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-CAR HORN BLARES -You bloody idiot! | 0:00:15 | 0:00:17 | |
Can you not see I've got a dog with me? | 0:00:17 | 0:00:20 | |
Right, are you all here? | 0:00:20 | 0:00:22 | |
One, two, three... It's nearly enough, come on. | 0:00:22 | 0:00:24 | |
Come on, come on, let's get down here. | 0:00:24 | 0:00:27 | |
Stop pulling, you! | 0:00:27 | 0:00:28 | |
-DOG BARKS -Stop it! | 0:00:28 | 0:00:30 | |
What's going on here? | 0:00:30 | 0:00:31 | |
DOG BARKS | 0:00:31 | 0:00:33 | |
Oh! Come on, we're going back up this way. | 0:00:34 | 0:00:37 | |
Get back on the pavement, come on! | 0:00:37 | 0:00:39 | |
Of course he's late, he doesn't know what time is. | 0:00:39 | 0:00:42 | |
I'm going to have to go. It's a shame. | 0:00:42 | 0:00:45 | |
I think you've had a lucky escape, to be honest. | 0:00:45 | 0:00:47 | |
Why you want any more of HIM in the book... | 0:00:47 | 0:00:49 | |
Michael, I hate to say this, but every time he pops up in the book, | 0:00:49 | 0:00:52 | |
it's wonderful. He's a character. | 0:00:52 | 0:00:54 | |
Yes... | 0:00:56 | 0:00:57 | |
Yes, he is a character. | 0:00:58 | 0:01:01 | |
The book just springs to life. | 0:01:01 | 0:01:03 | |
It's suddenly so full of fun and energetic. It crackles with life. | 0:01:03 | 0:01:08 | |
Do people really want to read a book like that? | 0:01:08 | 0:01:11 | |
Yes. Yes, they do. | 0:01:11 | 0:01:15 | |
Mmm... | 0:01:15 | 0:01:17 | |
Just fill him in a bit more. You said he was an actor at one point. | 0:01:17 | 0:01:21 | |
That's what he told me. | 0:01:21 | 0:01:22 | |
I got him a job in a radio play - the director will never work again. | 0:01:22 | 0:01:25 | |
SHE CHUCKLES | 0:01:25 | 0:01:27 | |
It's not funny, Sheila. | 0:01:27 | 0:01:28 | |
He brings chaos and misery wherever he goes. | 0:01:28 | 0:01:31 | |
It's really beginning to get me down. | 0:01:31 | 0:01:33 | |
I think I've had quite enough of Count Arthur Strong. | 0:01:33 | 0:01:36 | |
-Hello, Michael. -Hi. | 0:01:36 | 0:01:39 | |
Eggy. | 0:01:40 | 0:01:41 | |
I'm late. Love you! See you. | 0:01:42 | 0:01:45 | |
You are waiting for a woman! | 0:01:50 | 0:01:54 | |
I met a woman. Just there. | 0:01:57 | 0:01:59 | |
I was right. I have the gift, you see. | 0:01:59 | 0:02:03 | |
The second sight. | 0:02:03 | 0:02:05 | |
Yes. | 0:02:05 | 0:02:06 | |
(Or just sight.) | 0:02:08 | 0:02:09 | |
The shadow of death. | 0:02:11 | 0:02:12 | |
What? | 0:02:14 | 0:02:16 | |
The shadow of death is here. | 0:02:16 | 0:02:19 | |
-What do you mean? -You are in grave danger. | 0:02:20 | 0:02:24 | |
Why am I in danger? | 0:02:24 | 0:02:26 | |
BARKING | 0:02:26 | 0:02:27 | |
Come on, you bloody thing! Get in! | 0:02:27 | 0:02:29 | |
Where have you been? What's going on?! | 0:02:29 | 0:02:31 | |
I've got my dog walking today, you knew that. | 0:02:31 | 0:02:33 | |
And I tell you what, they walked my bloody legs off, this lot have, | 0:02:33 | 0:02:36 | |
and you have to pick up all the mess. | 0:02:36 | 0:02:38 | |
Arthur... | 0:02:38 | 0:02:40 | |
You can't bring a bag of poo into a cafe. | 0:02:40 | 0:02:43 | |
Why not? Oh, don't tell me, bloody Brussels! | 0:02:43 | 0:02:47 | |
No, it's not Brussels, Arthur, it's everyone. Everyone agrees on that. | 0:02:47 | 0:02:52 | |
Katya, my Polish princess, I'll chat to you later. | 0:02:52 | 0:02:55 | |
Something big has come up. | 0:02:55 | 0:02:56 | |
Here, I need a favour, I need you to hold onto these. | 0:02:56 | 0:03:00 | |
-Where are you going? -The owners will be by to pick them up. | 0:03:00 | 0:03:03 | |
-I'll have your umbrella as well. -Arthur, don't do this! Don't do this to me! | 0:03:03 | 0:03:07 | |
-I don't think Bulent will like you bringing them dogs in. -I haven't brought them in! | 0:03:08 | 0:03:13 | |
-Unless they're guide dogs. -HEY! You can't bring those dogs in here! | 0:03:13 | 0:03:16 | |
-I didn't, I haven't. -I think they're guide dogs. | 0:03:16 | 0:03:19 | |
-You can't bring dogs into a cafe! -I think you can if they're guide dogs. | 0:03:19 | 0:03:22 | |
They're not guide dogs! Does this look like a guide dog? | 0:03:22 | 0:03:26 | |
Take them out! Move, move, move! | 0:03:28 | 0:03:30 | |
They're Arthur's. I'm holding them for him. | 0:03:30 | 0:03:32 | |
No dogs allowed in the cafe! It's a cafe! What's this? | 0:03:32 | 0:03:35 | |
That's not mine! I have nothing to do with that! | 0:03:35 | 0:03:38 | |
Thank you very much, that was great. Really, really good. | 0:03:40 | 0:03:43 | |
(Very impressive.) | 0:03:43 | 0:03:45 | |
-So it's a dog act? -No. | 0:03:51 | 0:03:53 | |
Well, it's not a dog act per se. | 0:03:59 | 0:04:01 | |
I mean, there's two of us up here, so it's a dog and a human act. | 0:04:01 | 0:04:05 | |
Sorry, I pointed the wrong way round then. Human, dog. | 0:04:05 | 0:04:09 | |
Yes... | 0:04:10 | 0:04:11 | |
But what I would make clear at this moment is that the dog | 0:04:11 | 0:04:14 | |
is very much the junior partner in what we're doing, | 0:04:14 | 0:04:16 | |
so I'd ask you to address any future questions to me. | 0:04:16 | 0:04:20 | |
Right... | 0:04:20 | 0:04:21 | |
He's not the brains of the operation. No offence. | 0:04:21 | 0:04:25 | |
(I mean, dogs don't have much of a brain, do they?) | 0:04:25 | 0:04:28 | |
If they did, they'd be ruling the world, riding round on horses | 0:04:28 | 0:04:32 | |
with machine guns, like the monkeys did that time. | 0:04:32 | 0:04:35 | |
Glad all that's blown over. | 0:04:36 | 0:04:38 | |
Oh, sorry. I just started thinking about monkeys' bottoms then. | 0:04:41 | 0:04:45 | |
You know, the red ones. | 0:04:45 | 0:04:47 | |
Horrible! | 0:04:47 | 0:04:49 | |
I won't be able to get that out of my head now. | 0:04:49 | 0:04:51 | |
Shall I start, then? | 0:04:54 | 0:04:55 | |
Yes, I know I'm not the man. I'm obviously a different man. | 0:04:57 | 0:05:00 | |
He gave me the dogs. | 0:05:00 | 0:05:01 | |
I don't know why you're all taking it out on me. | 0:05:02 | 0:05:05 | |
# Anything you can do I can do better | 0:05:06 | 0:05:10 | |
# I can do everything better than you | 0:05:10 | 0:05:13 | |
# Yes, I can | 0:05:14 | 0:05:16 | |
# Yes, I can | 0:05:16 | 0:05:18 | |
# Yes, I can. Yes, I ca-a-a-an... # | 0:05:18 | 0:05:20 | |
I don't drink from a bowl. That's not how I roll. | 0:05:20 | 0:05:24 | |
HE BEATBOXES BADLY | 0:05:24 | 0:05:26 | |
HE COUGHS VIOLENTLY | 0:05:33 | 0:05:35 | |
LOUD COUGHING CONTINUES | 0:05:37 | 0:05:41 | |
-I don't know what to say. This is the last dog. -But that's not Bunty! | 0:05:41 | 0:05:44 | |
I know, but it's the only dog I have! | 0:05:44 | 0:05:47 | |
-Where is the bloke that I paid to walk him? -I don't know! | 0:05:47 | 0:05:51 | |
-Well, that was a waste of bloody time, wasn't it? -Oh, thank God. | 0:05:51 | 0:05:53 | |
Your problem is you've no ambition. | 0:05:53 | 0:05:55 | |
How hard can it be to hold me by the hand | 0:05:55 | 0:05:58 | |
and dance around like a little gentleman? | 0:05:58 | 0:06:01 | |
Eh? | 0:06:01 | 0:06:02 | |
I don't know... | 0:06:02 | 0:06:04 | |
Bunty! Give him here! | 0:06:04 | 0:06:07 | |
I'm not using you again. | 0:06:08 | 0:06:09 | |
Where were you? I've been threatened with legal action. | 0:06:11 | 0:06:14 | |
Who's that, then? | 0:06:14 | 0:06:16 | |
What do you mean? | 0:06:16 | 0:06:18 | |
-That's not one of the dogs I had. -What? -That's not one of my dogs. | 0:06:18 | 0:06:22 | |
-Well, you gave him to me. -Did I? | 0:06:22 | 0:06:25 | |
Must have picked an extra one up at the park. Do you want to buy him? | 0:06:25 | 0:06:29 | |
No! You have to get it back to its owner. | 0:06:29 | 0:06:32 | |
Check the collar, see if there's a number or something. | 0:06:32 | 0:06:35 | |
There might be a reward! | 0:06:35 | 0:06:36 | |
DOG GROWLS | 0:06:39 | 0:06:41 | |
-I don't think he wants me to. -Hang on, I'll do a bit of dog whispering. | 0:06:41 | 0:06:45 | |
(Shut up.) | 0:06:52 | 0:06:54 | |
Now try. | 0:06:54 | 0:06:56 | |
DOG BARKS | 0:06:57 | 0:06:59 | |
Ow! Ow! | 0:06:59 | 0:07:00 | |
It bit me! | 0:07:00 | 0:07:02 | |
It bit me! | 0:07:02 | 0:07:04 | |
Always looks uncomfortable to me. It looks sore, doesn't it? | 0:07:06 | 0:07:10 | |
-What, my hand? -No, monkeys' bottoms. You know, the big red ones. | 0:07:11 | 0:07:16 | |
The ones that look like a parachute's started to come out. | 0:07:16 | 0:07:21 | |
I wouldn't like to sit on that if I had one. | 0:07:21 | 0:07:23 | |
What are you talking about? | 0:07:25 | 0:07:26 | |
Monkeys' bottoms! | 0:07:28 | 0:07:30 | |
How is the book coming on? | 0:07:30 | 0:07:33 | |
I don't want to talk about the book. | 0:07:33 | 0:07:35 | |
I just want to concentrate on getting to the hospital with my mutilated hand. | 0:07:35 | 0:07:39 | |
Oh, go on. I don't know why you don't let me have a look. | 0:07:39 | 0:07:42 | |
-Why are you coming with me anyway? -Katya asked me to come. | 0:07:42 | 0:07:45 | |
-Why is she coming? -I don't know. | 0:07:50 | 0:07:54 | |
God, I hate all this. | 0:07:59 | 0:08:01 | |
-What? -All this. | 0:08:01 | 0:08:02 | |
I hate hospitals, I hate doctors. | 0:08:02 | 0:08:06 | |
I was a doctor once. | 0:08:06 | 0:08:07 | |
-What? -Oh, yes, a very good one too. | 0:08:09 | 0:08:12 | |
What sort of doctor? | 0:08:12 | 0:08:14 | |
They never told me. | 0:08:14 | 0:08:16 | |
What are you talking about now? | 0:08:16 | 0:08:18 | |
I was in an episode of... Emergency Ward...something. | 0:08:18 | 0:08:22 | |
I was Dr Two. | 0:08:23 | 0:08:24 | |
I was supposed to be Dr Three, | 0:08:24 | 0:08:26 | |
but they bumped me up when the other one got irritable... | 0:08:26 | 0:08:29 | |
owl syndrome. | 0:08:29 | 0:08:31 | |
I had a line in it and everything. | 0:08:33 | 0:08:35 | |
Go on. | 0:08:35 | 0:08:37 | |
Well... | 0:08:37 | 0:08:38 | |
Let's hear it. Let's hear the line. | 0:08:38 | 0:08:41 | |
HE CLEARS HIS THROAT DRAMATICALLY | 0:08:46 | 0:08:47 | |
It's outside my area of expertise. | 0:08:50 | 0:08:53 | |
I'm afraid! | 0:08:53 | 0:08:55 | |
Arthur... | 0:09:06 | 0:09:08 | |
how did you come to believe that you could act? | 0:09:08 | 0:09:11 | |
What? | 0:09:11 | 0:09:13 | |
This is how you say that - | 0:09:13 | 0:09:15 | |
"It's outside my area of expertise, I'm afraid." | 0:09:15 | 0:09:17 | |
No, no, no. | 0:09:17 | 0:09:19 | |
It doesn't sound as if you're afraid of anything if you say it like that! | 0:09:19 | 0:09:23 | |
-He's NOT afraid of anything! -Then what he's saying it for, then? | 0:09:23 | 0:09:27 | |
It's a phrase! | 0:09:27 | 0:09:29 | |
He's not saying he's afraid of things | 0:09:29 | 0:09:31 | |
that are outside his area of expertise. | 0:09:31 | 0:09:34 | |
That's not a frightening thing. | 0:09:34 | 0:09:35 | |
-Oh, what would you know? -I know more than you do, I tell you that. | 0:09:35 | 0:09:39 | |
You playing a doctor? I'll tell you what that is, that is miscasting. | 0:09:39 | 0:09:43 | |
You're more of a crazy grave-digger. | 0:09:43 | 0:09:47 | |
Or a village idiot. | 0:09:47 | 0:09:49 | |
What you're not is anyone that people might mistake | 0:09:49 | 0:09:52 | |
for a person in authority, like a doctor. | 0:09:52 | 0:09:54 | |
You can't act, Arthur! | 0:09:54 | 0:09:56 | |
You can't act! | 0:09:56 | 0:09:58 | |
That is the dog that bit you talking. | 0:10:02 | 0:10:05 | |
You don't know what you're saying. | 0:10:06 | 0:10:08 | |
AAAARRRGGGGHHH! | 0:10:10 | 0:10:12 | |
That's a safety hazard! | 0:10:12 | 0:10:13 | |
What is that? | 0:10:39 | 0:10:40 | |
Oh, of course. | 0:10:42 | 0:10:44 | |
Come on, I know you're in there! | 0:10:46 | 0:10:49 | |
HE GRUNTS | 0:10:50 | 0:10:51 | |
-I got you! -COINS FALL | 0:10:51 | 0:10:53 | |
Where's that gone now? Everybody up, come on. | 0:10:53 | 0:10:57 | |
Oh, no, it's over there. | 0:10:57 | 0:10:58 | |
AAAARRRGGGHHH! | 0:10:58 | 0:11:00 | |
ARTHUR BREAKS WIND | 0:11:07 | 0:11:09 | |
HE SPITS | 0:11:16 | 0:11:18 | |
Wuuuurgh! | 0:11:19 | 0:11:21 | |
What's going on with these, then? | 0:12:11 | 0:12:14 | |
WHY ARE YOU HERE?! | 0:12:18 | 0:12:21 | |
You can go home! There's no reason for you to be here! | 0:12:21 | 0:12:24 | |
-Katya wants me here. -Why is she here?! | 0:12:24 | 0:12:27 | |
I'm the one that needs to see somebody! | 0:12:27 | 0:12:30 | |
Oh, I've had enough of this. I'm going to see what's what. | 0:12:33 | 0:12:36 | |
No, don't, leave them alone! Ohhh... | 0:12:36 | 0:12:38 | |
Do you know how long she has been waiting? | 0:12:39 | 0:12:42 | |
You'll be seen as soon as possible. | 0:12:42 | 0:12:44 | |
Katya, why are you here? | 0:12:45 | 0:12:47 | |
I would never pass up a lift to the hospital. | 0:12:47 | 0:12:51 | |
-Is there actually anything wrong with you? -No. -Right. | 0:12:51 | 0:12:54 | |
I'm sure the doctor will find something. | 0:12:54 | 0:12:58 | |
-I actually do have something wrong with me. -Yes. | 0:12:58 | 0:13:00 | |
-My hand. -Oh, that too. | 0:13:00 | 0:13:03 | |
-Yes. -Yes. | 0:13:03 | 0:13:05 | |
What? | 0:13:06 | 0:13:07 | |
-Katya Zaritska? -Bingo! Here we are. Come on, Katya. | 0:13:07 | 0:13:10 | |
I don't believe this. She's only here recreationally! | 0:13:10 | 0:13:14 | |
-Michael Baker? -Yes, here, thank you. | 0:13:14 | 0:13:17 | |
Right, then... | 0:13:24 | 0:13:26 | |
I'll just sit in here by myself, then, shall I? | 0:13:26 | 0:13:29 | |
Don't worry about me. | 0:13:29 | 0:13:32 | |
Yes, good idea. | 0:13:33 | 0:13:36 | |
I'll have a look at a magazine. | 0:13:37 | 0:13:39 | |
Cor, these bloody chairs. They're a disgrace! | 0:13:44 | 0:13:48 | |
You're right to bring your own. I wish I'd thought of that. | 0:13:48 | 0:13:52 | |
Right, let's see what rubbish is in here. | 0:13:53 | 0:13:56 | |
Jordan. Oh, dear, look at the state of her. | 0:13:56 | 0:14:00 | |
"Why I talk to my boobs." | 0:14:00 | 0:14:03 | |
Dear, oh, dear. | 0:14:04 | 0:14:06 | |
And to think she's got the nerve to call herself somewhere | 0:14:06 | 0:14:09 | |
out of the Bible! | 0:14:09 | 0:14:10 | |
Now, where do you find out why she does it? | 0:14:11 | 0:14:15 | |
Hmm... | 0:14:15 | 0:14:17 | |
The bite's really quite deep. What sort of dog was it? | 0:14:17 | 0:14:20 | |
Um, I don't know about the different types of dogs. | 0:14:20 | 0:14:23 | |
-What happened to the dog? -It ran off. Why, should I have brought it? | 0:14:23 | 0:14:28 | |
It's a good job you came in quickly. | 0:14:28 | 0:14:31 | |
You need a tetanus shot and we may need to take a blood sample. | 0:14:31 | 0:14:35 | |
What? Why? | 0:14:35 | 0:14:36 | |
Well, we don't know anything about the dog that bit you, do we? | 0:14:36 | 0:14:40 | |
Better to be safe than sorry. | 0:14:40 | 0:14:43 | |
-I'm not in any danger, am I? -No, it's...really just for my own curiosity. | 0:14:43 | 0:14:48 | |
Nothing to worry about. | 0:14:48 | 0:14:50 | |
-I'm following your finger. -Yes. -I'm following your finger. | 0:14:50 | 0:14:54 | |
-Haven't you got any cushions? -No! -It's scandalous! | 0:14:54 | 0:14:58 | |
Suppose someone came in with a bottom like one of those monkeys? | 0:14:58 | 0:15:01 | |
I wish I could stop thinking about that. | 0:15:01 | 0:15:05 | |
What would you do then if one of them came in? | 0:15:05 | 0:15:08 | |
Chairs like this should be against the Human League Convention. | 0:15:08 | 0:15:12 | |
There's no friction on them! I keep sliding off. | 0:15:14 | 0:15:17 | |
My thighs are killing me. I'm having to support all my own G-force. | 0:15:17 | 0:15:22 | |
Look...you can sit in the patients' waiting room. | 0:15:22 | 0:15:25 | |
-How about that? -Thank you, um...Ghita. | 0:15:25 | 0:15:29 | |
-Just behave yourself, all right? -I'll be as quiet as a mouse. | 0:15:29 | 0:15:32 | |
No-one will know I'm there. | 0:15:32 | 0:15:34 | |
AAAARRRGGHHH! | 0:15:34 | 0:15:35 | |
Will you please get away from me?! | 0:15:35 | 0:15:37 | |
No, they're the same seats! | 0:15:40 | 0:15:43 | |
What's in here? | 0:15:46 | 0:15:48 | |
DOCTOR YAWNS | 0:15:56 | 0:15:57 | |
Ohhhh! | 0:16:13 | 0:16:15 | |
HE SIGHS CONTENTEDLY | 0:16:18 | 0:16:21 | |
It's more commonly known as rabies. | 0:16:24 | 0:16:27 | |
Rabies?! I have rabies?! | 0:16:27 | 0:16:29 | |
No, no. That's not what I said. | 0:16:29 | 0:16:32 | |
I just need to do a biopsy to rule it out. | 0:16:32 | 0:16:35 | |
Rabies! Rabies! | 0:16:35 | 0:16:39 | |
I thought you got rid of that in the '70s! | 0:16:39 | 0:16:41 | |
-Seriously... -I don't believe it! | 0:16:41 | 0:16:43 | |
Seriously, there is nothing to worry about. | 0:16:43 | 0:16:47 | |
In the highly unlikely event that it is...what I think it is, well, | 0:16:47 | 0:16:50 | |
if you catch it early, it's rarely fatal. | 0:16:50 | 0:16:53 | |
-Who's this? -The police sent a sketch artist. | 0:16:53 | 0:16:57 | |
We may need to put out a description of the dog. | 0:16:57 | 0:17:00 | |
He's going to kill me... He's not going to stop until he's killed me! | 0:17:00 | 0:17:04 | |
Lollipop? | 0:17:06 | 0:17:08 | |
VIOLENT SCRABBLING | 0:17:10 | 0:17:13 | |
INDISTINCT CONVERSATION | 0:17:29 | 0:17:30 | |
Good afternoon, everyone. I see. | 0:17:34 | 0:17:37 | |
Yes, we have a few new faces here today, | 0:17:37 | 0:17:39 | |
so I'd like our team to make the new arrivals feel as welcome as possible. | 0:17:39 | 0:17:44 | |
ALL EXCHANGE GREETINGS | 0:17:44 | 0:17:46 | |
Hello, hello! | 0:17:46 | 0:17:48 | |
Lovely to meet you. Hello. | 0:17:48 | 0:17:51 | |
-Hello. -Right, good. | 0:17:51 | 0:17:53 | |
Lots to do, | 0:17:53 | 0:17:54 | |
so I suggest we take a two-heads-are- better-than-one approach. | 0:17:54 | 0:17:57 | |
If you pair up with someone and be as helpful as we can to our...newbies. | 0:17:57 | 0:18:02 | |
We seemed to have a spare. Dr...? | 0:18:05 | 0:18:07 | |
Doctor Two. Hello. | 0:18:08 | 0:18:11 | |
Doctor Two? | 0:18:11 | 0:18:13 | |
-Unusual name. -Yes, it is, isn't it? -Are you a stray, then? | 0:18:13 | 0:18:17 | |
You could say that. | 0:18:17 | 0:18:19 | |
HE SIGHS | 0:18:22 | 0:18:23 | |
Oh, God! God! Oh, Katya... | 0:18:27 | 0:18:31 | |
What are you doing here? | 0:18:33 | 0:18:35 | |
The doctor found something wrong with me, so it wasn't a wasted trip. | 0:18:35 | 0:18:39 | |
How are you? | 0:18:39 | 0:18:40 | |
I'm not great, to be honest. | 0:18:40 | 0:18:43 | |
It's two o'clock. I've been here for hours. | 0:18:43 | 0:18:45 | |
-Katya, you remember when you talked about the shadow of death? -Oh, yes. | 0:18:46 | 0:18:50 | |
And then Arthur came into the cafe. | 0:18:50 | 0:18:53 | |
Is it Arthur? | 0:18:54 | 0:18:55 | |
Is Arthur the shadow of death? | 0:18:56 | 0:18:59 | |
No, no, no! I got it completely arse-ways. | 0:18:59 | 0:19:03 | |
Arthur is not the shadow of death, quite the opposite. | 0:19:04 | 0:19:07 | |
You know, every day I come to Bulent's cafe. | 0:19:08 | 0:19:12 | |
There are many cafes closer to where I live, but I choose Bulent's. | 0:19:12 | 0:19:17 | |
For the soup? The soup is good, but it is not for the soup. | 0:19:17 | 0:19:22 | |
I come because every time Arthur calls me his Polish princess, | 0:19:22 | 0:19:27 | |
I feel like I'm 20 years old again. | 0:19:27 | 0:19:32 | |
I know he's frustrating, I know he's impossible. | 0:19:32 | 0:19:37 | |
But I feel... I wish everyone could know him a bit. | 0:19:37 | 0:19:42 | |
Life seems too long when there is no Arthur. | 0:19:42 | 0:19:45 | |
Katya, I think he's going to kill me. | 0:19:48 | 0:19:51 | |
I have rabies, Katya. Rabies. | 0:19:53 | 0:19:56 | |
The shadow of death, you said. You said! | 0:19:58 | 0:20:02 | |
Believe me, I couldn't have been more wrong. | 0:20:02 | 0:20:04 | |
You have nothing to fear. | 0:20:04 | 0:20:06 | |
I was eating that! | 0:20:10 | 0:20:12 | |
But you can have it. | 0:20:12 | 0:20:13 | |
DRAMATIC, SUSPENSEFUL MUSIC | 0:20:17 | 0:20:21 | |
How about...that? | 0:21:00 | 0:21:02 | |
None of these are remotely like the dog that bit me. | 0:21:04 | 0:21:07 | |
Oh, well, I've never been very good at dogs. | 0:21:07 | 0:21:11 | |
If it is rabies, we're talking about a potential national emergency. | 0:21:14 | 0:21:18 | |
I know that, that's why I need to do the biopsy. I know it's very unlikely... | 0:21:18 | 0:21:21 | |
With respect, I think you may have jumped the gun a little with your diagnosis. | 0:21:21 | 0:21:24 | |
-ARTHUR: -Hmmm... | 0:21:24 | 0:21:26 | |
-You disagree? -Well... Yes... And no... | 0:21:26 | 0:21:33 | |
-So do you agree we need to rule it out? -Well... | 0:21:33 | 0:21:36 | |
You could put it that way... | 0:21:36 | 0:21:38 | |
You think we should continue with the biopsy? | 0:21:38 | 0:21:41 | |
Oh... Well... | 0:21:41 | 0:21:42 | |
HE MUMBLES INDISTINCTLY | 0:21:42 | 0:21:46 | |
All right, all right. Better safe than sorry, I suppose. | 0:21:48 | 0:21:51 | |
Carry on, Dr Freeman. Thanks, everyone. | 0:21:51 | 0:21:53 | |
Hmmm... Yes... Oh... | 0:21:53 | 0:21:56 | |
HE CONTINUES MUMBLING | 0:21:56 | 0:21:59 | |
So, Michael, we have an observer in today. | 0:22:06 | 0:22:08 | |
-You have no objections, do you? -No, no... | 0:22:08 | 0:22:12 | |
So, this is Paul, he's our anaesthesiologist. | 0:22:15 | 0:22:18 | |
He's going to get started | 0:22:18 | 0:22:20 | |
and then I'll pop back before you go under, OK? | 0:22:20 | 0:22:22 | |
Right... And he's qualified, is he? | 0:22:22 | 0:22:24 | |
Hope so! | 0:22:24 | 0:22:26 | |
OK, so you should feel the effects of that in a few seconds. | 0:22:28 | 0:22:32 | |
All right, Michael? | 0:22:32 | 0:22:33 | |
That's not so bad... | 0:22:36 | 0:22:37 | |
HE CHUCKLES WEAKLY | 0:22:37 | 0:22:38 | |
It's a bit like having a bubble bath. | 0:22:38 | 0:22:41 | |
It's rather nice... | 0:22:43 | 0:22:44 | |
Thanks for your input earlier. | 0:22:44 | 0:22:46 | |
This is a needle biopsy, so we will be administering | 0:22:46 | 0:22:49 | |
-a general anaesthetic for the patient's comfort. -Yes. | 0:22:49 | 0:22:51 | |
-How is the patient's blood pressure? -Pretty good, pretty good. | 0:22:51 | 0:22:55 | |
Paul is one of our best. | 0:22:55 | 0:22:57 | |
-OK, Michael, this is Dr Perle and Dr Two. -Hello, Michael. | 0:23:03 | 0:23:07 | |
INDISTINCT CRIES OF PROTEST | 0:23:10 | 0:23:13 | |
Dr Two will be observing, if that's all right by you. | 0:23:16 | 0:23:20 | |
GARBLED: Eee no a o'or...! | 0:23:20 | 0:23:22 | |
Ee no a o'or! | 0:23:22 | 0:23:24 | |
Ee...! | 0:23:24 | 0:23:27 | |
He no a octor! | 0:23:28 | 0:23:30 | |
He's...! | 0:23:30 | 0:23:32 | |
He no a octor! | 0:23:33 | 0:23:35 | |
HE RAVES INCOHERENTLY | 0:23:35 | 0:23:39 | |
Ee no a o'or. | 0:23:41 | 0:23:43 | |
Michael, what are you doing? | 0:23:43 | 0:23:45 | |
HE RAVES | 0:23:45 | 0:23:47 | |
Just lie down, Michael. | 0:23:48 | 0:23:50 | |
Just lie down, please! | 0:23:52 | 0:23:54 | |
HE RAVES INCOHERENTLY | 0:23:54 | 0:23:56 | |
-Michael... Michael, please... Michael... -Ee no a o'or! | 0:24:01 | 0:24:05 | |
He's not wearing any underpants! | 0:24:05 | 0:24:08 | |
Help! Help! | 0:24:08 | 0:24:09 | |
HE RAVES | 0:24:10 | 0:24:13 | |
HIS VOICE FADES | 0:24:13 | 0:24:19 | |
I've never seen anything like that in my life. What was he saying? | 0:24:19 | 0:24:22 | |
I don't know, nonsense phrases. | 0:24:22 | 0:24:23 | |
I'm not sure what it actually means. | 0:24:23 | 0:24:25 | |
I've never seen anything like it! | 0:24:25 | 0:24:26 | |
Have you, Doctor? | 0:24:26 | 0:24:28 | |
It's outside my area of expertise. | 0:24:28 | 0:24:32 | |
I'm afraid! | 0:24:32 | 0:24:34 | |
There's no need to be afraid. Look, he's just going under now. You're safe. | 0:24:35 | 0:24:39 | |
And then they put the needle right into the hole! | 0:24:41 | 0:24:44 | |
-I couldn't believe it! -Stop talking about that. | 0:24:44 | 0:24:47 | |
-I don't want to think about it. -I know. | 0:24:47 | 0:24:48 | |
It's like me and those monkeys' bottoms. Or YOUR bottom! | 0:24:48 | 0:24:53 | |
That's up there too now. | 0:24:53 | 0:24:54 | |
Arthur, what are we doing here? We can go. I don't have rabies, Arthur. | 0:24:56 | 0:24:59 | |
No, I know, but I'm going to wait for Katya. | 0:24:59 | 0:25:02 | |
Oh, yes, Katya. Well... | 0:25:02 | 0:25:04 | |
-Do you mind if I leave? -Of course not, all you've been through. | 0:25:06 | 0:25:09 | |
-They don't look very... -There's a knack to it. I'll be all right. | 0:25:15 | 0:25:18 | |
-Can't let Katya go home alone. -All right, well... Bye... | 0:25:18 | 0:25:24 | |
-I'm sorry, did you say Katya? -Has she left already? | 0:25:26 | 0:25:29 | |
-Katya Zaritska? -Yes, that's her. | 0:25:29 | 0:25:32 | |
I'm so sorry... I'm afraid... | 0:25:33 | 0:25:35 | |
I'm afraid she's gone. | 0:25:37 | 0:25:38 | |
No, no, she wouldn't have left without me. | 0:25:38 | 0:25:41 | |
No, I mean she passed. | 0:25:41 | 0:25:43 | |
I'm sorry, Ghita, could you repeat that, love? | 0:25:48 | 0:25:51 | |
She died. I'm so sorry. | 0:25:52 | 0:25:54 | |
No, no, I'm not having that. | 0:25:56 | 0:25:58 | |
She only came in to see if anything was wrong with her. | 0:25:58 | 0:26:01 | |
There was. | 0:26:01 | 0:26:03 | |
Apparently, she'd been ill for quite some time. | 0:26:03 | 0:26:06 | |
Are you family? | 0:26:06 | 0:26:08 | |
Um... Er, no. We're just... | 0:26:08 | 0:26:12 | |
We're just friends. | 0:26:14 | 0:26:15 | |
I'm so sorry. | 0:26:17 | 0:26:19 | |
-Are you all right, Arthur? -No, no, I'm not having that. | 0:26:26 | 0:26:29 | |
They've made a mistake. She was in the prime of life! | 0:26:29 | 0:26:32 | |
This is a terrible hospital! Look how far I got! | 0:26:32 | 0:26:36 | |
I'd have made director-general if I'd been in earlier. | 0:26:36 | 0:26:39 | |
No, no... I'm not having it. What's happened here is... | 0:26:39 | 0:26:44 | |
Someone's... | 0:26:44 | 0:26:45 | |
HE MUMBLES | 0:26:46 | 0:26:48 | |
I was supposed to take her home! | 0:26:54 | 0:26:56 | |
What am I going to do now? | 0:26:58 | 0:26:59 | |
WRAPPERS RUSTLE | 0:27:32 | 0:27:34 | |
They're good, these. | 0:27:43 | 0:27:44 | |
They're not bad, are they? | 0:27:46 | 0:27:48 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 |