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This programme contains adult humour and some strong language. | 0:00:02 | 0:00:06 | |
# They say time will wait for no man | 0:00:06 | 0:00:09 | |
# They say time is on my side | 0:00:10 | 0:00:15 | |
# I can never make my mind up | 0:00:15 | 0:00:19 | |
# Cos it all goes whizzing by | 0:00:19 | 0:00:22 | |
# From the cradle to the grave | 0:00:22 | 0:00:25 | |
# From the cradle to the grave | 0:00:25 | 0:00:27 | |
# I know I won't be a slave | 0:00:27 | 0:00:30 | |
# I know I won't be a slave | 0:00:30 | 0:00:32 | |
# To the mistakes that I've made | 0:00:32 | 0:00:35 | |
# From the cradle | 0:00:35 | 0:00:36 | |
# And I won't go till I'm ready from the cradle to the grave. # | 0:00:36 | 0:00:42 | |
-So we're calling the band either... -Thunderkok. -Spelt K-O-K. | 0:00:42 | 0:00:46 | |
Typhlosion... | 0:00:46 | 0:00:48 | |
No, that's rubbish. | 0:00:48 | 0:00:49 | |
Smallpox. Risk. | 0:00:49 | 0:00:52 | |
Oi, Baker, what's a good name for a band? | 0:00:52 | 0:00:55 | |
Er... Bench Full Of Wankers? | 0:00:55 | 0:00:57 | |
-Where you been? -Where've I been? Ask me where I've been. | 0:00:58 | 0:01:01 | |
He's just asked you that, Baker! | 0:01:01 | 0:01:02 | |
All right, I'll tell you where I've been. Been in the dark room. | 0:01:02 | 0:01:07 | |
With Miss Blondel. | 0:01:07 | 0:01:08 | |
With the red light on? | 0:01:08 | 0:01:09 | |
-Red light right on. -And? -Not going to tell you load of wergins, am I? | 0:01:09 | 0:01:13 | |
You went in the dark room with Miss Blondel. | 0:01:13 | 0:01:16 | |
-With the red light on? -You never grabbed hold of her. | 0:01:16 | 0:01:18 | |
All right, I never grabbed hold of her. | 0:01:18 | 0:01:20 | |
So what was I doing in there with her, then? Learning how to develop photos? | 0:01:20 | 0:01:24 | |
-So when you think it's had long enough in the developer... -Mm-hm? | 0:01:24 | 0:01:27 | |
..pop it quickly into the fix. | 0:01:27 | 0:01:29 | |
-Um... -Yes. -Whoa! | 0:01:29 | 0:01:32 | |
-OK. -And now to the water. | 0:01:33 | 0:01:35 | |
That's it, now you hang it up to dry. Well done. | 0:01:36 | 0:01:40 | |
MUSIC: FRENCH 12-BAR POP SONG | 0:01:50 | 0:01:55 | |
Oh, la la! | 0:02:12 | 0:02:14 | |
SHE LAUGHS | 0:02:14 | 0:02:15 | |
Look at your face! | 0:02:15 | 0:02:18 | |
No need to be embarrassed. I'm not. | 0:02:19 | 0:02:22 | |
It's photography, Danny. | 0:02:23 | 0:02:24 | |
Is it even worth giving you the speech about the difference | 0:02:24 | 0:02:27 | |
between smut and art? | 0:02:27 | 0:02:29 | |
Er... | 0:02:31 | 0:02:32 | |
I...I want to do more photography, miss. | 0:02:35 | 0:02:39 | |
What are you doing? | 0:02:39 | 0:02:40 | |
Because I...really like you. | 0:02:40 | 0:02:43 | |
Louise. | 0:02:44 | 0:02:46 | |
-So what have you heard, then? -Heard? -Come on. | 0:02:57 | 0:02:59 | |
About me, whatever it is, I'm sure it's just nonsense | 0:02:59 | 0:03:03 | |
but I'd like to hear it. | 0:03:03 | 0:03:04 | |
Well, I, I heard about you and... Mark Stitch. | 0:03:04 | 0:03:08 | |
Wow. Mark. | 0:03:08 | 0:03:10 | |
Yeah. In here. | 0:03:10 | 0:03:13 | |
In here? | 0:03:13 | 0:03:14 | |
Listen, I saw Mark a few times. | 0:03:15 | 0:03:21 | |
But that was after he left school and certainly not in here. | 0:03:21 | 0:03:25 | |
I could never have a relationship with a schoolboy, Danny. | 0:03:26 | 0:03:29 | |
You must know that. | 0:03:30 | 0:03:32 | |
No schoolboys? | 0:03:32 | 0:03:34 | |
No matter how cute they are. | 0:03:35 | 0:03:37 | |
What's she look like, stripped off? | 0:03:41 | 0:03:43 | |
I'm not going to answer that, that's... | 0:03:43 | 0:03:46 | |
-That's just smut. -Oh, smut! | 0:03:46 | 0:03:48 | |
On your mother's life, | 0:03:48 | 0:03:49 | |
in that dark room - you saw Miss Blondel with nothing on? | 0:03:49 | 0:03:53 | |
Yeah, I did, on my mother's life. I did. | 0:03:54 | 0:03:57 | |
MUSIC: Right Place, Wrong Time by Dr John | 0:03:58 | 0:04:01 | |
Miss Blondel... | 0:04:03 | 0:04:05 | |
Boys? Got something for you. | 0:04:12 | 0:04:15 | |
-What you showing us? -You know they have readers' wives, all right? Well, this is the new thing. | 0:04:15 | 0:04:20 | |
"One For The Ladies." It's the blokes, right? It's the husbands. | 0:04:20 | 0:04:23 | |
Look at the state of him. Now, look, look. | 0:04:23 | 0:04:26 | |
Does that or does that not look like Eddie Cook to you? | 0:04:26 | 0:04:29 | |
How can you tell with his eyes blacked out like that? | 0:04:29 | 0:04:32 | |
Oh, come on. It's a ringer, innit? 'Ere, Spud. | 0:04:32 | 0:04:35 | |
-What? -Have a look at that. | 0:04:35 | 0:04:36 | |
Oh, good Gawd, what's that? | 0:04:36 | 0:04:38 | |
What's the matter with you lot? | 0:04:38 | 0:04:40 | |
What you looking at this for? What's...? What's...? | 0:04:40 | 0:04:42 | |
"A pulsing round-up of this week's hottest dongs." Leave off! | 0:04:42 | 0:04:46 | |
Don't show me something like that first thing in the morning. | 0:04:46 | 0:04:49 | |
No. No, look again - who does that look like? | 0:04:49 | 0:04:51 | |
Look like? That IS Eddie Cook. | 0:04:51 | 0:04:54 | |
-LAUGHTER -I told you! | 0:04:54 | 0:04:56 | |
How can you be so sure? Look, you can't even see his face. | 0:04:56 | 0:04:58 | |
No. But that's his kitchen wallpaper for starters. | 0:04:58 | 0:05:01 | |
And look at that there. See that there, between his legs? | 0:05:01 | 0:05:04 | |
That's the urn with his old man's ashes in it. | 0:05:04 | 0:05:08 | |
Straight up! | 0:05:08 | 0:05:09 | |
I'm always telling him he keeps it too close to the tea caddy. | 0:05:09 | 0:05:12 | |
What's he gone in for that for, the soppy git? What's all that about? | 0:05:12 | 0:05:15 | |
25 quid, it says here. | 0:05:15 | 0:05:17 | |
Then again, speaking of sausages... | 0:05:17 | 0:05:20 | |
Here, Spud. Have you seen someone's wiped your name off the board? | 0:05:20 | 0:05:23 | |
Yeah, there's some bastards around, ain't there? | 0:05:25 | 0:05:28 | |
Put it back up, cos someone's taking the right piss out of you. | 0:05:28 | 0:05:31 | |
Making out you're a quitter. | 0:05:31 | 0:05:32 | |
Spud? | 0:05:34 | 0:05:35 | |
I took it down, and that's the end of it. | 0:05:37 | 0:05:40 | |
And anyone who wants to keep going on about it can say hello to a right-hander. | 0:05:40 | 0:05:44 | |
-What's happened, Spud? -What did I just say about keeping on? | 0:05:44 | 0:05:47 | |
I'm not keeping on. I'm enquiring. | 0:05:47 | 0:05:49 | |
Fucking hell, Spud. | 0:05:50 | 0:05:52 | |
Here, we could all do with three grand | 0:05:52 | 0:05:55 | |
but we're still hanging onto our jobs. | 0:05:55 | 0:05:57 | |
2,200. That's what I got. | 0:05:57 | 0:06:00 | |
Went up to three the next day. Go on, laugh if you like. | 0:06:02 | 0:06:05 | |
Spud, you need to get up and put your name back on the board. | 0:06:09 | 0:06:13 | |
-You're a docker. -It's too late. I took the money. | 0:06:13 | 0:06:15 | |
And I've got something else lined up. | 0:06:15 | 0:06:19 | |
But aren't you even regretting it? | 0:06:19 | 0:06:21 | |
Beside the point. | 0:06:21 | 0:06:22 | |
I'm sure Eddie Cook's regretting not redecorating his kitchen. | 0:06:22 | 0:06:26 | |
It looks like we've both been found out today...dunnit? | 0:06:26 | 0:06:30 | |
'Two numbers tonight from Nazareth...' | 0:06:34 | 0:06:36 | |
'I was hopelessly in love with Miss Blondel. | 0:06:36 | 0:06:38 | |
'Oh, I knew what love was all right. | 0:06:38 | 0:06:40 | |
'In my fantasies, I had already been married twice before the age of 12. | 0:06:42 | 0:06:46 | |
'My first fantasy bride was Cilla Black.' | 0:06:46 | 0:06:50 | |
Do you, Cilla "Step Inside Love" Black, from BBC One, take Danny to | 0:06:50 | 0:06:56 | |
be your husband, and be with him all the time, even in the bath and that? | 0:06:56 | 0:07:01 | |
-I really, really do. -Ah! | 0:07:01 | 0:07:02 | |
# You're my world You're every breath I take... # | 0:07:04 | 0:07:09 | |
'I thought Cilla and I were going to be together forever.' | 0:07:09 | 0:07:13 | |
# I see the stars...# | 0:07:13 | 0:07:15 | |
'But then on holiday, Dad took us to see Anita Harris.' | 0:07:15 | 0:07:18 | |
I'd like to sing next one of my favourite songs. | 0:07:18 | 0:07:22 | |
It's called The Anniversary Waltz. | 0:07:22 | 0:07:25 | |
'And I fell in love again.' | 0:07:25 | 0:07:27 | |
But before I do, I want to find a young man to sing it to. | 0:07:27 | 0:07:32 | |
You there, what's your name? | 0:07:32 | 0:07:34 | |
-Danny. -Well, Dennis - this one's for you. | 0:07:34 | 0:07:37 | |
# Tell me I may always dance | 0:07:40 | 0:07:45 | |
# The anniversary waltz with you... # | 0:07:47 | 0:07:52 | |
'So Anita Harris became my second fantasy wife.' | 0:07:56 | 0:08:00 | |
Do you, Anita "Anniversary Waltz" Harris, whom so many other people | 0:08:00 | 0:08:04 | |
would love to be marrying, take this man, Dennis Baker... | 0:08:04 | 0:08:08 | |
-Danny! -Yes - to be your lawfully wedded husband? | 0:08:08 | 0:08:12 | |
-Even in the bath and that. -Indeed. -I do. | 0:08:12 | 0:08:15 | |
And do you take Anita "Anniversary Waltz" Harris | 0:08:15 | 0:08:18 | |
-to be your next Cilla Black? -I do. | 0:08:18 | 0:08:21 | |
-Are you going to be all right, Cilla? -Oh, yeah. | 0:08:21 | 0:08:24 | |
I'm just about to vanish from his life with an audible pop. | 0:08:24 | 0:08:27 | |
AUDIBLE POP | 0:08:27 | 0:08:29 | |
Life is perfect. | 0:08:29 | 0:08:33 | |
'But Miss Blondel was no fantasy - she was only too real!' | 0:08:33 | 0:08:37 | |
DOG BARKS | 0:08:37 | 0:08:38 | |
Get out of my way, you four-legged ponce. | 0:08:38 | 0:08:40 | |
I'm sure you're going senile. | 0:08:42 | 0:08:43 | |
-I've had a nightmare, Bet... Where's your mother? -Upstairs. | 0:08:46 | 0:08:49 | |
What you watching? | 0:08:49 | 0:08:51 | |
It's Old Grey Whistle Test but the tracking's all over the place. | 0:08:51 | 0:08:53 | |
Fucking thing's up the spout. It's a monstrosity. Bet! | 0:08:53 | 0:08:57 | |
MUSIC: Silver Dollar Forger by Nazareth | 0:08:57 | 0:08:59 | |
What you got there - dirty picture? | 0:09:03 | 0:09:05 | |
No, it's just Old Grey Whistle Test. | 0:09:05 | 0:09:07 | |
What? Where's your father? | 0:09:07 | 0:09:09 | |
-Upstairs looking for you. -What's going on here? | 0:09:09 | 0:09:12 | |
-Where you been? -Where you been? | 0:09:12 | 0:09:13 | |
Don't start, Bet. I've had a bastard morning. | 0:09:13 | 0:09:16 | |
Told the blokes at work, then? | 0:09:16 | 0:09:18 | |
-Yeah. Yeah. -How did they take it? | 0:09:18 | 0:09:20 | |
How d'you think they took it? They think I'm crackers. | 0:09:20 | 0:09:24 | |
-Why? No different from all the others who took the money. -I am! | 0:09:24 | 0:09:26 | |
Two weeks ago, I was threatening to throw blokes in the drink just for talking about it. | 0:09:26 | 0:09:30 | |
I'm a turncoat, Bet. I'm a turncoat. | 0:09:30 | 0:09:32 | |
No, you are not. You are doing what you've always done, | 0:09:32 | 0:09:34 | |
-you're putting your family first. -Am I? | 0:09:34 | 0:09:37 | |
Blimey, Fred, you've always said a job's just a job. | 0:09:37 | 0:09:40 | |
-Now look at you. -I know but I feel exposed. | 0:09:40 | 0:09:42 | |
-Like I'm walking around without any trousers, like Eddie Cook. -Eh? | 0:09:42 | 0:09:46 | |
I'll tell you later. | 0:09:46 | 0:09:48 | |
Look. Sod your mates at work. | 0:09:48 | 0:09:50 | |
Your daughter is going to have the wedding she's always wanted | 0:09:50 | 0:09:53 | |
because of what you've done and you should be proud of that. | 0:09:53 | 0:09:57 | |
Blimey, Fred. You ain't had your wits removed. | 0:09:59 | 0:10:01 | |
You can still earn a living. | 0:10:01 | 0:10:03 | |
Yeah. Yeah, you're right. | 0:10:04 | 0:10:07 | |
You're right. I'm acting like a Mary-Ann. | 0:10:07 | 0:10:11 | |
So things are going to change. So what? | 0:10:11 | 0:10:13 | |
That's what life's all about. Keeps you on your toes. | 0:10:13 | 0:10:15 | |
Life is risk, Bet, it's a gamble. | 0:10:15 | 0:10:17 | |
If you're bold - you get your rewards. | 0:10:17 | 0:10:20 | |
Take a jump in the dark and move on. | 0:10:20 | 0:10:22 | |
Yeah, Dad, I want to leave school. | 0:10:23 | 0:10:25 | |
Balls to that. | 0:10:25 | 0:10:26 | |
You're staying right where you are and that's the end of it. | 0:10:26 | 0:10:29 | |
# Sweet home Alabama... # | 0:10:29 | 0:10:31 | |
-So what did your old man say? -He said I can do what I want. | 0:10:31 | 0:10:34 | |
He'll back me up all the way. | 0:10:34 | 0:10:36 | |
Why would you want to leave now? No-one leaves at Easter. | 0:10:36 | 0:10:39 | |
Just wait till summer like the rest of us. | 0:10:39 | 0:10:41 | |
Well, I wanna leave now. Got things I want to do. | 0:10:41 | 0:10:43 | |
SOMEONE you want to do. | 0:10:43 | 0:10:45 | |
Yeah, well, I got two birds I can charver any time I like | 0:10:45 | 0:10:48 | |
and they ain't old. | 0:10:48 | 0:10:50 | |
There's only four days till the end of term, Dan. | 0:10:50 | 0:10:53 | |
-Yeah? -So, in four days, you're not going to be one of us any more? | 0:10:53 | 0:10:57 | |
'Be bold - a jump in the dark. | 0:10:59 | 0:11:01 | |
'that's what Dad had said and he was right. | 0:11:01 | 0:11:05 | |
'Meanwhile, inspired by Mum's pep talk, | 0:11:05 | 0:11:08 | |
'he was already exploring new career opportunities.' | 0:11:08 | 0:11:12 | |
Rag and BO-NEEE-ER! | 0:11:12 | 0:11:15 | |
'His old mate Tony The Totter had agreed to give him a try-out.' | 0:11:15 | 0:11:18 | |
Oi, love. Is this yours? You tossing all this out? | 0:11:18 | 0:11:21 | |
The council said to leave it there till they come and collect it. | 0:11:21 | 0:11:23 | |
Council? That'll lay there for weeks, that. | 0:11:23 | 0:11:26 | |
-I'll take it off your hands. -What you going to give me for it? | 0:11:26 | 0:11:29 | |
What I'll give you for it - access to my body 24 hours a day. | 0:11:29 | 0:11:32 | |
Hey-hey! | 0:11:32 | 0:11:34 | |
-That's all right, innit? -Good man, Spud. | 0:11:37 | 0:11:39 | |
MUSIC: Haywire by Squeeze | 0:11:40 | 0:11:43 | |
DANNY: 'Dad wasn't afraid of hard work | 0:11:46 | 0:11:48 | |
'and he didn't care what people thought.' | 0:11:48 | 0:11:50 | |
# I'm thinking about the images stored in my memory bank... # | 0:11:55 | 0:11:59 | |
Walk on. | 0:11:59 | 0:12:00 | |
# I'm lost inside a paradise, my mind goes all blank... # | 0:12:02 | 0:12:07 | |
This is the life! | 0:12:07 | 0:12:09 | |
You were born to it, Spud. | 0:12:09 | 0:12:11 | |
We'll have you out in your own cart in no time. | 0:12:11 | 0:12:14 | |
I think this game is going to suit me right down to the ground. | 0:12:14 | 0:12:17 | |
-Life on the open road! -THEY LAUGH | 0:12:17 | 0:12:20 | |
-Oh, you dirty bastard. -Ooh! -Dirty bastard. | 0:12:20 | 0:12:24 | |
Ever thought about doing this in a van? | 0:12:29 | 0:12:32 | |
What you doing? | 0:12:32 | 0:12:33 | |
Bagging it up. | 0:12:33 | 0:12:34 | |
Them big houses in Eltham will pay good money for it. | 0:12:34 | 0:12:38 | |
-Go on. -Always stop for it. | 0:12:38 | 0:12:41 | |
It's like leaving pound notes lying in the road. | 0:12:41 | 0:12:44 | |
DANNY: 'The family's social standing was a bit more important to Mum.' | 0:12:52 | 0:12:55 | |
-Hello, Bill. -Miss Elizabeth Taylor, upon my soul! | 0:13:00 | 0:13:04 | |
One so precious should not be left at the mercy of the 199 | 0:13:04 | 0:13:07 | |
to Catford Garage - allow me to convey you back to the film set. | 0:13:07 | 0:13:11 | |
Oh, lovely, yeah. | 0:13:11 | 0:13:12 | |
Elizabeth Taylor? I like that! | 0:13:14 | 0:13:17 | |
Oh, I been on me feet all day, packing bleeding Bourbon biscuits. | 0:13:17 | 0:13:20 | |
Well, this is luxurious, Bill. | 0:13:21 | 0:13:24 | |
A reward for honest endeavour, Beatrice. | 0:13:24 | 0:13:27 | |
Speaking of which, I haven't seen Brother Baker for a couple of weeks - is he gainfully employed? | 0:13:27 | 0:13:32 | |
Oh, he's working, yeah. | 0:13:32 | 0:13:34 | |
High Court Judge? Standing for parliament? | 0:13:34 | 0:13:36 | |
I know they're looking for a new James Bond! | 0:13:36 | 0:13:39 | |
He's in, er, commerce. | 0:13:39 | 0:13:41 | |
-Commerce? -Yeah, you know, buying and selling. | 0:13:41 | 0:13:44 | |
Ah, so he's joined my world. | 0:13:44 | 0:13:47 | |
Something like that, yeah. | 0:13:47 | 0:13:48 | |
Rag-a-bo-oone! | 0:13:52 | 0:13:55 | |
DANNY: 'The old man loved being a totter.' | 0:13:55 | 0:13:57 | |
# Take it easy... # | 0:13:57 | 0:14:00 | |
DANNY: 'But there was one thing he always looked for in a job. | 0:14:00 | 0:14:03 | |
'What he called "scope".' | 0:14:03 | 0:14:05 | |
-Manure? -You what, love? -Manure? -Totter? -Manure? -I was here first! | 0:14:05 | 0:14:08 | |
'And it didn't take him long to realise | 0:14:08 | 0:14:10 | |
'that the demand for horse manure in the well-to-do neighbourhoods | 0:14:10 | 0:14:13 | |
'far outstripped his old nag's capacity to supply it.' | 0:14:13 | 0:14:16 | |
For my roses. | 0:14:16 | 0:14:17 | |
-Please! -Whoa, steady. | 0:14:17 | 0:14:20 | |
'What followed was inevitable.' | 0:14:20 | 0:14:21 | |
# Marta, rambling rose of the wild wood | 0:14:21 | 0:14:27 | |
# Marta... # | 0:14:27 | 0:14:28 | |
Whoa! | 0:14:28 | 0:14:29 | |
# With your fragrance divine... # | 0:14:29 | 0:14:32 | |
-All right, Tony! -Spud. | 0:14:32 | 0:14:34 | |
Whoa! I've got 14 sheets of corrugated iron on there. | 0:14:34 | 0:14:39 | |
Give us me whack before I go, cos I need it. | 0:14:39 | 0:14:41 | |
-Spud. -What? | 0:14:41 | 0:14:43 | |
There's been a complaint. | 0:14:43 | 0:14:44 | |
-What? -For the first time in the history of this yard, | 0:14:44 | 0:14:47 | |
somebody has returned a bag of our horse manure. | 0:14:47 | 0:14:50 | |
Because it was packed out with rubble! | 0:14:50 | 0:14:53 | |
Now I've worked that area of Eltham all my life. | 0:14:53 | 0:14:56 | |
And now you've ruined it on us. They don't want us back there. | 0:14:56 | 0:15:00 | |
I was just trying to spin it out a bit further, Tony. | 0:15:00 | 0:15:02 | |
He only goes once a day. | 0:15:02 | 0:15:04 | |
It's shit, Spud. | 0:15:04 | 0:15:05 | |
How can you try and swindle people out of shit? | 0:15:05 | 0:15:08 | |
HORSE NEIGHS | 0:15:09 | 0:15:11 | |
One for the road? | 0:15:13 | 0:15:15 | |
MUSIC: Fool For a Cigarette by Ry Cooder | 0:15:15 | 0:15:18 | |
It's your fault. | 0:15:18 | 0:15:20 | |
# Mmm, I'm a fool for a cigarette | 0:15:20 | 0:15:24 | |
# Lord, I'm a fool for a cigarette... # | 0:15:27 | 0:15:31 | |
It don't make no sense. | 0:15:34 | 0:15:35 | |
How can you be fired from being a rag-and-bone man? | 0:15:35 | 0:15:38 | |
-You didn't like me doing it anyway! -No, I didn't. | 0:15:38 | 0:15:40 | |
It's bleeding embarrassing. I been telling people all sorts. | 0:15:40 | 0:15:43 | |
But why has everything got to be a racket? | 0:15:43 | 0:15:46 | |
I'm surprised you didn't sell the horse. | 0:15:46 | 0:15:48 | |
Can I remind you why I was doin' it in the first place? | 0:15:51 | 0:15:53 | |
What about Sharon, the wedding she wanted? What about being proud? | 0:15:53 | 0:15:56 | |
Fred! You were never going to pay for it with what came out of an horse's arse, were you? | 0:15:56 | 0:16:00 | |
And this is just what you are like. | 0:16:00 | 0:16:02 | |
Everything has got to be bent. | 0:16:02 | 0:16:04 | |
-Well, what d'you want me to be - a copper? -That wouldn't be a bad idea. | 0:16:04 | 0:16:07 | |
You're losing your self-control. | 0:16:07 | 0:16:09 | |
And you are losin' your self-respect. | 0:16:09 | 0:16:12 | |
Don't you look at me like that. | 0:16:15 | 0:16:17 | |
-I'd take a tenner for you right now. -DOG WHINES | 0:16:17 | 0:16:20 | |
I've only ever seen Yvonne cry once, at the end of Butch Cassidy. | 0:16:20 | 0:16:24 | |
You've been going out with her ages. What you going to say to her? | 0:16:24 | 0:16:26 | |
Well, it's not easy to break a girl's heart, Tom, | 0:16:26 | 0:16:29 | |
but I think, in the long run, she'll see I'm actually just being kind. | 0:16:29 | 0:16:32 | |
-Have you got a plan? -I'm going to go round, see if she fancies going up the Wimpy, | 0:16:32 | 0:16:36 | |
and have one last great night together before I tell her. | 0:16:36 | 0:16:39 | |
She'll be upset but Yvonne's just a girl. | 0:16:39 | 0:16:41 | |
I need a woman now, I'm not... | 0:16:41 | 0:16:43 | |
-Danny! -Hello, darling. | 0:16:43 | 0:16:45 | |
Don't "darling" me. So you're going out with this school teacher, then? | 0:16:45 | 0:16:49 | |
-Where d'you hear that? -Only from about 100 people cos | 0:16:49 | 0:16:51 | |
you've been telling everyone you're having it off with her. | 0:16:51 | 0:16:53 | |
-I haven't. -You have. It's what you told everyone about me. | 0:16:53 | 0:16:56 | |
Just make sure you remember to take your school cap off | 0:16:56 | 0:16:58 | |
-while you're doing it. -I don't know what you're talking about. | 0:16:58 | 0:17:01 | |
-Tommy, you know about this, don't ya? -About what? | 0:17:01 | 0:17:03 | |
Go away. You're useless, you are. Anyway - I'm finishing with you. | 0:17:03 | 0:17:07 | |
Tony Gooch asked me out. He's from the co-op. I really fancy him. So... | 0:17:07 | 0:17:11 | |
Tony Gooch. I don't know him. | 0:17:11 | 0:17:13 | |
You don't have to, do you, darling? | 0:17:13 | 0:17:16 | |
D'you want to go up the Wimpy? | 0:17:16 | 0:17:17 | |
No. No, I don't. | 0:17:17 | 0:17:19 | |
And I don't want you to talk to me or even look at me ever again, | 0:17:19 | 0:17:22 | |
do you understand? Good! See you, then! | 0:17:22 | 0:17:24 | |
She's brilliant, ain't she? | 0:17:35 | 0:17:38 | |
Mind if I go out with her? | 0:17:38 | 0:17:40 | |
Fuck off, Tom! | 0:17:40 | 0:17:41 | |
'Unemployed again, Dad was missing the old gang.' | 0:17:45 | 0:17:48 | |
-That's all she was bothered about. -Hey, we miss ya, Spud, straight we do. | 0:17:49 | 0:17:53 | |
Did I ever tell you the totter's story? Listen to this. | 0:17:53 | 0:17:55 | |
'Ere, we've got to get back. It's quarter to three. | 0:17:55 | 0:17:58 | |
No, it'll only take a minute. It'll only take a minute. | 0:17:58 | 0:18:00 | |
Save it, Spud, save it. We'll be back at six. See ya later. | 0:18:00 | 0:18:04 | |
-Ta-ra. -Tell you what, Spud. You've got nothing else to do - | 0:18:04 | 0:18:07 | |
you might as well have a kip in here. | 0:18:07 | 0:18:09 | |
-HEADMASTER: -'Another year behind us...' | 0:18:18 | 0:18:19 | |
'As for me, I was still wrestling with myself. | 0:18:19 | 0:18:22 | |
'Should I stay or should I go?' | 0:18:22 | 0:18:25 | |
..so a big thank you to Mr Glover and the football team. | 0:18:25 | 0:18:28 | |
APPLAUSE | 0:18:28 | 0:18:31 | |
Sorry we couldn't organise the open-top bus, Mr Glover. | 0:18:35 | 0:18:38 | |
ONE PERSON LAUGHS | 0:18:38 | 0:18:41 | |
But now before Jeremy Langford reads us his specially written poem | 0:18:41 | 0:18:45 | |
"The Term of My Life"... | 0:18:45 | 0:18:46 | |
WANKER! | 0:18:46 | 0:18:48 | |
Oh, poem! | 0:18:48 | 0:18:49 | |
Fine, settle, settle down, please! | 0:18:49 | 0:18:51 | |
I would ask any remaining boys who will be leaving us this week | 0:18:51 | 0:18:54 | |
to come forward and place their release forms, | 0:18:54 | 0:18:56 | |
which must be signed by their parents, on the desk here. | 0:18:56 | 0:18:59 | |
# When I | 0:19:05 | 0:19:08 | |
# Hold my hand out... | 0:19:11 | 0:19:14 | |
# I saw... # | 0:19:18 | 0:19:20 | |
Oh! | 0:19:21 | 0:19:23 | |
Oh, you frightened the life out of me - I thought you was a ghost. | 0:19:24 | 0:19:29 | |
Yeah. I think I am! | 0:19:29 | 0:19:31 | |
Murder, innit, Spud? Being out. | 0:19:34 | 0:19:38 | |
Worst day's work I've ever done in my life. | 0:19:38 | 0:19:41 | |
What was I thinking? | 0:19:41 | 0:19:43 | |
Fancy a pint? | 0:19:43 | 0:19:45 | |
Nah, I can't - I got too much to do preparing for tomorrow morning. | 0:19:45 | 0:19:48 | |
Not you and all. | 0:19:48 | 0:19:50 | |
You'll sort something out, Spud. | 0:19:51 | 0:19:54 | |
I'm struggling. Straight up, I'm struggling. | 0:19:54 | 0:19:58 | |
-And the real... -Oh, bloody hell. | 0:19:58 | 0:20:01 | |
All right, old type, what you lot doing hiding in here? | 0:20:01 | 0:20:05 | |
Here, Wally, who have you come as? | 0:20:05 | 0:20:06 | |
I'm the killer gorilla in a Perspex hat - who says so? | 0:20:06 | 0:20:10 | |
I say so, and that's that. | 0:20:10 | 0:20:11 | |
What, you doorman down the Regal now? | 0:20:11 | 0:20:13 | |
No, the Royal Division Of Commissionaires, Spud. | 0:20:13 | 0:20:16 | |
The official custodian for the magnificent new executive | 0:20:16 | 0:20:19 | |
establishment now standing on the site formerly known as | 0:20:19 | 0:20:22 | |
the old Tobacco Dock. | 0:20:22 | 0:20:25 | |
You used to work at Tobacco Dock. | 0:20:25 | 0:20:27 | |
Still do, Spud. Still do, but now it's known as Ottawa House, | 0:20:27 | 0:20:31 | |
headquarters of the Royal Bank of Canada. | 0:20:31 | 0:20:33 | |
And my job is to keep out riff-raff like you. | 0:20:33 | 0:20:36 | |
Now that's a turncoat. | 0:20:36 | 0:20:38 | |
I'm only playing - what's the matter with you? | 0:20:38 | 0:20:40 | |
All the lads are at it - all the chaps are down here. | 0:20:40 | 0:20:42 | |
You've got Geoff Kelly. Danny Marney. | 0:20:42 | 0:20:44 | |
Keefy Pace - I mean, half the West India Dock have joined the RDC now. | 0:20:44 | 0:20:48 | |
-So, what do you do? -Well, we're 50% security, 50% messenger boy, | 0:20:48 | 0:20:53 | |
and 50% right at it. | 0:20:53 | 0:20:55 | |
Now, Alfie, I've got six gross of skinless chipolatas, | 0:20:55 | 0:20:58 | |
generously if unwittingly donated by my esteemed employers. | 0:20:58 | 0:21:02 | |
Lovely, I'll sort you out later down the pub. | 0:21:02 | 0:21:04 | |
What, there's scope? | 0:21:04 | 0:21:05 | |
Scope, Spud? Scope? | 0:21:05 | 0:21:07 | |
It's like the wild fucking west, my old son. | 0:21:07 | 0:21:10 | |
Next best thing to the docks, this is. | 0:21:10 | 0:21:12 | |
Yeah, how d'you get in the swim? | 0:21:12 | 0:21:14 | |
All you need is a clean Army record. | 0:21:14 | 0:21:16 | |
Well, that's me out of it. | 0:21:16 | 0:21:17 | |
Spent all my National Service on the run. | 0:21:17 | 0:21:21 | |
Spud. | 0:21:21 | 0:21:22 | |
Let me put it another way, my old son. | 0:21:22 | 0:21:24 | |
All you need is to get hold of a clean Army record. | 0:21:24 | 0:21:27 | |
I've got a good Army record - Vera Lynn, White Cliffs Of Dover. | 0:21:27 | 0:21:30 | |
Not now, Alfie. Not now. | 0:21:30 | 0:21:32 | |
-Not now, Alf. -What if I could get hold of one, then? | 0:21:32 | 0:21:34 | |
Well, then, I would propose you, one of the chaps would second you, | 0:21:34 | 0:21:37 | |
I'll take you down to get measured up for the old, er, uniform. | 0:21:37 | 0:21:40 | |
I think that could be arranged, Woody. I think that could be arranged. | 0:21:40 | 0:21:43 | |
Well, in that case, Fredrick, my old China, | 0:21:43 | 0:21:45 | |
welcome to the RDC, sire. | 0:21:45 | 0:21:46 | |
-Hey, hey! -Hey, hey! | 0:21:46 | 0:21:49 | |
# We are the soldiers of the Queen, my lads | 0:21:49 | 0:21:52 | |
# Who've been, my lads, and seen, my lads | 0:21:52 | 0:21:56 | |
# We'll fight for England's glory | 0:21:56 | 0:21:59 | |
# And we'll show them what we mean. # | 0:21:59 | 0:22:02 | |
-Whoa-ho! -Where you going, Spud? | 0:22:02 | 0:22:04 | |
To war, Alfie. To war! | 0:22:04 | 0:22:06 | |
And so, fellow pupils As we race to finish | 0:22:11 | 0:22:14 | |
We are strengthened by knowing we were schooled | 0:22:14 | 0:22:16 | |
In fair West Greenwich. | 0:22:16 | 0:22:17 | |
Oh, fair...! | 0:22:17 | 0:22:19 | |
ALL: Boo! | 0:22:19 | 0:22:23 | |
CLAPPING PETERS OUT | 0:22:23 | 0:22:26 | |
Thank you. Thank you, Jeremy. | 0:22:26 | 0:22:29 | |
Well, I'm, I'm sure that has all of you asking - | 0:22:29 | 0:22:31 | |
-just what will the next year bring? -I'm not. | 0:22:31 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:37 | |
Yes, right, settle. | 0:22:37 | 0:22:39 | |
MUSIC: Won't Get Fooled Again by The Who | 0:22:39 | 0:22:41 | |
Right, so members of staff will also be leaving us at term's end, | 0:22:41 | 0:22:43 | |
eight of them all told and I'm sure we all wish them well | 0:22:43 | 0:22:46 | |
with the various professions that they've chosen. | 0:22:46 | 0:22:50 | |
And for many of you, there will be challenges... | 0:22:50 | 0:22:52 | |
Baker, where you goin'? | 0:22:52 | 0:22:55 | |
..to meet, new mountains... | 0:22:55 | 0:22:57 | |
-Baker, will you sit down? I haven't finished yet. -I have. | 0:22:57 | 0:23:00 | |
ALL: Ooh! | 0:23:00 | 0:23:02 | |
Right, Baker. Baker? Baker, come back here! | 0:23:02 | 0:23:05 | |
-You are still a pupil at this school. -No, I'm not. | 0:23:05 | 0:23:08 | |
APPLAUSE | 0:23:08 | 0:23:12 | |
All, right, quiet. Quiet! No, quiet. Sit...no! Quiet! | 0:23:14 | 0:23:18 | |
-Come on, lads! -Quiet! | 0:23:18 | 0:23:20 | |
Quiet, please. | 0:23:23 | 0:23:25 | |
'This was great. I felt liberated. | 0:23:25 | 0:23:27 | |
'Then it occurred to me - what was I going to tell him indoors?' | 0:23:28 | 0:23:31 | |
Shit! | 0:23:33 | 0:23:34 | |
'My solution was simple - I wouldn't tell them anything.' | 0:23:36 | 0:23:39 | |
See you. | 0:23:39 | 0:23:40 | |
-Oh, hold on. Nearly forgot. -What? | 0:23:40 | 0:23:42 | |
It's Friday. You've got woodwork. Nearly forgot your apron. | 0:23:42 | 0:23:46 | |
-Of course. -Forget your head if it weren't screwed on. | 0:23:46 | 0:23:49 | |
Yeah. Bye. | 0:23:49 | 0:23:51 | |
'Today at last, I was going to show Miss Blondel | 0:23:54 | 0:23:57 | |
'I was not a little schoolboy any more. | 0:23:57 | 0:23:59 | |
'But before I could see her in class, I first had to go to church.' | 0:23:59 | 0:24:03 | |
FUNKY INSTRUMENTAL GROOVE | 0:24:07 | 0:24:11 | |
Baker, where's your uniform? | 0:24:35 | 0:24:37 | |
-I...left. Remember? -Oh, yes. What are you doing here? | 0:24:37 | 0:24:41 | |
I've come back again, you know - stay in touch, Ronald. | 0:24:41 | 0:24:44 | |
Seems to me a lot of you boys leave one day | 0:24:44 | 0:24:46 | |
and return the next just for the simple thrill | 0:24:46 | 0:24:48 | |
of calling my staff and I by our Christian name - am I right? | 0:24:48 | 0:24:52 | |
No... | 0:24:52 | 0:24:53 | |
Ronald. | 0:24:53 | 0:24:55 | |
On your way, Baker. | 0:24:56 | 0:24:57 | |
You can call me Danny! | 0:24:59 | 0:25:00 | |
FUNKY INSTRUMENTAL GROOVE CONTINUES | 0:25:02 | 0:25:04 | |
Where's Louise? | 0:25:19 | 0:25:20 | |
Who? | 0:25:20 | 0:25:21 | |
-Miss Blondel. -In the dark room. | 0:25:21 | 0:25:24 | |
Oh. Hi, er...Miss Blondel. | 0:25:30 | 0:25:34 | |
Hello, Danny. | 0:25:34 | 0:25:35 | |
SHE CLEARS HER THROAT | 0:25:35 | 0:25:38 | |
So - is there anything you want? | 0:25:44 | 0:25:48 | |
Er, yeah. | 0:25:48 | 0:25:49 | |
I was just wondering, er... | 0:25:52 | 0:25:54 | |
HE LOWERS HIS VOICE ..what you were doing at lunchtime? | 0:25:58 | 0:26:00 | |
Having my lunch, I expect. | 0:26:00 | 0:26:02 | |
Er, yeah. Yeah. Of course. | 0:26:02 | 0:26:05 | |
Now if you don't mind, I do have a class to take, Danny. | 0:26:05 | 0:26:08 | |
Merci. | 0:26:08 | 0:26:10 | |
Oh, very nice, Louis. | 0:26:10 | 0:26:13 | |
You need some green, right? | 0:26:13 | 0:26:14 | |
You do know I have left school now? | 0:26:16 | 0:26:18 | |
Yes. I know. | 0:26:18 | 0:26:20 | |
Let me see, because this green is a bit...this colour is a bit fading. | 0:26:21 | 0:26:27 | |
Do you want to use the yellow? Yeah? OK. | 0:26:27 | 0:26:30 | |
MUSIC: All The Young Dudes by Mott The Hoople | 0:26:33 | 0:26:35 | |
# All the young dudes... # | 0:26:37 | 0:26:41 | |
'What had I done?' | 0:26:41 | 0:26:42 | |
# Boogaloo dudes carry the news... # | 0:26:43 | 0:26:48 | |
-Hello, Baker. -Hello, Neil. | 0:26:48 | 0:26:50 | |
# They say time will wait for no man | 0:26:52 | 0:26:57 | |
# They say time is on my side | 0:26:57 | 0:27:02 | |
# I can never make my mind up | 0:27:02 | 0:27:06 | |
# As it all goes whizzing by from the cradle to the grave | 0:27:06 | 0:27:12 | |
# From the cradle to the grave | 0:27:12 | 0:27:15 | |
# I know I won't be a slave | 0:27:15 | 0:27:17 | |
# I know I won't be a slave | 0:27:17 | 0:27:20 | |
# To the mistakes that I've made... # | 0:27:20 | 0:27:22 |