The Seance Count Arthur Strong


The Seance

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And so it is that we say goodbye

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to a woman of great poise and dignity.

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Katya...

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Seritska.

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Ha! Got it that time.

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May she rest...in peace.

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MACHINE WHIRS LOUDLY

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MACHINE JARS LOUDLY

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Sorry, this keeps happening.

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Erm... Let me have a look at it.

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Someone said it might be the belt.

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I tell you what's happened 'ere.

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You got a gearing problem.

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Your gearing's going to need replacing.

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Ooh, sounds expensive.

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Hold on a second.

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MACHINE BUZZES

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Probably noisy in the short-term, should be all right in a moment.

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Great, thanks, you're a life-saver.

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Apologies, everyone.

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Mate?

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-Not there.

-Sorry?

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Someone's sitting there.

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Who? There's no-one in the...

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Eh, someone's sitting there, didn't you tell him?

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-I did, yeah.

-No, you can't sit there.

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You have to sit there or there.

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All right, all right.

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-What's he doing I...?

-I AM MOVING!

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-Eggy, John, how's tricks?

-Oh, you know, surviving.

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Wow, hello, stranger. Where have you been?

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Oh, not been anywhere, actually, I'm going somewhere.

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I've not been around because... Well, it's boring.

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-Where's Arthur?

-We've not seen him.

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Has he not been in yet?

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-That's weird.

-Not been in for days, Michael.

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Seriously, where have you been?

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Oh, I've just been having a series of angry meetings with my publisher.

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The book I handed in is not the book they want, apparently.

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Now they're threatening to put this awful cover on it.

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-For days?

-Not since Katya's funeral.

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-Oh, that's not so bad.

-What?

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It's awful. It doesn't represent the book at all.

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They might as well have called it "Ghostbusters III".

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Eggy, have you seen Arthur?

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I've been past his house but the curtains were drawn.

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Do you think he's been kidnapped?

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No, no-one would kidnap Arthur, that would mean spending time with him.

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God, look at this place.

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It's like somebody's died. I can't believe I've just said that.

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-This is what it's been like.

-Not just Katya dying...

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it's Arthur not 'ere.

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It's not the same, Michael, it's not the same at all.

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Everybody! What a beautiful day to be alive!

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You're new - good beard.

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SINEM HUMS TO HIMSELF

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Eh, where are you going?

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I'm going to get Arthur, that's not right, what just happened. That...

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That's not right at all.

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Wait for me.

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DOORBELL BUZZES

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Arthur? Arthur, it's Michael and John.

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-And Eggy.

-And Eggy, it's Michael, John and Eggy.

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-Still can't hear anything. JOHN:

-Let me have a look.

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It's very dark in there.

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You're wearing sunglasses.

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Arthur? Arthur, you there?

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I don't like this.

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He's not down the cafe, he's not answering his door.

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I don't like this at all.

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Right, that's it, there's something not right here -

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I'm going to call an ambulance.

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Yes, ambulance, please, and possibly police.

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Yes, hello, there's a man in his 70s, he's not opening his door.

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-We think he might have fallen or something.

-Kidnapped!

-Ssh.

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Sorry, can you repeat that?

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The address? Yes, what's the address here?

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-ARTHUR:

-54 Rosea Street.

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54 Rosea Street. Better hurry, please, it's an emergency.

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All right, I think they're on their way.

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There's an old man in my house!

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-Oh, what!?

-Is he in here?

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Woo!

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There's nothing there. You two check the kitchen and I'll go upstairs.

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-Righto, Arthur, what are we looking for?

-There's a man in the house!

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-Is there?

-No, Arthur...

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Oh, yes, hello, panic solved. ARTHUR SCREAMS

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-He's just been up the shops.

-You're pathetic!

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I'm not speaking to the same person, am I? Ambulance, please.

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And possibly police, but only to cancel.

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-Has anyone looked in 'ere?

-There's no man.

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Ambulance? Yes, I'd like to cancel one, please.

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ARTHUR SHOUTS No, not order another one.

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Sorry, is this the right number to cancel them?

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-Who's up 'ere?!

-An ambulance and possibly some policemen.

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You're in big trouble now!

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No, no, I don't want to order another one,

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I just want to cancel the first lot.

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-The address? Yes, hang on a minute. Arthur?

-He's not up there.

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-Any luck, John?

-Not at all, there's no-one in the garden.

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I'll check upstairs.

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-Arthur, what's the address?

-54 Rosea Street and tell them to hurry.

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No, ignore him, I'm definitely cancelling.

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-He might still be in the area!

-THERE'S NO MAN!

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Yes, cancelling the ambulance.

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-We don't want an ambulance, send police!

-Don't send police!

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I'm cancelling the police. But I don't know if I ordered the police,

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so I don't know if I have to cancel.

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Just cancel everybody who's coming to 54 Rosea Street.

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-There's no-one in there.

-OH, MY GOD!!!

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No, I'm fine, I'm just screaming at the man.

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Don't send an ambulance, PLEASE don't send an ambulance.

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-JOHN:

-Is anyone there?

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Very nice to have you in the cafe. Thank you, come again.

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Hey, we miss you.

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Good luck with the beard.

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Oh!

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-What's up with you?

-I hate this! How does he do this?

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-What?

-All this goddamn, stinking positivity goes right up my arse!

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-Is this how he feels?

-Who?

-Idiot Man - Arthur.

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-Hold on, what are you talking about?

-Sinem, I can't be Arthur.

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-Why do you need to be Arthur?

-Look at the place, it's dead.

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It's been like this for days because HE is not here.

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No, no, no, no, he has to come back -

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it's the only way I can be me again - to be rude.

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To get annoyed at people. It's who I am, it's what I do.

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You want to be rude to me for a few minutes?

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-SHUT UP! Stupid idea!

-(SOFTER)

-Thank you very much.

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Much better.

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We were worried about you, Arthur.

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We thought you'd been kidnapped.

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Or fallen. We thought you'd fallen.

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-What are you on about?

-Well, you haven't been down the cafe.

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Right, I think I've cancelled them.

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Well, I don't have to be in the cafe every day, do I?

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I do have other things to do. And what if I had fallen?

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I'd have just got up, wouldn't I?

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-I'm not an invalid.

-Sorry, Arthur, we were just worried about you.

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Yes, well, there's nothing to worry about.

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I'm fine, leave me alone.

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Oh, 'ere, you dropped this.

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Oh, thank you. You know, Arthur, this isn't going to be the...

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Oh, come on, anyway - out, out, out! Go on, I've got things to do.

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-Go on, off you go.

-All right, all right.

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SIRENS BLARE

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Oh, you're kidding me!

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So, how long are you going away for?

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Oh, forever, I'm ... I'm going back home.

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-Back to York.

-You don't...?

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You don't live in London?

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No. Oh, no, no, I'm just here for Arthur and to write the book.

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And now it's done, there's no reason for me to stay.

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Oh, yeah. Yeah, course.

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I don't feel like I can leave Arthur in this state though.

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I think Katya's death affected him more than he's letting on.

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-And that funeral...

-Yes, that was awful.

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Wasn't what you call a proper send-off, was it?

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No, I'm definitely going to stay until I know Arthur's all right.

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Yeah, that's the right thing to do.

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And...

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-..that's the only reason?

-What?

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That's the only reason you're here?

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Oh, erm...

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Yeah, that's about it.

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OK.

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All right, Arthur?

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-Arthur!

-Arthur, you're back.

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Hey, Arthur! Number three with eggs?

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That's a number four.

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No, I shouldn't have come back, she's still 'ere.

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-What?

-Katya, she's still here.

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And she's not happy.

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She was my biggest fan, Michael.

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She was my only fan. I can't bear the thought of her not being happy.

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What can we do, Arthur? There's nothing we can do.

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There's one thing we can do.

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SINISTER ORCHESTRAL MUSIC

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MUSIC STOPS

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Hello, Sheila?

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Oh, that's great news.

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Oh, super.

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All right, speak later. OK, bye.

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Nice to see the turban back.

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You what?

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Remember when we first met, you wore that turban for your Memory Man act.

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Memory Man act?

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Just forget it.

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Oh, yes, yes. Oh, this is for sale, this is.

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Yeah, this isn't me Memory Man turban.

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-Yes, it is.

-No, it isn't.

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This is me Memory Man turb...

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Oh, no, that's me round-the-house one.

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This is me Memory Man turban.

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I think I would know which turban I'm wearing, thank you very much.

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Right, shall we get started then?

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I'm missing One Born Every Minute.

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I didn't know you did all this stuff, Arthur.

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Oh, yes, my mother was a medium.

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You always told me she was a big woman.

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I don't mean her dress size!

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She was big-boned, yes - she was an extra large.

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Now, will you shut up and let me do this?

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My mother was an extra-large medium.

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When I was a small boy, she would put me into a trance,

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and I would speak in tongues,

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and all the wisdom of the Ancients would flow through me.

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So deep was this trance-like state that the only thing

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that would bring me out of it was being bit by the parrot.

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Parrot?

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We had a parrot.

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What was he called?

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His name was Captain Cheeky.

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-Are you going to take this seriously, or not?

-I'm sorry.

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HE CLEARS THROAT

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I'm taking it seriously, Arthur.

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I take it very seriously.

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My sister...lived in

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one of those old Victorian houses in Stoke Newington.

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One night, she was woken by the sound of scratching.

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She sat up, and there,

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at the dressing table at the end of her bed,

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was an old woman brushing her hair.

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Then, the woman turned around and there,

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where her eyes should have been, there were two dark holes.

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She pointed at my sister,

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and said, "You have my eyes."

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DOOR BUZZES LOUDLY

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Oh, that'll be Bulent.

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-Oh.

-Bulent, lovely(!)

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Oh, that's given me a right turn, that.

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I'm imposing a rule - no scary stories at the seance.

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Oh, Bulent, please, it's for Katya.

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-20 minutes, then I'm going.

-Good for you, Bulent.

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And if I see anything I don't like, I'm off, so is my sister.

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Oh, shut up, you're not Dad.

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Worry not, Bulent...

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while no-one could describe what we are doing here tonight

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as conventional...

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I can assure you, it is done with the utmost seriousness and gravity.

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Now, someone pour the drinks while I get the Haunted Blackboard.

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Oh, Polish vodka, how appropriate.

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-Is that all right for everyone? ALL:

-Yes, thank you.

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-One for the road?

-Ha, yeah.

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Looks like we're going to probably need it.

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-Bottoms up.

-Oh, yes.

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Oof, bottoms.

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Ah.

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All right...

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I shall now draw a protective pentangle.

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This pentangle will be our last line of defence

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should any evil spirits attempt to invade our mortal realm.

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-I'm definitely going to miss it now.

-It'll be repeated.

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It's not the same when you can't tweet about it.

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Oh, look, we'll forget doing the protective pentangle,

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it's not that important.

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-What?

-What?

-No protection?

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He said it was "for protection".

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He said it was "crucial".

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Arthur, can I put the telly on?

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No, you can't put the telly on - we're doing a seance.

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Look, don't we need it for protection?

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God knows what this idiot will do in the spirit world.

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Look, I got it wrong, we don't need a protective pentangle now.

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No, no, no, I'll do it, I'll do it.

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I'll turn the sound down.

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No, it'll interfere with the radio waves, John.

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Besides, you can't watch One Born Every Minute with the sound down -

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the screaming and breathing's the best bit.

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There.

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-What's that?

-It's a rectangle.

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Not a rectangle. I could draw a bloody rectangle.

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What use is a rectangle?

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You can't see off the forces of darkness with a bloody rectangle.

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Oh, sit down.

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Right, everybody...

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I want you to put your hands on the table to form a circle.

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Once formed, under no circumstances must the circle be broken.

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Whatever happens, do not break the circle - I implore you.

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If you do, the repercussions will be dire indeed.

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Close your eyes.

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Oooh.

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Ooooh.

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Is there anybody...? John!

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Sorry, Arthur.

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We've only got a rectangle for protection

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and you've broken the bloody circle.

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It's a repeat anyway.

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Oh, is it the one with the woman from Leeds?

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-Yeah, yeah.

-Oh, this one's brilliant.

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ARTHUR SOBS

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It was a good one, that, wasn't it?

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-Right, I need a drink, anybody else?

-Yes, please.

-Yes.

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The programme was extremely unpleasant.

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I tell you something, this seance is a right shambles.

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There's nothing for it.

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We're going to have to resort to more extreme measures.

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The Spirit Board.

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Oh, I don't know about this, Arthur.

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Wasn't that how The Exorcist started?

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No, they probably used the cheap one.

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That's top of the range is that.

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How's this?

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It's just another rectangle.

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Anyway, wipe all that off, we'll need that for the spirit messages.

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Right...

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Come on, everybody, let's communicate with the spirit world

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and see what messages and wisdom they have to impart.

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-Where did you get these glasses from?

-Eh...

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Oh... Eh, Woolworths, I think.

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Yesterday. Anyway, come on, wisdom of the spirits.

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"I smell bricks."

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"I smell bricks."

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It doesn't say, "I smell bricks", it says, "I smell good".

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Uh, come on - think, people, think.

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What does "I smell bricks" mean? Oh, maybe it's Polish.

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Someone look up "I smell bricks" in an English-to-Polish Pictionary.

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It's English!

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How can it be Polish? English can't be Polish!

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I like it, I like it.

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Now you're thinking with your brains.

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I want to do the thing where you touch fingers again.

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That's a good idea.

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We'll contact Katya one last time.

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See if she can shed some light on this confusion,

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about why she smelt bricks.

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Ooh, don't they sometimes do seances with the lights off?

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That's it, that's where we've been going wrong.

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Brilliant. Eggy, do the lights.

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I permit you to leave the circle.

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Ooh.

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Ooooh.

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Oooooh.

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Ooh, Katya, give us a sign that you are here.

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-GLASS TINKLES, CHAIR SQUEAKS

-Give us a sign.

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Ooh, oooh! It's happening!

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It's happening!

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GLASS TINKLES, CHAIR SQUEAKS

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Put the lights on, Eggy - quick!

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What happened? What happened?

0:17:430:17:45

Did anyone come th...?

0:17:450:17:47

Look at those two.

0:17:480:17:50

Oh, my God, what just happened?

0:17:520:17:55

-Oh, my God, what a...

-Um, oh, that's so weird.

0:17:550:17:58

-A mystery.

-And something brushed me and...

-Me too.

0:17:580:18:01

-Ah... That's uncanny.

-I know, it's uncanny.

0:18:010:18:03

-Arthur, that's not the way you do it.

-Ssh, ssh, everybody.

0:18:120:18:16

I'm on the verge of a breakthrough.

0:18:160:18:18

Woooh!

0:18:180:18:20

Woooh!

0:18:220:18:23

Arthur, you're not a good medium.

0:18:270:18:30

-You're not bad, but you're not great.

-You're "medium"!

0:18:300:18:34

Ah-choo!

0:18:340:18:36

Katya, what is it you want?

0:18:380:18:40

What is it you want?

0:18:400:18:42

Is it me to do a song?

0:18:420:18:46

Knock once for yes...

0:18:460:18:47

MULTIPLE KNOCKS

0:18:470:18:50

What does that mean?

0:18:500:18:52

Oh, she wants me to do a medley!

0:18:520:18:54

Oh, no, it'll be the pizza.

0:18:540:18:57

Wahey! Pizza!

0:18:570:18:59

SLURRED: Aw, you know, your sister's brilliant, Bulent.

0:18:590:19:02

This situation was calling out for pizza, and only she had...

0:19:020:19:05

had the... What's the word, Arthur?

0:19:050:19:09

-The gumption.

-The gumption.

0:19:090:19:10

She had the gumption to order it.

0:19:100:19:13

Why aren't you drunk, Bulent?

0:19:130:19:15

Because I am not a nine-year-old girl.

0:19:150:19:17

Oooh!

0:19:170:19:18

Pizza!

0:19:220:19:23

ALL: Wahey!

0:19:230:19:25

Oh.

0:19:270:19:28

-Oh, I feel bad though.

-Oh, don't feel bad.

0:19:280:19:32

I hate it when you feel bad, you should never feel bad.

0:19:320:19:35

Why do you feel bad?

0:19:350:19:36

Well, here we all are eating pizza...

0:19:360:19:39

..and Katya couldn't eat pizza.

0:19:400:19:42

That's right, she could never handle the solids.

0:19:420:19:46

I'm going to do this.

0:19:460:19:48

-What?

-I'm going to "liquidirise" the pizza for Katya.

0:19:500:19:55

Not "liquidirise" - "liquid-di-iase".

0:19:550:19:58

I'm away to "liquid-di-iase" pizza for Katya.

0:19:580:20:03

-That is an absolutely brilliant idea.

-Take the crust off it.

0:20:030:20:05

Do the toppings.

0:20:050:20:07

Excuse me, excuse me, I think

0:20:070:20:10

I would know how to "liquid-i-brows" a pizza.

0:20:100:20:13

There we are.

0:20:150:20:17

LIQUIDISER WHIRRS

0:20:170:20:19

That's it. There you go, Katya.

0:20:210:20:24

Come have some pizza.

0:20:240:20:26

-To Katya!

-ALL: To Katya.

0:20:260:20:29

AUDIENCE: Eurgh!

0:20:300:20:32

Ooh, it's not a bad drop of pizza, that.

0:20:320:20:34

Katya...

0:20:370:20:39

-and her soups.

-Tomato soup!

0:20:390:20:43

I didn't even know you served tomato soup.

0:20:430:20:45

We don't, it was her own.

0:20:450:20:47

We used to heat it up for her.

0:20:470:20:49

That's very generous of you.

0:20:490:20:51

I liked Katya, she was a strong woman.

0:20:510:20:54

She was the only one who liked my little shows.

0:20:540:20:56

As I said, "She was a strong woman."

0:20:560:20:59

Here, you know,

0:20:590:21:01

she always fell asleep on the way home from the cafe on the bus.

0:21:010:21:04

I used to have to go and collect her. Do you remember, Eggy?

0:21:040:21:07

Different stop every time.

0:21:070:21:09

Once, she told me, she didn't really fall asleep at all -

0:21:090:21:12

she just wanted to spend some extra time with me...

0:21:120:21:14

-ALL: Aww.

-..listening to me going on.

0:21:140:21:17

She was my biggest fan.

0:21:190:21:20

And now she's gone.

0:21:210:21:23

Oh, there'll be more fans, Arthur, you're just getting started.

0:21:230:21:26

Thank you, Michael, I think we both know the truth.

0:21:260:21:29

Your dad, he was the real thing.

0:21:290:21:32

He entertained millions, he did.

0:21:320:21:34

I'm just a footnote, if that.

0:21:340:21:36

Oh, Arthur, that's not true.

0:21:360:21:38

You'll see, that's... That's not true.

0:21:380:21:40

That's a really nice thing about you, Michael -

0:21:400:21:43

you can't tell a lie to save your life.

0:21:430:21:46

Arthur, I'm not...

0:21:460:21:47

-What is that?

-What?

0:21:480:21:51

That!

0:21:510:21:52

That's Katya's leg.

0:21:560:21:58

What?

0:21:580:22:00

They couldn't cremate it.

0:22:000:22:02

Something about it not being green.

0:22:020:22:06

But it is green.

0:22:060:22:07

Well, it's a bit green.

0:22:070:22:10

-Arthur, you can't hang on to something like that.

-Arthur...

0:22:100:22:15

What's up with you all?

0:22:150:22:16

Well, it's just that...

0:22:160:22:18

she was attached to that leg.

0:22:180:22:20

Oh, I'm sorry, I thought that was a joke.

0:22:250:22:27

That's why she can't go, Arthur.

0:22:280:22:31

Because you're not letting her go.

0:22:310:22:34

-He's right.

-Arthur, you have to let her go.

0:22:340:22:37

You can't hold on to her like that.

0:22:370:22:39

But I never said goodbye to her, Michael.

0:22:400:22:43

None of us did.

0:22:440:22:46

Not properly.

0:22:460:22:48

Well... Well, let's do something about that.

0:22:480:22:51

-"Woolworths"?

-Yes, Woolworths.

0:23:050:23:08

Stop going on about it.

0:23:080:23:10

ARTHUR CLEARS HIS THROAT

0:23:120:23:15

I think it's left to me...

0:23:190:23:21

to say a few words.

0:23:210:23:23

HE GROANS

0:23:260:23:28

HE SIGHS

0:23:300:23:31

Oh, dear.

0:23:330:23:34

-Arthur, do you mind if I say something?

-No, nope.

0:23:350:23:38

Eh...

0:23:390:23:41

Well, obviously, I didn't know Katya as well as you all did.

0:23:410:23:45

In fact, I don't know YOU as well as Katya did.

0:23:450:23:47

So, I feel a bit of an intruder.

0:23:470:23:49

-ALL:

-No, no, no.

-Thank you.

0:23:490:23:52

One thing I have found, in the short time of being here...

0:23:530:23:56

getting to know you all.

0:23:560:23:58

Well...

0:23:580:23:59

All I can say is...

0:24:010:24:02

..I know why Katya found it hard to leave.

0:24:050:24:07

Safe travels, Katya.

0:24:090:24:11

-ALL:

-Safe travels, Katya.

0:24:110:24:13

Ooh, sorry, Arthur.

0:24:200:24:21

That's all right, they're from the cafe.

0:24:210:24:23

-Bye, Arthur.

-Bye, everyone, see you tomorrow.

0:24:290:24:32

Not me, John, I'm off home.

0:24:320:24:35

Oh, yeah?

0:24:350:24:36

Well, it's nice knowing you, mate.

0:24:360:24:40

Bye then, Michael.

0:24:400:24:41

I'll show you to the door.

0:24:410:24:43

Sinem, shall we go?

0:24:440:24:46

SHE BLOWS A RASPBERRY

0:25:080:25:10

Well...

0:25:260:25:27

Well...

0:25:270:25:28

Good luck, Arthur.

0:25:450:25:47

Good luck to you.

0:25:470:25:48

I look forward to the book.

0:25:490:25:52

He was a funny man, your dad.

0:25:520:25:54

The world could use a book about him.

0:25:540:25:57

Yeah. Yeah.

0:25:570:25:59

Thanks for everything, Arthur.

0:26:060:26:08

HE SIGHS

0:26:270:26:29

Goodbye, Katya.

0:26:370:26:38

Oh, excuse me...

0:26:590:27:00

Nothing.

0:27:020:27:03

Good evening, Bolent.

0:27:110:27:12

One of your all-day breakfasts, please.

0:27:120:27:15

I don't know why, but number one seems to be beckoning me tonight.

0:27:150:27:19

-Number one, please, with fried bread and baked beans.

-That's...

0:27:190:27:23

Oh, forget it.

0:27:230:27:24

All right, princess?

0:27:260:27:28

Here you go.

0:27:380:27:40

What's that?

0:27:400:27:41

Michael left it.

0:27:410:27:43

AUDIENCE: Aww.

0:28:020:28:04

Eh!

0:28:040:28:06

He's only...

0:28:060:28:08

He's only gone and...

0:28:080:28:10

-JOHN:

-Who do you fancy at Kempton on Saturday, Arthur?

0:28:200:28:23

Arthur?

0:28:240:28:26

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