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This programme contains strong language. | 0:00:05 | 0:00:11 | |
MUSIC: Pinball by Brian Protheroe | 0:00:43 | 0:00:45 | |
LAUGHTER BEHIND WALL | 0:00:59 | 0:01:01 | |
Oi! Shut your row up, this time of night! | 0:01:03 | 0:01:07 | |
Where are you? | 0:01:08 | 0:01:10 | |
I don't know... | 0:01:10 | 0:01:12 | |
-Who was you shouting at? -Load of yobbos, out the back. | 0:01:23 | 0:01:27 | |
Keeping your cap on? | 0:01:29 | 0:01:30 | |
You what? | 0:01:30 | 0:01:32 | |
Oh, God. | 0:01:32 | 0:01:34 | |
There you go. | 0:01:34 | 0:01:36 | |
What you doing out there, anyway? | 0:01:36 | 0:01:38 | |
I thought I heard someone throwing a wallet over the back wall. | 0:01:38 | 0:01:42 | |
So... | 0:01:44 | 0:01:46 | |
are we going to sleep, or what? | 0:01:46 | 0:01:48 | |
217 invites we sent out for this wedding. | 0:01:48 | 0:01:51 | |
How many do you reckon came back "yes"? | 0:01:51 | 0:01:54 | |
Did you hear what I said? | 0:01:54 | 0:01:55 | |
Oh, Fred, I'm busy. | 0:01:55 | 0:01:57 | |
God... I might as well put me cap back on. | 0:01:57 | 0:02:00 | |
216 - out of 217. | 0:02:00 | 0:02:04 | |
So, that's all your severance pay from the dock gone. | 0:02:05 | 0:02:08 | |
Oh, well. That's what it's there for. | 0:02:08 | 0:02:10 | |
What we going to do after the wedding? | 0:02:10 | 0:02:12 | |
What are we going to do for money then? | 0:02:12 | 0:02:15 | |
Who's the one that ain't coming? | 0:02:15 | 0:02:17 | |
Oh, it's all right, it's one of mine - | 0:02:17 | 0:02:19 | |
Keith Stepney, driver from work. | 0:02:19 | 0:02:21 | |
Do I know him? | 0:02:21 | 0:02:22 | |
Wife left him for the boxer. | 0:02:23 | 0:02:26 | |
Oh, him - that long ponce. | 0:02:26 | 0:02:28 | |
His wife might have left him, but his wallet never has. | 0:02:28 | 0:02:30 | |
Spent a night with him in the pub - he never bought one. | 0:02:30 | 0:02:33 | |
-Oh, Fred. He's a lovely bloke. -Phew! Is he? | 0:02:33 | 0:02:36 | |
Is that why his missus is doing 15 rounds with another geezer? | 0:02:36 | 0:02:39 | |
His Sandra's getting married the same day as Sharon. | 0:02:39 | 0:02:42 | |
Well, good luck to anyone going to that - | 0:02:42 | 0:02:46 | |
they'll probably toast the bride with tap water. | 0:02:46 | 0:02:49 | |
-DOOR SHUTS DOWNSTAIRS -That's Michael home. | 0:02:49 | 0:02:51 | |
Well, at least tap water goes round. | 0:02:54 | 0:02:57 | |
We'll have the best of everything, girl. Don't you worry about that. | 0:02:58 | 0:03:02 | |
Your husband is in the Royal Division Of Commissionaires. | 0:03:02 | 0:03:05 | |
We live to serve. | 0:03:05 | 0:03:07 | |
# We are the soldiers of the Queen, my lad... # | 0:03:07 | 0:03:10 | |
Oh, stop singing that, stop it! | 0:03:10 | 0:03:13 | |
You ain't in them yet. | 0:03:13 | 0:03:15 | |
And you won't be neither, | 0:03:15 | 0:03:16 | |
unless you can get hold of somebody else's bleeding war record. | 0:03:16 | 0:03:20 | |
I've got that under control. It's as good as in me hand. | 0:03:20 | 0:03:23 | |
Yeah? Well, I've got a good idea | 0:03:23 | 0:03:25 | |
what you've got in your hand right now - | 0:03:25 | 0:03:27 | |
and I don't trust that, neither. | 0:03:27 | 0:03:28 | |
-Now, that has seen some action! -LAUGHTER | 0:03:28 | 0:03:32 | |
-Whoa! -Fred! | 0:03:34 | 0:03:36 | |
-Down from under, set hanging! -FRED LAUGHS | 0:03:36 | 0:03:38 | |
'In common with all council house lighting of the 1970s, | 0:03:39 | 0:03:43 | |
'it was like a night game at Wembley Stadium in my bedroom. | 0:03:43 | 0:03:46 | |
'And my brother Michael saw it as his duty to wake me up | 0:03:46 | 0:03:50 | |
-'when he came in from the pub.' -Danny? | 0:03:50 | 0:03:52 | |
Psst! | 0:03:52 | 0:03:55 | |
DANNY GROANS | 0:03:55 | 0:03:56 | |
I got a little present for you. | 0:03:57 | 0:04:00 | |
I bought you a bowl of winkles. | 0:04:00 | 0:04:02 | |
And here's a pin, to get them out with. | 0:04:02 | 0:04:05 | |
-What the f... Oh, shit! -Five...four...three...two... | 0:04:05 | 0:04:08 | |
-Let me out! You've gone mad! -three... two... | 0:04:08 | 0:04:11 | |
One! | 0:04:11 | 0:04:13 | |
-What the bleeding hell's going on? -He's got a bomb! | 0:04:13 | 0:04:16 | |
-A bomb? -It ain't a bomb. | 0:04:16 | 0:04:18 | |
Oh! Oh, my good God... | 0:04:18 | 0:04:20 | |
-Have you been out with Peter Tulloch? -Yeah. How did you know? | 0:04:20 | 0:04:23 | |
Peter found it by the railway line - | 0:04:23 | 0:04:25 | |
they've been frightening everyone down the Red Cow with it. | 0:04:25 | 0:04:27 | |
-You took a hand grenade into a pub? -It's a dud - | 0:04:27 | 0:04:30 | |
-and it ain't mine, anyway. -How do you know it's a bleeding dud? | 0:04:30 | 0:04:32 | |
Cos we pulled the pin out, threw it and nothing happened. | 0:04:32 | 0:04:35 | |
Peter reckons it come off a film set or something. | 0:04:35 | 0:04:37 | |
-Well, give it back to him, just get rid of it. -What's going on in here? | 0:04:37 | 0:04:40 | |
I could have been fast a-kip out there. | 0:04:40 | 0:04:42 | |
It weren't your lot making all that noise round the back, was it? | 0:04:42 | 0:04:44 | |
Oh, that? That was Nitty Knight - lobbed his wallet over the wall. | 0:04:44 | 0:04:47 | |
What did I tell you? Nothing else sounds like it. | 0:04:47 | 0:04:49 | |
-He's brought home a hand grenade! -He's what? Well, you - | 0:04:49 | 0:04:52 | |
don't be bringing home no hand grenades! | 0:04:52 | 0:04:54 | |
And you - stop being a grass! | 0:04:54 | 0:04:56 | |
And settle down. He's got school in the morning. | 0:04:56 | 0:04:59 | |
'Ah, yes. School. | 0:04:59 | 0:05:01 | |
'I still hadn't quite got round to telling Mum and Dad I'd left.' | 0:05:01 | 0:05:05 | |
Don't forget your alarm clock. | 0:05:05 | 0:05:06 | |
'In order to join the Royal Division Of Commissionaires, | 0:05:08 | 0:05:11 | |
'Dad needed to be able to produce a good war record. | 0:05:11 | 0:05:14 | |
'Unfortunately, his own was mostly stamped with the initials "A-W-O-L".' | 0:05:14 | 0:05:19 | |
Hello, Jean? Apple tart. | 0:05:19 | 0:05:21 | |
No? All right. Apple pie? | 0:05:23 | 0:05:25 | |
No? Apples and pears? | 0:05:27 | 0:05:30 | |
Look, Jean - it's Spud. | 0:05:30 | 0:05:32 | |
What is the poxy password? | 0:05:33 | 0:05:36 | |
Toffee apple? Right. Toffee apple, then. | 0:05:36 | 0:05:39 | |
I'm coming round. | 0:05:39 | 0:05:40 | |
'He'd heard that the brother of a small-time local villain | 0:05:43 | 0:05:46 | |
'called Shaky Young had recently died, and he sensed an opening.' | 0:05:46 | 0:05:50 | |
Who is it? | 0:05:52 | 0:05:53 | |
Fuck's sake, Jean - I just put the phone down to you. | 0:05:53 | 0:05:56 | |
Come in, Freddie. | 0:05:59 | 0:06:00 | |
'Shaky was officially on the run, after escaping from the nick. | 0:06:00 | 0:06:04 | |
'Everybody - everybody knew where he was hiding out. | 0:06:04 | 0:06:07 | |
'But nobody was allowed to tell him that.' | 0:06:07 | 0:06:09 | |
-Is he in? -What do you think? | 0:06:09 | 0:06:11 | |
He's been up there 14 months now, Fred - | 0:06:11 | 0:06:14 | |
he only had three left on his sentence. | 0:06:14 | 0:06:17 | |
THREE BUZZES | 0:06:17 | 0:06:18 | |
What's that? | 0:06:18 | 0:06:19 | |
-TWO BUZZES -He has to have his routine. | 0:06:19 | 0:06:22 | |
Good job I'm his sister. No wife would stand for it. | 0:06:22 | 0:06:26 | |
-THREE BUZZES -That's ridiculous. | 0:06:26 | 0:06:28 | |
You coming down? | 0:06:31 | 0:06:32 | |
Fuck off. | 0:06:34 | 0:06:36 | |
Go on. | 0:06:36 | 0:06:37 | |
What, you...? | 0:06:38 | 0:06:40 | |
I don't believe this. | 0:06:43 | 0:06:44 | |
You all right? | 0:06:49 | 0:06:51 | |
-Help me, help me! -Come on... | 0:06:51 | 0:06:52 | |
Shaky, meet me halfway! | 0:06:52 | 0:06:54 | |
You want to try doing it with a plate of food in your hand! | 0:06:54 | 0:06:58 | |
MUSIC: Goodbye Yellow Brick Road by Elton John | 0:06:58 | 0:07:02 | |
# When are you going to come down? | 0:07:02 | 0:07:06 | |
# When are you going to land? | 0:07:06 | 0:07:09 | |
# I should have stayed on the farm | 0:07:09 | 0:07:12 | |
# Should have listened to my old man. # | 0:07:12 | 0:07:16 | |
How did you find me? | 0:07:16 | 0:07:18 | |
-You what? -Who gave me up? Was it Bill Drake? | 0:07:18 | 0:07:21 | |
-What? -Jimmy Martin? Eric Hannon? | 0:07:21 | 0:07:23 | |
-No. -Micky Benacki? | 0:07:23 | 0:07:25 | |
Gary Wiltshire? | 0:07:25 | 0:07:26 | |
Frankie Wilkinson? | 0:07:26 | 0:07:28 | |
Terry Butt? | 0:07:28 | 0:07:30 | |
Bertie Burkett? | 0:07:30 | 0:07:31 | |
Fucking hell, Shaky. Who don't know you're up here? | 0:07:31 | 0:07:33 | |
It's a select band, Spud. Only those who need to know. | 0:07:33 | 0:07:36 | |
-Come on, who was it? -No-one told me! | 0:07:36 | 0:07:37 | |
Spud, I need a name, or you can go home right now. | 0:07:37 | 0:07:40 | |
-Was it Freddie Jones? -No, it was... | 0:07:40 | 0:07:43 | |
-..Teddy Williams. -Teddy Williams! | 0:07:44 | 0:07:47 | |
That grass! I knew it. | 0:07:47 | 0:07:49 | |
That no-good, bean-spilling bast... | 0:07:49 | 0:07:51 | |
Hang on, who's Teddy Williams? | 0:07:51 | 0:07:53 | |
I don't know, I just made the name up. | 0:07:53 | 0:07:55 | |
It don't matter, Shaky, honest. Your secret's safe with me. | 0:07:55 | 0:07:57 | |
I just come up here to talk to you about something. | 0:07:57 | 0:08:00 | |
You tell that Teddy Williams I don't like grasses. | 0:08:00 | 0:08:03 | |
I may be stuck up here, but my reach is long. | 0:08:03 | 0:08:06 | |
I just came to say I'm sorry to hear about your Billy passing away. | 0:08:06 | 0:08:10 | |
Billy... | 0:08:11 | 0:08:13 | |
Broke my heart. | 0:08:13 | 0:08:15 | |
We was close, up until our twenties, | 0:08:15 | 0:08:17 | |
and then all of a sudden, he's gone straight. | 0:08:17 | 0:08:19 | |
Got a job on the cards - moved to a big house in Cockfosters. | 0:08:19 | 0:08:23 | |
None of us could understand what went wrong. | 0:08:23 | 0:08:26 | |
Yeah, well... That's what money does to some people, Shake. | 0:08:26 | 0:08:29 | |
-CLANG, SPLASH -Oh, for fuck's sake. What's that? | 0:08:29 | 0:08:32 | |
-That's me wash bucket. -Oh, right. Thank God for that. | 0:08:32 | 0:08:35 | |
Where's the...other one? | 0:08:35 | 0:08:37 | |
It's up there. | 0:08:37 | 0:08:38 | |
What's it doing up there? | 0:08:39 | 0:08:41 | |
I kept kicking it over - and Jeanie sleeps underneath. | 0:08:41 | 0:08:44 | |
-How can you live like this? -Like what? | 0:08:44 | 0:08:46 | |
Stuck up here in the pitch-black, 14 months? | 0:08:46 | 0:08:49 | |
Can't go nowhere, can't see no-one, do anything? | 0:08:49 | 0:08:51 | |
Banging your head on a bucket of shit every ten minutes? | 0:08:51 | 0:08:54 | |
Spud, I value my freedom. | 0:08:54 | 0:08:56 | |
So, will you be going to Billy's funeral? | 0:09:00 | 0:09:03 | |
No, I can't risk it. | 0:09:03 | 0:09:05 | |
It was my birthday last week, I never even come down for that. | 0:09:05 | 0:09:08 | |
Your birthday? It's the same as mine, February. | 0:09:08 | 0:09:11 | |
-Eh? Where are we now, then? -June! | 0:09:11 | 0:09:13 | |
March, April, May, June... | 0:09:15 | 0:09:18 | |
Oh, right. It's a leap year. | 0:09:18 | 0:09:20 | |
Well, it's going to be hard then, | 0:09:20 | 0:09:21 | |
putting Billy in the ground without me being there. But what can I do? | 0:09:21 | 0:09:24 | |
There's reward money out for me, Spud - did you know that? | 0:09:24 | 0:09:27 | |
You tell that Teddy Williams - if anything happens to me, | 0:09:27 | 0:09:30 | |
I know who to come looking for. | 0:09:30 | 0:09:31 | |
Look, if you could go to Billy's funeral, would you go? | 0:09:31 | 0:09:34 | |
-Oh, I'd give anything to go. Anything. -Yeah? | 0:09:34 | 0:09:37 | |
Well, there might be something we can do here, Shaky. | 0:09:37 | 0:09:40 | |
Your Billy - he fought in Aden, didn't he? | 0:09:40 | 0:09:42 | |
Yeah. He's got medals and everything. | 0:09:42 | 0:09:44 | |
He was mentioned in dispatches twice. | 0:09:44 | 0:09:47 | |
'It had been a week since I'd left school | 0:09:48 | 0:09:50 | |
'to start a hot romance with my teacher - | 0:09:50 | 0:09:52 | |
'the amazing Miss Blondel - | 0:09:52 | 0:09:54 | |
'but she'd made no attempt to contact me. | 0:09:54 | 0:09:56 | |
'It was as if I'd imagined the whole thing.' | 0:09:56 | 0:09:58 | |
Now, this is a photo. | 0:09:58 | 0:10:00 | |
"Young man at a crossroads". | 0:10:00 | 0:10:02 | |
CAMERA CLICKS | 0:10:02 | 0:10:04 | |
Still interested in photography, Danny? | 0:10:05 | 0:10:08 | |
Oh, yes, miss. | 0:10:08 | 0:10:09 | |
I was just walking about, taking some shots. | 0:10:11 | 0:10:14 | |
That was awkward, last week. | 0:10:18 | 0:10:20 | |
What? | 0:10:20 | 0:10:21 | |
You turning up at school and asking me to lunch in front of my class. | 0:10:21 | 0:10:25 | |
I didn't mean nothing by it. | 0:10:25 | 0:10:27 | |
I told you before, Danny - school is out of bounds. | 0:10:27 | 0:10:30 | |
Out here, of course, things are different. | 0:10:33 | 0:10:36 | |
Oh, are they, miss? | 0:10:36 | 0:10:38 | |
Yes. For a start I'm not "miss". | 0:10:38 | 0:10:40 | |
I'm Louise, OK? | 0:10:40 | 0:10:42 | |
-Hey, Danny. -Hello, Louise. -How do you do? | 0:10:42 | 0:10:45 | |
Yeah, good. | 0:10:45 | 0:10:46 | |
Your parents don't know you have left school, do they? | 0:10:50 | 0:10:52 | |
Yeah. | 0:10:52 | 0:10:54 | |
No. | 0:10:55 | 0:10:57 | |
Did you come into school especially to see me? | 0:10:59 | 0:11:01 | |
No. | 0:11:01 | 0:11:03 | |
Yeah. | 0:11:05 | 0:11:06 | |
Well, now that you're your own man... | 0:11:08 | 0:11:11 | |
What are you doing on Saturday? | 0:11:14 | 0:11:16 | |
Saturday? Er... Nothing. | 0:11:16 | 0:11:18 | |
Why don't you come over? | 0:11:18 | 0:11:19 | |
We can look through some of my photo albums. | 0:11:19 | 0:11:22 | |
Stay over, if you like. | 0:11:22 | 0:11:24 | |
-Stay over, where? -My place. | 0:11:24 | 0:11:27 | |
Mark used to. | 0:11:28 | 0:11:30 | |
Oh... Yeah, yeah. | 0:11:32 | 0:11:34 | |
Yeah... Er, that would be... | 0:11:34 | 0:11:37 | |
I'll take that as a "yes". See you there. | 0:11:37 | 0:11:41 | |
MUSIC: And You And I by Yes | 0:11:41 | 0:11:44 | |
-TV: -'I've got three rather interesting items to show you | 0:11:51 | 0:11:54 | |
'from the stolen goods list this week, | 0:11:54 | 0:11:55 | |
'starting off with the break-in in Bethnal Green three weeks ago...' | 0:11:55 | 0:11:58 | |
-Dad, there's someone here to see you. -Yeah? -It's a policeman. | 0:11:58 | 0:12:02 | |
-All right, Kenny son? -All right, Spud? -She was panicking, then. | 0:12:02 | 0:12:05 | |
FRED CHUCKLES | 0:12:05 | 0:12:07 | |
Sit down, I just want to see what he's saying here. | 0:12:07 | 0:12:10 | |
-Do you watch this? -Yeah. | 0:12:10 | 0:12:11 | |
'So if anyone offers you cheap bottles of Chanel perfume | 0:12:11 | 0:12:14 | |
'in the Croydon area, do please get in touch...' | 0:12:14 | 0:12:17 | |
Do you know anything about that? Croydon? | 0:12:17 | 0:12:20 | |
No, it's news to me. | 0:12:20 | 0:12:22 | |
We've just had some of that "Taboo" come in - | 0:12:22 | 0:12:24 | |
you know, the old "Parfum De Toilet". | 0:12:24 | 0:12:26 | |
Oh, yeah? That's a bit of a drop-off from Chanel, innit? | 0:12:26 | 0:12:30 | |
How about this? 10,000 Embassy Tipped - | 0:12:31 | 0:12:33 | |
he was talking about those earlier, in Romford. | 0:12:33 | 0:12:35 | |
Yeah, it does ring a bell. | 0:12:35 | 0:12:37 | |
I'll have to have a little look in the old incident book. | 0:12:37 | 0:12:39 | |
Well, keep them peeled, eh? | 0:12:39 | 0:12:41 | |
-'If you saw anything...' -You get some good tips off this programme. | 0:12:41 | 0:12:44 | |
I shouldn't really drink on duty, but, er... I do. | 0:12:44 | 0:12:47 | |
-So, what did you want, Spud? -I need a favour, Kenny. | 0:12:49 | 0:12:52 | |
Shaky Young - your lot still after him? | 0:12:52 | 0:12:56 | |
Nah - we're happy with him up in his sister's loft. | 0:12:56 | 0:12:59 | |
-What? So you know where he is, then? -Blimey, Spud. Who don't? | 0:12:59 | 0:13:03 | |
He's out of harm's way up there - and what with Jeanie doing his meals, | 0:13:03 | 0:13:05 | |
he's saving the nation 40 quid a week, eh? | 0:13:05 | 0:13:07 | |
-FRED LAUGHS -Yeah, I suppose. | 0:13:07 | 0:13:09 | |
What if he was to turn up at his brother's funeral? | 0:13:09 | 0:13:12 | |
What do you mean? | 0:13:12 | 0:13:13 | |
Well, if he was to come down from the loft, go to the funeral, | 0:13:13 | 0:13:15 | |
go straight back up afterwards - would you be all right with that? | 0:13:15 | 0:13:19 | |
Yeah, if there was a drink in it. | 0:13:19 | 0:13:21 | |
I'll sort you out, Ken. Always do, don't I? | 0:13:21 | 0:13:23 | |
'A consignment of Teacher's Whisky | 0:13:23 | 0:13:25 | |
'that never made it to its destination in Plumstead...' | 0:13:25 | 0:13:27 | |
There you are. You like Scotch, don't you? | 0:13:27 | 0:13:30 | |
MUSIC: Could It Be I'm Falling In Love by The Spinners | 0:13:32 | 0:13:36 | |
You pushing in again? | 0:13:40 | 0:13:42 | |
What you going to do about it? SHE GIGGLES | 0:13:42 | 0:13:44 | |
Here, sorry I can't come to Sharon's wedding. | 0:13:44 | 0:13:46 | |
Oh, well. You've got a good enough excuse - | 0:13:46 | 0:13:49 | |
can't be helped your Sandra's getting married the same day. | 0:13:49 | 0:13:51 | |
-That's fate, mate. -So, you forgive me? | 0:13:51 | 0:13:54 | |
You can have the last bit of gammon. | 0:13:54 | 0:13:56 | |
Go on, then. You're forgiven. | 0:13:56 | 0:13:58 | |
How's all the arrangements going? | 0:13:58 | 0:14:00 | |
Yeah, fine, Keith. 216 coming. | 0:14:00 | 0:14:04 | |
-Just got to find the money to pay for it, now. -We got 46. | 0:14:04 | 0:14:07 | |
Sounds like I come off light. | 0:14:07 | 0:14:09 | |
-That include Marion? -No. | 0:14:09 | 0:14:11 | |
No, she still don't want nothing to do with me and Sandra. | 0:14:12 | 0:14:15 | |
-Oh. -Oh, it's all right. | 0:14:15 | 0:14:17 | |
Sometimes, I wish I had someone there for all the feminine stuff. | 0:14:17 | 0:14:21 | |
You know, them centrepiece thingies for the tables, | 0:14:21 | 0:14:24 | |
place settings and that - | 0:14:24 | 0:14:25 | |
I try me best, but what do blokes know about cake ribbons? | 0:14:25 | 0:14:29 | |
Oh, that's the fun part, Keith. I love all that sort of stuff. | 0:14:29 | 0:14:33 | |
I'll give you a hand with it, if you want. | 0:14:34 | 0:14:37 | |
-Are you being serious? -Yeah, yeah, if it'd help you out. | 0:14:37 | 0:14:40 | |
Oi, don't you go getting me fat! | 0:14:42 | 0:14:44 | |
MUSIC: Layla by Derek And The Dominoes | 0:14:49 | 0:14:52 | |
Oh, hi. | 0:15:04 | 0:15:06 | |
Come in. | 0:15:07 | 0:15:08 | |
MUSIC: Solid Air by John Martyn | 0:15:17 | 0:15:20 | |
Oh, yeah. This is great. | 0:15:20 | 0:15:22 | |
Thank you. Sit down - I've done us some lunch. | 0:15:22 | 0:15:25 | |
Dinner! | 0:15:27 | 0:15:28 | |
'I'd landed on another planet - | 0:15:32 | 0:15:34 | |
'as far away from Pyrex and Formica as I could possibly get. | 0:15:34 | 0:15:38 | |
'It felt a bit intimidating, | 0:15:43 | 0:15:44 | |
'but I was determined to show this was absolutely my scene.' | 0:15:44 | 0:15:48 | |
Oh, is that OK for you there? | 0:15:55 | 0:15:58 | |
Oh, yes. I'm not shocked. | 0:15:58 | 0:16:01 | |
By what? | 0:16:01 | 0:16:02 | |
I've had marijuana before. | 0:16:02 | 0:16:04 | |
-'I hadn't.' -Marijuana? Is that what it is? | 0:16:04 | 0:16:07 | |
Yeah - dope, you know? Junk. | 0:16:07 | 0:16:11 | |
It's a joss stick. It's an air freshener. | 0:16:11 | 0:16:13 | |
It's... It's not in a tin? | 0:16:15 | 0:16:17 | |
-Your plate. -Thanks. | 0:16:19 | 0:16:20 | |
-Et voila. -Thanks a lot. | 0:16:28 | 0:16:31 | |
'Well, I'd never seen an arrangement like this in my life.' | 0:16:34 | 0:16:37 | |
-Cheers. -Cheers. | 0:16:40 | 0:16:41 | |
Mmm. | 0:16:47 | 0:16:48 | |
'I thought the bread and cheese was fine - | 0:16:51 | 0:16:53 | |
'I could make that into a sandwich... | 0:16:53 | 0:16:55 | |
'..but what was the apple doing there?' | 0:16:57 | 0:16:59 | |
Are you not having any apple? | 0:16:59 | 0:17:02 | |
Oh... I didn't see that there. | 0:17:02 | 0:17:04 | |
Pissing hell, Jean - how much longer? | 0:17:13 | 0:17:15 | |
Took him half an hour | 0:17:15 | 0:17:16 | |
to get down the first three rungs of the ladder this morning. | 0:17:16 | 0:17:19 | |
-Your problem is, you let him have... -Go! Go! Go! Go! | 0:17:19 | 0:17:22 | |
"Go-go-go"? We've been standing here 20 minutes. | 0:17:22 | 0:17:25 | |
MUSIC: Wonderful World, Beautiful People by Jimmy Cliff | 0:17:25 | 0:17:28 | |
Go! Go! | 0:17:28 | 0:17:30 | |
Go! Go! | 0:17:31 | 0:17:32 | |
What's the best way from here, Freddie? | 0:17:36 | 0:17:38 | |
Er... Well, I'd go up Stitchbury Lane, | 0:17:38 | 0:17:40 | |
-turn right at the Grapes on the corner. -Go! Go! | 0:17:40 | 0:17:44 | |
The Grapes? Which one's that? | 0:17:44 | 0:17:45 | |
You know, the Grapes - Sid Harris used to have it. | 0:17:45 | 0:17:48 | |
Used to be the Horn of Plenty? His wife left him for a Turk. | 0:17:48 | 0:17:51 | |
Go, go! | 0:17:51 | 0:17:52 | |
-He's in Marbella, now. -Shut up... | 0:17:54 | 0:17:57 | |
No, he went over there. | 0:17:57 | 0:17:58 | |
-Opened a place about two years ago... -Go! | 0:17:58 | 0:18:01 | |
MUSIC: Everything by Squeeze | 0:18:01 | 0:18:04 | |
I can't see any Old Bill, Spud. | 0:18:28 | 0:18:29 | |
No, that's cos I've thrown them off the scent. | 0:18:29 | 0:18:31 | |
He's told them I'm in Argentina. | 0:18:31 | 0:18:33 | |
They've got half the Met out, | 0:18:33 | 0:18:34 | |
covering all the airports, waiting for me to fly in - | 0:18:34 | 0:18:37 | |
and I'm here all along! Genius. | 0:18:37 | 0:18:39 | |
What's this Teddy Williams look like? | 0:18:45 | 0:18:47 | |
I guarantee he won't be here. | 0:18:47 | 0:18:50 | |
I like it, Spud. Wide open space, plenty of people... | 0:18:50 | 0:18:53 | |
A funeral, the perfect cover. | 0:18:53 | 0:18:55 | |
It is a funeral. They're putting your brother down the hole. | 0:18:55 | 0:18:58 | |
Perfect. | 0:18:58 | 0:19:01 | |
Argentina? | 0:19:01 | 0:19:02 | |
Don't knock it. | 0:19:02 | 0:19:04 | |
He goes to the funeral, I get Billy's war record - | 0:19:04 | 0:19:07 | |
we all go home happy. | 0:19:07 | 0:19:08 | |
All right, Spud? | 0:19:08 | 0:19:10 | |
All right, Kenny. Come to pay your respects? | 0:19:10 | 0:19:13 | |
Nah, come to pick up my Scotch. | 0:19:13 | 0:19:15 | |
It's in the boot of the car. | 0:19:15 | 0:19:17 | |
Let's get this done first, eh? | 0:19:17 | 0:19:18 | |
All right. Remember, when all this is over, | 0:19:18 | 0:19:20 | |
I want him straight back up in that attic. Right? | 0:19:20 | 0:19:23 | |
-Don't worry, he's a good boy. -..In Jesus Christ our Lord. Amen. | 0:19:23 | 0:19:27 | |
-All right, mate? -Yeah. | 0:19:29 | 0:19:32 | |
Hello, Shaky. | 0:19:32 | 0:19:33 | |
Hello, Shaky. | 0:19:35 | 0:19:36 | |
-Coo-ee, Shaky! -- Hello, Shaky. -- How you doing, Shaky? | 0:19:36 | 0:19:40 | |
I think they think you're Shaky. | 0:19:40 | 0:19:43 | |
Yeah... | 0:19:43 | 0:19:45 | |
Bloody hell, Barb's here! | 0:19:45 | 0:19:48 | |
-Who? -Barbara. My little Barb... | 0:19:48 | 0:19:50 | |
-EVERYONE: -All right, Shaky? Hello, Shaky. | 0:19:51 | 0:19:54 | |
-Hello, Shaky. -It's me - Shaky! | 0:19:55 | 0:19:58 | |
Well, I didn't think it was Billy. How are you, sexy? | 0:19:58 | 0:20:01 | |
-All right. What are you doing here? -I wanted to see you again, didn't I? | 0:20:01 | 0:20:04 | |
It's been a long time, Shaky. | 0:20:04 | 0:20:06 | |
And I'm a single woman again now - got divorced last year. | 0:20:06 | 0:20:09 | |
Finally. | 0:20:09 | 0:20:10 | |
But how did you know I'd be here? | 0:20:10 | 0:20:12 | |
-Everyone knew you was going to be here. -What do you mean, "everyone"? | 0:20:12 | 0:20:14 | |
Well, I went to the Red Cow and they was all talking about it. | 0:20:14 | 0:20:17 | |
And then, I went from there to the Lilliput and they was all talking about it. | 0:20:17 | 0:20:20 | |
And then, I went up the Southwark Park Tavern and cos they was all talking about it, | 0:20:20 | 0:20:24 | |
-I thought I might as well come and see you. -But everyone thinks I'm in Argentina... -Argentina? | 0:20:24 | 0:20:28 | |
You ain't gone round the twist, up in Jeanie's loft, have you? | 0:20:28 | 0:20:32 | |
-What? You know about the loft? -Everyone knows about the loft. | 0:20:32 | 0:20:34 | |
I mean, what is it - 14 months, now? | 0:20:34 | 0:20:36 | |
I was beginning to wonder if you was ever coming down. | 0:20:36 | 0:20:38 | |
-Oh, for fuck's sake! -ALL GROAN | 0:20:38 | 0:20:41 | |
So, you all know where I've been? | 0:20:41 | 0:20:43 | |
-ALL MURMUR: -Yeah, course we do. | 0:20:43 | 0:20:46 | |
This is choice. | 0:20:46 | 0:20:47 | |
Go on, have a right good fucking laugh, everyone. | 0:20:47 | 0:20:50 | |
It's only been 14 months of my life. | 0:20:50 | 0:20:52 | |
Have a right good giggle. | 0:20:52 | 0:20:55 | |
Why didn't you tell me, Spud? | 0:20:55 | 0:20:56 | |
I tried, Shaky. I tried! | 0:20:56 | 0:20:58 | |
Shaky on the run? Big laugh! | 0:20:58 | 0:21:01 | |
You think I can't go on the run? | 0:21:01 | 0:21:03 | |
Watch this! | 0:21:03 | 0:21:04 | |
I'm Shaky Young! I'm Shaky Young! | 0:21:04 | 0:21:07 | |
-I'm Shaky Young! -Steady on! -DOG BARKS | 0:21:08 | 0:21:11 | |
-I'm Shaky Young! -You'd better go and get him, Spud. -Oh... | 0:21:11 | 0:21:14 | |
Where's he going? | 0:21:16 | 0:21:18 | |
-Shaky? Come back here! -No! | 0:21:18 | 0:21:21 | |
MUSIC: Feelin' Alright by Joe Cocker | 0:21:22 | 0:21:25 | |
MUSIC: Time Has Told Me by Nick Drake | 0:21:53 | 0:21:56 | |
RECORD ENDS | 0:22:03 | 0:22:05 | |
MUSIC: Morning Has Broken by Cat Stevens | 0:22:10 | 0:22:13 | |
Can you get me another glass, angel? | 0:22:19 | 0:22:21 | |
'I'd always been reasonably confident with girls. | 0:22:25 | 0:22:29 | |
'But this wasn't a girl.' | 0:22:29 | 0:22:30 | |
-Danny Baker, are you trying to get me drunk? -No. | 0:22:30 | 0:22:34 | |
'This was a woman - | 0:22:34 | 0:22:36 | |
'an experienced, proper, grown-up woman...' | 0:22:36 | 0:22:40 | |
SHE SIGHS | 0:22:40 | 0:22:41 | |
-Cat Stevens is so great, isn't he? -Yeah, he's terrific! | 0:22:41 | 0:22:45 | |
'..a woman who, at some point in the evening, had taken her drawers off.' | 0:22:45 | 0:22:49 | |
-BOOM -What was that? | 0:23:00 | 0:23:01 | |
FIRE CRACKLES | 0:23:03 | 0:23:04 | |
'Right, remember my brother's hand grenade? | 0:23:04 | 0:23:07 | |
'Well, earlier that week, he did give it back, like Mum had asked, | 0:23:07 | 0:23:10 | |
'to his mate, Peter Tulloch.' | 0:23:10 | 0:23:12 | |
Come on, you. Up you get.. | 0:23:12 | 0:23:14 | |
What's that? | 0:23:15 | 0:23:16 | |
Oh, it's all right, it's a dud. | 0:23:16 | 0:23:18 | |
-I don't give a monkey's. I don't want in the house. -Mum, I've just told you... | 0:23:18 | 0:23:21 | |
Bleeding bomb in the house - what's it coming to, eh? | 0:23:21 | 0:23:24 | |
'Now, apparently, | 0:23:25 | 0:23:27 | |
'compost undergoes a chemical reaction as it starts to rot. | 0:23:27 | 0:23:30 | |
'It can actually get quite hot. | 0:23:30 | 0:23:32 | |
'So, if you drop it on top of a hand grenade | 0:23:32 | 0:23:34 | |
'that everyone thinks is a dud, but actually isn't, | 0:23:34 | 0:23:37 | |
'well, after a couple of days...' | 0:23:37 | 0:23:39 | |
BOOM | 0:23:43 | 0:23:45 | |
What the bastard hell was that? | 0:23:45 | 0:23:47 | |
Spud! We're under attack! | 0:23:47 | 0:23:49 | |
Shaky! I've been looking for you all night - where you been? | 0:23:49 | 0:23:52 | |
Sorry, mate. It all got on top of me. | 0:23:52 | 0:23:54 | |
I suppose I just cracked up... | 0:23:54 | 0:23:56 | |
-It's aliens! -Aliens? | 0:23:58 | 0:24:01 | |
-That's number 52. -VOICES SHOUT FROM WINDOWS | 0:24:01 | 0:24:04 | |
That's the Tullochs'... | 0:24:04 | 0:24:05 | |
Seems to be from over your way. | 0:24:07 | 0:24:09 | |
Yeah, yeah, it does. | 0:24:09 | 0:24:11 | |
Listen, I'm going to go. | 0:24:12 | 0:24:14 | |
Yes...maybe you should. | 0:24:17 | 0:24:20 | |
'It's possible the whole thing | 0:24:20 | 0:24:22 | |
'had been a big game of bluff on her part. | 0:24:22 | 0:24:25 | |
'But as I retreated, tail between my legs, | 0:24:25 | 0:24:28 | |
'I realised that where sex education was concerned, | 0:24:28 | 0:24:31 | |
'it was back to school for me.' | 0:24:31 | 0:24:33 | |
I kept on knocking, but there's nobody in. | 0:24:35 | 0:24:38 | |
Don't know where Bet is. She should have been well home by now. | 0:24:38 | 0:24:42 | |
I've made a right idiot of myself, ain't I, Spud? | 0:24:42 | 0:24:45 | |
Nah, nah. No more than Benny Warriss. | 0:24:45 | 0:24:47 | |
Did you hear about that? | 0:24:47 | 0:24:49 | |
Jumped over the wall at Parkhurst, straight into an open sewer. | 0:24:49 | 0:24:52 | |
They stuck him in solitary, just cos of the smell. | 0:24:52 | 0:24:54 | |
DOG BARKS | 0:24:54 | 0:24:56 | |
-Hello! -Oh, she's here now. | 0:24:56 | 0:24:58 | |
Oh, hello, Shaky - shouldn't you be back up in your penthouse? | 0:24:58 | 0:25:01 | |
Well, you can have too much of a good thing, Bet. | 0:25:01 | 0:25:05 | |
Where have you been? | 0:25:05 | 0:25:07 | |
-I told you - I was on lates. -You said you were on earlies. | 0:25:07 | 0:25:10 | |
No, lates. I said lates. | 0:25:10 | 0:25:12 | |
But you went out early this morning. | 0:25:12 | 0:25:14 | |
Yeah, well, I had to go and get me hair done - | 0:25:14 | 0:25:16 | |
but they couldn't fit me in, so... | 0:25:16 | 0:25:18 | |
Anyway, I'm knackered. I'm going to go straight up. | 0:25:18 | 0:25:21 | |
-Night, Shaky. -Night, Bet. -See you in a bit. | 0:25:21 | 0:25:23 | |
-All right if I kip on your settee, Spud? -Yeah. | 0:25:23 | 0:25:26 | |
I'll turn meself in in the morning... | 0:25:26 | 0:25:28 | |
-WALLET PLOPS -Shaky? Dropped your wallet. | 0:25:29 | 0:25:32 | |
Oh, cheers, Spud. | 0:25:32 | 0:25:33 | |
Here, I've had an idea. | 0:25:34 | 0:25:37 | |
Instead of you turning yourself in tomorrow, | 0:25:37 | 0:25:40 | |
what if I was to do it? | 0:25:40 | 0:25:42 | |
Eh? | 0:25:42 | 0:25:43 | |
MUSIC: I Feel Free by Cream | 0:25:43 | 0:25:46 | |
-Hello, Spud! Come and sit here. -Are you sure? | 0:25:51 | 0:25:54 | |
Yeah, I'm just going, you can have him all to yourself. | 0:25:54 | 0:25:57 | |
-Bye, darling. See you next week. -See you later, darling. | 0:25:57 | 0:26:01 | |
-See you, Barbara. -Yeah, bye, darling. -Mind how you go. | 0:26:01 | 0:26:04 | |
So, have you settled in? | 0:26:04 | 0:26:06 | |
I'm struggling to get used to all this open space, Spud. | 0:26:06 | 0:26:08 | |
Have to get yourself a dog - take it for walks round E Wing. | 0:26:08 | 0:26:11 | |
Did you collect the reward money yet? | 0:26:11 | 0:26:13 | |
Yeah, picked it up this morning. | 0:26:13 | 0:26:14 | |
-They were fucking furious! -LAUGHTER | 0:26:14 | 0:26:17 | |
Nothing they can do, though - I was the one that brought you in. | 0:26:17 | 0:26:21 | |
Two and a half grand round to Jeanie's - | 0:26:21 | 0:26:22 | |
-I kept a monkey for meself, right? -And you're happy with that? | 0:26:22 | 0:26:25 | |
I was happy with the war record. Thanks very much for that, by the way. | 0:26:25 | 0:26:28 | |
So, you and Barbara, you're... you're back on, are you? | 0:26:28 | 0:26:31 | |
-Oh, she's an angel. -That's nice. | 0:26:31 | 0:26:33 | |
What you got - three months left, is it? | 0:26:33 | 0:26:35 | |
-Three days. -What do you mean, "three days"? | 0:26:35 | 0:26:37 | |
I'm having it on me toes again. | 0:26:39 | 0:26:41 | |
-What? -Well, this reward money stroke. | 0:26:41 | 0:26:43 | |
If it works once, it can work again and again. | 0:26:43 | 0:26:46 | |
But you can't go back up Jeanie's attic! | 0:26:46 | 0:26:48 | |
Never you mind about Jeanie's attic. | 0:26:48 | 0:26:49 | |
Barbara - she's got a cellar! | 0:26:51 | 0:26:53 |