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Oh, I meant to tell you, | 0:00:19 | 0:00:21 | |
I invited the Crawfords to our anniversary drinks. | 0:00:21 | 0:00:24 | |
-But we hardly know them. -Well, this is a chance to get to know them. | 0:00:24 | 0:00:26 | |
Look, the whole point of living in a city of hundreds of thousands | 0:00:26 | 0:00:29 | |
of people is that you never have to get to know anyone. | 0:00:29 | 0:00:33 | |
-Well, I think we should be open to meeting new people. -Oh, people. | 0:00:33 | 0:00:37 | |
What's your obsession with people? | 0:00:37 | 0:00:40 | |
Look, fair enough, when you're younger, have lots of friends, | 0:00:40 | 0:00:44 | |
but not at our age. | 0:00:44 | 0:00:46 | |
I have a theory actually that each decade of your life | 0:00:46 | 0:00:49 | |
is like an island. | 0:00:49 | 0:00:50 | |
So the 20s island, it's full of drunken party people | 0:00:50 | 0:00:54 | |
and it's very near and very similar to the 30s island. | 0:00:54 | 0:00:58 | |
It's Ibiza and Majorca. | 0:00:58 | 0:01:00 | |
But then the 40s and 50s island, it's more sedate. | 0:01:00 | 0:01:04 | |
It's Isle of Wight, it's Guernsey. | 0:01:04 | 0:01:06 | |
And then the 60s and 70s, you're living on the Outer Hebrides. | 0:01:06 | 0:01:10 | |
It's sparsely populated and cold all the time. | 0:01:10 | 0:01:13 | |
And if you're really unlucky, you make it into your 80s and you're | 0:01:13 | 0:01:16 | |
living alone on St Kilda, eating gravel and talking to puffins. | 0:01:16 | 0:01:21 | |
OK. The Crawfords, but nobody else. | 0:01:23 | 0:01:26 | |
I don't even see why we have to have a party. | 0:01:26 | 0:01:30 | |
There comes a point in every marriage, even the happiest, | 0:01:30 | 0:01:34 | |
where you know exactly what your loved one is going to say. | 0:01:34 | 0:01:37 | |
Parties. | 0:01:37 | 0:01:38 | |
Standing around in an awkward huddle with a warm beer, | 0:01:38 | 0:01:41 | |
listening to some geezer bang on about Ukip. | 0:01:41 | 0:01:45 | |
Parties. | 0:01:45 | 0:01:47 | |
Standing around in an awkward huddle with a warm beer, | 0:01:47 | 0:01:51 | |
listening to some geezer bang on about Ukip. | 0:01:51 | 0:01:55 | |
Look, you know, we could always do something else. Just the two of us. | 0:01:55 | 0:02:00 | |
Oh. Did you see that? | 0:02:01 | 0:02:03 | |
She played the "just the two of us" card very early. | 0:02:03 | 0:02:08 | |
You'd think that the scariest words in the English language were | 0:02:08 | 0:02:11 | |
"It's terminal". | 0:02:11 | 0:02:12 | |
Not for the long married. | 0:02:12 | 0:02:15 | |
For the long married, it's "just the two of us". | 0:02:15 | 0:02:18 | |
-No, I think we're committed to the party. -OK. | 0:02:18 | 0:02:22 | |
Why don't you just try and have a good time? | 0:02:22 | 0:02:25 | |
Is the glass half empty or is it half full? | 0:02:25 | 0:02:28 | |
-There's a glass? -SHE CHUCKLES | 0:02:28 | 0:02:31 | |
That's very funny. You should use that in your speech. | 0:02:31 | 0:02:36 | |
What speech? | 0:02:36 | 0:02:38 | |
Well, you're going to say a few words at the party, aren't you? | 0:02:38 | 0:02:40 | |
Of course I am, darling. | 0:02:40 | 0:02:42 | |
Look at the cornice. The detail. | 0:02:47 | 0:02:51 | |
That is a cornice, all right. | 0:02:51 | 0:02:53 | |
I really don't want to tell you this, | 0:02:54 | 0:02:56 | |
but you're going to find out sooner or later. | 0:02:56 | 0:02:59 | |
That isn't my father. | 0:02:59 | 0:03:00 | |
I know what you're thinking and no, it's not about money. | 0:03:02 | 0:03:04 | |
And no, she's not Eastern European. You heard her speak. | 0:03:04 | 0:03:08 | |
No, it's about...love. | 0:03:08 | 0:03:11 | |
-Doesn't feel like five years. -Mm. | 0:03:13 | 0:03:15 | |
Happiest day of my life. | 0:03:17 | 0:03:18 | |
-Ha! -Ha... | 0:03:19 | 0:03:21 | |
Oh, and mine, yes. | 0:03:25 | 0:03:28 | |
Yeah, until today. Our new home. | 0:03:28 | 0:03:31 | |
-It's not too big for us, is it? -Well, room for children. | 0:03:31 | 0:03:36 | |
Let's unpack first though. | 0:03:36 | 0:03:37 | |
I wasn't suggesting right this second. | 0:03:37 | 0:03:40 | |
We'll wait for the soft rug to go down. | 0:03:40 | 0:03:42 | |
-Oh, I wonder what the neighbours are like. -Oh, I've met them. | 0:03:42 | 0:03:46 | |
On the left side, Dr Rhodes and his wife, very distinguished. | 0:03:46 | 0:03:50 | |
And on the other side, a lesbian couple. Been together 60 years. | 0:03:50 | 0:03:56 | |
Well, let's get this party started. | 0:03:56 | 0:03:58 | |
I did my research before buying. | 0:04:00 | 0:04:02 | |
Found myself a street full of shuffling ghouls. | 0:04:02 | 0:04:05 | |
I know it's all relative, | 0:04:05 | 0:04:06 | |
but I'm going to look like a member of a boy band. | 0:04:06 | 0:04:09 | |
You just relax. I'll get this. | 0:04:16 | 0:04:20 | |
-Where's the yoghurt? -I didn't get yoghurt. -Why didn't you get yoghurt? | 0:04:20 | 0:04:23 | |
-You didn't tell me to get yoghurt. -It was the last thing I said to you. | 0:04:23 | 0:04:26 | |
-Can you get a large tub of Greek yoghurt? -Well, I didn't hear you. | 0:04:26 | 0:04:29 | |
Maybe we'll have to struggle on without yoghurt, | 0:04:29 | 0:04:32 | |
take it one day at a time. | 0:04:32 | 0:04:34 | |
Grrr! | 0:04:34 | 0:04:35 | |
Oh, don't worry. We actually have a very strong marriage. | 0:04:35 | 0:04:38 | |
Have you seen the film Saving Private Ryan? | 0:04:38 | 0:04:41 | |
You know that bit at the end where the two soldiers are having | 0:04:41 | 0:04:44 | |
a desperate hand to hand fight to the death? | 0:04:44 | 0:04:47 | |
Well, if they'd occasionally broken off from that struggle | 0:04:47 | 0:04:49 | |
to have sex, well, that's pretty much our marriage. | 0:04:49 | 0:04:53 | |
What am are going to eat now then? | 0:04:53 | 0:04:56 | |
Oh, I don't know, darling, but maybe if you ate a little more than | 0:04:56 | 0:04:59 | |
yoghurt, you wouldn't be so hungry all the time? | 0:04:59 | 0:05:02 | |
Or so angry? | 0:05:02 | 0:05:04 | |
-So you'd rather I was fat? -Now, I never said that. | 0:05:04 | 0:05:07 | |
-I would rather you were happy. -If you want me to be happy, | 0:05:07 | 0:05:10 | |
maybe you could start by remembering to buy my yoghurt. | 0:05:10 | 0:05:14 | |
There are those moments in life | 0:05:17 | 0:05:19 | |
where everything just comes together. | 0:05:19 | 0:05:21 | |
You make a run towards the six yard box, | 0:05:21 | 0:05:23 | |
the ball arrives at your feet and it's a tap in. | 0:05:23 | 0:05:26 | |
Well, I'm about to get one of those | 0:05:26 | 0:05:28 | |
from Fiona. | 0:05:28 | 0:05:29 | |
Oh, that door shuts, by the way. | 0:05:32 | 0:05:34 | |
Yeah... | 0:05:34 | 0:05:35 | |
unlike your mouth. | 0:05:35 | 0:05:37 | |
RINGS DOORBELL | 0:05:48 | 0:05:50 | |
-Hiya, David Bannerman? -Yes. -Hi, Rob across the road. You were out. | 0:05:50 | 0:05:54 | |
-Oh, thank you. -OK. | 0:05:54 | 0:05:55 | |
-Welcome to the neighbourhood. -Rob? | 0:05:55 | 0:05:58 | |
It is, Rob! Hi! | 0:05:58 | 0:06:00 | |
Georgy? | 0:06:00 | 0:06:02 | |
-My God! I haven't seen you for... -Forever, yes, it's been ages! | 0:06:02 | 0:06:05 | |
You know Georgina, my wife? | 0:06:05 | 0:06:07 | |
Wife?! | 0:06:08 | 0:06:10 | |
Did he say wife? I wasn't really listening. | 0:06:10 | 0:06:12 | |
I think it was wife. It can't have been wife. | 0:06:12 | 0:06:16 | |
-Oh, Georgy is... -My wife, yes. | 0:06:16 | 0:06:18 | |
OK... | 0:06:18 | 0:06:20 | |
It was wife. | 0:06:20 | 0:06:23 | |
Wife... He said wife. | 0:06:23 | 0:06:25 | |
Could he have bought her, do you think? | 0:06:25 | 0:06:27 | |
She isn't Eastern European, but still. | 0:06:27 | 0:06:29 | |
-Yeah, Rob and I used to work together... -That's nice, darling. | 0:06:29 | 0:06:32 | |
Thanks for bringing this round. | 0:06:32 | 0:06:33 | |
Oh, listen. We're having a party Friday night. Number 31. | 0:06:33 | 0:06:37 | |
-Why don't you come? -That would be lovely. -Friday's no good. | 0:06:37 | 0:06:40 | |
-We're free Friday, aren't we? -Well, there's this local um... | 0:06:40 | 0:06:43 | |
Er... Climbing wall. I thought we might try it. | 0:06:43 | 0:06:46 | |
-We'd love to. -OK. Well, I'll see you then. | 0:06:51 | 0:06:54 | |
Funny how you can be going through life quite happily and... | 0:06:59 | 0:07:02 | |
Well, not happily. I'm not a simpleton, but you know what I mean. | 0:07:02 | 0:07:06 | |
And then bang... | 0:07:06 | 0:07:07 | |
I'd completely forgotten about Georgy. | 0:07:07 | 0:07:10 | |
Well, not completely. She's popped into my mind once in a while. | 0:07:10 | 0:07:13 | |
OK, OK... I admit it. When Cathy and I are having sex. | 0:07:13 | 0:07:17 | |
Guilty as charged. | 0:07:18 | 0:07:20 | |
I've thought about having sex with someone other than my partner | 0:07:20 | 0:07:23 | |
whilst having sex with my partner. | 0:07:23 | 0:07:25 | |
But in my defence... | 0:07:26 | 0:07:28 | |
..so have you. | 0:07:29 | 0:07:30 | |
-What a coincidence, eh? -Yes. -GLASS BREAKS | 0:07:33 | 0:07:36 | |
Oh... | 0:07:36 | 0:07:37 | |
-Maybe you should do the cushions and I should do the glasses. -Yeah. | 0:07:37 | 0:07:41 | |
Well, what do you think? Was there attraction there? No, no. | 0:07:41 | 0:07:44 | |
Don't be ridiculous. You saw him. | 0:07:44 | 0:07:46 | |
We're from completely different ends of the evolutionary scale. | 0:07:46 | 0:07:50 | |
Although... | 0:07:50 | 0:07:52 | |
Yeah, she's gone older before. She's got previous. This is the problem. | 0:07:52 | 0:07:56 | |
I don't just have to worry | 0:07:56 | 0:07:58 | |
about the younger, good-looking guys, | 0:07:58 | 0:08:00 | |
there's everybody, the whole world. | 0:08:00 | 0:08:02 | |
Even balding, bulbous Jocks. | 0:08:02 | 0:08:04 | |
Come on. She chose me. | 0:08:06 | 0:08:10 | |
Married me. | 0:08:10 | 0:08:11 | |
And he's right across the street if I ever want to shag him. | 0:08:11 | 0:08:14 | |
I know she didn't actually say that, but that's what I hear. | 0:08:16 | 0:08:20 | |
-So? What are they like? -Oh... Well, um... | 0:08:23 | 0:08:27 | |
You know, he's oldish and seemed dull. Well, you'll find out. | 0:08:27 | 0:08:32 | |
I invited them to the party. | 0:08:32 | 0:08:35 | |
You invited the old dull man to our party? | 0:08:35 | 0:08:37 | |
Yeah. | 0:08:39 | 0:08:40 | |
And his wife. | 0:08:42 | 0:08:43 | |
Well, you don't have to be the senior script consultant | 0:08:45 | 0:08:48 | |
on Sherlock to work out what's happened here. | 0:08:48 | 0:08:51 | |
-Well, what's she like? -Well, I couldn't really see actually. | 0:08:51 | 0:08:54 | |
She was kind of in the background. | 0:08:54 | 0:08:55 | |
-DOORBELL RINGS -Saved by the bell! | 0:08:55 | 0:08:59 | |
-There is a God! -BUZZES | 0:08:59 | 0:09:01 | |
And he's currently working his fingers to the bone | 0:09:01 | 0:09:03 | |
in the service of Rob McCloud of 31 Bushwood Road. | 0:09:03 | 0:09:06 | |
-Hi again, Rob. -Oh, hello. | 0:09:08 | 0:09:10 | |
Should we bring anything on Friday? I could make some canapes. | 0:09:10 | 0:09:13 | |
Oh, no. That's very kind, but not really necessary, I don't think. | 0:09:13 | 0:09:17 | |
Oh, hi! I'm Georgy. I've just moved in across the road. | 0:09:17 | 0:09:20 | |
Sorry, this is Cathy, my... | 0:09:20 | 0:09:22 | |
I'm going to have to say wife. | 0:09:26 | 0:09:28 | |
Oh... | 0:09:28 | 0:09:30 | |
Can I say secretary? | 0:09:30 | 0:09:32 | |
That's a tough sell. | 0:09:32 | 0:09:34 | |
Robot? | 0:09:34 | 0:09:37 | |
No, you're probably right. | 0:09:37 | 0:09:38 | |
Cathy, my wife. | 0:09:38 | 0:09:40 | |
-Oh, hi. Pleased to meet you. -Rob and I used to work together. | 0:09:40 | 0:09:44 | |
Yes, we hardly knew each other. | 0:09:44 | 0:09:45 | |
So are you sure about the canapes, or I could do figs and pancetta? | 0:09:51 | 0:09:55 | |
Well, I mean, figs and pancetta... | 0:09:55 | 0:09:57 | |
No, cos we've already ordered the sausage rolls, so... Thanks. | 0:09:57 | 0:10:01 | |
That's right. | 0:10:01 | 0:10:03 | |
-Well, I'll see you at the party. -Yeah, OK. Bye. Bye-bye. | 0:10:03 | 0:10:06 | |
Why didn't you mention that you knew her? | 0:10:09 | 0:10:12 | |
Well, it hardly seemed relevant. | 0:10:12 | 0:10:14 | |
I can't tell you every time I meet a woman I know. | 0:10:14 | 0:10:18 | |
Word to the wise. | 0:10:18 | 0:10:20 | |
It's the unmentioned women that you want to worry about. | 0:10:20 | 0:10:22 | |
The mentioned ones, the "Oh, you must meet Mary, | 0:10:22 | 0:10:25 | |
"she's such a laugh, you'll love her"... | 0:10:25 | 0:10:28 | |
Mary's the one that ends up looking like Ray Winstone in skirt. | 0:10:28 | 0:10:32 | |
But she's just moved in opposite. | 0:10:32 | 0:10:34 | |
Well, obviously I would have mentioned it eventually. | 0:10:34 | 0:10:38 | |
I mean, they're coming to the party. | 0:10:38 | 0:10:41 | |
What are you trying to imply? | 0:10:41 | 0:10:43 | |
Bringing out the big gun of moral outrage early. | 0:10:45 | 0:10:47 | |
I think it's playing quite well. | 0:10:47 | 0:10:49 | |
He probably thinks this moral outrage is playing quite well. | 0:10:49 | 0:10:53 | |
But the key now is to get out of here elegantly | 0:10:53 | 0:10:57 | |
without it appearing that I'm legging it. | 0:10:57 | 0:10:59 | |
Right. | 0:10:59 | 0:11:01 | |
I should get up to the butcher's and get those sausage rolls. | 0:11:01 | 0:11:04 | |
It's as if I have my own microclimate and it just | 0:11:09 | 0:11:11 | |
pours all day and there's tsunamis and plagues of frogs. | 0:11:11 | 0:11:16 | |
It's just a speech. | 0:11:16 | 0:11:17 | |
I'll have to say something nice. | 0:11:19 | 0:11:21 | |
"I love you" is probably expected. | 0:11:23 | 0:11:26 | |
I can't say that. | 0:11:26 | 0:11:28 | |
I'm Scottish. | 0:11:28 | 0:11:29 | |
"I love you" should be reserved | 0:11:31 | 0:11:34 | |
for when you're trying to get into someone's pants or... | 0:11:34 | 0:11:37 | |
dying. | 0:11:37 | 0:11:39 | |
Look, stop worrying. We'll adapt my wedding speech. | 0:11:39 | 0:11:43 | |
I'm pretty sure I said "I love you" in that. | 0:11:43 | 0:11:45 | |
Ah! Yes, good. | 0:11:46 | 0:11:49 | |
"There isn't a happier man in the world than me, | 0:11:49 | 0:11:52 | |
"now that Fiona is my wife." | 0:11:52 | 0:11:54 | |
Yeah, but what if you don't think that any longer? | 0:11:56 | 0:11:58 | |
Well, I didn't think it back then. | 0:11:58 | 0:12:00 | |
But it's expected of you. Something to get your gran crying. | 0:12:00 | 0:12:04 | |
-I'm not sure I can use much of this, mate. -Oh, come on. It writes itself. | 0:12:04 | 0:12:08 | |
Um... "As happy today as I was then. I love you, Cathy." | 0:12:08 | 0:12:13 | |
Now, look me in the eye and do it only to me. | 0:12:13 | 0:12:17 | |
Wait a minute. That's The King's Speech, isn't it? | 0:12:17 | 0:12:20 | |
There's our answer. I'll develop a stutter. | 0:12:20 | 0:12:23 | |
-Hi, Rob. How are you? -Oh, hey. -Where did you put my yoghurt? | 0:12:24 | 0:12:28 | |
Argh! | 0:12:28 | 0:12:30 | |
-I'm sorry. I forgot again. -That's why you went out, to get my yoghurt! | 0:12:30 | 0:12:34 | |
I'm sorry. I forgot. I've got a lot on my mind. | 0:12:34 | 0:12:37 | |
Oh, no. It's all about to kick off. | 0:12:38 | 0:12:41 | |
-Oh, yeah? Like what? -Like work. | 0:12:41 | 0:12:44 | |
It's very pressured providing for you and maintaining our lifestyle. | 0:12:44 | 0:12:48 | |
Oh, right. Yeah. Big pressure. | 0:12:48 | 0:12:49 | |
"Oh, do you think this new house should have a roof on it?" "Oh, yes! | 0:12:49 | 0:12:53 | |
"A roof! Oh, that's a good idea!" | 0:12:53 | 0:12:56 | |
There is more to construction than that. | 0:12:56 | 0:12:58 | |
Oh, you're in big Lego, that's all. | 0:12:58 | 0:13:00 | |
I must look like a ventriloquist's dummy. | 0:13:03 | 0:13:06 | |
How about this then? You go to work full time and I'll work part time. | 0:13:06 | 0:13:10 | |
I have a part-time job and another full-time job running this house | 0:13:10 | 0:13:13 | |
-and waiting on you hand and foot. -Oh, right. | 0:13:13 | 0:13:16 | |
You bung a macaroni cheese in the microwave, sit on your arse | 0:13:16 | 0:13:19 | |
with a bottle of Pinot Grigio, | 0:13:19 | 0:13:21 | |
watching Keeping Up With The Kardashians! | 0:13:21 | 0:13:24 | |
Just go back out and get me my yoghurt. | 0:13:24 | 0:13:26 | |
Later. We are going to watch the game. | 0:13:26 | 0:13:29 | |
Fiona! | 0:13:33 | 0:13:34 | |
-Mm? -I told you to record the game. -No, you didn't. | 0:13:36 | 0:13:40 | |
Yes, I did! Oh, do you listen to a single word I say? | 0:13:40 | 0:13:44 | |
Well, I heard you say "I do" but since then, no. | 0:13:44 | 0:13:47 | |
I haven't really been listening. | 0:13:47 | 0:13:49 | |
Oh, darling. Tell me the truth. | 0:13:53 | 0:13:56 | |
You don't ever worry about the age gap, do you? | 0:13:56 | 0:13:59 | |
-No, of course not. Young men are just boys. -Mm. | 0:13:59 | 0:14:04 | |
OK, so they're fit and vigorous and full of drive and energy, | 0:14:04 | 0:14:07 | |
but I prefer... | 0:14:07 | 0:14:09 | |
..you. | 0:14:15 | 0:14:17 | |
I mean, at the moment, it's fine. I'm 63, you're 34. | 0:14:17 | 0:14:22 | |
But when I'm 73 and you're 44, does the gap seem bigger somehow? | 0:14:22 | 0:14:28 | |
I mean, when you're 54, I'll be... | 0:14:28 | 0:14:32 | |
83. | 0:14:32 | 0:14:33 | |
83? Did you hear that? | 0:14:33 | 0:14:35 | |
He's planning on living until 83! | 0:14:35 | 0:14:38 | |
And with medical advances, 93's not impossible. | 0:14:38 | 0:14:41 | |
Oh, dear God! | 0:14:41 | 0:14:42 | |
Can we please just skip to the part where he's dead and I'm still alive? | 0:14:42 | 0:14:46 | |
Sorry, I didn't mean that. That is awful of me. Not dead. | 0:14:46 | 0:14:50 | |
An accident maybe. | 0:14:52 | 0:14:54 | |
Just something to stop him from getting up the stairs. | 0:14:55 | 0:14:58 | |
-Where are you going? -Running. -Oh, right. | 0:15:01 | 0:15:05 | |
She's going running. | 0:15:05 | 0:15:06 | |
She's taking her bottom out of the house. | 0:15:06 | 0:15:09 | |
It's cold out, isn't it? | 0:15:09 | 0:15:11 | |
Wrap up. Wear a duvet. Or exercise here, it's a big house. | 0:15:11 | 0:15:15 | |
-Run to the kitchen and back. -No, I fancy some fresh air. | 0:15:15 | 0:15:18 | |
I tell you what, I'm coming with you. | 0:15:18 | 0:15:21 | |
-You don't have to wait for me, darling. Go at your own speed. -OK. | 0:15:24 | 0:15:27 | |
-What do you think? -Hm, how stiff's the competition? -Pretty stiff. | 0:15:34 | 0:15:38 | |
-What does she look like? -Well, like something that would come up | 0:15:38 | 0:15:41 | |
if you googled "massive threat in skimpy pants." | 0:15:41 | 0:15:44 | |
What are you worried about, then? | 0:15:45 | 0:15:47 | |
-She's not going to be interested in Rob. -Why not? | 0:15:47 | 0:15:50 | |
Rob's not that bad looking. | 0:15:50 | 0:15:52 | |
Cathy, a five-year-old could draw a better looking man than Rob. | 0:15:52 | 0:15:56 | |
-Oh, are you sure? -Totally. Look. | 0:15:59 | 0:16:03 | |
Rob's the one who should be worried. | 0:16:03 | 0:16:04 | |
You are a gorgeous-looking woman, and he is very lucky to have you. | 0:16:04 | 0:16:08 | |
You're going to smash the competition. Now, say it. | 0:16:08 | 0:16:12 | |
-I am going to smash the competition. -Smash her right out the park. | 0:16:12 | 0:16:16 | |
-Right out the park. -Bash her! -Bash her! -Yes, that's it! | 0:16:16 | 0:16:21 | |
Yeah, I'm going | 0:16:21 | 0:16:22 | |
to mash a plate of sausage rolls right into her figgy, little face. | 0:16:22 | 0:16:25 | |
Oh, no, pull back from that. | 0:16:27 | 0:16:28 | |
OK, the party's in a day, so I've got 24 hours to lose two stone. | 0:16:32 | 0:16:37 | |
And grow hair. I'm going to exercise so hard that my hair grows back. | 0:16:40 | 0:16:43 | |
BOTH: Oh! Ah! | 0:16:45 | 0:16:46 | |
-Hey, Rob, hi. -Oh. -So, you run. | 0:16:48 | 0:16:52 | |
Sure. | 0:16:53 | 0:16:55 | |
Don't get a body like this by accident. | 0:16:55 | 0:16:58 | |
-Oh, hi, I'm Georgy, I'm Rob's new neighbour. -Evan. | 0:16:58 | 0:17:01 | |
-Um, well, I'll see you Friday. -Yeah. | 0:17:02 | 0:17:06 | |
-That's your new neighbour? -Yeah. | 0:17:10 | 0:17:13 | |
Man. Ho-ho, this is going to be difficult. | 0:17:13 | 0:17:17 | |
I've got no interest in her. | 0:17:17 | 0:17:20 | |
I'm a married man. I took vows. | 0:17:20 | 0:17:22 | |
Marriage vows? | 0:17:22 | 0:17:23 | |
That's a sophisticated version of "I'll be home at seven." | 0:17:23 | 0:17:27 | |
I could never have an affair, though. I couldn't face the kids. | 0:17:28 | 0:17:32 | |
The kids have left home. They couldn't care less. | 0:17:32 | 0:17:34 | |
They probably don't even know where you live. | 0:17:34 | 0:17:37 | |
HE PANTS | 0:17:39 | 0:17:41 | |
H... | 0:17:41 | 0:17:42 | |
HE WHEEZES | 0:17:42 | 0:17:44 | |
-Who's that? -The husband. | 0:17:44 | 0:17:47 | |
And I was worried we were too old for her. Look. | 0:17:49 | 0:17:53 | |
She's only gone and married Gandalf. | 0:17:53 | 0:17:55 | |
What do you think about the hat? | 0:18:02 | 0:18:05 | |
Is it too much? | 0:18:05 | 0:18:06 | |
No, I think I can get away with it. | 0:18:08 | 0:18:10 | |
DANCE MUSIC | 0:18:11 | 0:18:14 | |
Two billion men in the world and this is the one I choose. | 0:18:26 | 0:18:30 | |
Let me just say something to the single women. | 0:18:33 | 0:18:36 | |
There are three stages of marriage - | 0:18:36 | 0:18:38 | |
I married him! | 0:18:38 | 0:18:39 | |
I married him? | 0:18:39 | 0:18:40 | |
I married HIM?! | 0:18:40 | 0:18:42 | |
-Rob. -Oh. | 0:18:44 | 0:18:46 | |
MUSIC STOPS | 0:18:46 | 0:18:47 | |
-What do you think? -Great, yeah. You look great. | 0:18:47 | 0:18:50 | |
Oh, I'm not sure that she does, actually. I thi... | 0:18:52 | 0:18:57 | |
I think it's her legs. | 0:18:57 | 0:18:58 | |
Look at her legs. They're not even like legs. | 0:19:00 | 0:19:04 | |
They're like little thumbs. | 0:19:04 | 0:19:06 | |
She's got little thumb legs. | 0:19:06 | 0:19:08 | |
-It's not too short? -The dress? | 0:19:09 | 0:19:12 | |
No, it is thumb-thing else. | 0:19:12 | 0:19:13 | |
Did he say "thumb-thing else"? | 0:19:15 | 0:19:17 | |
Did I say "THUMB-thing else"? | 0:19:17 | 0:19:19 | |
God, I did, didn't I? It's because of her thumb legs. | 0:19:19 | 0:19:22 | |
For the rest of my marriage, every time I see her, | 0:19:22 | 0:19:25 | |
I'm going to be thinking of thumbs. | 0:19:25 | 0:19:26 | |
I'll be on my deathbed, full of meds, crying out for Thumbelina. | 0:19:26 | 0:19:30 | |
You look g-g-g-g- | 0:19:33 | 0:19:36 | |
gorgeous. | 0:19:36 | 0:19:38 | |
Don't think you're going to get out of making | 0:19:38 | 0:19:40 | |
a speech by developing a stutter. | 0:19:40 | 0:19:42 | |
I wasn't trying to... Oh, it's cleared up. | 0:19:44 | 0:19:47 | |
-How do I look? -Fantastic. | 0:19:53 | 0:19:55 | |
What colour's my dress? | 0:19:59 | 0:20:02 | |
Is it the kind of mauve one? | 0:20:02 | 0:20:04 | |
I'm wearing jeans. Come on, let's go. | 0:20:04 | 0:20:07 | |
-Oh, before we go, shall we have some yoghurt? -Oh. | 0:20:07 | 0:20:11 | |
Ah. Oh, no. There isn't any. | 0:20:11 | 0:20:14 | |
-You want me to wear this? -I think you look great. | 0:20:18 | 0:20:21 | |
No! I'm getting changed. | 0:20:23 | 0:20:25 | |
Sorry. Hey, Evan. | 0:20:29 | 0:20:31 | |
-I thought I'd do this. -Rather than what we rehearsed? | 0:20:33 | 0:20:37 | |
Yeah, keep it light. No-one wants this lovey-dovey stuff. | 0:20:37 | 0:20:40 | |
-Sorry, excuse me, everyone. If I could just... -Sorry, Rob. | 0:20:42 | 0:20:47 | |
Before the main event, can I say something? | 0:20:47 | 0:20:50 | |
Thank you to our hosts and to everyone for making us so welcome. | 0:20:50 | 0:20:54 | |
I know I'm going to be very happy here, although how could I not be | 0:20:54 | 0:20:57 | |
with such a wonderful, beautiful wife by my side? | 0:20:57 | 0:21:01 | |
ALL: Aw! | 0:21:01 | 0:21:03 | |
Look up perfection in the dictionary and it simply says, "See Georgina." | 0:21:03 | 0:21:08 | |
-Look up blissfully happy and it says, "See David." -Oh! | 0:21:08 | 0:21:12 | |
Rob. | 0:21:14 | 0:21:15 | |
I'm slightly concerned now that... tonally, | 0:21:23 | 0:21:27 | |
I may be wide of the mark here. | 0:21:27 | 0:21:29 | |
There was a young girl called Cathy... | 0:21:34 | 0:21:36 | |
No, I'm kidding, of course. | 0:21:38 | 0:21:40 | |
I'm not going to do a limerick. No, no. | 0:21:40 | 0:21:43 | |
What I really wanted to say was, well, firstly, thank you, | 0:21:43 | 0:21:45 | |
all, for coming here tonight to help us celebrate our anniversary. | 0:21:45 | 0:21:48 | |
THEY CHEER | 0:21:48 | 0:21:50 | |
I think that all any of us hope for in life is, well, | 0:21:50 | 0:21:53 | |
to meet our soul mate. You know, to feel joined, | 0:21:53 | 0:21:57 | |
to have that connection. | 0:21:57 | 0:22:00 | |
For two halves to become a whole is a... | 0:22:00 | 0:22:03 | |
Well, it is a wonderful, rare and precious thing. | 0:22:03 | 0:22:08 | |
I just want to finish by saying I really, | 0:22:09 | 0:22:14 | |
really love you, Georgy. | 0:22:14 | 0:22:16 | |
And Fiona! | 0:22:26 | 0:22:28 | |
And Evan! | 0:22:29 | 0:22:30 | |
I love all my friends but, you know... | 0:22:32 | 0:22:34 | |
But, but, most of all, more than anything, | 0:22:34 | 0:22:36 | |
above all else, I love my wife, Cathy! | 0:22:36 | 0:22:39 | |
MUTED CHEERING AND APPLAUSE | 0:22:39 | 0:22:41 | |
OK, I want you to be brutally honest. | 0:22:44 | 0:22:48 | |
Do you think I got away with that? | 0:22:50 | 0:22:51 | |
Fine. Fine, yeah, no-one noticed. | 0:22:51 | 0:22:53 | |
Phew! | 0:22:53 | 0:22:55 | |
Under the circumstances, I think that was the kindest thing to say. | 0:22:55 | 0:22:59 | |
Don't you? | 0:22:59 | 0:23:01 | |
I have precision bombed the area of my brain | 0:23:07 | 0:23:10 | |
containing the memory of tonight with wine. | 0:23:10 | 0:23:13 | |
And whisky. | 0:23:13 | 0:23:15 | |
Tequila. | 0:23:15 | 0:23:16 | |
And something blue I found under the sink. | 0:23:16 | 0:23:18 | |
Why do you think she's with him, Cathy? | 0:23:19 | 0:23:21 | |
It's got to be about money. | 0:23:22 | 0:23:24 | |
She's obviously quite shallow, yeah. She's a shallow gold-digger. | 0:23:24 | 0:23:27 | |
Went slightly further than I meant to. | 0:23:28 | 0:23:30 | |
Intended to mildly diss, | 0:23:30 | 0:23:32 | |
ended up calling her a money-grubbing whore. | 0:23:32 | 0:23:34 | |
Or she's just too young to know better. | 0:23:34 | 0:23:36 | |
Oh, she's not that young! | 0:23:36 | 0:23:38 | |
Well, she's younger than you. | 0:23:38 | 0:23:39 | |
Us. | 0:23:39 | 0:23:41 | |
Sh... Younger than us. | 0:23:41 | 0:23:44 | |
Well, she's certainly very pretty though, isn't she? | 0:23:44 | 0:23:47 | |
GARBLED RESPONSE | 0:23:47 | 0:23:49 | |
He often does this | 0:23:49 | 0:23:51 | |
to dodge the bullet. | 0:23:51 | 0:23:53 | |
Technically he has answered me, but I've no idea what he said. | 0:23:53 | 0:23:57 | |
The Prime Minister should use this technique at the dispatch box. | 0:23:57 | 0:24:00 | |
Are you going to privatise the NHS? | 0:24:00 | 0:24:03 | |
GARBLED RESPONSE | 0:24:03 | 0:24:05 | |
I can recommend this avoidance technique. | 0:24:07 | 0:24:09 | |
There was an occasion after an incident at the office | 0:24:09 | 0:24:12 | |
Christmas party where I kept brushing for 25 minutes! | 0:24:12 | 0:24:16 | |
They were bleeding. Not my gums, my actual teeth. | 0:24:16 | 0:24:19 | |
DOORBELL RINGS | 0:24:19 | 0:24:21 | |
So what happened? | 0:24:25 | 0:24:28 | |
Well, I got a tub of yogurt and I put it on her side of the bed | 0:24:28 | 0:24:31 | |
with a note saying, "Happy now?" | 0:24:31 | 0:24:34 | |
But she didn't see it, so she sits on it and yogurt goes everywhere. | 0:24:35 | 0:24:40 | |
Oh, it goes all over the bed, it's all over her and she starts, | 0:24:40 | 0:24:43 | |
"Oh, you're such a child. Why don't you grow up?" | 0:24:43 | 0:24:45 | |
-It'll be fine, it'll all blow over by the morning. -Yeah. | 0:24:45 | 0:24:48 | |
Hey, what about you, though? | 0:24:48 | 0:24:50 | |
Yeah, fine. | 0:24:50 | 0:24:51 | |
I'm sure the next 30 years of my life are going to fly by. | 0:24:51 | 0:24:55 | |
MOBILE BEEPS | 0:24:55 | 0:24:57 | |
Oh, that'll be Fiona. | 0:24:57 | 0:24:58 | |
I can't face it, tell me what it says? | 0:24:58 | 0:25:00 | |
Well... | 0:25:02 | 0:25:03 | |
It's a selfie. | 0:25:03 | 0:25:05 | |
I'm seeing slightly more of your wife than I ever expected to. | 0:25:06 | 0:25:09 | |
Fortunately she is covered in quite a lot of yogurt. | 0:25:10 | 0:25:13 | |
Any message? | 0:25:15 | 0:25:16 | |
-"Fancy some yogurt?" -Oh. | 0:25:16 | 0:25:19 | |
It's an interesting development. | 0:25:19 | 0:25:21 | |
I best be going. | 0:25:21 | 0:25:23 | |
See you later, pal. | 0:25:25 | 0:25:26 | |
-Yeah, see you tomorrow. -See you, bye. | 0:25:26 | 0:25:28 | |
Right... | 0:25:30 | 0:25:32 | |
Bed? | 0:25:32 | 0:25:33 | |
Drink? | 0:25:33 | 0:25:35 | |
Yeah. | 0:25:35 | 0:25:36 | |
I thought so. | 0:25:36 | 0:25:37 | |
-Poor old, Rob. -Hm. | 0:25:41 | 0:25:43 | |
-It's an innocent mistake. -Mm. | 0:25:43 | 0:25:44 | |
What do you make of him? | 0:25:44 | 0:25:46 | |
Do you think he's... | 0:25:47 | 0:25:48 | |
..attractive? | 0:25:48 | 0:25:49 | |
Rob?! | 0:25:50 | 0:25:52 | |
Ah-ha-ha-ha! | 0:25:52 | 0:25:54 | |
I have to do this for every man he mentions. | 0:25:54 | 0:25:56 | |
-Rob? -Yeah. | 0:25:58 | 0:25:59 | |
Ah-ha-ha-ha! | 0:25:59 | 0:26:02 | |
Well, this is reassuring. | 0:26:02 | 0:26:04 | |
Although, is she overdoing it, do you think? | 0:26:09 | 0:26:11 | |
Is she playing me? | 0:26:11 | 0:26:12 | |
Oh, God, I nearly slapped my thigh there. | 0:26:15 | 0:26:18 | |
Oh, you are silly sometimes, David. | 0:26:18 | 0:26:20 | |
I'm going to bed. | 0:26:20 | 0:26:22 | |
I'm right behind you. | 0:26:23 | 0:26:25 | |
-SHE CONTINUES LAUGHING -Rob... | 0:26:25 | 0:26:27 | |
She chose me, she married me. | 0:26:27 | 0:26:30 | |
Still... | 0:26:30 | 0:26:31 | |
..just to be on the safe side, I think a move to the country. | 0:26:32 | 0:26:35 | |
I hear St Kilda's nice. | 0:26:37 | 0:26:39 | |
-WHISPERING: -Is she asleep yet? | 0:26:43 | 0:26:45 | |
I can't tell and I don't want to look. | 0:26:45 | 0:26:47 | |
I am awake. | 0:26:48 | 0:26:50 | |
But if you don't tell him, I won't. | 0:26:50 | 0:26:52 | |
Oh, I know you're awake! | 0:26:55 | 0:26:57 | |
Look, I'm sorry. | 0:26:57 | 0:26:59 | |
I-I was nervous and... | 0:26:59 | 0:27:00 | |
You shouldn't have suggested I make a speech in the first place. | 0:27:01 | 0:27:04 | |
Oh, so it's my fault! | 0:27:04 | 0:27:06 | |
It's not entirely, no, but you're an accessory. | 0:27:06 | 0:27:09 | |
Look... | 0:27:10 | 0:27:12 | |
No more parties, huh? | 0:27:12 | 0:27:14 | |
Why can't we do something... | 0:27:14 | 0:27:16 | |
just the two of us... for a change? | 0:27:16 | 0:27:19 | |
Why don't we go back to Rome? | 0:27:19 | 0:27:20 | |
We could stay in the same hotel and... | 0:27:22 | 0:27:24 | |
go to... What was the name of that restaurant we loved? | 0:27:24 | 0:27:27 | |
-The Sorrento. -The Sorrento, yeah. | 0:27:27 | 0:27:29 | |
Where you threw melon at that opera singer. | 0:27:29 | 0:27:31 | |
-Grapes. -Grapes, yeah. | 0:27:31 | 0:27:33 | |
HE SIGHS | 0:27:33 | 0:27:34 | |
Let's do it, huh? | 0:27:35 | 0:27:37 | |
-Yeah, definitely. -OK. | 0:27:38 | 0:27:40 | |
I'll book flights tomorrow. | 0:27:40 | 0:27:42 | |
OK. Goodnight, Rob. | 0:27:42 | 0:27:45 | |
Goodnight, Georgy. | 0:27:45 | 0:27:46 | |
Oh, f...! | 0:27:47 | 0:27:49 |