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So I'm asking everybody if they have a favourite Max Baker story. | 0:00:16 | 0:00:20 | |
Ah! Well, how much time have you got? So many stories. | 0:00:20 | 0:00:24 | |
Great, great. Just, er... Say them into the tape recorder. | 0:00:24 | 0:00:28 | |
Well, I suppose the one I remember about your dad is, you know | 0:00:28 | 0:00:32 | |
how Max could be a bit competitive? | 0:00:32 | 0:00:34 | |
-Yes. Yes, I do. -Well... | 0:00:34 | 0:00:37 | |
HE LAUGHS | 0:00:37 | 0:00:38 | |
He bought me a table tennis table when I was 12. | 0:00:38 | 0:00:41 | |
I was quite good at it. One night he asked me for a game and I won. | 0:00:41 | 0:00:46 | |
He couldn't bear it. | 0:00:46 | 0:00:48 | |
He made me play him again, and again, game after game. | 0:00:48 | 0:00:51 | |
And I kept winning, even when I tried not to. All night we played. | 0:00:51 | 0:00:57 | |
Long after my bedtime. My arm ached. | 0:00:57 | 0:01:01 | |
Finally, he threw the paddle down, walked out without a word. | 0:01:03 | 0:01:07 | |
Didn't say "good night" or anything. | 0:01:07 | 0:01:09 | |
Few days later, I came home | 0:01:09 | 0:01:11 | |
and he'd given the table away to Children In Need. | 0:01:11 | 0:01:14 | |
Anyway, funny stories. Off you go. | 0:01:22 | 0:01:24 | |
Sorry about this, Michael. I would have given you more time, | 0:01:27 | 0:01:29 | |
but I'm producing a radio play this morning and I've got to get back. | 0:01:29 | 0:01:32 | |
Oh, no, that's fine. You've given me more than enough. | 0:01:32 | 0:01:34 | |
-Before we go, take a look at this. -Oh! Goodness, there they are. Ha! | 0:01:34 | 0:01:40 | |
-Arthur's still wearing that hat. -Arthur? He's still alive? | 0:01:40 | 0:01:45 | |
Oh, yes, yes. He's er... He's very...very alive. | 0:01:45 | 0:01:50 | |
-He's "helping me" with my book. -What does he do with himself then? | 0:01:51 | 0:01:55 | |
Well, he likes to think he's still in the business, | 0:01:55 | 0:01:58 | |
but as far as I can tell, he's just a highly functioning psychopath. | 0:01:58 | 0:02:01 | |
Actually, that's not true. He's not...highly functioning. | 0:02:01 | 0:02:05 | |
MOBILE PHONE RINGS | 0:02:05 | 0:02:06 | |
Sorry. Excuse me. Hello, Rachel. | 0:02:06 | 0:02:09 | |
Whoa, whoa, whoa. Slow down. What's... What's happened? | 0:02:10 | 0:02:14 | |
Oh, you're joking. Rachel, you're joking. | 0:02:14 | 0:02:17 | |
Listen, Arthur, er... All right, I'll just come out and say it. | 0:02:20 | 0:02:23 | |
Somebody has asked me to ask you | 0:02:23 | 0:02:25 | |
if you'd be interested in doing a few lines in a radio play today. | 0:02:25 | 0:02:28 | |
There. I've done it. I have passed the message on. | 0:02:28 | 0:02:30 | |
Whatever happens now is nothing to do with me. | 0:02:30 | 0:02:33 | |
Could I have a tea and toast, please, Sinem. | 0:02:33 | 0:02:36 | |
-All the details are on there. -What? A radio play? Me? They asked for me? | 0:02:36 | 0:02:42 | |
I know. I was the same way. | 0:02:42 | 0:02:44 | |
Apparently the actor who was going to do it | 0:02:45 | 0:02:48 | |
-has had an accident or something. -That's brilliant! | 0:02:48 | 0:02:50 | |
Will I have time for breakfast? | 0:02:50 | 0:02:52 | |
-No, not really. -Never mind. I'll get Bulent to do me a pocket breakfast. | 0:02:52 | 0:02:56 | |
-What's a pocket breakfast? -John, have you heard that? | 0:02:56 | 0:02:59 | |
I've just landed the lead role in a radio play! | 0:02:59 | 0:03:03 | |
It's not the lead role, it's literally two lines. | 0:03:03 | 0:03:05 | |
-What's a pocket breakfast? -Two lines? | 0:03:05 | 0:03:07 | |
Well, that's something we'll have to discuss. | 0:03:07 | 0:03:09 | |
No, it really is just two lines. They're written down there. | 0:03:09 | 0:03:13 | |
Oh, I'll just get my reading glasses. | 0:03:13 | 0:03:16 | |
Erm... Oh, it's not those. Erm... | 0:03:16 | 0:03:19 | |
It's definitely not those. | 0:03:22 | 0:03:23 | |
Here they are. | 0:03:27 | 0:03:28 | |
HE CLEARS HIS THROAT | 0:03:35 | 0:03:36 | |
-Which ones are these then? -I'll read it! I'll read it. For God's sake. | 0:03:42 | 0:03:46 | |
Right, you just have to say, | 0:03:46 | 0:03:47 | |
"I'm sorry," and "Goodbye, Samantha." | 0:03:47 | 0:03:50 | |
That sounds doable. I'm sorry, Sarah. | 0:03:50 | 0:03:54 | |
-What was the other one? -No, Samantha. -No, Samantha! | 0:03:54 | 0:03:57 | |
-It's "Goodbye, Sarah"... -Goodbye, Sarah! -Sorry, Samantha. | 0:03:57 | 0:04:01 | |
-You said Sarah. -Sorry, Samantha, you said Sarah! -No! | 0:04:01 | 0:04:05 | |
-It's a bigger part than you had me believe. -No, it's not. | 0:04:05 | 0:04:08 | |
-It is just two lines, "I'm sorry..." -Nothing for you to be sorry about. | 0:04:08 | 0:04:13 | |
It's their fault for not making it clearer! | 0:04:13 | 0:04:15 | |
That's the line, that's what you have... | 0:04:15 | 0:04:18 | |
MOBILE RINGTONE OF A CHOIR SINGING | 0:04:18 | 0:04:20 | |
-Hello? Oh, hello, Sheila. -Bulent, I want to change me order. | 0:04:21 | 0:04:26 | |
-I'll have a pocket breakfast. -We're not supposed to be meeting, are we? | 0:04:26 | 0:04:29 | |
No, no, nothing like that. Have you heard about Ronald Harrison? | 0:04:29 | 0:04:33 | |
Oh, he's not won another bloody award, has he? | 0:04:33 | 0:04:36 | |
Oh, God, that's so unfair! Did you read his last one, Sheila? | 0:04:36 | 0:04:40 | |
I couldn't finish it. Oh, God, I hate him. And he's younger than me. | 0:04:40 | 0:04:44 | |
He's had a massive heart attack. | 0:04:44 | 0:04:46 | |
Oh, that's awful! | 0:04:46 | 0:04:49 | |
He's just won that award! Oh, that's so unfair. I must finish his book. | 0:04:49 | 0:04:54 | |
A heart attack? But he's younger than me. | 0:04:54 | 0:04:58 | |
It happened while he was doing a photo shoot for an Observer profile. | 0:04:58 | 0:05:01 | |
Oh, for f... Oh! | 0:05:01 | 0:05:03 | |
I thought you should know in case you want to send a card. | 0:05:04 | 0:05:07 | |
Yes, of course. Thank you, Sheila. Thank you. Sorry, John? | 0:05:07 | 0:05:12 | |
-Could I just borrow your newspaper a minute? -You all right? | 0:05:12 | 0:05:16 | |
Yeah, just a bit poleaxed. It's a writer, Ronald Harrison. | 0:05:16 | 0:05:20 | |
Was a friend of mine. Apparently he had a heart attack. | 0:05:20 | 0:05:24 | |
There's nothing about it in here. | 0:05:24 | 0:05:26 | |
This is some sort of horse newspaper. | 0:05:29 | 0:05:31 | |
It's the Racing Post. | 0:05:33 | 0:05:34 | |
Here you go. Ronald Harrison. | 0:05:38 | 0:05:40 | |
-Yeah. -He looks like an old boyfriend of mine. -Really? | 0:05:40 | 0:05:45 | |
-Huh, well, that's... That's your type? -Not anymore. | 0:05:45 | 0:05:50 | |
He was one of these big babies, wanted to be taken care of, | 0:05:50 | 0:05:54 | |
-needed a mum, not a girlfriend. -Oh, I hate that, yeah. | 0:05:54 | 0:05:57 | |
I bet Ronald's like that as well. Yeah. Just a big baby. | 0:05:57 | 0:06:01 | |
-(BABY VOICE) Just wants somebody to take care of him. -Hmm. | 0:06:01 | 0:06:04 | |
-Especially now he's had his heart attack. -Oh, yes, I'm so sorry. | 0:06:04 | 0:06:07 | |
I keep on forgetting. | 0:06:07 | 0:06:09 | |
What is this? What is this?! | 0:06:09 | 0:06:10 | |
'Harrison says the experience has made him re-evaluate his life | 0:06:11 | 0:06:14 | |
'and his next book will be a portrait of his father.' | 0:06:14 | 0:06:18 | |
(WHINING) He can't do that! He can't do a portrait of his father! | 0:06:18 | 0:06:23 | |
I'm doing of portrait of MY father! | 0:06:23 | 0:06:25 | |
-He's not writing about your father, is he? -Well, are you sure? | 0:06:25 | 0:06:28 | |
Cos I wouldn't put it past him. Oh, God, I don't believe this. | 0:06:28 | 0:06:32 | |
-Here, Eggy, get a load of this. I'm doing a play on the radio. -No! -Yes! | 0:06:32 | 0:06:38 | |
-This is it, Eggy, my comeback. -Just two lines! | 0:06:38 | 0:06:41 | |
When do we get to hear it? | 0:06:41 | 0:06:43 | |
Unfortunately, they have not furnished me | 0:06:43 | 0:06:46 | |
with the dates of transmission, but as soon as... | 0:06:46 | 0:06:48 | |
-Oh, for crying out loud! -What's wrong? | 0:06:48 | 0:06:51 | |
I've got to be at home this afternoon. I'm expecting a delivery. | 0:06:51 | 0:06:55 | |
John, what are you doing today? Can you wait in at mine for a delivery? | 0:06:55 | 0:06:59 | |
Sorry, Arthur, I've got pilates. | 0:06:59 | 0:07:01 | |
-What about you? What are you doing today? -Writing, working. | 0:07:03 | 0:07:07 | |
-I've got to write up all my notes. -You can do that at my house. | 0:07:07 | 0:07:09 | |
No, Arthur. | 0:07:09 | 0:07:10 | |
I'm sorry, but I need a certain environment to work, | 0:07:10 | 0:07:13 | |
-and your house is not that. -Please, Michael! -No! Definitely not. | 0:07:13 | 0:07:17 | |
-Oh, go on. -Oh, all right then, I will. -I need to get changed. | 0:07:17 | 0:07:22 | |
I'll see you back at mine in ten minutes, all right? Ooorgh! | 0:07:22 | 0:07:28 | |
Radio play! | 0:07:28 | 0:07:30 | |
BUZZER | 0:07:31 | 0:07:32 | |
I'm coming! I'm coming. | 0:07:32 | 0:07:34 | |
Oh. | 0:07:39 | 0:07:40 | |
-What's up with your door? -It's sticking at the bottom. -Ow! | 0:07:43 | 0:07:46 | |
I keep meaning to get me plane out and take a bit off it. | 0:07:46 | 0:07:48 | |
In fact, you could do that for me while you're waiting if you want. | 0:07:48 | 0:07:51 | |
I'm writing up my notes, Arthur, I'm not going to plane your door. | 0:07:51 | 0:07:55 | |
Ooph. | 0:07:55 | 0:07:57 | |
-Ow! Where's the sofa? -It's what you're waiting in for. | 0:07:57 | 0:08:01 | |
-I've had to get a new one. -Where am I supposed to sit? | 0:08:01 | 0:08:04 | |
-How am I supposed to work? -The sofa people won't be long. | 0:08:04 | 0:08:08 | |
-They said somewhere between 12 and 5. -I'm never going to finish this book. | 0:08:08 | 0:08:12 | |
Here, this will cheer you up. | 0:08:12 | 0:08:14 | |
-I'll show you the letter your dad and me got from Elvis Presley. -What? | 0:08:14 | 0:08:19 | |
-What did you say? -It's in here somewhere. | 0:08:19 | 0:08:23 | |
-You have a letter from Elvis Presley to my dad? -Yeah. He was a big fan. | 0:08:23 | 0:08:27 | |
-Elvis Presley was a fan of my dad? -And me. | 0:08:27 | 0:08:31 | |
We were a double act, remember. Don't be rewriting me out of history. | 0:08:31 | 0:08:34 | |
Wait a second, I want to get this right. | 0:08:34 | 0:08:36 | |
-You have a letter from Elvis Presley to my dad? THE Elvis Presley? -Yeah. | 0:08:36 | 0:08:41 | |
-Hand written. -Oh, my God! | 0:08:41 | 0:08:43 | |
This is the thing that'll bring the book to life! Oh, take that, | 0:08:43 | 0:08:48 | |
Ronald bloody Harrison, although I'm sorry about your heart attack. | 0:08:48 | 0:08:52 | |
-May I? -Help yourself. I think it's in that box. -Thank you. | 0:08:52 | 0:08:55 | |
-Thank you, Arthur. -Ta-ta, Michael. Thanks again. | 0:08:55 | 0:08:58 | |
There's no letter in here. | 0:09:03 | 0:09:04 | |
Ugh... | 0:09:13 | 0:09:14 | |
I can't thank you enough, Arthur. I was really in a bind. | 0:09:17 | 0:09:20 | |
Oh, no, no, no. Not at all. Only too happy to help. | 0:09:20 | 0:09:24 | |
You're saying all these biscuits are free? | 0:09:24 | 0:09:27 | |
Well, er... Yes, yes. | 0:09:29 | 0:09:31 | |
Arthur, this is Luke, who's playing Paul, our leading man. | 0:09:37 | 0:09:42 | |
-Luke, this is Arthur. -Hello, Arthur. -Delighted to meet you. | 0:09:42 | 0:09:46 | |
-Another day, another job, eh? -Oh, yes. Oh, jobs, jobs, jobs. | 0:09:46 | 0:09:51 | |
I've got so many jobs. Big jobs as well. | 0:09:51 | 0:09:55 | |
I've got massive, big jobs coming out me ears! | 0:09:55 | 0:09:58 | |
-That's impressive. Who's your agent? -Michael Baker. | 0:10:00 | 0:10:05 | |
-I might get his number off you later. -Hi. -Hello. -Ah. | 0:10:05 | 0:10:10 | |
-Arthur, this is Rachael Goodwin. -Oh, thank goodness for that. | 0:10:10 | 0:10:13 | |
Get the kettle on, love, I'm gasping. | 0:10:13 | 0:10:16 | |
-Our director. She's directing the piece. -Hi. -Ha-ha! Ho-ho! I know! | 0:10:17 | 0:10:22 | |
I was only pulling your leg. I know women don't make tea for men anymore. | 0:10:22 | 0:10:27 | |
And if you ask me, it's a disgrace they ever had to! | 0:10:27 | 0:10:30 | |
Thank you so much for helping us out, Arthur. | 0:10:31 | 0:10:34 | |
We only have Dame Agnes for a few hours. | 0:10:34 | 0:10:37 | |
-Have you had a chance to read the play? -I haven't, no. Have you? | 0:10:37 | 0:10:40 | |
-Well, I wrote it. -Did you? | 0:10:42 | 0:10:45 | |
I should just say now, I won't do anything blue. | 0:10:45 | 0:10:48 | |
Unless, of course, my fee was adjusted to reflect this | 0:10:48 | 0:10:52 | |
potentially exciting new direction for my career you're suggesting. | 0:10:52 | 0:10:56 | |
-Rachael, are you all right to get on? -Thanks, Colin, yes. | 0:10:58 | 0:11:01 | |
-I'll take it from here. -OK. | 0:11:01 | 0:11:04 | |
Let me introduce you to the last members of our merry band. | 0:11:04 | 0:11:07 | |
-Jennifer Mallison and of course Dame Agnes. -Of course. | 0:11:07 | 0:11:11 | |
-Very pleased to meet you, Dame Agnes. -I'm not Dame Agnes. | 0:11:11 | 0:11:15 | |
Oh, of course, of course. You'd be much older, wouldn't you? | 0:11:15 | 0:11:18 | |
This must be her now. | 0:11:19 | 0:11:21 | |
(RAISES VOICE) I say! This must be you now! | 0:11:23 | 0:11:27 | |
I can hear you perfectly well, Arthur. | 0:11:28 | 0:11:31 | |
-Have you got some sort of device? -I'm sorry? | 0:11:31 | 0:11:35 | |
(RAISES VOICE) For your hearing! | 0:11:35 | 0:11:37 | |
-No. There's nothing wrong with my hearing. -Here! | 0:11:37 | 0:11:41 | |
-She was trying to pass herself off as you, you know. -I wasn't! | 0:11:41 | 0:11:44 | |
She didn't fool me, though. | 0:11:44 | 0:11:46 | |
I can always tell when someone's been ennobled. | 0:11:46 | 0:11:49 | |
They have a grace, don't they? An innate grace. | 0:11:49 | 0:11:53 | |
(LOUDLY) She's not got it. | 0:11:53 | 0:11:55 | |
Will you please stop shouting, Arthur, | 0:11:55 | 0:11:57 | |
we can all you hear you perfectly well. | 0:11:57 | 0:12:00 | |
Oh, right. | 0:12:00 | 0:12:01 | |
I'm sorry, but...are any of you going to make the tea? | 0:12:04 | 0:12:08 | |
BANGING AND CRASHING | 0:12:14 | 0:12:16 | |
Ohhh... | 0:12:23 | 0:12:25 | |
Nothing! | 0:12:25 | 0:12:27 | |
My hypothesis, and it's only a hypothesis, | 0:12:27 | 0:12:32 | |
is that what we're dealing with here is a morality play. | 0:12:32 | 0:12:35 | |
Yeah, that's precisely what I was going for. | 0:12:35 | 0:12:38 | |
With each character representing a different vice. | 0:12:38 | 0:12:42 | |
Pride, as seen in Paul, our manipulative lothario. | 0:12:43 | 0:12:47 | |
Penelope, whose vanity manifests itself in everything she says | 0:12:47 | 0:12:51 | |
and does, and Samantha, the mother, | 0:12:51 | 0:12:54 | |
whose greed and despair ultimately lead to her downfall. | 0:12:54 | 0:12:59 | |
Bang on! | 0:13:00 | 0:13:01 | |
-Sorry? -I'm just agreeing with the... hippopotamus. | 0:13:05 | 0:13:09 | |
Although I have yet, as I say, to read the play. | 0:13:11 | 0:13:15 | |
Does anyone have any questions so far? | 0:13:17 | 0:13:19 | |
-Oh. -Yes, Arthur? -Um, viz a viz the lunch situation... | 0:13:19 | 0:13:25 | |
I'm afraid it's up to individuals to sort out their own lunch. | 0:13:25 | 0:13:28 | |
-I was actually... -I find that very surprising. | 0:13:28 | 0:13:31 | |
Last time I worked for the BBC they had a running buffet. | 0:13:31 | 0:13:34 | |
Any questions on the play is what I mean. | 0:13:34 | 0:13:37 | |
Rachael, my character, tell me if this is way off, but I see him | 0:13:37 | 0:13:41 | |
as...barely able to contain his sexuality. | 0:13:41 | 0:13:45 | |
He could erupt at any moment. He's like a carnal...Vesuvius. | 0:13:45 | 0:13:50 | |
A carnal Vesuvius. Ooh, I love that! | 0:13:51 | 0:13:54 | |
Oh, yes, that's a wonderful image for us all | 0:13:54 | 0:13:57 | |
to keep in our minds as we proceed. | 0:13:57 | 0:13:59 | |
Dame Agnes, how do you see your character? | 0:13:59 | 0:14:01 | |
I went home with a whole salmon! | 0:14:01 | 0:14:04 | |
-I'm sorry? -From the buffet. | 0:14:05 | 0:14:10 | |
Must have weighed 20lbs. I was eating it for days. | 0:14:10 | 0:14:14 | |
Yes? | 0:14:14 | 0:14:16 | |
Hmm! Dame Agnes, any single image? | 0:14:16 | 0:14:19 | |
Salmon for me breakfast, salmon for me dinner, salmon for me sodding tea. | 0:14:19 | 0:14:24 | |
I was sick of the sight of the bloody thing in the end. | 0:14:24 | 0:14:27 | |
Staring at me with those cold, accusing eyes. | 0:14:27 | 0:14:31 | |
In the end, I had no option but to flush it down the toilet. | 0:14:31 | 0:14:34 | |
Dame Agnes, an image? | 0:14:37 | 0:14:41 | |
I'm sorry, Rachael, all I can see is a salmon in a toilet. | 0:14:41 | 0:14:45 | |
Is she a bit like that? Like a salmon trapped in a toilet? | 0:14:47 | 0:14:51 | |
No, she's not like that! Not at all. | 0:14:51 | 0:14:55 | |
Can you come back to me? | 0:14:55 | 0:14:57 | |
-Jennifer, how about you? -Well... -Like Free Willy. | 0:14:57 | 0:15:01 | |
Except, instead of a live whale, it was a dead salmon. | 0:15:03 | 0:15:08 | |
And instead of a little boy being jumped over, it was me flushing... | 0:15:08 | 0:15:12 | |
Will you stop talking about the salmon?! Stop talking about it! | 0:15:12 | 0:15:16 | |
Just stop it! | 0:15:16 | 0:15:17 | |
Who's Colonel Vesuvius? | 0:15:23 | 0:15:26 | |
Aaagh! | 0:15:37 | 0:15:38 | |
LOUD CRASH | 0:15:38 | 0:15:39 | |
HE GROANS | 0:15:42 | 0:15:43 | |
AAAAARRRGH! | 0:15:49 | 0:15:51 | |
SCREAMING CONTINUES | 0:15:51 | 0:15:54 | |
-Paul, what are you doing here? -Your mother invited me for the weekend. | 0:15:57 | 0:16:01 | |
-Why? -Don't look so shocked, darling. It's all perfectly innocent. | 0:16:01 | 0:16:05 | |
Samantha, would you rub some oil on my back? I'm turning into a crisp. | 0:16:05 | 0:16:08 | |
-I'm...going to my room. -Hurry, Samantha! -All right, I'm coming. | 0:16:08 | 0:16:13 | |
Are you going to leave your trousers on? | 0:16:13 | 0:16:15 | |
I guess I could slip into my trunks. I am on holiday. | 0:16:15 | 0:16:18 | |
LOUD UNZIPPING | 0:16:18 | 0:16:21 | |
-Goodness, look at you! -What? | 0:16:21 | 0:16:23 | |
Oh, I suppose they are a bit snug. | 0:16:23 | 0:16:26 | |
Ahem! Some privacy, please! | 0:16:26 | 0:16:28 | |
Spoilsport! Sorry, Rachael, I don't understand this bit. | 0:16:28 | 0:16:32 | |
It seems very coy of him suddenly to ask her to turn around. | 0:16:32 | 0:16:35 | |
Everything else has been... freighted with sexuality... | 0:16:39 | 0:16:44 | |
and then he wants some privacy to put his trunks on. | 0:16:44 | 0:16:48 | |
I, um...I don't get it. | 0:16:48 | 0:16:51 | |
Um... Well... | 0:16:51 | 0:16:52 | |
CUTLERY CLATTERS | 0:16:52 | 0:16:54 | |
Even Paul has limits... and here he's... | 0:16:54 | 0:16:59 | |
exercising his power by... | 0:16:59 | 0:17:02 | |
..arbitrarily enforcing those limits. | 0:17:03 | 0:17:06 | |
Er, I see. | 0:17:06 | 0:17:07 | |
And you don't want everybody staring at you | 0:17:07 | 0:17:09 | |
when your landing gear's descending. | 0:17:09 | 0:17:12 | |
Let's take it back to "I won't peek." | 0:17:15 | 0:17:19 | |
All right, I won't peek, I promise. | 0:17:20 | 0:17:22 | |
UNDERPANTS WHIP OFF | 0:17:22 | 0:17:24 | |
You can turn around now. | 0:17:24 | 0:17:26 | |
SHE GASPS | 0:17:26 | 0:17:27 | |
Dear me! How do you keep in such good shape? | 0:17:27 | 0:17:30 | |
Oh, you know, swimming, squat thrusts... | 0:17:30 | 0:17:33 | |
ARTHUR: Squat thrusts. | 0:17:33 | 0:17:35 | |
I'm getting a glass of water. | 0:17:37 | 0:17:39 | |
HE CHOMPS LOUDLY | 0:17:39 | 0:17:41 | |
Paul, I need to see you. | 0:17:41 | 0:17:43 | |
-You're seeing me now. -You know what I mean. -Do I? -Stop playing games! | 0:17:43 | 0:17:47 | |
I'm not playing games, I honestly don't know what you're talking about. | 0:17:47 | 0:17:50 | |
-I'm talking about us! -Us? There is no us. | 0:17:50 | 0:17:54 | |
What have you got to say about that then? | 0:17:54 | 0:17:57 | |
Michael? | 0:18:04 | 0:18:07 | |
I brought you lunch, as requested. | 0:18:07 | 0:18:09 | |
Michael? | 0:18:12 | 0:18:13 | |
Michael? | 0:18:14 | 0:18:15 | |
< Ohhh... | 0:18:16 | 0:18:18 | |
Michael? | 0:18:18 | 0:18:19 | |
DOORBELL BUZZES | 0:18:27 | 0:18:28 | |
That'll be the sofa. | 0:18:28 | 0:18:30 | |
-Get away from me! You're nothing but a philandering liar. -How dare you? | 0:18:32 | 0:18:36 | |
How dare you call me a philandering liar? You knew what the score was. | 0:18:36 | 0:18:39 | |
Don't pretend you didn't. | 0:18:39 | 0:18:41 | |
No, don't go. Kiss me. Please, please kiss me! | 0:18:41 | 0:18:45 | |
It's over, Samantha. | 0:18:45 | 0:18:46 | |
Very well, if I can't have you, no-one else will. | 0:18:47 | 0:18:50 | |
GUNSHOTS | 0:18:50 | 0:18:52 | |
Agh! | 0:18:52 | 0:18:53 | |
You fool! You stupid fool! | 0:18:54 | 0:18:57 | |
HE GROANS | 0:18:57 | 0:18:58 | |
Mother! What have you done? | 0:18:58 | 0:19:01 | |
He's...dead. | 0:19:01 | 0:19:04 | |
Oh, darling, darling, I'm sorry! I loved him! I loved him so. | 0:19:04 | 0:19:08 | |
So did I, Mummy. So did I. | 0:19:08 | 0:19:11 | |
BOTH WEEP AND WAIL | 0:19:11 | 0:19:14 | |
It'll be all right. | 0:19:19 | 0:19:20 | |
Let's take a break. Thank you so much, everyone. | 0:19:22 | 0:19:26 | |
Arthur, shall we record your lines now? | 0:19:26 | 0:19:28 | |
Just speak clearly into the microphone. | 0:19:29 | 0:19:32 | |
I'm sorry? | 0:19:32 | 0:19:35 | |
And the other one. | 0:19:35 | 0:19:36 | |
-The other one? -The other line. | 0:19:37 | 0:19:40 | |
Goodbye, Samantha. | 0:19:40 | 0:19:42 | |
Great, thanks, Arthur. That's all we need from you today. | 0:19:42 | 0:19:45 | |
Was that not just the rehearsal? | 0:19:49 | 0:19:50 | |
No, you only appear in flashback, and we've got it now, | 0:19:50 | 0:19:53 | |
so we can just drop it in. | 0:19:53 | 0:19:54 | |
Oh! Oh, right. | 0:19:54 | 0:19:56 | |
And that's lunch! We've got a shorter than usual lunch break today | 0:19:56 | 0:20:00 | |
because Dame Agnes has to be away by four. | 0:20:00 | 0:20:03 | |
Sorry, everyone, crisis meeting with my publisher. | 0:20:03 | 0:20:06 | |
Simply got to find a title for my autobiography. God! | 0:20:06 | 0:20:09 | |
So don't go too far. | 0:20:09 | 0:20:11 | |
Thanks again, Arthur. | 0:20:11 | 0:20:13 | |
Well done, Arthur. Fancy a spot of lunch? | 0:20:15 | 0:20:19 | |
Oh, that's very generous of you. Thank you! | 0:20:19 | 0:20:22 | |
-There's a pub across the road. -Oh, no, I mustn't go to the pub. | 0:20:22 | 0:20:25 | |
When I'm working, I'm on the wagon. Made that mistake too many times. | 0:20:25 | 0:20:29 | |
-Oh, go on, I'll look after you. You can have an orange juice. -Hm... | 0:20:29 | 0:20:33 | |
No, really, I... really, really mustn't. | 0:20:33 | 0:20:36 | |
# Her name was Lola, she was a showgirl | 0:20:36 | 0:20:40 | |
# Yellow feathers in her hair and a dress cut down to there | 0:20:40 | 0:20:44 | |
# She could merengue and do the cha cha... # | 0:20:44 | 0:20:49 | |
How could you? How could you?! | 0:20:49 | 0:20:52 | |
Now, now, now, we mustn't be too hard on him. | 0:20:52 | 0:20:55 | |
He does seem to have a very low tolerance | 0:20:55 | 0:20:57 | |
for large amounts of alcohol. | 0:20:57 | 0:21:00 | |
HE VOMITS | 0:21:00 | 0:21:02 | |
OK, Luke, come on, let's go. | 0:21:02 | 0:21:05 | |
-Oh, no, no! -Oh! | 0:21:05 | 0:21:07 | |
Come on. | 0:21:09 | 0:21:10 | |
What are we going to do? Seriously, if anyone has an idea | 0:21:12 | 0:21:15 | |
of how I can possibly rescue the situation, please do let me know. | 0:21:15 | 0:21:18 | |
And...action. | 0:21:24 | 0:21:27 | |
Paul, what are you doing here? | 0:21:27 | 0:21:30 | |
HE CLEARS HIS THROAT NOISILY | 0:21:30 | 0:21:32 | |
Your mother invited me for the weekend. | 0:21:34 | 0:21:37 | |
-Why? -Don't look so shocked, darling, it's all perfectly innocent. | 0:21:39 | 0:21:43 | |
SLURRED: Samantha, would you rub some oil on my back? | 0:21:43 | 0:21:47 | |
I'm turning into some crisps. | 0:21:47 | 0:21:49 | |
I'm going to my room. | 0:21:52 | 0:21:54 | |
-Hurry, Samantha! -All right, I'm coming! | 0:21:54 | 0:21:57 | |
Are you going to leave your trousers on? | 0:21:57 | 0:21:59 | |
I guess I can slip into my trunks. I am on me holidays. | 0:21:59 | 0:22:03 | |
Goodness! Look at you! | 0:22:05 | 0:22:08 | |
What? Oh, I suppose they are a bit snug. | 0:22:08 | 0:22:11 | |
I've never been one for boxing shorts. I prefer a little bit of... | 0:22:11 | 0:22:17 | |
If you know what I mean, Dame Agnes. | 0:22:19 | 0:22:21 | |
Ohhh... | 0:22:21 | 0:22:23 | |
-Some privacy, please. -Spoilsport! | 0:22:23 | 0:22:27 | |
All right, I won't peek, I promise. | 0:22:27 | 0:22:30 | |
Paul, now Penelope's gone, I can ask you, what's going on? | 0:22:32 | 0:22:36 | |
Why are you here? | 0:22:36 | 0:22:38 | |
HE BAWLS: Oh, come on, Samantha! | 0:22:38 | 0:22:41 | |
We both know why I'm here. | 0:22:41 | 0:22:43 | |
I've always been able to tell when a wom-m-m-man wants me. | 0:22:43 | 0:22:47 | |
You... You can turn round now. | 0:22:49 | 0:22:52 | |
Dear me! How do you keep in such good shape? | 0:22:53 | 0:22:58 | |
Oh, you know... | 0:22:58 | 0:22:59 | |
Swimming, squat thrusts, getting a glass of water... | 0:22:59 | 0:23:04 | |
Oh, that's...! No! I'm getting a glass of water! | 0:23:05 | 0:23:08 | |
I need to see you. | 0:23:14 | 0:23:16 | |
You're seeing me now! | 0:23:21 | 0:23:23 | |
You know what I mean! | 0:23:23 | 0:23:25 | |
-Do I? -Stop playing games! | 0:23:25 | 0:23:29 | |
I'm not playing games! | 0:23:30 | 0:23:31 | |
I-II honestly don't know what you're talking about. | 0:23:31 | 0:23:35 | |
I'm talking about us! | 0:23:36 | 0:23:38 | |
There is no us. | 0:23:40 | 0:23:42 | |
She's not right in the head! | 0:23:43 | 0:23:45 | |
What were you doing down there anyway? | 0:23:53 | 0:23:56 | |
I was looking for a fan letter Elvis Presley wrote my dad. | 0:23:56 | 0:24:00 | |
Elvis Presley was a fan of your dad? | 0:24:00 | 0:24:02 | |
Apparently. | 0:24:02 | 0:24:03 | |
I thought it might help the book. | 0:24:03 | 0:24:05 | |
All this because of Ronald bloody Harrison. | 0:24:05 | 0:24:08 | |
Every time he does something, I have to go one better. | 0:24:08 | 0:24:12 | |
It just goes on and on, back and forth, like ping... | 0:24:12 | 0:24:15 | |
..pong... | 0:24:17 | 0:24:19 | |
I'll be mo... | 0:24:20 | 0:24:23 | |
I'll be mother. | 0:24:23 | 0:24:24 | |
I'm not normally like this, you know. I am usually quite capable. | 0:24:25 | 0:24:29 | |
It's Arthur. Arthur's done this to me. | 0:24:30 | 0:24:33 | |
Arthur's turned me into a baby. | 0:24:35 | 0:24:37 | |
CHORAL RINGTONE | 0:24:37 | 0:24:39 | |
Hello? | 0:24:39 | 0:24:41 | |
My client got your client drunk? I don't have a... | 0:24:43 | 0:24:47 | |
..client. | 0:24:48 | 0:24:49 | |
No, don't go! Kiss me! Please! | 0:24:50 | 0:24:53 | |
Please kiss me! | 0:24:53 | 0:24:55 | |
We've got all this to do! | 0:24:58 | 0:25:00 | |
After. | 0:25:03 | 0:25:05 | |
It's over, Dame Agnes. I mean, Susan! Sarah! Samantha! | 0:25:07 | 0:25:11 | |
Very well, if I can't have you, no-one else will. | 0:25:13 | 0:25:16 | |
Aaarrgh! You fool! You've shot me! | 0:25:16 | 0:25:19 | |
GUNSHOT | 0:25:19 | 0:25:20 | |
Mother! What have you done? | 0:25:23 | 0:25:25 | |
Aaaarrgh! Urrrgh! Nnnngh! | 0:25:25 | 0:25:29 | |
Oooooeeerrrgh! | 0:25:29 | 0:25:31 | |
He's... | 0:25:31 | 0:25:33 | |
Wuurrrrgggh! Aaaaarrrgh! | 0:25:33 | 0:25:36 | |
Ooooorrrgh! | 0:25:36 | 0:25:39 | |
Urrrgh... | 0:25:39 | 0:25:41 | |
Mother, what have you...? | 0:25:41 | 0:25:43 | |
Uuuurrgh! | 0:25:43 | 0:25:46 | |
Aaaauuurrgh! Uuurgh! Aaaaagh! | 0:25:46 | 0:25:50 | |
Uuunnggghhh... | 0:25:50 | 0:25:53 | |
-He's... -Wuuurrrghhh! | 0:25:53 | 0:25:56 | |
He's dead. | 0:26:01 | 0:26:02 | |
Oh, darling, darling, I'm sorry! I loved him! I loved him so... | 0:26:02 | 0:26:06 | |
So did I, Mummy. So did I. | 0:26:07 | 0:26:11 | |
BOTH WEEP AND WAIL | 0:26:11 | 0:26:14 | |
Uuunnngh... | 0:26:14 | 0:26:15 | |
Aaaaahhh... Uuunnngh... | 0:26:17 | 0:26:19 | |
Uuurrgh! | 0:26:19 | 0:26:21 | |
Bluuugggh! | 0:26:22 | 0:26:24 | |
Unnghh... | 0:26:27 | 0:26:29 | |
CORK POPS | 0:26:35 | 0:26:36 | |
ALL CHEER | 0:26:36 | 0:26:37 | |
Shush! It's about to start. | 0:26:37 | 0:26:39 | |
-There you go, Arthur. -Oh, goodness me! -It's a double celebration. | 0:26:39 | 0:26:43 | |
-Sinem liked the chapters I showed her. -Very good! | 0:26:43 | 0:26:46 | |
Oh, I forgot to say, I loved that story about the ping-pong table. | 0:26:46 | 0:26:49 | |
So funny! Oh, your poor dad. | 0:26:49 | 0:26:53 | |
Yeah... Yeah, poor Dad. | 0:26:53 | 0:26:56 | |
Must have been a nightmare living with someone that competitive. | 0:26:56 | 0:26:59 | |
Not really. It's just who he was. | 0:26:59 | 0:27:02 | |
Oh, here, I meant to ask you. | 0:27:02 | 0:27:04 | |
Did you find that letter from Elvis Presley? | 0:27:04 | 0:27:06 | |
No, Arthur. I looked and looked but no sign of it. | 0:27:06 | 0:27:09 | |
I guess it's just one of those that history swallowed up. | 0:27:09 | 0:27:14 | |
No, not Elvis Presley. I'm always doing that. The other one... | 0:27:14 | 0:27:19 | |
Half A Sixpence. Tommy Steele! | 0:27:19 | 0:27:21 | |
-Never mind. -It's starting! Who are you playing, Arthur? -Paul. | 0:27:28 | 0:27:33 | |
You can't miss me. I'm in right from the beginning. | 0:27:33 | 0:27:36 | |
'Paul! What are you doing here? | 0:27:36 | 0:27:38 | |
LUKE: 'Your mother invited me for the weekend. | 0:27:38 | 0:27:41 | |
-'Why? -Don't look so shocked, darling, | 0:27:41 | 0:27:43 | |
'it's all perfectly innocent. | 0:27:43 | 0:27:45 | |
'Samantha, would you rub some oil on my back? I'm turning into a crisp. | 0:27:45 | 0:27:50 | |
-'I'm going to my room.' -I don't understand. I thought you were... | 0:27:50 | 0:27:55 | |
Didn't you say you were playing Paul? | 0:27:55 | 0:27:58 | |
That young fellow must have recovered. | 0:27:58 | 0:28:00 | |
They must have recorded it after I left. | 0:28:00 | 0:28:03 | |
Oh, well, it's for the best, I suppose. | 0:28:03 | 0:28:06 | |
Don't know what I was thinking. | 0:28:06 | 0:28:08 | |
Can't take a young lad's job, can I? | 0:28:08 | 0:28:12 | |
He's got his whole career ahead of him, not like me. | 0:28:12 | 0:28:16 | |
I'm yesterday's news. | 0:28:16 | 0:28:19 | |
'I'll never forget his last words to me. | 0:28:19 | 0:28:22 | |
ARTHUR: 'I'm sorry? | 0:28:22 | 0:28:25 | |
'Goodbye, Samantha!' | 0:28:25 | 0:28:26 | |
ALL CHEER | 0:28:26 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:30 | 0:28:33 |