Browse content similar to Dead Air. Check below for episodes and series from the same categories and more!
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Feed my funny! | 0:00:00 | 0:00:02 | |
Fresh experimental comedy from BBC Three. | 0:00:02 | 0:00:05 | |
HEAVY ROCK MUSIC PLAYS | 0:00:05 | 0:00:08 | |
Morning. I've got some good news and I got some bad news. | 0:00:21 | 0:00:24 | |
- Morning, Perry. - Oh, hello, I'm Hardip. | 0:00:24 | 0:00:26 | |
What's with this kid? | 0:00:26 | 0:00:27 | |
How comes he never remembers my name? | 0:00:27 | 0:00:29 | |
- We actually think he's face blind. - That's not a thing. | 0:00:29 | 0:00:31 | |
It is a thing. It said so on the internet | 0:00:31 | 0:00:32 | |
and that is 80% right half of the time. | 0:00:32 | 0:00:35 | |
I'm actually quite impressed, Hardip. | 0:00:35 | 0:00:36 | |
In all the time you've been Jake's newsreader, | 0:00:36 | 0:00:38 | |
this is the first time I've actually seen you read a paper. | 0:00:38 | 0:00:40 | |
He's not reading. He's currently halfway through | 0:00:40 | 0:00:43 | |
a brand-new game called Cocks on Heads and Farts on Arses. | 0:00:43 | 0:00:45 | |
Oh, God, not her, she's gone missing. | 0:00:45 | 0:00:47 | |
I'm not surprised she's gone missing with a big cock on her forehead | 0:00:47 | 0:00:50 | |
and a fart coming out of her arse. | 0:00:50 | 0:00:51 | |
Why do you hold on to this schmuck? | 0:00:51 | 0:00:53 | |
- Me and Jake are mates. - Jake and I. | 0:00:53 | 0:00:54 | |
He does have a lovely speaking voice. | 0:00:54 | 0:00:57 | |
And, between you and me, he doesn't mind working Christmas. | 0:00:57 | 0:00:59 | |
Oh, I get it. Tick-tick, box-box. | 0:00:59 | 0:01:02 | |
Anyway, what's your good news? | 0:01:02 | 0:01:04 | |
Lincoln Jones is dead. | 0:01:04 | 0:01:06 | |
- What? - He died an hour ago. | 0:01:07 | 0:01:10 | |
Live on air. | 0:01:10 | 0:01:11 | |
How is that good news? | 0:01:13 | 0:01:14 | |
He's given you a golden opportunity to inherit his radio show. | 0:01:14 | 0:01:18 | |
Perry, I think an appropriate period of mourning should be, | 0:01:18 | 0:01:21 | |
well, at least a morning. | 0:01:21 | 0:01:22 | |
Jakey, Jakey. This is a blessing in disguise. | 0:01:22 | 0:01:26 | |
It's a pretty good disguise. | 0:01:26 | 0:01:27 | |
- So what's the bad news then? - What do you mean? | 0:01:27 | 0:01:29 | |
You said you had good news and bad news. | 0:01:29 | 0:01:31 | |
That's just some bollocks agents say. | 0:01:31 | 0:01:32 | |
I don't know, it's bad for him, he's dead. | 0:01:32 | 0:01:34 | |
- It's bad for old Wilf. - Who's Wilf? | 0:01:34 | 0:01:37 | |
His missus. Widow...I'd...Like... | 0:01:37 | 0:01:39 | |
Fine. | 0:01:39 | 0:01:41 | |
You know the phrase, "It's what he would have wanted"? | 0:01:41 | 0:01:43 | |
Well, this is definitely not what he would have wanted. | 0:01:43 | 0:01:45 | |
This is your big chance. Do you want this breakfast show or not? | 0:01:45 | 0:01:48 | |
No way. I like my little late-night home. | 0:01:48 | 0:01:51 | |
I can play the music I like, no prank calls, silly voices, | 0:01:51 | 0:01:54 | |
meaningless catchphrases, posse of sycophants, no. | 0:01:54 | 0:01:57 | |
I'd rather be buried alive. | 0:01:57 | 0:01:59 | |
With Lincoln Jones. | 0:01:59 | 0:02:01 | |
JAKE: Lincoln Jones was a legend. | 0:02:03 | 0:02:06 | |
Who can forget his innovative pranks, his infectious catchphrases | 0:02:06 | 0:02:10 | |
and of course... the definitive posse? | 0:02:10 | 0:02:13 | |
Martin Silly Voice, Flatulent Sarah. | 0:02:13 | 0:02:15 | |
And The Egg. To Lincoln. | 0:02:17 | 0:02:19 | |
ALL: To Lincoln. | 0:02:19 | 0:02:22 | |
WHISTLES | 0:02:23 | 0:02:24 | |
- Oh! - I told you, didn't I? | 0:02:24 | 0:02:26 | |
A little bit of widow works wonders on a girl. | 0:02:26 | 0:02:28 | |
I hope you didn't put that in the card. | 0:02:28 | 0:02:30 | |
No, no, no. | 0:02:30 | 0:02:32 | |
You would, though, wouldn't you? | 0:02:32 | 0:02:34 | |
Well, yes, if she hadn't just lost her husband. | 0:02:34 | 0:02:36 | |
She's lovely, she always has been. Remember that band she was in? | 0:02:36 | 0:02:39 | |
That video is still my go-to on safe search. | 0:02:39 | 0:02:42 | |
Yeah, I tell you something, | 0:02:42 | 0:02:44 | |
you know she's got a little bit of a thing for breakfast show hosts? | 0:02:44 | 0:02:47 | |
I said no and I meant it. | 0:02:47 | 0:02:48 | |
That was before I really started to persuade you. | 0:02:50 | 0:02:53 | |
Listen, I could wangle you a family fuck bucket-sized deal from this. | 0:02:53 | 0:02:57 | |
I don't want a family fuck bucket. | 0:02:57 | 0:02:59 | |
Who doesn't want a family fuck bucket? | 0:02:59 | 0:03:01 | |
I don't want a family fuck bucket! And stop saying it, it's disgusting. | 0:03:01 | 0:03:04 | |
# What the fun! What the fun! | 0:03:04 | 0:03:06 | |
# Big Shane | 0:03:06 | 0:03:08 | |
# What The Fun FM. # | 0:03:08 | 0:03:10 | |
'Wakey-wakey, you lazy bar snack.' | 0:03:10 | 0:03:13 | |
Was that What The Fun FM? | 0:03:13 | 0:03:16 | |
'..But he says he once ate a slice of pizza at the zoo. | 0:03:16 | 0:03:20 | |
'What was it, a zebra-oni? What other pizzas might you find in a zoo? | 0:03:20 | 0:03:24 | |
'What about a...' | 0:03:24 | 0:03:25 | |
Oh, come on, Marga-cheetah. | 0:03:25 | 0:03:27 | |
Oh, that's a good one. | 0:03:27 | 0:03:28 | |
'What about Margo-rhinoceros.' | 0:03:28 | 0:03:30 | |
- That's a better one. - How is that better? | 0:03:30 | 0:03:32 | |
- He said it in a silly voice. - It's an accent, he's Australian. | 0:03:32 | 0:03:35 | |
'Pancakes in a mental institute one minute, pizzas in a zoo the next...' | 0:03:35 | 0:03:39 | |
How can you do a show like that? | 0:03:39 | 0:03:41 | |
You did the right thing not to go for the breakfast show. | 0:03:41 | 0:03:43 | |
How do you mean? | 0:03:43 | 0:03:44 | |
Well, no-one stands a chance against Big Shane, do they? | 0:03:44 | 0:03:46 | |
He's just, you know...fun. | 0:03:46 | 0:03:48 | |
Fun? I'm fun. | 0:03:48 | 0:03:51 | |
Yeah... | 0:03:52 | 0:03:53 | |
'Cross the night with Jake Cross. | 0:03:53 | 0:03:57 | |
'Completely Radio.' | 0:03:57 | 0:04:00 | |
Right, let's have a listen to this. | 0:04:00 | 0:04:01 | |
It's brand new from a band called Bipolar Sunshine. | 0:04:01 | 0:04:04 | |
Then Hardip will be here with the news and then later in the show | 0:04:04 | 0:04:06 | |
we have Ryan Gosling taking part in the A-List Playlist. | 0:04:06 | 0:04:10 | |
Oh, and just for a bit of fun, | 0:04:10 | 0:04:12 | |
let me know the craziest place you've ever eaten a pizza. | 0:04:12 | 0:04:14 | |
Why are you stealing Big Shane's idea? | 0:04:14 | 0:04:17 | |
I'm not stealing it, I'm being ironic. | 0:04:17 | 0:04:18 | |
Oh, my God, there's breaking news. Chemical plant has blown up in India. | 0:04:18 | 0:04:23 | |
Mum... | 0:04:23 | 0:04:24 | |
I thought your mum lived in Watford. | 0:04:24 | 0:04:26 | |
What? Yes, she does, it's just these words are stressing me out. | 0:04:26 | 0:04:29 | |
- Mum... - Mumbai. | 0:04:29 | 0:04:31 | |
Mum-bai. | 0:04:31 | 0:04:32 | |
Like a low-rent supermarket. KNOCKING | 0:04:32 | 0:04:34 | |
Thanks, Jake. | 0:04:34 | 0:04:35 | |
Oh, God, now what? Another crisis looms. | 0:04:35 | 0:04:39 | |
You know, I find I have to talent manage HER. | 0:04:39 | 0:04:41 | |
I'm supposed to be the twat, | 0:04:41 | 0:04:42 | |
the presenter is supposed to be the twat, not the producer. | 0:04:42 | 0:04:45 | |
I want to be the twat! | 0:04:45 | 0:04:46 | |
What? What? | 0:04:46 | 0:04:48 | |
- Why can't I be the twat? - Maybe her dog died. | 0:04:49 | 0:04:51 | |
It probably killed itself. | 0:04:51 | 0:04:53 | |
- 'Deep News. - With Hardip Benson.' | 0:04:55 | 0:04:57 | |
It's 11 o'clock. | 0:04:57 | 0:04:59 | |
Here is the latest Completely Radio news. | 0:04:59 | 0:05:02 | |
There's been a gas explosion at a chemical plant | 0:05:02 | 0:05:05 | |
in the Indian city of Mum-bai. | 0:05:05 | 0:05:07 | |
BANGS TABLE AND SOBS | 0:05:07 | 0:05:09 | |
Oh, God, Jake! Bloody disaster! | 0:05:11 | 0:05:14 | |
Harry Stiles finally unfollowed you? | 0:05:14 | 0:05:16 | |
No, it's not that. | 0:05:16 | 0:05:18 | |
- Blocked? - No, Jake. | 0:05:18 | 0:05:19 | |
It's Ryan Gosling. | 0:05:19 | 0:05:22 | |
He's not going to make it. | 0:05:22 | 0:05:23 | |
Do you mean to the show? Or had a terrible accident? | 0:05:23 | 0:05:26 | |
It's just so sad, you know... | 0:05:26 | 0:05:28 | |
When I spoke to his manager's assistant's PA's intern on the phone, | 0:05:28 | 0:05:32 | |
I just felt like Ryan and I had this connection. | 0:05:32 | 0:05:35 | |
Stupid, I know! He's with someone. | 0:05:35 | 0:05:38 | |
A movie star girlfriend is certainly an obstacle. | 0:05:38 | 0:05:40 | |
- You never know. - Although, if he has a fetish | 0:05:40 | 0:05:43 | |
for blind optimism from a divorcee | 0:05:43 | 0:05:45 | |
who owns a One Direction pencil case, then you are in with a shout. | 0:05:45 | 0:05:48 | |
Do you think? | 0:05:48 | 0:05:49 | |
- Mm. - Oh, thank you, Jake. | 0:05:49 | 0:05:51 | |
I know you're only saying it to make me feel better, | 0:05:51 | 0:05:54 | |
but I really appreciate that. | 0:05:54 | 0:05:56 | |
- That's nice. - Waste of bloody paper! | 0:05:57 | 0:06:00 | |
OK, that's it for another night. | 0:06:02 | 0:06:04 | |
Apologies to those of you who tuned in to hear Ryan Gosling, | 0:06:04 | 0:06:06 | |
but he was unable to make it. | 0:06:06 | 0:06:08 | |
It says here, "Due to prior commitments." | 0:06:08 | 0:06:11 | |
See you same time tomorrow night. | 0:06:11 | 0:06:13 | |
- 'Jake Cross. - Crossing off the night.' | 0:06:13 | 0:06:17 | |
Wait, THE Commitments? | 0:06:17 | 0:06:19 | |
Ryan Gosling blew me out for the "The Commitments", | 0:06:19 | 0:06:22 | |
the musical about a shit Irish cover band? | 0:06:22 | 0:06:24 | |
- Yeah. - Oh! | 0:06:24 | 0:06:26 | |
Hiya. | 0:06:26 | 0:06:27 | |
Another one for the collection. | 0:06:27 | 0:06:29 | |
All right? All right, Ian? | 0:06:30 | 0:06:32 | |
Actually, it's Jake now. I've changed it. | 0:06:32 | 0:06:34 | |
OK, that's absolutely not weird at all. | 0:06:34 | 0:06:37 | |
- Morning, ladies. - How did you get in? | 0:06:46 | 0:06:48 | |
- I've got some keys. - Who's this? | 0:06:48 | 0:06:51 | |
- Morning, fish brain. - How have you got keys? | 0:06:51 | 0:06:53 | |
Your cleaner. I fucked her. | 0:06:53 | 0:06:55 | |
But she's so lovely and sweet. | 0:06:55 | 0:06:57 | |
And...old. | 0:06:57 | 0:06:58 | |
Yeah, it wasn't a good one for me, if I'm honest. | 0:06:58 | 0:07:00 | |
- Oh, I'll pass on your feedback. - Also, you need a new bog brush. | 0:07:00 | 0:07:03 | |
- You didn't? - No, no, no, | 0:07:03 | 0:07:04 | |
Gabriella isn't into all that. | 0:07:04 | 0:07:06 | |
Different generation, I guess. | 0:07:06 | 0:07:08 | |
But she just told me to tell you. Right, down to business. | 0:07:08 | 0:07:11 | |
- Oh, no, now what? - You, sir...are welcome. | 0:07:11 | 0:07:16 | |
You are now the proud owner of the Completely Radio breakfast show. | 0:07:16 | 0:07:21 | |
That's strange. | 0:07:21 | 0:07:22 | |
I seem to remember asking for the exact opposite of that. | 0:07:22 | 0:07:25 | |
Yeah, I know. And I thought, hang a trout, | 0:07:25 | 0:07:27 | |
he doesn't know what he's saying no to. So what did I do? | 0:07:27 | 0:07:30 | |
I got you a two-week trial period starting Friday. | 0:07:30 | 0:07:33 | |
If after two weeks you say no, I'll take the hint, | 0:07:33 | 0:07:36 | |
and never mention it again. Scouts' honour. | 0:07:36 | 0:07:38 | |
The answer is no. What part of no don't you understand? | 0:07:38 | 0:07:42 | |
Listen, you've got to trust me, Jake. This is what I do. | 0:07:42 | 0:07:45 | |
Me and you go back a long way. | 0:07:45 | 0:07:47 | |
And I've never let you down yet. | 0:07:47 | 0:07:50 | |
# Completely Breakfast Show | 0:07:53 | 0:07:56 | |
# With Jake Cross. # | 0:07:56 | 0:07:59 | |
OK, a special treat for you now. | 0:07:59 | 0:08:00 | |
Not normally allowed on the breakfast show, | 0:08:00 | 0:08:02 | |
but a band I absolutely love called Bipolar Sunshine. | 0:08:02 | 0:08:05 | |
And coming up next we have our special guest, Ryan Gosling, | 0:08:05 | 0:08:08 | |
as in actually in the building. | 0:08:08 | 0:08:10 | |
Fantastic, Jake, really nice, man, sounding great. | 0:08:11 | 0:08:14 | |
- Er, about Ryan Gosling. - Oh, has he pulled out? | 0:08:14 | 0:08:16 | |
No, no, he's here. I just wanted to give you the interview notes. | 0:08:16 | 0:08:19 | |
Oh, OK. Great. Thank you very much. | 0:08:19 | 0:08:21 | |
Did you not like your breakfast banquet? | 0:08:21 | 0:08:24 | |
No, no, I loved it. It's just I'm not Henry VIII, that's all. | 0:08:24 | 0:08:28 | |
- Wow! - What? | 0:08:28 | 0:08:29 | |
Oh, nothing, we just don't get many historical references around here. | 0:08:29 | 0:08:33 | |
OK. Can I ask you a question? | 0:08:33 | 0:08:36 | |
- Of course. - About the costume. | 0:08:36 | 0:08:38 | |
Are you wearing that in honour of Lincoln Jones? | 0:08:38 | 0:08:40 | |
Or are you, you know...weird? | 0:08:40 | 0:08:43 | |
Oh, no, this is for Hardip. | 0:08:43 | 0:08:45 | |
- So we can recognise me. - Of course, face blind. | 0:08:45 | 0:08:48 | |
- Oh, this came for you earlier. - Oh, invitation. | 0:08:49 | 0:08:52 | |
Yeah, to the Soho Apple Yard. | 0:08:52 | 0:08:55 | |
More of a pear kind of guy, to be honest. | 0:08:55 | 0:08:56 | |
No, no, it's like THE coolest place in town. | 0:08:56 | 0:08:59 | |
I know. Not really interested in another celebrity wankerthon | 0:08:59 | 0:09:01 | |
with people who aren't friends pretending to be friends. No, thanks. | 0:09:01 | 0:09:04 | |
OK, cool, I'll just let Mr Gosling know. | 0:09:04 | 0:09:06 | |
Er, Mr Gosling? | 0:09:06 | 0:09:07 | |
Sorry, is it for tonight? | 0:09:07 | 0:09:09 | |
# Oh, let's make it unmissable | 0:09:09 | 0:09:13 | |
# Make it unmissable | 0:09:14 | 0:09:16 | |
# Oh, let's make it unmissable... # | 0:09:18 | 0:09:21 | |
Oi, you poof! | 0:09:23 | 0:09:24 | |
Ah-ha-ha! You turned around, so the rumours are true. | 0:09:24 | 0:09:27 | |
Oh! G'day, Big Shane, you flamin' galah! Always a pleasure. | 0:09:27 | 0:09:31 | |
And always that joke. | 0:09:31 | 0:09:33 | |
Look, sit down, let's have a convo, park your arse. | 0:09:33 | 0:09:36 | |
- Why do you hate me, mate? - Cheese! | 0:09:36 | 0:09:38 | |
- What have I ever done to you? - I don't hate you. | 0:09:38 | 0:09:41 | |
Yeah, but you're just constantly giving me niggle. | 0:09:41 | 0:09:44 | |
- That's not true. - It is, it's all, | 0:09:44 | 0:09:46 | |
g'day this, and you flamin' galah that. | 0:09:46 | 0:09:49 | |
- What's so bad about that? - I'm not Australian. | 0:09:49 | 0:09:52 | |
- What? - I'm a fucking Kiwi! | 0:09:52 | 0:09:54 | |
Oh, my God, Big Shane. | 0:09:54 | 0:09:56 | |
Australia? I spent my gap year in Sydney. | 0:09:56 | 0:10:00 | |
Oh-ho, the Windy City, it's my home town. | 0:10:00 | 0:10:03 | |
- Come meet my friends. - I would love to meet your friends. | 0:10:03 | 0:10:06 | |
Windy city? | 0:10:06 | 0:10:08 | |
I'll catch you in a little bit, mate, | 0:10:08 | 0:10:10 | |
I'm just going to get the old didgeridoo blown, | 0:10:10 | 0:10:13 | |
or as I like to call it, the didgericock. | 0:10:13 | 0:10:15 | |
Yeah, definitely hate him. | 0:10:16 | 0:10:18 | |
Good morning, Mr Party. | 0:10:23 | 0:10:25 | |
Hey, here I am, the ledge. | 0:10:25 | 0:10:27 | |
- You - all over the papers. - Am I? Let's have a look. | 0:10:27 | 0:10:30 | |
Jake Cross, temporary host of the Completely Radio breakfast show | 0:10:30 | 0:10:34 | |
certainly knows how to make the most of his evenings off | 0:10:34 | 0:10:38 | |
as he parties with rocking Gosling | 0:10:38 | 0:10:39 | |
and mystery women at the Soho Apple Yard. | 0:10:39 | 0:10:42 | |
Not really me, is it? | 0:10:42 | 0:10:43 | |
Yeah, it is. Look, you - the lanky one. | 0:10:43 | 0:10:47 | |
No, I don't mean... | 0:10:47 | 0:10:48 | |
Oh, thanks for drawing a cock on my head, by the way. | 0:10:48 | 0:10:50 | |
And a fart on her arse. | 0:10:50 | 0:10:51 | |
Hello. | 0:10:51 | 0:10:53 | |
And you're trending on Twitter. | 0:10:53 | 0:10:54 | |
Do you think I could do the breakfast show full time? | 0:10:54 | 0:10:57 | |
Would it mean there were fit girls in the kitchen more often? | 0:10:57 | 0:10:59 | |
Do it on my own terms, you know. Keep the integrity, don't dumb down. | 0:10:59 | 0:11:02 | |
Dumb up, if anything. I'm going to go in and work on a master plan. | 0:11:02 | 0:11:06 | |
See you. | 0:11:06 | 0:11:07 | |
Perry, it's Jake. | 0:11:07 | 0:11:09 | |
Give me a call back, I need to talk to you about breakfast. I'm in. | 0:11:09 | 0:11:12 | |
- Oh, hello. - Hi, Jake. | 0:11:16 | 0:11:18 | |
What are you doing here? | 0:11:21 | 0:11:23 | |
You know, widow stuff. | 0:11:23 | 0:11:25 | |
- A pain in the arse, all this. - Yeah, I can imagine. | 0:11:25 | 0:11:27 | |
Well, I mean, I can't imagine being a widow, but... | 0:11:27 | 0:11:30 | |
nobody said it was easy. | 0:11:30 | 0:11:33 | |
And time will fix you, I'm sure. | 0:11:33 | 0:11:37 | |
Jake, don't do that, stop being weird. | 0:11:37 | 0:11:40 | |
I've had four days of people talking to me like that. | 0:11:40 | 0:11:42 | |
I feel like I'm stuck in a fucking Coldplay album. Just be normal. | 0:11:42 | 0:11:46 | |
Er, you can't do that in here. | 0:11:46 | 0:11:48 | |
I can do what I like, I'm grieving. | 0:11:48 | 0:11:50 | |
Yeah, but when we get to the top, they're going to go... | 0:11:50 | 0:11:53 | |
OK, that's normal. | 0:11:54 | 0:11:56 | |
I've been meaning to talk to you, actually. | 0:11:57 | 0:11:59 | |
Really? What about? | 0:11:59 | 0:12:00 | |
What the fuck are you doing | 0:12:00 | 0:12:01 | |
fannying around with Ryan Gosling at the Apple Yard? | 0:12:01 | 0:12:04 | |
Oh, I'm just having a bit of a blowout. | 0:12:04 | 0:12:06 | |
Really enjoying doing the breakfast show. | 0:12:06 | 0:12:08 | |
Actually, I might go for it full time. | 0:12:08 | 0:12:10 | |
Why? | 0:12:10 | 0:12:11 | |
Because of the fannying around and the Ryan Gosling fun. | 0:12:11 | 0:12:14 | |
For God's sake, Jake, | 0:12:14 | 0:12:15 | |
you're one of the few people left with a bit of integrity. | 0:12:15 | 0:12:18 | |
Don't fall in with those wankers. | 0:12:18 | 0:12:19 | |
Yeah, but Lincoln did the breakfast show. | 0:12:19 | 0:12:21 | |
He hated it. He hated it so much that he died. | 0:12:21 | 0:12:24 | |
But it wasn't specifically that, though. | 0:12:24 | 0:12:26 | |
In a way, yes, it was. | 0:12:26 | 0:12:28 | |
He started off thinking that it was the best thing ever. | 0:12:28 | 0:12:31 | |
Everyone else was like, "It's the best thing ever." | 0:12:31 | 0:12:33 | |
But when it came to it, it turned out to be | 0:12:33 | 0:12:35 | |
an overhyped, hollow bag of shit. Just like Breaking Bad. | 0:12:35 | 0:12:38 | |
Whoa, Breaking Bad is brilliant. | 0:12:38 | 0:12:40 | |
You're wrong. And I've just lost my husband, so shut your face. | 0:12:40 | 0:12:43 | |
Look, I'm just saying, | 0:12:43 | 0:12:44 | |
you're on to a really good thing here with your evening show. | 0:12:44 | 0:12:46 | |
It's funny, good new music, and guess who aren't morons? | 0:12:46 | 0:12:49 | |
I love listening to it. Lincoln loved listening to it. | 0:12:49 | 0:12:54 | |
Really? I had no idea. | 0:12:54 | 0:12:56 | |
Yeah, he was so jealous that you got to do what he wanted | 0:12:56 | 0:12:58 | |
whilst he was stuck there interviewing, in his words, | 0:12:58 | 0:13:01 | |
"a bottomless barrel of bell-ends." | 0:13:01 | 0:13:03 | |
It's all the same with those happy daytime shows. | 0:13:03 | 0:13:05 | |
Don't even get me started on the brunch show. | 0:13:05 | 0:13:07 | |
A meal wankers eat and a show wankers listen to. | 0:13:07 | 0:13:10 | |
Just think carefully about what you want, Jake. You're a good guy. | 0:13:12 | 0:13:17 | |
And you look really nice in that jacket too. | 0:13:17 | 0:13:20 | |
Perry? It's Jake again. Why won't you answer your phone? | 0:13:23 | 0:13:27 | |
Look, forget my earlier message, I have my principles, | 0:13:27 | 0:13:29 | |
my integrity, my loyal fans, and I don't want to pander to the idiots. | 0:13:29 | 0:13:33 | |
So fuck fame, fuck money, fuck Ryan Gosling, fuck your bucket. | 0:13:33 | 0:13:36 | |
I don't want to leave my show. | 0:13:36 | 0:13:38 | |
And to make sure I don't change my mind again, | 0:13:38 | 0:13:40 | |
I'm going to draw a line under this. | 0:13:40 | 0:13:42 | |
The leaders are currently six points clear at the top of the table, | 0:13:42 | 0:13:45 | |
but will be without their star striker as he sustained | 0:13:45 | 0:13:49 | |
an ankle injury, ruling him out for the rest of the season. | 0:13:49 | 0:13:52 | |
One more bit of breaking news, guys. Hello, Jake Cross here. | 0:13:52 | 0:13:56 | |
Just wanted to make a little statement about the breakfast show. | 0:13:56 | 0:13:59 | |
I've really enjoyed doing it and thank you for your feedback, | 0:13:59 | 0:14:03 | |
it has been brilliant. | 0:14:03 | 0:14:04 | |
But if I'm being honest with myself, it's not really for me, | 0:14:04 | 0:14:08 | |
I prefer real music, real people, real radio. | 0:14:08 | 0:14:11 | |
But don't worry, you can still catch me on my late-night show. | 0:14:11 | 0:14:15 | |
Thank you for listening, that's the end of my statement. | 0:14:15 | 0:14:18 | |
Um, and our final story is that earlier today, | 0:14:19 | 0:14:23 | |
Completely Radio bosses agreed terms for our new breakfast | 0:14:23 | 0:14:27 | |
show host to bring the sunshine back to early mornings. | 0:14:27 | 0:14:31 | |
Our newest signing... Well, I'll let him introduce himself... | 0:14:31 | 0:14:35 | |
G'day, you clucking Mother Hubbards! | 0:14:35 | 0:14:38 | |
I've switched sides. Not like that, ladies, calm down! | 0:14:38 | 0:14:41 | |
It's Big Shane and I'm still in the game | 0:14:41 | 0:14:44 | |
and the future starts on Monday at the crack of dawn! | 0:14:44 | 0:14:48 | |
Cor, that was embarrassing. | 0:14:48 | 0:14:50 | |
I'm really sorry you had to find out like this. | 0:14:50 | 0:14:52 | |
You knew about this? | 0:14:52 | 0:14:53 | |
Why do you never answer your phone? You never answer your fucking phone! | 0:14:53 | 0:14:56 | |
Hey, I'm your agent, it's my job to protect you from bad news. | 0:14:56 | 0:15:00 | |
I mean...technically speaking, this isn't actually bad news. | 0:15:00 | 0:15:03 | |
Stop putting a positive spin on everything, | 0:15:03 | 0:15:05 | |
you're worse than Goebbels! | 0:15:05 | 0:15:06 | |
Hey, you left a message on my phone saying you didn't want the job. | 0:15:06 | 0:15:08 | |
I didn't! Not until Crocodile Dundee got it, from Twat FM. | 0:15:08 | 0:15:12 | |
He is everything I hate about everything. | 0:15:12 | 0:15:15 | |
He's actually very funny, all Australians are... | 0:15:15 | 0:15:17 | |
He's from New Zealand! | 0:15:17 | 0:15:19 | |
And I hate that I know that. | 0:15:19 | 0:15:20 | |
Come 'ere, ya massive dingo! | 0:15:20 | 0:15:23 | |
Bring it back in - boom! High-five! | 0:15:25 | 0:15:27 | |
- This guy! - You two know each other? | 0:15:27 | 0:15:29 | |
Yeah! Best bloody agent a bloody bloke could bloody well have! | 0:15:29 | 0:15:32 | |
- You? - What did you say | 0:15:32 | 0:15:34 | |
you'd hook me up with, what was it? A family sized butt-fucker of a deal! | 0:15:34 | 0:15:38 | |
It's a family fuck-bucket. | 0:15:38 | 0:15:39 | |
Well, anyway, I'm still getting paid more than a City whore on bonus day. | 0:15:39 | 0:15:44 | |
Perry, a word. "Trust me", you said - "I've got your back", you said. | 0:15:44 | 0:15:49 | |
"I ain't never let you down." | 0:15:49 | 0:15:50 | |
Yet. I did say "yet". | 0:15:50 | 0:15:53 | |
Great. Nice small point. | 0:15:53 | 0:15:55 | |
Listen, in these situations, it just makes sense to have | 0:15:55 | 0:15:57 | |
two horses in the same race. | 0:15:57 | 0:15:58 | |
That's the business, my love. And you're welcome, by the way. | 0:15:58 | 0:16:02 | |
I've only gone and landed you a brand-new show. | 0:16:02 | 0:16:06 | |
New show? | 0:16:06 | 0:16:07 | |
The bosses here were so happy with what you did with the breakfast show, | 0:16:07 | 0:16:10 | |
they're putting you on daytime. | 0:16:10 | 0:16:12 | |
- Oh, God - no. - Yay, I missed you, brud! | 0:16:13 | 0:16:17 | |
MAN 1: Munch your brunch... | 0:16:22 | 0:16:24 | |
WOMAN: ..with Jake Cross... | 0:16:24 | 0:16:25 | |
MAN 2: ..on Completely Radio FM. | 0:16:25 | 0:16:28 | |
MAN 1: It's your hot cross brunch... | 0:16:30 | 0:16:31 | |
MAN 2: ..coffee and croissants... | 0:16:31 | 0:16:33 | |
WOMAN WHISPERS: ..with Jake Cross. | 0:16:33 | 0:16:37 | |
MAN 2: Wouldn't you like Jake Cross to munch your brunch? | 0:16:37 | 0:16:41 |