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This is somebody else, this is obviously not you. | 0:00:18 | 0:00:21 | |
No, no, no, I've had all this before. Dear, oh, dear! | 0:00:21 | 0:00:25 | |
I do not claim that that is me. | 0:00:25 | 0:00:29 | |
That photograph is merely there to show you what a relaxed | 0:00:29 | 0:00:33 | |
human male MIGHT look like. | 0:00:33 | 0:00:35 | |
When I picked up this card in the newsagents, I thought... | 0:00:35 | 0:00:38 | |
Let me stop you there. Look, I'm no Tom Daley, I admit it. | 0:00:38 | 0:00:43 | |
No, no, no, that's very kind of you, but I'm not, | 0:00:43 | 0:00:46 | |
I don't care what you say. | 0:00:46 | 0:00:48 | |
Look, what I bring to the table is a body that has lived. | 0:00:48 | 0:00:52 | |
My body has been there, done it, got the T-shirt. | 0:00:52 | 0:00:56 | |
So, the choice is yours, you can either take the easy route, or | 0:00:56 | 0:01:00 | |
you can accept the unique challenge that a body like mine might set you. | 0:01:00 | 0:01:05 | |
-It is entirely up to you. -I think we'd rather... -That's settled, then. | 0:01:05 | 0:01:10 | |
I'll hang this up here, shall I? | 0:01:10 | 0:01:13 | |
ALL GROAN | 0:01:13 | 0:01:16 | |
How do you want me, then - socks on or socks off? | 0:01:22 | 0:01:26 | |
I tell you what, I'll leave them on till the heating's kicked in. | 0:01:26 | 0:01:29 | |
Ooh, I should just mention, fluctuations in temperature | 0:01:35 | 0:01:38 | |
may change some aspects of my physicality. | 0:01:38 | 0:01:42 | |
So, you might want to make allowances for that in any | 0:01:42 | 0:01:45 | |
sizing-up you do. Just be a bit more generous than you usually would. | 0:01:45 | 0:01:50 | |
Is this all right? Or, I can do a Christine Keeler. | 0:01:50 | 0:01:54 | |
-Oh, don't use that chair! -What? Oh, right. | 0:01:54 | 0:01:58 | |
Oh, don't worry about me. A little bit of a breeze never hurt anyone. | 0:01:58 | 0:02:02 | |
Where's she off to? The canteen? | 0:02:06 | 0:02:08 | |
Ooh, do you know, I could murder a sausage roll meself. | 0:02:08 | 0:02:11 | |
Ah, morning, Arthur. You're in late. | 0:02:16 | 0:02:18 | |
-Have to say, you missed a right old ding-dong earlier. -Oh, yeah? | 0:02:18 | 0:02:21 | |
John came in and he didn't have the right change | 0:02:21 | 0:02:24 | |
and Bulent got very frustrated and John said... | 0:02:24 | 0:02:26 | |
Oh, it was something really funny... | 0:02:26 | 0:02:28 | |
-John, what was it again you said to Bulent earlier? -Sorry? | 0:02:28 | 0:02:31 | |
-You said something earlier to Bulent, it was really funny. -Did I? -Yes! | 0:02:31 | 0:02:36 | |
You know, um... HIGH-PITCHED LAUGH | 0:02:36 | 0:02:40 | |
I'm sorry I missed that(!) | 0:02:41 | 0:02:43 | |
How much longer is he going to be here? | 0:02:43 | 0:02:45 | |
-Who is he? -Me old comedy partner's son. | 0:02:45 | 0:02:48 | |
He's writing a book about his bloody dad. He's called Martin. | 0:02:48 | 0:02:53 | |
-Michael. I can hear this whole conversation! -Can you? | 0:02:53 | 0:02:56 | |
Oh, I knew that, I was just having a bit of fun with you. | 0:02:56 | 0:03:00 | |
Oh, right, ha-ha, nicely done! Oh, I love all this. | 0:03:00 | 0:03:05 | |
Oh, Arthur, where did you and Dad do your National Service again? | 0:03:06 | 0:03:09 | |
Aden. And it was bloody hot. | 0:03:09 | 0:03:12 | |
It was that hot, you could fry an egg on a tank. | 0:03:12 | 0:03:14 | |
Although it, erm, wouldn't... taste very nice. | 0:03:14 | 0:03:19 | |
Not the same can be said about my good friend Bulent's eggs! | 0:03:19 | 0:03:22 | |
I don't mean YOUR eggs, in that way. | 0:03:22 | 0:03:26 | |
I'm not inferring that you produced them from your body. | 0:03:26 | 0:03:30 | |
Mind you, people would pay good money to see that. | 0:03:30 | 0:03:33 | |
You might want to give that some thought. | 0:03:33 | 0:03:36 | |
I-I couldn't eat one, though. Oh, no, no, no! | 0:03:36 | 0:03:40 | |
I couldn't eat a human egg! | 0:03:40 | 0:03:43 | |
I'm surprised at you! | 0:03:46 | 0:03:48 | |
-Yes? -I-I'm not very hungry. | 0:03:48 | 0:03:52 | |
Can I have a number four, please? | 0:03:53 | 0:03:55 | |
Oh, you don't want a number four, mate. | 0:03:55 | 0:03:56 | |
You want to get a number two, with some lovely sausages. | 0:03:56 | 0:04:00 | |
That IS a number four. You want a number four. | 0:04:00 | 0:04:02 | |
Don't listen to him, talk to him, or take any advice from him. | 0:04:02 | 0:04:04 | |
You, are you going to eat something? | 0:04:04 | 0:04:06 | |
I-I've already eaten. | 0:04:06 | 0:04:08 | |
I-I'll have a cup of tea, please. | 0:04:08 | 0:04:10 | |
Good morning, Katya, my perfumed garden! | 0:04:10 | 0:04:14 | |
Good morning, Arthur! | 0:04:14 | 0:04:16 | |
-I found out what he does. Our mystery man. -Oh, yeah? Who is he? | 0:04:16 | 0:04:23 | |
He's a restaurant critic. He's doing a big thing on local cafes. | 0:04:23 | 0:04:28 | |
-What? -Yeah. Big write-up on all the cafes in the area. | 0:04:28 | 0:04:32 | |
Sinem! Si... | 0:04:33 | 0:04:36 | |
Sorry, have I done something to upset Bulent? | 0:04:42 | 0:04:47 | |
Erm... It's the way you're sitting. | 0:04:47 | 0:04:52 | |
In Turkey, it's sort of... | 0:04:52 | 0:04:54 | |
-overfamiliar to sit facing the cook. -Oh, is it? | 0:04:54 | 0:04:59 | |
-Well, if you don't know him very well. -Oh! Why didn't somebody... | 0:04:59 | 0:05:02 | |
-He should have said! -It is pretty widely known. | 0:05:02 | 0:05:05 | |
-I really didn't know, I'm so sorry! -I did wonder. | 0:05:05 | 0:05:08 | |
-It seemed a bit insensitive of you. -I promise, I didn't know. | 0:05:08 | 0:05:12 | |
I'm not one of those... I'm not a... No, I'm a nice man, I promise. | 0:05:12 | 0:05:16 | |
-Here, Martin... -Michael! -What would you pay for a work of art like that? | 0:05:24 | 0:05:29 | |
-What am I looking at? -It's me. | 0:05:30 | 0:05:32 | |
-There's my head and there's my socks. -And what's that... | 0:05:32 | 0:05:35 | |
Oh, God, oh, God, oh, God, no! | 0:05:35 | 0:05:37 | |
-Good, isn't it? Do you want to buy it? -I'll pay you to burn it. | 0:05:37 | 0:05:41 | |
Here, John! Take a look at this. | 0:05:41 | 0:05:45 | |
Oh, God, it's still in my eyes! | 0:05:45 | 0:05:48 | |
-What ARE you doing here? -What? Oh. Er... I like it here. | 0:05:49 | 0:05:56 | |
I'm getting so much done. | 0:05:56 | 0:05:58 | |
And Arthur's being brilliant, he's like Google. | 0:05:58 | 0:06:01 | |
But a Google that has lots of information about my dad. | 0:06:01 | 0:06:04 | |
There's surprisingly little about my dad's early years on the internet. | 0:06:04 | 0:06:07 | |
-And what's Arthur getting out of it? -Sorry? | 0:06:07 | 0:06:11 | |
You going to give him royalties or something? | 0:06:11 | 0:06:13 | |
HE LAUGHS | 0:06:13 | 0:06:15 | |
-No. -You see what he has to do to get by. | 0:06:15 | 0:06:20 | |
I guess I thought it would be nice if you could pay him back | 0:06:20 | 0:06:24 | |
for all the help he's given you. | 0:06:24 | 0:06:26 | |
Hello, Sinem. What are you up to? | 0:06:28 | 0:06:32 | |
-Oh, you know, just keeping myself amused. -Oh. | 0:06:32 | 0:06:35 | |
-You didn't have to come, I can do this myself. -You sure? | 0:06:37 | 0:06:41 | |
-It's not a problem. -Just leave me alone. -Oh, sorry. | 0:06:41 | 0:06:45 | |
I need to get a paper, anyway. | 0:06:45 | 0:06:47 | |
Excuse me, do you know if there are any Guardians left? | 0:06:51 | 0:06:54 | |
I don't work here, mate. | 0:06:54 | 0:06:56 | |
No, no, I didn't think you did. I just, erm... | 0:06:58 | 0:07:01 | |
I thought you... might... read it, too. And... | 0:07:01 | 0:07:05 | |
Do you know if there are any Guardians? | 0:07:05 | 0:07:06 | |
No, there don't seem to be. Anyway, it's been very nice talking to you. | 0:07:06 | 0:07:11 | |
And... nice to meet you. | 0:07:11 | 0:07:12 | |
Goodbye. God bless you. | 0:07:15 | 0:07:16 | |
(I have to go. We have to go!) | 0:07:20 | 0:07:22 | |
I've got to get me cards, they've gone yellow! | 0:07:22 | 0:07:24 | |
How many of these do you have up here? Are these all you? | 0:07:24 | 0:07:28 | |
-These are all you! -They are. This shop window is my... | 0:07:28 | 0:07:33 | |
shop window. | 0:07:33 | 0:07:34 | |
French polishing? German lessons? | 0:07:34 | 0:07:37 | |
You can't speak German, can you? | 0:07:37 | 0:07:39 | |
Ah, I do not claim to be able to speak German. | 0:07:39 | 0:07:42 | |
I just talk about Germany for a bit. | 0:07:42 | 0:07:45 | |
-Anyway. Can we please just go? -All right, all right, keep your hair on! | 0:07:45 | 0:07:49 | |
Oh, sorry, I thought, um... From... God! Do you want to... Oh, sorry. | 0:07:52 | 0:07:57 | |
There we go, sorry, very nice to meet you, goodbye. | 0:07:57 | 0:08:01 | |
For God's sake, get a grip on yourself! | 0:08:02 | 0:08:05 | |
-God, that was awful! -What was? -He thinks that I think that... | 0:08:07 | 0:08:12 | |
-I DON'T think that. -You don't think what? Whatever are you on about? | 0:08:12 | 0:08:16 | |
He doesn't think I'm a nice man. | 0:08:16 | 0:08:18 | |
He doesn't think I'm a nice man! | 0:08:20 | 0:08:23 | |
What does that matter to you? | 0:08:23 | 0:08:25 | |
I can't have that, I can't have people thinking I'm not a nice man. | 0:08:25 | 0:08:28 | |
But I am a nice man! | 0:08:28 | 0:08:30 | |
Well, if it means anything, I think you are a very nice man, Martin. | 0:08:30 | 0:08:34 | |
-It's Michael! -Here, hold those. | 0:08:34 | 0:08:38 | |
-Horse rising lesions? What are horse rising lesions? -What? | 0:08:38 | 0:08:42 | |
Well, it's when you get a horse and you... | 0:08:43 | 0:08:47 | |
Give that to me. | 0:08:49 | 0:08:50 | |
Handwriting lessons! | 0:08:52 | 0:08:54 | |
Dear, oh, dear! | 0:08:54 | 0:08:56 | |
My two favourite customers! Please, please, come, come, sit! Please. | 0:08:57 | 0:09:03 | |
Please. My friend, yeah, very nice, please. Sit down. | 0:09:03 | 0:09:08 | |
A word about the menu, look out for the sausages, which have a touch | 0:09:08 | 0:09:12 | |
of fennel, I think a very nice effect, and the baked beans, which | 0:09:12 | 0:09:16 | |
-have been sprinkled with cinnamon and sweetened with apple juice. -Oh! | 0:09:16 | 0:09:19 | |
-I like the sound of that, yes, please. -I'll have toast. | 0:09:19 | 0:09:22 | |
Why would anyone want to touch a sausage with a flannel? | 0:09:26 | 0:09:30 | |
-No, there's a touch of fennel in the sausages. -That's what I said! | 0:09:30 | 0:09:34 | |
They must have been on the floor. | 0:09:34 | 0:09:36 | |
Are you all right? | 0:09:36 | 0:09:38 | |
Yeah. Don't know why, but my cheeks are really hurting. | 0:09:38 | 0:09:41 | |
-So, it's all right if I sit this way now? -Oh, I don't know. | 0:09:41 | 0:09:44 | |
-It is a Tuesday. -Oh, yes, God, sorry! Of course, yeah. | 0:09:45 | 0:09:49 | |
-Arthur, we need to swap. -What? -Quickly, quickly! | 0:09:49 | 0:09:51 | |
What is the matter with you today? | 0:09:51 | 0:09:54 | |
Ripper tours? | 0:09:55 | 0:09:57 | |
-You do Jack the Ripper tours? -Yes. I have a mate with an ice cream van. | 0:09:57 | 0:10:02 | |
-So...? -I do Jack the Ripper tours from the van. | 0:10:06 | 0:10:10 | |
-Why? -Well, these Jack the Ripper tour guides, they make a mint, that lot. | 0:10:13 | 0:10:17 | |
But if you so much as go near their patch, they're all over you. | 0:10:17 | 0:10:21 | |
So, what you do is, you drive around Balham, looking for tourists, | 0:10:21 | 0:10:25 | |
and when you find a few, you jump out and give them | 0:10:25 | 0:10:27 | |
an instructional and educational Jack the Ripper tour. | 0:10:27 | 0:10:32 | |
-Why Balham? -It's where they did all the murders. | 0:10:32 | 0:10:34 | |
-No, that was Whitechapel. -Was it? | 0:10:34 | 0:10:38 | |
-Oh, wherever it was. -But why do you do it from an ice cream van? | 0:10:38 | 0:10:41 | |
-I still don't get that bit. -Well, that's the really clever part. | 0:10:41 | 0:10:44 | |
Two reasons. | 0:10:44 | 0:10:45 | |
Reason one, what do people do when they hear an ice cream van? | 0:10:45 | 0:10:50 | |
-They run out, don't they? -If they're 10. | 0:10:50 | 0:10:52 | |
Well, when they run out, they see it's a Ripper tour | 0:10:52 | 0:10:56 | |
and they have that, instead of a cone. | 0:10:56 | 0:10:59 | |
-That's almost not an idea! -Why not? | 0:11:02 | 0:11:05 | |
-Do you sell ice creams as well? -No, no, no, that would be confusing. | 0:11:05 | 0:11:09 | |
People go up to an ice cream van for ice cream. | 0:11:11 | 0:11:13 | |
If they go up to an ice cream van and instead of getting an ice cream, | 0:11:13 | 0:11:16 | |
they get quite badly misinformed about Jack the Ripper, I don't | 0:11:16 | 0:11:20 | |
think people will pay for that service. | 0:11:20 | 0:11:24 | |
No part of this idea works. | 0:11:24 | 0:11:27 | |
I don't understand which part you think works. | 0:11:27 | 0:11:31 | |
The other thing is, you need a driver, in case one of the real | 0:11:31 | 0:11:34 | |
Ripper guides comes back and you have to make a quick getaway. | 0:11:34 | 0:11:38 | |
Ooh, they can be terribly aggressive people, Jack the Ripper tour guides. | 0:11:38 | 0:11:42 | |
Nobody's making a getaway in an ice cream van, they only do about 10 miles an hour. | 0:11:42 | 0:11:45 | |
-No, no. They're normal vans. -What? | 0:11:45 | 0:11:48 | |
You never see them going at any kind of speed. | 0:11:48 | 0:11:50 | |
They've got to be careful of the kids, that's why they always go slow. They're normal vans. | 0:11:50 | 0:11:54 | |
Well, even if that's true, you've got a freezer | 0:11:54 | 0:11:56 | |
and a Whippy machine on there, don't see that doing above 30. | 0:11:56 | 0:12:00 | |
-It's connected to the music. -Sorry? | 0:12:00 | 0:12:03 | |
-The faster the music, the faster the van goes. -He's right, you know. | 0:12:03 | 0:12:06 | |
If you ever hear one playing Flight of the Bumblebee, run for your life! | 0:12:06 | 0:12:10 | |
Ohhh! There's something wrong with the beans! | 0:12:11 | 0:12:16 | |
Yeah, they've been on the floor. | 0:12:16 | 0:12:18 | |
He's had... He's had to wipe everything with a flannel! | 0:12:18 | 0:12:20 | |
-"I will tune your harpsichord." You know how to do that? -I do indeed. | 0:12:20 | 0:12:26 | |
These are all very specific. | 0:12:26 | 0:12:27 | |
Do you really think a newsagent is the best pl... | 0:12:27 | 0:12:30 | |
Oh! | 0:12:30 | 0:12:31 | |
Arthur, do you know what you should do? Oh, my God! Get ready. | 0:12:31 | 0:12:36 | |
I am about to change your life. | 0:12:36 | 0:12:38 | |
Oh, I don't know about this, I'm not good with computers. | 0:12:47 | 0:12:50 | |
Arthur, it's so simple. I can guide you through the worst of it. | 0:12:50 | 0:12:53 | |
-Now, just press OK. -Where's OK? | 0:12:53 | 0:12:56 | |
-No, it's not on the keyboard, it's on the screen. -This one? | 0:12:56 | 0:12:58 | |
No, no, you just turned it off there. OK, just boot it back up again. | 0:12:58 | 0:13:04 | |
-And you're giving me this? -Yes. | 0:13:04 | 0:13:07 | |
Yes, I'm actually giving you a computer. Right, here we go. | 0:13:07 | 0:13:11 | |
-Now, press OK. -Where's OK? -Again, not on the keyboard, it's on the screen. | 0:13:11 | 0:13:17 | |
See where it says OK? | 0:13:17 | 0:13:18 | |
OK, shall I do this bit? | 0:13:18 | 0:13:20 | |
Right, now, this is like an online messageboard type of thing. | 0:13:21 | 0:13:25 | |
You put things up here, and then people see them and get in touch. | 0:13:25 | 0:13:29 | |
Think of it like the shop window, but on a much bigger scale. | 0:13:29 | 0:13:32 | |
Millions of people can access this page. | 0:13:32 | 0:13:34 | |
Well, a lot of people saw that shop window. It was by a bus stop. | 0:13:34 | 0:13:38 | |
OK. Now, what kind of things do you want up here? | 0:13:38 | 0:13:41 | |
You can be as specific as you like. | 0:13:41 | 0:13:43 | |
Ooh, put, "Mesmero, the Child Hypnotist". | 0:13:43 | 0:13:47 | |
Mesmero, the Child Hyp... Sorry, what is that exactly? | 0:13:47 | 0:13:50 | |
It's a hypnotist act, except for kids. | 0:13:50 | 0:13:53 | |
I get them biting into onions, they think they're chickens, all that. | 0:13:53 | 0:13:56 | |
-They love it! Ooh, it's hysterical. Er, when it works. -Right. | 0:13:56 | 0:14:01 | |
I'm not necessarily sure this is the right... | 0:14:01 | 0:14:03 | |
-You said anything! -All right. | 0:14:03 | 0:14:05 | |
-BULENT: -That's it! No, just leave it! | 0:14:05 | 0:14:07 | |
Put down, "Mesmero - I will make your child behave like an idiot!" | 0:14:07 | 0:14:13 | |
-BULENT: -Go on, you know that you can do this. | 0:14:13 | 0:14:15 | |
-What's up with Eggy? -He's complaining about the menu. | 0:14:18 | 0:14:20 | |
I said, "If you don't like it, you can bugger off." | 0:14:20 | 0:14:22 | |
No, no, what did you do that for? Eggy! | 0:14:22 | 0:14:27 | |
-Can you find phone numbers on this? -Er, yes. | 0:14:27 | 0:14:31 | |
Just type what you're looking for into that space there. | 0:14:31 | 0:14:34 | |
-It's all good, isn't it? -Yup. | 0:14:35 | 0:14:38 | |
I've helped you, I've done something for you. | 0:14:38 | 0:14:41 | |
In a sense, I've paid you back for all the help you've given me. | 0:14:41 | 0:14:44 | |
-Oh, yes. -Good, good, great. | 0:14:44 | 0:14:47 | |
-Can I use your phone? -I... Yes, yes. | 0:14:47 | 0:14:52 | |
Ahem! | 0:14:54 | 0:14:55 | |
Ahem-hem-hem! | 0:14:57 | 0:14:58 | |
Hello, could I speak to the Managing Director of Miami Fashions UK? | 0:15:01 | 0:15:07 | |
Oh, she's putting me through! This is amazing! | 0:15:07 | 0:15:10 | |
You were right, this is going to change my life! | 0:15:10 | 0:15:14 | |
-Oh, no problem, Arthur. -Hello, is that the Managing Director? It is? | 0:15:14 | 0:15:19 | |
Oh, hello, how are you? I just wanted to say... | 0:15:19 | 0:15:23 | |
I've got you now, you bugger! | 0:15:23 | 0:15:25 | |
Why didn't you answer my letters? | 0:15:25 | 0:15:27 | |
38 times I've written to you about those socks! Well, I've got you now. | 0:15:27 | 0:15:33 | |
Because I found your number on the Ilfracombe! | 0:15:33 | 0:15:37 | |
So I'm on to you, I'm on to you! Watch your back! | 0:15:37 | 0:15:42 | |
Thank you. | 0:15:42 | 0:15:44 | |
-What was that? -What? -That was a threatening phone call! | 0:15:44 | 0:15:48 | |
-No, it wasn't. -You just made a threatening phone call from my phone! | 0:15:48 | 0:15:52 | |
But it was monomynous, wasn't it? | 0:15:52 | 0:15:53 | |
No, they have my number now, | 0:15:53 | 0:15:55 | |
it wasn't "monomynous", it was me! They'll think that was me! | 0:15:55 | 0:15:59 | |
Oh, my God, there's a police officer over there. | 0:15:59 | 0:16:02 | |
What, Roger? It'd take more than that to shock Roger. | 0:16:02 | 0:16:07 | |
It'd take a bloody earthquake! | 0:16:07 | 0:16:08 | |
-Here, John, I'm saying, what would it take to shock Roger? -Roger? | 0:16:08 | 0:16:12 | |
He's unflappable. | 0:16:12 | 0:16:13 | |
That's it, that's the very word, you hit the nail on the head there. | 0:16:13 | 0:16:16 | |
That's him to a tee, is inflammable! | 0:16:16 | 0:16:19 | |
-Unflappable. -Inflammable. | 0:16:19 | 0:16:22 | |
-Unflappable. -Unflappable! | 0:16:22 | 0:16:24 | |
That's it, is inflatable! Nothing fazes him. | 0:16:24 | 0:16:28 | |
-Anyway, I think I should take this computer back. -What? No, you can't! | 0:16:28 | 0:16:31 | |
You can't take it off me, I feel powerful, like nobody can | 0:16:31 | 0:16:34 | |
touch me, like I could do anything I wanted! Give us me computer! | 0:16:34 | 0:16:38 | |
What are you going to do? | 0:16:38 | 0:16:39 | |
I'm going to tell that Stephen Fry what I think of him. | 0:16:39 | 0:16:42 | |
No, you are not! Oh, my God, you are a troll. | 0:16:42 | 0:16:44 | |
You've not been online 10 minutes and you're already a troll. | 0:16:44 | 0:16:47 | |
-You leave Stephen Fry alone! Give me that. -Get off it! You gave me it! | 0:16:47 | 0:16:51 | |
-Get off! -Oh, God! I'm going to have to ration you with that. | 0:16:51 | 0:16:55 | |
Almost wish I hadn't got you online, you... rascal. | 0:16:55 | 0:17:00 | |
How do you get the lid up? | 0:17:00 | 0:17:02 | |
Hey-hey! Ha-ha! | 0:17:12 | 0:17:16 | |
-He-e-ey! -Hey, this is brilliant, look at all these people! | 0:17:16 | 0:17:22 | |
That review really did a good job. | 0:17:22 | 0:17:24 | |
Don't get too excited, they're not ordering anything. What review? | 0:17:24 | 0:17:28 | |
I got an alert from Tripadvisor. Hey-hey! | 0:17:28 | 0:17:32 | |
Hey-hey! | 0:17:32 | 0:17:34 | |
-But it's not... It couldn't be him. -But it is, look, look! | 0:17:37 | 0:17:41 | |
Michael Baker. And look, he has given us... | 0:17:41 | 0:17:45 | |
one star. | 0:17:45 | 0:17:47 | |
-WOMAN: -Thank you so much. | 0:17:50 | 0:17:52 | |
It's getting harder and harder to find people | 0:17:52 | 0:17:54 | |
who can do this kind of work. | 0:17:54 | 0:17:55 | |
-Do you have a picture of the harpsichord? -Oh, er... | 0:17:55 | 0:18:00 | |
Actually, I think I do. Yeah. | 0:18:00 | 0:18:05 | |
Oh. | 0:18:05 | 0:18:06 | |
I'm afraid I'm unable to help you after all. | 0:18:06 | 0:18:09 | |
I had this completely different idea of what a harpsichord is. | 0:18:09 | 0:18:13 | |
-Oh. -Number 43! | 0:18:13 | 0:18:17 | |
-I've come about the bikes, two free bikes to a good home? -Oh, yes. | 0:18:21 | 0:18:24 | |
-Can I have a look at them? -What? -Let's have a look at them, then. | 0:18:24 | 0:18:29 | |
I haven't... I thought you were giving them away. | 0:18:29 | 0:18:32 | |
What would I want to give away two bikes for? Do I look like an idiot? | 0:18:32 | 0:18:36 | |
-I WANT two free bikes. -Oh, sorry. Er... | 0:18:36 | 0:18:40 | |
Number 44! | 0:18:40 | 0:18:41 | |
One star? One star?! | 0:18:41 | 0:18:44 | |
No, no, no, I talk ABOUT Germany. The lessons are ABOUT Germany. | 0:18:45 | 0:18:51 | |
You know, "Heil Himmler," er, er... winning medals, all that. | 0:18:51 | 0:18:56 | |
Come on, come on, there's people waiting! 45! | 0:18:56 | 0:18:59 | |
-Why did you do this? -What? | 0:19:01 | 0:19:04 | |
Why did you write these things about my cafe? | 0:19:04 | 0:19:06 | |
-I didn't write anything about your cafe. -Don't test me, my friend, I will whisk you! | 0:19:06 | 0:19:11 | |
"The sausages have been wiped with a flannel." | 0:19:11 | 0:19:14 | |
"The eggs are unflammable." What does that even mean?! | 0:19:16 | 0:19:19 | |
-You are not a nice man. -I am a nice man! Please don't whisk me. | 0:19:19 | 0:19:24 | |
That was Arthur, it must have been Arthur. | 0:19:24 | 0:19:26 | |
-He must have signed it under my name somehow. -It's him? | 0:19:26 | 0:19:29 | |
How in the hell did he get on the internet? | 0:19:29 | 0:19:31 | |
Arthur and the internet are two things which must never go together. | 0:19:31 | 0:19:36 | |
Take him down. Take him offline. | 0:19:36 | 0:19:38 | |
HE SIGHS All right, all right, | 0:19:38 | 0:19:41 | |
-I'll do it. -Now! -Yes, now, of course. | 0:19:41 | 0:19:45 | |
Hello again. Sorry, you probably don't remember me. | 0:19:47 | 0:19:50 | |
I thought you worked in the newsagent. Don't know why I'm bringing it up again! | 0:19:50 | 0:19:53 | |
Anyway, we should, er, we should go for a drink sometime. | 0:19:53 | 0:19:56 | |
Arthur, this has to stop. I'm going to have to take you off the internet. | 0:19:58 | 0:20:02 | |
What? You can't! | 0:20:02 | 0:20:03 | |
Look at all these people, and they all want a piece of me! | 0:20:03 | 0:20:07 | |
You can't shut me down. | 0:20:07 | 0:20:08 | |
I'm just about to exchange my bank details with | 0:20:08 | 0:20:12 | |
the Prince of Nigeria himself! | 0:20:12 | 0:20:14 | |
I have to. You are out of control. | 0:20:14 | 0:20:18 | |
Out of control? Don't be a fool, man. I've never felt more powerful! | 0:20:18 | 0:20:23 | |
Look, Katya has nowhere to sit. | 0:20:23 | 0:20:24 | |
Katya? Nowhere to sit? | 0:20:26 | 0:20:29 | |
-What have I become?! -See? | 0:20:31 | 0:20:35 | |
-I'm sorry, Arthur, I'm going to have to take you offline. -No, no! | 0:20:35 | 0:20:40 | |
I won't let you! | 0:20:40 | 0:20:42 | |
You-you can't throw open the doors to a brave new world | 0:20:42 | 0:20:44 | |
and then take it all away from me! I've crossed the Rubicon, Michael. | 0:20:44 | 0:20:49 | |
And I like it! It's where I belong, | 0:20:49 | 0:20:52 | |
surfing the web of the...Ilfracombe! | 0:20:52 | 0:20:56 | |
-Sorry, Arthur. -No, no, I won't let you, I won't let you! | 0:20:56 | 0:20:59 | |
-I'll make it up to you, I promise. -How? | 0:20:59 | 0:21:02 | |
How can you possibly make it up to me? | 0:21:02 | 0:21:04 | |
ICE CREAM VAN JINGLE PLAYS "GREENSLEEVES" | 0:21:04 | 0:21:07 | |
Jack the Ripper tours! Stop me and go on one! | 0:21:20 | 0:21:24 | |
The notorious burglar and murderer... | 0:21:24 | 0:21:26 | |
GUTTURAL GURGLING | 0:21:26 | 0:21:28 | |
..Jack the Ripper and his... merry men. | 0:21:28 | 0:21:31 | |
He robbed from the rich and slaughtered all the prozzitutes. | 0:21:31 | 0:21:37 | |
Whitechapel, the end of the 19th century. Or thereabouts. | 0:21:41 | 0:21:47 | |
There is something in the air. | 0:21:47 | 0:21:49 | |
Is it the smell of the effluent that comes from not having proper, | 0:21:49 | 0:21:54 | |
er, toilets? No. It is the smell of fear. Fear of Jack the Ripper. | 0:21:54 | 0:22:02 | |
Who, or what, is, or was, Jack the Ripper? | 0:22:03 | 0:22:09 | |
That question has fascinated people's donkeys for years... | 0:22:09 | 0:22:12 | |
No, has fascinated people for donkey's years. | 0:22:12 | 0:22:16 | |
We know he lived at 221B Baker Street. | 0:22:16 | 0:22:21 | |
We know some called him The Elephant Man. | 0:22:21 | 0:22:24 | |
That much, at least, is beyond conjecture. | 0:22:24 | 0:22:28 | |
However, there is much that is shrouded in fog. | 0:22:28 | 0:22:32 | |
Follow me and I will show you how little I know... | 0:22:32 | 0:22:36 | |
IS known of this eternally romantic and dashing figure. | 0:22:36 | 0:22:42 | |
And it was on this very spot, | 0:22:48 | 0:22:50 | |
here, behind, er, Lidl's, | 0:22:50 | 0:22:54 | |
that the body of Jack's first victim was found. | 0:22:54 | 0:22:57 | |
I say "body" because the post-mortem revealed the victim had no head. | 0:22:57 | 0:23:04 | |
They do say that in the dead of night, she can still be heard, | 0:23:05 | 0:23:08 | |
walking these streets, tapping on windows and going on about it. | 0:23:08 | 0:23:14 | |
Now, are there any questions, before we carry on? | 0:23:14 | 0:23:17 | |
How could she be going on about it if she doesn't have a head? | 0:23:17 | 0:23:22 | |
Oh, very clever. | 0:23:24 | 0:23:26 | |
I'm sorry about this woman, everybody. | 0:23:26 | 0:23:29 | |
There's always one, isn't there? | 0:23:29 | 0:23:31 | |
Oi! What are you playing at? | 0:23:31 | 0:23:35 | |
-Were you all waiting for the 2pm Ripper tour? -ALL: -Yes. -That's me! | 0:23:35 | 0:23:38 | |
I don't know who this bloke is, I was just getting a coffee. | 0:23:38 | 0:23:43 | |
-Have you given him any money? -Yes, a tenner. | 0:23:43 | 0:23:46 | |
HORN BEEPS LOUDLY Sorry! | 0:23:56 | 0:23:59 | |
Sorry! No, it's all right, I was just... Hi! | 0:23:59 | 0:24:03 | |
Get it started, we're off! | 0:24:06 | 0:24:09 | |
This is them now. Right, don't panic, just put the music on. | 0:24:10 | 0:24:15 | |
JINGLE PLAYS | 0:24:15 | 0:24:17 | |
Everything is completely normal. Just a normal ice cream van. | 0:24:17 | 0:24:25 | |
I've told you, we don't do 99s! | 0:24:34 | 0:24:38 | |
Well, can I have a Fab? | 0:24:38 | 0:24:39 | |
We don't do Fabs! We don't do ALL of these ice creams! | 0:24:39 | 0:24:44 | |
It's Jack the Ripper tours. | 0:24:44 | 0:24:46 | |
Do you want to go on a Jack the Ripper tour? Is that your mother? | 0:24:46 | 0:24:51 | |
Go and ask her if you can have £15 for the Jack the Ripper tour. | 0:24:51 | 0:24:55 | |
If she says no, tell her school says you've got to do it. | 0:24:55 | 0:24:59 | |
Arthur... Some of these kids look a bit angry. | 0:25:00 | 0:25:03 | |
What, them ones with the Strawberry Mivvi? | 0:25:03 | 0:25:07 | |
-Maybe we should start selling ice creams. -No, I've told you! | 0:25:07 | 0:25:11 | |
-It's confusing. -Whatever. I'm going to get a sandwich. | 0:25:11 | 0:25:16 | |
-Have another Cornetto. -I need real food. | 0:25:16 | 0:25:19 | |
I cannot eat any more Cornettos. I've got the worst ice cream headache. | 0:25:19 | 0:25:23 | |
Back in a second. | 0:25:23 | 0:25:24 | |
Jack the Ripper! | 0:25:30 | 0:25:32 | |
Hi... Hi! Erm... Er, sorry, I... | 0:25:38 | 0:25:44 | |
Sorry, excuse me? | 0:25:44 | 0:25:47 | |
-CLANGING METAL, HISSING -What's going on now? | 0:25:47 | 0:25:49 | |
Get out of it! Oh, what have you done? | 0:25:49 | 0:25:54 | |
ICE CREAM VAN JINGLE PLAYS IN THE DISTANCE | 0:25:54 | 0:25:57 | |
-No! -Where are you going? | 0:26:19 | 0:26:22 | |
-Wait! Wait! -Argh! | 0:26:26 | 0:26:28 | |
-Wait, it's me! -No! Please, no! -It's me! -Just stop, leave me alone! | 0:26:30 | 0:26:36 | |
-No, no! No, I'm a nice man! -Leave me alone! -No, I'm a nice man! | 0:26:36 | 0:26:43 | |
What are you doing?! | 0:26:43 | 0:26:44 | |
I-I found him. | 0:26:46 | 0:26:47 | |
ICE CREAM VAN HORN BEEPS | 0:26:52 | 0:26:55 | |
-BRAKES SQUEAL -Martin! Get in! | 0:26:55 | 0:26:57 | |
DOOR SLAMS, TYRES SCREECH | 0:26:59 | 0:27:01 | |
ICE CREAM VAN JINGLE SPEEDS UP | 0:27:01 | 0:27:07 | |
What a day! | 0:27:12 | 0:27:14 | |
I think you're right. I'm better off without the Ilfracombe. | 0:27:17 | 0:27:21 | |
I don't like what it made me. | 0:27:22 | 0:27:24 | |
I'm-I'm more of a people person, Michael. | 0:27:24 | 0:27:28 | |
-Michael! -I said Michael! | 0:27:28 | 0:27:31 | |
Oh, yes! You did, didn't you? Oh, sorry, shall I...? | 0:27:31 | 0:27:35 | |
-No, you're all right. Um, on the house. I'm sorry. -What for? | 0:27:35 | 0:27:40 | |
-Sometimes, I'm not a nice girl. -Oh, well! | 0:27:40 | 0:27:44 | |
I-I-I th-think you're very nice. | 0:27:44 | 0:27:48 | |
Thanks, Martin. | 0:27:48 | 0:27:50 | |
Are you sure I can't tempt you, Martin? | 0:27:54 | 0:27:57 | |
Ohh, no! Ohh! | 0:27:57 | 0:28:01 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:17 | |
Right, and then, er... the Victorian policeman, yeah... | 0:28:40 | 0:28:44 | |
he chased the first Jack the Ripper, yeah, down...down over there. | 0:28:44 | 0:28:48 | |
And then...an ice-cream van turned up with another Jack the Ripper. | 0:28:48 | 0:28:52 | |
And he says, "Get in." And then they both just... | 0:28:52 | 0:28:56 | |
They just drove off. | 0:28:56 | 0:28:58 | |
Right. | 0:28:59 | 0:29:01 | |
So, we've got two Jack the Rippers in an ice-cream van, | 0:29:01 | 0:29:04 | |
pursued on foot by a Victorian policeman. | 0:29:04 | 0:29:07 | |
Yeah. | 0:29:07 | 0:29:09 | |
And what time was this? | 0:29:09 | 0:29:11 |