | :04:52. | |
that steroids may have played a that steroids may have played a | :04:52. | :04:53. | |
that steroids may have played a part here. He screams and fires | :04:53. | :04:54. | |
part here. He screams and fires part here. He screams and fires | :04:54. | :04:56. | |
through the door, it is not through the door, it is not | :04:56. | :04:57. | |
through the door, it is not playsible. The news seemed to be | :04:57. | :04:59. | |
playsible. The news seemed to be playsible. The news seemed to be | :04:59. | :05:00. | |
playsible. The news seemed to be simply to look at the accused and | :05:00. | :05:01. | |
simply to look at the accused and simply to look at the accused and | :05:01. | :05:02. | |
simply to look at the accused and simply to look at the accused and | :05:02. | :05:03. | |
let us get a good look at him, too. let us get a good look at him, too. | :05:03. | :05:04. | |
let us get a good look at him, too. let us get a good look at him, too. | :05:04. | :05:08. | |
A wall of cameras to greet him in A wall of cameras to greet him in | :05:08. | :05:09. | |
courtroom C. Paralympic athlete courtroom C. Paralympic athlete | :05:09. | :05:10. | |
courtroom C. Paralympic athlete still struggling to control his | :05:10. | :05:12. | |
still struggling to control his emotions. Interpreting those | :05:12. | :05:13. | |
emotions. Interpreting those emotions. Interpreting those | :05:13. | :05:15. | |
emotions became a prime focus of emotions became a prime focus of | :05:15. | :05:17. | |
emotions became a prime focus of the coverage. He seemed tormented | :05:17. | :05:18. | |
the coverage. He seemed tormented the coverage. He seemed tormented | :05:18. | :05:21. | |
at times, his hands crossed, his at times, his hands crossed, his | :05:21. | :05:22. | |
at times, his hands crossed, his at times, his hands crossed, his | :05:22. | :05:23. | |
eyes raw. Tell me how far away were eyes raw. Tell me how far away were | :05:23. | :05:25. | |
eyes raw. Tell me how far away were eyes raw. Tell me how far away were | :05:25. | :05:27. | |
you from him in court and what did you from him in court and what did | :05:27. | :05:29. | |
you from him in court and what did you see? I was approximately five | :05:29. | :05:31. | |
you see? I was approximately five you see? I was approximately five | :05:31. | :05:32. | |
you see? I was approximately five to ten metres away, I could see a | :05:32. | :05:33. | |
to ten metres away, I could see a to ten metres away, I could see a | :05:33. | :05:35. | |
very sombre and upset human being, very sombre and upset human being, | :05:35. | :05:36. | |
very sombre and upset human being, perhaps realising that the real | :05:36. | :05:37. | |
perhaps realising that the real perhaps realising that the real | :05:37. | :05:39. | |
gravity of the situation. Most of gravity of the situation. Most of | :05:39. | :05:40. | |
gravity of the situation. Most of the time those emotions were fairly | :05:41. | :05:42. | |
the time those emotions were fairly the time those emotions were fairly | :05:42. | :05:43. | |
the time those emotions were fairly easy to read because he was crying. | :05:43. | :05:44. | |
easy to read because he was crying. easy to read because he was crying. | :05:44. | :05:46. | |
easy to read because he was crying. The news seemed to tell us how | :05:46. | :05:47. | |
The news seemed to tell us how The news seemed to tell us how | :05:47. | :05:48. | |
The news seemed to tell us how important it was how often he he | :05:48. | :05:49. | |
important it was how often he he important it was how often he he | :05:49. | :05:51. | |
important it was how often he he wept. He has broken down in tears. | :05:51. | :05:52. | |
wept. He has broken down in tears. wept. He has broken down in tears. | :05:52. | :05:55. | |
wept. He has broken down in tears. At every mention of the word murder, | :05:55. | :05:56. | |
At every mention of the word murder, At every mention of the word murder, | :05:56. | :05:57. | |
the Paralympic Blade Runner sobbed the Paralympic Blade Runner sobbed | :05:57. | :05:58. | |
the Paralympic Blade Runner sobbed in court today. Reporters weren't | :05:58. | :06:00. | |
in court today. Reporters weren't in court today. Reporters weren't | :06:00. | :06:00. | |
allowed to film during proceedings, allowed to film during proceedings, | :06:00. | :06:03. | |
allowed to film during proceedings, but during recess they could use | :06:03. | :06:04. | |
but during recess they could use but during recess they could use | :06:04. | :06:05. | |
smartphone technology to show us smartphone technology to show us | :06:05. | :06:07. | |
smartphone technology to show us smartphone technology to show us | :06:07. | :06:08. | |
the courtroom. We can hook up with the courtroom. We can hook up with | :06:08. | :06:10. | |
the courtroom. We can hook up with our special correspondent on her | :06:10. | :06:11. | |
our special correspondent on her our special correspondent on her | :06:11. | :06:13. | |
iPhone inside the courtroom. Which iPhone inside the courtroom. Which | :06:13. | :06:14. | |
iPhone inside the courtroom. Which iPhone inside the courtroom. Which | :06:14. | :06:15. | |
meant even more up to the minute meant even more up to the minute | :06:15. | :06:16. | |
meant even more up to the minute crying bulletins. Every time his | :06:16. | :06:17. | |
crying bulletins. Every time his crying bulletins. Every time his | :06:17. | :06:18. | |
girlfriend's name was mentioned, he girlfriend's name was mentioned, he | :06:18. | :06:22. | |
girlfriend's name was mentioned, he burst into tears. Sometimes sobbing | :06:22. | :06:24. | |
burst into tears. Sometimes sobbing quite uncontrollably, his shoulders | :06:24. | :06:25. | |
quite uncontrollably, his shoulders quite uncontrollably, his shoulders | :06:25. | :06:26. | |
heaving. That wasn't the only way heaving. That wasn't the only way | :06:26. | :06:28. | |
heaving. That wasn't the only way to keep up-to-date. Keep up with | :06:28. | :06:30. | |
to keep up-to-date. Keep up with the latest, follow our | :06:30. | :06:32. | |
the latest, follow our the latest, follow our | :06:32. | :06:32. | |
correspondent on Twitter. You could correspondent on Twitter. You could | :06:32. | :06:33. | |
correspondent on Twitter. You could correspondent on Twitter. You could | :06:33. | :06:34. | |
find out when he wept and whether find out when he wept and whether | :06:34. | :06:35. | |
find out when he wept and whether find out when he wept and whether | :06:35. | :06:36. | |
his shoulders shook as he did so in his shoulders shook as he did so in | :06:36. | :06:39. | |
his shoulders shook as he did so in real time thanks to the reporter's | :06:39. | :06:41. | |
real time thanks to the reporter's informive Twitter accounts. There | :06:41. | :06:43. | |
informive Twitter accounts. There informive Twitter accounts. There | :06:43. | :06:44. | |
were helpful updates on his were helpful updates on his | :06:44. | :06:45. | |
were helpful updates on his family's emotional state. The group | :06:46. | :06:47. | |
family's emotional state. The group family's emotional state. The group | :06:47. | :06:49. | |
family's emotional state. The group of people I am showing you now are | :06:49. | :06:50. | |
of people I am showing you now are of people I am showing you now are | :06:50. | :06:52. | |
the family, his sister is sobbing, the family, his sister is sobbing, | :06:52. | :06:53. | |
the family, his sister is sobbing, his father being comforted by a | :06:53. | :06:54. | |
his father being comforted by a his father being comforted by a | :06:54. | :06:56. | |
his father being comforted by a lady whose back you can see. | :06:56. | :06:57. | |
lady whose back you can see. lady whose back you can see. | :06:57. | :07:00. | |
his family at times the strain his family at times the strain | :07:00. | :07:01. | |
his family at times the strain seemed unbearable. They held to | :07:01. | :07:02. | |
seemed unbearable. They held to seemed unbearable. They held to | :07:02. | :07:04. | |
each other for support. His brother each other for support. His brother | :07:04. | :07:05. | |
each other for support. His brother and sister embraced after hearing | :07:05. | :07:07. | |
and sister embraced after hearing and sister embraced after hearing | :07:07. | :07:08. | |
the claims. His father sat consumed the claims. His father sat consumed | :07:08. | :07:10. | |
the claims. His father sat consumed the claims. His father sat consumed | :07:10. | :07:10. | |
by despair. When the time came for by despair. When the time came for | :07:10. | :07:11. | |
by despair. When the time came for the bail verdict the tweeting | :07:12. | :07:17. | |
the bail verdict the tweeting the bail verdict the tweeting | :07:17. | :07:18. | |
the bail verdict the tweeting stepped up a notch with second by | :07:18. | :07:20. | |
stepped up a notch with second by second deconstruction on the | :07:20. | :07:28. | |
Before the magistrate gave his Before the magistrate gave his | :07:28. | :07:29. | |
Before the magistrate gave his Before the magistrate gave his | :07:29. | :07:32. | |
verdict, he shared his view on the verdict, he shared his view on the | :07:32. | :07:34. | |
verdict, he shared his view on the media circus. It does raise the | :07:35. | :07:38. | |
media circus. It does raise the media circus. It does raise the | :07:39. | :07:40. | |
picture that the accused is some picture that the accused is some | :07:40. | :07:41. | |
picture that the accused is some picture that the accused is some | :07:41. | :07:42. | |
kind of species that the world has kind of species that the world has | :07:42. | :07:44. | |
kind of species that the world has never seen before. That bit was | :07:44. | :07:45. | |
never seen before. That bit was never seen before. That bit was | :07:45. | :07:46. | |
edited out of the nightly reports, edited out of the nightly reports, | :07:46. | :07:47. | |
edited out of the nightly reports, edited out of the nightly reports, | :07:47. | :07:49. | |
but to be fair the magistrate did but to be fair the magistrate did | :07:49. | :07:49. | |
but to be fair the magistrate did but to be fair the magistrate did | :07:50. | :07:51. | |
need editing. He spoke for so long, need editing. He spoke for so long, | :07:51. | :07:53. | |
the reporter started retweeting the reporter started retweeting | :07:53. | :07:54. | |
jokes during his summary. jokes during his summary. | :07:54. | :07:54. | |
jokes during his summary. Eventually bail was granted giving | :07:54. | :07:55. | |
Eventually bail was granted giving Eventually bail was granted giving | :07:55. | :07:57. | |
Eventually bail was granted giving us time for one last crying and | :07:57. | :07:59. | |
us time for one last crying and us time for one last crying and | :07:59. | :08:00. | |
shoulders update. As the magistrate shoulders update. As the magistrate | :08:00. | :08:02. | |
shoulders update. As the magistrate began to announce his decision, | :08:02. | :08:04. | |
began to announce his decision, Oscar Pistorius slumped, sobbing, | :08:04. | :08:07. | |
Oscar Pistorius slumped, sobbing, Oscar Pistorius slumped, sobbing, | :08:07. | :08:07. | |
his shoulders shaking. Then he his shoulders shaking. Then he | :08:07. | :08:08. | |
his shoulders shaking. Then he swapped the glare of the courtroom | :08:08. | :08:09. | |
swapped the glare of the courtroom swapped the glare of the courtroom | :08:09. | :08:11. | |
swapped the glare of the courtroom for the glare of the outside world. | :08:11. | :08:13. | |
for the glare of the outside world. for the glare of the outside world. | :08:13. | :08:15. | |
That is Oscar Pistorius, driving to That is Oscar Pistorius, driving to | :08:15. | :08:16. | |
That is Oscar Pistorius, driving to freedom, he's just got bail and | :08:16. | :08:17. | |
freedom, he's just got bail and freedom, he's just got bail and | :08:17. | :08:20. | |
he's driving off down this street. he's driving off down this street. | :08:20. | :08:22. | |
he's driving off down this street. The sightseeing safari of this | :08:22. | :08:22. | |
The sightseeing safari of this The sightseeing safari of this | :08:22. | :08:24. | |
exotic species continued all the exotic species continued all the | :08:24. | :08:25. | |
exotic species continued all the way into the South African | :08:25. | :08:26. | |
way into the South African way into the South African | :08:26. | :08:27. | |
countryside. When the news doesn't countryside. When the news doesn't | :08:27. | :08:28. | |
countryside. When the news doesn't countryside. When the news doesn't | :08:28. | :08:29. | |
have many facts, it is content to have many facts, it is content to | :08:29. | :08:30. | |
have many facts, it is content to have many facts, it is content to | :08:30. | :08:32. | |
let us sit and look. There are more let us sit and look. There are more | :08:32. | :08:33. | |
let us sit and look. There are more ways of looking than ever before. | :08:33. | :08:34. | |
ways of looking than ever before. ways of looking than ever before. | :08:34. | :08:35. | |
ways of looking than ever before. The end result is that it doesn't | :08:35. | :08:36. | |
The end result is that it doesn't The end result is that it doesn't | :08:36. | :08:37. | |
The end result is that it doesn't really feel like news at all, more | :08:37. | :08:38. | |
really feel like news at all, more really feel like news at all, more | :08:38. | :08:39. | |
really feel like news at all, more a strange form of sightseeing and a | :08:39. | :08:42. | |
a strange form of sightseeing and a gathering of emotional souvenirs. | :08:42. | :08:45. | |
gathering of emotional souvenirs. gathering of emotional souvenirs. | :08:45. | :08:47. | |
There was this online thing called There was this online thing called | :08:48. | :08:49. | |
There was this online thing called the Harlem Shake, it was something | :08:49. | :08:51. | |
the Harlem Shake, it was something the Harlem Shake, it was something | :08:51. | :08:52. | |
like Alex zain introduced clips of like Alex zain introduced clips of | :08:52. | :08:54. | |
like Alex zain introduced clips of like Alex zain introduced clips of | :08:54. | :08:57. | |
in 18 months' time but now and on the internet. | :08:57. | :08:58. | |
the internet. the internet. | :08:58. | :09:00. | |
the internet. the internet. | :09:00. | :09:01. | |
You go to U tube and put in Harlem You go to U tube and put in Harlem | :09:01. | :09:02. | |
You go to U tube and put in Harlem You go to U tube and put in Harlem | :09:02. | :09:02. | |
Shake and you would see a big room Shake and you would see a big room | :09:02. | :09:04. | |
Shake and you would see a big room Shake and you would see a big room | :09:04. | :09:05. | |
and it would have all these people and it would have all these people | :09:05. | :09:06. | |
and it would have all these people in and none were doing anything | :09:07. | :09:07. | |
in and none were doing anything in and none were doing anything | :09:07. | :09:09. | |
in and none were doing anything apart from one person dancing a bit. | :09:09. | :09:09. | |
apart from one person dancing a bit. apart from one person dancing a bit. | :09:10. | :09:11. | |
apart from one person dancing a bit. Then the music music will go all | :09:11. | :09:12. | |
Then the music music will go all Then the music music will go all | :09:12. | :09:13. | |
exciting and everyone was dancing exciting and everyone was dancing | :09:13. | :09:18. | |
like they were crazy. like they were crazy. | :09:18. | :09:24. | |
like they were crazy. It was literally that amazing. It | :09:24. | :09:26. | |
It was literally that amazing. It It was literally that amazing. It | :09:26. | :09:27. | |
was better than Gangnam Style, it's was better than Gangnam Style, it's | :09:27. | :09:28. | |
was better than Gangnam Style, it's was better than Gangnam Style, it's | :09:28. | :09:30. | |
harder to do. With Harlem Shake you harder to do. With Harlem Shake you | :09:30. | :09:37. | |
harder to do. With Harlem Shake you don't have to learn anything. | :09:37. | :09:38. | |
don't have to learn anything. don't have to learn anything. | :09:38. | :09:40. | |
Search really flailing around which Search really flailing around which | :09:40. | :09:42. | |
Search really flailing around which is funly, they are wearing silly | :09:42. | :09:43. | |
is funly, they are wearing silly is funly, they are wearing silly | :09:43. | :09:44. | |
things which is funny as well. things which is funny as well. | :09:45. | :09:46. | |
things which is funny as well. things which is funny as well. | :09:46. | :09:47. | |
People stay Stuart Lee is funny but People stay Stuart Lee is funny but | :09:47. | :09:47. | |
People stay Stuart Lee is funny but he's never done anything as funny | :09:47. | :09:50. | |
he's never done anything as funny he's never done anything as funny | :09:50. | :09:53. | |
he's never done anything as funny as that. And he never will. Once | :09:53. | :09:54. | |
as that. And he never will. Once as that. And he never will. Once | :09:54. | :09:55. | |
as that. And he never will. Once you had seen one video, you had to | :09:55. | :09:57. | |
you had seen one video, you had to you had seen one video, you had to | :09:57. | :09:58. | |
see another. The good thing was see another. The good thing was | :09:58. | :09:59. | |
see another. The good thing was that everyone was uploading their | :09:59. | :10:00. | |
that everyone was uploading their that everyone was uploading their | :10:00. | :10:01. | |
that everyone was uploading their own versions, so you got to see | :10:01. | :10:02. | |
own versions, so you got to see own versions, so you got to see | :10:02. | :10:03. | |
own versions, so you got to see what it looks like when people in | :10:03. | :10:04. | |
what it looks like when people in what it looks like when people in | :10:04. | :10:06. | |
different rooms suddenly all dance. different rooms suddenly all dance. | :10:06. | :10:07. | |
different rooms suddenly all dance. different rooms suddenly all dance. | :10:07. | :10:08. | |
It was amazing. You would see a big It was amazing. You would see a big | :10:08. | :10:09. | |
It was amazing. You would see a big It was amazing. You would see a big | :10:09. | :10:10. | |
room of people and then they would room of people and then they would | :10:10. | :10:13. | |
room of people and then they would all be dancing, which was fun. | :10:13. | :10:14. | |
all be dancing, which was fun. all be dancing, which was fun. | :10:14. | :10:15. | |
Sometimes you would see people Sometimes you would see people | :10:15. | :10:16. | |
Sometimes you would see people outside and they would all be | :10:16. | :10:17. | |
outside and they would all be outside and they would all be | :10:17. | :10:18. | |
dancing, which was probably more dancing, which was probably more | :10:18. | :10:19. | |
dancing, which was probably more dancing, which was probably more | :10:19. | :10:20. | |
fun. Then you would see people in fun. Then you would see people in | :10:20. | :10:21. | |
fun. Then you would see people in fun. Then you would see people in | :10:21. | :10:22. | |
an old folks home and they would an old folks home and they would | :10:22. | :10:23. | |
an old folks home and they would all be dancing, which is funny | :10:23. | :10:24. | |
all be dancing, which is funny all be dancing, which is funny | :10:24. | :10:25. | |
because they are old. Then you because they are old. Then you | :10:25. | :10:26. | |
because they are old. Then you because they are old. Then you | :10:26. | :10:27. | |
would see another one in an old would see another one in an old | :10:27. | :10:28. | |
would see another one in an old would see another one in an old | :10:28. | :10:29. | |
folks home and you would be like, folks home and you would be like, | :10:29. | :10:30. | |
folks home and you would be like, folks home and you would be like, | :10:30. | :10:31. | |
OK, I have seen that. Sometimes you OK, I have seen that. Sometimes you | :10:31. | :10:33. | |
OK, I have seen that. Sometimes you OK, I have seen that. Sometimes you | :10:33. | :10:33. | |
would see like all warmen with guns would see like all warmen with guns | :10:34. | :10:34. | |
would see like all warmen with guns would see like all warmen with guns | :10:35. | :10:35. | |
and stuff and you would hear the and stuff and you would hear the | :10:35. | :10:36. | |
and stuff and you would hear the and stuff and you would hear the | :10:36. | :10:37. | |
music and you would think no way, music and you would think no way, | :10:37. | :10:38. | |
music and you would think no way, music and you would think no way, | :10:38. | :10:39. | |
music and you would think no way, no way are they going to do the mad | :10:39. | :10:41. | |
no way are they going to do the mad no way are they going to do the mad | :10:41. | :10:42. | |
dance, that would be mental but dance, that would be mental but | :10:42. | :10:46. | |
dance, that would be mental but then they do it anyway. | :10:46. | :10:47. | |
then they do it anyway. then they do it anyway. | :10:47. | :10:48. | |
then they do it anyway. It shows men who have been trained | :10:48. | :10:50. | |
It shows men who have been trained It shows men who have been trained | :10:50. | :10:51. | |
It shows men who have been trained to kill have been handed impl memts | :10:51. | :10:52. | |
to kill have been handed impl memts to kill have been handed impl memts | :10:52. | :10:54. | |
to kill have been handed impl memts of death by the state still like to | :10:54. | :10:55. | |
of death by the state still like to of death by the state still like to | :10:55. | :10:56. | |
of death by the state still like to let their hair down. They could do | :10:56. | :10:58. | |
let their hair down. They could do let their hair down. They could do | :10:58. | :11:00. | |
let their hair down. They could do it as a victory dance, on the | :11:00. | :11:02. | |
it as a victory dance, on the it as a victory dance, on the | :11:02. | :11:03. | |
battlefield. The music is quite battlefield. The music is quite | :11:03. | :11:03. | |
battlefield. The music is quite loud which would drown out the | :11:04. | :11:05. | |
loud which would drown out the loud which would drown out the | :11:05. | :11:06. | |
screaming. There were loads of screaming. There were loads of | :11:06. | :11:08. | |
screaming. There were loads of people doing it in offices. At | :11:08. | :11:09. | |
people doing it in offices. At people doing it in offices. At | :11:09. | :11:10. | |
first, that's really funny, but first, that's really funny, but | :11:10. | :11:11. | |
first, that's really funny, but then after a while, you start | :11:11. | :11:14. | |
then after a while, you start thinking, hello, the economy | :11:14. | :11:15. | |
thinking, hello, the economy thinking, hello, the economy | :11:15. | :11:19. | |
sinking, how is this supposed to sinking, how is this supposed to | :11:19. | :11:20. | |
sinking, how is this supposed to sinking, how is this supposed to | :11:20. | :11:21. | |
help. At the end of the day you help. At the end of the day you | :11:21. | :11:21. | |
help. At the end of the day you help. At the end of the day you | :11:22. | :11:22. | |
help. At the end of the day you have a job to do, we all have. Pull | :11:22. | :11:26. | |
have a job to do, we all have. Pull have a job to do, we all have. Pull | :11:26. | :11:28. | |
your weight. Stop dancing and get your weight. Stop dancing and get | :11:28. | :11:31. | |
your weight. Stop dancing and get back to work you self-ish bastards. | :11:31. | :11:32. | |
back to work you self-ish bastards. back to work you self-ish bastards. | :11:32. | :11:33. | |
This hors emeat scandal has been This hors emeat scandal has been | :11:33. | :11:34. | |
This hors emeat scandal has been This hors emeat scandal has been | :11:34. | :11:36. | |
going on for so long it's like it going on for so long it's like it | :11:36. | :11:46. | |
:11:46. | :11:47. | ||
started back in 1948. started back in 1948. | :11:47. | :11:50. | |
started back in 1948. Three million people buy horsemeat | :11:50. | :11:51. | |
Three million people buy horsemeat Three million people buy horsemeat | :11:51. | :11:53. | |
buy it every week. Public feeling buy it every week. Public feeling | :11:53. | :11:55. | |
buy it every week. Public feeling grows against a sinister trade. The | :11:55. | :11:56. | |
grows against a sinister trade. The grows against a sinister trade. The | :11:56. | :11:57. | |
country demands action against a country demands action against a | :11:57. | :11:58. | |
country demands action against a traffic so alien to the British | :11:58. | :12:05. | |
traffic so alien to the British traffic so alien to the British | :12:05. | :12:06. | |
traffic so alien to the British people. No wonder it feels like we | :12:06. | :12:07. | |
people. No wonder it feels like we people. No wonder it feels like we | :12:07. | :12:08. | |
have been watching gruesome images have been watching gruesome images | :12:08. | :12:10. | |
have been watching gruesome images have been watching gruesome images | :12:10. | :12:11. | |
like this for the past 65 years. like this for the past 65 years. | :12:11. | :12:13. | |
like this for the past 65 years. Against this backdrop of bad grub | :12:13. | :12:15. | |
Against this backdrop of bad grub Against this backdrop of bad grub | :12:15. | :12:16. | |
ITV have perhaps unwisely chosen to ITV have perhaps unwisely chosen to | :12:16. | :12:17. | |
ITV have perhaps unwisely chosen to launch a new show that celebrates | :12:17. | :12:19. | |
launch a new show that celebrates launch a new show that celebrates | :12:19. | :12:21. | |
home cooking by filling it with home cooking by filling it with | :12:21. | :12:30. | |
home cooking by filling it with showbiz add tits and -- addtivities. | :12:30. | :12:32. | |
showbiz add tits and -- addtivities. showbiz add tits and -- addtivities. | :12:32. | :12:33. | |
Real food created by the nation's Real food created by the nation's | :12:33. | :12:35. | |
Real food created by the nation's Real food created by the nation's | :12:35. | :12:36. | |
home cooks. Food glorious good is a home cooks. Food glorious good is a | :12:36. | :12:37. | |
home cooks. Food glorious good is a talent show for recipes, created by | :12:37. | :12:38. | |
talent show for recipes, created by talent show for recipes, created by | :12:38. | :12:40. | |
talent show for recipes, created by Simon Cowell. It is a plateful of | :12:40. | :12:41. | |
Simon Cowell. It is a plateful of Simon Cowell. It is a plateful of | :12:41. | :12:44. | |
Great British Bake Off leftovers Great British Bake Off leftovers | :12:44. | :12:48. | |
hosted by Carol Vorderman hosted by Carol Vorderman | :12:48. | :12:49. | |
impersonator. The premises that impersonator. The premises that | :12:49. | :12:50. | |
impersonator. The premises that eccentrics from across the country | :12:50. | :12:52. | |
eccentrics from across the country eccentrics from across the country | :12:52. | :12:56. | |
eccentrics from across the country are putting their recipes up to be | :12:56. | :13:06. | |
:13:06. | :13:12. | ||
It is like being trapped forever in It is like being trapped forever in | :13:12. | :13:15. | |
It is like being trapped forever in a food based Antiques Roadshow. It | :13:15. | :13:16. | |
a food based Antiques Roadshow. It a food based Antiques Roadshow. It | :13:16. | :13:17. | |
a food based Antiques Roadshow. It is just not a very appetising dish. | :13:17. | :13:18. | |
is just not a very appetising dish. is just not a very appetising dish. | :13:18. | :13:19. | |
is just not a very appetising dish. There are bits where the sour faced | :13:19. | :13:20. | |
There are bits where the sour faced There are bits where the sour faced | :13:20. | :13:22. | |
one has to eat something gross. one has to eat something gross. | :13:22. | :13:24. | |
Endless references from Amy Endless references from Amy | :13:24. | :13:25. | |
Endless references from Amy Winehouse to her bum, to her | :13:25. | :13:29. | |
Winehouse to her bum, to her Winehouse to her bum, to her | :13:29. | :13:30. | |
Winehouse to her bum, to her knickers or her Nan. Every time I | :13:30. | :13:32. | |
knickers or her Nan. Every time I knickers or her Nan. Every time I | :13:32. | :13:35. | |
open my knicker drawer it smells open my knicker drawer it smells | :13:35. | :13:40. | |
open my knicker drawer it smells open my knicker drawer it smells | :13:40. | :13:41. | |
like my nan that's house. She made like my nan that's house. She made | :13:42. | :13:43. | |
like my nan that's house. She made the effort. She said nana and | :13:44. | :13:45. | |
the effort. She said nana and the effort. She said nana and | :13:45. | :13:48. | |
knickers and she's from the north. knickers and she's from the north. | :13:48. | :13:52. | |
knickers and she's from the north. There is lots of explicit footage | :13:52. | :13:53. | |
There is lots of explicit footage There is lots of explicit footage | :13:53. | :13:57. | |
of Loyd Grossman chewing like a tortoise. | :13:57. | :13:57. | |
tortoise. tortoise. | :13:57. | :13:59. | |
tortoise. It's very good. There are traces of | :13:59. | :14:02. | |
It's very good. There are traces of It's very good. There are traces of | :14:02. | :14:04. | |
horse DNA in Tom Parker Bowles. horse DNA in Tom Parker Bowles. | :14:05. | :14:05. | |
horse DNA in Tom Parker Bowles. horse DNA in Tom Parker Bowles. | :14:05. | :14:07. | |
Trouble is there is a flaw in the Trouble is there is a flaw in the | :14:07. | :14:09. | |
Trouble is there is a flaw in the Trouble is there is a flaw in the | :14:09. | :14:10. | |
basic premise, on the one hand Food basic premise, on the one hand Food | :14:10. | :14:12. | |
basic premise, on the one hand Food Glorious Food purports to celebrate | :14:12. | :14:16. | |
Glorious Food purports to celebrate individual cookery, by exsen | :14:16. | :14:17. | |
individual cookery, by exsen individual cookery, by exsen | :14:17. | :14:18. | |
eccentrics, but on the other, the eccentrics, but on the other, the | :14:18. | :14:20. | |
eccentrics, but on the other, the ultimate prize is to have your | :14:20. | :14:22. | |
ultimate prize is to have your ultimate prize is to have your | :14:22. | :14:25. | |
honest homemade food turned into a honest homemade food turned into a | :14:25. | :14:26. | |
honest homemade food turned into a mass maushingt ready -- market | :14:26. | :14:36. | |
:14:36. | :14:39. | ||
The whole thing is designed to feel The whole thing is designed to feel | :14:39. | :14:40. | |
The whole thing is designed to feel inclusive and chummy in that false | :14:40. | :14:41. | |
inclusive and chummy in that false inclusive and chummy in that false | :14:41. | :14:45. | |
inclusive and chummy in that false big society way, but frankly it can | :14:45. | :14:47. | |
big society way, but frankly it can big society way, but frankly it can | :14:47. | :14:51. | |
keep calm and BEEP off. keep calm and BEEP off. | :14:51. | :14:53. | |
keep calm and BEEP off. Sausages in milk. They say you | :14:53. | :14:57. | |
Sausages in milk. They say you Sausages in milk. They say you | :14:57. | :14:58. | |
Sausages in milk. They say you never see white dog dog shit any | :14:58. | :15:00. | |
never see white dog dog shit any never see white dog dog shit any | :15:00. | :15:01. | |
never see white dog dog shit any more, it turns out you do. I would | :15:01. | :15:02. | |
more, it turns out you do. I would more, it turns out you do. I would | :15:02. | :15:03. | |
more, it turns out you do. I would like you to try it for the taste, | :15:03. | :15:04. | |
like you to try it for the taste, like you to try it for the taste, | :15:04. | :15:07. | |
rather than the appearance. Open rather than the appearance. Open | :15:07. | :15:08. | |
rather than the appearance. Open your mouth. It's like nine-and-a- | :15:08. | :15:10. | |
your mouth. It's like nine-and-a- your mouth. It's like nine-and-a- | :15:10. | :15:12. | |
half weeks, this. That tastes half weeks, this. That tastes | :15:12. | :15:13. | |
half weeks, this. That tastes floury. She isn't is the only | :15:13. | :15:15. | |
floury. She isn't is the only floury. She isn't is the only | :15:15. | :15:16. | |
fantasy Brit lady to sample sample fantasy Brit lady to sample sample | :15:16. | :15:17. | |
fantasy Brit lady to sample sample unusual flavours. Our very own | :15:17. | :15:21. | |
unusual flavours. Our very own unusual flavours. Our very own | :15:21. | :15:22. | |
Nigella is wowing them stateside in Nigella is wowing them stateside in | :15:22. | :15:23. | |
Nigella is wowing them stateside in another foodie talent show. This is | :15:23. | :15:24. | |
another foodie talent show. This is another foodie talent show. This is | :15:24. | :15:26. | |
a cooking competition unlike any a cooking competition unlike any | :15:27. | :15:28. | |
a cooking competition unlike any other. The Taste is an American | :15:28. | :15:30. | |
other. The Taste is an American other. The Taste is an American | :15:30. | :15:31. | |
food talent contest, which is food talent contest, which is | :15:31. | :15:32. | |
food talent contest, which is basically The Voice with food. | :15:32. | :15:33. | |
basically The Voice with food. basically The Voice with food. | :15:33. | :15:34. | |
basically The Voice with food. is all about the taste and nothing | :15:34. | :15:35. | |
is all about the taste and nothing is all about the taste and nothing | :15:35. | :15:36. | |
is all about the taste and nothing but the taste. We are tasting the | :15:36. | :15:40. | |
but the taste. We are tasting the food blind. Britain's favourite | :15:40. | :15:42. | |
food blind. Britain's favourite food blind. Britain's favourite | :15:42. | :15:43. | |
food blind. Britain's favourite curvatron is joined by Mr Tumble, a | :15:43. | :15:46. | |
curvatron is joined by Mr Tumble, a curvatron is joined by Mr Tumble, a | :15:46. | :15:50. | |
Playmobil pool boy and Monica's dad Playmobil pool boy and Monica's dad | :15:50. | :15:53. | |
Playmobil pool boy and Monica's dad from Friends. They have to taste | :15:53. | :15:54. | |
from Friends. They have to taste from Friends. They have to taste | :15:54. | :15:57. | |
one spoonful. It is an experience one spoonful. It is an experience | :15:57. | :15:58. | |
one spoonful. It is an experience almost exactly like buying any meat | :15:58. | :15:58. | |
almost exactly like buying any meat almost exactly like buying any meat | :15:58. | :15:59. | |
product in Britain today. If they product in Britain today. If they | :15:59. | :16:00. | |
product in Britain today. If they product in Britain today. If they | :16:00. | :16:03. | |
like it, they can sign the chef like it, they can sign the chef | :16:03. | :16:05. | |
like it, they can sign the chef like it, they can sign the chef | :16:05. | :16:06. | |
responsible up for their team in a responsible up for their team in a | :16:06. | :16:08. | |
responsible up for their team in a forthcoming cook off. It was cooked | :16:08. | :16:09. | |
forthcoming cook off. It was cooked forthcoming cook off. It was cooked | :16:09. | :16:10. | |
forthcoming cook off. It was cooked perfectly, I see you as somebody I | :16:10. | :16:12. | |
perfectly, I see you as somebody I perfectly, I see you as somebody I | :16:12. | :16:13. | |
perfectly, I see you as somebody I would like to work with and could | :16:13. | :16:18. | |
would like to work with and could would like to work with and could | :16:18. | :16:20. | |
would like to work with and could join my team. Some of these chefs | :16:20. | :16:21. | |
join my team. Some of these chefs join my team. Some of these chefs | :16:21. | :16:22. | |
join my team. Some of these chefs join my team. Some of these chefs | :16:22. | :16:23. | |
turn out to be Dicks. I am going to turn out to be Dicks. I am going to | :16:23. | :16:25. | |
turn out to be Dicks. I am going to come out them, full force. It's | :16:26. | :16:26. | |
come out them, full force. It's come out them, full force. It's | :16:27. | :16:28. | |
coming from the future, through a coming from the future, through a | :16:28. | :16:29. | |
coming from the future, through a time portal, smashing them in the | :16:29. | :16:31. | |
time portal, smashing them in the time portal, smashing them in the | :16:31. | :16:32. | |
face with awesomeness. He is going face with awesomeness. He is going | :16:32. | :16:32. | |
face with awesomeness. He is going face with awesomeness. He is going | :16:32. | :16:33. | |
to put some food on a spoon and to put some food on a spoon and | :16:33. | :16:35. | |
to put some food on a spoon and to put some food on a spoon and | :16:35. | :16:37. | |
what is on that spoon, take it away what is on that spoon, take it away | :16:37. | :16:40. | |
what is on that spoon, take it away chef. This is a pineapple, mushroom | :16:40. | :16:43. | |
chef. This is a pineapple, mushroom ground Turkey, sun-dried tomato | :16:43. | :16:45. | |
ground Turkey, sun-dried tomato ground Turkey, sun-dried tomato | :16:45. | :16:46. | |
Mcand cheese stir fry. You can't Mcand cheese stir fry. You can't | :16:46. | :16:47. | |
necessarily put those flavours necessarily put those flavours | :16:47. | :16:50. | |
necessarily put those flavours necessarily put those flavours | :16:50. | :16:50. | |
together in her head. I can imagine together in her head. I can imagine | :16:50. | :16:51. | |
together in her head. I can imagine together in her head. I can imagine | :16:51. | :16:54. | |
it coming out of my head into the it coming out of my head into the | :16:54. | :16:56. | |
it coming out of my head into the toilet. When the food displeases | :16:56. | :16:59. | |
toilet. When the food displeases toilet. When the food displeases | :16:59. | :17:01. | |
toilet. When the food displeases the panel, they send it back to the | :17:01. | :17:03. | |
the panel, they send it back to the the panel, they send it back to the | :17:03. | :17:04. | |
the panel, they send it back to the kitchen. You will not be cooking in | :17:04. | :17:05. | |
kitchen. You will not be cooking in kitchen. You will not be cooking in | :17:05. | :17:06. | |
kitchen. You will not be cooking in my kitchen. They kill him, cut him | :17:06. | :17:07. | |
my kitchen. They kill him, cut him my kitchen. They kill him, cut him | :17:08. | :17:08. | |
my kitchen. They kill him, cut him up, cook him and eat him. Just | :17:08. | :17:11. | |
up, cook him and eat him. Just up, cook him and eat him. Just | :17:11. | :17:12. | |
kidding. I make food for kidding. I make food for | :17:12. | :17:13. | |
kidding. I make food for awesomeness, not just tasting good. | :17:13. | :17:15. | |
awesomeness, not just tasting good. awesomeness, not just tasting good. | :17:15. | :17:17. | |
awesomeness, not just tasting good. That guy was a a professional chef. | :17:17. | :17:19. | |
That guy was a a professional chef. That guy was a a professional chef. | :17:19. | :17:20. | |
Many are amateurs, like this guy Many are amateurs, like this guy | :17:20. | :17:22. | |
Many are amateurs, like this guy Many are amateurs, like this guy | :17:23. | :17:24. | |
who has a truly shitty job. I am who has a truly shitty job. I am | :17:24. | :17:26. | |
who has a truly shitty job. I am 37-years-old, I work in a waste | :17:26. | :17:29. | |
37-years-old, I work in a waste 37-years-old, I work in a waste | :17:29. | :17:30. | |
water treatment plant and your crap water treatment plant and your crap | :17:30. | :17:32. | |
water treatment plant and your crap water treatment plant and your crap | :17:32. | :17:33. | |
is my bread and butter. I would is my bread and butter. I would | :17:33. | :17:35. | |
is my bread and butter. I would rather work in a kitchen, cooking | :17:35. | :17:36. | |
rather work in a kitchen, cooking rather work in a kitchen, cooking | :17:36. | :17:37. | |
food and dealing with what goes food and dealing with what goes | :17:37. | :17:38. | |
food and dealing with what goes food and dealing with what goes | :17:38. | :17:39. | |
into the body rather than the end into the body rather than the end | :17:39. | :17:39. | |
into the body rather than the end into the body rather than the end | :17:39. | :17:40. | |
result here, what comes out of the result here, what comes out of the | :17:40. | :17:41. | |
result here, what comes out of the result here, what comes out of the | :17:41. | :17:42. | |
body. I would have thought if you body. I would have thought if you | :17:42. | :17:43. | |
body. I would have thought if you work indeed a sewage plant staring | :17:43. | :17:45. | |
work indeed a sewage plant staring work indeed a sewage plant staring | :17:45. | :17:46. | |
at human excrement all day long, at human excrement all day long, | :17:46. | :17:47. | |
at human excrement all day long, at human excrement all day long, | :17:47. | :17:48. | |
you would go out of your way to you would go out of your way to | :17:48. | :17:49. | |
you would go out of your way to create a dish that looked nothing | :17:49. | :17:50. | |
create a dish that looked nothing create a dish that looked nothing | :17:50. | :17:52. | |
create a dish that looked nothing like it, but I would be wrong. On | :17:52. | :17:54. | |
like it, but I would be wrong. On like it, but I would be wrong. On | :17:54. | :17:57. | |
the positive side this dish does the positive side this dish does | :17:57. | :17:58. | |
the positive side this dish does provide roughage and appears to be | :17:58. | :18:00. | |
provide roughage and appears to be provide roughage and appears to be | :18:00. | :18:08. | |
going down well with the judges. going down well with the judges. | :18:08. | :18:09. | |
going down well with the judges. Technology and incredible yet bland | :18:09. | :18:10. | |
Technology and incredible yet bland Technology and incredible yet bland | :18:10. | :18:11. | |
Technology and incredible yet bland scenes as Sony hold a live web | :18:11. | :18:14. | |
scenes as Sony hold a live web launch for their forthcoming | :18:14. | :18:15. | |
launch for their forthcoming launch for their forthcoming | :18:15. | :18:16. | |
PlayStation 4 console. They didn't PlayStation 4 console. They didn't | :18:16. | :18:17. | |
PlayStation 4 console. They didn't actually show the machine itself. | :18:17. | :18:19. | |
actually show the machine itself. actually show the machine itself. | :18:19. | :18:20. | |
Instead a bizarre new Kevin Eldon Instead a bizarre new Kevin Eldon | :18:20. | :18:22. | |
Instead a bizarre new Kevin Eldon character showed off the joypad. | :18:22. | :18:23. | |
character showed off the joypad. character showed off the joypad. | :18:23. | :18:24. | |
For the first time the new For the first time the new | :18:24. | :18:26. | |
For the first time the new controller, and here it is. | :18:26. | :18:29. | |
controller, and here it is. controller, and here it is. | :18:29. | :18:30. | |
Dual Shock4 joypad, quivers were Dual Shock4 joypad, quivers were | :18:31. | :18:32. | |
Dual Shock4 joypad, quivers were stimulated, and an inviting button | :18:32. | :18:34. | |
stimulated, and an inviting button stimulated, and an inviting button | :18:34. | :18:37. | |
stimulated, and an inviting button down below that aches to be touched. | :18:37. | :18:38. | |
down below that aches to be touched. down below that aches to be touched. | :18:38. | :18:39. | |
down below that aches to be touched. If you ask me the emphasis on share | :18:39. | :18:41. | |
If you ask me the emphasis on share If you ask me the emphasis on share | :18:41. | :18:42. | |
something an absolute disaster for something an absolute disaster for | :18:42. | :18:42. | |
something an absolute disaster for the PlayStation because it looks | :18:42. | :18:44. | |
the PlayStation because it looks the PlayStation because it looks | :18:44. | :18:45. | |
like it will turn the blissfully like it will turn the blissfully | :18:45. | :18:47. | |
like it will turn the blissfully isolated past time of grinning into | :18:47. | :18:49. | |
isolated past time of grinning into isolated past time of grinning into | :18:50. | :18:51. | |
a Facebook hell of socialised a Facebook hell of socialised | :18:51. | :18:53. | |
a Facebook hell of socialised twattery. There were games, too, | :18:53. | :18:54. | |
twattery. There were games, too, twattery. There were games, too, | :18:54. | :18:55. | |
introduced by people trying to make introduced by people trying to make | :18:55. | :18:56. | |
introduced by people trying to make them sound like things they weren't. | :18:56. | :18:57. | |
them sound like things they weren't. them sound like things they weren't. | :18:57. | :18:58. | |
them sound like things they weren't. This is a story about the loss of | :18:58. | :19:00. | |
This is a story about the loss of This is a story about the loss of | :19:00. | :19:01. | |
This is a story about the loss of home, the search for a new home and | :19:01. | :19:02. | |
home, the search for a new home and home, the search for a new home and | :19:02. | :19:02. | |
home, the search for a new home and the lengths to which people go to | :19:02. | :19:08. | |
the lengths to which people go to the lengths to which people go to | :19:08. | :19:09. | |
defend it. Sounds deep. This game defend it. Sounds deep. This game | :19:09. | :19:10. | |
defend it. Sounds deep. This game is an inspiring meditation on | :19:10. | :19:11. | |
is an inspiring meditation on is an inspiring meditation on | :19:11. | :19:13. | |
shooting people in the future. As shooting people in the future. As | :19:13. | :19:14. | |
shooting people in the future. As shooting people in the future. As | :19:14. | :19:15. | |
well as a game where you shoot well as a game where you shoot | :19:15. | :19:16. | |
well as a game where you shoot well as a game where you shoot | :19:16. | :19:17. | |
everyone in the future, there was a everyone in the future, there was a | :19:17. | :19:18. | |
everyone in the future, there was a game where you drive cars quickly, | :19:18. | :19:20. | |
game where you drive cars quickly, game where you drive cars quickly, | :19:20. | :19:21. | |
game where you drive cars quickly, a game where you fight goblins and | :19:21. | :19:23. | |
a game where you fight goblins and a game where you fight goblins and | :19:23. | :19:25. | |
a tech demonstration of the a tech demonstration of the | :19:25. | :19:29. | |
PlayStation's 4's ability to PlayStation's 4's ability to | :19:29. | :19:31. | |
PlayStation's 4's ability to resurrect the disembodied head of | :19:31. | :19:33. | |
resurrect the disembodied head of resurrect the disembodied head of | :19:33. | :19:34. | |
Jimmy Savile. You can feel the Jimmy Savile. You can feel the | :19:34. | :19:37. | |
Jimmy Savile. You can feel the Jimmy Savile. You can feel the | :19:37. | :19:37. | |
emotions look can at his face. emotions look can at his face. | :19:38. | :19:39. | |
emotions look can at his face. quite Mario, is it. Isn't everyone | :19:39. | :19:41. | |
quite Mario, is it. Isn't everyone quite Mario, is it. Isn't everyone | :19:41. | :19:42. | |
on the internet horrible. Yes they on the internet horrible. Yes they | :19:42. | :19:44. | |
on the internet horrible. Yes they are. Here is someone who thinks | :19:44. | :19:46. | |
are. Here is someone who thinks are. Here is someone who thinks | :19:46. | :19:55. | |
that's that's just swell, Doug I am Doug Stanhope and that is why | :19:55. | :19:59. | |
I am Doug Stanhope and that is why I am Doug Stanhope and that is why | :19:59. | :20:00. | |
I am Doug Stanhope and that is why I drink. Evidently in the UK you | :20:00. | :20:02. | |
I drink. Evidently in the UK you I drink. Evidently in the UK you | :20:02. | :20:03. | |
have some vague ambiguous laws have some vague ambiguous laws | :20:03. | :20:05. | |
have some vague ambiguous laws about mean tweeting. Where you can | :20:05. | :20:07. | |
about mean tweeting. Where you can about mean tweeting. Where you can | :20:07. | :20:08. | |
about mean tweeting. Where you can go to prison for being abusive on | :20:08. | :20:10. | |
go to prison for being abusive on go to prison for being abusive on | :20:10. | :20:10. | |
the internet. Where in the United the internet. Where in the United | :20:10. | :20:12. | |
the internet. Where in the United States, being rude on the internet, | :20:12. | :20:12. | |
States, being rude on the internet, States, being rude on the internet, | :20:12. | :20:14. | |
that's the purpose of it. That's that's the purpose of it. That's | :20:14. | :20:15. | |
that's the purpose of it. That's that's the purpose of it. That's | :20:15. | :20:16. | |
why you are on the internet. That why you are on the internet. That | :20:16. | :20:17. | |
why you are on the internet. That why you are on the internet. That | :20:17. | :20:18. | |
is like making porn legal but it is is like making porn legal but it is | :20:18. | :20:19. | |
is like making porn legal but it is is like making porn legal but it is | :20:19. | :20:20. | |
against the law to jerk off to it. against the law to jerk off to it. | :20:20. | :20:21. | |
against the law to jerk off to it. against the law to jerk off to it. | :20:21. | :20:22. | |
A lot of people are against mean A lot of people are against mean | :20:22. | :20:25. | |
A lot of people are against mean tweeting because it is usually at | :20:25. | :20:25. | |
tweeting because it is usually at tweeting because it is usually at | :20:25. | :20:26. | |
tweeting because it is usually at your expense. You are a big man | :20:26. | :20:27. | |
your expense. You are a big man your expense. You are a big man | :20:27. | :20:29. | |
when you are sitting behind your when you are sitting behind your | :20:29. | :20:30. | |
when you are sitting behind your keyboard but you would never say | :20:30. | :20:31. | |
keyboard but you would never say keyboard but you would never say | :20:31. | :20:32. | |
keyboard but you would never say that shit to my face. Of course I | :20:32. | :20:33. | |
that shit to my face. Of course I that shit to my face. Of course I | :20:33. | :20:35. | |
wouldn't, you would hit me. Why wouldn't, you would hit me. Why | :20:35. | :20:37. | |
wouldn't, you would hit me. Why wouldn't, you would hit me. Why | :20:37. | :20:37. | |
would I envoke violence when I can would I envoke violence when I can | :20:37. | :20:38. | |
would I envoke violence when I can would I envoke violence when I can | :20:38. | :20:40. | |
do it from the safety of my own do it from the safety of my own | :20:40. | :20:42. | |
do it from the safety of my own home. The internet is built for | :20:42. | :20:44. | |
home. The internet is built for tragedy and inappropriate comments. | :20:44. | :20:45. | |
tragedy and inappropriate comments. tragedy and inappropriate comments. | :20:45. | :20:48. | |
Tragedy, that is when comics come Tragedy, that is when comics come | :20:48. | :20:49. | |
Tragedy, that is when comics come to life. Tragedy happens, comic has | :20:49. | :20:50. | |
to life. Tragedy happens, comic has to life. Tragedy happens, comic has | :20:50. | :20:51. | |
to life. Tragedy happens, comic has to spring into action. You want to | :20:51. | :20:52. | |
to spring into action. You want to to spring into action. You want to | :20:52. | :20:53. | |
to spring into action. You want to be the first on stage or on the | :20:53. | :20:54. | |
be the first on stage or on the be the first on stage or on the | :20:54. | :20:55. | |
laptop to make an inappropriate laptop to make an inappropriate | :20:55. | :20:56. | |
laptop to make an inappropriate laptop to make an inappropriate | :20:56. | :20:58. | |
joke. That is what it is there for. joke. That is what it is there for. | :20:58. | :20:59. | |
joke. That is what it is there for. Dead celebrities, race to the | :20:59. | :21:01. | |
Dead celebrities, race to the Dead celebrities, race to the | :21:01. | :21:02. | |
internet, I can't wait. Whitney internet, I can't wait. Whitney | :21:02. | :21:04. | |
internet, I can't wait. Whitney Houston, what have you got. People | :21:04. | :21:05. | |
Houston, what have you got. People Houston, what have you got. People | :21:05. | :21:08. | |
Houston, what have you got. People go that's too soon. You say no, | :21:08. | :21:10. | |
go that's too soon. You say no, go that's too soon. You say no, | :21:10. | :21:11. | |
it's perfectly timed, they've just it's perfectly timed, they've just | :21:11. | :21:12. | |
it's perfectly timed, they've just died. How dare you question my | :21:13. | :21:13. | |
died. How dare you question my died. How dare you question my | :21:14. | :21:18. | |
timing, I am a professional. Too timing, I am a professional. Too | :21:18. | :21:21. | |
timing, I am a professional. Too timing, I am a professional. Too | :21:21. | :21:21. | |
soon! For the first time in a soon! For the first time in a | :21:22. | :21:23. | |
soon! For the first time in a celebrity's ego driven career they | :21:23. | :21:24. | |
celebrity's ego driven career they celebrity's ego driven career they | :21:24. | :21:25. | |
celebrity's ego driven career they finally are dead and don't have to | :21:25. | :21:26. | |
finally are dead and don't have to finally are dead and don't have to | :21:26. | :21:26. | |
finally are dead and don't have to give a shit about what you said | :21:26. | :21:28. | |
give a shit about what you said give a shit about what you said | :21:28. | :21:30. | |
about them on the internet. How about them on the internet. How | :21:30. | :21:31. | |
about them on the internet. How limited is your manages that not | :21:31. | :21:32. | |
limited is your manages that not limited is your manages that not | :21:32. | :21:33. | |
limited is your manages that not only do you believe in an after | :21:33. | :21:34. | |
only do you believe in an after only do you believe in an after | :21:34. | :21:35. | |
only do you believe in an after life but you still think it has | :21:35. | :21:41. | |
life but you still think it has life but you still think it has | :21:41. | :21:41. | |
social networking. Where your dead social networking. Where your dead | :21:41. | :21:43. | |
social networking. Where your dead celebrities down in line checking | :21:43. | :21:44. | |
celebrities down in line checking celebrities down in line checking | :21:44. | :21:45. | |
celebrities down in line checking her iPhone. I hope I better be | :21:45. | :21:47. | |
her iPhone. I hope I better be her iPhone. I hope I better be | :21:47. | :21:48. | |
trending at least. That comment is trending at least. That comment is | :21:48. | :21:49. | |
trending at least. That comment is trending at least. That comment is | :21:49. | :21:51. | |
a little off colour, that is salty. a little off colour, that is salty. | :21:51. | :21:51. | |
a little off colour, that is salty. a little off colour, that is salty. | :21:51. | :21:53. | |
Could have saved that until I was Could have saved that until I was | :21:53. | :21:55. | |
Could have saved that until I was Could have saved that until I was | :21:55. | :21:55. | |
cold. It is weird that the church cold. It is weird that the church | :21:55. | :21:56. | |
cold. It is weird that the church cold. It is weird that the church | :21:56. | :21:57. | |
cold. It is weird that the church can say you are going to go to hell | :21:57. | :21:59. | |
can say you are going to go to hell can say you are going to go to hell | :21:59. | :22:00. | |
can say you are going to go to hell if you mast bait, but if I tweet | :22:00. | :22:02. | |
if you mast bait, but if I tweet if you mast bait, but if I tweet | :22:02. | :22:03. | |
if you mast bait, but if I tweet your father is in hell because he | :22:03. | :22:05. | |
your father is in hell because he your father is in hell because he | :22:05. | :22:07. | |
your father is in hell because he master bathed, do I go to prison | :22:07. | :22:08. | |
master bathed, do I go to prison master bathed, do I go to prison | :22:08. | :22:09. | |
master bathed, do I go to prison for that. I don't know, I'm not a | :22:09. | :22:11. | |
for that. I don't know, I'm not a for that. I don't know, I'm not a | :22:11. | :22:13. | |
barrister. A musical interlude and barrister. A musical interlude and | :22:13. | :22:15. | |
the grassroots celebration of the grassroots celebration of | :22:15. | :22:16. | |
the grassroots celebration of artistic authenticity that is the | :22:16. | :22:20. | |
artistic authenticity that is the artistic authenticity that is the | :22:20. | :22:24. | |
BRITs thrilled throughers from -- viewers nationwide. | :22:24. | :22:28. | |
viewers nationwide. viewers nationwide. | :22:28. | :22:31. | |
Muse performed their symphony for Muse performed their symphony for | :22:31. | :22:33. | |
Muse performed their symphony for youth or chest radio and kitchen | :22:33. | :22:36. | |
sink. sink. | :22:36. | :22:38. | |
sink. Before James corden unveiled the | :22:38. | :22:42. | |
Before James corden unveiled the magnificently diverse musical menu | :22:42. | :22:44. | |
magnificently diverse musical menu magnificently diverse musical menu | :22:44. | :22:45. | |
magnificently diverse musical menu on offer that evening. I like my | :22:45. | :22:48. | |
on offer that evening. I like my on offer that evening. I like my | :22:48. | :22:48. | |
music bland. Mumford & Sons are music bland. Mumford & Sons are | :22:48. | :22:50. | |
music bland. Mumford & Sons are music bland. Mumford & Sons are | :22:50. | :22:52. | |
going to be here. Taylor Swift. going to be here. Taylor Swift. | :22:53. | :22:55. | |
going to be here. Taylor Swift. Ben Howard. Probably, yes.Robbie | :22:55. | :23:00. | |
Ben Howard. Probably, yes.Robbie Ben Howard. Probably, yes.Robbie | :23:00. | :23:01. | |
Williams. Result.Emile Sande and Williams. Result.Emile Sande and | :23:01. | :23:02. | |
Williams. Result.Emile Sande and Williams. Result.Emile Sande and | :23:02. | :23:03. | |
five young men that go by the name five young men that go by the name | :23:03. | :23:07. | |
five young men that go by the name of one direction are here. Jackpot. | :23:07. | :23:09. | |
of one direction are here. Jackpot. Having established its credentials | :23:09. | :23:12. | |
Having established its credentials Having established its credentials | :23:12. | :23:13. | |
with awards like the rock'n'roll with awards like the rock'n'roll | :23:13. | :23:14. | |
with awards like the rock'n'roll Mastercard Album of the Year, the | :23:14. | :23:15. | |
Mastercard Album of the Year, the Mastercard Album of the Year, the | :23:15. | :23:19. | |
ceremony continued to wow audiences ceremony continued to wow audiences | :23:19. | :23:22. | |
by handing meaningless statuettes by handing meaningless statuettes | :23:22. | :23:28. | |
by handing meaningless statuettes by handing meaningless statuettes | :23:28. | :23:30. | |
to musical farts. One of the most to musical farts. One of the most | :23:30. | :23:32. | |
to musical farts. One of the most exciting things about make ago | :23:32. | :23:33. | |
exciting things about make ago exciting things about make ago | :23:33. | :23:34. | |
second album is doubling the size second album is doubling the size | :23:34. | :23:35. | |
second album is doubling the size second album is doubling the size | :23:35. | :23:35. | |
of the window that people get to of the window that people get to | :23:36. | :23:40. | |
of the window that people get to look in at what we do. | :23:40. | :23:41. | |
look in at what we do. look in at what we do. | :23:41. | :23:42. | |
look in at what we do. Some of these songs take years to | :23:42. | :23:47. | |
Some of these songs take years to Some of these songs take years to | :23:47. | :23:54. | |
finish. There were spine tingling finish. There were spine tingling | :23:54. | :23:56. | |
performances from Tintin Bumbaclart, performances from Tintin Bumbaclart, | :23:56. | :23:58. | |
wipe-clean vinyl Tweenies, and wipe-clean vinyl Tweenies, and | :23:59. | :24:00. | |
Emile Sande, who transport Emile Sande, who transport | :24:00. | :24:02. | |
Emile Sande, who transport transported us back to a happier | :24:02. | :24:03. | |
transported us back to a happier transported us back to a happier | :24:03. | :24:04. | |
transported us back to a happier time last year, before most of us | :24:04. | :24:09. | |
time last year, before most of us had heard of her. | :24:09. | :24:11. | |
had heard of her. Following another five million | :24:11. | :24:13. | |
Following another five million Following another five million | :24:13. | :24:15. | |
mentions of Mumford & Sons, the mentions of Mumford & Sons, the | :24:15. | :24:16. | |
mentions of Mumford & Sons, the corporate inport export awards were | :24:16. | :24:17. | |
corporate inport export awards were corporate inport export awards were | :24:17. | :24:18. | |
corporate inport export awards were over for another year. It is not | :24:18. | :24:19. | |
over for another year. It is not over for another year. It is not | :24:19. | :24:19. | |
over for another year. It is not the last you will have heard of all | :24:19. | :24:20. | |
the last you will have heard of all the last you will have heard of all | :24:20. | :24:24. | |
the acts feature because they will the acts feature because they will | :24:24. | :24:26. | |
the acts feature because they will be playing unrelentingly in every | :24:26. | :24:28. | |
be playing unrelentingly in every be playing unrelentingly in every | :24:28. | :24:38. | |
:24:38. | :24:43. | ||
Controversy and the news chickens Controversy and the news chickens | :24:43. | :24:46. | |
Controversy and the news chickens Controversy and the news chickens | :24:46. | :24:47. | |
get in a flap as brainy hautor get in a flap as brainy hautor | :24:47. | :24:49. | |
get in a flap as brainy hautor Hilary Mantel criticises our Kate. | :24:49. | :24:51. | |
Hilary Mantel criticises our Kate. Hilary Mantel criticises our Kate. | :24:51. | :24:52. | |
Hilary Mantel criticises our Kate. You can see some of the language | :24:52. | :24:53. | |
You can see some of the language You can see some of the language | :24:53. | :24:55. | |
being used in the headline. being used in the headline. | :24:55. | :24:57. | |
being used in the headline. plastic Princess designed to breed, | :24:57. | :24:58. | |
plastic Princess designed to breed, plastic Princess designed to breed, | :24:58. | :24:59. | |
plastic Princess designed to breed, I think I ordered one of those off | :24:59. | :25:01. | |
I think I ordered one of those off I think I ordered one of those off | :25:01. | :25:02. | |
the internet. The comments upset the internet. The comments upset | :25:02. | :25:04. | |
the internet. The comments upset some of the biggest anchors in | :25:04. | :25:05. | |
some of the biggest anchors in some of the biggest anchors in | :25:05. | :25:08. | |
Britain. She's described her as a Britain. She's described her as a | :25:08. | :25:10. | |
machine-made Princess with a machine-made Princess with a | :25:10. | :25:11. | |
machine-made Princess with a plastic smile. I think that's | :25:11. | :25:13. | |
plastic smile. I think that's plastic smile. I think that's | :25:13. | :25:14. | |
really unnecessary. It also caused really unnecessary. It also caused | :25:14. | :25:16. | |
really unnecessary. It also caused upsetting exchanges on This Morning. | :25:16. | :25:18. | |
upsetting exchanges on This Morning. upsetting exchanges on This Morning. | :25:18. | :25:20. | |
When is being polite, genting, well When is being polite, genting, well | :25:21. | :25:22. | |
mannered suddenly become plastic mannered suddenly become plastic | :25:22. | :25:23. | |
mannered suddenly become plastic mannered suddenly become plastic | :25:23. | :25:25. | |
and fake. I think she should shut and fake. I think she should shut | :25:25. | :25:27. | |
and fake. I think she should shut and fake. I think she should shut | :25:27. | :25:28. | |
up. The PM chipped in.It is up. The PM chipped in.It is | :25:28. | :25:30. | |
completely misguided and completely completely misguided and completely | :25:30. | :25:33. | |
completely misguided and completely wrong. Not everyone joined in? Some | :25:33. | :25:35. | |
wrong. Not everyone joined in? Some wrong. Not everyone joined in? Some | :25:35. | :25:36. | |
wrong. Not everyone joined in? Some it actually read the article. | :25:36. | :25:37. | |
it actually read the article. it actually read the article. | :25:37. | :25:38. | |
all about the history of consorts, all about the history of consorts, | :25:38. | :25:40. | |
all about the history of consorts, what happens to consorts. She does | :25:40. | :25:41. | |
what happens to consorts. She does what happens to consorts. She does | :25:41. | :25:42. | |
what happens to consorts. She does slag Kate off in it? What she was | :25:42. | :25:43. | |
slag Kate off in it? What she was slag Kate off in it? What she was | :25:43. | :25:44. | |
try to go say there's something try to go say there's something | :25:44. | :25:46. | |
try to go say there's something try to go say there's something | :25:46. | :25:48. | |
that happens when a woman rar woman that happens when a woman rar woman | :25:48. | :25:48. | |
that happens when a woman rar woman maries into the Royal Family, we | :25:49. | :25:49. | |
maries into the Royal Family, we maries into the Royal Family, we | :25:49. | :25:50. | |
maries into the Royal Family, we expect her not to say anything, we | :25:50. | :25:51. | |
expect her not to say anything, we expect her not to say anything, we | :25:51. | :25:53. | |
comment about her dress, that we comment about her dress, that we | :25:53. | :25:53. | |
comment about her dress, that we almost turn our Royal Family into | :25:53. | :25:55. | |
almost turn our Royal Family into almost turn our Royal Family into | :25:55. | :25:56. | |
almost turn our Royal Family into dolls. God knows where she got that | :25:56. | :25:57. | |
dolls. God knows where she got that dolls. God knows where she got that | :25:57. | :25:59. | |
impression, unless she watches the impression, unless she watches the | :25:59. | :26:00. | |
impression, unless she watches the news. With those trademark heels, | :26:00. | :26:02. | |
news. With those trademark heels, news. With those trademark heels, | :26:02. | :26:06. | |
Kate stepped into new new territory. Kate stepped into new new territory. | :26:06. | :26:11. | |
Kate stepped into new new territory. With her green coat... The media | :26:11. | :26:13. | |
With her green coat... The media With her green coat... The media | :26:13. | :26:15. | |
portrayal of Kate tends to treat portrayal of Kate tends to treat | :26:15. | :26:17. | |
portrayal of Kate tends to treat portrayal of Kate tends to treat | :26:17. | :26:23. | |
her more like a mannequin than a her more like a mannequin than a | :26:23. | :26:24. | |
her more like a mannequin than a real woman. The Duchess of | :26:24. | :26:26. | |
real woman. The Duchess of real woman. The Duchess of | :26:26. | :26:27. | |
Cambridge just inside wearing a Cambridge just inside wearing a | :26:27. | :26:30. | |
Cambridge just inside wearing a black and white dress. A very | :26:30. | :26:32. | |
black and white dress. A very black and white dress. A very | :26:32. | :26:33. | |
black and white dress. A very visible bump. When they let us hear | :26:33. | :26:34. | |
visible bump. When they let us hear visible bump. When they let us hear | :26:34. | :26:35. | |
visible bump. When they let us hear her voice, it is such a rare event, | :26:35. | :26:36. | |
her voice, it is such a rare event, her voice, it is such a rare event, | :26:36. | :26:38. | |
her voice, it is such a rare event, all the news channels treat it like | :26:38. | :26:39. | |
all the news channels treat it like all the news channels treat it like | :26:39. | :26:42. | |
a massive story in itself. a massive story in itself. | :26:42. | :26:45. | |
a massive story in itself. Attention wasn't on how she she | :26:45. | :26:47. | |
Attention wasn't on how she she Attention wasn't on how she she | :26:47. | :26:49. | |
Attention wasn't on how she she looked, but on what she said. | :26:49. | :26:50. | |
looked, but on what she said. looked, but on what she said. | :26:50. | :26:53. | |
only sorry William can't be here only sorry William can't be here | :26:53. | :26:55. | |
only sorry William can't be here only sorry William can't be here | :26:55. | :26:56. | |
today. He would love it here. today. He would love it here. | :26:56. | :26:57. | |
today. He would love it here. done pretty, back in your box. | :26:57. | :26:58. | |
done pretty, back in your box. done pretty, back in your box. | :26:58. | :27:00. | |
done pretty, back in your box. Based on the book of the same name | :27:00. | :27:02. | |
Based on the book of the same name Based on the book of the same name | :27:02. | :27:03. | |
Cloud Atlas is a visually Cloud Atlas is a visually | :27:03. | :27:05. | |
Cloud Atlas is a visually spectacular attempt as creating a | :27:05. | :27:06. | |
spectacular attempt as creating a blockbuster spanning several | :27:06. | :27:07. | |
blockbuster spanning several blockbuster spanning several | :27:07. | :27:09. | |
blockbuster spanning several centuries of made up time, it stars | :27:09. | :27:15. | |
centuries of made up time, it stars centuries of made up time, it stars | :27:15. | :27:23. | |
Tom Hanks, Halle Berry, Hugh Grant, Ben Whishaw. | :27:23. | :27:25. | |
Ben Whishaw. Ben Whishaw. | :27:25. | :27:27. | |
Ben Whishaw. In Cloud Atlas, the novelty is it | :27:27. | :27:31. | |
In Cloud Atlas, the novelty is it In Cloud Atlas, the novelty is it | :27:31. | :27:33. | |
consists of six stories starring consists of six stories starring | :27:33. | :27:34. | |
consists of six stories starring consists of six stories starring | :27:34. | :27:35. | |
the same cast. It means the whole the same cast. It means the whole | :27:36. | :27:38. | |
the same cast. It means the whole things feels like playing where's | :27:38. | :27:42. | |
things feels like playing where's things feels like playing where's | :27:42. | :27:44. | |
wally with famous people. It gets wally with famous people. It gets | :27:44. | :27:44. | |
wally with famous people. It gets particularly weird when say Halle | :27:44. | :27:45. | |
particularly weird when say Halle particularly weird when say Halle | :27:45. | :27:47. | |
particularly weird when say Halle Berry turns up as a white woman, | :27:47. | :27:51. | |
Berry turns up as a white woman, Berry turns up as a white woman, | :27:51. | :27:53. | |
Berry turns up as a white woman, Hugh Grant turns up as a Korean. | :27:53. | :27:54. | |
Hugh Grant turns up as a Korean. Hugh Grant turns up as a Korean. | :27:54. | :27:56. | |
The film continually flips from one The film continually flips from one | :27:56. | :27:58. | |
The film continually flips from one The film continually flips from one | :27:58. | :27:59. | |
story to another in a manner that story to another in a manner that | :27:59. | :28:00. | |
story to another in a manner that draws parallels between the Shaggy | :28:00. | :28:01. | |
draws parallels between the Shaggy draws parallels between the Shaggy | :28:01. | :28:03. | |
draws parallels between the Shaggy dog stories but feels like you are | :28:03. | :28:05. | |
dog stories but feels like you are dog stories but feels like you are | :28:05. | :28:06. | |
watching six different mini series. watching six different mini series. | :28:06. | :28:07. | |
watching six different mini series. watching six different mini series. | :28:07. | :28:09. | |
You need an atlas to find your way You need an atlas to find your way | :28:09. | :28:11. | |
You need an atlas to find your way You need an atlas to find your way | :28:12. | :28:13. | |
through the thing. It is hard to through the thing. It is hard to | :28:13. | :28:14. | |
through the thing. It is hard to care about characters whose lives | :28:14. | :28:15. | |
care about characters whose lives care about characters whose lives | :28:15. | :28:16. | |
are experiencing for just a few are experiencing for just a few | :28:16. | :28:18. | |
are experiencing for just a few moments at a time across 180 | :28:18. | :28:20. | |
minutes. minutes. | :28:20. | :28:21. | |
minutes. The most profound thing I learned | :28:21. | :28:22. | |
The most profound thing I learned The most profound thing I learned | :28:22. | :28:23. | |
about the human condition across about the human condition across | :28:23. | :28:24. | |
about the human condition across about the human condition across | :28:24. | :28:25. | |
its three hour running time is how its three hour running time is how | :28:25. | :28:27. | |
its three hour running time is how long my bladder can hold out. | :28:27. | :28:32. | |
long my bladder can hold out. long my bladder can hold out. | :28:32. | :28:34. | |
Joining me now to discuss Cloud Joining me now to discuss Cloud | :28:34. | :28:38. | |
Joining me now to discuss Cloud Atlas are Charlie Brooker from 1973 | :28:38. | :28:41. | |
Atlas are Charlie Brooker from 1973 Atlas are Charlie Brooker from 1973 | :28:41. | :28:45. | |
and Charlie Brooker from the fall. and Charlie Brooker from the fall. | :28:45. | :28:46. | |
and Charlie Brooker from the fall. and Charlie Brooker from the fall. | :28:46. | :28:47. | |
What is a book? You look at at What is a book? You look at at | :28:47. | :28:49. | |
What is a book? You look at at shapes on paper and it makes | :28:50. | :28:50. | |
shapes on paper and it makes shapes on paper and it makes | :28:50. | :28:53. | |
shapes on paper and it makes pictures appear in in your head. | :28:53. | :28:55. | |
pictures appear in in your head. pictures appear in in your head. | :28:55. | :28:55. | |
pictures appear in in your head. you have cave paintings? Yes, no I | :28:55. | :28:57. | |
you have cave paintings? Yes, no I you have cave paintings? Yes, no I | :28:57. | :28:58. | |
you have cave paintings? Yes, no I haven't. Have you Read the book? | :28:58. | :28:59. | |
haven't. Have you Read the book? haven't. Have you Read the book? | :28:59. | :29:01. | |
haven't. Have you Read the book? haven't, I have to be honest, I | :29:01. | :29:01. | |
haven't, I have to be honest, I haven't, I have to be honest, I | :29:01. | :29:02. | |
don't really know it would have don't really know it would have | :29:02. | :29:03. | |
don't really know it would have don't really know it would have | :29:04. | :29:05. | |
helped if I had. I found the whole helped if I had. I found the whole | :29:05. | :29:07. | |
multiple character thing tricksy multiple character thing tricksy | :29:07. | :29:08. | |
multiple character thing tricksy and annoying. There is something | :29:08. | :29:10. | |
and annoying. There is something and annoying. There is something | :29:10. | :29:11. | |
stupid about seeing Hugh Grant stupid about seeing Hugh Grant | :29:11. | :29:13. | |
stupid about seeing Hugh Grant playing a can balance. Balance -- | :29:13. | :29:16. | |
playing a can balance. Balance -- playing a can balance. Balance -- | :29:16. | :29:26. | |
:29:26. | :29:31. | ||
playing a can balance. Balance -- What is Mrs Brown's Boys. You would | :29:31. | :29:32. | |
What is Mrs Brown's Boys. You would What is Mrs Brown's Boys. You would | :29:32. | :29:34. | |
What is Mrs Brown's Boys. You would love it. I am finding this sequence | :29:34. | :29:35. | |
love it. I am finding this sequence love it. I am finding this sequence | :29:35. | :29:36. | |
quite self-indull gent. I never quite self-indull gent. I never | :29:36. | :29:37. | |
quite self-indull gent. I never quite self-indull gent. I never | :29:37. | :29:37. | |
like this bit of the show. Neither like this bit of the show. Neither | :29:37. | :29:39. | |
like this bit of the show. Neither like this bit of the show. Neither | :29:39. | :29:40. | |
of you had to turn up. We didn't. of you had to turn up. We didn't. | :29:40. | :29:41. | |
of you had to turn up. We didn't. We're not here, you are imagining | :29:41. | :29:43. |