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This, these, this... | 0:00:13 | 0:00:17 | |
Thank you, Michael. | 0:00:17 | 0:00:19 | |
Oh, please! It's a joy receiving 15 letters a day addressed to | 0:00:19 | 0:00:21 | |
Arthur Strong Solutions, Arthur Strong Industries | 0:00:21 | 0:00:25 | |
and Boogle. | 0:00:25 | 0:00:27 | |
What's Boogle? | 0:00:27 | 0:00:28 | |
It's a postal service wherein people send me questions | 0:00:28 | 0:00:32 | |
and I search for answers among my extensive files. | 0:00:32 | 0:00:35 | |
I charge a small fee. | 0:00:35 | 0:00:37 | |
Oh, I see, so it's like Google, | 0:00:37 | 0:00:38 | |
but very inconvenient and actually costs money. | 0:00:38 | 0:00:40 | |
That's the idea! | 0:00:40 | 0:00:42 | |
Why Boogle? | 0:00:42 | 0:00:43 | |
That's the clever thing. Comes first... | 0:00:43 | 0:00:45 | |
BOTH: ..in the phone book! | 0:00:45 | 0:00:47 | |
Oh! I'm always one step ahead, me. | 0:00:47 | 0:00:49 | |
Here. | 0:00:49 | 0:00:51 | |
There's no need for that. It's not ideal for me, either. | 0:00:51 | 0:00:55 | |
I'm the one that's had to have his letterbox sealed up. | 0:00:55 | 0:00:57 | |
Why'd you have to do that, Arthur? | 0:00:57 | 0:01:00 | |
It's private, Eggy. I'd rather not discuss it. | 0:01:00 | 0:01:02 | |
I mean, what is going on here? | 0:01:02 | 0:01:04 | |
Oh, that's a fruit postal service I set up a subscription to. | 0:01:04 | 0:01:08 | |
Can you believe this banana made it from the other side of the world in just five weeks? | 0:01:08 | 0:01:13 | |
So every time you fancy a banana, you just have to wait five weeks | 0:01:13 | 0:01:16 | |
until it plops through your letterbox. | 0:01:16 | 0:01:18 | |
Gosh. The modern world! | 0:01:18 | 0:01:20 | |
-Good, isn't it? -No. | 0:01:20 | 0:01:22 | |
No, it's not, is it? | 0:01:22 | 0:01:23 | |
I can't work out how to cancel it. | 0:01:23 | 0:01:25 | |
Oh, Bulent, my good fellow, how about a cup of tea on the house | 0:01:25 | 0:01:29 | |
for all my years of dedicated custom? | 0:01:29 | 0:01:31 | |
This is a business! I run a cafe! | 0:01:31 | 0:01:34 | |
This is a cafe! | 0:01:34 | 0:01:35 | |
All right, don't go on about it. | 0:01:35 | 0:01:37 | |
Dedicated custom! You do nothing for this cafe! | 0:01:37 | 0:01:40 | |
You use it like an office, you bring your own food, | 0:01:40 | 0:01:42 | |
you spend as little as possible! | 0:01:42 | 0:01:44 | |
What the hell? You're having food posted now? | 0:01:44 | 0:01:49 | |
This can't be better than my prices! | 0:01:49 | 0:01:51 | |
Oh! Oh! Oh! | 0:01:51 | 0:01:54 | |
Oh, God, what is this now? | 0:01:54 | 0:01:57 | |
He's won a set of encyclopaedias. | 0:01:57 | 0:01:59 | |
It's a jury summons! | 0:01:59 | 0:02:01 | |
Close enough. | 0:02:01 | 0:02:03 | |
Oh, my goodness. This is such an honour. | 0:02:03 | 0:02:05 | |
All right, calm down, Meryl Streep. It's not an Oscar. | 0:02:05 | 0:02:08 | |
No, but... | 0:02:08 | 0:02:09 | |
it's a sacred trust. It's one of the cornerstones of our democracy. | 0:02:09 | 0:02:13 | |
I've always been able to get out of it. | 0:02:13 | 0:02:15 | |
Last time I was up for it, | 0:02:15 | 0:02:17 | |
I managed to convince the judge I was some sort of unstable lunatic. | 0:02:17 | 0:02:21 | |
Come now, Bulent, a single cup of tea! | 0:02:28 | 0:02:30 | |
Michael will pay you for it when he gets back from wherever he is. | 0:02:30 | 0:02:33 | |
Birdie, where's Michael gone? | 0:02:33 | 0:02:35 | |
Jury service! | 0:02:35 | 0:02:36 | |
God, Arthur, every few minutes you have to be told again. | 0:02:36 | 0:02:39 | |
After all I've done for this cafe! | 0:02:39 | 0:02:41 | |
What do you do for this cafe? | 0:02:41 | 0:02:42 | |
I'm your local colour. I'm why the tourists come in. | 0:02:42 | 0:02:46 | |
You are a tourist repellent! | 0:02:47 | 0:02:50 | |
The last time a tourist was in here, you thought he was picking a fight! | 0:02:51 | 0:02:54 | |
He kept spitting at me. | 0:02:54 | 0:02:55 | |
He was Dutch. | 0:02:55 | 0:02:57 | |
Oh, well, yes, hindsight is a wonderful thing, isn't it? | 0:02:58 | 0:03:02 | |
Isn't it, Michael? Where's Michael gone? Birdie? | 0:03:02 | 0:03:04 | |
Argh! | 0:03:04 | 0:03:06 | |
Afternoon, all. | 0:03:06 | 0:03:07 | |
Oh, thank God. | 0:03:07 | 0:03:09 | |
There he is, Postman Pat. | 0:03:09 | 0:03:11 | |
Don't start calling me Postman Pat. I'm doing you a favour! | 0:03:11 | 0:03:14 | |
You still haven't told us, Arthur - | 0:03:14 | 0:03:16 | |
why did you have to seal up your letterbox? | 0:03:16 | 0:03:19 | |
Well, Eggy, if you must know, | 0:03:19 | 0:03:20 | |
I caught a dog watching me through it when I was in my underpants. | 0:03:20 | 0:03:24 | |
Remember the good old days, Arthur, | 0:03:25 | 0:03:27 | |
when you could just leave your front door open? | 0:03:27 | 0:03:29 | |
These days it's just perverted dogs. | 0:03:29 | 0:03:31 | |
I had me Kevins on. Maybe that was it. | 0:03:33 | 0:03:36 | |
Your Kevins? | 0:03:36 | 0:03:37 | |
Kevin Kleins. | 0:03:37 | 0:03:38 | |
They're underpants which I'm told are quite fashionable. | 0:03:40 | 0:03:43 | |
You wear Calvin Kleins? | 0:03:45 | 0:03:46 | |
Kevin, Michael. Kevin Kleins. | 0:03:46 | 0:03:49 | |
They wouldn't do Calvin Kleins at the market. | 0:03:49 | 0:03:52 | |
About a week ago I bought three dozen pairs along with | 0:03:52 | 0:03:55 | |
a Carol Lagerfeld coat and a hat designed by Victor Beckham. | 0:03:55 | 0:04:00 | |
Sinem? Can I get your opinion? | 0:04:01 | 0:04:04 | |
Do you think this jumper says, "I respect the law"? | 0:04:04 | 0:04:07 | |
It actually does. | 0:04:07 | 0:04:10 | |
Michael, you're doing a good thing, but you need to calm down a bit. | 0:04:10 | 0:04:13 | |
I'm just excited. You should see the courtroom - it's very intimidating. | 0:04:13 | 0:04:17 | |
And have you seen a judge up close? They're much bigger than you think. | 0:04:17 | 0:04:20 | |
No, they just sit high up. | 0:04:20 | 0:04:23 | |
I think the judge and I have some sort of silent rapport. | 0:04:23 | 0:04:27 | |
It's like he knows I'd be a good judge if I wanted to be a judge. | 0:04:27 | 0:04:31 | |
I think you have to be a lawyer first. | 0:04:31 | 0:04:33 | |
Oh, yeah. | 0:04:33 | 0:04:35 | |
Eh! Pay for me. Pay for me tea. | 0:04:35 | 0:04:37 | |
What's the magic word? | 0:04:41 | 0:04:43 | |
"Now." | 0:04:43 | 0:04:44 | |
Er, no. No. I don't think so. | 0:04:45 | 0:04:48 | |
What? | 0:04:48 | 0:04:49 | |
No. Sorry, Arthur. I'm not doing it any more. | 0:04:49 | 0:04:52 | |
How dare you withhold money from Bulent? | 0:04:54 | 0:04:57 | |
If there's one thing the last couple of days have taught me, | 0:04:57 | 0:05:00 | |
it's that we're all part of a magical, | 0:05:00 | 0:05:02 | |
interlocking mechanism that I like to call "society". | 0:05:02 | 0:05:06 | |
And society only works if we are all pulling our weight. | 0:05:06 | 0:05:09 | |
Otherwise, you're just like a dog peeping through a letterbox, | 0:05:09 | 0:05:12 | |
trying to get something for nothing. | 0:05:12 | 0:05:14 | |
Well. It appears we have reached an impasse. | 0:05:19 | 0:05:23 | |
QUIET MUTTERING | 0:05:25 | 0:05:28 | |
QUIET TALKING CONTINUES | 0:05:34 | 0:05:42 | |
Oh, I'm going to have to live with that for the rest of my life. | 0:06:03 | 0:06:07 | |
He's a judge. You're in the jury. | 0:06:07 | 0:06:10 | |
You're not besties. You're not peers. | 0:06:10 | 0:06:14 | |
I want to kill myself. | 0:06:14 | 0:06:15 | |
Oh, please don't. I can't be single again. | 0:06:15 | 0:06:18 | |
Michael, I loved what you said yesterday about society. | 0:06:19 | 0:06:26 | |
What a beautiful way of putting it. The mechanism. Yes. | 0:06:26 | 0:06:30 | |
In contemplating it, I felt very like Professor Brian Cox does | 0:06:30 | 0:06:34 | |
when he looks at a dinosaur or some salt. | 0:06:34 | 0:06:38 | |
I'm going to think about the bigger picture, | 0:06:40 | 0:06:42 | |
because we're all part of something bigger. | 0:06:42 | 0:06:45 | |
It really, really does make you think. | 0:06:45 | 0:06:48 | |
So... | 0:06:50 | 0:06:52 | |
could I have a cup of tea now? | 0:06:52 | 0:06:55 | |
-Go on, then. -Cup of tea, please, Bulent! | 0:06:56 | 0:06:58 | |
NOISE LIKE TAPPING ON GLASS | 0:06:58 | 0:07:01 | |
Oh! That's my phone! | 0:07:01 | 0:07:03 | |
Hugely annoying. | 0:07:03 | 0:07:04 | |
Well, I didn't choose it! This is you messing with my settings again! | 0:07:04 | 0:07:09 | |
People think I'm about to make a speech every time I get a text. | 0:07:09 | 0:07:12 | |
I didn't mean to do that. | 0:07:12 | 0:07:13 | |
I was just trying to sort out your sodding ring tone. | 0:07:13 | 0:07:16 | |
Radiating chimes. You should be ashamed of yourself! | 0:07:16 | 0:07:20 | |
Just leave my phone alone! | 0:07:20 | 0:07:22 | |
I can't connect to the internet any more. | 0:07:22 | 0:07:24 | |
Last night I was woken up by a U2 album. | 0:07:24 | 0:07:26 | |
How did you get my passcode, anyway? | 0:07:28 | 0:07:30 | |
Guessing 4321 does not make me a criminal masterchef. | 0:07:30 | 0:07:34 | |
Would it be a bad time to ask for my post? | 0:07:36 | 0:07:40 | |
TAPPING NOISE | 0:07:42 | 0:07:45 | |
I am not making a speech! | 0:07:46 | 0:07:48 | |
Oh, here, Michael! This is one of yours! | 0:07:49 | 0:07:52 | |
Oh, no, leave it, Eggy. I'll give it him later on. | 0:07:52 | 0:07:54 | |
I see you've got your tea privileges reinstated. | 0:07:54 | 0:07:57 | |
Ah, Michael, he always comes good in the end. | 0:07:57 | 0:08:00 | |
There's nothing he wouldn't do for me. Ooh, ooh. What was that? | 0:08:00 | 0:08:04 | |
Oh! Y'all right, Arthur? | 0:08:04 | 0:08:06 | |
Oooh, I've got a funny warm feeling in my stomach. | 0:08:06 | 0:08:10 | |
And somehow, it seems to be connected with Michael. | 0:08:10 | 0:08:13 | |
Oh, I know what that is. That's an emotion called gratitude, Arthur, | 0:08:13 | 0:08:17 | |
and most humans would have that. | 0:08:17 | 0:08:20 | |
Oh! Ooh, it's lovely. | 0:08:20 | 0:08:23 | |
It reminds me of when I was trying to get Michael to get me | 0:08:25 | 0:08:28 | |
a cup of tea when I was banging on about Brian Cox. | 0:08:28 | 0:08:32 | |
It's that sort of feeling. I'd call it a Brian Cox rush. | 0:08:32 | 0:08:36 | |
Well, you were making a lot of sense back there, | 0:08:38 | 0:08:40 | |
even if you were just trying to get a cup of tea out of him. | 0:08:40 | 0:08:43 | |
Ooh, now I'm getting a sort of horrible opposite feeling. | 0:08:43 | 0:08:47 | |
Like someone's thrown salt on Brian Cox. | 0:08:47 | 0:08:50 | |
That's called guilt. | 0:08:51 | 0:08:52 | |
How do I get rid of the salty Brian Cox feeling and get the dinosaur one back? | 0:08:52 | 0:08:59 | |
Maybe you could do something nice for Michael. | 0:08:59 | 0:09:02 | |
I see! | 0:09:02 | 0:09:03 | |
Um...you could pay him a visit at the courtroom and give him a boost! | 0:09:03 | 0:09:07 | |
Great idea! | 0:09:07 | 0:09:09 | |
No, Arthur, he won't want that. | 0:09:09 | 0:09:11 | |
Oh, come on, Eggy - don't be so selfish. | 0:09:11 | 0:09:13 | |
What could make him happier than looking up | 0:09:13 | 0:09:16 | |
and seeing a row of friendly faces? | 0:09:16 | 0:09:19 | |
Well, now you put it like that... | 0:09:20 | 0:09:22 | |
Yeah, that's why they have seats, you know, so everyone can go and cheer. | 0:09:22 | 0:09:26 | |
It'll be like going to the films for free. | 0:09:26 | 0:09:29 | |
We'd only have to pay for ice creams and drinks. | 0:09:29 | 0:09:31 | |
I'm in! | 0:09:31 | 0:09:33 | |
What about you, John - are you coming? | 0:09:33 | 0:09:34 | |
There might be a juicy case on. | 0:09:34 | 0:09:36 | |
Like a murder or maybe they've caught a witch. | 0:09:36 | 0:09:39 | |
I better not, Arthur. | 0:09:40 | 0:09:42 | |
Why not, John? | 0:09:42 | 0:09:43 | |
Well, Birdie, in my youth, | 0:09:43 | 0:09:46 | |
I fell in with a lot of bad apples and I wouldn't want them | 0:09:46 | 0:09:49 | |
to see me in a courthouse and think that I've turned grass. | 0:09:49 | 0:09:53 | |
Oh, John, what are the chances of that happening? | 0:09:53 | 0:09:56 | |
If you're not in a firm and you're sitting | 0:09:56 | 0:09:58 | |
in a courthouse... It's just not a very good look, Arthur. | 0:09:58 | 0:10:02 | |
Oh, come on, stop thinking about yourself, John. | 0:10:02 | 0:10:04 | |
We're all part of something bigger! | 0:10:04 | 0:10:07 | |
Let's go and make this an unforgettable day for Michael! | 0:10:07 | 0:10:10 | |
This'll be the one. | 0:10:13 | 0:10:14 | |
Are you sure this is the right courthouse? | 0:10:14 | 0:10:17 | |
I am, Birdie. He'll be in this one. | 0:10:17 | 0:10:19 | |
Oh, look, the circus is in town... | 0:10:19 | 0:10:21 | |
Oh, this feels good, doesn't it? I feel a warm glow. | 0:10:21 | 0:10:25 | |
You're doing something nice for someone, Arthur. | 0:10:25 | 0:10:28 | |
That's the feeling you get! | 0:10:28 | 0:10:29 | |
Is it? | 0:10:29 | 0:10:31 | |
Look, there's Michael. | 0:10:36 | 0:10:39 | |
There you are! | 0:10:39 | 0:10:41 | |
Good luck, Michael! | 0:10:42 | 0:10:44 | |
With you all the way, Michael! | 0:10:44 | 0:10:46 | |
Could I have silence in my courtroom, please? | 0:10:46 | 0:10:49 | |
Shush! | 0:10:49 | 0:10:51 | |
Oh, look, it's the accused. | 0:10:52 | 0:10:56 | |
Boooooo! | 0:10:56 | 0:10:57 | |
Hang on a minute, Birdie - we don't know if he's guilty or not yet. | 0:10:57 | 0:11:00 | |
Ah. Yay! | 0:11:00 | 0:11:02 | |
Good luck, son! | 0:11:02 | 0:11:04 | |
Right! Right, who said that? Who's making all that noise? | 0:11:04 | 0:11:07 | |
The gentleman in the, eh, in the raincoat. | 0:11:10 | 0:11:12 | |
Can I have him removed, please? | 0:11:12 | 0:11:14 | |
What, me? Why? I haven't done anything! | 0:11:14 | 0:11:17 | |
DOOR CLOSES | 0:11:20 | 0:11:22 | |
What are you doing? | 0:11:24 | 0:11:25 | |
We just wanted to give you a bit of support. | 0:11:25 | 0:11:28 | |
It's not a football match! | 0:11:28 | 0:11:29 | |
All right, all right, we're going. | 0:11:29 | 0:11:31 | |
Oh, here, there was one for you in that pile of post. | 0:11:31 | 0:11:34 | |
You must have got it mixed up. | 0:11:34 | 0:11:36 | |
-OK. Give it to me. -I've got it here somewhere. | 0:11:36 | 0:11:38 | |
'Allo, John! | 0:11:38 | 0:11:41 | |
Ron? | 0:11:42 | 0:11:43 | |
What brings you here today? You been a naughty boy? | 0:11:43 | 0:11:46 | |
Oh, nah, nah, it's just, eh... What's going on with you? | 0:11:46 | 0:11:49 | |
Well, they brought Big Frank in. | 0:11:49 | 0:11:51 | |
Big Frank? I didn't know he was out. | 0:11:51 | 0:11:53 | |
Yeah, they got him for GBH. | 0:11:53 | 0:11:55 | |
Somehow they got a witness to appear. | 0:11:55 | 0:11:57 | |
You know, had him behind a screen. | 0:11:57 | 0:11:59 | |
Did something with his voice so you couldn't recognise him. | 0:11:59 | 0:12:01 | |
-Oh, yeah? -Yeah. What did you say you were here for again? | 0:12:01 | 0:12:04 | |
Hello, John. | 0:12:04 | 0:12:06 | |
Hello, Don. | 0:12:06 | 0:12:07 | |
-What are you doing here? -Well, that's what I've been asking him. | 0:12:07 | 0:12:10 | |
Didn't expect to see you here. | 0:12:10 | 0:12:11 | |
That's what I've been thinking. | 0:12:11 | 0:12:12 | |
Hope you haven't turned grass. Ha-ha. | 0:12:12 | 0:12:14 | |
Nah! You know me, boys. | 0:12:14 | 0:12:17 | |
I'm, eh, working for another outfit now. | 0:12:17 | 0:12:20 | |
Oh, yeah? Who's running it? | 0:12:20 | 0:12:22 | |
Arthur The Hat. That's him over there. | 0:12:24 | 0:12:27 | |
Oh, right. Good to see you, anyway, John. | 0:12:34 | 0:12:39 | |
Yeah, good to see you, boys! | 0:12:39 | 0:12:43 | |
See you later! | 0:12:45 | 0:12:46 | |
You see where he's off to. | 0:12:48 | 0:12:50 | |
Hello, Stef. | 0:12:58 | 0:12:59 | |
Can you get me CID? They might want to have a look at this. | 0:12:59 | 0:13:02 | |
Do you believe him? | 0:13:04 | 0:13:06 | |
Well, I don't think he's a grass, Mr Duncan... | 0:13:06 | 0:13:09 | |
though he did join another firm. | 0:13:09 | 0:13:11 | |
What did he say his name was again? | 0:13:11 | 0:13:13 | |
Arthur The Hat. | 0:13:13 | 0:13:14 | |
Arthur The Hat. | 0:13:14 | 0:13:15 | |
Never heard of him. | 0:13:16 | 0:13:18 | |
Well, he's some sort of operator. | 0:13:18 | 0:13:20 | |
Yeah, got a good look at him, oiling up a juror from another trial. | 0:13:21 | 0:13:26 | |
I'm a little insulted. | 0:13:27 | 0:13:30 | |
John told me he was going straight and now here you are telling me he's got a new best friend. | 0:13:30 | 0:13:37 | |
I thought I was his best friend. | 0:13:38 | 0:13:42 | |
Well, with respect, Mr Duncan, it looks like things have changed. | 0:13:42 | 0:13:46 | |
Have they now? | 0:13:46 | 0:13:47 | |
Yes. | 0:13:53 | 0:13:54 | |
Here you are, mate - you've dropped a tenner. | 0:14:06 | 0:14:09 | |
Ooooooh! Oooooh! | 0:14:13 | 0:14:19 | |
Oooh! | 0:14:30 | 0:14:32 | |
Ooooh! | 0:14:32 | 0:14:37 | |
Well, I do apologise for that interruption and perhaps | 0:14:37 | 0:14:40 | |
I should give some explanation about what has just transpired. | 0:14:40 | 0:14:44 | |
There are three conditions by which a charge like this may be considered successful. | 0:14:44 | 0:14:50 | |
First condition... | 0:14:50 | 0:14:52 | |
-ARTHUR'S VOICE: -'Ring tone. It's under ring tone. | 0:14:52 | 0:14:54 | |
'You shouldn't be messing with his phone, Arthur. | 0:14:54 | 0:14:57 | |
'Bloody radiating chimes. | 0:14:57 | 0:14:59 | |
'But that's not highlighted! "Record your own" is highlighted. | 0:14:59 | 0:15:04 | |
'Ooh, here comes Michael. | 0:15:04 | 0:15:05 | |
'I'll take it into the toilet and fix it in there. | 0:15:05 | 0:15:08 | |
'Now I'm in the toilet, I might as well make the best of it. | 0:15:10 | 0:15:13 | |
'Oooh, lovely warm seat. Someone must have just left it. | 0:15:15 | 0:15:18 | |
'Ooh, actually, this feels like it's going to be a painful one. | 0:15:19 | 0:15:25 | |
'Better hold on to the sides...' | 0:15:25 | 0:15:28 | |
Here you go, Eggy. | 0:15:33 | 0:15:35 | |
-What's this? -It's a list of tools I'm hoping to get a lend of. | 0:15:35 | 0:15:39 | |
I'm removing a tree from her-next-door's garden. | 0:15:39 | 0:15:41 | |
Ooh, I tell you what, Eggy, | 0:15:41 | 0:15:43 | |
I can't get enough of being lovely to people. | 0:15:43 | 0:15:46 | |
I'm getting a massive buzz off of it. | 0:15:46 | 0:15:48 | |
Oh, use a toothpick, will you? | 0:15:48 | 0:15:50 | |
Oh. What's this say? | 0:15:50 | 0:15:53 | |
"Tramps"? | 0:15:53 | 0:15:54 | |
Tramps? Bin bags! Can't you read? | 0:15:54 | 0:15:57 | |
"Squadron." | 0:15:57 | 0:15:58 | |
Handsaw. | 0:15:58 | 0:16:00 | |
"Pending." | 0:16:00 | 0:16:01 | |
Shovel! | 0:16:01 | 0:16:02 | |
It's your writing, Arthur! | 0:16:02 | 0:16:04 | |
Oh, I'll just tell you - you write it down. | 0:16:04 | 0:16:06 | |
COUGHING | 0:16:06 | 0:16:08 | |
You all right? | 0:16:08 | 0:16:09 | |
Just something's gone down the wrong way. I'll be all right. | 0:16:10 | 0:16:14 | |
Hm-mm. | 0:16:16 | 0:16:17 | |
What is it? | 0:16:17 | 0:16:19 | |
These guys are no good. Look. Like they own the place. | 0:16:19 | 0:16:22 | |
Can I help you? | 0:16:22 | 0:16:23 | |
Might as well do some business while we're here. | 0:16:23 | 0:16:26 | |
Yeah, actually. Oh - hello, darling. | 0:16:26 | 0:16:30 | |
SHE LAUGHS LOUDLY | 0:16:30 | 0:16:32 | |
Something's struck her as funny. | 0:16:36 | 0:16:37 | |
I said, can I help you? | 0:16:37 | 0:16:39 | |
Yeah, well, we're doing a neighbourhood watch scheme, you know, | 0:16:39 | 0:16:42 | |
keeping an eye on some of the businesses in the area. | 0:16:42 | 0:16:45 | |
Thought you might like to contribute a small amount to cover our expenses. | 0:16:45 | 0:16:48 | |
Right. We'll need an axe... | 0:16:48 | 0:16:51 | |
Axe... | 0:16:51 | 0:16:53 | |
Biggest one they've got. One you can really get hold of. | 0:16:53 | 0:16:56 | |
Yeah, yeah, I've got you. | 0:16:56 | 0:16:58 | |
Are you sure, mate? | 0:16:58 | 0:16:59 | |
I mean, it's not much money for peace of mind. | 0:16:59 | 0:17:01 | |
I think we're OK, "mate". | 0:17:01 | 0:17:04 | |
A good sharp saw. | 0:17:04 | 0:17:06 | |
OK. What's that for? | 0:17:06 | 0:17:08 | |
You can't get rid of it all at once. | 0:17:08 | 0:17:10 | |
We'll have to saw the limbs off, bring it all out in pieces. | 0:17:10 | 0:17:14 | |
I like the way you're thinking. | 0:17:14 | 0:17:17 | |
Oh! Binbags! We don't want to leave any mess. | 0:17:17 | 0:17:20 | |
Yeah, yeah. I've done this before, Arthur. | 0:17:20 | 0:17:23 | |
Psst, Ron. | 0:17:24 | 0:17:25 | |
What? | 0:17:25 | 0:17:26 | |
You know those guys? | 0:17:32 | 0:17:33 | |
What guys? Ooh, and I want to get her a little present. | 0:17:33 | 0:17:37 | |
How about some lovely chrysanthemums? | 0:17:37 | 0:17:41 | |
Will you have a drink? | 0:17:41 | 0:17:43 | |
He's the real deal, Mr Duncan. | 0:17:45 | 0:17:47 | |
Is he now? | 0:17:48 | 0:17:50 | |
Yes. | 0:17:55 | 0:17:56 | |
I want to meet him, see what he's made of. | 0:17:59 | 0:18:03 | |
Bring him over. | 0:18:03 | 0:18:04 | |
What if he says no? | 0:18:04 | 0:18:06 | |
Take young Bobby with you. | 0:18:07 | 0:18:09 | |
But, Mr Duncan, | 0:18:09 | 0:18:11 | |
this is me new suit. Can I at least go home and change? | 0:18:11 | 0:18:13 | |
No, leave it on. | 0:18:13 | 0:18:15 | |
It'll encourage you not to lose the head too much. | 0:18:15 | 0:18:18 | |
We'll see. Come on, boys. | 0:18:20 | 0:18:23 | |
There it is. | 0:18:30 | 0:18:32 | |
Silly boy. Yeah, we've got one. | 0:18:32 | 0:18:35 | |
Eggy, I've got something for you. | 0:18:38 | 0:18:40 | |
Do you want this? | 0:18:45 | 0:18:46 | |
Your fly rod? But that's your favourite, Arthur! | 0:18:46 | 0:18:49 | |
I know! I can't help myself, Eggy! | 0:18:49 | 0:18:51 | |
Arthur, you've got to face it, | 0:18:51 | 0:18:53 | |
you're addicted to feeling like Brian Cox when he looks at things. | 0:18:53 | 0:18:56 | |
You're right. I'm chasing that Brian Cox feeling. | 0:18:56 | 0:18:59 | |
Helping old ladies across the street just doesn't do it for me any more. | 0:18:59 | 0:19:03 | |
Everyone's talking about how you've changed. | 0:19:03 | 0:19:06 | |
I'm worried about you, Arthur. | 0:19:06 | 0:19:08 | |
I can handle it, Eggy! I can quit any time I want. | 0:19:08 | 0:19:10 | |
Anyway, take it! Take the rod! | 0:19:10 | 0:19:12 | |
Take it! Ooooooh. | 0:19:12 | 0:19:15 | |
No! I don't want to be a part of this! | 0:19:15 | 0:19:18 | |
Ooooh! Oooooh! | 0:19:18 | 0:19:21 | |
Which one? The geezer with the hat? | 0:19:21 | 0:19:23 | |
Yeah, that's him over there. | 0:19:23 | 0:19:25 | |
Oi. You Arthur? | 0:19:25 | 0:19:27 | |
Oh! Look at what you've gone and done! | 0:19:27 | 0:19:32 | |
Hold still! You're just making it worse! | 0:19:32 | 0:19:35 | |
Eggy! Get me the disgorger! | 0:19:35 | 0:19:37 | |
It's gone behind a molar - I can see it! | 0:19:37 | 0:19:40 | |
-SCREAMS -I'm going to be able to get that out. | 0:19:40 | 0:19:43 | |
Go, go! | 0:19:46 | 0:19:47 | |
We just wanted to talk! | 0:19:48 | 0:19:50 | |
Yeah, that's right - you'd better run! | 0:19:51 | 0:19:54 | |
Michael Baker? | 0:20:09 | 0:20:10 | |
Yes? | 0:20:10 | 0:20:11 | |
I'm arresting you on suspicion of perverting the course of justice. | 0:20:11 | 0:20:14 | |
You do not have to say anything but it may harm your defence | 0:20:14 | 0:20:17 | |
if you do not mention when questioned something you later rely on in court. | 0:20:17 | 0:20:20 | |
Anything you do say may be given in evidence. | 0:20:20 | 0:20:22 | |
What? | 0:20:22 | 0:20:24 | |
-Sir. -Come on, sir. | 0:20:24 | 0:20:25 | |
Oh, my God! Is this really happening? | 0:20:25 | 0:20:28 | |
This is really happening! | 0:20:28 | 0:20:31 | |
How is this really happening? | 0:20:31 | 0:20:32 | |
Is this really happening? | 0:20:34 | 0:20:35 | |
I just... I just wanted to be good! | 0:20:36 | 0:20:39 | |
No, no, no, no! No! No! No, that's Arthur! | 0:20:43 | 0:20:47 | |
You know him, do you? | 0:20:47 | 0:20:48 | |
Yes! He was just giving me my post! | 0:20:48 | 0:20:51 | |
It was just a bloody pizza menu in the end! | 0:20:51 | 0:20:54 | |
A pizza menu in an envelope? | 0:20:54 | 0:20:56 | |
Yes! | 0:20:56 | 0:20:58 | |
I don't know why they do it! | 0:20:59 | 0:21:00 | |
You see, Baker, we've been looking into your Mr Strong. | 0:21:00 | 0:21:04 | |
It seems he's been causing some ripples in the exciting world of organised crime. | 0:21:04 | 0:21:07 | |
Organised crime? Arthur? | 0:21:07 | 0:21:10 | |
Arthur couldn't organise anything! | 0:21:10 | 0:21:13 | |
Well, if that's the case, you won't mind doing us a little favour. | 0:21:13 | 0:21:15 | |
Well, yes. Yes, yes, of course. | 0:21:15 | 0:21:18 | |
Just have a little visit with your friend, | 0:21:18 | 0:21:20 | |
ask him how his week's been, get the gossip. | 0:21:20 | 0:21:23 | |
A wire! | 0:21:24 | 0:21:26 | |
You want me to wear a wire and speak to Arthur? | 0:21:26 | 0:21:28 | |
You're looking at seven years otherwise. | 0:21:28 | 0:21:30 | |
Seven years what? | 0:21:30 | 0:21:32 | |
Well, prison. | 0:21:32 | 0:21:34 | |
I could go to prison! | 0:21:36 | 0:21:38 | |
Look at him in his Carol Lagerfeld coat. | 0:22:02 | 0:22:05 | |
I am entering the cafe. | 0:22:18 | 0:22:20 | |
I am sitting in the cafe. | 0:22:28 | 0:22:30 | |
Michael, sit! | 0:22:36 | 0:22:38 | |
Approaching target. | 0:22:40 | 0:22:42 | |
So, what's been going on? | 0:22:47 | 0:22:49 | |
Eh? | 0:22:49 | 0:22:51 | |
Cos, um...I haven't been around a lot, have I? | 0:22:51 | 0:22:54 | |
So whatever's happening's nothing to do with me. | 0:22:54 | 0:22:56 | |
Whatever's going on. | 0:22:56 | 0:22:57 | |
What you on about? | 0:22:57 | 0:22:59 | |
Why did you come to the court to see me? Remember? | 0:22:59 | 0:23:02 | |
Oh, that was just to show my appreciation for all you do for me. | 0:23:02 | 0:23:07 | |
No... | 0:23:11 | 0:23:12 | |
So much you do. It's just my way of saying thank you. | 0:23:12 | 0:23:17 | |
Stop it. | 0:23:17 | 0:23:18 | |
No, no, I won't stop it! This is the new me, Michael. | 0:23:18 | 0:23:22 | |
I'm nice now! I just want to be nice to everyone! | 0:23:22 | 0:23:26 | |
He's onto us. | 0:23:26 | 0:23:27 | |
Shift. | 0:23:32 | 0:23:34 | |
Sorry, we're in the middle of something. | 0:23:34 | 0:23:36 | |
I'm going to sit over there now because I want to suddenly. | 0:23:36 | 0:23:40 | |
You think you're an operator. | 0:23:42 | 0:23:44 | |
Big man around town, everybody knows your name. Passing out favours. | 0:23:44 | 0:23:49 | |
Friend of the community. | 0:23:49 | 0:23:51 | |
Is that Eddie Duncan? That's Eddie Duncan. | 0:23:51 | 0:23:54 | |
Very clever. I like it. | 0:23:54 | 0:23:57 | |
Oh, thank you very much. | 0:23:57 | 0:23:59 | |
But I want you to understand something. | 0:24:01 | 0:24:04 | |
You are a bug to me. | 0:24:04 | 0:24:07 | |
I could crush you just by shifting my weight. | 0:24:07 | 0:24:10 | |
Sorry, who did you say you were again? | 0:24:11 | 0:24:14 | |
His name's Eddie Duncan! Mr Eddie Duncan! | 0:24:14 | 0:24:16 | |
Calm down. There's no need for bedlam. | 0:24:16 | 0:24:19 | |
After all, you've already showed me what you're capable of. | 0:24:19 | 0:24:24 | |
And we've both too much at stake to start a war. | 0:24:26 | 0:24:29 | |
Things are going well for me at the moment. | 0:24:29 | 0:24:32 | |
Money's rolling in. I've even got a judge on the payroll. | 0:24:32 | 0:24:34 | |
Ah! A judge? | 0:24:34 | 0:24:36 | |
What's his name? | 0:24:38 | 0:24:40 | |
Is he all right? | 0:24:42 | 0:24:44 | |
He's all right. | 0:24:44 | 0:24:45 | |
Clayton. | 0:24:47 | 0:24:49 | |
That's my judge! | 0:24:49 | 0:24:50 | |
Since when? That's our judge! | 0:24:50 | 0:24:53 | |
I'm going to make you an offer. | 0:24:55 | 0:24:57 | |
Just a goodwill gesture. | 0:24:58 | 0:25:00 | |
You'd be wise to accept. | 0:25:00 | 0:25:02 | |
Oh, I see. You want to give me something? | 0:25:02 | 0:25:05 | |
Ah-ha! You're like me! You're trying to get that buzz! | 0:25:05 | 0:25:10 | |
Do what? | 0:25:10 | 0:25:11 | |
That Brian Cox feeling. I completely understand. | 0:25:11 | 0:25:15 | |
It's highly addictive, isn't it? | 0:25:15 | 0:25:16 | |
I don't know what you're talking about. | 0:25:16 | 0:25:18 | |
Oh, I'm sorry - I didn't mean to interrupt. | 0:25:18 | 0:25:20 | |
What did you want to give me? | 0:25:20 | 0:25:22 | |
Territory. | 0:25:22 | 0:25:23 | |
I'm willing to let you have everything between Lennox Street and Mount Street. | 0:25:23 | 0:25:28 | |
Everything between Lennox Street and Mount Street? Is that all yours? | 0:25:28 | 0:25:32 | |
Yeah. And now I'm giving it to you. | 0:25:32 | 0:25:34 | |
Even the Specsavers? | 0:25:34 | 0:25:37 | |
Yeah. | 0:25:38 | 0:25:39 | |
And the travel agent's? | 0:25:39 | 0:25:40 | |
Yes, all of it. | 0:25:41 | 0:25:43 | |
I own a Specsavers and a travel agent's? | 0:25:43 | 0:25:46 | |
Well... | 0:25:46 | 0:25:48 | |
That's very generous of you! | 0:25:48 | 0:25:50 | |
Oooooh, ooooh, you must be suffering a massive explosion in your head! | 0:25:50 | 0:25:53 | |
Take it or leave it. | 0:25:54 | 0:25:56 | |
I'll take it! And now I'm going to give it all away! | 0:25:56 | 0:26:01 | |
Don't, Arthur - it's too generous! Your system can't take it! | 0:26:01 | 0:26:05 | |
I don't care, Eggy! I'm going for it! | 0:26:07 | 0:26:09 | |
Birdie, do you want a couple of roads? | 0:26:09 | 0:26:11 | |
I don't know how but somehow I own them. | 0:26:11 | 0:26:13 | |
They're yours if you want them. | 0:26:13 | 0:26:15 | |
Oh, um, all right! | 0:26:15 | 0:26:18 | |
Whoooaaaaaaahhhhhh! Ooh, this is the best one yet! | 0:26:18 | 0:26:22 | |
Oooooh! Ooooooh! Ooooooh! Ooooooh! Ooooooh! | 0:26:22 | 0:26:29 | |
We did this. | 0:26:37 | 0:26:39 | |
We did this! | 0:26:39 | 0:26:41 | |
We're going to put away a real bad guy! | 0:26:41 | 0:26:43 | |
I still don't really know what happened there. | 0:26:43 | 0:26:46 | |
Where's John? I haven't seen him for a few days. | 0:26:48 | 0:26:51 | |
Good morning, sir. How can I help you? | 0:26:51 | 0:26:53 | |
One ticket to Uruguay. | 0:26:53 | 0:26:55 | |
Oh, I suppose you want payment for that? | 0:26:57 | 0:27:00 | |
It's on the house. | 0:27:00 | 0:27:01 | |
Any chance of a biscuit? | 0:27:02 | 0:27:05 | |
And then in the course of this, you learned Judge Clayton was, as they say, in the pocket of Eddie Duncan? | 0:27:11 | 0:27:18 | |
That's right. | 0:27:19 | 0:27:21 | |
The same Judge Clayton you see here today? | 0:27:21 | 0:27:23 | |
Yes. That's him, there. | 0:27:23 | 0:27:25 |