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Well, what a lovely looking bunch you are. What a lovely looking lot. | 0:00:04 | 0:00:09 | |
You'll like this. I usually like to sleep in the nude. | 0:00:09 | 0:00:13 | |
Which is usually absolutely fine, apart from on those long flights. | 0:00:13 | 0:00:17 | |
'I went to the doctor the other day, I said, | 0:00:18 | 0:00:20 | |
'I need something for persistent wind. | 0:00:20 | 0:00:23 | |
'He gave me a kite.' | 0:00:23 | 0:00:24 | |
I didn't know my father. He was someone who dropped by on weekends. | 0:00:27 | 0:00:32 | |
Some weekends. | 0:00:32 | 0:00:34 | |
There are literally millions of people out there better | 0:00:34 | 0:00:37 | |
qualified to write a book about him. | 0:00:37 | 0:00:39 | |
Can't you get me out of it? | 0:00:40 | 0:00:42 | |
I could make some calls, if you're willing to give back the advance. | 0:00:42 | 0:00:47 | |
Er... No. | 0:00:48 | 0:00:51 | |
Who's this? | 0:00:55 | 0:00:56 | |
That, my love, is Arthur Strong, your father's old comedy partner. | 0:00:56 | 0:01:02 | |
Dad was in a double act? You see, I didn't even know that. | 0:01:02 | 0:01:04 | |
You just need to research your dad's life as you would with | 0:01:04 | 0:01:07 | |
anything else. You say you didn't know him. This man did, for a start. | 0:01:07 | 0:01:13 | |
He might have a story to tell. | 0:01:13 | 0:01:14 | |
BUZZER | 0:01:39 | 0:01:41 | |
GLASS SMASHES | 0:01:41 | 0:01:43 | |
-You rang the bell. -I did. Arthur Strong? | 0:01:51 | 0:01:54 | |
-I've broken a plate because of you. -Sorry. I'm Michael Baker. | 0:01:54 | 0:01:58 | |
That was dishwasher-safe, that was. | 0:01:58 | 0:02:01 | |
Sorry about that. Michael Baker, Max Baker's boy. | 0:02:01 | 0:02:04 | |
-Come on in then, I've unplugged it. -Unplugged? -There it is. There it is. | 0:02:04 | 0:02:10 | |
It's never worked properly, the bloody thing. | 0:02:10 | 0:02:14 | |
-What is it? -What do you mean, what is it? | 0:02:15 | 0:02:20 | |
Just, what is it? | 0:02:20 | 0:02:22 | |
There is really no other way of saying it. I don't know what it is. | 0:02:22 | 0:02:26 | |
-It's a foot spa. -Oh, right. -You know, a spa for your feet. | 0:02:28 | 0:02:34 | |
You know what a spa is, don't you? | 0:02:34 | 0:02:36 | |
It's where you go to relax, and have towel dressing gowns and a bar. | 0:02:36 | 0:02:40 | |
It's like that, except your feet go to it. | 0:02:40 | 0:02:45 | |
And there's no bar. | 0:02:47 | 0:02:50 | |
How are you going to fix it if you don't know what it is? How does that work? | 0:02:50 | 0:02:54 | |
Sorry, I think... I'm Michael Baker, Max Baker's boy. | 0:02:54 | 0:02:58 | |
Oh, what does he want? Sent you round to apologise, has he? | 0:02:58 | 0:03:03 | |
Couldn't face me in person? | 0:03:03 | 0:03:05 | |
-Just like him, mean-spirited, nasty little man. -No, Arthur, he's dead. | 0:03:05 | 0:03:11 | |
Is he? It wasn't me, if that's why you've come round. | 0:03:11 | 0:03:15 | |
We got on like a house on fire. Shouldn't you have a warrant? | 0:03:16 | 0:03:20 | |
-I'm Michael, I'm his son. -And they've put you on the case?! | 0:03:23 | 0:03:27 | |
-That's rather unorthodox. -I'm not a policeman. I'm just his son. | 0:03:29 | 0:03:35 | |
-You're little Michael! -So you remember me? We've met? | 0:03:35 | 0:03:39 | |
We did indeed. Last time I saw you, you burst into tears and urinated. | 0:03:39 | 0:03:43 | |
-Really? -I hope you've put that sort of thing behind you. -Yes. | 0:03:46 | 0:03:50 | |
That was the old me. | 0:03:50 | 0:03:53 | |
I'm not clearing all that up, you can get that straight right now. | 0:03:53 | 0:03:57 | |
No, no. I'm a fully grown man now. | 0:03:57 | 0:04:00 | |
That doesn't make any difference, you see them going behind Tesco's | 0:04:00 | 0:04:03 | |
-when the pubs chuck out. Was in the papers. -I don't really want to... | 0:04:03 | 0:04:07 | |
I don't care what your excuse is, if you need to go, | 0:04:07 | 0:04:11 | |
you go on the toilet in this house like everybody else does. | 0:04:11 | 0:04:15 | |
Or in the shower if you can't get out fast enough. | 0:04:15 | 0:04:18 | |
-Here. -What is this? -For the toilet. -I don't need the toilet. | 0:04:23 | 0:04:29 | |
Why would I need these? | 0:04:29 | 0:04:30 | |
Obviously to conceal any incidental noise one might | 0:04:30 | 0:04:33 | |
make in the execution of an unexpected bombing mission. | 0:04:33 | 0:04:39 | |
Could I take you out for lunch? I'd love to talk to you about something. | 0:04:41 | 0:04:45 | |
I tell you what, I'd love a bit of lunch | 0:04:45 | 0:04:47 | |
and to talk to you about something. | 0:04:47 | 0:04:50 | |
-Great. -Grab the foot spa. | 0:04:50 | 0:04:53 | |
I'll just put me trousers on! | 0:04:53 | 0:04:55 | |
-£2.60, and a tip, yes? For service. -What? -The service was good, yes? | 0:05:02 | 0:05:06 | |
-Was there a problem with the service? -Not at all. | 0:05:06 | 0:05:09 | |
So there is no change. This is the tip, the tip is 40p. | 0:05:09 | 0:05:13 | |
-Of course. -Thank you very much, goodbye. Goodbye, goodbye. | 0:05:15 | 0:05:19 | |
-Actually, I'm an author. -I thought your name was Michael. -It is. | 0:05:19 | 0:05:25 | |
-I'm an Arthur. Arthur Strong. -Oh! No, no. I'm an author. -I'm an Arthur? | 0:05:25 | 0:05:32 | |
What are you talking about? | 0:05:32 | 0:05:34 | |
I've been asked if I will write a book about my dad. | 0:05:34 | 0:05:36 | |
-Biography, memoir, sort of thing. -Oh, what? | 0:05:36 | 0:05:40 | |
-What do you want? -Good afternoon. | 0:05:42 | 0:05:44 | |
One of your all-day breakfasts, please. | 0:05:44 | 0:05:47 | |
I don't know why, but number one seems to be beckoning me today. | 0:05:47 | 0:05:51 | |
-Number one, please, with fried bread and baked beans. -So number four? | 0:05:51 | 0:05:56 | |
Yes, you can do it that way as well. Yes. | 0:05:59 | 0:06:02 | |
-Katya, my Polish princess. -Hello, Arthur! | 0:06:03 | 0:06:08 | |
Katya, what have I told you about wearing eye shadow in my presence? | 0:06:08 | 0:06:12 | |
If you're not careful, I'll end up chasing you around that table. | 0:06:13 | 0:06:17 | |
-I shall let you catch me if you're not careful. -Ho-ho! Oh, dear. | 0:06:17 | 0:06:21 | |
Ha-ha-ha. | 0:06:21 | 0:06:24 | |
Then what? | 0:06:26 | 0:06:28 | |
-Yes? -Nothing for me, thanks. | 0:06:30 | 0:06:34 | |
-Just a cup of tea. -Two teas. -What? | 0:06:34 | 0:06:38 | |
I don't know, I was only going to have one. Are you having two teas? | 0:06:38 | 0:06:42 | |
-What? -Do you want two teas? They must be doing an offer. | 0:06:43 | 0:06:47 | |
-Buy one, get one free or something. -Two teas? No. Just one tea. | 0:06:47 | 0:06:51 | |
Sorry. | 0:06:54 | 0:06:56 | |
I have a foot spa. | 0:06:59 | 0:07:01 | |
I tell you what, I will have two teas. | 0:07:03 | 0:07:05 | |
-Go on then, I'll support your new enterprise. -Two teas. | 0:07:05 | 0:07:10 | |
So, you wanted to meet me because we both have the same name. | 0:07:11 | 0:07:17 | |
We don't have the same name. My name is Michael. | 0:07:18 | 0:07:21 | |
-I'm an au... I'm a writer. -Oh, a writer, eh? Ho-ho-ho! | 0:07:21 | 0:07:25 | |
And what books have you Arthured? | 0:07:26 | 0:07:28 | |
Sorry! What books have you Michaeled? | 0:07:28 | 0:07:32 | |
ARTHURED! AUTHORED! | 0:07:32 | 0:07:35 | |
-I don't think you've probably heard of it. -Go on, try me. | 0:07:35 | 0:07:37 | |
Well, my best-known work is called | 0:07:37 | 0:07:40 | |
Museums: Their Conscience, Our Conscience. | 0:07:40 | 0:07:43 | |
The Daily Telegraph described my attention to | 0:07:46 | 0:07:48 | |
detail as bordering on the anal. | 0:07:48 | 0:07:53 | |
-Is that a good thing? -I chose to take it as a good thing, yes. | 0:07:53 | 0:07:56 | |
So how come your dad was a funny man, some might say? | 0:07:56 | 0:08:01 | |
And you went on to write books about anal museums? | 0:08:01 | 0:08:05 | |
I don't really know. To be honest, Arthur, | 0:08:07 | 0:08:10 | |
Dad and I never really saw eye to eye. | 0:08:10 | 0:08:13 | |
A-ha! So you want me to help you put the boot in. Is that it? Hatchet job. | 0:08:13 | 0:08:18 | |
It mustn't be a hatchet job, I just want the truth. | 0:08:18 | 0:08:21 | |
That's why it's important for me to fill | 0:08:21 | 0:08:23 | |
the gaps about the years that you worked together. | 0:08:23 | 0:08:25 | |
Not looking to settle any scores. | 0:08:25 | 0:08:27 | |
Working with your father was a bloody nightmare from beginning to end. | 0:08:27 | 0:08:31 | |
Ha-ha! Great. | 0:08:31 | 0:08:32 | |
-All right, John? Have you heard about the teas offer? -What teas offer? | 0:08:34 | 0:08:38 | |
-Bulent's doing a special offer, two teas for the price of one. -Is he? | 0:08:38 | 0:08:44 | |
That's what he told me. I'm having two. | 0:08:44 | 0:08:47 | |
-All right? Can I have two teas? -Two teas. | 0:08:47 | 0:08:51 | |
There's a service for friends and family tomorrow, if you're about. | 0:08:51 | 0:08:55 | |
-Tomorrow? That is very inconvenient. Are you sure? -Quite sure. | 0:08:55 | 0:09:02 | |
I shall have to move some things around. | 0:09:02 | 0:09:04 | |
Eggy! Eggy! You owe me a pound. | 0:09:06 | 0:09:09 | |
You owe me a pound. | 0:09:09 | 0:09:13 | |
-I owe you a pound, don't I, Arthur? -Yes, you do. | 0:09:14 | 0:09:17 | |
Don't you try and wriggle out of it. | 0:09:17 | 0:09:19 | |
GLASS SMASHES | 0:09:19 | 0:09:22 | |
THEY CHEER | 0:09:22 | 0:09:23 | |
-Arthur, are you going to Kempton tomorrow? -Are you going to Kempton? | 0:09:28 | 0:09:32 | |
-You, when is Max's party? -Tomorrow. | 0:09:32 | 0:09:35 | |
It's not a party, it's more of a remembrance thing because he's dead. | 0:09:35 | 0:09:38 | |
That is very inconvenient. I was looking forward to going to Kempton. | 0:09:38 | 0:09:43 | |
You've only just heard about it. | 0:09:43 | 0:09:45 | |
You can look forward to things you've only just heard about. | 0:09:45 | 0:09:48 | |
Like if you turn on the telly, | 0:09:48 | 0:09:49 | |
and they say the Hairy Bikers is just finishing. | 0:09:49 | 0:09:52 | |
-No, no, no. I won't be coming. -Two teas. -Thank you very much. | 0:09:54 | 0:10:00 | |
Although, thinking about it, Bulent, | 0:10:00 | 0:10:02 | |
they shouldn't both come at the same time. One of them will go cold. | 0:10:02 | 0:10:06 | |
-How else would I bring them? -I don't know. Why are you asking me? | 0:10:06 | 0:10:10 | |
It is your initiative, isn't it? How do people normally have them? | 0:10:10 | 0:10:14 | |
Every day, this. Every day. | 0:10:14 | 0:10:17 | |
-The special offer! -What special offer? There is no special offer. | 0:10:17 | 0:10:20 | |
I think that's my tea. | 0:10:20 | 0:10:21 | |
Do you know, it strikes me | 0:10:21 | 0:10:23 | |
you've begun this enterprise in a very cavalier fashion. | 0:10:23 | 0:10:26 | |
It's a right shambles. Just leave it. I will have them both at once. | 0:10:26 | 0:10:30 | |
-I'm getting a little bit fed up with this now. -Every day. | 0:10:30 | 0:10:35 | |
-He's not thought that through, has he? -I think that's my tea. | 0:10:47 | 0:10:51 | |
-Oh! -Sorry. | 0:10:51 | 0:10:53 | |
-These napkins are useless. Look at them. -He's a tight sod, Bulent. | 0:10:55 | 0:11:00 | |
There are barely big enough to wipe your bottom on. | 0:11:01 | 0:11:04 | |
It's a heck of a job. | 0:11:06 | 0:11:07 | |
I tell you what, you should come back to mine after. | 0:11:13 | 0:11:16 | |
I've got some old photos from those days. | 0:11:16 | 0:11:18 | |
I expect you will want to see my Memory Man act. | 0:11:18 | 0:11:22 | |
I do this thing where I remember things. | 0:11:22 | 0:11:24 | |
I've got an extraordinary memory. | 0:11:24 | 0:11:27 | |
Birthdays, anniversaries, Christmases. You name it. | 0:11:27 | 0:11:33 | |
-I can remember it. -There you go, Arthur. | 0:11:33 | 0:11:36 | |
£1. What's that for? | 0:11:36 | 0:11:39 | |
He's actually kind of amazing. | 0:11:42 | 0:11:45 | |
You're right, he's just what the book needs. | 0:11:45 | 0:11:47 | |
Get through all this crap about Dad, get to the truth. | 0:11:47 | 0:11:50 | |
Do be careful it doesn't turn into a hatchet job. | 0:11:50 | 0:11:53 | |
Why does everybody say that? | 0:11:53 | 0:11:54 | |
And you've invited him to the remembrance service? | 0:11:54 | 0:11:57 | |
He sounds like the kind of person who might ruin it. | 0:11:57 | 0:12:00 | |
Really? That thought hadn't occurred to me at all. | 0:12:00 | 0:12:04 | |
-At the same time? -What the flip? | 0:12:09 | 0:12:13 | |
You asked for two teas, I bring them. | 0:12:13 | 0:12:15 | |
I didn't know they'd come at the same time. | 0:12:15 | 0:12:19 | |
That's what I said to him. He's not thought that through. | 0:12:19 | 0:12:22 | |
What's the point of two teas at the same time? | 0:12:22 | 0:12:25 | |
I don't know. Don't ask me. Don't interrogate me. | 0:12:25 | 0:12:28 | |
I'm the one that is trying to make some sense of the whole affair. | 0:12:28 | 0:12:33 | |
-What have you got here? -A foot spa. Top of the range. Are you interested? | 0:12:34 | 0:12:39 | |
-What are you asking? -£11 to a friend. | 0:12:40 | 0:12:42 | |
I tell you something, it's like you're walking on air | 0:12:42 | 0:12:45 | |
when your feet come out of that. | 0:12:45 | 0:12:46 | |
There is a lot of nonsense talked about water and electricity | 0:12:46 | 0:12:50 | |
-and plastic not going together. -I'd like to try it first. | 0:12:50 | 0:12:54 | |
Slip your shoes and socks off. Here, where's a socket? | 0:12:54 | 0:12:57 | |
Don't tell Bulent, he'll try and charge us for the electric. | 0:12:57 | 0:13:01 | |
Tight sod. I'll get some water for it. | 0:13:01 | 0:13:04 | |
I'm feeling really positive, actually. Things are looking up. | 0:13:04 | 0:13:08 | |
Oh, it's you. Don't need to get up, I just want the sink for the foot spa. | 0:13:09 | 0:13:13 | |
You finish. | 0:13:13 | 0:13:16 | |
Might be getting shot of the bloody thing at last. | 0:13:16 | 0:13:19 | |
Things are looking up. | 0:13:21 | 0:13:23 | |
You all right? | 0:13:37 | 0:13:38 | |
Yes, sorry, you don't... It's none of my business, | 0:13:38 | 0:13:41 | |
but you don't need the apostrophe in chips. | 0:13:41 | 0:13:44 | |
-What? -There's an apostrophe in chips, and you don't need it. | 0:13:44 | 0:13:47 | |
-It's plural. -Oh, well, that's my brother's department. BULENT! | 0:13:47 | 0:13:52 | |
Oh, God, no! Please don't. | 0:13:52 | 0:13:53 | |
-You should say something, he'd appreciate it. -Really? | 0:13:53 | 0:13:56 | |
Yes, he'd want to get it right. He'll thank you. | 0:13:56 | 0:14:00 | |
-What? -You got the sign wrong. -Well, not wrong, just... Hi. | 0:14:00 | 0:14:06 | |
It's just chips here has an apostrophe, and you don't need it. | 0:14:07 | 0:14:12 | |
It's a plural so you don't need it. That's all. It's not a big thing. | 0:14:12 | 0:14:16 | |
-Oh, I see. So there is no need for this thing before the S? -No. | 0:14:16 | 0:14:22 | |
-Oh, thank you so much! I am so embarrassed. -You shouldn't be. | 0:14:24 | 0:14:31 | |
-All too common mistake. -No, I am really embarrassed. | 0:14:31 | 0:14:34 | |
-In fact, why don't you run the cafe? -Sorry? | 0:14:34 | 0:14:38 | |
Here. Take this. | 0:14:38 | 0:14:40 | |
Now you can write the sign and do the cleaning and cooking | 0:14:40 | 0:14:43 | |
and dealing with all the things I have to deal with every | 0:14:43 | 0:14:47 | |
day of my miserable life in this place where there ain't no sun! | 0:14:47 | 0:14:51 | |
I don't want to run a cafe. | 0:14:51 | 0:14:54 | |
I have an announcement. This man is the new owner of the cafe. | 0:14:54 | 0:14:58 | |
-What's your name? -It's Michael. -Michael. | 0:14:58 | 0:15:00 | |
Everyone, say hello to Michael. | 0:15:00 | 0:15:02 | |
ALL: Hello, Michael. | 0:15:02 | 0:15:03 | |
Can I have a number four, please, Michael? No eggs. | 0:15:03 | 0:15:07 | |
That's a number three! | 0:15:07 | 0:15:09 | |
I'm not the new owner. It's just plurals don't need apostrophes. | 0:15:09 | 0:15:14 | |
What's that smell? | 0:15:15 | 0:15:16 | |
Do you smell that? What is that? | 0:15:16 | 0:15:19 | |
FOOT SPA BUBBLES | 0:15:19 | 0:15:22 | |
I can feel a tingling sensation. | 0:15:22 | 0:15:26 | |
See? It's like having your feet in an angel. | 0:15:26 | 0:15:29 | |
What the flip?! | 0:15:29 | 0:15:31 | |
I'll be with you in a moment, Bulent. | 0:15:31 | 0:15:33 | |
We are conducting a business transaction. | 0:15:33 | 0:15:36 | |
Get me another two teas. | 0:15:36 | 0:15:38 | |
Sorry, John. Make that four teas. | 0:15:38 | 0:15:40 | |
METAL CLANGING | 0:15:44 | 0:15:48 | |
CLANGING STOPS | 0:15:58 | 0:16:00 | |
SINGLE LOUD CLANG | 0:16:02 | 0:16:04 | |
TOILET FLUSHES | 0:16:04 | 0:16:07 | |
I'll leave all this here if you need it. | 0:16:09 | 0:16:12 | |
Thank you. | 0:16:12 | 0:16:14 | |
I can't believe you have this publicity shot. | 0:16:14 | 0:16:17 | |
-Oh, you know that one, then? -I certainly do. | 0:16:17 | 0:16:20 | |
He gave it to me for my 13th birthday. | 0:16:20 | 0:16:23 | |
Signed like this and everything. Didn't even put my name on it. | 0:16:23 | 0:16:27 | |
I'd forgotten about that, actually. It's a good one for the book. | 0:16:27 | 0:16:31 | |
You ready, then? | 0:16:31 | 0:16:32 | |
Well, that depends. | 0:16:37 | 0:16:39 | |
What's going to happen? | 0:16:41 | 0:16:43 | |
My Memory Man act. | 0:16:43 | 0:16:45 | |
-Oh, right. Yes. It's just... -This is why we broke up. | 0:16:45 | 0:16:49 | |
I wanted to take the act in an exciting new direction | 0:16:49 | 0:16:52 | |
and your father wasn't having it. | 0:16:52 | 0:16:54 | |
Hang on, the light's not right. Switch that one off there, will you? | 0:16:54 | 0:16:58 | |
Welcome, stranger. I am Count Arthur Strong, the Memory Man. | 0:17:04 | 0:17:11 | |
And I can remember things that other people have...real difficulty with. | 0:17:13 | 0:17:20 | |
My brain is an extraordinary, um...organ, isn't it? | 0:17:20 | 0:17:27 | |
I'm sure you'll agree you'll have never seen, um, | 0:17:27 | 0:17:31 | |
an organ like the one I've got. | 0:17:31 | 0:17:34 | |
Many scholars have tested and prodded it, | 0:17:36 | 0:17:39 | |
trying to find out just what is going on with me. | 0:17:39 | 0:17:44 | |
I simply am an amazing... | 0:17:45 | 0:17:49 | |
organ. | 0:17:49 | 0:17:52 | |
How are such feats of memory possible? Is he human? | 0:17:52 | 0:17:57 | |
Now, you, um... | 0:17:57 | 0:17:59 | |
Michael? | 0:18:00 | 0:18:02 | |
Michael. I know! | 0:18:02 | 0:18:04 | |
Now, you, Michael, get to be as confused and disoriented | 0:18:06 | 0:18:11 | |
as those selfsame scholars. | 0:18:11 | 0:18:14 | |
I have here a pen and a piece of paper. | 0:18:14 | 0:18:17 | |
I want you to write down on that piece of paper | 0:18:17 | 0:18:20 | |
99 single-digit numbers of your own choice in a random proportion. | 0:18:20 | 0:18:26 | |
-99? -No more, no less. | 0:18:26 | 0:18:29 | |
-That's going to take -forever. Better get on with it then, hadn't you? | 0:18:29 | 0:18:32 | |
I'm not sure this act would particularly work. | 0:18:32 | 0:18:34 | |
-People would be sitting in silence for ages. -Oh, shut up, Max. | 0:18:34 | 0:18:37 | |
-Michael. -Well, start acting like a Michael, then, | 0:18:37 | 0:18:40 | |
and a little bit less like a clever dick. | 0:18:40 | 0:18:42 | |
Right, that's 99, I think. | 0:18:47 | 0:18:50 | |
ARTHUR SNORES | 0:18:50 | 0:18:53 | |
Arthur? | 0:18:53 | 0:18:55 | |
-Arthur! -Wha...? Oh, it's mine. | 0:18:55 | 0:18:57 | |
In a moment, I will ask you to turn the paper round | 0:19:04 | 0:19:09 | |
so that I can commit all 99 numbers to memory | 0:19:09 | 0:19:13 | |
in the arbitrary sequence what you have written them down in. | 0:19:13 | 0:19:18 | |
I will then reiterate to you your numerical string. | 0:19:19 | 0:19:24 | |
Now, reveal to me the number conundrum. | 0:19:24 | 0:19:29 | |
Oh. Oh, dear. Hang on a second. | 0:19:35 | 0:19:37 | |
That's better. Bloody pitch black it was until then. | 0:19:41 | 0:19:44 | |
How am I supposed to... | 0:19:44 | 0:19:45 | |
This bloody thing, isn't it? Eh? | 0:19:49 | 0:19:52 | |
GLASS BREAKS, WATER SPLASHES | 0:19:52 | 0:19:54 | |
Oh, no! | 0:19:54 | 0:19:56 | |
It's all right. I've had him out for ten minutes before. | 0:20:00 | 0:20:04 | |
Arthur, please come tomorrow. | 0:20:06 | 0:20:09 | |
No, no, I've got Kempton. | 0:20:09 | 0:20:10 | |
You'd be able to maybe say a few things. | 0:20:10 | 0:20:13 | |
-Eh? -There'll be quite a few people there. | 0:20:13 | 0:20:15 | |
What, more than, like, six? A proper audience? | 0:20:15 | 0:20:19 | |
Proper audience. | 0:20:19 | 0:20:20 | |
You'd be able to share all your thoughts about Dad, | 0:20:20 | 0:20:23 | |
really give it to him. A proper send-off, that is. | 0:20:23 | 0:20:27 | |
I'll think about it. | 0:20:27 | 0:20:29 | |
Now shut up while I do this. | 0:20:29 | 0:20:31 | |
Ahem-hem-hem. | 0:20:31 | 0:20:33 | |
Eight, seven, six, four, three, two, seven, five, five, seven, one, | 0:20:33 | 0:20:37 | |
five, five, seven, oh, seven, four, zero... | 0:20:37 | 0:20:40 | |
TALKS GIBBERISH | 0:20:40 | 0:20:42 | |
Ooh! | 0:20:47 | 0:20:49 | |
Oo-oo-ooh! | 0:20:50 | 0:20:53 | |
The numbers you selected were, in chronological order, | 0:20:53 | 0:20:59 | |
-were two... -No. | 0:20:59 | 0:21:01 | |
-What? -The first one's not two. | 0:21:03 | 0:21:05 | |
-Is it nine? -No. | 0:21:05 | 0:21:07 | |
-One? -No. | 0:21:07 | 0:21:10 | |
-Is it seven? -No. | 0:21:10 | 0:21:11 | |
You can't have numbers like 11 and 12, if that's what you're doing. | 0:21:11 | 0:21:15 | |
They're all single digits, like you said. | 0:21:15 | 0:21:17 | |
-Eight. -No. | 0:21:17 | 0:21:19 | |
-Four. -No. Shall I tell you? | 0:21:19 | 0:21:21 | |
No! Some Memory Man act that would be | 0:21:21 | 0:21:23 | |
if you just told me what you'd bloody well written down. | 0:21:23 | 0:21:26 | |
There's a skill to this, you know. It's not as easy as I make it look. | 0:21:26 | 0:21:31 | |
What numbers haven't I said yet? | 0:21:31 | 0:21:33 | |
THREE, five, six and zero. | 0:21:33 | 0:21:36 | |
-Zero. -No. | 0:21:36 | 0:21:38 | |
-Six. -No. -What were the other ones? | 0:21:38 | 0:21:40 | |
THREE...and five. | 0:21:40 | 0:21:43 | |
-Five! -No! | 0:21:43 | 0:21:45 | |
-Three! -Correct! -Hurray! | 0:21:45 | 0:21:48 | |
That's some act! | 0:21:48 | 0:21:49 | |
Oh, it's not over yet. Next number. | 0:21:49 | 0:21:52 | |
-Is it three again? -No! Oh... | 0:21:54 | 0:21:57 | |
-Dad hated this, right? -Yes. | 0:21:57 | 0:21:59 | |
Well, he won't be there tomorrow. | 0:21:59 | 0:22:03 | |
-All right, I'll come with you. -Great. | 0:22:03 | 0:22:05 | |
-Eight! -No. -Oh. | 0:22:05 | 0:22:07 | |
But who was Max Baker really? | 0:22:09 | 0:22:12 | |
We all knew he was a funny man and life and soul of the party, | 0:22:12 | 0:22:17 | |
but no matter how busy he was, he always had time for his family. | 0:22:17 | 0:22:21 | |
We all had great respect for him for his comedy | 0:22:21 | 0:22:25 | |
and he could steal a joke as well as anybody I knew. | 0:22:25 | 0:22:28 | |
LAUGHTER | 0:22:28 | 0:22:29 | |
And if there is a heaven, I believe Max is there at the bar | 0:22:29 | 0:22:34 | |
waiting for somebody to get a round in. | 0:22:34 | 0:22:37 | |
Thank you. | 0:22:37 | 0:22:39 | |
The bloody thing will be over by the time we get in here. | 0:22:41 | 0:22:44 | |
But Arthur, I cannot eat solids. | 0:22:44 | 0:22:48 | |
-Maybe there's soup. -Excellent, excellent! Ah, everyone's here. | 0:22:48 | 0:22:50 | |
-You know Katya, John, Eggy. -Hey up. | 0:22:50 | 0:22:53 | |
-Do you have soup? -Soup? No. | 0:22:53 | 0:22:55 | |
What kind of memorial doesn't have soup? | 0:22:55 | 0:22:57 | |
I would say every memorial doesn't have soup. | 0:22:57 | 0:23:00 | |
But I cannot eat solids. | 0:23:00 | 0:23:02 | |
Well, have a sandwich. Chew it until it's liquid, and then swallow it. | 0:23:02 | 0:23:07 | |
Make your own soup in your mouth. | 0:23:07 | 0:23:10 | |
Arthur, you are OK to say a few words still, aren't you? | 0:23:10 | 0:23:13 | |
What, about Max? You bet your life. | 0:23:13 | 0:23:15 | |
-Great. Great. -Bring it on. Come on. | 0:23:15 | 0:23:18 | |
Ladies and gentlemen, this is exciting, | 0:23:21 | 0:23:23 | |
a bit of a change to the programme. Max's former comedy partner, | 0:23:23 | 0:23:27 | |
a man I haven't seen for over a quarter of a century, | 0:23:27 | 0:23:30 | |
ladies and gentlemen, Count Arthur Strong! | 0:23:30 | 0:23:33 | |
Thank you. Thank you for that warm welcome. I really do. | 0:23:38 | 0:23:42 | |
So, what can I tell you about the late Max Baker? | 0:23:43 | 0:23:49 | |
Well, I for one... | 0:23:51 | 0:23:54 | |
uh, will miss him dreadfully. | 0:23:54 | 0:23:57 | |
He was a lovely man, always a kind word for everyone. | 0:23:57 | 0:24:01 | |
That's what I remember about him. | 0:24:01 | 0:24:04 | |
The life and soul of the party, but also a real family man. | 0:24:04 | 0:24:09 | |
Oh, and here, this picture. I was there when he got those shots. | 0:24:09 | 0:24:13 | |
I thought there was something funny because I wasn't in any of them. | 0:24:13 | 0:24:16 | |
Do you know, he was so excited when they got those photographs, | 0:24:16 | 0:24:19 | |
I'll never forget it. He came to the dressing room. | 0:24:19 | 0:24:23 | |
He took the top one out, signed it, put it to one side | 0:24:23 | 0:24:27 | |
and said, "That's for little Michael." | 0:24:27 | 0:24:29 | |
-CROWD: -Aw! | 0:24:29 | 0:24:31 | |
But enough of me. Anyway, | 0:24:31 | 0:24:33 | |
let's hear from the little man himself, Max's pride and joy, | 0:24:33 | 0:24:36 | |
my new best friend, Michael Baker. | 0:24:36 | 0:24:40 | |
APPLAUSE | 0:24:40 | 0:24:43 | |
Uh, thank you, Arthur. Thank you, Barry. | 0:24:49 | 0:24:51 | |
What to, uh... | 0:24:51 | 0:24:53 | |
What to, what to say about my, uh... | 0:24:55 | 0:24:58 | |
-HIS VOICE CRACKS -..about my dad? | 0:25:01 | 0:25:03 | |
Sorry... | 0:25:04 | 0:25:06 | |
Sorry. | 0:25:13 | 0:25:15 | |
HE SOBS | 0:25:15 | 0:25:16 | |
Have you got a handkerchief or something, please? | 0:25:20 | 0:25:23 | |
Sorry, ladies and gentlemen. | 0:25:29 | 0:25:31 | |
HE BLOWS HIS NOSE LOUDLY | 0:25:32 | 0:25:35 | |
-Eugh! -Urgh! | 0:25:36 | 0:25:38 | |
Haven't you got anything bigger? | 0:25:42 | 0:25:44 | |
Ah, no, no! | 0:25:46 | 0:25:48 | |
DISGUSTED MURMURINGS | 0:25:48 | 0:25:50 | |
It really is just going through, Arthur. It's just going through. | 0:25:59 | 0:26:03 | |
LOUD HONKING | 0:26:05 | 0:26:07 | |
-HE WAILS -This is embarrassing! | 0:26:09 | 0:26:14 | |
Arthur, it's like sneezing into a Battenberg! | 0:26:15 | 0:26:18 | |
I feel like The Exorcist! | 0:26:22 | 0:26:24 | |
Oh, what a lovely speech. | 0:26:27 | 0:26:30 | |
Ladies and gentlemen, Michael Baker. | 0:26:30 | 0:26:33 | |
And now, in a change to the scheduled running order, | 0:26:36 | 0:26:40 | |
journey with me to the mystic world of memory | 0:26:40 | 0:26:45 | |
as I, Count Arthur Strong... | 0:26:45 | 0:26:47 | |
CROCKERY SHATTERS | 0:26:47 | 0:26:49 | |
SHE CHOKES | 0:26:49 | 0:26:51 | |
Katya! | 0:26:51 | 0:26:53 | |
-What do I do? -Give her the Heimlichan manoeuvre! | 0:26:53 | 0:26:56 | |
What is that? How do you do it? | 0:26:56 | 0:26:58 | |
You sort of punch her in the stomach from behind, in a nice way. | 0:26:58 | 0:27:02 | |
Katya, this is Michael doing this to you, | 0:27:03 | 0:27:06 | |
should you wish to press charges. | 0:27:06 | 0:27:08 | |
FABRIC TEARS | 0:27:08 | 0:27:10 | |
Oh, God! | 0:27:10 | 0:27:11 | |
What do I do now? | 0:27:13 | 0:27:14 | |
-Don't put her down! -What do I do? | 0:27:14 | 0:27:17 | |
SIREN WAILS | 0:27:18 | 0:27:20 | |
KATYA GROANS | 0:27:20 | 0:27:22 | |
Could someone rub my foot? | 0:27:24 | 0:27:26 | |
-Why didn't you tell me that? -What? | 0:27:40 | 0:27:42 | |
About my dad? About the photo? | 0:27:42 | 0:27:44 | |
Oh, yes, he never stopped talking about you. | 0:27:44 | 0:27:47 | |
It was Michael this, Michael that. | 0:27:47 | 0:27:49 | |
You know, he always had your picture on his dressing room mirror. | 0:27:49 | 0:27:53 | |
He would tap it for luck before he went on stage. | 0:27:53 | 0:27:56 | |
Why didn't you tell me? | 0:27:56 | 0:27:57 | |
Can't remember everything. | 0:28:00 | 0:28:02 | |
Subtitles by Red Bee Media Ltd | 0:28:29 | 0:28:32 | |
HE LAUGHS | 0:28:35 | 0:28:37 | |
ELECTRICITY BUZZES | 0:28:44 | 0:28:46 | |
Aaargh! | 0:28:47 | 0:28:50 |