The Three Wishes Count Arthur Strong


The Three Wishes

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Transcript


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You know those self-driving cars? Are they out yet?

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I don't think so, Arthur.

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Oh, well, then someone's left the handbrake off a Ford Focus.

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Ooh, Eggy, you giving us pick of the car boot?

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Quality stuff this, Arthur.

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It didn't feel right not to let you all have a look first.

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Decorative horseshoe, I'm having that for a start.

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Same, same for the table tennis bat.

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Ooooh, a tin of keys!

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I saw it first!

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Oh, The Onedin Line box set!

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Oh, well, I "susspose" I'll give you two pounds for these?

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The box set's empty though, Arthur.

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There's no DVDs in it.

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Then in that case, shall we say, one pound, fifty pence?

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Oh, all right.

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I'll settle up with you later.

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TO HIMSELF: Poor naive Eggy!

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Morning, Arthur.

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Arthur's in a huff.

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I did an interview last night and I didn't mention him.

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Arts Today on Radio 4. They were asking me about my book.

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Order something! Stop talking to me! What's going on?

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-A cup of tea, please.

-Don't do that again!

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Can't help feeling you're a bit peeved.

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Oh, did you hear something, Eggy? I thought I heard a noise!

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A sort of high-pitched, treacherous whining!

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I can only answer the questions I'm asked, Arthur.

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-They didn't bring you up!

-There it was again! Did you hear it?

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It sounded like air escaping

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from an ungrateful, hairless balloon!

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What else did you get, Eggy? I'm ignoring Michael...

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Ooh! There you are!

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BULENT GROWLS

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My mate says we can use the villa.

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Really! Oh, that's great!

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Ohhhh, ten days in Tuscany!

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Cradle of the Medici,

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-and we'll be in time for the Festival of the Ceni!

-What's that?

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Three teams race each other up a mountain

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from the main square outside the Palazzo del Consiglio

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to the Basilica of Sant'Ubaldo,

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each one carrying a statue of their saint

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mounted on a wooden octagonal plinth! Ohh, heaven!

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Yeah. And it's going to be hot and there's a swimming pool!

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Oh, yeah...

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Ooh, it's a proper one, is that. There might be a genie in it.

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LAMP CLINKS

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No, don't want that.

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All right, Arthur, if it means you'll speak to me again,

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-I'll grant you three wishes.

-Good idea!

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One for each time you betrayed me.

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How did I BETRAY you?

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Firstly, for not mentioning me,

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secondly, for not mentioning me again a bit later on

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and, thirdly, for not mentioning me at all.

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All right, hit me. Three wishes.

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And you can't wish for more wishes.

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I wish...

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I wish...for...for...some toast.

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I can do that. Next.

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Ooh, I should get tea to go with it.

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That's two.

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Don't waste them, Arthur!

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Ohhhh! You took advantage of me!

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I got over-excited!

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I wasn't ready!

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Sorry, Arthur, just one left.

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Tea and toast, please.

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-Oh, look at you.

-I'm excited!

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Our first holiday together!

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Yes! We'll have ten days together!

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Aah, ten days.

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You'll have ten days in my company...

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..with no interruptions.

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Just 24-hour Michael.

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All me,

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all day,

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every day.

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This voice,

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this face...

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..every...day.

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Hey, Arthur, look what I got at the car boot!

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Very nice! This is a concert one!

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HE STRUMS GENTLY

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HE PLAYS FLUENTLY

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APPLAUSE

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I didn't know you could do that!

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Oh, yes. I was in a band.

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-What?

-Yep.

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You were in a band? When?

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-Before I met your dad.

-You never told me about this.

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No! It's private, and painful, and I don't like talking about it.

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All right, shall I do it?

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Everyone! Arthur's going to tell a story.

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All the kids were doing it.

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Messing about with guitars when we should have been doing our homework.

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After I left school, I was just the same.

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I hooked up with some other blokes - John, George and, um, Ringo.

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-Arthur...

-What?

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-This is the Beatles.

-No, it isn't.

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-You're getting mixed up with the Beatles.

-Shush!

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No-one had ever seen anything like it before.

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It was mayhem.

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Everyone wanted a piece of us.

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Then, one day, we were playing a gig

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on the top of a roof...for some reason,

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and the tensions of the band came frothing to the surface,

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like a Steradent tablet in a glass of dentures.

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John was my best friend, but after he met Ono Yoko

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and I married Linda McCartney,

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the famous veterinarian, things were never the same.

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-Arthur...

-Oh, hang a second, that's not right.

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That's you, that is, putting the Beatles in my head!

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We didn't break up on the rooftop.

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I can't remember where we broke up.

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Or why...

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Mind you, that all feels as if it was 100 years ago, that.

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Imagine!

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Where will I be 100 years from now?

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You won't be anywhere, Arthur. You'll be dead.

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-Long, long dead.

-You're right, Birdie!

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I dunno, Arthur. You're healthy enough.

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You say that, Eggy, but death can come from any direction!

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Just the other day, a cow fell on me.

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A cow fell on you! What?

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A cow just fell on you?

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Yes. I was in my pyjamas and...

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Wait, wait, wait...! You were in a field in your pyjamas?

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No! I wasn't in a field, I was at home.

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What would I be doing in a field in my pyjamas?

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-Where was the cow, then?

-In my kitchen.

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What, it just wandered in?

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How could a cow wander into my kitchen?!

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I...I wouldn't stand for it!

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-Then how...?

-It wasn't alive, Michael!

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Dear, oh, dear! I wouldn't have a live cow in my kitchen.

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That would be extremely unhygienic!

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-Why was there a dead cow in your kitchen?

-I was butchering it

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for Wilf at Taylor's Quality Meats in the High Street.

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He sometimes puts a bit of work my way when he's pushed.

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He lets me keep all the offal.

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You know how to butcher a cow?

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Once the carcass is quartered

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and the legs are off, it's just common sense.

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Can someone else take over? I need to close my eyes.

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How did it fall on you, Arthur?

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Oh, well, I usually hook the cows up to the clothes airer,

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but this was a big one and it pulled the fitting out of the ceiling.

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I was in there looking for a biscuit when it pinned me to the floor!

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Why do you keep biscuits in the same room as the clothes airer?!

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Actually, you know what, I went in again too soon...

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God, I'd hate a cow falling on me.

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Oh, it's INCREDIBLY annoying, Birdie.

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But just think, Michael, if the juices hadn't pooled

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and allowed me to slide out, it would have been curtains for me.

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Imagine that for an obituary!

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"Beloved entertainer dies

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"while trying to retrieve biscuit from room with cow."

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No, no, no, I can't have that.

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I've got things to do!

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Important things!

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I have to find John!

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If he exists.

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What's that "sussposed" to mean?

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When I interviewed you, you never mentioned a band.

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"I can only answer the questions I'm asked", Michael.

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All right, what happened to them, then?

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Yeah, Arthur, where are they all now?

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Well...

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News filtered back to me that John got shot in New York...

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Got shot in a shoe shop in York...

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Got a shot at a job in a shoe shop in York!

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But the last I heard, he'd put down roots in Sheffield.

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He was my best friend, and then, it was all over.

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I have to find out why.

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Genie! Third wish. Take me to Sheffield.

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-What?

-You have to drive me to Sheffield! I have to find John!

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-Arthur, I'm not driving you to Sheffield!

-Oh, come on.

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It's not as if you have anything better to do, is it?

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Oh, OK, I thought we were going to go for dinner,

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talk about the holiday.

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Oh, no, no, we will, it's just...

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Well, I'm a bit worried about Arthur.

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He doesn't seem to know what part of his story's true

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and what part he saw in a Paul McCartney documentary.

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OK.

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Come on, then!

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But no, no, of course we will.

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It's just... I was just wondering,

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is it the right time of year for Tuscany?

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But, anyway, we'll talk...

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conversation...together...holiday...

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plans...talking... It's all good.

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My order ready, Bulent?

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It's en route!

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You could do with some music in here, Bulent.

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Brighten the place up a bit. Isn't that right, Eggy?

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A bit of music.

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Well, I think it's great the way it is, Birdie.

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Ah, you have them all filling their nappies at the thought of you.

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-This place could use some music.

-Aaagh.

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Or are you afraid that we'll find out you have no taste?

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-I have taste!

-Sure you do. Terrible taste.

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You want music? I'll give you music!

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I'll install a CD system

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and play you the best music you've ever heard!

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-ASIDE:

-Shall I get him to do something else?

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-SAT-NAV:

-'Continue for 500 yards.'

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What are you telling me for? You're driving.

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'And at the junction, turn right.'

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-What are you telling me that for?

-It's the sat-nav!

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Sat-nav, eh? I've heard about that.

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They use, um, PMT co-ordinates.

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-How did I get into this?!

-Oh, stop complaining, will you?

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Be good for you to get out of your crumpet zone for once.

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'In 300 yards, take the exit.'

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-Pardon?

-It's not me!

-Oh, yes, yes, of course.

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'You have arrived at your destination.'

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-I KNOW we have!

-Stop talking to it!

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-GROANING:

-Oh, thank God that's over...!

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Well, here we are.

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I don't think I can do this, Michael.

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I'm ever so nervous.

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I wish I could just go home.

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Sorry, Arthur.

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-HE RINGS DOORBELL

-You're out of wishes.

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Hello, John.

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Ooof!

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Arthur!

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You'd better come in.

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HE COUGHS

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Ooof!

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HE COUGHS

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Well, you two must have a lot to talk about

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-so maybe I'll just wait outside?

-That's not a bad idea.

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Now, you've a few options.

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You could go and sit upstairs on the edge of a bed

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or you can remain on the stairs themselves.

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-Mind you, that's a bit dangerous.

-Maybe I'll just wait in the car.

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Oh, that's an option I didn't consider.

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Yes, you can tune in to Jeremy Vine and recline your seat,

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as long as there's no-one sat behind you.

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OK. I'm going now.

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Nice chair, John.

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Argos. Click And Collect.

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Is it leather, then?

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It's what's known as "folks" leather, Arthur.

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Do you know what "folks" leather is?

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Of course, I know what... "folks" leather is.

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-Ooof, sorry. Obviously touched a nerve, there.

-No, you haven't.

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How would not knowing what "folks" leather was be a nerve?

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It's not the sort of thing people get bothered by.

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You never know what's going to set someone off, Arthur.

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My wife, Mary, has a panic attack if anyone opens a drawer too quickly.

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There was an occasion I needed me Swiss Army knife to prise a stone

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from the paw of a King Charles Spaniel

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that had wandered into the garden.

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I was in such a hurry, I forgot myself

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and pulled the drawer open terribly fast.

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Mary ended up having to sit down for five minutes.

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Now, what's this all about, Arthur?

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I'm sorry to hurry you,

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but Mary's got a foot spa filling up in the kitchen and I'm supervising.

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You kept it up, then? The music?

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Oh, yes, yes. I'm on the carvery circuit, now, yes,

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HE PLAYS A FEW CHORDS

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Yes, I do drop-in centres,

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sheltered accommodation, that sort of venue.

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I'm at the hospice on Tuesday.

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Oh, I'm sorry to hear that, John.

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Well, you shouldn't be because they give me me petrol money.

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Mind you, it's just around the corner so it'll be about 42p.

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Oh, well, it all adds up. Do three of those a week and you're laughing.

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That's right, I am. What about you, Arthur?

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Have you given up music, then?

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I haven't played since the band split up.

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Ooof.

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-DEFENSIVELY:

-And whose fault was that, Arthur?

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-I don't know.

-Neither do I.

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That's why I'm here, John.

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I wanted to find out why the band broke up.

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I'll have to have a good think about that, Arthur.

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But now's not a good time. Where are you staying?

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We were going to go home tonight, but I can't go home not knowing.

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-Well, let's reconvene tomorrow.

-DOOR CLOSES

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There's a B&B at the end of the road.

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It's your friend with the sad face.

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Obviously, you didn't tune into Jeremy

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or you wouldn't be back so soon.

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Where did you end up standing?

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Just in the garden. It's a nice day.

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Verge or dead centre?

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Verge.

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Ooof. Controversial.

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Most would opt for the centre to avoid the breeze,

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at the end of the bush.

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-Listen, do have a think about the B&B.

-B&B?

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Yes. It's getting late, but they might be able to accommodate you.

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What B&B? We're going home, aren't we?

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MICHAEL YELLS

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-Aw, what was that?

-Ohhh, I'd just dropped off.

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What's going on?

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What? Something...

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Something fell on me!

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Really? From where?

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There must have been a bit of plaster or...or...

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a ceiling brick.

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Anyway, can't we just drop it?

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We're both up now, we might as well have a chat.

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-So, what's been happening with you, then?

-Ohhh...

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I'll tell you what worrying me, Michael.

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I'm getting on very well with John. It's like the old days.

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I'm remembering now what a brilliant conversationalist he is.

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What's the problem?

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Well...

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we're trying to remember why the band split up.

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What if it was my fault?

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We might have gone on to do something,

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our lives could have been completely different.

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I'd hate it if I'd ruined our chances for myself,

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but it would be even worse if I'd ruined it for him.

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Well, then, don't try and remember it.

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Just...pick up where you left off.

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Stop overthinking things.

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Thanks, Michael.

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That makes sense, that does.

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I wonder if that's what I'm doing.

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You see, Sinem's asked me to go on holiday and I...

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ARTHUR SNORES

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What are you doing, John?

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I'm cleaning me keyboard with antibacterial spray.

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It's a bit of a ritual.

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Like a Samurai keeping his blade keen with a whetstone.

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It's also a hospice requirement.

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Do you ever think about what might have been, John?

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If we'd stuck together?

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Ooof! That was another life. Another time.

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I was wild then.

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-HE SPRAYS

-We all were.

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Best to keep that in the past.

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Maybe we should get the band back together.

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That's a bit of a bombshell!

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It's not just about us, John.

0:17:230:17:25

It's about four young men and their dreams.

0:17:250:17:28

Four? No, there were only three, Arthur.

0:17:280:17:30

No, no, there were four of us.

0:17:300:17:32

Us two, George and Ringo.

0:17:320:17:35

Ooof, I think you're getting us mixed up with the Beatles, Arthur.

0:17:350:17:40

I don't remember a "George".

0:17:400:17:42

And Ringo passed away two years ago.

0:17:420:17:44

Oh, that's a shame.

0:17:440:17:46

So, it is only about just us.

0:17:460:17:49

-That could be highly convenient.

-It could.

0:17:490:17:52

OK, then, let's give it a go!

0:17:530:17:55

HE SPRAYS

0:17:570:17:59

MUSIC DROWNS SPEECH IN MONTAGE

0:18:010:18:03

HE PLAYS SYNTH NOTES ON KEYBOARD

0:18:250:18:28

Hey, I feel we're moving in a Clannad direction.

0:18:280:18:32

HE PLAYS SYNTH NOTES

0:18:320:18:35

Does that...? Does that get the juices flowing?

0:18:350:18:37

It does, John. It makes me think of vegetables.

0:18:370:18:42

Oh, yes, I like it, I think we're on to something.

0:18:420:18:46

What sort of vegetable? Potatoes?

0:18:460:18:49

Oh, no, I don't want to be doing a song about potatoes.

0:18:490:18:52

Well, there's nothing wrong with potatoes, Arthur.

0:18:520:18:55

Mary and I are big fans,

0:18:550:18:57

especially boiled ones with a bit of quiche and a side salad.

0:18:570:19:01

Nothing rhymes with them.

0:19:010:19:04

There's no romance to a potato.

0:19:040:19:06

But there's plenty of dignity, Arthur.

0:19:060:19:09

And there's not enough songs with them in.

0:19:090:19:11

That's the point I'm making!

0:19:110:19:13

Name one good song about potatoes!

0:19:130:19:15

There's only one to my knowledge - One Potato, Two Potato.

0:19:150:19:19

-Exactly, exactly.

-But it proves my point. There ought to be more.

0:19:210:19:25

Listen. I'm not singing a song about sodding potatoes!

0:19:250:19:29

Arthur, if you're going to insult Mary and I by disparaging potatoes,

0:19:290:19:33

I'm going to have to ask you to leave.

0:19:330:19:35

I'm happy to!

0:19:350:19:36

Now I remember why we broke up!

0:19:360:19:40

Always vegetable-based disagreements!

0:19:400:19:42

Right, I think we'll leave it there

0:19:420:19:44

before you say anything else you regret.

0:19:440:19:46

Don't worry, don't worry, I'm leaving.

0:19:460:19:50

But, Arthur, it's getting late, where are you going to stay?

0:19:500:19:53

-You know...

-ARTHUR GRUMBLES

0:20:060:20:09

I thought you were asleep.

0:20:090:20:11

No, no, I was just....lying there.

0:20:110:20:13

You know, Arthur, I was walking around Sheffield today

0:20:150:20:18

and I ended up at the Industrial Museum alongside the river

0:20:180:20:22

and it has England's largest surviving Bessemer converter.

0:20:220:20:26

It's a steel-making process, now largely obsolete,

0:20:260:20:30

in which carbon, silicon,

0:20:300:20:32

and other impurities are removed from molten pig iron by oxidation

0:20:320:20:37

-in a special tilting retort.

-All right, all right,

0:20:370:20:40

I know what a Bessemer converter is, thank you very much.

0:20:400:20:43

I was looking at the rivets on its magnificent cauldron

0:20:450:20:49

and I thought...

0:20:490:20:51

..I'm incredibly boring.

0:20:540:20:57

You won't get any arguments this side of the bed.

0:20:570:20:59

But Sinem seems to like me anyway.

0:21:010:21:04

And if she likes me,

0:21:050:21:07

maybe I'm not so boring after all.

0:21:070:21:09

Maybe I'm just interesting in a different way.

0:21:110:21:14

-SNORING

-In a way that...

0:21:140:21:16

Oh, well, never mind. We did our best.

0:21:260:21:30

Thanks, though, Michael.

0:21:300:21:31

Oh, God, Arthur...

0:21:330:21:35

Arthur, I think I've lost my wallet!

0:21:370:21:39

Oh, no, I must have left it when I was paying for the room!

0:21:390:21:44

All right, calm down.

0:21:440:21:45

Just tell the landlord what's happened. He'll understand.

0:21:450:21:49

He doesn't look like he'll understand.

0:21:490:21:51

Don't worry, leave it to me.

0:21:590:22:02

What are you doing?

0:22:020:22:04

No, Arthur!

0:22:040:22:05

Play the winner?

0:22:080:22:09

Three ball, corner pocket.

0:22:130:22:15

Or the middle pocket...

0:22:170:22:19

The pocket on that side, ooh!

0:22:190:22:21

Oooh! Sod it.

0:22:290:22:31

HE SNORES

0:22:450:22:49

This is the right end of the club, isn't it?

0:22:490:22:52

It's called a cue.

0:22:520:22:54

And it's still your shot, mate.

0:22:540:22:55

How about we make things a bit more interesting.

0:22:560:23:00

Sure, 20 quid?

0:23:000:23:01

Oh, hardly worth getting out of bed for, make it 50.

0:23:010:23:06

Yeah.

0:23:070:23:08

Oh, dear, another great shot from you.

0:23:100:23:13

Whatever am I going to do?!

0:23:130:23:16

ALL LAUGH

0:23:180:23:19

Mate, you're stripes. You shouldn't even be going for the other ones.

0:23:190:23:22

CLATTERING

0:23:220:23:24

Oh, dear.

0:23:240:23:25

Double or quits?

0:23:250:23:27

Don't worry, I'm good for it.

0:23:270:23:29

I've got me money man over there.

0:23:290:23:31

All right.

0:23:340:23:36

-QUIETLY:

-You do realise we have no money?

0:23:390:23:41

Oh, no, whatever will we do?!

0:23:410:23:44

You sure about this, mate?

0:23:460:23:48

You're losing a lot of money.

0:23:480:23:51

Boys, I'm just getting started.

0:23:510:23:54

Run, Michael, run!

0:23:560:23:59

You can't play at all!

0:23:590:24:00

-MAN:

-This way, come on.

0:24:000:24:02

MEN SHOUT

0:24:020:24:04

Well, that never happened in the film.

0:24:070:24:09

-What film?... The Hustler?

-He won in the film.

0:24:110:24:14

He was bad at first, but when he put money on it, he was brilliant!

0:24:140:24:17

He could play.

0:24:170:24:19

He was hustling!

0:24:190:24:21

Ah.

0:24:220:24:24

Oh, right, I'm with you now!

0:24:240:24:26

He could play! Of course!

0:24:260:24:28

That's what it was about!

0:24:280:24:29

-TO HIMSELF:

-Thank God that's over.

0:24:310:24:33

Good job for them they never caught us when we ran away.

0:24:330:24:35

-I'd have shown them.

-No, no, no. I don't do physical confrontation.

0:24:350:24:40

My adrenaline goes to my mouth, my language gets very...flamboyant.

0:24:400:24:45

I end up sounding like a dandy in a Restoration comedy.

0:24:450:24:49

Where's my jacket?

0:24:500:24:52

Where's my jacket?!

0:24:520:24:53

Oh, God, I've left it in the pub!

0:24:530:24:56

I've left my jacket in the pub!

0:24:560:24:58

You have other jackets.

0:24:580:24:59

No, it's got the keys in it. The keys are in the jacket.

0:24:590:25:03

HE SIGHS

0:25:030:25:05

We're going to have to go back.

0:25:050:25:08

No, Michael, it's worse than that.

0:25:080:25:10

YOU'RE going to have to go back.

0:25:110:25:14

INDISTINCT CONVERSATION

0:25:140:25:17

'Tis I!

0:25:350:25:37

Fear ye not!

0:25:370:25:39

I mean ye no ill will.

0:25:390:25:40

I humbly ask that you permit me a small boon.

0:25:420:25:46

What?

0:25:460:25:47

I merely posit

0:25:470:25:49

that you divest thyself

0:25:490:25:51

of my...

0:25:510:25:53

paltry rags.

0:25:530:25:55

Could I have my jacket back, please.

0:25:570:25:59

What about our winnings?

0:25:590:26:01

Leave the kid alone!

0:26:030:26:05

It's me you've got the beef with!

0:26:100:26:12

Yes, and...and we're not leaving until you return my jacket!

0:26:140:26:18

Mark me, sir!

0:26:200:26:21

On the plus side, you're outside of your crumpet zone.

0:26:320:26:35

Yes. I am definitely out of my crumpet zone.

0:26:370:26:40

GROOVY MUSIC PLAYS

0:26:430:26:45

Listen to this bit! Listen to this bit!

0:26:450:26:48

Is this Jethro Tull?

0:26:490:26:51

I wasn't expecting that.

0:26:510:26:53

Turn that music off! Please.

0:26:540:26:57

-John!

-Hello, Arthur.

0:26:570:26:58

-I couldn't leave it like we did.

-You're right, John.

0:26:580:27:01

We have too much history,

0:27:010:27:03

even if neither of us can remember exactly what that is.

0:27:030:27:08

I've written a song, Arthur,

0:27:080:27:09

which doesn't mention potatoes

0:27:090:27:11

and I was wondering if you would do me the honour

0:27:110:27:13

of helping me perform it.

0:27:130:27:15

-Count me in, John.

-What, before I've even taught you the song?

0:27:150:27:19

# Life is like a salad bar

0:27:210:27:23

# You only get one visit

0:27:230:27:25

# Take your bowl and follow me

0:27:250:27:28

# I'll be your guiding spirit

0:27:280:27:30

-BOTH:

-# Life is like a salad bar

0:27:300:27:32

# Look hard or you'll miss it

0:27:320:27:35

# Life is like a salad bar

0:27:350:27:37

-# Or... #

-PLAYS DRUMPADS ON KEYBOARD

0:27:370:27:39

# Or is it?

0:27:390:27:41

# Live your life as I would

0:27:430:27:45

# By your own nose be guided

0:27:450:27:47

# But go easy on the onions

0:27:470:27:49

# And use the tongs provided... #

0:27:490:27:52

INSTRUMENTAL BRIDGE

0:27:520:27:53

Sinem, I will go on holiday.

0:27:530:27:56

Well, I know. We already said we would.

0:27:560:27:59

Well, then, that's still the case.

0:27:590:28:01

-Right.

-Right.

0:28:010:28:04

KEY CHANGES UP

0:28:040:28:05

# Oh, life is like a salad bar

0:28:050:28:08

# You only get one visit

0:28:080:28:11

# Take your bowls and follow me

0:28:110:28:13

# I'll be your guiding spirit

0:28:130:28:15

# Life is like a salad bar

0:28:150:28:18

# With no potatoes in it

0:28:180:28:20

# Life is like a salad bar... #

0:28:200:28:23

-HE PLAYS DRUMPADS ON KEYBOARD

-# Or is it? #

0:28:230:28:25

-ARTHUR PLAYS DRUMPADS

-You're too late, Arthur.

0:28:250:28:28

-You had your chance and you blew it.

-Oh, sorry, mate.

-Well, never mind.

0:28:290:28:33

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