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You know those self-driving cars? Are they out yet? | 0:00:17 | 0:00:20 | |
I don't think so, Arthur. | 0:00:20 | 0:00:22 | |
Oh, well, then someone's left the handbrake off a Ford Focus. | 0:00:22 | 0:00:25 | |
Ooh, Eggy, you giving us pick of the car boot? | 0:00:30 | 0:00:32 | |
Quality stuff this, Arthur. | 0:00:32 | 0:00:34 | |
It didn't feel right not to let you all have a look first. | 0:00:34 | 0:00:37 | |
Decorative horseshoe, I'm having that for a start. | 0:00:37 | 0:00:40 | |
Same, same for the table tennis bat. | 0:00:40 | 0:00:43 | |
Ooooh, a tin of keys! | 0:00:43 | 0:00:45 | |
I saw it first! | 0:00:45 | 0:00:47 | |
Oh, The Onedin Line box set! | 0:00:48 | 0:00:51 | |
Oh, well, I "susspose" I'll give you two pounds for these? | 0:00:53 | 0:00:57 | |
The box set's empty though, Arthur. | 0:00:57 | 0:00:59 | |
There's no DVDs in it. | 0:00:59 | 0:01:00 | |
Then in that case, shall we say, one pound, fifty pence? | 0:01:00 | 0:01:04 | |
Oh, all right. | 0:01:04 | 0:01:06 | |
I'll settle up with you later. | 0:01:06 | 0:01:07 | |
TO HIMSELF: Poor naive Eggy! | 0:01:10 | 0:01:11 | |
Morning, Arthur. | 0:01:12 | 0:01:13 | |
Arthur's in a huff. | 0:01:17 | 0:01:19 | |
I did an interview last night and I didn't mention him. | 0:01:19 | 0:01:23 | |
Arts Today on Radio 4. They were asking me about my book. | 0:01:23 | 0:01:26 | |
Order something! Stop talking to me! What's going on? | 0:01:26 | 0:01:29 | |
-A cup of tea, please. -Don't do that again! | 0:01:29 | 0:01:32 | |
Can't help feeling you're a bit peeved. | 0:01:33 | 0:01:36 | |
Oh, did you hear something, Eggy? I thought I heard a noise! | 0:01:36 | 0:01:39 | |
A sort of high-pitched, treacherous whining! | 0:01:39 | 0:01:42 | |
I can only answer the questions I'm asked, Arthur. | 0:01:42 | 0:01:44 | |
-They didn't bring you up! -There it was again! Did you hear it? | 0:01:44 | 0:01:48 | |
It sounded like air escaping | 0:01:48 | 0:01:50 | |
from an ungrateful, hairless balloon! | 0:01:50 | 0:01:53 | |
What else did you get, Eggy? I'm ignoring Michael... | 0:01:53 | 0:01:56 | |
Ooh! There you are! | 0:01:56 | 0:01:58 | |
BULENT GROWLS | 0:01:58 | 0:02:00 | |
My mate says we can use the villa. | 0:02:00 | 0:02:03 | |
Really! Oh, that's great! | 0:02:03 | 0:02:06 | |
Ohhhh, ten days in Tuscany! | 0:02:06 | 0:02:08 | |
Cradle of the Medici, | 0:02:08 | 0:02:10 | |
-and we'll be in time for the Festival of the Ceni! -What's that? | 0:02:10 | 0:02:14 | |
Three teams race each other up a mountain | 0:02:14 | 0:02:16 | |
from the main square outside the Palazzo del Consiglio | 0:02:16 | 0:02:19 | |
to the Basilica of Sant'Ubaldo, | 0:02:19 | 0:02:21 | |
each one carrying a statue of their saint | 0:02:21 | 0:02:24 | |
mounted on a wooden octagonal plinth! Ohh, heaven! | 0:02:24 | 0:02:27 | |
Yeah. And it's going to be hot and there's a swimming pool! | 0:02:27 | 0:02:31 | |
Oh, yeah... | 0:02:31 | 0:02:32 | |
Ooh, it's a proper one, is that. There might be a genie in it. | 0:02:35 | 0:02:38 | |
LAMP CLINKS | 0:02:38 | 0:02:41 | |
No, don't want that. | 0:02:43 | 0:02:45 | |
All right, Arthur, if it means you'll speak to me again, | 0:02:46 | 0:02:49 | |
-I'll grant you three wishes. -Good idea! | 0:02:49 | 0:02:51 | |
One for each time you betrayed me. | 0:02:51 | 0:02:53 | |
How did I BETRAY you? | 0:02:53 | 0:02:55 | |
Firstly, for not mentioning me, | 0:02:55 | 0:02:57 | |
secondly, for not mentioning me again a bit later on | 0:02:57 | 0:03:01 | |
and, thirdly, for not mentioning me at all. | 0:03:01 | 0:03:04 | |
All right, hit me. Three wishes. | 0:03:04 | 0:03:06 | |
And you can't wish for more wishes. | 0:03:06 | 0:03:09 | |
I wish... | 0:03:10 | 0:03:11 | |
I wish...for...for...some toast. | 0:03:11 | 0:03:14 | |
I can do that. Next. | 0:03:14 | 0:03:16 | |
Ooh, I should get tea to go with it. | 0:03:16 | 0:03:19 | |
That's two. | 0:03:19 | 0:03:20 | |
Don't waste them, Arthur! | 0:03:20 | 0:03:21 | |
Ohhhh! You took advantage of me! | 0:03:21 | 0:03:24 | |
I got over-excited! | 0:03:24 | 0:03:25 | |
I wasn't ready! | 0:03:25 | 0:03:27 | |
Sorry, Arthur, just one left. | 0:03:27 | 0:03:29 | |
Tea and toast, please. | 0:03:29 | 0:03:31 | |
-Oh, look at you. -I'm excited! | 0:03:31 | 0:03:33 | |
Our first holiday together! | 0:03:33 | 0:03:35 | |
Yes! We'll have ten days together! | 0:03:35 | 0:03:38 | |
Aah, ten days. | 0:03:38 | 0:03:41 | |
You'll have ten days in my company... | 0:03:41 | 0:03:42 | |
..with no interruptions. | 0:03:45 | 0:03:46 | |
Just 24-hour Michael. | 0:03:48 | 0:03:50 | |
All me, | 0:03:51 | 0:03:52 | |
all day, | 0:03:52 | 0:03:53 | |
every day. | 0:03:53 | 0:03:55 | |
This voice, | 0:03:57 | 0:03:58 | |
this face... | 0:03:58 | 0:04:00 | |
..every...day. | 0:04:02 | 0:04:05 | |
Hey, Arthur, look what I got at the car boot! | 0:04:09 | 0:04:13 | |
Very nice! This is a concert one! | 0:04:13 | 0:04:15 | |
HE STRUMS GENTLY | 0:04:15 | 0:04:18 | |
HE PLAYS FLUENTLY | 0:04:22 | 0:04:25 | |
APPLAUSE | 0:04:29 | 0:04:30 | |
I didn't know you could do that! | 0:04:30 | 0:04:33 | |
Oh, yes. I was in a band. | 0:04:33 | 0:04:35 | |
-What? -Yep. | 0:04:35 | 0:04:36 | |
You were in a band? When? | 0:04:36 | 0:04:38 | |
-Before I met your dad. -You never told me about this. | 0:04:38 | 0:04:41 | |
No! It's private, and painful, and I don't like talking about it. | 0:04:41 | 0:04:45 | |
All right, shall I do it? | 0:04:47 | 0:04:48 | |
Everyone! Arthur's going to tell a story. | 0:04:48 | 0:04:50 | |
All the kids were doing it. | 0:04:51 | 0:04:53 | |
Messing about with guitars when we should have been doing our homework. | 0:04:53 | 0:04:56 | |
After I left school, I was just the same. | 0:04:59 | 0:05:01 | |
I hooked up with some other blokes - John, George and, um, Ringo. | 0:05:01 | 0:05:05 | |
-Arthur... -What? | 0:05:05 | 0:05:08 | |
-This is the Beatles. -No, it isn't. | 0:05:08 | 0:05:10 | |
-You're getting mixed up with the Beatles. -Shush! | 0:05:10 | 0:05:13 | |
No-one had ever seen anything like it before. | 0:05:13 | 0:05:15 | |
It was mayhem. | 0:05:15 | 0:05:17 | |
Everyone wanted a piece of us. | 0:05:17 | 0:05:19 | |
Then, one day, we were playing a gig | 0:05:19 | 0:05:21 | |
on the top of a roof...for some reason, | 0:05:21 | 0:05:23 | |
and the tensions of the band came frothing to the surface, | 0:05:23 | 0:05:27 | |
like a Steradent tablet in a glass of dentures. | 0:05:27 | 0:05:31 | |
John was my best friend, but after he met Ono Yoko | 0:05:32 | 0:05:36 | |
and I married Linda McCartney, | 0:05:36 | 0:05:38 | |
the famous veterinarian, things were never the same. | 0:05:38 | 0:05:42 | |
-Arthur... -Oh, hang a second, that's not right. | 0:05:42 | 0:05:44 | |
That's you, that is, putting the Beatles in my head! | 0:05:44 | 0:05:47 | |
We didn't break up on the rooftop. | 0:05:47 | 0:05:49 | |
I can't remember where we broke up. | 0:05:49 | 0:05:51 | |
Or why... | 0:05:51 | 0:05:53 | |
Mind you, that all feels as if it was 100 years ago, that. | 0:05:53 | 0:05:57 | |
Imagine! | 0:05:57 | 0:05:58 | |
Where will I be 100 years from now? | 0:05:58 | 0:06:01 | |
You won't be anywhere, Arthur. You'll be dead. | 0:06:01 | 0:06:03 | |
-Long, long dead. -You're right, Birdie! | 0:06:03 | 0:06:05 | |
I dunno, Arthur. You're healthy enough. | 0:06:05 | 0:06:08 | |
You say that, Eggy, but death can come from any direction! | 0:06:08 | 0:06:12 | |
Just the other day, a cow fell on me. | 0:06:12 | 0:06:14 | |
A cow fell on you! What? | 0:06:15 | 0:06:16 | |
A cow just fell on you? | 0:06:16 | 0:06:18 | |
Yes. I was in my pyjamas and... | 0:06:18 | 0:06:20 | |
Wait, wait, wait...! You were in a field in your pyjamas? | 0:06:20 | 0:06:23 | |
No! I wasn't in a field, I was at home. | 0:06:23 | 0:06:26 | |
What would I be doing in a field in my pyjamas? | 0:06:26 | 0:06:28 | |
-Where was the cow, then? -In my kitchen. | 0:06:29 | 0:06:32 | |
What, it just wandered in? | 0:06:32 | 0:06:34 | |
How could a cow wander into my kitchen?! | 0:06:34 | 0:06:37 | |
I...I wouldn't stand for it! | 0:06:37 | 0:06:38 | |
-Then how...? -It wasn't alive, Michael! | 0:06:38 | 0:06:41 | |
Dear, oh, dear! I wouldn't have a live cow in my kitchen. | 0:06:41 | 0:06:44 | |
That would be extremely unhygienic! | 0:06:44 | 0:06:46 | |
-Why was there a dead cow in your kitchen? -I was butchering it | 0:06:48 | 0:06:51 | |
for Wilf at Taylor's Quality Meats in the High Street. | 0:06:51 | 0:06:54 | |
He sometimes puts a bit of work my way when he's pushed. | 0:06:54 | 0:06:57 | |
He lets me keep all the offal. | 0:06:57 | 0:06:59 | |
You know how to butcher a cow? | 0:07:00 | 0:07:01 | |
Once the carcass is quartered | 0:07:01 | 0:07:03 | |
and the legs are off, it's just common sense. | 0:07:03 | 0:07:05 | |
Can someone else take over? I need to close my eyes. | 0:07:06 | 0:07:08 | |
How did it fall on you, Arthur? | 0:07:08 | 0:07:11 | |
Oh, well, I usually hook the cows up to the clothes airer, | 0:07:11 | 0:07:14 | |
but this was a big one and it pulled the fitting out of the ceiling. | 0:07:14 | 0:07:18 | |
I was in there looking for a biscuit when it pinned me to the floor! | 0:07:20 | 0:07:24 | |
Why do you keep biscuits in the same room as the clothes airer?! | 0:07:24 | 0:07:27 | |
Actually, you know what, I went in again too soon... | 0:07:27 | 0:07:30 | |
God, I'd hate a cow falling on me. | 0:07:30 | 0:07:32 | |
Oh, it's INCREDIBLY annoying, Birdie. | 0:07:32 | 0:07:35 | |
But just think, Michael, if the juices hadn't pooled | 0:07:35 | 0:07:38 | |
and allowed me to slide out, it would have been curtains for me. | 0:07:38 | 0:07:43 | |
Imagine that for an obituary! | 0:07:43 | 0:07:46 | |
"Beloved entertainer dies | 0:07:46 | 0:07:47 | |
"while trying to retrieve biscuit from room with cow." | 0:07:47 | 0:07:51 | |
No, no, no, I can't have that. | 0:07:53 | 0:07:54 | |
I've got things to do! | 0:07:54 | 0:07:56 | |
Important things! | 0:07:56 | 0:07:58 | |
I have to find John! | 0:07:58 | 0:07:59 | |
If he exists. | 0:07:59 | 0:08:01 | |
What's that "sussposed" to mean? | 0:08:01 | 0:08:03 | |
When I interviewed you, you never mentioned a band. | 0:08:03 | 0:08:05 | |
"I can only answer the questions I'm asked", Michael. | 0:08:05 | 0:08:09 | |
All right, what happened to them, then? | 0:08:09 | 0:08:11 | |
Yeah, Arthur, where are they all now? | 0:08:11 | 0:08:13 | |
Well... | 0:08:13 | 0:08:14 | |
News filtered back to me that John got shot in New York... | 0:08:14 | 0:08:17 | |
Got shot in a shoe shop in York... | 0:08:19 | 0:08:22 | |
Got a shot at a job in a shoe shop in York! | 0:08:23 | 0:08:27 | |
But the last I heard, he'd put down roots in Sheffield. | 0:08:28 | 0:08:31 | |
He was my best friend, and then, it was all over. | 0:08:31 | 0:08:35 | |
I have to find out why. | 0:08:35 | 0:08:37 | |
Genie! Third wish. Take me to Sheffield. | 0:08:37 | 0:08:40 | |
-What? -You have to drive me to Sheffield! I have to find John! | 0:08:40 | 0:08:44 | |
-Arthur, I'm not driving you to Sheffield! -Oh, come on. | 0:08:44 | 0:08:47 | |
It's not as if you have anything better to do, is it? | 0:08:47 | 0:08:50 | |
Oh, OK, I thought we were going to go for dinner, | 0:08:53 | 0:08:55 | |
talk about the holiday. | 0:08:55 | 0:08:57 | |
Oh, no, no, we will, it's just... | 0:08:57 | 0:08:59 | |
Well, I'm a bit worried about Arthur. | 0:08:59 | 0:09:01 | |
He doesn't seem to know what part of his story's true | 0:09:01 | 0:09:03 | |
and what part he saw in a Paul McCartney documentary. | 0:09:03 | 0:09:07 | |
OK. | 0:09:07 | 0:09:09 | |
Come on, then! | 0:09:09 | 0:09:10 | |
But no, no, of course we will. | 0:09:10 | 0:09:12 | |
It's just... I was just wondering, | 0:09:12 | 0:09:14 | |
is it the right time of year for Tuscany? | 0:09:14 | 0:09:17 | |
But, anyway, we'll talk... | 0:09:17 | 0:09:18 | |
conversation...together...holiday... | 0:09:18 | 0:09:21 | |
plans...talking... It's all good. | 0:09:21 | 0:09:24 | |
My order ready, Bulent? | 0:09:24 | 0:09:25 | |
It's en route! | 0:09:25 | 0:09:27 | |
You could do with some music in here, Bulent. | 0:09:27 | 0:09:29 | |
Brighten the place up a bit. Isn't that right, Eggy? | 0:09:29 | 0:09:32 | |
A bit of music. | 0:09:32 | 0:09:33 | |
Well, I think it's great the way it is, Birdie. | 0:09:33 | 0:09:36 | |
Ah, you have them all filling their nappies at the thought of you. | 0:09:36 | 0:09:40 | |
-This place could use some music. -Aaagh. | 0:09:40 | 0:09:44 | |
Or are you afraid that we'll find out you have no taste? | 0:09:44 | 0:09:47 | |
-I have taste! -Sure you do. Terrible taste. | 0:09:48 | 0:09:51 | |
You want music? I'll give you music! | 0:09:53 | 0:09:55 | |
I'll install a CD system | 0:09:55 | 0:09:56 | |
and play you the best music you've ever heard! | 0:09:56 | 0:09:59 | |
-ASIDE: -Shall I get him to do something else? | 0:09:59 | 0:10:01 | |
-SAT-NAV: -'Continue for 500 yards.' | 0:10:05 | 0:10:07 | |
What are you telling me for? You're driving. | 0:10:07 | 0:10:10 | |
'And at the junction, turn right.' | 0:10:10 | 0:10:12 | |
-What are you telling me that for? -It's the sat-nav! | 0:10:12 | 0:10:15 | |
Sat-nav, eh? I've heard about that. | 0:10:16 | 0:10:19 | |
They use, um, PMT co-ordinates. | 0:10:19 | 0:10:23 | |
-How did I get into this?! -Oh, stop complaining, will you? | 0:10:23 | 0:10:26 | |
Be good for you to get out of your crumpet zone for once. | 0:10:26 | 0:10:29 | |
'In 300 yards, take the exit.' | 0:10:31 | 0:10:34 | |
-Pardon? -It's not me! -Oh, yes, yes, of course. | 0:10:34 | 0:10:37 | |
'You have arrived at your destination.' | 0:10:39 | 0:10:41 | |
-I KNOW we have! -Stop talking to it! | 0:10:41 | 0:10:44 | |
-GROANING: -Oh, thank God that's over...! | 0:10:45 | 0:10:47 | |
Well, here we are. | 0:10:50 | 0:10:51 | |
I don't think I can do this, Michael. | 0:10:52 | 0:10:55 | |
I'm ever so nervous. | 0:10:55 | 0:10:56 | |
I wish I could just go home. | 0:10:58 | 0:11:00 | |
Sorry, Arthur. | 0:11:00 | 0:11:01 | |
-HE RINGS DOORBELL -You're out of wishes. | 0:11:01 | 0:11:04 | |
Hello, John. | 0:11:08 | 0:11:10 | |
Ooof! | 0:11:11 | 0:11:12 | |
Arthur! | 0:11:12 | 0:11:13 | |
You'd better come in. | 0:11:13 | 0:11:15 | |
HE COUGHS | 0:11:25 | 0:11:27 | |
Ooof! | 0:11:30 | 0:11:32 | |
HE COUGHS | 0:11:34 | 0:11:36 | |
Well, you two must have a lot to talk about | 0:11:38 | 0:11:41 | |
-so maybe I'll just wait outside? -That's not a bad idea. | 0:11:41 | 0:11:44 | |
Now, you've a few options. | 0:11:44 | 0:11:46 | |
You could go and sit upstairs on the edge of a bed | 0:11:46 | 0:11:49 | |
or you can remain on the stairs themselves. | 0:11:49 | 0:11:51 | |
-Mind you, that's a bit dangerous. -Maybe I'll just wait in the car. | 0:11:51 | 0:11:55 | |
Oh, that's an option I didn't consider. | 0:11:55 | 0:11:57 | |
Yes, you can tune in to Jeremy Vine and recline your seat, | 0:11:57 | 0:12:00 | |
as long as there's no-one sat behind you. | 0:12:00 | 0:12:02 | |
OK. I'm going now. | 0:12:04 | 0:12:05 | |
Nice chair, John. | 0:12:11 | 0:12:13 | |
Argos. Click And Collect. | 0:12:13 | 0:12:15 | |
Is it leather, then? | 0:12:15 | 0:12:17 | |
It's what's known as "folks" leather, Arthur. | 0:12:17 | 0:12:20 | |
Do you know what "folks" leather is? | 0:12:21 | 0:12:23 | |
Of course, I know what... "folks" leather is. | 0:12:23 | 0:12:26 | |
-Ooof, sorry. Obviously touched a nerve, there. -No, you haven't. | 0:12:26 | 0:12:29 | |
How would not knowing what "folks" leather was be a nerve? | 0:12:29 | 0:12:32 | |
It's not the sort of thing people get bothered by. | 0:12:32 | 0:12:34 | |
You never know what's going to set someone off, Arthur. | 0:12:34 | 0:12:36 | |
My wife, Mary, has a panic attack if anyone opens a drawer too quickly. | 0:12:36 | 0:12:40 | |
There was an occasion I needed me Swiss Army knife to prise a stone | 0:12:42 | 0:12:47 | |
from the paw of a King Charles Spaniel | 0:12:47 | 0:12:49 | |
that had wandered into the garden. | 0:12:49 | 0:12:51 | |
I was in such a hurry, I forgot myself | 0:12:51 | 0:12:53 | |
and pulled the drawer open terribly fast. | 0:12:53 | 0:12:56 | |
Mary ended up having to sit down for five minutes. | 0:12:56 | 0:12:58 | |
Now, what's this all about, Arthur? | 0:13:02 | 0:13:04 | |
I'm sorry to hurry you, | 0:13:04 | 0:13:06 | |
but Mary's got a foot spa filling up in the kitchen and I'm supervising. | 0:13:06 | 0:13:09 | |
You kept it up, then? The music? | 0:13:11 | 0:13:14 | |
Oh, yes, yes. I'm on the carvery circuit, now, yes, | 0:13:14 | 0:13:17 | |
HE PLAYS A FEW CHORDS | 0:13:17 | 0:13:19 | |
Yes, I do drop-in centres, | 0:13:19 | 0:13:20 | |
sheltered accommodation, that sort of venue. | 0:13:20 | 0:13:22 | |
I'm at the hospice on Tuesday. | 0:13:22 | 0:13:25 | |
Oh, I'm sorry to hear that, John. | 0:13:25 | 0:13:26 | |
Well, you shouldn't be because they give me me petrol money. | 0:13:26 | 0:13:29 | |
Mind you, it's just around the corner so it'll be about 42p. | 0:13:29 | 0:13:33 | |
Oh, well, it all adds up. Do three of those a week and you're laughing. | 0:13:33 | 0:13:37 | |
That's right, I am. What about you, Arthur? | 0:13:38 | 0:13:41 | |
Have you given up music, then? | 0:13:41 | 0:13:43 | |
I haven't played since the band split up. | 0:13:43 | 0:13:45 | |
Ooof. | 0:13:45 | 0:13:46 | |
-DEFENSIVELY: -And whose fault was that, Arthur? | 0:13:46 | 0:13:48 | |
-I don't know. -Neither do I. | 0:13:48 | 0:13:50 | |
That's why I'm here, John. | 0:13:51 | 0:13:53 | |
I wanted to find out why the band broke up. | 0:13:53 | 0:13:55 | |
I'll have to have a good think about that, Arthur. | 0:13:55 | 0:13:57 | |
But now's not a good time. Where are you staying? | 0:13:57 | 0:14:00 | |
We were going to go home tonight, but I can't go home not knowing. | 0:14:00 | 0:14:04 | |
-Well, let's reconvene tomorrow. -DOOR CLOSES | 0:14:04 | 0:14:06 | |
There's a B&B at the end of the road. | 0:14:06 | 0:14:08 | |
It's your friend with the sad face. | 0:14:08 | 0:14:10 | |
Obviously, you didn't tune into Jeremy | 0:14:13 | 0:14:15 | |
or you wouldn't be back so soon. | 0:14:15 | 0:14:17 | |
Where did you end up standing? | 0:14:17 | 0:14:18 | |
Just in the garden. It's a nice day. | 0:14:18 | 0:14:20 | |
Verge or dead centre? | 0:14:20 | 0:14:22 | |
Verge. | 0:14:23 | 0:14:25 | |
Ooof. Controversial. | 0:14:25 | 0:14:26 | |
Most would opt for the centre to avoid the breeze, | 0:14:28 | 0:14:31 | |
at the end of the bush. | 0:14:31 | 0:14:32 | |
-Listen, do have a think about the B&B. -B&B? | 0:14:35 | 0:14:38 | |
Yes. It's getting late, but they might be able to accommodate you. | 0:14:38 | 0:14:42 | |
What B&B? We're going home, aren't we? | 0:14:42 | 0:14:44 | |
MICHAEL YELLS | 0:15:23 | 0:15:26 | |
-Aw, what was that? -Ohhh, I'd just dropped off. | 0:15:26 | 0:15:28 | |
What's going on? | 0:15:28 | 0:15:30 | |
What? Something... | 0:15:30 | 0:15:31 | |
Something fell on me! | 0:15:31 | 0:15:33 | |
Really? From where? | 0:15:33 | 0:15:35 | |
There must have been a bit of plaster or...or... | 0:15:35 | 0:15:37 | |
a ceiling brick. | 0:15:37 | 0:15:39 | |
Anyway, can't we just drop it? | 0:15:39 | 0:15:40 | |
We're both up now, we might as well have a chat. | 0:15:40 | 0:15:43 | |
-So, what's been happening with you, then? -Ohhh... | 0:15:45 | 0:15:48 | |
I'll tell you what worrying me, Michael. | 0:15:48 | 0:15:50 | |
I'm getting on very well with John. It's like the old days. | 0:15:50 | 0:15:54 | |
I'm remembering now what a brilliant conversationalist he is. | 0:15:54 | 0:15:57 | |
What's the problem? | 0:15:57 | 0:15:59 | |
Well... | 0:15:59 | 0:16:01 | |
we're trying to remember why the band split up. | 0:16:01 | 0:16:04 | |
What if it was my fault? | 0:16:06 | 0:16:08 | |
We might have gone on to do something, | 0:16:08 | 0:16:11 | |
our lives could have been completely different. | 0:16:11 | 0:16:14 | |
I'd hate it if I'd ruined our chances for myself, | 0:16:14 | 0:16:17 | |
but it would be even worse if I'd ruined it for him. | 0:16:17 | 0:16:20 | |
Well, then, don't try and remember it. | 0:16:20 | 0:16:23 | |
Just...pick up where you left off. | 0:16:23 | 0:16:27 | |
Stop overthinking things. | 0:16:27 | 0:16:29 | |
Thanks, Michael. | 0:16:29 | 0:16:31 | |
That makes sense, that does. | 0:16:31 | 0:16:33 | |
I wonder if that's what I'm doing. | 0:16:35 | 0:16:37 | |
You see, Sinem's asked me to go on holiday and I... | 0:16:40 | 0:16:43 | |
ARTHUR SNORES | 0:16:43 | 0:16:45 | |
What are you doing, John? | 0:16:49 | 0:16:51 | |
I'm cleaning me keyboard with antibacterial spray. | 0:16:51 | 0:16:55 | |
It's a bit of a ritual. | 0:16:55 | 0:16:56 | |
Like a Samurai keeping his blade keen with a whetstone. | 0:16:56 | 0:17:00 | |
It's also a hospice requirement. | 0:17:01 | 0:17:03 | |
Do you ever think about what might have been, John? | 0:17:07 | 0:17:10 | |
If we'd stuck together? | 0:17:10 | 0:17:12 | |
Ooof! That was another life. Another time. | 0:17:12 | 0:17:14 | |
I was wild then. | 0:17:14 | 0:17:16 | |
-HE SPRAYS -We all were. | 0:17:16 | 0:17:17 | |
Best to keep that in the past. | 0:17:17 | 0:17:20 | |
Maybe we should get the band back together. | 0:17:20 | 0:17:22 | |
That's a bit of a bombshell! | 0:17:22 | 0:17:23 | |
It's not just about us, John. | 0:17:23 | 0:17:25 | |
It's about four young men and their dreams. | 0:17:25 | 0:17:28 | |
Four? No, there were only three, Arthur. | 0:17:28 | 0:17:30 | |
No, no, there were four of us. | 0:17:30 | 0:17:32 | |
Us two, George and Ringo. | 0:17:32 | 0:17:35 | |
Ooof, I think you're getting us mixed up with the Beatles, Arthur. | 0:17:35 | 0:17:40 | |
I don't remember a "George". | 0:17:40 | 0:17:42 | |
And Ringo passed away two years ago. | 0:17:42 | 0:17:44 | |
Oh, that's a shame. | 0:17:44 | 0:17:46 | |
So, it is only about just us. | 0:17:46 | 0:17:49 | |
-That could be highly convenient. -It could. | 0:17:49 | 0:17:52 | |
OK, then, let's give it a go! | 0:17:53 | 0:17:55 | |
HE SPRAYS | 0:17:57 | 0:17:59 | |
MUSIC DROWNS SPEECH IN MONTAGE | 0:18:01 | 0:18:03 | |
HE PLAYS SYNTH NOTES ON KEYBOARD | 0:18:25 | 0:18:28 | |
Hey, I feel we're moving in a Clannad direction. | 0:18:28 | 0:18:32 | |
HE PLAYS SYNTH NOTES | 0:18:32 | 0:18:35 | |
Does that...? Does that get the juices flowing? | 0:18:35 | 0:18:37 | |
It does, John. It makes me think of vegetables. | 0:18:37 | 0:18:42 | |
Oh, yes, I like it, I think we're on to something. | 0:18:42 | 0:18:46 | |
What sort of vegetable? Potatoes? | 0:18:46 | 0:18:49 | |
Oh, no, I don't want to be doing a song about potatoes. | 0:18:49 | 0:18:52 | |
Well, there's nothing wrong with potatoes, Arthur. | 0:18:52 | 0:18:55 | |
Mary and I are big fans, | 0:18:55 | 0:18:57 | |
especially boiled ones with a bit of quiche and a side salad. | 0:18:57 | 0:19:01 | |
Nothing rhymes with them. | 0:19:01 | 0:19:04 | |
There's no romance to a potato. | 0:19:04 | 0:19:06 | |
But there's plenty of dignity, Arthur. | 0:19:06 | 0:19:09 | |
And there's not enough songs with them in. | 0:19:09 | 0:19:11 | |
That's the point I'm making! | 0:19:11 | 0:19:13 | |
Name one good song about potatoes! | 0:19:13 | 0:19:15 | |
There's only one to my knowledge - One Potato, Two Potato. | 0:19:15 | 0:19:19 | |
-Exactly, exactly. -But it proves my point. There ought to be more. | 0:19:21 | 0:19:25 | |
Listen. I'm not singing a song about sodding potatoes! | 0:19:25 | 0:19:29 | |
Arthur, if you're going to insult Mary and I by disparaging potatoes, | 0:19:29 | 0:19:33 | |
I'm going to have to ask you to leave. | 0:19:33 | 0:19:35 | |
I'm happy to! | 0:19:35 | 0:19:36 | |
Now I remember why we broke up! | 0:19:36 | 0:19:40 | |
Always vegetable-based disagreements! | 0:19:40 | 0:19:42 | |
Right, I think we'll leave it there | 0:19:42 | 0:19:44 | |
before you say anything else you regret. | 0:19:44 | 0:19:46 | |
Don't worry, don't worry, I'm leaving. | 0:19:46 | 0:19:50 | |
But, Arthur, it's getting late, where are you going to stay? | 0:19:50 | 0:19:53 | |
-You know... -ARTHUR GRUMBLES | 0:20:06 | 0:20:09 | |
I thought you were asleep. | 0:20:09 | 0:20:11 | |
No, no, I was just....lying there. | 0:20:11 | 0:20:13 | |
You know, Arthur, I was walking around Sheffield today | 0:20:15 | 0:20:18 | |
and I ended up at the Industrial Museum alongside the river | 0:20:18 | 0:20:22 | |
and it has England's largest surviving Bessemer converter. | 0:20:22 | 0:20:26 | |
It's a steel-making process, now largely obsolete, | 0:20:26 | 0:20:30 | |
in which carbon, silicon, | 0:20:30 | 0:20:32 | |
and other impurities are removed from molten pig iron by oxidation | 0:20:32 | 0:20:37 | |
-in a special tilting retort. -All right, all right, | 0:20:37 | 0:20:40 | |
I know what a Bessemer converter is, thank you very much. | 0:20:40 | 0:20:43 | |
I was looking at the rivets on its magnificent cauldron | 0:20:45 | 0:20:49 | |
and I thought... | 0:20:49 | 0:20:51 | |
..I'm incredibly boring. | 0:20:54 | 0:20:57 | |
You won't get any arguments this side of the bed. | 0:20:57 | 0:20:59 | |
But Sinem seems to like me anyway. | 0:21:01 | 0:21:04 | |
And if she likes me, | 0:21:05 | 0:21:07 | |
maybe I'm not so boring after all. | 0:21:07 | 0:21:09 | |
Maybe I'm just interesting in a different way. | 0:21:11 | 0:21:14 | |
-SNORING -In a way that... | 0:21:14 | 0:21:16 | |
Oh, well, never mind. We did our best. | 0:21:26 | 0:21:30 | |
Thanks, though, Michael. | 0:21:30 | 0:21:31 | |
Oh, God, Arthur... | 0:21:33 | 0:21:35 | |
Arthur, I think I've lost my wallet! | 0:21:37 | 0:21:39 | |
Oh, no, I must have left it when I was paying for the room! | 0:21:39 | 0:21:44 | |
All right, calm down. | 0:21:44 | 0:21:45 | |
Just tell the landlord what's happened. He'll understand. | 0:21:45 | 0:21:49 | |
He doesn't look like he'll understand. | 0:21:49 | 0:21:51 | |
Don't worry, leave it to me. | 0:21:59 | 0:22:02 | |
What are you doing? | 0:22:02 | 0:22:04 | |
No, Arthur! | 0:22:04 | 0:22:05 | |
Play the winner? | 0:22:08 | 0:22:09 | |
Three ball, corner pocket. | 0:22:13 | 0:22:15 | |
Or the middle pocket... | 0:22:17 | 0:22:19 | |
The pocket on that side, ooh! | 0:22:19 | 0:22:21 | |
Oooh! Sod it. | 0:22:29 | 0:22:31 | |
HE SNORES | 0:22:45 | 0:22:49 | |
This is the right end of the club, isn't it? | 0:22:49 | 0:22:52 | |
It's called a cue. | 0:22:52 | 0:22:54 | |
And it's still your shot, mate. | 0:22:54 | 0:22:55 | |
How about we make things a bit more interesting. | 0:22:56 | 0:23:00 | |
Sure, 20 quid? | 0:23:00 | 0:23:01 | |
Oh, hardly worth getting out of bed for, make it 50. | 0:23:01 | 0:23:06 | |
Yeah. | 0:23:07 | 0:23:08 | |
Oh, dear, another great shot from you. | 0:23:10 | 0:23:13 | |
Whatever am I going to do?! | 0:23:13 | 0:23:16 | |
ALL LAUGH | 0:23:18 | 0:23:19 | |
Mate, you're stripes. You shouldn't even be going for the other ones. | 0:23:19 | 0:23:22 | |
CLATTERING | 0:23:22 | 0:23:24 | |
Oh, dear. | 0:23:24 | 0:23:25 | |
Double or quits? | 0:23:25 | 0:23:27 | |
Don't worry, I'm good for it. | 0:23:27 | 0:23:29 | |
I've got me money man over there. | 0:23:29 | 0:23:31 | |
All right. | 0:23:34 | 0:23:36 | |
-QUIETLY: -You do realise we have no money? | 0:23:39 | 0:23:41 | |
Oh, no, whatever will we do?! | 0:23:41 | 0:23:44 | |
You sure about this, mate? | 0:23:46 | 0:23:48 | |
You're losing a lot of money. | 0:23:48 | 0:23:51 | |
Boys, I'm just getting started. | 0:23:51 | 0:23:54 | |
Run, Michael, run! | 0:23:56 | 0:23:59 | |
You can't play at all! | 0:23:59 | 0:24:00 | |
-MAN: -This way, come on. | 0:24:00 | 0:24:02 | |
MEN SHOUT | 0:24:02 | 0:24:04 | |
Well, that never happened in the film. | 0:24:07 | 0:24:09 | |
-What film?... The Hustler? -He won in the film. | 0:24:11 | 0:24:14 | |
He was bad at first, but when he put money on it, he was brilliant! | 0:24:14 | 0:24:17 | |
He could play. | 0:24:17 | 0:24:19 | |
He was hustling! | 0:24:19 | 0:24:21 | |
Ah. | 0:24:22 | 0:24:24 | |
Oh, right, I'm with you now! | 0:24:24 | 0:24:26 | |
He could play! Of course! | 0:24:26 | 0:24:28 | |
That's what it was about! | 0:24:28 | 0:24:29 | |
-TO HIMSELF: -Thank God that's over. | 0:24:31 | 0:24:33 | |
Good job for them they never caught us when we ran away. | 0:24:33 | 0:24:35 | |
-I'd have shown them. -No, no, no. I don't do physical confrontation. | 0:24:35 | 0:24:40 | |
My adrenaline goes to my mouth, my language gets very...flamboyant. | 0:24:40 | 0:24:45 | |
I end up sounding like a dandy in a Restoration comedy. | 0:24:45 | 0:24:49 | |
Where's my jacket? | 0:24:50 | 0:24:52 | |
Where's my jacket?! | 0:24:52 | 0:24:53 | |
Oh, God, I've left it in the pub! | 0:24:53 | 0:24:56 | |
I've left my jacket in the pub! | 0:24:56 | 0:24:58 | |
You have other jackets. | 0:24:58 | 0:24:59 | |
No, it's got the keys in it. The keys are in the jacket. | 0:24:59 | 0:25:03 | |
HE SIGHS | 0:25:03 | 0:25:05 | |
We're going to have to go back. | 0:25:05 | 0:25:08 | |
No, Michael, it's worse than that. | 0:25:08 | 0:25:10 | |
YOU'RE going to have to go back. | 0:25:11 | 0:25:14 | |
INDISTINCT CONVERSATION | 0:25:14 | 0:25:17 | |
'Tis I! | 0:25:35 | 0:25:37 | |
Fear ye not! | 0:25:37 | 0:25:39 | |
I mean ye no ill will. | 0:25:39 | 0:25:40 | |
I humbly ask that you permit me a small boon. | 0:25:42 | 0:25:46 | |
What? | 0:25:46 | 0:25:47 | |
I merely posit | 0:25:47 | 0:25:49 | |
that you divest thyself | 0:25:49 | 0:25:51 | |
of my... | 0:25:51 | 0:25:53 | |
paltry rags. | 0:25:53 | 0:25:55 | |
Could I have my jacket back, please. | 0:25:57 | 0:25:59 | |
What about our winnings? | 0:25:59 | 0:26:01 | |
Leave the kid alone! | 0:26:03 | 0:26:05 | |
It's me you've got the beef with! | 0:26:10 | 0:26:12 | |
Yes, and...and we're not leaving until you return my jacket! | 0:26:14 | 0:26:18 | |
Mark me, sir! | 0:26:20 | 0:26:21 | |
On the plus side, you're outside of your crumpet zone. | 0:26:32 | 0:26:35 | |
Yes. I am definitely out of my crumpet zone. | 0:26:37 | 0:26:40 | |
GROOVY MUSIC PLAYS | 0:26:43 | 0:26:45 | |
Listen to this bit! Listen to this bit! | 0:26:45 | 0:26:48 | |
Is this Jethro Tull? | 0:26:49 | 0:26:51 | |
I wasn't expecting that. | 0:26:51 | 0:26:53 | |
Turn that music off! Please. | 0:26:54 | 0:26:57 | |
-John! -Hello, Arthur. | 0:26:57 | 0:26:58 | |
-I couldn't leave it like we did. -You're right, John. | 0:26:58 | 0:27:01 | |
We have too much history, | 0:27:01 | 0:27:03 | |
even if neither of us can remember exactly what that is. | 0:27:03 | 0:27:08 | |
I've written a song, Arthur, | 0:27:08 | 0:27:09 | |
which doesn't mention potatoes | 0:27:09 | 0:27:11 | |
and I was wondering if you would do me the honour | 0:27:11 | 0:27:13 | |
of helping me perform it. | 0:27:13 | 0:27:15 | |
-Count me in, John. -What, before I've even taught you the song? | 0:27:15 | 0:27:19 | |
# Life is like a salad bar | 0:27:21 | 0:27:23 | |
# You only get one visit | 0:27:23 | 0:27:25 | |
# Take your bowl and follow me | 0:27:25 | 0:27:28 | |
# I'll be your guiding spirit | 0:27:28 | 0:27:30 | |
-BOTH: -# Life is like a salad bar | 0:27:30 | 0:27:32 | |
# Look hard or you'll miss it | 0:27:32 | 0:27:35 | |
# Life is like a salad bar | 0:27:35 | 0:27:37 | |
-# Or... # -PLAYS DRUMPADS ON KEYBOARD | 0:27:37 | 0:27:39 | |
# Or is it? | 0:27:39 | 0:27:41 | |
# Live your life as I would | 0:27:43 | 0:27:45 | |
# By your own nose be guided | 0:27:45 | 0:27:47 | |
# But go easy on the onions | 0:27:47 | 0:27:49 | |
# And use the tongs provided... # | 0:27:49 | 0:27:52 | |
INSTRUMENTAL BRIDGE | 0:27:52 | 0:27:53 | |
Sinem, I will go on holiday. | 0:27:53 | 0:27:56 | |
Well, I know. We already said we would. | 0:27:56 | 0:27:59 | |
Well, then, that's still the case. | 0:27:59 | 0:28:01 | |
-Right. -Right. | 0:28:01 | 0:28:04 | |
KEY CHANGES UP | 0:28:04 | 0:28:05 | |
# Oh, life is like a salad bar | 0:28:05 | 0:28:08 | |
# You only get one visit | 0:28:08 | 0:28:11 | |
# Take your bowls and follow me | 0:28:11 | 0:28:13 | |
# I'll be your guiding spirit | 0:28:13 | 0:28:15 | |
# Life is like a salad bar | 0:28:15 | 0:28:18 | |
# With no potatoes in it | 0:28:18 | 0:28:20 | |
# Life is like a salad bar... # | 0:28:20 | 0:28:23 | |
-HE PLAYS DRUMPADS ON KEYBOARD -# Or is it? # | 0:28:23 | 0:28:25 | |
-ARTHUR PLAYS DRUMPADS -You're too late, Arthur. | 0:28:25 | 0:28:28 | |
-You had your chance and you blew it. -Oh, sorry, mate. -Well, never mind. | 0:28:29 | 0:28:33 |