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BEATS BEATBOXES | 0:00:09 | 0:00:12 | |
MC SNIPER RAPS GIBBERISH | 0:00:12 | 0:00:15 | |
It's bare fast and that, know what I mean? You lot are used to taking it more relaxed. | 0:00:17 | 0:00:20 | |
Obviously you're a bit older and that. | 0:00:20 | 0:00:22 | |
We're like the younger generation - fast-paced, do you know what I mean? | 0:00:22 | 0:00:26 | |
-Quick. -Just bosh it out. -Yeah. You play a tune for, like, five minutes, | 0:00:26 | 0:00:29 | |
-we're like two minutes in - bang - next one. -Mixing. -Mix it. Yeah. | 0:00:29 | 0:00:33 | |
There he is. Sniper there. | 0:00:39 | 0:00:42 | |
Sniper. My MC. | 0:00:42 | 0:00:44 | |
-Bit of colour in his face now. -What's going on, boys? | 0:00:44 | 0:00:47 | |
-See you later, guv. -It's good to see you and all that. -What's all this about then? | 0:00:47 | 0:00:52 | |
It's the BBC come to do a documentary about pirate radio. | 0:00:52 | 0:00:57 | |
Yeah, you all right, boys? You all right, yeah? | 0:00:57 | 0:00:59 | |
MC Sniper, Kurupt FM head honcho/general. | 0:01:03 | 0:01:08 | |
I suppose what's special about Sniper is his lyrical capabilities. | 0:01:08 | 0:01:11 | |
Like, he can do fast flow, ragga rap, singing rap. | 0:01:11 | 0:01:14 | |
Like, he's got them all covered. All angles. | 0:01:14 | 0:01:16 | |
HE RAPS INDISTINCTLY | 0:01:16 | 0:01:19 | |
Kurupt FM is, like... | 0:01:19 | 0:01:21 | |
It's more than just a radio station, do you know what I mean? | 0:01:21 | 0:01:24 | |
It's in our blood. It's the lifestyle. | 0:01:24 | 0:01:26 | |
Without Kurupt FM it would be like having no blood. Like, just skin. | 0:01:26 | 0:01:31 | |
What? Is it legal? Of course not, mate, of course not. | 0:01:31 | 0:01:34 | |
They wouldn't let you play that real stuff legitimately, | 0:01:34 | 0:01:37 | |
do you know what I mean? | 0:01:37 | 0:01:38 | |
-How long were you actually in prison? -Two stretch, yeah. | 0:01:38 | 0:01:42 | |
-So what does that mean? -Two stretch. | 0:01:42 | 0:01:45 | |
What, ain't you seen films? Two stretch. | 0:01:45 | 0:01:49 | |
Well, it's two weeks. | 0:01:49 | 0:01:51 | |
We had a little operation where we was banging out knocked-off Ralph Lauren T-shirts. | 0:01:51 | 0:01:55 | |
It was good, but the feds came and ruined everything. | 0:01:55 | 0:01:57 | |
Yeah, as per, mate. As per. Dirty filth. | 0:01:57 | 0:02:00 | |
Jail is a minor these days though. It's like an all-inclusive hotel. | 0:02:00 | 0:02:04 | |
Like, gym, TVs, DVD's, porno... | 0:02:04 | 0:02:07 | |
Don't, don't... Listen, don't act like you've been in jail, mate, yeah? | 0:02:07 | 0:02:10 | |
You wouldn't last two seconds in there. | 0:02:10 | 0:02:12 | |
Yeah, but if I did go to jail then I would just keep my head down. | 0:02:12 | 0:02:16 | |
Like, become a Muslim or something. | 0:02:16 | 0:02:19 | |
Do you like them? Muffins? 'Yeah, like...' | 0:02:24 | 0:02:27 | |
He does get into trouble quite a bit, | 0:02:27 | 0:02:29 | |
but, like, it's only silly little things like... | 0:02:29 | 0:02:33 | |
Like fraud or dealing or, like, hate crime. | 0:02:33 | 0:02:36 | |
Just little things like that. | 0:02:36 | 0:02:39 | |
'Well, I was out in the town centre and he was in a van,' | 0:02:39 | 0:02:43 | |
like, with his mates and he shouted at me | 0:02:43 | 0:02:45 | |
and I gave him my number and that was it really. | 0:02:45 | 0:02:50 | |
Like, back then, it was really romantic, like. | 0:02:50 | 0:02:53 | |
Like, he'd buy me clothes and stuff. Cos he didn't like what I wore. | 0:02:53 | 0:02:58 | |
'Michelle.' | 0:02:58 | 0:02:59 | |
She used to be gorgeous when I first met her. She's, like... I love her, | 0:02:59 | 0:03:04 | |
but don't tell her because you tell them | 0:03:04 | 0:03:05 | |
and they're all, "Ah!" Like you're a mug and that, do you know what I mean, like? | 0:03:05 | 0:03:09 | |
But I do love her and that, do you know what I mean? Nearly as much as radio. | 0:03:09 | 0:03:12 | |
Oh, it's good to get back in the car. They ain't even got cars in jails. | 0:03:17 | 0:03:21 | |
What? Why is you moving it back? What, who's been in the front then? | 0:03:21 | 0:03:25 | |
Sorry, I was sitting in there when you were in jail. | 0:03:25 | 0:03:28 | |
Kurupt FM official Jamaican/driver. | 0:03:30 | 0:03:33 | |
He don't say much though, do you? | 0:03:33 | 0:03:35 | |
He's not really one of them loud ones, like. | 0:03:36 | 0:03:39 | |
-No, he's a lot more restrained than your average Rasta. -I ain't a Rasta. | 0:03:39 | 0:03:43 | |
Course you are, mate. Just cos you ain't got all that hair and that | 0:03:44 | 0:03:48 | |
don't mean you're not proper Jamaican. | 0:03:48 | 0:03:50 | |
Anyway, let's show these boys Kurupt FM. | 0:03:50 | 0:03:52 | |
-This is what we was telling you about. -Let me show you. | 0:03:52 | 0:03:55 | |
Obviously just an average day with us, | 0:03:55 | 0:03:56 | |
chilling, blazing a little zooty and that. | 0:03:56 | 0:03:58 | |
RADIO PLAYS POP MUSIC Usually have Kurupt FM playing, like, | 0:03:58 | 0:04:01 | |
wait till you lot hear this, like. This is proper music. | 0:04:01 | 0:04:03 | |
RADIO PLAYS EASY LISTENING None of that funky house and dubstep, do you know what I mean? | 0:04:03 | 0:04:07 | |
Strictly jungle drum and bass. That's what 108.9's about. Kurupt. | 0:04:07 | 0:04:11 | |
-I think your radio's wigging out a bit. -Sort it out. | 0:04:11 | 0:04:15 | |
-I think it's the radio. -Mate, it ain't the radio, yeah? | 0:04:15 | 0:04:18 | |
-Well, it's not Kurupt, so it's your radio, mate. -Why are we not on air? | 0:04:18 | 0:04:22 | |
-I don't know, like, it's just... -You don't know, like? | 0:04:22 | 0:04:25 | |
-What do you mean, like? -Calm down for a minute, bruv. | 0:04:25 | 0:04:27 | |
Let me call Weapon X. I'll try and sort this out now. | 0:04:27 | 0:04:29 | |
Well, the phone line's working. | 0:04:29 | 0:04:31 | |
What, the phone line's...? All right, how many texts have we had? | 0:04:31 | 0:04:34 | |
I don't know. I can really tell you, like, cos I thought it was quiet cos at Easter... | 0:04:34 | 0:04:37 | |
-Why would Easter be a quiet time? -I don't know, like. | 0:04:37 | 0:04:41 | |
Cos people are out, like, getting chicken, | 0:04:41 | 0:04:44 | |
chocolate and turkeys and that. | 0:04:44 | 0:04:46 | |
That ain't even Easter, bruv. | 0:04:46 | 0:04:49 | |
Yeah, but... Stranger things have happened though. | 0:04:49 | 0:04:52 | |
-Right, get out the car. -You serious? -Get out! | 0:04:52 | 0:04:56 | |
-Sure, like. -Do you know what I mean though, like? | 0:04:56 | 0:04:59 | |
-Innit, though? Like, am I wrong? -No. | 0:05:00 | 0:05:04 | |
Do you know what I mean? | 0:05:04 | 0:05:06 | |
Now get back in. | 0:05:14 | 0:05:15 | |
I mean, everyone needs a strong inspirational figure, like. | 0:05:24 | 0:05:27 | |
I mean, you can't lead the blind into water. | 0:05:27 | 0:05:30 | |
I mean, you got leaders, you got Jesus. Mandela. EZ. | 0:05:32 | 0:05:38 | |
Ray Winstone. | 0:05:38 | 0:05:41 | |
Yeah. | 0:05:41 | 0:05:42 | |
Well, this photo we got done at one of those proper, like, professional places. | 0:05:42 | 0:05:46 | |
The idea of the picture is that we're in heaven but, like, | 0:05:46 | 0:05:50 | |
cos we really liked each other then, so it was, sort of, magical, | 0:05:50 | 0:05:54 | |
but, like, the clouds weren't actually there when it was taken. | 0:05:54 | 0:05:57 | |
That's, like, camera trickery they do afterwards kind of thing. | 0:05:57 | 0:06:00 | |
Sorry about the mess. I'm not really one for cleaning or being domestic, really. | 0:06:00 | 0:06:05 | |
Hello, Angel. Hello, Angel. | 0:06:05 | 0:06:09 | |
-All right? -There's a lot of football and...it's quite a boyish room. | 0:06:09 | 0:06:13 | |
Yeah, that's cos Sniper was convinced that it was going to be a boy. | 0:06:13 | 0:06:17 | |
Like, even when she was born he wasn't sure cos of her short hair and that. | 0:06:17 | 0:06:22 | |
Like, it added to all the confusion. | 0:06:22 | 0:06:24 | |
And, like, we already had the room ready, | 0:06:24 | 0:06:26 | |
so I think Sniper was just a bit angry about the fact that he didn't have a son. | 0:06:26 | 0:06:30 | |
-Right, so there's the mixer there. Amp there, like. -Yes... | 0:06:32 | 0:06:37 | |
And then this little thing there, like. So yeah. | 0:06:37 | 0:06:40 | |
-It looks like it's running it to me. -"Yeah, it all looks like..." | 0:06:40 | 0:06:43 | |
What are you talking about? The transmitter light's not on. | 0:06:43 | 0:06:46 | |
Oh, right, yeah. Well, the light's not on, yeah, so if you flip that... | 0:06:46 | 0:06:49 | |
Yeah, the transmitter's not working. | 0:06:49 | 0:06:52 | |
-I'm going to ring Chabuds now. -Yeah, you ring Chabuds and sort it out. | 0:06:52 | 0:06:55 | |
-Yeah, you shut up and smoke this, yeah? -All right. | 0:06:55 | 0:06:57 | |
Showing off and that. | 0:06:57 | 0:07:00 | |
What...who's... Who's written this? No si... | 0:07:00 | 0:07:05 | |
-"No shitting in the toilet," like? -Oh, yeah. -Is that a joke? | 0:07:05 | 0:07:09 | |
Cos the other day someone done a shit in the toilet, like, | 0:07:09 | 0:07:13 | |
that was so big it looked like an arm. | 0:07:13 | 0:07:15 | |
Steves nearly fainted when he saw it. | 0:07:15 | 0:07:17 | |
I thought it was reaching for me, bruv. | 0:07:17 | 0:07:19 | |
Nah, nah, listen, listen, yeah? | 0:07:19 | 0:07:21 | |
-Don't add rules to radio unless it's in my handwriting, yeah? -Yeah. -Yeah? | 0:07:21 | 0:07:26 | |
Chabuds? | 0:07:26 | 0:07:28 | |
My name's Chabuddy G, aka Chabuds, aka The Mayor of Hounslow, | 0:07:29 | 0:07:32 | |
aka the Rig Doctor, aka the Brown Casanova. | 0:07:32 | 0:07:37 | |
You know, I'm not actually a doctor or a mayor, | 0:07:37 | 0:07:40 | |
but if you want those kinds of certificates | 0:07:40 | 0:07:42 | |
I can get you that as part of a 24-month T-Mobile contract | 0:07:42 | 0:07:46 | |
that you will not be able to get out of. | 0:07:46 | 0:07:48 | |
And who's the...? | 0:07:48 | 0:07:50 | |
Oh, this is my beautiful, beautiful wife, Aldona. | 0:07:50 | 0:07:53 | |
-Say hello, darling. Sweetie. -Sh. | 0:07:53 | 0:07:56 | |
She's a bit shy today, | 0:07:56 | 0:07:58 | |
but normally we have a very, very sexual, intimate relationship. | 0:07:58 | 0:08:03 | |
You know, we, uh... | 0:08:03 | 0:08:05 | |
We pretty much do everything it is possible to do sexually. | 0:08:05 | 0:08:09 | |
Apart from entry. | 0:08:09 | 0:08:11 | |
Hello, Angel. What's that? Shall we show him your picture? | 0:08:12 | 0:08:16 | |
Hold that up for them. We're actually quite a creative family. | 0:08:16 | 0:08:20 | |
Like, Angel does a lot of artwork and this kind of thing | 0:08:20 | 0:08:23 | |
and what else we've done, look - I've made him this. | 0:08:23 | 0:08:25 | |
it's like a massive spliff for him, and it's meant to be, | 0:08:25 | 0:08:28 | |
like, a microphone because of his MCing and stuff, | 0:08:28 | 0:08:31 | |
so, yeah, got him the whole package really. | 0:08:31 | 0:08:33 | |
A little Daddy's "welcome home" party. | 0:08:33 | 0:08:35 | |
HE TAPS ON KEYBOARD | 0:08:40 | 0:08:43 | |
Mm, tonight is impossible, boss. | 0:08:46 | 0:08:48 | |
I've got to deliver 400 crates of energy drink tonight. | 0:08:48 | 0:08:51 | |
That's what I was saying on the phone. It's got to be today, it's my comeback set. | 0:08:51 | 0:08:55 | |
I know, boss, but, you know, the thing is, yeah, I've got to go to Bradford tonight, yeah? | 0:08:55 | 0:08:59 | |
I've got to bloody drive a lorry, which I haven't even done before, yeah? | 0:08:59 | 0:09:02 | |
-It's choc-a-block, mate. -Easy. Steves can sort it. | 0:09:02 | 0:09:06 | |
-What, that geezer can drive? -Yeah, yeah. He's a sick driver. | 0:09:08 | 0:09:11 | |
He used to have a moped back in the day that he writ off. Steves? | 0:09:11 | 0:09:14 | |
Yeah, he's just a sort of wiggy, sort of, drug-induced mess. I'd say. | 0:09:14 | 0:09:19 | |
All right, it sounds all right, but it still leaves the issue of payment for Chabuddy G. | 0:09:19 | 0:09:23 | |
Easy. You've got them brand-new Ralph shirts, mate. | 0:09:23 | 0:09:26 | |
They're the ones with the enlarged jockey. | 0:09:26 | 0:09:28 | |
The jockey, yeah, is bigger than the horse, like. Proper. | 0:09:28 | 0:09:32 | |
-Yeah, fresh out of China, mate, hand made. -All right, I tell you what. | 0:09:32 | 0:09:35 | |
Most people, this job would take two or three days. | 0:09:35 | 0:09:37 | |
I'll do it much quicker than that. How many shirts have you got? | 0:09:37 | 0:09:40 | |
About two or three or something. | 0:09:40 | 0:09:42 | |
No, we got a whole box back at Michelle's. | 0:09:42 | 0:09:44 | |
Shut up and stop negotiating. | 0:09:44 | 0:09:47 | |
End of the day, mate, every minute we're down | 0:09:47 | 0:09:49 | |
we're losing listeners, mate, so this needs to be sorted. | 0:09:49 | 0:09:52 | |
Boss - I completely understand. You're a busy man, I'm a busy man. | 0:09:52 | 0:09:54 | |
I mean, look at this, yeah? | 0:09:54 | 0:09:56 | |
I've got bloody 15 calls on hold right now, yeah? | 0:09:56 | 0:09:59 | |
They all want bloody new contracts. | 0:09:59 | 0:10:00 | |
Some of them have been listening to that banjo Jay Sean | 0:10:00 | 0:10:03 | |
for more than two hours and they all want a bit of Chabuddy G action. | 0:10:03 | 0:10:06 | |
Listen, I'll give you the whole box, yeah, but this needs to be done now. | 0:10:06 | 0:10:10 | |
No problem. No problem. | 0:10:10 | 0:10:12 | |
Aldona? Get my tool box. Aldona? | 0:10:12 | 0:10:16 | |
-Steves? -Yes, bruv. -There you go. You're driving out to Bradford. | 0:10:17 | 0:10:22 | |
-Bradford? -Yeah, Bradford. | 0:10:22 | 0:10:24 | |
Just drive out of here and ask someone on the way, yeah? | 0:10:24 | 0:10:27 | |
-With this? -There's a load of energy drinks in the back or something. | 0:10:27 | 0:10:31 | |
-Have a couple. All right? -Sick, sick, sick. | 0:10:31 | 0:10:34 | |
-See you tomorrow. -All right. | 0:10:34 | 0:10:36 | |
'People say that they do bad things to your head, like,' | 0:10:36 | 0:10:40 | |
that they ruin your mind or whatever, | 0:10:40 | 0:10:43 | |
but anyone who's done pills knows that actually... | 0:10:43 | 0:10:46 | |
..it helps you get a better understanding of life. | 0:10:48 | 0:10:51 | |
MOANING AND GRUNTING | 0:10:52 | 0:10:55 | |
Oh, Beats. | 0:11:04 | 0:11:07 | |
You like pornos, yeah? | 0:11:07 | 0:11:09 | |
I can get you all of that stuff, mate. | 0:11:09 | 0:11:11 | |
Any DVD you want in the whole bloody entire world. | 0:11:11 | 0:11:14 | |
People having sex with cars and animals. | 0:11:14 | 0:11:16 | |
I'm not saying you're into that, I'm not saying I'm into that, | 0:11:16 | 0:11:18 | |
but we're grown men having a chat so let's talk. | 0:11:18 | 0:11:20 | |
Chabuddy rule of thumb - if the dog's tail is wagging, | 0:11:20 | 0:11:25 | |
then technically it's not rape. | 0:11:25 | 0:11:27 | |
Oi-oi! Daddy's back! There they are! There's my girls! | 0:11:32 | 0:11:35 | |
-How are you doing? You all right? -Yeah, are you all right? | 0:11:35 | 0:11:38 | |
Yeah, all good. Look at you, in your little tracksuit! | 0:11:38 | 0:11:41 | |
-Angel made you a picture. -What's that? -She missed you. | 0:11:41 | 0:11:45 | |
Pasta? By the way, I know what you're thinking, yeah? | 0:11:45 | 0:11:48 | |
She is a little bit dark, but, like, | 0:11:48 | 0:11:50 | |
my granddad on my mother's side, I believe, | 0:11:50 | 0:11:53 | |
was quarter Cypriot, innit? | 0:11:53 | 0:11:54 | |
-Yeah. -Yeah. Like, we've all got the olive skin, do you know what I mean? | 0:11:54 | 0:11:58 | |
She's a bit like Decoy, look at him. | 0:11:58 | 0:12:01 | |
'Most people round here don't even have a dad, | 0:12:01 | 0:12:04 | |
'let alone someone that's, like, a well-respected garage MC,' | 0:12:04 | 0:12:08 | |
do you know what I mean? And I'm strong and I'm handsome. | 0:12:08 | 0:12:12 | |
I mean, I've got all the attributes of a father, like, someone to look up to. | 0:12:12 | 0:12:15 | |
You don't even need to be around to be a good parent. | 0:12:15 | 0:12:18 | |
These days, with parenting, less is more. So... | 0:12:18 | 0:12:22 | |
al dente. | 0:12:22 | 0:12:24 | |
Over here. Do you remember those polo shirts I left here a while back? | 0:12:24 | 0:12:27 | |
Oh, I thought you said you were going to stop selling them. | 0:12:27 | 0:12:29 | |
I'm not selling them, am I? I'm using them as an exchange with Chabuds. | 0:12:29 | 0:12:33 | |
Promise me you're not going to get in more trouble. | 0:12:33 | 0:12:35 | |
I can't be a single mum any more. You know that. Look, I can't do the telly without you. | 0:12:35 | 0:12:39 | |
It's been stuck on Dave the whole time, like, I'm missing everything. | 0:12:39 | 0:12:42 | |
Easy, easy. Listen, listen. I'll sort it out. Oi, Decoy? | 0:12:42 | 0:12:47 | |
Go sort out the telly. It's probably the SCART or something. Go on. | 0:12:47 | 0:12:51 | |
What's this? It's a cocktail. It's a cocktail mate. | 0:12:53 | 0:12:56 | |
It's lemon haze and blue cheese. | 0:12:56 | 0:12:59 | |
Yeah. It sort of lifts you up, | 0:12:59 | 0:13:01 | |
but it can also bring you down depending on your vibe. | 0:13:01 | 0:13:04 | |
Chabuds, did you watch that Jason Statham yesterday? | 0:13:04 | 0:13:07 | |
-It's an action movie, yeah? -Yeah. | 0:13:07 | 0:13:09 | |
I don't watch action movies, mate - my life is an action movie. | 0:13:09 | 0:13:12 | |
Let me show you a move. Let me show you a move. Balls, kick, head butt. | 0:13:12 | 0:13:15 | |
Jokes, jokes, jokes. I've got a move, I've got a move. | 0:13:15 | 0:13:17 | |
Right, say you were a bit Jason Statham-esque. | 0:13:17 | 0:13:21 | |
Come at me, because they normally come... Whoa! | 0:13:21 | 0:13:24 | |
Upper hand, much slower. | 0:13:24 | 0:13:26 | |
Blocked. Bring both hands round. OK, leaving all of this open for me. | 0:13:27 | 0:13:31 | |
Now, with the other hand I'll close that down. | 0:13:31 | 0:13:33 | |
All right, then I'll go up. Seagal, yeah? | 0:13:33 | 0:13:36 | |
Come back, face and neck shot. | 0:13:36 | 0:13:38 | |
I mean, that's good and that. That's more like Hollywood stuff, isn't it? | 0:13:38 | 0:13:42 | |
I'm more of a jungle jujitsu specialist. I'll grab your arm. | 0:13:42 | 0:13:45 | |
-Now you've got two options, yeah? -Yeah? | 0:13:45 | 0:13:47 | |
You either tap or snap, or I do a reversal Cinderella spin, | 0:13:47 | 0:13:51 | |
-grab your throat, put you down. -Yeah. -Now I've got you down, | 0:13:51 | 0:13:54 | |
now you've got another two options. You either tap or nap. | 0:13:54 | 0:13:58 | |
-WHEEZING: -I'm tapping, I'm tapping! | 0:13:58 | 0:14:00 | |
There's a lot of people try to mug you off and it's better to think like that. | 0:14:03 | 0:14:07 | |
It's better to always be aware, because otherwise you get caught slipping, like. | 0:14:07 | 0:14:11 | |
A man don't get caught slipping in the manor, like. Do you know what I mean? | 0:14:11 | 0:14:14 | |
If you're from the street, like, | 0:14:14 | 0:14:16 | |
you can't be found caught, like, slipping and that, like... | 0:14:16 | 0:14:19 | |
Cos that's it. Ground zero. | 0:14:19 | 0:14:21 | |
Yeah. Delta. | 0:14:21 | 0:14:24 | |
Boys. | 0:14:24 | 0:14:25 | |
What's going on, boys? How's it going? All sorted, yeah? | 0:14:27 | 0:14:31 | |
You can always rely on Chabuddy G, yeah? Always rely on Chabuddy G. | 0:14:31 | 0:14:34 | |
I mean, think about it. How do you think I got here? | 0:14:34 | 0:14:37 | |
I came here in '93 with nothing but £5 and my brother's passport... | 0:14:37 | 0:14:40 | |
My passport. So... | 0:14:40 | 0:14:42 | |
I've just got to plug that in like that. | 0:14:42 | 0:14:46 | |
Give that a go. | 0:14:46 | 0:14:48 | |
Yes. Red light. We're on, we're rolling. | 0:14:48 | 0:14:51 | |
-Nice, nice, nice, nice. Smashed it, brother. -No problem. | 0:14:51 | 0:14:54 | |
I knew that it was just a little glitch. Like, we are back, do you know what I mean, like? | 0:14:54 | 0:14:58 | |
They can't hold us down, down, down, down. | 0:14:58 | 0:15:01 | |
-Down, down, down, down. -Down, down, down, down. | 0:15:01 | 0:15:04 | |
No-one can hold us down, do you know what I mean? | 0:15:04 | 0:15:06 | |
Kurupt FM is back, baby! | 0:15:06 | 0:15:10 | |
Um... Is that...? | 0:15:10 | 0:15:12 | |
Yeah, that's all in. The mic's over there. | 0:15:12 | 0:15:15 | |
Well, I'm going to go anyway, yeah? I'll see you lot later, yeah? | 0:15:15 | 0:15:20 | |
Dreams, like, do I have dreams? Dreams can come true. | 0:15:27 | 0:15:32 | |
Gimme the mic and let me check, one-two. Nah, jokes. | 0:15:32 | 0:15:35 | |
Yeah, like, I do have dreams and that. | 0:15:35 | 0:15:37 | |
Course, like, we all dream, do you know what I mean? | 0:15:37 | 0:15:39 | |
Probably like to have a nice yard, like, do you know what I mean? | 0:15:39 | 0:15:42 | |
A big house. Do raves, like, just move the raves, like, | 0:15:42 | 0:15:46 | |
not from just here in Eastbourne and that. Move them abroad. | 0:15:46 | 0:15:50 | |
Like, try and do them in Napa, 'Biza, Kavos, Zante... | 0:15:50 | 0:15:56 | |
Zhurope. Do you know what I mean? Like, expand it. | 0:15:56 | 0:15:59 | |
-Zhurope? -Eu-rope. Europe. | 0:15:59 | 0:16:03 | |
-Yeah. -Right, you lot got this on me, yeah? | 0:16:03 | 0:16:07 | |
Right, obviously cut all this bit out, but just get me when I'm bursting in. | 0:16:07 | 0:16:11 | |
Like, trust me, comeback set right now, boys. | 0:16:11 | 0:16:14 | |
I'm hyped right now. Beats? | 0:16:14 | 0:16:17 | |
Beats? Beats? I'm shouting your name. | 0:16:19 | 0:16:22 | |
-What? -I'm shouting your name. I'm ready. | 0:16:22 | 0:16:25 | |
-Sorry, bruv, I'm just doing the adverts now. I'm ready to go. -Well, turn the adverts off. | 0:16:25 | 0:16:28 | |
-I'm coming now. -Yeah, it's ready. | 0:16:28 | 0:16:30 | |
Right, let's do that again. Let's go, yeah? Ready. | 0:16:30 | 0:16:33 | |
-# Get out the way, get out the way Someone's getting got. # -Bang. | 0:16:35 | 0:16:39 | |
-# Get out the way, get out the way Funky's getting shot. # -Who? | 0:16:39 | 0:16:42 | |
-# Get out the way, get out of the way Someone's getting got. # -Yeah. | 0:16:42 | 0:16:46 | |
# Get out the way, get out the way Funky's getting shot. # | 0:16:46 | 0:16:49 | |
-Bang, bang, bang, bang. -Big up, west side, yeah? I sees ya! | 0:16:49 | 0:16:52 | |
Darling? Do these look a bit small to you? | 0:16:53 | 0:16:56 | |
-What do you think? -Looks nice. | 0:17:00 | 0:17:04 | |
Actually it's got pretty good definition on my shoulders. | 0:17:04 | 0:17:07 | |
Can you see that? | 0:17:07 | 0:17:09 | |
I look pretty punk. Mm. | 0:17:09 | 0:17:13 | |
Baby, you know I would kill a man with my bare hands for your love. | 0:17:17 | 0:17:22 | |
Jungle jujitsu. | 0:17:22 | 0:17:25 | |
-Coming live and direct inside tonight. -He shot some people inside. | 0:17:27 | 0:17:34 | |
Yeah. Trust me. | 0:17:34 | 0:17:36 | |
SNIPER RAPS GIBBERISH | 0:17:36 | 0:17:38 | |
BEATS RAPS GIBBERISH | 0:17:38 | 0:17:39 | |
SNIPER RAPS GIBBERISH | 0:17:39 | 0:17:41 | |
BEATS RAPS GIBBERISH | 0:17:41 | 0:17:43 | |
SNIPER RAPS GIBBERISH | 0:17:43 | 0:17:45 | |
BEATS RAPS GIBBERISH | 0:17:45 | 0:17:46 | |
SNIPER RAPS GIBBERISH | 0:17:46 | 0:17:50 | |
# Monday is the day that we roll Tuesday, we take total control | 0:17:50 | 0:17:53 | |
-# Wednesday -Take back the track | 0:17:53 | 0:17:55 | |
-# Thursday -Sit back relax | 0:17:55 | 0:17:57 | |
-# Friday -Put down the M-I-C and go raving... # | 0:17:57 | 0:18:00 | |
'How many people are listening to Kurupt? Thousands, mate, thousands.' | 0:18:00 | 0:18:05 | |
Tell you the truth, I've lost count. I ain't got enough fingers, do you know what I mean? | 0:18:05 | 0:18:09 | |
You're on the bus and people look at you, you look away. I know what they're thinking. | 0:18:09 | 0:18:13 | |
"There's MC Sniper, general of Kurupt FM." Best believe, like. | 0:18:13 | 0:18:18 | |
We are making history tonight. | 0:18:18 | 0:18:19 | |
This is Biggie and Tupac on the same stage, '96. | 0:18:19 | 0:18:23 | |
One nation, '97. Heartless Crew versus Pay As You Go, 2003. | 0:18:23 | 0:18:28 | |
Can you hear Daddy on the radio, Angel? | 0:18:28 | 0:18:31 | |
He's going to sing you to sleep tonight. | 0:18:31 | 0:18:34 | |
We are time travellers tonight. Doctor who? Me. | 0:18:34 | 0:18:37 | |
CAN CLATTERS Make sure you're taping this one | 0:18:37 | 0:18:40 | |
cos this is going to be a road block affair. | 0:18:40 | 0:18:44 | |
It's a slammer, it's a slammer. | 0:18:44 | 0:18:45 | |
Kurupt FM, bigger than... | 0:18:45 | 0:18:47 | |
-RADIO LOSES SIGNAL -What? | 0:18:47 | 0:18:49 | |
I'm tougher and rougher and bigger than ever before, yeah? | 0:18:51 | 0:18:55 | |
Whatever doesn't kill you can only make me stronger. | 0:18:55 | 0:18:59 | |
We are back. We cannot be stopped. PHONE RINGS | 0:18:59 | 0:19:03 | |
-Hello? -Beats? It's Michelle. | 0:19:03 | 0:19:07 | |
-Your radio's not working. -Yeah. All right, thank you. | 0:19:07 | 0:19:10 | |
All right, bye, bye. | 0:19:10 | 0:19:12 | |
-Was that Chabuds? -Huh? -Was that Chabuds? -Yeah. | 0:19:12 | 0:19:15 | |
-No, it was Shanique from Epsom. -Epsom? We don't even reach that far. | 0:19:15 | 0:19:19 | |
We do now, cos of the transmitter. | 0:19:19 | 0:19:21 | |
Chabuds, mate, he's smashed it, in't he? What'd I tell you, boys? | 0:19:21 | 0:19:25 | |
Kurupt FM, we are back. Do you know what I mean? | 0:19:25 | 0:19:29 | |
ENGINE REVS | 0:19:29 | 0:19:31 | |
People are always at us, like, | 0:19:34 | 0:19:38 | |
-"Oh, stop signing on. Get a job," all this. -Blah, blah, blah. | 0:19:38 | 0:19:40 | |
I've got a job, do you know what I mean? Your job's nine to five. | 0:19:40 | 0:19:44 | |
Mine is, like, 24/7... | 0:19:44 | 0:19:46 | |
..seven days a week... | 0:19:50 | 0:19:52 | |
-360, like, whatever days a year it is. -Yeah. | 0:19:52 | 0:19:57 | |
Official diss tune. Big track. This is the warning. | 0:20:07 | 0:20:13 | |
-# Get out the way, get out the way Someone's getting got. # -Bang. | 0:20:13 | 0:20:16 | |
-# Get out the way, get out the way Funky's getting shot. # -Move. | 0:20:16 | 0:20:20 | |
-# Get out the way, get out the way Someone's getting got. # -Who? | 0:20:20 | 0:20:23 | |
-# Get out the way, get out the way Funky's getting shot. # -Bang. | 0:20:23 | 0:20:28 | |
Kurupt FM is back, baby! | 0:20:28 | 0:20:30 |