Browse content similar to Arthur's Big Moment. Check below for episodes and series from the same categories and more!
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HE HUMS TO HIMSELF | 0:00:17 | 0:00:19 | |
All right, Grandad? | 0:00:19 | 0:00:20 | |
Oh, hello. You on your holidays? | 0:00:20 | 0:00:23 | |
What? No. | 0:00:23 | 0:00:24 | |
Well, tuck your shirt in then. | 0:00:24 | 0:00:26 | |
If my mother had caught me in the street with my shirt hanging out, | 0:00:26 | 0:00:30 | |
there'd have been hell to pay. | 0:00:30 | 0:00:31 | |
There would have been no Sunday school for me, never mind | 0:00:31 | 0:00:34 | |
waddling down the road with your trousers round your ankles. | 0:00:34 | 0:00:37 | |
Have a think about that. | 0:00:37 | 0:00:39 | |
POP MUSIC PLAYS | 0:00:45 | 0:00:47 | |
SHE HUMS TO HERSELF | 0:00:48 | 0:00:51 | |
Sorry. Love this song. | 0:00:51 | 0:00:53 | |
Oh, yes. Yes, it's got a... | 0:00:53 | 0:00:56 | |
It's got a lovely rhythm. | 0:00:56 | 0:00:58 | |
-Is it a new song? -You don't know it? -No, I don't. | 0:00:59 | 0:01:02 | |
-I'm not... I don't really like music. -What? | 0:01:02 | 0:01:06 | |
-I find it more irritating than anything. -All music? | 0:01:08 | 0:01:11 | |
Er...yeah. | 0:01:11 | 0:01:13 | |
# Only me | 0:01:13 | 0:01:14 | |
# Coming through the door | 0:01:14 | 0:01:16 | |
# Singing this song | 0:01:16 | 0:01:17 | |
# And I'll have a number three. # | 0:01:17 | 0:01:20 | |
-Thank you! -I couldn't live without music. You can't not like all music. | 0:01:21 | 0:01:26 | |
That's like you're an alien or a...cat. | 0:01:26 | 0:01:30 | |
No, I'm not a cat. No. | 0:01:30 | 0:01:32 | |
-I don't like string. -You don't like string? | 0:01:32 | 0:01:34 | |
No, I...I do like string. | 0:01:34 | 0:01:36 | |
Katya, are you back on the solids then? | 0:01:37 | 0:01:40 | |
This is a soup bar, Arthur. | 0:01:40 | 0:01:42 | |
It's made from soup. | 0:01:42 | 0:01:44 | |
You want to be careful, though. | 0:01:44 | 0:01:45 | |
That might be one of those GM foods. | 0:01:45 | 0:01:48 | |
You don't want to touch anything out of Greater Manchester. | 0:01:48 | 0:01:52 | |
-Hey, Sinem. Have you written "fizzy slush" on the board? -No. | 0:01:55 | 0:01:59 | |
We have to let the people know we have the machine. | 0:01:59 | 0:02:01 | |
-The kids love fizzy slush. -No, they don't. It's disgusting. | 0:02:01 | 0:02:04 | |
I don't even like saying the words. | 0:02:04 | 0:02:06 | |
You know, I don't even like thinking about it. Fizzy slush? Ugh. | 0:02:06 | 0:02:10 | |
Where's the chalk? Stay away from my sister. | 0:02:10 | 0:02:13 | |
-What? -I said, "Where's the chalk?" -In the drawer. | 0:02:13 | 0:02:16 | |
-Tea and two toasts, please, Bulent. -All right, John? How's tricks then? | 0:02:23 | 0:02:27 | |
Morning, Arthur. Morning... Sorry, what's your name again, mate? | 0:02:27 | 0:02:31 | |
-My name's Michael. -What are you asking him for? | 0:02:31 | 0:02:36 | |
-Sorry? -You said... | 0:02:36 | 0:02:39 | |
-WITH RISING INFLECTION: -"My name's Michael." | 0:02:39 | 0:02:42 | |
-You're not sure of your name? -No, I am. | 0:02:42 | 0:02:44 | |
-Well, don't say it like a question. -All right, sorry. | 0:02:44 | 0:02:47 | |
WITH RISING INFLECTION: My name's Michael. | 0:02:47 | 0:02:49 | |
-That was worse, if anything. -You made me think about it too much now. | 0:02:49 | 0:02:53 | |
My name's M... | 0:02:53 | 0:02:55 | |
Mi... | 0:02:55 | 0:02:57 | |
Michael. I've done it again. | 0:02:57 | 0:02:59 | |
-Here, Arthur, here's that book I was telling you about. -Oh, thanks, Eggy. | 0:02:59 | 0:03:03 | |
-Looks like a good one. -The Faux-lympics? What's that? | 0:03:03 | 0:03:07 | |
It's about how they faked the Olympics. | 0:03:07 | 0:03:10 | |
-What? -Yeah. | 0:03:10 | 0:03:12 | |
-To keep our minds off the recession. -What do you mean faked? | 0:03:12 | 0:03:16 | |
They didn't happen. | 0:03:16 | 0:03:17 | |
-The whole Olympics? -Yeah. | 0:03:17 | 0:03:20 | |
-The ones that were in London? -Yeah. | 0:03:20 | 0:03:22 | |
Then what was that on the telly? | 0:03:22 | 0:03:23 | |
-Actors. -Actors? They were all actors? All the athletes? | 0:03:23 | 0:03:27 | |
But there were thousands of them. | 0:03:27 | 0:03:29 | |
That's why they're only every four years. | 0:03:29 | 0:03:32 | |
The casting takes ages. | 0:03:32 | 0:03:33 | |
-It's all in the book. -Well, I look forward to reading that, Eggy. | 0:03:33 | 0:03:37 | |
I thought there was something funny going on when I was watching it. | 0:03:37 | 0:03:40 | |
Something funny going on? | 0:03:40 | 0:03:42 | |
Yeah. The 400 metres, for instance. | 0:03:42 | 0:03:45 | |
The man that won that was in an episode of Casualty. | 0:03:45 | 0:03:48 | |
Yeah, they slipped up there, didn't they? | 0:03:49 | 0:03:52 | |
Did anyone notice anything strange on the way here? | 0:03:52 | 0:03:55 | |
Yeah, I did, John. | 0:03:55 | 0:03:56 | |
They've got a two-for-one offer on lamb chops at the butcher's. | 0:03:56 | 0:04:00 | |
-Very strange. -No, it's not that, Arthur. It's just... | 0:04:00 | 0:04:04 | |
-it feels like something's about to happen. -You bet it will. | 0:04:04 | 0:04:08 | |
Two-for-one on chops? It'll all kick off now. | 0:04:08 | 0:04:11 | |
We need to get different colours for the chalk | 0:04:12 | 0:04:14 | |
so "fizzy slush" jumps out. | 0:04:14 | 0:04:15 | |
Yeah, like a mugger. | 0:04:15 | 0:04:17 | |
There is a lot of faces on the manor I don't recognise. Kids. | 0:04:17 | 0:04:22 | |
-What are they all doing here? -Maybe there's something wrong with them. | 0:04:22 | 0:04:25 | |
-What? -Maybe they've had flies on them. | 0:04:25 | 0:04:29 | |
Who? | 0:04:29 | 0:04:31 | |
His chops. | 0:04:31 | 0:04:32 | |
Maybe it's a consignment of condemned meat | 0:04:32 | 0:04:35 | |
from Greater Manchester. | 0:04:35 | 0:04:38 | |
I'm talking about the kids, Arthur. | 0:04:38 | 0:04:40 | |
What, the butcher's kids? | 0:04:40 | 0:04:42 | |
Do you think they've done something to the meat? | 0:04:42 | 0:04:44 | |
Maybe they've been seen coughing on it. | 0:04:44 | 0:04:47 | |
SHOUTING AND GLASS SMASHING | 0:04:48 | 0:04:50 | |
SHOUTING GETS LOUDER | 0:04:53 | 0:04:55 | |
-Everyone, get into the back room! -What's the matter? | 0:04:55 | 0:04:58 | |
I'm not going in the back room, I'm having my tea. | 0:04:58 | 0:05:00 | |
-There's a mob. They're smashing things up. -I'm not shifting. | 0:05:00 | 0:05:03 | |
Which one's the back room?! | 0:05:05 | 0:05:06 | |
Come on! | 0:05:06 | 0:05:08 | |
GLASS SMASHING | 0:05:08 | 0:05:10 | |
-Sit down in that chair, love. -Shut the door, shut the door. | 0:05:10 | 0:05:14 | |
GLASS SMASHING AND BANGING ON DOOR | 0:05:15 | 0:05:17 | |
Who is it? | 0:05:19 | 0:05:20 | |
BANGING ON DOOR | 0:05:22 | 0:05:25 | |
No, thank you. | 0:05:27 | 0:05:28 | |
-They won't get through. Dad put that door in. -I knew it. I knew it. | 0:05:31 | 0:05:35 | |
The fool! The silly fool! Did he not know what would happen? | 0:05:35 | 0:05:40 | |
Two chops for the price of one! | 0:05:40 | 0:05:43 | |
That's just asking for trouble. | 0:05:43 | 0:05:45 | |
I don't think it's anything to do with the chops, Arthur. | 0:05:45 | 0:05:48 | |
Cheap meat does things to people, Michael. I know. | 0:05:48 | 0:05:52 | |
-Are we sure this is really happening? -What? | 0:05:52 | 0:05:56 | |
How do we know that there really is a riot? | 0:05:56 | 0:05:58 | |
Because of the riot. | 0:05:58 | 0:06:00 | |
-BULENT: -Move away from the door. | 0:06:01 | 0:06:02 | |
-What you think you're doing? -Never mind. Just open the door. | 0:06:02 | 0:06:06 | |
They're Venetian blinds. | 0:06:06 | 0:06:07 | |
Some of them are quite sharp. Quick, out of the way. | 0:06:07 | 0:06:09 | |
-You can't go out there, you idiot. -I'll be fine. -No. Please, stop him. | 0:06:09 | 0:06:13 | |
No, don't do this. Don't do this. I'll tell Mum. I will tell Mum. | 0:06:13 | 0:06:16 | |
-Bulent, I think Sinem's right. -Mind your business. -OK. -Oh, my God. | 0:06:16 | 0:06:19 | |
He'll do it. He'll do it. We have to stop him. Please. | 0:06:19 | 0:06:22 | |
Raaargh! | 0:06:22 | 0:06:25 | |
-Get off me! -I'm doing this because I like you, Bulent. | 0:06:25 | 0:06:27 | |
-Let go of me. -I like you, Bulent. | 0:06:27 | 0:06:30 | |
I'm doing this because I like you. | 0:06:30 | 0:06:33 | |
-You can't hold me for ever. -What do I do? | 0:06:33 | 0:06:36 | |
We could use some of that. | 0:06:36 | 0:06:37 | |
-BULENT: -Hey, everyone, I'm OK now. I'm very, very calm. | 0:06:40 | 0:06:44 | |
Everything will be fine now. Sorry about earlier. | 0:06:45 | 0:06:49 | |
You can let me go now. | 0:06:50 | 0:06:51 | |
See? I am so calm. | 0:06:56 | 0:07:01 | |
-You're not angry? -No. Do I look angry? | 0:07:01 | 0:07:04 | |
Hm, you look a bit odd. | 0:07:04 | 0:07:06 | |
That's because he's smiling. | 0:07:06 | 0:07:08 | |
Why are you smiling? | 0:07:11 | 0:07:13 | |
I'm smiling because I'm calm. | 0:07:13 | 0:07:16 | |
Please, my good friends, let me go. I will not do anything. | 0:07:16 | 0:07:22 | |
I think we'll just leave things as they are for a bit. | 0:07:22 | 0:07:24 | |
Until he stops smiling. | 0:07:24 | 0:07:27 | |
OK, I'm not smiling. Get me out of this! | 0:07:27 | 0:07:30 | |
Get me out of this! | 0:07:30 | 0:07:31 | |
That's worse than the smiling. | 0:07:31 | 0:07:33 | |
Can we turn him to the wall? | 0:07:33 | 0:07:35 | |
SMASHING AND CLATTERING | 0:07:37 | 0:07:38 | |
Oh, you hear? You hear what they are doing? | 0:07:38 | 0:07:41 | |
Yeah, and it could be you they're doing it to, you idiot. | 0:07:41 | 0:07:43 | |
Yes, you want to calm down or you'll be hyperventilating yourself. | 0:07:43 | 0:07:47 | |
-We'll have to put a paper bag over your head. -No, no, no. Don't, don't. | 0:07:47 | 0:07:50 | |
-Should I? -No. Sorry, Bulent, we'll just have to sit it out. | 0:07:50 | 0:07:55 | |
Well, it might be a while. | 0:07:55 | 0:07:56 | |
-It's kicking off everywhere, according to Twitter. -What? | 0:07:56 | 0:08:00 | |
What are you on about? He's long gone. | 0:08:01 | 0:08:03 | |
Who? | 0:08:05 | 0:08:06 | |
Hitler. | 0:08:06 | 0:08:08 | |
Not Hitler. Twitter. Twitter. According to Twitter. | 0:08:09 | 0:08:13 | |
I have absolutely no idea what you are on about. | 0:08:14 | 0:08:19 | |
The police are saying if you're in a safe place to stay there. | 0:08:19 | 0:08:22 | |
-Well, I guess that's all there is to it. -Are you all right, Katya? | 0:08:22 | 0:08:25 | |
-Why are they doing this? -It's the butcher's kids. | 0:08:31 | 0:08:34 | |
They've been coughing on chops so he's doing them two-for-one | 0:08:36 | 0:08:39 | |
and all this has kicked off. | 0:08:39 | 0:08:40 | |
-Thanks for that. -Oh. No problem. | 0:08:42 | 0:08:45 | |
I hope it didn't seem like I was, you know... | 0:08:46 | 0:08:50 | |
What? | 0:08:50 | 0:08:51 | |
A... You know, a... | 0:08:51 | 0:08:52 | |
..a Westerner suppressing him. | 0:08:54 | 0:08:55 | |
Listen, I'm a bit worried about Arthur. | 0:09:00 | 0:09:04 | |
Arthur likes having an audience. | 0:09:04 | 0:09:06 | |
-Right? -Well, now he's got one. | 0:09:06 | 0:09:10 | |
All of us. And we can't leave. | 0:09:10 | 0:09:15 | |
Have you ever seen Arthur perform? | 0:09:15 | 0:09:17 | |
Yes. | 0:09:17 | 0:09:18 | |
Once he rented the library and did a little show, you know. | 0:09:20 | 0:09:25 | |
Everyone went. Well, everyone except Bulent. | 0:09:25 | 0:09:29 | |
Trying to be polite, you know. | 0:09:29 | 0:09:30 | |
Katya fell asleep so she missed the worst of it | 0:09:30 | 0:09:34 | |
but we saw all of it. | 0:09:34 | 0:09:36 | |
Listen, you two, it's about Arthur. | 0:09:39 | 0:09:41 | |
Yeah, I've told him. | 0:09:41 | 0:09:42 | |
Did you tell him about the little show? | 0:09:42 | 0:09:44 | |
However bad she says it was, | 0:09:46 | 0:09:48 | |
it was 100 times worse. | 0:09:48 | 0:09:50 | |
We've got to keep his mind on other things, Michael. | 0:09:50 | 0:09:53 | |
We mustn't let him do a little show. | 0:09:53 | 0:09:55 | |
For God's sake, don't let him do a little show. | 0:09:56 | 0:09:59 | |
It's good stuff, this, isn't it? | 0:10:02 | 0:10:05 | |
It's very effective. | 0:10:05 | 0:10:07 | |
How much do you pay for a roll of that then? | 0:10:07 | 0:10:10 | |
£2.50, wholesale. | 0:10:10 | 0:10:11 | |
-That's quite reasonable, isn't it? -Yes, it's not bad, actually. | 0:10:11 | 0:10:14 | |
My cousin in the market... Look, just put it back on the shelf! | 0:10:14 | 0:10:19 | |
-I thought you'd have more food than this in here. -Mind your business. | 0:10:19 | 0:10:22 | |
-Leave my shelves alone. -I'm only thinking ahead, Bulent. | 0:10:22 | 0:10:25 | |
I don't know how long we'll be here, do I? | 0:10:25 | 0:10:27 | |
Anything you eat, you pay for. Double. | 0:10:27 | 0:10:29 | |
Yes, but surely in the circumstances, | 0:10:29 | 0:10:31 | |
you'll allow us some dinner on the house? | 0:10:31 | 0:10:33 | |
I mean, when I left home this morning | 0:10:33 | 0:10:35 | |
I didn't know I'd be involved in a siege situation, did I? | 0:10:35 | 0:10:38 | |
CRASHING | 0:10:38 | 0:10:39 | |
I don't think we'll be in here too long. SIREN WAILS IN DISTANCE | 0:10:40 | 0:10:43 | |
These things tend to flare up and blow over pretty quickly, don't they? | 0:10:43 | 0:10:47 | |
Well, you're saying that, you know, | 0:10:47 | 0:10:49 | |
but look at the wooden horse of Troy - | 0:10:49 | 0:10:51 | |
that went on for months. | 0:10:51 | 0:10:53 | |
It was ten years, actually. | 0:10:53 | 0:10:54 | |
They spent ten years waiting in a horse? | 0:10:54 | 0:10:58 | |
No, no, the siege of Troy lasted ten years. Or that's how the story goes. | 0:10:58 | 0:11:02 | |
There wasn't actually a big wooden horse that people hid inside. | 0:11:02 | 0:11:05 | |
That's a myth. | 0:11:05 | 0:11:07 | |
I'm not so sure. | 0:11:07 | 0:11:08 | |
You believe in a big wooden horse full of people but not the Olympics? | 0:11:10 | 0:11:15 | |
Ten years? I'm not stopping in here for ten years. | 0:11:15 | 0:11:18 | |
What will we do with ourselves? How will we keep ourselves entertained? | 0:11:18 | 0:11:22 | |
-What if...? -Arthur, | 0:11:24 | 0:11:26 | |
-who do you fancy in the 4:15 at Chepstow? -Lucky Madam. | 0:11:26 | 0:11:30 | |
She's running good, is Lucky Madam. | 0:11:30 | 0:11:32 | |
Let's keep talking about racing. | 0:11:32 | 0:11:34 | |
Here. Here's the paper. Have a look and see who's running tomorrow. | 0:11:34 | 0:11:38 | |
All right. Oh, it's a good line-up tomorrow, actually. | 0:11:38 | 0:11:41 | |
Laugh A Minute, | 0:11:41 | 0:11:42 | |
Great Showman, | 0:11:42 | 0:11:44 | |
Dancing Dandy, | 0:11:44 | 0:11:46 | |
Stunning Performance, | 0:11:46 | 0:11:47 | |
Under The Spotlight. | 0:11:47 | 0:11:49 | |
-What about the crossword? -The crossword. | 0:11:49 | 0:11:51 | |
Let's do the crossword. That'll help pass the time. | 0:11:51 | 0:11:54 | |
I suppose we could do the crossword. I've not seen today's. | 0:11:54 | 0:11:57 | |
Let's have a look. | 0:11:57 | 0:11:59 | |
Oh, you've made a start on this. Six down. | 0:11:59 | 0:12:02 | |
Major sporting event of 2012 beginning with O. | 0:12:03 | 0:12:08 | |
Well, we know it's not the Olympics, don't we, Eggy? | 0:12:08 | 0:12:12 | |
So we can rule that out. | 0:12:12 | 0:12:14 | |
Arthur, why don't you put on a little show? | 0:12:14 | 0:12:17 | |
To keep our spirits up like that one you did in the library. | 0:12:19 | 0:12:23 | |
What an absolutely marvellous idea! | 0:12:23 | 0:12:27 | |
What about the crossword, Arthur? | 0:12:27 | 0:12:29 | |
Bugger the crossword! This is much more important. | 0:12:29 | 0:12:32 | |
Singing on the Underground. We'll Meet Again. | 0:12:32 | 0:12:35 | |
A bit of the old Blitz spirit. That's what's needed here. | 0:12:35 | 0:12:38 | |
Isn't that right, Katya? | 0:12:38 | 0:12:39 | |
SHE SNORES LOUDLY | 0:12:39 | 0:12:40 | |
Right, settle down. | 0:12:40 | 0:12:42 | |
Oh, this is going to be great. | 0:12:43 | 0:12:45 | |
I don't want to watch a show. | 0:12:45 | 0:12:47 | |
-HE LAUGHS -Oh, very funny, Bulent. | 0:12:47 | 0:12:50 | |
Oh, this riot has turned out to be a blessing in disguise, hasn't it? | 0:12:50 | 0:12:54 | |
-Excuse me. -Be a man, John. | 0:12:54 | 0:12:57 | |
For God's sake, be a man. | 0:12:57 | 0:12:59 | |
Jesus Christ. | 0:13:03 | 0:13:05 | |
Superstar. | 0:13:05 | 0:13:06 | |
The Sound Of Music. | 0:13:08 | 0:13:09 | |
The Phantom Of The Opera. | 0:13:10 | 0:13:13 | |
Cats, Oliver, Chess. | 0:13:13 | 0:13:14 | |
The King And Me. | 0:13:14 | 0:13:16 | |
The Wizard Of Iz. | 0:13:17 | 0:13:19 | |
And, of course, who could forget the world's longest-running musical | 0:13:19 | 0:13:23 | |
about a French revolution? | 0:13:23 | 0:13:26 | |
Les Miserablies... | 0:13:26 | 0:13:29 | |
Ma...mis...mis...lisarablie... abilies. | 0:13:29 | 0:13:33 | |
Mislies...a...ugh...abulous. | 0:13:33 | 0:13:38 | |
Mrs Arbless? Blism... | 0:13:38 | 0:13:40 | |
Mislis...ugh...ugh... oh...ugh...ARGH...ABLES! | 0:13:40 | 0:13:45 | |
Ever since the first caveman howled at the moon and blew on a flute | 0:13:48 | 0:13:54 | |
made out of someone's jawbone, | 0:13:54 | 0:13:57 | |
man has always had the urge to sing, | 0:13:57 | 0:14:01 | |
and sing he has, right up to the present day. | 0:14:01 | 0:14:04 | |
SIREN WAILS IN DISTANCE | 0:14:04 | 0:14:06 | |
I'd like to do for you now some of my favourite tunes. | 0:14:06 | 0:14:09 | |
THEY GROAN | 0:14:09 | 0:14:11 | |
This short selection of 14 songs... | 0:14:11 | 0:14:14 | |
THEY GROAN | 0:14:14 | 0:14:16 | |
..is my gift to you, ending in a medley of the greatest songs | 0:14:16 | 0:14:21 | |
of Sir Andrew Lord...Lloyd Webber. | 0:14:21 | 0:14:24 | |
Hey, do you remember? I was just about to do that bit in the library | 0:14:24 | 0:14:27 | |
when the fire alarm went. | 0:14:27 | 0:14:29 | |
Sorry, what is this? | 0:14:32 | 0:14:34 | |
-He's going to do a little show to keep our spirits up. -Who is he? | 0:14:34 | 0:14:38 | |
He's Count Arthur Strong. He and my dad used to do a double act. | 0:14:38 | 0:14:42 | |
His dad was Max Baker. | 0:14:42 | 0:14:43 | |
WITH RISING INFLECTION: I'm Michael Baker. | 0:14:43 | 0:14:45 | |
I've done it again! | 0:14:45 | 0:14:47 | |
I used to love Max Baker. Wow. This could be great. | 0:14:47 | 0:14:51 | |
# Like a circle in a spiral | 0:14:59 | 0:15:01 | |
# Like a wheel within a wheel | 0:15:01 | 0:15:03 | |
# Never ending or beginning | 0:15:03 | 0:15:05 | |
# On an ever-spinning reel | 0:15:05 | 0:15:07 | |
# Like a snowball down a mountain | 0:15:07 | 0:15:09 | |
# Or a carnival balloon | 0:15:09 | 0:15:11 | |
# Like a carousel that's turning | 0:15:11 | 0:15:13 | |
# Running rings around the moon | 0:15:13 | 0:15:15 | |
# Like a clock whose hands are sweeping | 0:15:15 | 0:15:17 | |
# Past the minutes of its face | 0:15:17 | 0:15:19 | |
# And the world is like an apple | 0:15:19 | 0:15:21 | |
-# Whirling forward... -HE MUMBLES | 0:15:21 | 0:15:24 | |
# Like the circles that you find | 0:15:24 | 0:15:26 | |
# In the windmills of your mind | 0:15:26 | 0:15:29 | |
# Keys that jingle in your pocket | 0:15:29 | 0:15:31 | |
# Words that jangle in your head | 0:15:31 | 0:15:33 | |
# Why did summer go so quick? | 0:15:33 | 0:15:35 | |
# Was it something that I said? | 0:15:35 | 0:15:38 | |
# Lovers walk along the shore | 0:15:38 | 0:15:40 | |
# And leave their footprints in the sand | 0:15:40 | 0:15:43 | |
# Is the sound of distant drumming | 0:15:43 | 0:15:45 | |
# The drumming of your hand? | 0:15:45 | 0:15:47 | |
# When she said that it was over | 0:15:47 | 0:15:49 | |
# You were suddenly aware | 0:15:49 | 0:15:51 | |
# That the autumn leaves were turning | 0:15:51 | 0:15:54 | |
# To the colour of her hair! | 0:15:54 | 0:15:58 | |
# Like a circle in a spiral | 0:15:59 | 0:16:02 | |
# Like a wheel within a wheel | 0:16:02 | 0:16:04 | |
# Never ending nor beginning | 0:16:04 | 0:16:06 | |
# An ever-spinning reel | 0:16:06 | 0:16:09 | |
# As the images unwind | 0:16:09 | 0:16:11 | |
# Like the circles that you find | 0:16:11 | 0:16:14 | |
# In the windmills of your mind! # | 0:16:14 | 0:16:20 | |
HE SOBS | 0:16:20 | 0:16:23 | |
I'm going to go. | 0:16:28 | 0:16:30 | |
-Take me with you, please. Please. -I don't think you should go out there. | 0:16:30 | 0:16:33 | |
I can still hear them milling about. | 0:16:33 | 0:16:35 | |
No, I think I'd like to risk it. | 0:16:35 | 0:16:37 | |
Thank you! Thank you! | 0:16:37 | 0:16:38 | |
And welcome to tonight's show. | 0:16:38 | 0:16:41 | |
I'll be back in a minute. I've just got to do a costume change. | 0:16:41 | 0:16:44 | |
That's like his third song and he thinks he's just started. | 0:16:44 | 0:16:48 | |
No, I'm sorry, I'm going to slip out. Lock the door behind me. | 0:16:48 | 0:16:52 | |
Goodbye. May God have mercy on your souls. | 0:16:52 | 0:16:54 | |
SHOUTING AND SMASHING | 0:16:58 | 0:16:59 | |
That lucky bastard. | 0:16:59 | 0:17:01 | |
BIG BAND MUSIC | 0:17:04 | 0:17:06 | |
OLD WEST MUSIC | 0:17:09 | 0:17:11 | |
JAUNTY MUSIC | 0:17:16 | 0:17:18 | |
CREEPY ORGAN MUSIC | 0:17:23 | 0:17:25 | |
So, I suppose this hasn't done anything | 0:17:36 | 0:17:38 | |
to change your opinion of music. | 0:17:38 | 0:17:40 | |
You know, I exaggerate that to some extent. | 0:17:41 | 0:17:45 | |
My dad was always trying to push me into things. Music was one of them. | 0:17:45 | 0:17:49 | |
Show tunes. He was always trying to get me to sing. | 0:17:49 | 0:17:53 | |
So I...I developed this sort of, "I hate music," thing. | 0:17:53 | 0:17:58 | |
It's not true. Not really. | 0:17:58 | 0:18:00 | |
God, what was that song he was always trying to get me to do? | 0:18:00 | 0:18:04 | |
One about... | 0:18:04 | 0:18:05 | |
Oh, from the Audrey Hepburn film. What was it? | 0:18:05 | 0:18:08 | |
Oh, I used to love it. Er... | 0:18:08 | 0:18:12 | |
Oh, anyway. | 0:18:12 | 0:18:13 | |
Can you believe Katya's still asleep? | 0:18:16 | 0:18:19 | |
You've got to envy that. | 0:18:19 | 0:18:20 | |
SHE GIGGLES | 0:18:22 | 0:18:23 | |
-I reckon there's nobody out there, you know. -Oh, my God! | 0:18:30 | 0:18:35 | |
No, it's just very convenient that we were | 0:18:35 | 0:18:37 | |
talking about the Olympics and then that happened. | 0:18:37 | 0:18:39 | |
I can hear them out there. YOU can hear them. | 0:18:39 | 0:18:42 | |
It could be a recording. | 0:18:42 | 0:18:44 | |
It might all be faked, like the moon landings. | 0:18:44 | 0:18:47 | |
Oh, God, Eggy! Come on, you have to believe in some things | 0:18:47 | 0:18:51 | |
otherwise you just...you go mad. | 0:18:51 | 0:18:53 | |
No, no. | 0:18:53 | 0:18:54 | |
You can't pull the wool over my eyes. | 0:18:54 | 0:18:57 | |
Last time anyone did that, I looked quite the fool. | 0:18:57 | 0:19:00 | |
Quite the fool. | 0:19:00 | 0:19:02 | |
-And my wife, she... -You're married? | 0:19:03 | 0:19:05 | |
I was, yes. | 0:19:06 | 0:19:07 | |
I thought we were happy. | 0:19:09 | 0:19:12 | |
But that wasn't true. | 0:19:13 | 0:19:14 | |
Evening classes, she said she was doing. | 0:19:16 | 0:19:20 | |
But that wasn't what she was doing. | 0:19:22 | 0:19:24 | |
It wasn't that at all. | 0:19:25 | 0:19:26 | |
No, no, no. | 0:19:29 | 0:19:30 | |
Not falling for that again. | 0:19:32 | 0:19:34 | |
Not falling for anything again. | 0:19:36 | 0:19:37 | |
And now it's the 1960s! | 0:19:44 | 0:19:47 | |
Oh, this is a duet. You could do this with me. | 0:19:47 | 0:19:49 | |
-I'm not going to sing with you, Arthur. -Oh, go on. | 0:19:49 | 0:19:52 | |
-Me and your dad used to do this one. -No. -Oh, well, suit yourself. | 0:19:52 | 0:19:55 | |
Ladies and gentlemen, close your eyes and imagine, if you will, | 0:19:55 | 0:20:00 | |
a young Julie Andrews. | 0:20:00 | 0:20:02 | |
MEDLEY OF SHOW TUNE MUSIC | 0:20:03 | 0:20:06 | |
-Arthur. -# La, da, da-da, da, da-da! # | 0:20:26 | 0:20:29 | |
Arthur, please. Please! | 0:20:29 | 0:20:31 | |
Arthur, I'm sorry. I'm going to have to ask you to stop... | 0:20:31 | 0:20:36 | |
entertaining everyone. | 0:20:36 | 0:20:37 | |
-But I've got to do my Shakespeare yet. -What? | 0:20:37 | 0:20:41 | |
Yeah. When I was going to finish my musical show, | 0:20:41 | 0:20:43 | |
I was going to do my Shakespeare show. | 0:20:43 | 0:20:45 | |
No, I'm sorry, Arthur. I think if you do Shakespeare someone might die. | 0:20:45 | 0:20:49 | |
We're...we're very grateful though, you know, for... | 0:20:51 | 0:20:55 | |
for keeping our spirits up. | 0:20:55 | 0:20:57 | |
No, we're not! We're not grateful! You are... Hey! | 0:20:57 | 0:21:00 | |
Oh, bravo! Bravo! | 0:21:00 | 0:21:03 | |
Thank you, Katya! | 0:21:03 | 0:21:04 | |
More! More! | 0:21:04 | 0:21:06 | |
Oh, I couldn't. I couldn't. | 0:21:06 | 0:21:08 | |
-Oh, go on then! -No! | 0:21:08 | 0:21:11 | |
You see? You see? They hated it! | 0:21:11 | 0:21:13 | |
Just shut up! | 0:21:13 | 0:21:14 | |
You made a terrible situation many times worse. | 0:21:14 | 0:21:16 | |
And that show you put on was the worst thing I've ever seen! | 0:21:16 | 0:21:19 | |
Hey, listen, it's in my blood, is show business. | 0:21:19 | 0:21:22 | |
Well, then go and work in a box office somewhere. | 0:21:22 | 0:21:24 | |
Sell ice creams in the interval. | 0:21:24 | 0:21:25 | |
Just stay off the stage. You don't belong there! | 0:21:25 | 0:21:27 | |
You bring misery to everyone who sees you perform! | 0:21:27 | 0:21:31 | |
-Bulent! -No, no, Sinem. Let him speak his mind. | 0:21:31 | 0:21:33 | |
So, which bit didn't you like then? | 0:21:35 | 0:21:36 | |
All of it! All of it! | 0:21:36 | 0:21:38 | |
You have no talent. None. That's why his old man left you behind. | 0:21:38 | 0:21:41 | |
Because you have no talent! | 0:21:41 | 0:21:42 | |
SHE GROANS | 0:21:44 | 0:21:47 | |
-Are you all right, Katya? -My pills. I have to take my pills. | 0:21:47 | 0:21:51 | |
-Where are they? -Out there, under my table, in the Iceland bag. | 0:21:51 | 0:21:56 | |
Oh, I'm sorry, Katya, but we might have to wait till all this is over. | 0:21:56 | 0:22:00 | |
-They're for flatulence. -We're going to get you those pills, Katya. | 0:22:00 | 0:22:04 | |
-Oh! Hold my hand! Hold my hand! -Oh, God. | 0:22:04 | 0:22:09 | |
-Where are you going? -I'm going to get Katya's pills. | 0:22:09 | 0:22:11 | |
No, don't you go. I'll go. | 0:22:11 | 0:22:13 | |
-Don't let go! -Oh! -It's not a good idea, Arthur. I'll go. | 0:22:13 | 0:22:17 | |
No, no, no. You stay where you are, John. | 0:22:17 | 0:22:19 | |
It's been made perfectly clear to me | 0:22:19 | 0:22:21 | |
that my presence here has been at best tolerated. | 0:22:21 | 0:22:25 | |
-No... -No, no. I know where I stand. | 0:22:25 | 0:22:29 | |
I've lived my life. | 0:22:29 | 0:22:31 | |
Now step aside, everybody, if you will, | 0:22:33 | 0:22:36 | |
and allow me to retrieve Katya's flatulence tablets. | 0:22:36 | 0:22:40 | |
I may be some time. | 0:22:42 | 0:22:44 | |
Oh, well done(!) Oh, very brave(!) An old man. | 0:22:49 | 0:22:52 | |
You, you shouldn't have let him leave. | 0:22:52 | 0:22:54 | |
-You shouldn't have said those things. -You could have defended him. | 0:22:54 | 0:22:57 | |
But you didn't. Because you know I'm right. You all do. | 0:22:57 | 0:23:00 | |
He can't sing, he can't dance, he can't do anything! | 0:23:00 | 0:23:02 | |
And you're conning him when you kid him otherwise. | 0:23:02 | 0:23:04 | |
KATYA GROANS All right, all right, all right, Katya. | 0:23:04 | 0:23:07 | |
Let's just try and think of something else. | 0:23:07 | 0:23:09 | |
Just imagine we're not here, not in a store room. We're in Poland. | 0:23:09 | 0:23:12 | |
We're in Krakow with...um... | 0:23:12 | 0:23:16 | |
-Lech Walesa. -No, no! | 0:23:16 | 0:23:17 | |
Donald Sutherland. | 0:23:17 | 0:23:19 | |
I like Donald Sutherland. | 0:23:19 | 0:23:21 | |
OK, in Krakow with Donald Sutherland | 0:23:21 | 0:23:24 | |
and you are eating golonka | 0:23:24 | 0:23:27 | |
and watching...MASH...the film, not the food. | 0:23:27 | 0:23:30 | |
-Oh! -So sorry, Katya, I don't really know much about Poland. | 0:23:30 | 0:23:34 | |
I've been to Sweden. | 0:23:34 | 0:23:35 | |
Could you sing to me? | 0:23:35 | 0:23:37 | |
I don't really... I'm not... I don't. | 0:23:37 | 0:23:41 | |
-SINEM: -Here he is! | 0:23:41 | 0:23:42 | |
Look what I got. A pair of pumps and a telly. | 0:23:42 | 0:23:46 | |
Hey, they've still got the labels on them as well. | 0:23:46 | 0:23:49 | |
Oh, hey, and feel in my pocket. | 0:23:49 | 0:23:51 | |
-They're for you. -Did you get my pills? | 0:23:51 | 0:23:54 | |
Oh, for crying out loud. | 0:23:54 | 0:23:55 | |
I knew there was something. Here, hold that, you. | 0:23:55 | 0:24:00 | |
-I'll be back in a minute now I've remembered. -No, Arthur, don't. | 0:24:00 | 0:24:04 | |
-BOY: -What's in here then? -Oh, ho! Come in here, you. Look at this. | 0:24:04 | 0:24:07 | |
-One of the ringleaders, I'll bet. -What are you talking about? | 0:24:07 | 0:24:09 | |
-I'm not a ringleader of nothing, man. -I'll kill him! | 0:24:09 | 0:24:12 | |
Now, now, Bulent. Don't go jumping the gun. | 0:24:12 | 0:24:14 | |
We haven't asked him what his demands are yet. | 0:24:14 | 0:24:17 | |
What are your demands? | 0:24:17 | 0:24:19 | |
I haven't got any demands. | 0:24:19 | 0:24:21 | |
Well, you're not much of a ringmaster then, are you? | 0:24:21 | 0:24:23 | |
You smashed up my cafe, my business! | 0:24:23 | 0:24:25 | |
I didn't smash nothing up. | 0:24:25 | 0:24:27 | |
-I'll smash you. -Oh, yeah? | 0:24:27 | 0:24:28 | |
How are you going to do that, bruv? You're all wrapped up. | 0:24:28 | 0:24:31 | |
Look, I just wanted a fizzy slush, yeah? | 0:24:31 | 0:24:34 | |
I'll pay for it. Look. | 0:24:34 | 0:24:36 | |
-SINEM: You like those? -No, my girlfriend loves them. | 0:24:36 | 0:24:39 | |
I think they're disgusting. | 0:24:39 | 0:24:40 | |
Aaargh! | 0:24:40 | 0:24:42 | |
THEY SHOUT | 0:24:42 | 0:24:44 | |
Please, don't... No... Bulent... Uh...um... | 0:24:47 | 0:24:52 | |
# Moon River, wider than a mile | 0:24:52 | 0:24:56 | |
# I'm crossing you in style someday | 0:24:56 | 0:25:00 | |
# Oh, dream-maker, you heart-breaker | 0:25:00 | 0:25:05 | |
# Wherever you're going I'm going your way | 0:25:05 | 0:25:09 | |
-TOGETHER: -# Two drifters Off to see the world | 0:25:09 | 0:25:14 | |
# There's such a lot of world to see | 0:25:14 | 0:25:19 | |
# We're after the same rainbow's end | 0:25:19 | 0:25:25 | |
# Waiting round the bend | 0:25:25 | 0:25:27 | |
# My huckleberry friend | 0:25:27 | 0:25:30 | |
# Moon River and me! # | 0:25:30 | 0:25:38 | |
You people are mental. Who are you? | 0:25:45 | 0:25:48 | |
I'm Michael Baker. | 0:25:48 | 0:25:51 | |
Now that's how you say it! | 0:25:51 | 0:25:52 | |
Why are you still in here, anyway? You know it's all over. | 0:25:54 | 0:25:57 | |
-Oh, yeah, it was a very quiet when I was out there. -For God's sake. | 0:25:57 | 0:26:01 | |
Why didn't you tell us? We can all leave. Come on, Katya, let's go. | 0:26:01 | 0:26:04 | |
Hey, hey, hey! What are you doing? | 0:26:10 | 0:26:12 | |
Have you seen the state of the place, mate? | 0:26:12 | 0:26:14 | |
How long have you been here? | 0:26:14 | 0:26:16 | |
Just under an hour. | 0:26:16 | 0:26:18 | |
-JOHN: -Oh, look at this. | 0:26:19 | 0:26:21 | |
Hey, there really was a riot. | 0:26:21 | 0:26:25 | |
This story shall the good man teach his son | 0:26:46 | 0:26:50 | |
And Crispin Crispian will ne'er go by | 0:26:50 | 0:26:53 | |
From this day to the ending of the world | 0:26:53 | 0:26:56 | |
But we in it shall be remember'd | 0:26:56 | 0:26:59 | |
We few, we happy few We band of brothers | 0:27:00 | 0:27:07 | |
For he today that sheds his blood with me | 0:27:07 | 0:27:11 | |
Shall be my brother Be he ne'er so vile | 0:27:11 | 0:27:14 | |
This day shall gentle his condition | 0:27:14 | 0:27:17 | |
And gentlemen in England now a-bed | 0:27:17 | 0:27:20 | |
Will think themselves accursed they were not here | 0:27:20 | 0:27:24 | |
And hold their manhoods cheap whiles any speaks | 0:27:24 | 0:27:27 | |
That fought with us upon Saint Crispin's day. | 0:27:27 | 0:27:31 | |
In the windmills of your mind! | 0:27:31 | 0:27:35 | |
-BULENT: -Oh, look at this! Look at this! | 0:27:44 | 0:27:47 | |
Hey! The fizzy slush machine's OK! | 0:27:47 | 0:27:49 | |
-KATYA: -My pills! | 0:27:56 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:04 |