Episode 5 Cradle to Grave


Episode 5

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Transcript


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This programme contains adult humour and some strong language.

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# They say time will wait for no man

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# They say time is on my side

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# I can never make my mind up

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# Cos it all goes whizzing by

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# From the cradle to the grave

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# From the cradle to the grave

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# I know I won't be a slave

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# I know I won't be a slave

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# To the mistakes that I've made

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# From the cradle

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# And I won't go till I'm ready from the cradle to the grave. #

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-So we're calling the band either...

-Thunderkok.

-Spelt K-O-K.

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Typhlosion...

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No, that's rubbish.

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Smallpox. Risk.

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Oi, Baker, what's a good name for a band?

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Er... Bench Full Of Wankers?

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-Where you been?

-Where've I been? Ask me where I've been.

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He's just asked you that, Baker!

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All right, I'll tell you where I've been. Been in the dark room.

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With Miss Blondel.

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With the red light on?

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-Red light right on.

-And?

-Not going to tell you load of wergins, am I?

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You went in the dark room with Miss Blondel.

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-With the red light on?

-You never grabbed hold of her.

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All right, I never grabbed hold of her.

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So what was I doing in there with her, then? Learning how to develop photos?

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-So when you think it's had long enough in the developer...

-Mm-hm?

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..pop it quickly into the fix.

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-Um...

-Yes.

-Whoa!

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-OK.

-And now to the water.

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That's it, now you hang it up to dry. Well done.

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MUSIC: FRENCH 12-BAR POP SONG

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Oh, la la!

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SHE LAUGHS

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Look at your face!

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No need to be embarrassed. I'm not.

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It's photography, Danny.

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Is it even worth giving you the speech about the difference

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between smut and art?

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Er...

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I...I want to do more photography, miss.

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What are you doing?

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Because I...really like you.

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Louise.

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-So what have you heard, then?

-Heard?

-Come on.

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About me, whatever it is, I'm sure it's just nonsense

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but I'd like to hear it.

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Well, I, I heard about you and... Mark Stitch.

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Wow. Mark.

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Yeah. In here.

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In here?

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Listen, I saw Mark a few times.

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But that was after he left school and certainly not in here.

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I could never have a relationship with a schoolboy, Danny.

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You must know that.

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No schoolboys?

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No matter how cute they are.

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What's she look like, stripped off?

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I'm not going to answer that, that's...

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-That's just smut.

-Oh, smut!

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On your mother's life,

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in that dark room - you saw Miss Blondel with nothing on?

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Yeah, I did, on my mother's life. I did.

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MUSIC: Right Place, Wrong Time by Dr John

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Miss Blondel...

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Boys? Got something for you.

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-What you showing us?

-You know they have readers' wives, all right? Well, this is the new thing.

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"One For The Ladies." It's the blokes, right? It's the husbands.

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Look at the state of him. Now, look, look.

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Does that or does that not look like Eddie Cook to you?

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How can you tell with his eyes blacked out like that?

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Oh, come on. It's a ringer, innit? 'Ere, Spud.

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-What?

-Have a look at that.

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Oh, good Gawd, what's that?

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What's the matter with you lot?

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What you looking at this for? What's...? What's...?

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"A pulsing round-up of this week's hottest dongs." Leave off!

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Don't show me something like that first thing in the morning.

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No. No, look again - who does that look like?

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Look like? That IS Eddie Cook.

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-LAUGHTER

-I told you!

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How can you be so sure? Look, you can't even see his face.

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No. But that's his kitchen wallpaper for starters.

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And look at that there. See that there, between his legs?

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That's the urn with his old man's ashes in it.

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Straight up!

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I'm always telling him he keeps it too close to the tea caddy.

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What's he gone in for that for, the soppy git? What's all that about?

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25 quid, it says here.

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Then again, speaking of sausages...

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Here, Spud. Have you seen someone's wiped your name off the board?

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Yeah, there's some bastards around, ain't there?

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Put it back up, cos someone's taking the right piss out of you.

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Making out you're a quitter.

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Spud?

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I took it down, and that's the end of it.

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And anyone who wants to keep going on about it can say hello to a right-hander.

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-What's happened, Spud?

-What did I just say about keeping on?

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I'm not keeping on. I'm enquiring.

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Fucking hell, Spud.

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Here, we could all do with three grand

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but we're still hanging onto our jobs.

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2,200. That's what I got.

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Went up to three the next day. Go on, laugh if you like.

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Spud, you need to get up and put your name back on the board.

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-You're a docker.

-It's too late. I took the money.

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And I've got something else lined up.

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But aren't you even regretting it?

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Beside the point.

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I'm sure Eddie Cook's regretting not redecorating his kitchen.

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It looks like we've both been found out today...dunnit?

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'Two numbers tonight from Nazareth...'

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'I was hopelessly in love with Miss Blondel.

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'Oh, I knew what love was all right.

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'In my fantasies, I had already been married twice before the age of 12.

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'My first fantasy bride was Cilla Black.'

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Do you, Cilla "Step Inside Love" Black, from BBC One, take Danny to

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be your husband, and be with him all the time, even in the bath and that?

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-I really, really do.

-Ah!

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# You're my world You're every breath I take... #

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'I thought Cilla and I were going to be together forever.'

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# I see the stars...#

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'But then on holiday, Dad took us to see Anita Harris.'

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I'd like to sing next one of my favourite songs.

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It's called The Anniversary Waltz.

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'And I fell in love again.'

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But before I do, I want to find a young man to sing it to.

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You there, what's your name?

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-Danny.

-Well, Dennis - this one's for you.

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# Tell me I may always dance

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# The anniversary waltz with you... #

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'So Anita Harris became my second fantasy wife.'

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Do you, Anita "Anniversary Waltz" Harris, whom so many other people

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would love to be marrying, take this man, Dennis Baker...

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-Danny!

-Yes - to be your lawfully wedded husband?

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-Even in the bath and that.

-Indeed.

-I do.

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And do you take Anita "Anniversary Waltz" Harris

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-to be your next Cilla Black?

-I do.

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-Are you going to be all right, Cilla?

-Oh, yeah.

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I'm just about to vanish from his life with an audible pop.

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AUDIBLE POP

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Life is perfect.

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'But Miss Blondel was no fantasy - she was only too real!'

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DOG BARKS

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Get out of my way, you four-legged ponce.

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I'm sure you're going senile.

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-I've had a nightmare, Bet... Where's your mother?

-Upstairs.

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What you watching?

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It's Old Grey Whistle Test but the tracking's all over the place.

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Fucking thing's up the spout. It's a monstrosity. Bet!

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MUSIC: Silver Dollar Forger by Nazareth

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What you got there - dirty picture?

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No, it's just Old Grey Whistle Test.

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What? Where's your father?

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-Upstairs looking for you.

-What's going on here?

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-Where you been?

-Where you been?

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Don't start, Bet. I've had a bastard morning.

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Told the blokes at work, then?

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-Yeah. Yeah.

-How did they take it?

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How d'you think they took it? They think I'm crackers.

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-Why? No different from all the others who took the money.

-I am!

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Two weeks ago, I was threatening to throw blokes in the drink just for talking about it.

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I'm a turncoat, Bet. I'm a turncoat.

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No, you are not. You are doing what you've always done,

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-you're putting your family first.

-Am I?

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Blimey, Fred, you've always said a job's just a job.

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-Now look at you.

-I know but I feel exposed.

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-Like I'm walking around without any trousers, like Eddie Cook.

-Eh?

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I'll tell you later.

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Look. Sod your mates at work.

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Your daughter is going to have the wedding she's always wanted

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because of what you've done and you should be proud of that.

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Blimey, Fred. You ain't had your wits removed.

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You can still earn a living.

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Yeah. Yeah, you're right.

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You're right. I'm acting like a Mary-Ann.

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So things are going to change. So what?

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That's what life's all about. Keeps you on your toes.

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Life is risk, Bet, it's a gamble.

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If you're bold - you get your rewards.

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Take a jump in the dark and move on.

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Yeah, Dad, I want to leave school.

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Balls to that.

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You're staying right where you are and that's the end of it.

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# Sweet home Alabama... #

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-So what did your old man say?

-He said I can do what I want.

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He'll back me up all the way.

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Why would you want to leave now? No-one leaves at Easter.

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Just wait till summer like the rest of us.

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Well, I wanna leave now. Got things I want to do.

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SOMEONE you want to do.

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Yeah, well, I got two birds I can charver any time I like

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and they ain't old.

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There's only four days till the end of term, Dan.

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-Yeah?

-So, in four days, you're not going to be one of us any more?

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'Be bold - a jump in the dark.

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'that's what Dad had said and he was right.

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'Meanwhile, inspired by Mum's pep talk,

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'he was already exploring new career opportunities.'

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Rag and BO-NEEE-ER!

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'His old mate Tony The Totter had agreed to give him a try-out.'

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Oi, love. Is this yours? You tossing all this out?

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The council said to leave it there till they come and collect it.

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Council? That'll lay there for weeks, that.

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-I'll take it off your hands.

-What you going to give me for it?

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What I'll give you for it - access to my body 24 hours a day.

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Hey-hey!

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-That's all right, innit?

-Good man, Spud.

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MUSIC: Haywire by Squeeze

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DANNY: 'Dad wasn't afraid of hard work

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'and he didn't care what people thought.'

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# I'm thinking about the images stored in my memory bank... #

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Walk on.

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# I'm lost inside a paradise, my mind goes all blank... #

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This is the life!

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You were born to it, Spud.

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We'll have you out in your own cart in no time.

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I think this game is going to suit me right down to the ground.

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-Life on the open road!

-THEY LAUGH

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-Oh, you dirty bastard.

-Ooh!

-Dirty bastard.

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Ever thought about doing this in a van?

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What you doing?

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Bagging it up.

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Them big houses in Eltham will pay good money for it.

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-Go on.

-Always stop for it.

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It's like leaving pound notes lying in the road.

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DANNY: 'The family's social standing was a bit more important to Mum.'

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-Hello, Bill.

-Miss Elizabeth Taylor, upon my soul!

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One so precious should not be left at the mercy of the 199

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to Catford Garage - allow me to convey you back to the film set.

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Oh, lovely, yeah.

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Elizabeth Taylor? I like that!

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Oh, I been on me feet all day, packing bleeding Bourbon biscuits.

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Well, this is luxurious, Bill.

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A reward for honest endeavour, Beatrice.

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Speaking of which, I haven't seen Brother Baker for a couple of weeks - is he gainfully employed?

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Oh, he's working, yeah.

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High Court Judge? Standing for parliament?

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I know they're looking for a new James Bond!

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He's in, er, commerce.

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-Commerce?

-Yeah, you know, buying and selling.

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Ah, so he's joined my world.

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Something like that, yeah.

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Rag-a-bo-oone!

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DANNY: 'The old man loved being a totter.'

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# Take it easy... #

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DANNY: 'But there was one thing he always looked for in a job.

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'What he called "scope".'

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-Manure?

-You what, love?

-Manure?

-Totter?

-Manure?

-I was here first!

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'And it didn't take him long to realise

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'that the demand for horse manure in the well-to-do neighbourhoods

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'far outstripped his old nag's capacity to supply it.'

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For my roses.

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-Please!

-Whoa, steady.

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'What followed was inevitable.'

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# Marta, rambling rose of the wild wood

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# Marta... #

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Whoa!

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# With your fragrance divine... #

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-All right, Tony!

-Spud.

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Whoa! I've got 14 sheets of corrugated iron on there.

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Give us me whack before I go, cos I need it.

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-Spud.

-What?

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There's been a complaint.

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-What?

-For the first time in the history of this yard,

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somebody has returned a bag of our horse manure.

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Because it was packed out with rubble!

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Now I've worked that area of Eltham all my life.

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And now you've ruined it on us. They don't want us back there.

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I was just trying to spin it out a bit further, Tony.

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He only goes once a day.

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It's shit, Spud.

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How can you try and swindle people out of shit?

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HORSE NEIGHS

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One for the road?

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MUSIC: Fool For a Cigarette by Ry Cooder

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It's your fault.

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# Mmm, I'm a fool for a cigarette

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# Lord, I'm a fool for a cigarette... #

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It don't make no sense.

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How can you be fired from being a rag-and-bone man?

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-You didn't like me doing it anyway!

-No, I didn't.

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It's bleeding embarrassing. I been telling people all sorts.

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But why has everything got to be a racket?

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I'm surprised you didn't sell the horse.

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Can I remind you why I was doin' it in the first place?

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What about Sharon, the wedding she wanted? What about being proud?

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Fred! You were never going to pay for it with what came out of an horse's arse, were you?

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And this is just what you are like.

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Everything has got to be bent.

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-Well, what d'you want me to be - a copper?

-That wouldn't be a bad idea.

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You're losing your self-control.

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And you are losin' your self-respect.

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Don't you look at me like that.

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-I'd take a tenner for you right now.

-DOG WHINES

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I've only ever seen Yvonne cry once, at the end of Butch Cassidy.

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You've been going out with her ages. What you going to say to her?

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Well, it's not easy to break a girl's heart, Tom,

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but I think, in the long run, she'll see I'm actually just being kind.

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-Have you got a plan?

-I'm going to go round, see if she fancies going up the Wimpy,

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and have one last great night together before I tell her.

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She'll be upset but Yvonne's just a girl.

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I need a woman now, I'm not...

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-Danny!

-Hello, darling.

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Don't "darling" me. So you're going out with this school teacher, then?

0:16:450:16:49

-Where d'you hear that?

-Only from about 100 people cos

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you've been telling everyone you're having it off with her.

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-I haven't.

-You have. It's what you told everyone about me.

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Just make sure you remember to take your school cap off

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-while you're doing it.

-I don't know what you're talking about.

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-Tommy, you know about this, don't ya?

-About what?

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Go away. You're useless, you are. Anyway - I'm finishing with you.

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Tony Gooch asked me out. He's from the co-op. I really fancy him. So...

0:17:070:17:11

Tony Gooch. I don't know him.

0:17:110:17:13

You don't have to, do you, darling?

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D'you want to go up the Wimpy?

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No. No, I don't.

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And I don't want you to talk to me or even look at me ever again,

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do you understand? Good! See you, then!

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She's brilliant, ain't she?

0:17:350:17:38

Mind if I go out with her?

0:17:380:17:40

Fuck off, Tom!

0:17:400:17:41

'Unemployed again, Dad was missing the old gang.'

0:17:450:17:48

-That's all she was bothered about.

-Hey, we miss ya, Spud, straight we do.

0:17:490:17:53

Did I ever tell you the totter's story? Listen to this.

0:17:530:17:55

'Ere, we've got to get back. It's quarter to three.

0:17:550:17:58

No, it'll only take a minute. It'll only take a minute.

0:17:580:18:00

Save it, Spud, save it. We'll be back at six. See ya later.

0:18:000:18:04

-Ta-ra.

-Tell you what, Spud. You've got nothing else to do -

0:18:040:18:07

you might as well have a kip in here.

0:18:070:18:09

-HEADMASTER:

-'Another year behind us...'

0:18:180:18:19

'As for me, I was still wrestling with myself.

0:18:190:18:22

'Should I stay or should I go?'

0:18:220:18:25

..so a big thank you to Mr Glover and the football team.

0:18:250:18:28

APPLAUSE

0:18:280:18:31

Sorry we couldn't organise the open-top bus, Mr Glover.

0:18:350:18:38

ONE PERSON LAUGHS

0:18:380:18:41

But now before Jeremy Langford reads us his specially written poem

0:18:410:18:45

"The Term of My Life"...

0:18:450:18:46

WANKER!

0:18:460:18:48

Oh, poem!

0:18:480:18:49

Fine, settle, settle down, please!

0:18:490:18:51

I would ask any remaining boys who will be leaving us this week

0:18:510:18:54

to come forward and place their release forms,

0:18:540:18:56

which must be signed by their parents, on the desk here.

0:18:560:18:59

# When I

0:19:050:19:08

# Hold my hand out...

0:19:110:19:14

# I saw... #

0:19:180:19:20

Oh!

0:19:210:19:23

Oh, you frightened the life out of me - I thought you was a ghost.

0:19:240:19:29

Yeah. I think I am!

0:19:290:19:31

Murder, innit, Spud? Being out.

0:19:340:19:38

Worst day's work I've ever done in my life.

0:19:380:19:41

What was I thinking?

0:19:410:19:43

Fancy a pint?

0:19:430:19:45

Nah, I can't - I got too much to do preparing for tomorrow morning.

0:19:450:19:48

Not you and all.

0:19:480:19:50

You'll sort something out, Spud.

0:19:510:19:54

I'm struggling. Straight up, I'm struggling.

0:19:540:19:58

-And the real...

-Oh, bloody hell.

0:19:580:20:01

All right, old type, what you lot doing hiding in here?

0:20:010:20:05

Here, Wally, who have you come as?

0:20:050:20:06

I'm the killer gorilla in a Perspex hat - who says so?

0:20:060:20:10

I say so, and that's that.

0:20:100:20:11

What, you doorman down the Regal now?

0:20:110:20:13

No, the Royal Division Of Commissionaires, Spud.

0:20:130:20:16

The official custodian for the magnificent new executive

0:20:160:20:19

establishment now standing on the site formerly known as

0:20:190:20:22

the old Tobacco Dock.

0:20:220:20:25

You used to work at Tobacco Dock.

0:20:250:20:27

Still do, Spud. Still do, but now it's known as Ottawa House,

0:20:270:20:31

headquarters of the Royal Bank of Canada.

0:20:310:20:33

And my job is to keep out riff-raff like you.

0:20:330:20:36

Now that's a turncoat.

0:20:360:20:38

I'm only playing - what's the matter with you?

0:20:380:20:40

All the lads are at it - all the chaps are down here.

0:20:400:20:42

You've got Geoff Kelly. Danny Marney.

0:20:420:20:44

Keefy Pace - I mean, half the West India Dock have joined the RDC now.

0:20:440:20:48

-So, what do you do?

-Well, we're 50% security, 50% messenger boy,

0:20:480:20:53

and 50% right at it.

0:20:530:20:55

Now, Alfie, I've got six gross of skinless chipolatas,

0:20:550:20:58

generously if unwittingly donated by my esteemed employers.

0:20:580:21:02

Lovely, I'll sort you out later down the pub.

0:21:020:21:04

What, there's scope?

0:21:040:21:05

Scope, Spud? Scope?

0:21:050:21:07

It's like the wild fucking west, my old son.

0:21:070:21:10

Next best thing to the docks, this is.

0:21:100:21:12

Yeah, how d'you get in the swim?

0:21:120:21:14

All you need is a clean Army record.

0:21:140:21:16

Well, that's me out of it.

0:21:160:21:17

Spent all my National Service on the run.

0:21:170:21:21

Spud.

0:21:210:21:22

Let me put it another way, my old son.

0:21:220:21:24

All you need is to get hold of a clean Army record.

0:21:240:21:27

I've got a good Army record - Vera Lynn, White Cliffs Of Dover.

0:21:270:21:30

Not now, Alfie. Not now.

0:21:300:21:32

-Not now, Alf.

-What if I could get hold of one, then?

0:21:320:21:34

Well, then, I would propose you, one of the chaps would second you,

0:21:340:21:37

I'll take you down to get measured up for the old, er, uniform.

0:21:370:21:40

I think that could be arranged, Woody. I think that could be arranged.

0:21:400:21:43

Well, in that case, Fredrick, my old China,

0:21:430:21:45

welcome to the RDC, sire.

0:21:450:21:46

-Hey, hey!

-Hey, hey!

0:21:460:21:49

# We are the soldiers of the Queen, my lads

0:21:490:21:52

# Who've been, my lads, and seen, my lads

0:21:520:21:56

# We'll fight for England's glory

0:21:560:21:59

# And we'll show them what we mean. #

0:21:590:22:02

-Whoa-ho!

-Where you going, Spud?

0:22:020:22:04

To war, Alfie. To war!

0:22:040:22:06

And so, fellow pupils As we race to finish

0:22:110:22:14

We are strengthened by knowing we were schooled

0:22:140:22:16

In fair West Greenwich.

0:22:160:22:17

Oh, fair...!

0:22:170:22:19

ALL: Boo!

0:22:190:22:23

CLAPPING PETERS OUT

0:22:230:22:26

Thank you. Thank you, Jeremy.

0:22:260:22:29

Well, I'm, I'm sure that has all of you asking -

0:22:290:22:31

-just what will the next year bring?

-I'm not.

0:22:310:22:34

LAUGHTER

0:22:340:22:37

Yes, right, settle.

0:22:370:22:39

MUSIC: Won't Get Fooled Again by The Who

0:22:390:22:41

Right, so members of staff will also be leaving us at term's end,

0:22:410:22:43

eight of them all told and I'm sure we all wish them well

0:22:430:22:46

with the various professions that they've chosen.

0:22:460:22:50

And for many of you, there will be challenges...

0:22:500:22:52

Baker, where you goin'?

0:22:520:22:55

..to meet, new mountains...

0:22:550:22:57

-Baker, will you sit down? I haven't finished yet.

-I have.

0:22:570:23:00

ALL: Ooh!

0:23:000:23:02

Right, Baker. Baker? Baker, come back here!

0:23:020:23:05

-You are still a pupil at this school.

-No, I'm not.

0:23:050:23:08

APPLAUSE

0:23:080:23:12

All, right, quiet. Quiet! No, quiet. Sit...no! Quiet!

0:23:140:23:18

-Come on, lads!

-Quiet!

0:23:180:23:20

Quiet, please.

0:23:230:23:25

'This was great. I felt liberated.

0:23:250:23:27

'Then it occurred to me - what was I going to tell him indoors?'

0:23:280:23:31

Shit!

0:23:330:23:34

'My solution was simple - I wouldn't tell them anything.'

0:23:360:23:39

See you.

0:23:390:23:40

-Oh, hold on. Nearly forgot.

-What?

0:23:400:23:42

It's Friday. You've got woodwork. Nearly forgot your apron.

0:23:420:23:46

-Of course.

-Forget your head if it weren't screwed on.

0:23:460:23:49

Yeah. Bye.

0:23:490:23:51

'Today at last, I was going to show Miss Blondel

0:23:540:23:57

'I was not a little schoolboy any more.

0:23:570:23:59

'But before I could see her in class, I first had to go to church.'

0:23:590:24:03

FUNKY INSTRUMENTAL GROOVE

0:24:070:24:11

Baker, where's your uniform?

0:24:350:24:37

-I...left. Remember?

-Oh, yes. What are you doing here?

0:24:370:24:41

I've come back again, you know - stay in touch, Ronald.

0:24:410:24:44

Seems to me a lot of you boys leave one day

0:24:440:24:46

and return the next just for the simple thrill

0:24:460:24:48

of calling my staff and I by our Christian name - am I right?

0:24:480:24:52

No...

0:24:520:24:53

Ronald.

0:24:530:24:55

On your way, Baker.

0:24:560:24:57

You can call me Danny!

0:24:590:25:00

FUNKY INSTRUMENTAL GROOVE CONTINUES

0:25:020:25:04

Where's Louise?

0:25:190:25:20

Who?

0:25:200:25:21

-Miss Blondel.

-In the dark room.

0:25:210:25:24

Oh. Hi, er...Miss Blondel.

0:25:300:25:34

Hello, Danny.

0:25:340:25:35

SHE CLEARS HER THROAT

0:25:350:25:38

So - is there anything you want?

0:25:440:25:48

Er, yeah.

0:25:480:25:49

I was just wondering, er...

0:25:520:25:54

HE LOWERS HIS VOICE ..what you were doing at lunchtime?

0:25:580:26:00

Having my lunch, I expect.

0:26:000:26:02

Er, yeah. Yeah. Of course.

0:26:020:26:05

Now if you don't mind, I do have a class to take, Danny.

0:26:050:26:08

Merci.

0:26:080:26:10

Oh, very nice, Louis.

0:26:100:26:13

You need some green, right?

0:26:130:26:14

You do know I have left school now?

0:26:160:26:18

Yes. I know.

0:26:180:26:20

Let me see, because this green is a bit...this colour is a bit fading.

0:26:210:26:27

Do you want to use the yellow? Yeah? OK.

0:26:270:26:30

MUSIC: All The Young Dudes by Mott The Hoople

0:26:330:26:35

# All the young dudes... #

0:26:370:26:41

'What had I done?'

0:26:410:26:42

# Boogaloo dudes carry the news... #

0:26:430:26:48

-Hello, Baker.

-Hello, Neil.

0:26:480:26:50

# They say time will wait for no man

0:26:520:26:57

# They say time is on my side

0:26:570:27:02

# I can never make my mind up

0:27:020:27:06

# As it all goes whizzing by from the cradle to the grave

0:27:060:27:12

# From the cradle to the grave

0:27:120:27:15

# I know I won't be a slave

0:27:150:27:17

# I know I won't be a slave

0:27:170:27:20

# To the mistakes that I've made... #

0:27:200:27:22

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