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Free breakfasts all week. Please accept my apologies. | 0:00:14 | 0:00:17 | |
It won't happen again. | 0:00:17 | 0:00:18 | |
You! | 0:00:20 | 0:00:21 | |
What did I say about fortune telling in the cafe! | 0:00:24 | 0:00:27 | |
How was I to know she was going to be this unlucky?! | 0:00:27 | 0:00:30 | |
I've never seen the hanging man, | 0:00:30 | 0:00:32 | |
the burning tower AND the devil come out at once. | 0:00:32 | 0:00:35 | |
I-I hope someone's walking her home! | 0:00:36 | 0:00:38 | |
This is your final warning. | 0:00:38 | 0:00:39 | |
One more time and you are barred from the cafe! | 0:00:39 | 0:00:41 | |
All right, all right, I'm putting it away. | 0:00:41 | 0:00:44 | |
I'll just see what she had next. | 0:00:44 | 0:00:47 | |
Ooh! | 0:00:47 | 0:00:48 | |
Right. Right. Right. Yes. All right. Yes, OK. Right. | 0:00:50 | 0:00:53 | |
This is what you have to do. | 0:00:53 | 0:00:56 | |
Hello! | 0:00:56 | 0:00:57 | |
Oh, sorry, yes, hello. Sorry, that was very rude of me. How are you? | 0:00:57 | 0:01:00 | |
-Well... -This is what you have to do. | 0:01:00 | 0:01:02 | |
I'm going to ask you something and you have to say no. | 0:01:03 | 0:01:06 | |
And if anybody asks you if I asked you, you have to say yes. | 0:01:06 | 0:01:09 | |
Have you got that? | 0:01:09 | 0:01:11 | |
So, say no when you ask me the first thing, | 0:01:11 | 0:01:14 | |
and then say yes if anyone ever asks me if you asked me the first thing. | 0:01:14 | 0:01:18 | |
Exactly. | 0:01:20 | 0:01:21 | |
But presumably, you don't want me to say you asked me to say no | 0:01:21 | 0:01:25 | |
to the first thing when I'm saying yes to the second thing. | 0:01:25 | 0:01:28 | |
Yes, yes! That's right! | 0:01:30 | 0:01:31 | |
So, to recap, say no to the first thing | 0:01:31 | 0:01:35 | |
but then say yes to the second thing, | 0:01:35 | 0:01:38 | |
should anyone ever ask me the second thing. | 0:01:38 | 0:01:41 | |
Well, that's very straightforward. I can't see that being a problem. | 0:01:41 | 0:01:44 | |
Great! OK. OK, great. | 0:01:44 | 0:01:46 | |
Well, this is what I'm going to ask you. | 0:01:46 | 0:01:48 | |
"Do you want to meet my new agent Philippa and her wife?" | 0:01:48 | 0:01:52 | |
I'd be delighted! | 0:01:53 | 0:01:54 | |
You were supposed to say no! | 0:01:56 | 0:01:58 | |
I don't want to say no. | 0:01:58 | 0:02:00 | |
We had an agreement! You sounded like you understood it! | 0:02:00 | 0:02:03 | |
Yes, but I didn't know what I was agreeing to when I sounded like I understood it. | 0:02:03 | 0:02:06 | |
Listen, Arthur, | 0:02:06 | 0:02:07 | |
they asked me to ask you, but I just don't want you to meet them yet. | 0:02:07 | 0:02:11 | |
Oh! | 0:02:11 | 0:02:12 | |
Hello. Are you stressing? | 0:02:12 | 0:02:14 | |
Yes, yes, I am, I really am. | 0:02:14 | 0:02:16 | |
Michael, we don't have to go. | 0:02:16 | 0:02:17 | |
What? Oh, no, not about the party. Although that is also stressful. | 0:02:17 | 0:02:22 | |
These posh publishing dos. | 0:02:22 | 0:02:24 | |
I just end up in a corner on my own watching people dance. | 0:02:24 | 0:02:27 | |
Yes, but now you're with me. | 0:02:27 | 0:02:30 | |
Oh, yes. | 0:02:31 | 0:02:32 | |
Not in the cafe! | 0:02:32 | 0:02:34 | |
Now, everyone else can watch us dance. | 0:02:36 | 0:02:39 | |
Oh, God. | 0:02:42 | 0:02:44 | |
Why don't you want me to meet them? | 0:02:44 | 0:02:47 | |
It's complicated. | 0:02:47 | 0:02:49 | |
I was in your big book, wasn't I? | 0:02:49 | 0:02:51 | |
They probably saw me photo. | 0:02:51 | 0:02:52 | |
They'll have a natural female curiosity about me. | 0:02:52 | 0:02:55 | |
That's the kind of thing, what you just said there. | 0:02:55 | 0:02:58 | |
That's exactly why you can't meet them. | 0:02:58 | 0:03:00 | |
Arthur, Phillipa is negotiating a new deal for me and I just... | 0:03:00 | 0:03:04 | |
I don't want her to be distracted. | 0:03:04 | 0:03:06 | |
So, let's try it again, shall we? | 0:03:07 | 0:03:09 | |
Do you want to meet my new agent Phillipa and her wife? | 0:03:10 | 0:03:15 | |
Arthur, Phillipa. Phillipa, Arthur. | 0:03:15 | 0:03:17 | |
Oh, I've been dying to meet you! I'm such a fan! | 0:03:17 | 0:03:20 | |
You saw my photo, and your natural instincts kicked in. | 0:03:20 | 0:03:23 | |
I quite understand. | 0:03:25 | 0:03:27 | |
It's not the first time a woman has gone giddy at the thought of me. | 0:03:27 | 0:03:30 | |
I'll just see what's keeping Monica. | 0:03:31 | 0:03:33 | |
Will you stop talking about instincts and giddy women?! | 0:03:33 | 0:03:37 | |
Stop telling me what to talk about and what not to talk about! | 0:03:37 | 0:03:40 | |
You've been doing it all day. | 0:03:40 | 0:03:41 | |
I have to, otherwise you talk about terrible things! | 0:03:41 | 0:03:44 | |
That's so unfair. | 0:03:44 | 0:03:45 | |
You told my last agent she had a drinking problem! | 0:03:45 | 0:03:47 | |
That was a compliment! | 0:03:47 | 0:03:49 | |
Arthur! Please. OK? Just, please. | 0:03:49 | 0:03:54 | |
Oh, you don't have to worry about me. | 0:03:54 | 0:03:56 | |
You won't hear another word out of me! | 0:03:56 | 0:03:59 | |
I'm sorry, she's up the walls because she's lost her Imperial Topaz. | 0:04:00 | 0:04:04 | |
Oh. Oh... Oh, no? | 0:04:04 | 0:04:06 | |
It's a crystal. | 0:04:06 | 0:04:08 | |
Oh, before I forget! Chapters 18-20. | 0:04:08 | 0:04:11 | |
Great timing! | 0:04:11 | 0:04:13 | |
I can use this to start a whole new round of negotiations. | 0:04:13 | 0:04:15 | |
Oh! I like the sound of that! You go, girl! | 0:04:15 | 0:04:18 | |
Monica, at last. This is Michael, a very fine writer. | 0:04:25 | 0:04:28 | |
-Hi! -Hi. | 0:04:28 | 0:04:29 | |
And this is Arthur. Oh, you'll like this, baby. | 0:04:29 | 0:04:32 | |
Arthur is a bit of a spiritualist. It's in the book, isn't it, Michael? | 0:04:32 | 0:04:35 | |
-Er, that's right. -Oh, very interesting. | 0:04:35 | 0:04:37 | |
But he doesn't like to talk about it. | 0:04:37 | 0:04:39 | |
Oh, I can't find it anywhere. | 0:04:44 | 0:04:46 | |
Oh, gosh, you're still unpacking. You must be exhausted. | 0:04:46 | 0:04:49 | |
There's also the problem of someone keeping me up all night. | 0:04:49 | 0:04:51 | |
It's this house! | 0:04:51 | 0:04:53 | |
It's beautiful, but... sometimes I feel...I don't know... | 0:04:53 | 0:04:58 | |
Strange vibrations, noises at night. | 0:04:58 | 0:05:02 | |
It's the pipes! We can't go moving again, Monica. | 0:05:02 | 0:05:06 | |
The last time we were on a negative ley line or something! | 0:05:06 | 0:05:09 | |
Just don't go moving again. Not back to Paris or something. | 0:05:09 | 0:05:13 | |
Just stay here and keep being my agent. | 0:05:13 | 0:05:15 | |
You're not much of a talker, are you? | 0:05:17 | 0:05:20 | |
Why aren't you talking? | 0:05:25 | 0:05:26 | |
Are you... | 0:05:29 | 0:05:30 | |
Are you sensing something? | 0:05:30 | 0:05:32 | |
You're sensing something, aren't you? What is it? | 0:05:37 | 0:05:39 | |
It's this house, isn't it? There's something about this house? | 0:05:41 | 0:05:46 | |
Well, we'd really better be going.... | 0:05:46 | 0:05:48 | |
What is it? Can't you tell me? | 0:05:48 | 0:05:50 | |
Is there something wrong with this house? | 0:05:50 | 0:05:52 | |
It's a lovely house. Isn't it, Arthur? It's a really lovely house. | 0:05:52 | 0:05:55 | |
What is it? Tell me! | 0:05:55 | 0:05:57 | |
Do you sense a presence? Tell me! | 0:05:59 | 0:06:03 | |
Tell me what's wrong! | 0:06:03 | 0:06:05 | |
You told me to be quiet! | 0:06:12 | 0:06:14 | |
I said be quiet, not mysterious! | 0:06:14 | 0:06:17 | |
You were being mysterious! | 0:06:17 | 0:06:19 | |
You were being deliberately mysterious! | 0:06:19 | 0:06:21 | |
They've just moved house, and now she wants to move again. | 0:06:21 | 0:06:24 | |
All because of you, you bloody Uri Geller. | 0:06:24 | 0:06:26 | |
Give me the photo! | 0:06:27 | 0:06:29 | |
I'm sorry, Bulent, it's my property. | 0:06:29 | 0:06:31 | |
She won't give me the photo she took of me on New Year's Eve! | 0:06:31 | 0:06:34 | |
Have you still got that one, Birdie? | 0:06:34 | 0:06:36 | |
I do, Eggy, and I'm not giving it to anyone! | 0:06:36 | 0:06:38 | |
It's mine! | 0:06:38 | 0:06:39 | |
That's what I get for allowing you weirdos to have a party in the cafe! | 0:06:39 | 0:06:43 | |
You get me drunk, and then you let her do terrible things | 0:06:43 | 0:06:46 | |
to me while I'm asleep! | 0:06:46 | 0:06:47 | |
Oh, Bulent, she did it to all of us. | 0:06:53 | 0:06:56 | |
Don't blame me because you lot are a bunch of grandad drink drunks. | 0:07:08 | 0:07:12 | |
Grandad drink drunks? | 0:07:12 | 0:07:14 | |
They have no tolerance for grandad drinks. | 0:07:14 | 0:07:17 | |
Cream sherry, Drambuie, Tia Maria. | 0:07:17 | 0:07:19 | |
A couple of glasses of them and they're all under the table. | 0:07:19 | 0:07:22 | |
And you're the worst for it, Arthur, | 0:07:22 | 0:07:24 | |
the way you knocked back the Liebfraumilch. | 0:07:24 | 0:07:26 | |
I thought it was just milk. | 0:07:26 | 0:07:28 | |
I'm sorry, Bulent, you're not getting it. | 0:07:30 | 0:07:32 | |
It's going in the scrapbook with the all the others. | 0:07:32 | 0:07:35 | |
How was I to know she was so sensitive to the beyond? | 0:07:38 | 0:07:41 | |
Just...forget it. You know what you have to say when they get here, don't you? | 0:07:41 | 0:07:45 | |
Don't worry, don't worry, I'll take care of it. | 0:07:45 | 0:07:47 | |
Just tell her there is nothing wrong with her house! | 0:07:47 | 0:07:49 | |
All right! | 0:07:49 | 0:07:51 | |
Oh! | 0:07:51 | 0:07:52 | |
Deep sigh! | 0:07:52 | 0:07:55 | |
I'm sorry. It's just I haven't been sleeping very well. | 0:07:55 | 0:07:58 | |
Probably a bit too excited about the dancing. | 0:07:58 | 0:08:01 | |
Er, yeah, listen. | 0:08:01 | 0:08:02 | |
I just want to give you an out for tomorrow night. | 0:08:02 | 0:08:05 | |
-What? -You haven't smiled once since you heard about the party, | 0:08:05 | 0:08:08 | |
so this is your out. We don't have to go. | 0:08:08 | 0:08:10 | |
But you got a new dress. | 0:08:10 | 0:08:12 | |
I haven't worn it. I can take it back. | 0:08:12 | 0:08:14 | |
No. No, of course, we're going. We have to go. | 0:08:14 | 0:08:17 | |
I want to go. | 0:08:17 | 0:08:18 | |
Good. | 0:08:18 | 0:08:20 | |
I really want to see that smile back on your face, Michael. | 0:08:20 | 0:08:23 | |
Hi! Hi, gang! Arthur... | 0:08:30 | 0:08:32 | |
Oh, ha, ha, oh... | 0:08:32 | 0:08:36 | |
Monica, perhaps I could have a word? | 0:08:36 | 0:08:39 | |
Right, let's lay this ghost to rest about your house being haunted. | 0:08:43 | 0:08:47 | |
But I thought you... Didn't you sense something? | 0:08:48 | 0:08:52 | |
Oh, no, no, no, no, no. | 0:08:52 | 0:08:53 | |
While I do have experience | 0:08:53 | 0:08:55 | |
in the world of extra-sensory contraception, | 0:08:55 | 0:08:58 | |
I detected no such activity occurring within your private area. | 0:08:58 | 0:09:05 | |
But the noises... | 0:09:06 | 0:09:08 | |
Believe me, my lady, there's sure to be a rational explanation. | 0:09:08 | 0:09:14 | |
My Auntie Doreen thought she saw a leprechaun, | 0:09:14 | 0:09:17 | |
but it was just a pair of underpants near a swing. | 0:09:17 | 0:09:21 | |
I don't know... | 0:09:21 | 0:09:23 | |
Mark my words, Monica, I know whereof I speak. | 0:09:23 | 0:09:27 | |
This is a very serious matter and there's no more qualified man than I when discussing spooky shenanigans. | 0:09:27 | 0:09:33 | |
I'm exhausted, Michael. It's like sleeping next to Lee Evans. | 0:09:39 | 0:09:43 | |
So how are the negotiations going? | 0:09:44 | 0:09:46 | |
Oh, yes, well, the number I think we can achieve is... | 0:09:46 | 0:09:51 | |
Maybe I should write it down. | 0:09:51 | 0:09:53 | |
You could get this for one book? You could really get this for one book? | 0:10:05 | 0:10:07 | |
I think I could get it bigger. | 0:10:07 | 0:10:09 | |
Bigger? Is there bigger? | 0:10:09 | 0:10:11 | |
This seems like the biggest. | 0:10:11 | 0:10:14 | |
Oh, you look happy. | 0:10:14 | 0:10:15 | |
Yes, I'm massively relieved. Everything's going to be OK. | 0:10:15 | 0:10:18 | |
Good. Thank God for that. A good night's sleep, at last. | 0:10:18 | 0:10:22 | |
I'll let you know how that meeting goes, Michael. | 0:10:22 | 0:10:24 | |
Great! | 0:10:24 | 0:10:26 | |
Oh, Arthur! | 0:10:26 | 0:10:28 | |
Oh, Michael! | 0:10:30 | 0:10:31 | |
What? What is it? | 0:10:33 | 0:10:35 | |
Oh, dear. | 0:10:35 | 0:10:37 | |
Oh, dear, oh, dear. | 0:10:37 | 0:10:39 | |
What? She seemed fine. What did you do? | 0:10:39 | 0:10:41 | |
Promise me you won't be angry with me. | 0:10:41 | 0:10:43 | |
What did you do?! | 0:10:43 | 0:10:45 | |
I've agreed to perform an exorcism at her house. | 0:10:45 | 0:10:49 | |
What? | 0:10:49 | 0:10:50 | |
I didn't mean to, Michael. | 0:10:52 | 0:10:54 | |
An exorcism! | 0:10:54 | 0:10:55 | |
I was trying to reassure her and she talked me round! | 0:10:55 | 0:10:57 | |
You were supposed to be telling her there was nothing wrong! | 0:10:57 | 0:11:00 | |
But she made a very strong case. Things go missing! | 0:11:00 | 0:11:04 | |
The strange noises! | 0:11:04 | 0:11:06 | |
They've just moved house! They haven't settled yet! | 0:11:06 | 0:11:08 | |
And she still can't find her Imperial Topaz! | 0:11:08 | 0:11:11 | |
Who cares about her Imperial Topaz!? | 0:11:11 | 0:11:14 | |
RINGING | 0:11:14 | 0:11:15 | |
Oh, God, it's Phillipa. What am I going to say? | 0:11:15 | 0:11:18 | |
Oh, just buy me some time! Say I've popped out! | 0:11:18 | 0:11:21 | |
Popped out. Got it. | 0:11:21 | 0:11:23 | |
Hello? Hello, Phillipa, I'm afraid Michael can't come to the phone. | 0:11:23 | 0:11:28 | |
His fly fell open and he's adjusting himself. | 0:11:28 | 0:11:31 | |
Just give me the phone! | 0:11:31 | 0:11:33 | |
Hello, Phillipa. Yes! | 0:11:33 | 0:11:35 | |
Yes, I'm sorry, he just told me. | 0:11:35 | 0:11:38 | |
What, tomorrow? | 0:11:38 | 0:11:40 | |
Er, tomorrow's not so... | 0:11:40 | 0:11:42 | |
No, tomorrow's fine. He'll be there. | 0:11:44 | 0:11:48 | |
-Bye. -But, Michael... | 0:11:48 | 0:11:50 | |
Shut up. You're going to have to be The Monster Mist. | 0:11:50 | 0:11:54 | |
The Monster Mist? | 0:11:54 | 0:11:55 | |
When I was a little boy, | 0:11:55 | 0:11:57 | |
my mum used to spray something under the bed to get rid of monsters. | 0:11:57 | 0:12:00 | |
She called it Monster Mist. | 0:12:00 | 0:12:02 | |
I found out later it was just air freshener, | 0:12:02 | 0:12:04 | |
but it did the job. | 0:12:04 | 0:12:05 | |
So I get a can of air freshener? | 0:12:05 | 0:12:07 | |
Well, no, no. | 0:12:07 | 0:12:08 | |
You go to her house, you do a little show, | 0:12:08 | 0:12:11 | |
and then you tell her that whatever's been going on is over. | 0:12:11 | 0:12:15 | |
Oh, but Michael, I'm not very good with these sort of things. | 0:12:15 | 0:12:18 | |
What? You do seances. | 0:12:18 | 0:12:19 | |
Yeah, but that's different. | 0:12:19 | 0:12:20 | |
That's-that's asking friendly spirits to come and visit. | 0:12:20 | 0:12:24 | |
This is telling angry spirits to sod off. | 0:12:24 | 0:12:27 | |
If the presence is a malignant one... | 0:12:27 | 0:12:30 | |
There is no presence. | 0:12:30 | 0:12:31 | |
It's all in her head, and you put it there. | 0:12:31 | 0:12:34 | |
The only malignant presence in that house was you! | 0:12:34 | 0:12:36 | |
Oh, yes, of course. | 0:12:36 | 0:12:38 | |
I've got to get a hold of meself. | 0:12:38 | 0:12:40 | |
Don't worry, Michael. I'll be your Monster Mist. | 0:12:40 | 0:12:43 | |
But I've got to have Eggy and John. | 0:12:43 | 0:12:46 | |
Why? | 0:12:46 | 0:12:47 | |
Because I'm still a little bit scared. | 0:12:47 | 0:12:50 | |
Monster Mist? | 0:12:53 | 0:12:55 | |
Yes, all we have to do is go to the house, put on a little show, | 0:12:55 | 0:12:59 | |
and then tell her it's over. | 0:12:59 | 0:13:01 | |
I'm not sure I want to go to a haunted house, Arthur. | 0:13:01 | 0:13:04 | |
Oh, Eggy! Michael assured me there were no ghosts. | 0:13:04 | 0:13:08 | |
Although there might be. I'm still a bit confused about that. | 0:13:08 | 0:13:11 | |
But anyway, come on, | 0:13:11 | 0:13:13 | |
what else do people use on this kind of operation? | 0:13:13 | 0:13:16 | |
Some kind of ghost-hunting equipment. | 0:13:16 | 0:13:18 | |
Tape recorder? | 0:13:18 | 0:13:19 | |
Ooh. Write that down, Eggy. | 0:13:19 | 0:13:21 | |
Tape recorder. Ooh, digital infra-red motion detector device. | 0:13:21 | 0:13:25 | |
Brilliant! I'll swing by Maplins. We'll also need some garlic... | 0:13:25 | 0:13:29 | |
Are you worried there'll be vampires? | 0:13:29 | 0:13:31 | |
I'm not saying yes and I'm not saying no, | 0:13:31 | 0:13:33 | |
but we should at least cover ourselves. | 0:13:33 | 0:13:35 | |
We should probably bring some stakes, then. | 0:13:35 | 0:13:38 | |
Oh, yeah, that'll go with the garlic. What else? | 0:13:38 | 0:13:41 | |
A hammer? | 0:13:42 | 0:13:44 | |
Ooh, get the steak nice and tender. | 0:13:44 | 0:13:46 | |
So that's...steak, chips and peas. | 0:13:46 | 0:13:49 | |
Again? | 0:13:51 | 0:13:54 | |
Steak, chips and peas! | 0:13:54 | 0:13:55 | |
What's it got to do with him? | 0:14:00 | 0:14:02 | |
What is it we're doing again? | 0:14:06 | 0:14:08 | |
The list for the haunted house. | 0:14:09 | 0:14:11 | |
Oh, yes! That reminds me! | 0:14:11 | 0:14:13 | |
We could film all this, you know, and if there is anything | 0:14:13 | 0:14:15 | |
going on, we could sell it to Most Haunted. | 0:14:15 | 0:14:18 | |
You know, with Derek Acorah and that hungry-looking woman off Blue Peter. | 0:14:18 | 0:14:22 | |
We'll need someone else to do the filming. | 0:14:23 | 0:14:25 | |
Birdie, can you be a camera woman for us at a haunted house? | 0:14:25 | 0:14:28 | |
No problem. | 0:14:28 | 0:14:29 | |
Great! We're sorted. | 0:14:29 | 0:14:31 | |
Arthur, I've been thinking, maybe I should join you tonight? | 0:14:39 | 0:14:42 | |
Oh, no, no, no, no, believe me, it's better if you're not there. | 0:14:42 | 0:14:46 | |
An exorcism can be a terrifying ordeal for the simple-minded. | 0:14:46 | 0:14:50 | |
I can't believe I'm here again. | 0:14:51 | 0:14:53 | |
One foot in the real world, one in the spectral realm, | 0:14:54 | 0:14:58 | |
and me, in between, dangling in the nether regions. | 0:14:58 | 0:15:02 | |
It's the stuff of which nightmares are made, Michael! | 0:15:04 | 0:15:07 | |
Except it isn't, though, remember? You do remember, don't you? | 0:15:07 | 0:15:11 | |
There is nothing unusual happening. It's just boring everyday life. | 0:15:11 | 0:15:15 | |
Thanks, Bulent. | 0:15:19 | 0:15:21 | |
SPOOKY MUSIC | 0:15:57 | 0:15:58 | |
Michael said you'd be in and out! | 0:16:20 | 0:16:22 | |
Oh, it's a little bit more complicated than that. | 0:16:22 | 0:16:25 | |
Bit more talkative today, I see. | 0:16:25 | 0:16:28 | |
I talk when it is necessary. Please leave. | 0:16:28 | 0:16:30 | |
Yes, yes, we'll go to...a film? | 0:16:31 | 0:16:34 | |
So, when do you think you'll be finished? | 0:16:34 | 0:16:36 | |
Well, this is a very extreme case. | 0:16:36 | 0:16:39 | |
I've never felt such evil. | 0:16:39 | 0:16:42 | |
So, half ten? | 0:16:42 | 0:16:44 | |
Quarter to 11? | 0:16:45 | 0:16:47 | |
Let's make it quarter to 11 to be on the safe side. | 0:16:47 | 0:16:50 | |
I'll just go and phone a taxi. | 0:16:50 | 0:16:52 | |
Now, if you'll excuse me. | 0:16:52 | 0:16:55 | |
I have an appointment with that which should not be. | 0:16:57 | 0:17:00 | |
Yes, yes, of course. | 0:17:02 | 0:17:03 | |
Well, make yourself at home and-and good luck. | 0:17:03 | 0:17:06 | |
I have no need of luck. | 0:17:06 | 0:17:08 | |
I am brilliant with things like what this is. | 0:17:09 | 0:17:12 | |
Oh, he shouldn't be doing that. He's only supposed to be in and out. | 0:17:16 | 0:17:18 | |
They've set up all sorts of equipment. I'm just a bit nervous. | 0:17:18 | 0:17:23 | |
I'll sort it out, Phillipa, don't worry. | 0:17:23 | 0:17:26 | |
Excuse me? | 0:17:26 | 0:17:28 | |
Sorry, we're going to have to change route. | 0:17:28 | 0:17:31 | |
OWL HOOTS | 0:17:31 | 0:17:34 | |
BEEPING | 0:17:34 | 0:17:35 | |
KNOCKING | 0:17:37 | 0:17:38 | |
Ooo, ooh! Did anyone else hear that? | 0:17:38 | 0:17:42 | |
Sorry? | 0:17:42 | 0:17:44 | |
Did you hear it? You're on the thing for hearing things! | 0:17:44 | 0:17:47 | |
Hang on a minute, Arthur. | 0:17:47 | 0:17:50 | |
Sorry? | 0:17:50 | 0:17:52 | |
I heard it, Arthur. It sounded like a rustling noise. | 0:17:52 | 0:17:55 | |
That's your crisps. | 0:17:55 | 0:17:56 | |
It felt like the kind of sonic disturbance that often occurs | 0:17:57 | 0:18:02 | |
when the ethereal realm rubs up against the real world. | 0:18:02 | 0:18:05 | |
Open the door! | 0:18:05 | 0:18:07 | |
Oh, it's just Michael at the door. Get him, John. | 0:18:07 | 0:18:11 | |
Watch out for the tripwire. | 0:18:11 | 0:18:13 | |
What's happening now? | 0:18:13 | 0:18:14 | |
Oh, Brian's here. | 0:18:14 | 0:18:16 | |
-Brian? -You know, the whiny lad. | 0:18:16 | 0:18:19 | |
Oh, Michael. | 0:18:19 | 0:18:20 | |
Watch out for the tripwire. | 0:18:20 | 0:18:23 | |
Tripwire? Why are there tripwires? | 0:18:23 | 0:18:26 | |
We've put ghost bells on tripwires. | 0:18:26 | 0:18:28 | |
Ghost bells? | 0:18:28 | 0:18:29 | |
There are no... You haven't done that to the whole house, have you? | 0:18:29 | 0:18:32 | |
What's with the candles?! | 0:18:32 | 0:18:34 | |
We're just trying to get the mood right. | 0:18:34 | 0:18:36 | |
Have you been raiding their stuff? These are all relaxation candles! | 0:18:36 | 0:18:39 | |
Relaxation candles? That must be why Eggy keeps falling asleep. | 0:18:39 | 0:18:44 | |
Arthur! | 0:18:45 | 0:18:46 | |
I'm sorry, Michael, but we've had to pull all the stops out. | 0:18:46 | 0:18:49 | |
This place has the worst case of ectoplasmic excretions I have ever seen. | 0:18:49 | 0:18:54 | |
The house isn't... They just want reassurances about their new home. | 0:18:54 | 0:18:58 | |
Don't be talking about excretions! | 0:18:58 | 0:19:00 | |
What... | 0:19:02 | 0:19:03 | |
Oh, God, what is this? | 0:19:06 | 0:19:08 | |
What? | 0:19:08 | 0:19:09 | |
This! | 0:19:11 | 0:19:12 | |
Michael, surely you've known me long enough that I've told you | 0:19:14 | 0:19:17 | |
about my rare collection of frightening ventriloquist dummies? | 0:19:17 | 0:19:22 | |
What are they doing here? | 0:19:22 | 0:19:23 | |
Do you know how valuable these are? | 0:19:23 | 0:19:25 | |
I'm not leaving them at home for the night. | 0:19:25 | 0:19:27 | |
So you've brought eight ventriloquists dummies... | 0:19:27 | 0:19:30 | |
Seven. | 0:19:30 | 0:19:31 | |
Oh, sorry, John. | 0:19:31 | 0:19:33 | |
You've brought seven ventriloquists dummies to a haunted house. | 0:19:33 | 0:19:37 | |
Isn't that just asking for trouble? | 0:19:37 | 0:19:38 | |
I thought you said it isn't haunted. | 0:19:38 | 0:19:40 | |
It isn't! | 0:19:40 | 0:19:41 | |
They're not doing any harm, are they? | 0:19:41 | 0:19:44 | |
They're just sat there minding their own business. | 0:19:44 | 0:19:46 | |
Anyway, why don't you get off dancing and leave the dark arts to them as knows? | 0:19:46 | 0:19:51 | |
No, no, no, no, no. I'm not leaving you here. | 0:19:51 | 0:19:53 | |
I knew all this was a bad idea. | 0:19:53 | 0:19:55 | |
Who are you phoning? | 0:19:55 | 0:19:56 | |
Sinem. I'm going to have to cancel. | 0:19:56 | 0:19:58 | |
What is up with you? | 0:19:58 | 0:19:59 | |
What? | 0:19:59 | 0:20:00 | |
You've got a beautiful girl waiting for you to spin her around | 0:20:00 | 0:20:03 | |
the dancefloor and you'd rather be here | 0:20:03 | 0:20:05 | |
at a potentially dangerous exorcism. | 0:20:05 | 0:20:08 | |
Have you ever been to an exorcism, Michael? | 0:20:08 | 0:20:11 | |
Heads spin round, books hit priests in the face. | 0:20:11 | 0:20:14 | |
And the language gets dog rough. | 0:20:14 | 0:20:16 | |
Blue language. And I'll put money on-on... | 0:20:16 | 0:20:19 | |
at least one of us crawling across the ceiling like a spider. | 0:20:19 | 0:20:22 | |
That is exactly why I'm staying here. Arthur, this is important. | 0:20:24 | 0:20:27 | |
Phillipa is the best agent I've ever had. | 0:20:27 | 0:20:30 | |
Excuses. You're scared about something. | 0:20:30 | 0:20:32 | |
And whatever it is, | 0:20:32 | 0:20:34 | |
you're letting it get between you and that lovely girl. | 0:20:34 | 0:20:36 | |
The only thing I'm scared of is... | 0:20:36 | 0:20:39 | |
is you. | 0:20:39 | 0:20:41 | |
Get rid of the wires! | 0:20:42 | 0:20:45 | |
Don't worry, Michael, we'll do it some other time. OK, bye. | 0:20:47 | 0:20:52 | |
Ooof. Those candles...I don't know how you can bear it. | 0:21:01 | 0:21:05 | |
It smells like an opium den in here. | 0:21:05 | 0:21:08 | |
Oooh! | 0:21:08 | 0:21:10 | |
Put that away! | 0:21:10 | 0:21:12 | |
You're not to be playing with Ouija boards! | 0:21:12 | 0:21:14 | |
Just... When they come back, you tell them, "it's over". | 0:21:14 | 0:21:17 | |
That's all you have to do. | 0:21:17 | 0:21:19 | |
Gosh, I can barely keep my eyes open. | 0:21:21 | 0:21:23 | |
It's not as much fun with him being here. | 0:21:24 | 0:21:27 | |
How are we going to do the Most Haunted filming? | 0:21:27 | 0:21:29 | |
I was looking forward to that. | 0:21:29 | 0:21:31 | |
We just have to bide our time. Look, he's falling asleep. | 0:21:31 | 0:21:35 | |
Yes. Yes. | 0:21:37 | 0:21:39 | |
We just have to wait. | 0:21:39 | 0:21:42 | |
THEY ALL LAUGH | 0:21:42 | 0:21:46 | |
Action. | 0:21:48 | 0:21:50 | |
One of the reasons I know this horse to be haunted...hunted... | 0:21:50 | 0:21:53 | |
this house to be hunted... | 0:21:53 | 0:21:56 | |
is...um, the horse to be hunted.... haunted...hunted...haunted... | 0:21:56 | 0:22:02 | |
hunted... I've got it now. | 0:22:02 | 0:22:04 | |
One of the reasons I know this is a haunted horse is when we arrived | 0:22:04 | 0:22:09 | |
here this evening this dog was on the other side of this painting, | 0:22:09 | 0:22:14 | |
and that lady was indoors. | 0:22:14 | 0:22:17 | |
Now, you explain that to me. | 0:22:17 | 0:22:19 | |
I have to say this is the worst mystical phenonomomen | 0:22:20 | 0:22:24 | |
I've experienced since I was chased by two devil dogs | 0:22:24 | 0:22:28 | |
after a night of heavy drinking. | 0:22:28 | 0:22:29 | |
Ooh, listen! | 0:22:32 | 0:22:33 | |
I think I heard it. | 0:22:35 | 0:22:37 | |
Open it. | 0:22:43 | 0:22:45 | |
No, don't. | 0:22:45 | 0:22:46 | |
No, do. | 0:22:46 | 0:22:47 | |
I-I'll do it. | 0:22:47 | 0:22:49 | |
No, you do it. No, I'll do it. | 0:22:49 | 0:22:51 | |
No, no, will you... | 0:22:51 | 0:22:53 | |
get a hold of yourself?! | 0:22:53 | 0:22:54 | |
All right, all right. I'm OK now. | 0:22:55 | 0:22:57 | |
John, you do it. | 0:22:59 | 0:23:01 | |
Wait, let me get a clean shot. | 0:23:01 | 0:23:02 | |
DOOR CREAKS | 0:23:08 | 0:23:09 | |
Eh! Eh! I'm in here! | 0:23:09 | 0:23:11 | |
That wasn't a ghost - it was Eggy! | 0:23:13 | 0:23:14 | |
What are you doing in the toilet with the light off? | 0:23:14 | 0:23:17 | |
I can't go with the light on. | 0:23:17 | 0:23:20 | |
Oh, oh, makes sense. | 0:23:20 | 0:23:22 | |
It was still a bit scary, wasn't it? | 0:23:22 | 0:23:24 | |
Did you get all that, Birdie? | 0:23:24 | 0:23:25 | |
Beautiful. | 0:23:25 | 0:23:26 | |
Look at him! He's still flat out! | 0:23:29 | 0:23:32 | |
Ah. Having a lovely dream. | 0:23:32 | 0:23:34 | |
# I give you all a boy could give you | 0:23:36 | 0:23:40 | |
# Take my tears and that's not nearly all... # | 0:23:40 | 0:23:45 | |
Do you want to dance? | 0:23:45 | 0:23:46 | |
OK. | 0:23:46 | 0:23:47 | |
# Now I know I've got to run away... # | 0:23:50 | 0:23:54 | |
Nice moves, Baker! | 0:23:54 | 0:23:57 | |
# To make things right | 0:24:03 | 0:24:05 | |
# You need someone to hold you tight... # | 0:24:05 | 0:24:08 | |
Nice moves, Baker! | 0:24:10 | 0:24:12 | |
BARKING | 0:24:18 | 0:24:20 | |
Oh, Birdie, you didn't get any of it! | 0:24:20 | 0:24:23 | |
I didn't film it, no. I saw it, though. | 0:24:23 | 0:24:26 | |
I can remember it, if that becomes important. | 0:24:26 | 0:24:29 | |
Oh, they'll go for that on Most Haunted, won't they? | 0:24:29 | 0:24:31 | |
You remembering what happened! | 0:24:31 | 0:24:33 | |
There, another one for the book! | 0:24:35 | 0:24:38 | |
Right, I'm off. | 0:24:38 | 0:24:40 | |
Bye, lads! | 0:24:40 | 0:24:41 | |
Are you not staying till the end, Birdie? | 0:24:41 | 0:24:43 | |
No, God, no, I'm incredibly bored. Good night again! | 0:24:43 | 0:24:46 | |
-Ahhhhh! -Ahhhhh! | 0:25:10 | 0:25:12 | |
What are you bloody playing at?! | 0:25:12 | 0:25:13 | |
What are you playing at?! | 0:25:13 | 0:25:15 | |
A joke's a joke, Michael, but you could have given me a heart attack! | 0:25:15 | 0:25:18 | |
For God's sake, Arthur, there is nothing unusual happening here! | 0:25:18 | 0:25:24 | |
You-you-you-you've gone mad! | 0:25:24 | 0:25:26 | |
Arthur, you've worked yourself up into such a state, | 0:25:26 | 0:25:28 | |
you're going to be more scared than they are when they get back! | 0:25:28 | 0:25:31 | |
I wouldn't be scared if you weren't parading around like an idiot. | 0:25:31 | 0:25:34 | |
What's going through your mind? | 0:25:34 | 0:25:36 | |
Anyway, you're the one that's scared. | 0:25:37 | 0:25:40 | |
I'm not scared! I don't believe in this stuff. | 0:25:40 | 0:25:42 | |
Not of ghosts. You know full well I'm not talking about ghosts. | 0:25:42 | 0:25:46 | |
I'm talking about whatever it is, | 0:25:46 | 0:25:48 | |
the reason you're pushing Sinem away. | 0:25:48 | 0:25:51 | |
It's you that needs an exorcism, Michael, not this house. | 0:25:51 | 0:25:55 | |
I have to go. | 0:25:58 | 0:26:00 | |
Arthur, when they get back, | 0:26:01 | 0:26:03 | |
what do you say? | 0:26:03 | 0:26:04 | |
Monster Mist. | 0:26:04 | 0:26:05 | |
No! | 0:26:05 | 0:26:06 | |
I'm only joking. I know. | 0:26:06 | 0:26:08 | |
"It's over." | 0:26:08 | 0:26:09 | |
"It's over." | 0:26:09 | 0:26:12 | |
Thank you. | 0:26:12 | 0:26:14 | |
So, is it a fancy dress party? | 0:26:14 | 0:26:16 | |
No. | 0:26:16 | 0:26:18 | |
Sinem, call a taxi - I'll meet you there. | 0:26:18 | 0:26:20 | |
What I'd give to be 40 again! | 0:26:20 | 0:26:23 | |
Well, we've still got a few hours. | 0:26:25 | 0:26:27 | |
What are we going to do now? | 0:26:27 | 0:26:29 | |
Hey! Look what I found! | 0:26:29 | 0:26:31 | |
Well, they did say make yourself at home. | 0:26:31 | 0:26:35 | |
My Imperial Topaz! | 0:26:41 | 0:26:43 | |
It's over. | 0:27:01 | 0:27:03 | |
MUSIC: "Tainted Love" | 0:27:06 | 0:27:10 | |
# Sometimes I feel I've got to | 0:27:12 | 0:27:17 | |
# Run away I've got to | 0:27:17 | 0:27:20 | |
# Get away from the fear you drive into the heart of me | 0:27:20 | 0:27:26 | |
# The love we share seems to go nowhere... # | 0:27:26 | 0:27:33 | |
Would you like to dance? | 0:27:33 | 0:27:35 | |
What's... What is wrong with your face? | 0:27:40 | 0:27:45 | |
There's nothing wrong with my face, Sinem. I'm just smiling. | 0:27:45 | 0:27:50 | |
# I give you all a boy could give you | 0:27:50 | 0:27:53 | |
# Take my tears and that's not nearly all | 0:27:53 | 0:27:57 | |
# Tainted love | 0:27:57 | 0:28:00 | |
# Tainted love. # | 0:28:00 | 0:28:01 | |
So, how much were the damages? | 0:28:03 | 0:28:05 | |
Maybe I should write it down. | 0:28:05 | 0:28:07 | |
Oooh! | 0:28:10 | 0:28:13 | |
I'm sorry, Michael. We've never drunk creme de menthe before. | 0:28:13 | 0:28:17 | |
It was like minty oblivion. | 0:28:18 | 0:28:20 | |
Don't worry, Arthur. It doesn't matter. | 0:28:22 | 0:28:26 | |
Where you going? | 0:28:27 | 0:28:29 | |
Dancing. | 0:28:29 | 0:28:32 | |
Are you not putting your make-up on? | 0:28:32 | 0:28:34 | |
I've told Phillipa I've gone shopping. | 0:28:40 | 0:28:43 | |
Touch the cards. | 0:28:43 | 0:28:45 | |
Ooohh! | 0:28:47 | 0:28:49 | |
Subtitles by Ericsson | 0:28:57 | 0:29:00 |