The Radio Play Count Arthur Strong


The Radio Play

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Transcript


LineFromTo

So I'm asking everybody if they have a favourite Max Baker story.

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Ah! Well, how much time have you got? So many stories.

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Great, great. Just, er... Say them into the tape recorder.

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Well, I suppose the one I remember about your dad is, you know

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how Max could be a bit competitive?

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-Yes. Yes, I do.

-Well...

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HE LAUGHS

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He bought me a table tennis table when I was 12.

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I was quite good at it. One night he asked me for a game and I won.

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He couldn't bear it.

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He made me play him again, and again, game after game.

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And I kept winning, even when I tried not to. All night we played.

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Long after my bedtime. My arm ached.

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Finally, he threw the paddle down, walked out without a word.

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Didn't say "good night" or anything.

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Few days later, I came home

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and he'd given the table away to Children In Need.

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Anyway, funny stories. Off you go.

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Sorry about this, Michael. I would have given you more time,

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but I'm producing a radio play this morning and I've got to get back.

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Oh, no, that's fine. You've given me more than enough.

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-Before we go, take a look at this.

-Oh! Goodness, there they are. Ha!

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-Arthur's still wearing that hat.

-Arthur? He's still alive?

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Oh, yes, yes. He's er... He's very...very alive.

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-He's "helping me" with my book.

-What does he do with himself then?

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Well, he likes to think he's still in the business,

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but as far as I can tell, he's just a highly functioning psychopath.

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Actually, that's not true. He's not...highly functioning.

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MOBILE PHONE RINGS

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Sorry. Excuse me. Hello, Rachel.

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Whoa, whoa, whoa. Slow down. What's... What's happened?

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Oh, you're joking. Rachel, you're joking.

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Listen, Arthur, er... All right, I'll just come out and say it.

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Somebody has asked me to ask you

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if you'd be interested in doing a few lines in a radio play today.

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There. I've done it. I have passed the message on.

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Whatever happens now is nothing to do with me.

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Could I have a tea and toast, please, Sinem.

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-All the details are on there.

-What? A radio play? Me? They asked for me?

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I know. I was the same way.

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Apparently the actor who was going to do it

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-has had an accident or something.

-That's brilliant!

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Will I have time for breakfast?

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-No, not really.

-Never mind. I'll get Bulent to do me a pocket breakfast.

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-What's a pocket breakfast?

-John, have you heard that?

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I've just landed the lead role in a radio play!

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It's not the lead role, it's literally two lines.

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-What's a pocket breakfast?

-Two lines?

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Well, that's something we'll have to discuss.

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No, it really is just two lines. They're written down there.

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Oh, I'll just get my reading glasses.

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Erm... Oh, it's not those. Erm...

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It's definitely not those.

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Here they are.

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HE CLEARS HIS THROAT

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-Which ones are these then?

-I'll read it! I'll read it. For God's sake.

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Right, you just have to say,

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"I'm sorry," and "Goodbye, Samantha."

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That sounds doable. I'm sorry, Sarah.

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-What was the other one?

-No, Samantha.

-No, Samantha!

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-It's "Goodbye, Sarah"...

-Goodbye, Sarah!

-Sorry, Samantha.

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-You said Sarah.

-Sorry, Samantha, you said Sarah!

-No!

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-It's a bigger part than you had me believe.

-No, it's not.

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-It is just two lines, "I'm sorry..."

-Nothing for you to be sorry about.

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It's their fault for not making it clearer!

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That's the line, that's what you have...

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MOBILE RINGTONE OF A CHOIR SINGING

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-Hello? Oh, hello, Sheila.

-Bulent, I want to change me order.

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-I'll have a pocket breakfast.

-We're not supposed to be meeting, are we?

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No, no, nothing like that. Have you heard about Ronald Harrison?

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Oh, he's not won another bloody award, has he?

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Oh, God, that's so unfair! Did you read his last one, Sheila?

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I couldn't finish it. Oh, God, I hate him. And he's younger than me.

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He's had a massive heart attack.

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Oh, that's awful!

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He's just won that award! Oh, that's so unfair. I must finish his book.

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A heart attack? But he's younger than me.

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It happened while he was doing a photo shoot for an Observer profile.

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Oh, for f... Oh!

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I thought you should know in case you want to send a card.

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Yes, of course. Thank you, Sheila. Thank you. Sorry, John?

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-Could I just borrow your newspaper a minute?

-You all right?

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Yeah, just a bit poleaxed. It's a writer, Ronald Harrison.

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Was a friend of mine. Apparently he had a heart attack.

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There's nothing about it in here.

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This is some sort of horse newspaper.

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It's the Racing Post.

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Here you go. Ronald Harrison.

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-Yeah.

-He looks like an old boyfriend of mine.

-Really?

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-Huh, well, that's... That's your type?

-Not anymore.

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He was one of these big babies, wanted to be taken care of,

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-needed a mum, not a girlfriend.

-Oh, I hate that, yeah.

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I bet Ronald's like that as well. Yeah. Just a big baby.

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-(BABY VOICE) Just wants somebody to take care of him.

-Hmm.

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-Especially now he's had his heart attack.

-Oh, yes, I'm so sorry.

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I keep on forgetting.

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What is this? What is this?!

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'Harrison says the experience has made him re-evaluate his life

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'and his next book will be a portrait of his father.'

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(WHINING) He can't do that! He can't do a portrait of his father!

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I'm doing of portrait of MY father!

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-He's not writing about your father, is he?

-Well, are you sure?

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Cos I wouldn't put it past him. Oh, God, I don't believe this.

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-Here, Eggy, get a load of this. I'm doing a play on the radio.

-No!

-Yes!

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-This is it, Eggy, my comeback.

-Just two lines!

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When do we get to hear it?

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Unfortunately, they have not furnished me

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with the dates of transmission, but as soon as...

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-Oh, for crying out loud!

-What's wrong?

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I've got to be at home this afternoon. I'm expecting a delivery.

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John, what are you doing today? Can you wait in at mine for a delivery?

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Sorry, Arthur, I've got pilates.

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-What about you? What are you doing today?

-Writing, working.

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-I've got to write up all my notes.

-You can do that at my house.

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No, Arthur.

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I'm sorry, but I need a certain environment to work,

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-and your house is not that.

-Please, Michael!

-No! Definitely not.

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-Oh, go on.

-Oh, all right then, I will.

-I need to get changed.

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I'll see you back at mine in ten minutes, all right? Ooorgh!

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Radio play!

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BUZZER

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I'm coming! I'm coming.

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Oh.

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-What's up with your door?

-It's sticking at the bottom.

-Ow!

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I keep meaning to get me plane out and take a bit off it.

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In fact, you could do that for me while you're waiting if you want.

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I'm writing up my notes, Arthur, I'm not going to plane your door.

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Ooph.

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-Ow! Where's the sofa?

-It's what you're waiting in for.

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-I've had to get a new one.

-Where am I supposed to sit?

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-How am I supposed to work?

-The sofa people won't be long.

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-They said somewhere between 12 and 5.

-I'm never going to finish this book.

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Here, this will cheer you up.

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-I'll show you the letter your dad and me got from Elvis Presley.

-What?

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-What did you say?

-It's in here somewhere.

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-You have a letter from Elvis Presley to my dad?

-Yeah. He was a big fan.

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-Elvis Presley was a fan of my dad?

-And me.

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We were a double act, remember. Don't be rewriting me out of history.

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Wait a second, I want to get this right.

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-You have a letter from Elvis Presley to my dad? THE Elvis Presley?

-Yeah.

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-Hand written.

-Oh, my God!

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This is the thing that'll bring the book to life! Oh, take that,

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Ronald bloody Harrison, although I'm sorry about your heart attack.

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-May I?

-Help yourself. I think it's in that box.

-Thank you.

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-Thank you, Arthur.

-Ta-ta, Michael. Thanks again.

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There's no letter in here.

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Ugh...

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I can't thank you enough, Arthur. I was really in a bind.

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Oh, no, no, no. Not at all. Only too happy to help.

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You're saying all these biscuits are free?

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Well, er... Yes, yes.

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Arthur, this is Luke, who's playing Paul, our leading man.

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-Luke, this is Arthur.

-Hello, Arthur.

-Delighted to meet you.

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-Another day, another job, eh?

-Oh, yes. Oh, jobs, jobs, jobs.

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I've got so many jobs. Big jobs as well.

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I've got massive, big jobs coming out me ears!

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-That's impressive. Who's your agent?

-Michael Baker.

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-I might get his number off you later.

-Hi.

-Hello.

-Ah.

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-Arthur, this is Rachael Goodwin.

-Oh, thank goodness for that.

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Get the kettle on, love, I'm gasping.

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-Our director. She's directing the piece.

-Hi.

-Ha-ha! Ho-ho! I know!

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I was only pulling your leg. I know women don't make tea for men anymore.

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And if you ask me, it's a disgrace they ever had to!

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Thank you so much for helping us out, Arthur.

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We only have Dame Agnes for a few hours.

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-Have you had a chance to read the play?

-I haven't, no. Have you?

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-Well, I wrote it.

-Did you?

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I should just say now, I won't do anything blue.

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Unless, of course, my fee was adjusted to reflect this

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potentially exciting new direction for my career you're suggesting.

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-Rachael, are you all right to get on?

-Thanks, Colin, yes.

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-I'll take it from here.

-OK.

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Let me introduce you to the last members of our merry band.

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-Jennifer Mallison and of course Dame Agnes.

-Of course.

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-Very pleased to meet you, Dame Agnes.

-I'm not Dame Agnes.

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Oh, of course, of course. You'd be much older, wouldn't you?

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This must be her now.

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(RAISES VOICE) I say! This must be you now!

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I can hear you perfectly well, Arthur.

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-Have you got some sort of device?

-I'm sorry?

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(RAISES VOICE) For your hearing!

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-No. There's nothing wrong with my hearing.

-Here!

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-She was trying to pass herself off as you, you know.

-I wasn't!

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She didn't fool me, though.

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I can always tell when someone's been ennobled.

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They have a grace, don't they? An innate grace.

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(LOUDLY) She's not got it.

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Will you please stop shouting, Arthur,

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we can all you hear you perfectly well.

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Oh, right.

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I'm sorry, but...are any of you going to make the tea?

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BANGING AND CRASHING

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Ohhh...

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Nothing!

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My hypothesis, and it's only a hypothesis,

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is that what we're dealing with here is a morality play.

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Yeah, that's precisely what I was going for.

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With each character representing a different vice.

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Pride, as seen in Paul, our manipulative lothario.

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Penelope, whose vanity manifests itself in everything she says

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and does, and Samantha, the mother,

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whose greed and despair ultimately lead to her downfall.

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Bang on!

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-Sorry?

-I'm just agreeing with the... hippopotamus.

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Although I have yet, as I say, to read the play.

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Does anyone have any questions so far?

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-Oh.

-Yes, Arthur?

-Um, viz a viz the lunch situation...

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I'm afraid it's up to individuals to sort out their own lunch.

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-I was actually...

-I find that very surprising.

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Last time I worked for the BBC they had a running buffet.

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Any questions on the play is what I mean.

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Rachael, my character, tell me if this is way off, but I see him

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as...barely able to contain his sexuality.

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He could erupt at any moment. He's like a carnal...Vesuvius.

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A carnal Vesuvius. Ooh, I love that!

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Oh, yes, that's a wonderful image for us all

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to keep in our minds as we proceed.

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Dame Agnes, how do you see your character?

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I went home with a whole salmon!

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-I'm sorry?

-From the buffet.

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Must have weighed 20lbs. I was eating it for days.

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Yes?

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Hmm! Dame Agnes, any single image?

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Salmon for me breakfast, salmon for me dinner, salmon for me sodding tea.

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I was sick of the sight of the bloody thing in the end.

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Staring at me with those cold, accusing eyes.

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In the end, I had no option but to flush it down the toilet.

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Dame Agnes, an image?

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I'm sorry, Rachael, all I can see is a salmon in a toilet.

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Is she a bit like that? Like a salmon trapped in a toilet?

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No, she's not like that! Not at all.

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Can you come back to me?

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-Jennifer, how about you?

-Well...

-Like Free Willy.

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Except, instead of a live whale, it was a dead salmon.

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And instead of a little boy being jumped over, it was me flushing...

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Will you stop talking about the salmon?! Stop talking about it!

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Just stop it!

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Who's Colonel Vesuvius?

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Aaagh!

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LOUD CRASH

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HE GROANS

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AAAAARRRGH!

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SCREAMING CONTINUES

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-Paul, what are you doing here?

-Your mother invited me for the weekend.

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-Why?

-Don't look so shocked, darling. It's all perfectly innocent.

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Samantha, would you rub some oil on my back? I'm turning into a crisp.

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-I'm...going to my room.

-Hurry, Samantha!

-All right, I'm coming.

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Are you going to leave your trousers on?

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I guess I could slip into my trunks. I am on holiday.

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LOUD UNZIPPING

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-Goodness, look at you!

-What?

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Oh, I suppose they are a bit snug.

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Ahem! Some privacy, please!

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Spoilsport! Sorry, Rachael, I don't understand this bit.

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It seems very coy of him suddenly to ask her to turn around.

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Everything else has been... freighted with sexuality...

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and then he wants some privacy to put his trunks on.

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I, um...I don't get it.

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Um... Well...

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CUTLERY CLATTERS

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Even Paul has limits... and here he's...

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exercising his power by...

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..arbitrarily enforcing those limits.

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Er, I see.

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And you don't want everybody staring at you

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when your landing gear's descending.

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Let's take it back to "I won't peek."

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All right, I won't peek, I promise.

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UNDERPANTS WHIP OFF

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You can turn around now.

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SHE GASPS

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Dear me! How do you keep in such good shape?

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Oh, you know, swimming, squat thrusts...

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ARTHUR: Squat thrusts.

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I'm getting a glass of water.

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HE CHOMPS LOUDLY

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Paul, I need to see you.

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-You're seeing me now.

-You know what I mean.

-Do I?

-Stop playing games!

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I'm not playing games, I honestly don't know what you're talking about.

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-I'm talking about us!

-Us? There is no us.

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What have you got to say about that then?

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Michael?

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I brought you lunch, as requested.

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Michael?

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Michael?

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< Ohhh...

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Michael?

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DOORBELL BUZZES

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That'll be the sofa.

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-Get away from me! You're nothing but a philandering liar.

-How dare you?

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How dare you call me a philandering liar? You knew what the score was.

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Don't pretend you didn't.

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No, don't go. Kiss me. Please, please kiss me!

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It's over, Samantha.

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Very well, if I can't have you, no-one else will.

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GUNSHOTS

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Agh!

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You fool! You stupid fool!

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HE GROANS

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Mother! What have you done?

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He's...dead.

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Oh, darling, darling, I'm sorry! I loved him! I loved him so.

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So did I, Mummy. So did I.

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BOTH WEEP AND WAIL

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It'll be all right.

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Let's take a break. Thank you so much, everyone.

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Arthur, shall we record your lines now?

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Just speak clearly into the microphone.

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I'm sorry?

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And the other one.

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-The other one?

-The other line.

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Goodbye, Samantha.

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Great, thanks, Arthur. That's all we need from you today.

0:19:420:19:45

Was that not just the rehearsal?

0:19:490:19:50

No, you only appear in flashback, and we've got it now,

0:19:500:19:53

so we can just drop it in.

0:19:530:19:54

Oh! Oh, right.

0:19:540:19:56

And that's lunch! We've got a shorter than usual lunch break today

0:19:560:20:00

because Dame Agnes has to be away by four.

0:20:000:20:03

Sorry, everyone, crisis meeting with my publisher.

0:20:030:20:06

Simply got to find a title for my autobiography. God!

0:20:060:20:09

So don't go too far.

0:20:090:20:11

Thanks again, Arthur.

0:20:110:20:13

Well done, Arthur. Fancy a spot of lunch?

0:20:150:20:19

Oh, that's very generous of you. Thank you!

0:20:190:20:22

-There's a pub across the road.

-Oh, no, I mustn't go to the pub.

0:20:220:20:25

When I'm working, I'm on the wagon. Made that mistake too many times.

0:20:250:20:29

-Oh, go on, I'll look after you. You can have an orange juice.

-Hm...

0:20:290:20:33

No, really, I... really, really mustn't.

0:20:330:20:36

# Her name was Lola, she was a showgirl

0:20:360:20:40

# Yellow feathers in her hair and a dress cut down to there

0:20:400:20:44

# She could merengue and do the cha cha... #

0:20:440:20:49

How could you? How could you?!

0:20:490:20:52

Now, now, now, we mustn't be too hard on him.

0:20:520:20:55

He does seem to have a very low tolerance

0:20:550:20:57

for large amounts of alcohol.

0:20:570:21:00

HE VOMITS

0:21:000:21:02

OK, Luke, come on, let's go.

0:21:020:21:05

-Oh, no, no!

-Oh!

0:21:050:21:07

Come on.

0:21:090:21:10

What are we going to do? Seriously, if anyone has an idea

0:21:120:21:15

of how I can possibly rescue the situation, please do let me know.

0:21:150:21:18

And...action.

0:21:240:21:27

Paul, what are you doing here?

0:21:270:21:30

HE CLEARS HIS THROAT NOISILY

0:21:300:21:32

Your mother invited me for the weekend.

0:21:340:21:37

-Why?

-Don't look so shocked, darling, it's all perfectly innocent.

0:21:390:21:43

SLURRED: Samantha, would you rub some oil on my back?

0:21:430:21:47

I'm turning into some crisps.

0:21:470:21:49

I'm going to my room.

0:21:520:21:54

-Hurry, Samantha!

-All right, I'm coming!

0:21:540:21:57

Are you going to leave your trousers on?

0:21:570:21:59

I guess I can slip into my trunks. I am on me holidays.

0:21:590:22:03

Goodness! Look at you!

0:22:050:22:08

What? Oh, I suppose they are a bit snug.

0:22:080:22:11

I've never been one for boxing shorts. I prefer a little bit of...

0:22:110:22:17

If you know what I mean, Dame Agnes.

0:22:190:22:21

Ohhh...

0:22:210:22:23

-Some privacy, please.

-Spoilsport!

0:22:230:22:27

All right, I won't peek, I promise.

0:22:270:22:30

Paul, now Penelope's gone, I can ask you, what's going on?

0:22:320:22:36

Why are you here?

0:22:360:22:38

HE BAWLS: Oh, come on, Samantha!

0:22:380:22:41

We both know why I'm here.

0:22:410:22:43

I've always been able to tell when a wom-m-m-man wants me.

0:22:430:22:47

You... You can turn round now.

0:22:490:22:52

Dear me! How do you keep in such good shape?

0:22:530:22:58

Oh, you know...

0:22:580:22:59

Swimming, squat thrusts, getting a glass of water...

0:22:590:23:04

Oh, that's...! No! I'm getting a glass of water!

0:23:050:23:08

I need to see you.

0:23:140:23:16

You're seeing me now!

0:23:210:23:23

You know what I mean!

0:23:230:23:25

-Do I?

-Stop playing games!

0:23:250:23:29

I'm not playing games!

0:23:300:23:31

I-II honestly don't know what you're talking about.

0:23:310:23:35

I'm talking about us!

0:23:360:23:38

There is no us.

0:23:400:23:42

She's not right in the head!

0:23:430:23:45

What were you doing down there anyway?

0:23:530:23:56

I was looking for a fan letter Elvis Presley wrote my dad.

0:23:560:24:00

Elvis Presley was a fan of your dad?

0:24:000:24:02

Apparently.

0:24:020:24:03

I thought it might help the book.

0:24:030:24:05

All this because of Ronald bloody Harrison.

0:24:050:24:08

Every time he does something, I have to go one better.

0:24:080:24:12

It just goes on and on, back and forth, like ping...

0:24:120:24:15

..pong...

0:24:170:24:19

I'll be mo...

0:24:200:24:23

I'll be mother.

0:24:230:24:24

I'm not normally like this, you know. I am usually quite capable.

0:24:250:24:29

It's Arthur. Arthur's done this to me.

0:24:300:24:33

Arthur's turned me into a baby.

0:24:350:24:37

CHORAL RINGTONE

0:24:370:24:39

Hello?

0:24:390:24:41

My client got your client drunk? I don't have a...

0:24:430:24:47

..client.

0:24:480:24:49

No, don't go! Kiss me! Please!

0:24:500:24:53

Please kiss me!

0:24:530:24:55

We've got all this to do!

0:24:580:25:00

After.

0:25:030:25:05

It's over, Dame Agnes. I mean, Susan! Sarah! Samantha!

0:25:070:25:11

Very well, if I can't have you, no-one else will.

0:25:130:25:16

Aaarrgh! You fool! You've shot me!

0:25:160:25:19

GUNSHOT

0:25:190:25:20

Mother! What have you done?

0:25:230:25:25

Aaaarrgh! Urrrgh! Nnnngh!

0:25:250:25:29

Oooooeeerrrgh!

0:25:290:25:31

He's...

0:25:310:25:33

Wuurrrrgggh! Aaaaarrrgh!

0:25:330:25:36

Ooooorrrgh!

0:25:360:25:39

Urrrgh...

0:25:390:25:41

Mother, what have you...?

0:25:410:25:43

Uuuurrgh!

0:25:430:25:46

Aaaauuurrgh! Uuurgh! Aaaaagh!

0:25:460:25:50

Uuunnggghhh...

0:25:500:25:53

-He's...

-Wuuurrrghhh!

0:25:530:25:56

He's dead.

0:26:010:26:02

Oh, darling, darling, I'm sorry! I loved him! I loved him so...

0:26:020:26:06

So did I, Mummy. So did I.

0:26:070:26:11

BOTH WEEP AND WAIL

0:26:110:26:14

Uuunnngh...

0:26:140:26:15

Aaaaahhh... Uuunnngh...

0:26:170:26:19

Uuurrgh!

0:26:190:26:21

Bluuugggh!

0:26:220:26:24

Unnghh...

0:26:270:26:29

CORK POPS

0:26:350:26:36

ALL CHEER

0:26:360:26:37

Shush! It's about to start.

0:26:370:26:39

-There you go, Arthur.

-Oh, goodness me!

-It's a double celebration.

0:26:390:26:43

-Sinem liked the chapters I showed her.

-Very good!

0:26:430:26:46

Oh, I forgot to say, I loved that story about the ping-pong table.

0:26:460:26:49

So funny! Oh, your poor dad.

0:26:490:26:53

Yeah... Yeah, poor Dad.

0:26:530:26:56

Must have been a nightmare living with someone that competitive.

0:26:560:26:59

Not really. It's just who he was.

0:26:590:27:02

Oh, here, I meant to ask you.

0:27:020:27:04

Did you find that letter from Elvis Presley?

0:27:040:27:06

No, Arthur. I looked and looked but no sign of it.

0:27:060:27:09

I guess it's just one of those that history swallowed up.

0:27:090:27:14

No, not Elvis Presley. I'm always doing that. The other one...

0:27:140:27:19

Half A Sixpence. Tommy Steele!

0:27:190:27:21

-Never mind.

-It's starting! Who are you playing, Arthur?

-Paul.

0:27:280:27:33

You can't miss me. I'm in right from the beginning.

0:27:330:27:36

'Paul! What are you doing here?

0:27:360:27:38

LUKE: 'Your mother invited me for the weekend.

0:27:380:27:41

-'Why?

-Don't look so shocked, darling,

0:27:410:27:43

'it's all perfectly innocent.

0:27:430:27:45

'Samantha, would you rub some oil on my back? I'm turning into a crisp.

0:27:450:27:50

-'I'm going to my room.'

-I don't understand. I thought you were...

0:27:500:27:55

Didn't you say you were playing Paul?

0:27:550:27:58

That young fellow must have recovered.

0:27:580:28:00

They must have recorded it after I left.

0:28:000:28:03

Oh, well, it's for the best, I suppose.

0:28:030:28:06

Don't know what I was thinking.

0:28:060:28:08

Can't take a young lad's job, can I?

0:28:080:28:12

He's got his whole career ahead of him, not like me.

0:28:120:28:16

I'm yesterday's news.

0:28:160:28:19

'I'll never forget his last words to me.

0:28:190:28:22

ARTHUR: 'I'm sorry?

0:28:220:28:25

'Goodbye, Samantha!'

0:28:250:28:26

ALL CHEER

0:28:260:28:28

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0:28:300:28:33

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