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It's very realistic, isn't it? | 0:00:13 | 0:00:16 | |
Oh, we're known for our realism, John. | 0:00:16 | 0:00:17 | |
Me and Terry don't do things by halves. | 0:00:17 | 0:00:20 | |
But what happens, Arthur? You go to people's houses, and what? | 0:00:20 | 0:00:23 | |
We give them a murder mystery experience. | 0:00:23 | 0:00:26 | |
They find a body, look for clues | 0:00:26 | 0:00:28 | |
and try to work out whodunnit. | 0:00:28 | 0:00:30 | |
You know, like Agatha Whatsit | 0:00:30 | 0:00:32 | |
with er...Hercule Biro and Mrs Marbles. | 0:00:32 | 0:00:35 | |
Who are you playing tonight? | 0:00:35 | 0:00:37 | |
Chief Inspector! | 0:00:39 | 0:00:41 | |
You've shot up through the ranks. | 0:00:41 | 0:00:43 | |
Imagine a world where that could happen. | 0:00:43 | 0:00:46 | |
Bulent, you have to! | 0:00:46 | 0:00:48 | |
Shouting again. This is shouting. | 0:00:48 | 0:00:50 | |
He's going to notice, he's not an idiot! | 0:00:50 | 0:00:53 | |
Well, it's all very impressive, Arthur. | 0:00:53 | 0:00:55 | |
Thanks, John. This'll show bloody Martin Clunes. | 0:00:55 | 0:00:58 | |
-I'm sorry? -Martin Clunes. | 0:00:58 | 0:01:01 | |
-What about him? -Don't like him. | 0:01:01 | 0:01:02 | |
He knocked into me once in Currys | 0:01:02 | 0:01:04 | |
when we were both after the same meat thermometer. | 0:01:04 | 0:01:06 | |
Took half the skin off the back of my hand | 0:01:06 | 0:01:09 | |
because of his abnormally long fingernails. | 0:01:09 | 0:01:11 | |
Look! I'll have that until the day I die. | 0:01:11 | 0:01:15 | |
Plus, he's got no range. He's always either a vet or a doctor. | 0:01:15 | 0:01:19 | |
I've been a bishop, a chauffeur, an international swimmer. | 0:01:19 | 0:01:22 | |
And what do they have in common, all these great roles? | 0:01:22 | 0:01:24 | |
-Have you told him? -They're all hugely challenging parts. | 0:01:24 | 0:01:28 | |
They're all dead! | 0:01:28 | 0:01:29 | |
And dead. Yes, they have all passed away. | 0:01:29 | 0:01:32 | |
I saw the website. He plays the victim in all of them. | 0:01:32 | 0:01:35 | |
While it's true that I specialise in the recently, um...annihilated, | 0:01:38 | 0:01:43 | |
Terry tells me we've had some very strong reviews on, um...TripAdvisor. | 0:01:43 | 0:01:47 | |
And tonight's one has a little bit of a twist. | 0:01:47 | 0:01:50 | |
My character, Chief Inspector Gregson, | 0:01:50 | 0:01:52 | |
gets too close to the truth. | 0:01:52 | 0:01:54 | |
So he's killed. | 0:01:54 | 0:01:55 | |
All he does is lie down on the floor. | 0:01:55 | 0:01:58 | |
And I bet he can't even do that. | 0:01:58 | 0:01:59 | |
It's not as easy as it sounds, Bulent. | 0:01:59 | 0:02:01 | |
No acting is easy for you. You are not an actor! | 0:02:01 | 0:02:04 | |
And you lot, you encourage him! It's cruel! | 0:02:04 | 0:02:07 | |
For your information, I've become known for characters | 0:02:07 | 0:02:09 | |
going through a process of, um...rigor mortis. | 0:02:09 | 0:02:12 | |
Ask around! | 0:02:12 | 0:02:14 | |
Oh, yes, I think you'll find | 0:02:14 | 0:02:15 | |
everyone's talking about my stiff parts. | 0:02:15 | 0:02:18 | |
What are you smiling at? | 0:02:19 | 0:02:20 | |
Am I? | 0:02:20 | 0:02:22 | |
Oh. Er...no, I didn't mean... | 0:02:22 | 0:02:24 | |
I'm just going to get a cup of tea. | 0:02:24 | 0:02:26 | |
You all right? I saw you and Bulent having a thing. | 0:02:28 | 0:02:31 | |
Oh! My dad's visiting. | 0:02:31 | 0:02:33 | |
He has this habit of suggesting improvements for the cafe. | 0:02:33 | 0:02:37 | |
Improvements? Ha! | 0:02:37 | 0:02:38 | |
But you have to see him! | 0:02:38 | 0:02:40 | |
Your dad? Oh. Right. Is he...? | 0:02:42 | 0:02:45 | |
Presumably... | 0:02:47 | 0:02:48 | |
We should probably... I should probably | 0:02:48 | 0:02:50 | |
tell him about our, um... | 0:02:50 | 0:02:51 | |
our... | 0:02:51 | 0:02:53 | |
personal... | 0:02:53 | 0:02:55 | |
..business. | 0:02:57 | 0:02:58 | |
Ha! No! | 0:02:58 | 0:03:00 | |
-Did you hear that? -What? -Sinem. | 0:03:03 | 0:03:06 | |
Unless I'm misreading her, I don't think she wants me to meet her dad. | 0:03:06 | 0:03:11 | |
Oh, well, I can understand that. | 0:03:11 | 0:03:13 | |
What? Why? | 0:03:13 | 0:03:14 | |
Well, you're not very impressive, are you? | 0:03:14 | 0:03:17 | |
You're not an impressive person. | 0:03:17 | 0:03:18 | |
You're...you're...you're underwhelming. | 0:03:18 | 0:03:21 | |
You don't have "it". | 0:03:21 | 0:03:23 | |
Can you believe how rude Bulent was to me just then? | 0:03:23 | 0:03:26 | |
-Hi, again. -Hiya! | 0:03:26 | 0:03:27 | |
I just want to make sure I got this right. | 0:03:27 | 0:03:29 | |
You don't want me to meet your father? | 0:03:29 | 0:03:31 | |
No, no. No...I don't. | 0:03:31 | 0:03:33 | |
No, I definitely don't want you to meet him, no. | 0:03:33 | 0:03:35 | |
No. Sorry, but no. | 0:03:35 | 0:03:37 | |
What's your spider sense picking up now? | 0:03:39 | 0:03:41 | |
Michael, my dad, he's been through a lot. | 0:03:43 | 0:03:47 | |
It toughened him up. | 0:03:47 | 0:03:48 | |
He likes men to be...like him. | 0:03:48 | 0:03:51 | |
Manly. | 0:03:52 | 0:03:53 | |
HE GASPS | 0:03:53 | 0:03:54 | |
I am manly! | 0:03:54 | 0:03:56 | |
I am very manly! | 0:03:56 | 0:03:58 | |
Ow, you're hurting my arm! | 0:03:58 | 0:04:00 | |
Michael, you're one of the gentlest, sweetest men... | 0:04:01 | 0:04:04 | |
Oh, Sinem, I think you've got an idea of me that's just not true. | 0:04:04 | 0:04:09 | |
I mean, I know I'm not macho in the typical sense... | 0:04:09 | 0:04:13 | |
Mm! These blueberries are exquisite! | 0:04:13 | 0:04:15 | |
I definitely don't think you should meet my father. | 0:04:15 | 0:04:18 | |
Get out of the kitchen! | 0:04:28 | 0:04:30 | |
-"Not an actor"(!) -Oh, don't let him get to you, Arthur. | 0:04:30 | 0:04:34 | |
My...my corpse is the glue that holds the evening together. | 0:04:34 | 0:04:38 | |
You should see the electric effect I have | 0:04:38 | 0:04:39 | |
when they come in and I don't do anything. | 0:04:39 | 0:04:42 | |
All right, everyone, if you open your envelopes, | 0:04:45 | 0:04:47 | |
you'll find your character biographies. | 0:04:47 | 0:04:49 | |
In a moment, we'll go through this door and the experience will begin. | 0:04:49 | 0:04:52 | |
Examine the scene, record any clues in the notebooks we've provided, | 0:04:52 | 0:04:55 | |
and try and stay in character because it's more fun that way. | 0:04:55 | 0:04:58 | |
And above all, enjoy yourselves! Hm! | 0:04:58 | 0:05:01 | |
-BAD COCKNEY ACCENT: -Well, I do believe dinner is about to be served, | 0:05:02 | 0:05:05 | |
so let me just see what my mentor and superior officer, | 0:05:05 | 0:05:08 | |
Inspector Gregson, is up to. | 0:05:08 | 0:05:11 | |
HE GASPS | 0:05:13 | 0:05:14 | |
Inspector! | 0:05:19 | 0:05:21 | |
Inspector Gregson! | 0:05:21 | 0:05:23 | |
He...he... | 0:05:23 | 0:05:25 | |
..he's dead! | 0:05:28 | 0:05:29 | |
Murdered! | 0:05:29 | 0:05:32 | |
So now it's over to you. | 0:05:32 | 0:05:33 | |
One of you is a murderer, | 0:05:33 | 0:05:35 | |
and it's up to the rest of you to find out who it is. | 0:05:35 | 0:05:37 | |
This much is certain. | 0:05:37 | 0:05:39 | |
Inspector Gregson, the one man who could have solved this mystery, is dead. | 0:05:39 | 0:05:43 | |
Who killed him? Why? | 0:05:43 | 0:05:46 | |
ARTHUR SPLUTTERS | 0:05:46 | 0:05:48 | |
Why was he killed? | 0:05:48 | 0:05:50 | |
Ooh, hang on, hang on, I'm on me keys. | 0:05:50 | 0:05:52 | |
Was he killed because he knew too much? | 0:05:53 | 0:05:55 | |
Sorry, they're travelling. | 0:05:55 | 0:05:58 | |
How was he killed, and what was the murder weapon? | 0:05:58 | 0:06:00 | |
That's better. Carry on. I'm completely dead now. | 0:06:00 | 0:06:03 | |
A few questions to consider. Did somebody want to keep him quiet? | 0:06:06 | 0:06:10 | |
ARTHUR FARTS | 0:06:10 | 0:06:12 | |
Oh! Excuse me. | 0:06:12 | 0:06:14 | |
Just imagine that was posthumous gas escaping. | 0:06:14 | 0:06:17 | |
Let me just, er...check. | 0:06:22 | 0:06:24 | |
Make sure he's definitely dead. | 0:06:24 | 0:06:26 | |
-WHISPERS: -Um...they're all here. | 0:06:28 | 0:06:30 | |
Oh...oh...oh, yes. All right, I quite understand. | 0:06:30 | 0:06:33 | |
Just let me get a bit more comfortable. | 0:06:33 | 0:06:34 | |
There. Oh, I'm very cosy now. | 0:06:35 | 0:06:38 | |
You won't hear another word. | 0:06:38 | 0:06:40 | |
Now he's completely, definitely dead. | 0:06:41 | 0:06:44 | |
But we will solve this murder. We have to. | 0:06:44 | 0:06:47 | |
So enjoy the next few hours, | 0:06:47 | 0:06:49 | |
for this will be the most suspenseful dinner you've ever had. | 0:06:49 | 0:06:53 | |
ARTHUR SNORES | 0:06:53 | 0:06:55 | |
Do you want to wake him up, tell him to be more dead? | 0:06:56 | 0:06:58 | |
Should we just ignore it? | 0:06:58 | 0:07:00 | |
Bloody Bulent! Knock your block off! | 0:07:00 | 0:07:03 | |
-Arthur, wake up! -Talk to me like that! | 0:07:03 | 0:07:05 | |
What, is it...is it all over? | 0:07:05 | 0:07:07 | |
Who'd have thought that the murderer... | 0:07:07 | 0:07:10 | |
Don't give it away, Arthur! | 0:07:10 | 0:07:12 | |
Oh, what, it's not all over? | 0:07:12 | 0:07:14 | |
Very well, my lips are sealed. | 0:07:14 | 0:07:16 | |
-Just don't take your eye off Lord Chumley. -Oh! | 0:07:16 | 0:07:19 | |
I'm sorry, Terry, I hate that I let you down. | 0:07:21 | 0:07:23 | |
What happened in there? | 0:07:23 | 0:07:24 | |
It's just, sometimes, I get a bit stiff, lying there all night. | 0:07:24 | 0:07:27 | |
I'd love to get a chance to test my skills. | 0:07:27 | 0:07:30 | |
We had a deal, Arthur. | 0:07:30 | 0:07:31 | |
I know we did, I know. But I'm sick of being the inanimate eye candy. | 0:07:31 | 0:07:36 | |
Look...when we...when we set this up, | 0:07:36 | 0:07:40 | |
we agreed I would do all the acting. | 0:07:40 | 0:07:42 | |
Yes, but you don't know what I can do! You haven't seen my form! | 0:07:42 | 0:07:45 | |
Tonight, all you had to do was lie there and you couldn't even do that! | 0:07:45 | 0:07:49 | |
Right, well, you're not the first that's said that to me today. | 0:07:49 | 0:07:53 | |
Are we going to start a different one? | 0:07:53 | 0:07:54 | |
Yeah. Sorry, we're just coming. | 0:07:54 | 0:07:56 | |
Come on, let's do Murder on Mount Everest. | 0:07:56 | 0:07:59 | |
Arthur? | 0:08:00 | 0:08:01 | |
Arthur? | 0:08:01 | 0:08:03 | |
You all right, Eggy? | 0:08:07 | 0:08:09 | |
Yeah. It's Arthur. He looked really hurt by what Bulent said. | 0:08:09 | 0:08:14 | |
It's true that he hasn't had a real acting job in ages. | 0:08:14 | 0:08:17 | |
I don't think I've seen him in anything proper. | 0:08:17 | 0:08:20 | |
I do wonder if maybe Bulent doesn't have a point. | 0:08:20 | 0:08:22 | |
Are we being cruel, do you think, by encouraging him? | 0:08:22 | 0:08:26 | |
SAD MUSIC | 0:08:31 | 0:08:33 | |
TYRES SCREECH | 0:08:44 | 0:08:46 | |
-Get off me! I'm all right! -Are you OK, sir? | 0:08:49 | 0:08:51 | |
I'm all right, I'm all right! | 0:08:51 | 0:08:52 | |
Here you are, Inspector. | 0:09:00 | 0:09:01 | |
-DEEP VOICE: -You all right, John? | 0:09:30 | 0:09:32 | |
You all right? | 0:09:39 | 0:09:41 | |
Oh! All right, Michael? | 0:09:41 | 0:09:43 | |
Whatcha doin'? You havin' a...you havin' a butcher's at the ponies? | 0:09:43 | 0:09:46 | |
Yeah. | 0:09:47 | 0:09:49 | |
I didn't think you was interested, Michael. | 0:09:49 | 0:09:51 | |
Try me, Johnny boy. | 0:09:51 | 0:09:53 | |
There's a nice little runner going in the 3:20 at Newmarket today. | 0:09:55 | 0:09:59 | |
Pretty Prancer. She'll love the ground. | 0:09:59 | 0:10:02 | |
The stable's in form and the jockey's got a 7lb claim. | 0:10:02 | 0:10:05 | |
That's got to be worth a bull's-eye! | 0:10:05 | 0:10:07 | |
Yeah, I don't understand what you're saying. Am I a manly man? | 0:10:07 | 0:10:10 | |
-Huh? -Well, you're manly. | 0:10:10 | 0:10:12 | |
-That's true. -Do you think I am? | 0:10:12 | 0:10:15 | |
Manly, I mean? | 0:10:15 | 0:10:16 | |
Well, maybe not in a classic sense. | 0:10:16 | 0:10:19 | |
-Right. -You have an air about you that's very delicate. | 0:10:20 | 0:10:25 | |
Like a... | 0:10:25 | 0:10:26 | |
baby deer. | 0:10:26 | 0:10:27 | |
Or just a baby. | 0:10:28 | 0:10:30 | |
I'm like a baby? | 0:10:31 | 0:10:33 | |
Yeah, we're here now, Helen. Door's been forced open. | 0:10:35 | 0:10:37 | |
Attempted break-in. | 0:10:37 | 0:10:39 | |
I think we've scared them off. I'll have a look, anyway. | 0:10:39 | 0:10:42 | |
Whoa, whoa, whoa, whoa, whoa! | 0:10:51 | 0:10:52 | |
Sorry, Inspector, they didn't tell us they were sending anyone. | 0:10:53 | 0:10:56 | |
They didn't tell you a lot of things, did they? Who else is here? | 0:10:56 | 0:10:59 | |
-Constable Bennett. -Constable Bennett...SIR! | 0:10:59 | 0:11:01 | |
-Sorry, sir! -That's all right, lad. New on the job? | 0:11:01 | 0:11:04 | |
-Um... -You're doing fine. Take me to Bennett. | 0:11:04 | 0:11:06 | |
Hey. You should meet my father when he's in town. | 0:11:14 | 0:11:17 | |
Somewhere far away from the cafe. | 0:11:17 | 0:11:19 | |
-Sinem, doesn't want me to. -Sinem doesn't know what she wants! | 0:11:19 | 0:11:22 | |
She is a woman, we are men! | 0:11:22 | 0:11:24 | |
Thank you, Bulent. | 0:11:24 | 0:11:26 | |
You going to let yourself be controlled by a woman? Ha! | 0:11:26 | 0:11:29 | |
-What kind of man are you? -She's in the hatch. | 0:11:29 | 0:11:32 | |
-QUIETER: -Ha! What kind of man are you? | 0:11:32 | 0:11:35 | |
I just do what I want. | 0:11:35 | 0:11:37 | |
No woman can control me. | 0:11:37 | 0:11:38 | |
-WHISPERS: -Looks like she can hear you. | 0:11:38 | 0:11:40 | |
I don't know how to make my voice go lower. | 0:11:40 | 0:11:43 | |
You should meet my father, so I don't have to. | 0:11:43 | 0:11:46 | |
It would be good for everyone. | 0:11:46 | 0:11:48 | |
-OK, I'll meet him. -Good. | 0:11:48 | 0:11:50 | |
Is she still there? | 0:11:52 | 0:11:54 | |
-Yes. -OK. | 0:11:54 | 0:11:56 | |
I don't know how to end this conversation, | 0:11:56 | 0:11:57 | |
so I'm just going to leave for no reason. | 0:11:57 | 0:12:00 | |
I don't want any corners cut, Bennett. | 0:12:08 | 0:12:10 | |
Of course. But it's all fairly routine, isn't it? | 0:12:10 | 0:12:12 | |
Is it, Bennett? Is it indeed? | 0:12:12 | 0:12:14 | |
Go on, then, talk me through it, I could use a laugh. | 0:12:14 | 0:12:17 | |
Well, the intruder gained entry by forcing the front door. | 0:12:17 | 0:12:20 | |
We won't know what's missing until we've tracked the owner down. | 0:12:20 | 0:12:23 | |
Very good. But I want you to do something for me. | 0:12:23 | 0:12:26 | |
Look around the room, tell me what you see. | 0:12:26 | 0:12:28 | |
-Look beyond the obvious. -How do you mean? | 0:12:28 | 0:12:31 | |
The table! Look at the table! | 0:12:31 | 0:12:34 | |
Gordon Bennett, Bennett! | 0:12:34 | 0:12:36 | |
There's a remainder of a meal. | 0:12:36 | 0:12:37 | |
A half-eaten meal. Which means? | 0:12:37 | 0:12:40 | |
The person who left it didn't have time to clean up? | 0:12:40 | 0:12:42 | |
Or...he, or she, or they, or it, | 0:12:42 | 0:12:46 | |
were interrupted by person or persons unknown. | 0:12:46 | 0:12:49 | |
I'm not sure what you're saying. | 0:12:49 | 0:12:50 | |
It's not for me to say what I'm saying. | 0:12:50 | 0:12:52 | |
I have more important things to do! | 0:12:52 | 0:12:54 | |
Get Forensics in here! | 0:12:54 | 0:12:55 | |
I want everything that isn't nailed down in a test tube by this evening. | 0:12:55 | 0:12:59 | |
Really? But it's just a break-in. | 0:12:59 | 0:13:01 | |
I have a hunch, Bennett. | 0:13:01 | 0:13:03 | |
And when I have a hunch, I follow my nose, see where it takes me. | 0:13:03 | 0:13:06 | |
And I've been to some pretty dark places and back | 0:13:06 | 0:13:09 | |
with this nose and, um...my, er...hunch. | 0:13:09 | 0:13:13 | |
Throw a half-mile cordon around the area. | 0:13:13 | 0:13:15 | |
I want this place sealed off. | 0:13:15 | 0:13:17 | |
No-one gets in, no-one gets out. | 0:13:17 | 0:13:18 | |
Um...except me, obviously. | 0:13:18 | 0:13:20 | |
And...and you, and the police, all the police. | 0:13:20 | 0:13:24 | |
All the police get in and out, but no-one else does. | 0:13:24 | 0:13:27 | |
Unless it's Cracker, or someone like that. Understood? | 0:13:27 | 0:13:30 | |
Good man. Now, get on with it! | 0:13:30 | 0:13:32 | |
I hope to God I'm wrong. | 0:13:34 | 0:13:36 | |
SIRENS WAIL | 0:13:38 | 0:13:40 | |
Find something, damn you, find something! | 0:13:42 | 0:13:45 | |
What is it you think they'll find, sir? | 0:13:50 | 0:13:52 | |
I'm not in the business of second-guessing what I'm thinking. | 0:13:52 | 0:13:55 | |
I deal in facts, Bennett. Hard, cold facts. | 0:13:55 | 0:13:58 | |
It's what's got me wherever it is I am today. | 0:13:58 | 0:14:01 | |
-The press are here. -Give me strength! | 0:14:04 | 0:14:06 | |
All right, all right, I'll deal with them. | 0:14:06 | 0:14:09 | |
Police have cordoned off the immediate area, | 0:14:09 | 0:14:11 | |
with many people unable to get into their homes. | 0:14:11 | 0:14:14 | |
We're joined by Chief Inspector Gregson. Thank you for joining us. | 0:14:14 | 0:14:17 | |
-Lovely to be here. -What can you tell us about what's going on? | 0:14:17 | 0:14:20 | |
Well, as you'll appreciate, Donna, | 0:14:20 | 0:14:22 | |
the investigation is in its very early stages | 0:14:22 | 0:14:24 | |
and I wouldn't want to say anything that could compromise | 0:14:24 | 0:14:27 | |
or jer-opodise an ongoing investigation. | 0:14:27 | 0:14:29 | |
Is it a murder investigation? | 0:14:29 | 0:14:31 | |
At this point, I can neither confirm nor deny that. | 0:14:31 | 0:14:34 | |
But what I can tell you is this, | 0:14:34 | 0:14:36 | |
I and my men and I will move heaven and earth | 0:14:36 | 0:14:38 | |
to get to the bottom of whatever is or isn't going on here. | 0:14:38 | 0:14:42 | |
Rest assured, someone will pay for...this sort of thing. | 0:14:42 | 0:14:46 | |
What have you found in the garden? | 0:14:46 | 0:14:48 | |
I'm afraid I am unable to answer that question | 0:14:48 | 0:14:50 | |
due to the Official Secretions Act. | 0:14:50 | 0:14:53 | |
Now, if there are no more questions, I'll return to my investigation. | 0:14:53 | 0:14:56 | |
Nothing more to see here, nothing more to see. Good day. | 0:14:56 | 0:15:00 | |
Get a move on digging that garden up! | 0:15:00 | 0:15:02 | |
-What were you talking about? -Nothing! | 0:15:03 | 0:15:06 | |
-Michael! -Stop towering over me, you're frightening me. | 0:15:06 | 0:15:08 | |
PHONE RINGS | 0:15:08 | 0:15:10 | |
Hello? | 0:15:14 | 0:15:16 | |
Yes, yes, speaking. | 0:15:16 | 0:15:17 | |
What? | 0:15:18 | 0:15:21 | |
Yes. Yes, I'm coming. | 0:15:21 | 0:15:23 | |
-You OK? -It's Arthur, he's at the hospital. | 0:15:23 | 0:15:26 | |
If I could just ask you a few questions about who did this to you? | 0:15:33 | 0:15:36 | |
Ephonemia? | 0:15:36 | 0:15:39 | |
I've never heard of it. | 0:15:39 | 0:15:40 | |
He's in a sort of sleepwalking state. | 0:15:44 | 0:15:47 | |
For Arthur, this identity he's assumed is more real than real. | 0:15:47 | 0:15:51 | |
It could be dangerous to rouse him from it. | 0:15:51 | 0:15:54 | |
-What can we do? -Well, it may sound odd, | 0:15:54 | 0:15:56 | |
but give him a mystery to solve. | 0:15:56 | 0:15:59 | |
It could well unravel the contradictions in his psyche. | 0:15:59 | 0:16:01 | |
That seems...crazy. | 0:16:01 | 0:16:04 | |
Oh, OK. What would I know(?) | 0:16:04 | 0:16:06 | |
Oh, gosh! No, sorry. Um... | 0:16:06 | 0:16:08 | |
Thank you. Thank you, Doctor. | 0:16:08 | 0:16:11 | |
Hm! Um... | 0:16:14 | 0:16:15 | |
All right, Detective Inspector...sir. | 0:16:15 | 0:16:18 | |
There's a new case for you to crack. | 0:16:20 | 0:16:22 | |
Very good. Lead on, son. | 0:16:22 | 0:16:25 | |
This one should do it - Murder at the Manor. | 0:16:28 | 0:16:30 | |
-No! I refuse! -Bulent, you said you'd help him. | 0:16:30 | 0:16:33 | |
I thought you meant make him a cup of tea or something! | 0:16:33 | 0:16:36 | |
The doctor said he has to have a whole experience. | 0:16:36 | 0:16:38 | |
Do you want to speak to the doctor? | 0:16:38 | 0:16:40 | |
-Do you think you know better than a doctor? -Well, good luck. | 0:16:40 | 0:16:43 | |
Thanks again, Terry. | 0:16:43 | 0:16:44 | |
Oh, don't thank me, just take care of my stuff and take care of Arthur. | 0:16:44 | 0:16:48 | |
I still don't like this. | 0:16:48 | 0:16:49 | |
Come on, Bulent, we don't want to leave Arthur like this, do we? | 0:16:49 | 0:16:53 | |
Confused, aggressive and weird? | 0:16:53 | 0:16:55 | |
-Where is he? -He's looking through your dustbin for clues. | 0:16:58 | 0:17:01 | |
What?! Oh, actually, that's fine. | 0:17:01 | 0:17:03 | |
Right, parts. | 0:17:05 | 0:17:06 | |
-John, Biggs the chauffeur. -Ah! | 0:17:06 | 0:17:09 | |
Eggy, Lady Margery. | 0:17:09 | 0:17:10 | |
Lady Margery? Ooh, nobility! | 0:17:12 | 0:17:15 | |
Bulent, Lord Swatton's estranged son Oliver. | 0:17:15 | 0:17:20 | |
And Sinem, his beautiful but enigmatic daughter Margaret. | 0:17:20 | 0:17:23 | |
And I am Constable Harker, | 0:17:23 | 0:17:26 | |
a disillusioned cop with a chip on his shoulder and a fiery temper. | 0:17:26 | 0:17:30 | |
What's this? "A sickly effeminate Englishman | 0:17:30 | 0:17:33 | |
"who always overthinks things | 0:17:33 | 0:17:35 | |
"and therefore cannot live his life to the full." | 0:17:35 | 0:17:37 | |
-DEEP VOICE: -I've got a temper. | 0:17:39 | 0:17:40 | |
I take it His Lordship's body has been removed? | 0:18:00 | 0:18:02 | |
Yes, sir! | 0:18:02 | 0:18:04 | |
-What do I call you? -Harker, sir! Constable Harker, sir! | 0:18:06 | 0:18:09 | |
Harker. Wasn't your father on the force? | 0:18:09 | 0:18:12 | |
-I don't know. -Bit of a loose cannon, as I recall. | 0:18:12 | 0:18:14 | |
Is that what I've got on my hands here, Harker, a loose cannon? | 0:18:14 | 0:18:16 | |
I am a bit of a loose cannon, sir, but not too much. | 0:18:16 | 0:18:19 | |
Glad to hear it. Glad to hear it, Harker. Very glad to hear it. | 0:18:19 | 0:18:22 | |
Glad to hear it indeed! | 0:18:22 | 0:18:25 | |
What? | 0:18:27 | 0:18:28 | |
I didn't say anything. | 0:18:28 | 0:18:29 | |
Good, good. I like you, Harker. | 0:18:29 | 0:18:31 | |
We should go for a pint and talk about how unhappy I am. | 0:18:31 | 0:18:34 | |
And who do we have here? | 0:18:37 | 0:18:40 | |
Lady Margery Swatton, sir. | 0:18:43 | 0:18:45 | |
A pleasure, milady. | 0:18:45 | 0:18:47 | |
SQUELCHY KISS | 0:18:49 | 0:18:51 | |
Could I offer my condolences | 0:18:52 | 0:18:54 | |
at what must be a very difficult time for you. | 0:18:54 | 0:18:56 | |
Yes. It...it came as a terrible shock to us all. | 0:18:56 | 0:19:00 | |
Is she not fragrant? | 0:19:00 | 0:19:01 | |
If you're up to it, my lady, I need to ask you a few questions. | 0:19:04 | 0:19:08 | |
Of course. But be quick, won't you? | 0:19:08 | 0:19:11 | |
A lady needs her beauty sleep. | 0:19:11 | 0:19:13 | |
Then that would be a very short sleep indeed. | 0:19:13 | 0:19:15 | |
And you are quite, um... | 0:19:16 | 0:19:19 | |
er...er...a corker! | 0:19:19 | 0:19:21 | |
Indeed, if I were not here professionally, | 0:19:24 | 0:19:26 | |
I would be all over you, | 0:19:26 | 0:19:28 | |
like a German Shepherd on some... | 0:19:28 | 0:19:31 | |
chicken. | 0:19:31 | 0:19:32 | |
Please, park it here. | 0:19:34 | 0:19:36 | |
-Cigarette? -Where? | 0:19:37 | 0:19:39 | |
HE LAUGHS | 0:19:39 | 0:19:41 | |
Oh, delightful! Quite delightful! | 0:19:41 | 0:19:42 | |
But if I may just be serious for a moment, | 0:19:42 | 0:19:44 | |
did you kill your husband?! And why?! | 0:19:44 | 0:19:47 | |
-No! -Well, I don't think there'll anything else. | 0:19:47 | 0:19:51 | |
I-I do apologise, my lady, for giving you such a severe probing. | 0:19:53 | 0:19:57 | |
I have to ask. It's my job, it's what I do. | 0:19:58 | 0:20:02 | |
I understand. | 0:20:02 | 0:20:04 | |
Thank you, Inspector. | 0:20:04 | 0:20:06 | |
If you need me, just whistle. | 0:20:06 | 0:20:08 | |
You know how to whistle, don't you? | 0:20:09 | 0:20:11 | |
You open your lips a little bit | 0:20:11 | 0:20:14 | |
and put your tongue against the base of your bottom teeth | 0:20:14 | 0:20:17 | |
and exhale with some force, avoiding sputum. | 0:20:17 | 0:20:21 | |
I was in the car with her ladyship. | 0:20:26 | 0:20:29 | |
-What time, Biggs? -I can't remember. | 0:20:29 | 0:20:31 | |
Can't remember, or won't remember? | 0:20:31 | 0:20:33 | |
Can't. I didn't read the little card. | 0:20:33 | 0:20:37 | |
Oh, I've had just about enough of this! | 0:20:37 | 0:20:39 | |
I've got the guv'nor giving me it in the neck | 0:20:39 | 0:20:42 | |
and you, on the other end, jerking my chain! | 0:20:42 | 0:20:44 | |
And my ass is in a sling! | 0:20:44 | 0:20:47 | |
I don't know what you're talking about! | 0:20:50 | 0:20:51 | |
Answer the question, Biggs! | 0:20:54 | 0:20:56 | |
Calm down, Michael! | 0:20:57 | 0:20:59 | |
All right, all right, time-out! | 0:20:59 | 0:21:01 | |
You have to forgive Constable Harker, he's a bit of a wild one. | 0:21:01 | 0:21:04 | |
I'm a loose canon! | 0:21:04 | 0:21:06 | |
In fact, sometimes, I have to hold him back, | 0:21:08 | 0:21:12 | |
-or goodness knows what he's capable of. -Mmm. | 0:21:12 | 0:21:15 | |
Oh, get him out of my sight! | 0:21:17 | 0:21:19 | |
Don't leave town, Mr Chauffeur, | 0:21:19 | 0:21:21 | |
or you'll be chauffeuring yourself into prison! | 0:21:21 | 0:21:25 | |
I sus-pose you're all wondering why I gathered you here this evening? | 0:21:32 | 0:21:35 | |
Here you are, Miss, dry those eyes. | 0:21:40 | 0:21:42 | |
-EMOTIONAL: -Thank you. | 0:21:42 | 0:21:44 | |
-SEDUCTIVE: -You're very kind. | 0:21:44 | 0:21:45 | |
Make this quick! I have better things to do with my time! | 0:21:49 | 0:21:51 | |
Oh, we all have somewhere we'd rather be. | 0:21:51 | 0:21:54 | |
I'd quite like to be listening to classical music | 0:21:54 | 0:21:57 | |
while drinking real ale in a Jaguar. | 0:21:57 | 0:22:00 | |
Or talking through the events of the day with my alcoholic sister. | 0:22:01 | 0:22:04 | |
But I find myself here, clearing this mess up. Biggs! | 0:22:05 | 0:22:09 | |
-Who, me? -You say you were talking to Lady Margery this morning? | 0:22:09 | 0:22:12 | |
-That's right. -Talking, you say? | 0:22:12 | 0:22:15 | |
-Think carefully before you answer. -Yes. | 0:22:15 | 0:22:17 | |
I put it to you there was very little talking going on. | 0:22:17 | 0:22:21 | |
In fact, the talking was probably along the lines of, | 0:22:21 | 0:22:25 | |
"Take your jumper off. Not bad for my age, am I?" | 0:22:25 | 0:22:28 | |
and, "Do you need a blast of your inhaler?" | 0:22:28 | 0:22:32 | |
It's true! I do have feelings for him! | 0:22:33 | 0:22:37 | |
Madge, don't! | 0:22:37 | 0:22:38 | |
-We love each other! -Think of what it'll do to your family! | 0:22:38 | 0:22:42 | |
I don't care who knows! | 0:22:42 | 0:22:44 | |
I'm glad it's out! Glad, do you hear me? | 0:22:44 | 0:22:47 | |
But I never killed my husband! | 0:22:47 | 0:22:49 | |
You must believe me, Inspector! | 0:22:49 | 0:22:52 | |
SOBS | 0:22:52 | 0:22:54 | |
Incidentally, don't you think it's about time | 0:22:54 | 0:22:57 | |
you told your daughter who her father is? | 0:22:57 | 0:22:59 | |
-What do you mean? -Oh, come, come. Look at the likeness! | 0:22:59 | 0:23:03 | |
Daddy? | 0:23:07 | 0:23:09 | |
All right? | 0:23:09 | 0:23:10 | |
A moving family reunion. | 0:23:14 | 0:23:16 | |
Which brings me to you. | 0:23:18 | 0:23:20 | |
OK, come on, let's get this over with. | 0:23:20 | 0:23:23 | |
Your alibi was that you were playing tennis when your father was killed. | 0:23:23 | 0:23:26 | |
Who was your opponent? | 0:23:26 | 0:23:28 | |
-I don't know. -OK, let's stick to what we do know. | 0:23:28 | 0:23:30 | |
-You don't think very much of your stepmother, do you? -No. | 0:23:32 | 0:23:35 | |
-And your father? -My father is a hero to me. | 0:23:35 | 0:23:38 | |
Is he? Is he really? | 0:23:38 | 0:23:40 | |
What are you saying? | 0:23:40 | 0:23:41 | |
You've always thought your father was a little ashamed of you, haven't you? | 0:23:41 | 0:23:45 | |
-No! -You always wanted to make him proud, didn't you? | 0:23:45 | 0:23:48 | |
-Of course! -But it was not forthcoming, his pride in you, was it? | 0:23:48 | 0:23:51 | |
And so, you came to resent him! | 0:23:51 | 0:23:53 | |
-Mind what you say! -This man who you could never do right by! | 0:23:53 | 0:23:57 | |
-That's not true! -Which is why you wanted to get rid of him. | 0:23:57 | 0:24:00 | |
No, it's not true! It's not true! | 0:24:00 | 0:24:02 | |
But you had an accomplice, didn't you? | 0:24:02 | 0:24:05 | |
Constable Harker! | 0:24:05 | 0:24:06 | |
-What? -It was you who agreed to meet his father at a specified location. | 0:24:10 | 0:24:15 | |
You who said you'd look after him. | 0:24:15 | 0:24:18 | |
I-I-I-I don't know what you're talking about. | 0:24:18 | 0:24:20 | |
Oh, I think you do, Constable. I very much think you do. | 0:24:20 | 0:24:24 | |
Wait, is this real now? Bulent? | 0:24:24 | 0:24:26 | |
-S-S-Shut up! -I just need to check. | 0:24:26 | 0:24:28 | |
-WHISPERS: -Shut up, damn you, shut up! | 0:24:28 | 0:24:30 | |
Is what real? Michael, what's going on? | 0:24:30 | 0:24:33 | |
Don't be too hard on him, Miss. He did it for love. | 0:24:33 | 0:24:36 | |
It's true. Your father... | 0:24:36 | 0:24:39 | |
Bulent asked me to take care of him. | 0:24:39 | 0:24:42 | |
Damn you, you fool! You've ruined everything! | 0:24:42 | 0:24:44 | |
You ARE meeting Dad! | 0:24:44 | 0:24:46 | |
-All right! -And so am I! | 0:24:46 | 0:24:48 | |
-Michael! -No, I'm sorry, Sinem, but I insist! | 0:24:48 | 0:24:51 | |
I really think you're great and I want to meet your dad | 0:24:51 | 0:24:54 | |
because I bet he's great, too. | 0:24:54 | 0:24:56 | |
And you're my girlfriend, | 0:24:56 | 0:24:58 | |
and boyfriends should meet their girlfriends' fathers. | 0:24:58 | 0:25:00 | |
It's the rules. | 0:25:00 | 0:25:02 | |
Um...OK. | 0:25:02 | 0:25:04 | |
Well, it looks like... | 0:25:05 | 0:25:07 | |
It looks like they've, um... | 0:25:07 | 0:25:09 | |
Oh, I'm sorry. They've... Ooh! | 0:25:09 | 0:25:12 | |
-Arthur?! -Hey! -Arthur! | 0:25:12 | 0:25:14 | |
What's going on?! What's happening?! | 0:25:14 | 0:25:16 | |
Hey, idiot man! | 0:25:16 | 0:25:18 | |
Get up, idiot man! | 0:25:20 | 0:25:22 | |
Got you! | 0:25:23 | 0:25:25 | |
-What?! -ARTHUR LAUGHS | 0:25:25 | 0:25:27 | |
Got all of you! How about that? | 0:25:27 | 0:25:29 | |
You all said I couldn't act! | 0:25:29 | 0:25:31 | |
You said I couldn't even play a dead person! | 0:25:31 | 0:25:34 | |
Well, what do you think now, eh? | 0:25:34 | 0:25:36 | |
I fooled the police, I fooled them at the hospital | 0:25:36 | 0:25:39 | |
and then I fooled you! | 0:25:39 | 0:25:40 | |
-I'll kill you! -Steady on, Bulent! | 0:25:40 | 0:25:42 | |
You don't want to give yourself a turn! | 0:25:42 | 0:25:44 | |
-Let go! -Bulent! -I'll kill him! | 0:25:44 | 0:25:45 | |
-Bulent! -I'll kill him! -Bulent! -I'll kill him! | 0:25:45 | 0:25:47 | |
-DEEP VOICE: -Leave it! | 0:25:47 | 0:25:50 | |
Oh! | 0:25:51 | 0:25:53 | |
So, you knew what was happening all the time? | 0:25:54 | 0:25:57 | |
Yep. When I saw those policemen, I thought I'd have a bit of fun, | 0:26:01 | 0:26:04 | |
and it just got out of hand. | 0:26:04 | 0:26:07 | |
When they found out I wasn't a real policeman, | 0:26:07 | 0:26:09 | |
I nearly got into trouble, so I blamed it on the knock on the head | 0:26:09 | 0:26:12 | |
and they took me to hospital, and the rest, you know. | 0:26:12 | 0:26:16 | |
Well, whatever I said about your acting, I take it back. | 0:26:16 | 0:26:19 | |
Why is the counter here? | 0:26:19 | 0:26:20 | |
I like it here. | 0:26:20 | 0:26:22 | |
Well, it should be there. | 0:26:22 | 0:26:23 | |
Well, it's not, it's here. | 0:26:23 | 0:26:25 | |
You! You say you are seeing my daughter? | 0:26:25 | 0:26:29 | |
That's right. | 0:26:29 | 0:26:30 | |
Have you ever been arrested for fighting for democracy? | 0:26:30 | 0:26:33 | |
-DEEP VOICE: -Not yet. | 0:26:34 | 0:26:36 | |
All right, come on. Now you're in London, what would you like to do? | 0:26:36 | 0:26:40 | |
Yes, we're going to take you on a day out. | 0:26:40 | 0:26:42 | |
-What do you fancy? -I'm busy today. | 0:26:42 | 0:26:44 | |
Busy? With what? | 0:26:44 | 0:26:47 | |
Come on, then, Mahzu! | 0:26:47 | 0:26:49 | |
Arthur, where shall we go first? | 0:26:49 | 0:26:51 | |
-Bookies? -Good idea! | 0:26:51 | 0:26:53 | |
Maybe John can give us a few tips. | 0:26:53 | 0:26:56 | |
Bulent, I will see you later for dinner. | 0:26:56 | 0:26:58 | |
Oh, and Bulent? | 0:26:58 | 0:27:01 | |
I like the menu. | 0:27:01 | 0:27:03 | |
Good menu. | 0:27:03 | 0:27:04 | |
Oh, Arthur? Arthur? There's just one thing I don't quite understand. | 0:27:05 | 0:27:09 | |
The doctor who said you had ephonemia, how did you get him involved? | 0:27:09 | 0:27:12 | |
-What? -The doctor who said you had to solve mystery. | 0:27:12 | 0:27:15 | |
First I've heard of it. | 0:27:15 | 0:27:16 | |
-You didn't meet a doctor? -No. | 0:27:17 | 0:27:19 | |
Oh. | 0:27:19 | 0:27:21 | |
I wonder what happened there? | 0:27:21 | 0:27:22 | |
All right, Detective Inspector...sir. | 0:27:22 | 0:27:26 | |
There's a new case for you to crack. | 0:27:27 | 0:27:29 | |
Very good. Lead on, son. | 0:27:29 | 0:27:32 | |
But I have more patients! | 0:27:37 | 0:27:39 | |
Now, now, Peter, you're not a doctor. | 0:27:39 | 0:27:42 | |
You've just had a nasty bump on the head. | 0:27:42 | 0:27:44 |