Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# They say time will wait for no man | 0:00:05 | 0:00:09 | |
# They say time is on my side | 0:00:10 | 0:00:14 | |
# I can never make my mind up | 0:00:15 | 0:00:18 | |
# As it all goes whizzing by | 0:00:18 | 0:00:22 | |
# From the cradle to the grave | 0:00:22 | 0:00:25 | |
-# From the cradle to the grave -I know I won't be a slave | 0:00:25 | 0:00:30 | |
-# I know I won't be a slave -To the mistakes that I made | 0:00:30 | 0:00:35 | |
-# From the cradle -I won't go till I'm ready | 0:00:35 | 0:00:39 | |
# From the cradle to the grave. # | 0:00:39 | 0:00:42 | |
After 20 years in the docks, | 0:00:43 | 0:00:45 | |
it was time for a fresh start for my old man. | 0:00:45 | 0:00:47 | |
# We're the soldiers of the Queen, my lads | 0:00:47 | 0:00:50 | |
# Who've been, my lads Who've seen, my lads... # | 0:00:50 | 0:00:54 | |
He was going to join The Royal Division of Commissionaires. | 0:00:54 | 0:00:57 | |
# In the fight for England's glory, lads | 0:00:57 | 0:01:00 | |
# When we've had to show them what we mean | 0:01:00 | 0:01:03 | |
# And when we say we've always won... # | 0:01:03 | 0:01:05 | |
Oh, I do love a man in uniform. | 0:01:05 | 0:01:07 | |
My Wally was, first time I met him. | 0:01:07 | 0:01:09 | |
Yeah, Fred was as well, as it happens. | 0:01:09 | 0:01:11 | |
What, fighting Hitler? | 0:01:11 | 0:01:13 | |
No, he was on the run from the military police. | 0:01:13 | 0:01:15 | |
THEY LAUGH | 0:01:15 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:20 | |
Squad, halt! | 0:01:20 | 0:01:22 | |
Stand at ease! | 0:01:22 | 0:01:25 | |
Stand easy. | 0:01:25 | 0:01:26 | |
-Present arms! -LAUGHTER | 0:01:26 | 0:01:30 | |
This programme contains some strong language | 0:01:30 | 0:01:33 | |
This programme contains adult humour | 0:01:33 | 0:01:36 | |
Quick march! Up, left, left, left, left. | 0:01:36 | 0:01:42 | |
Does the City of London know what it's letting itself in for | 0:01:45 | 0:01:48 | |
with our lads? Blimey! | 0:01:48 | 0:01:50 | |
Come on, drink up, everyone! | 0:01:50 | 0:01:52 | |
It's going to last all week, this leavin' do. | 0:01:52 | 0:01:54 | |
CHEERING Leave somethin' for my wedding, Dad! | 0:01:54 | 0:01:57 | |
You know what your father's like - does nothin' by halves. | 0:01:57 | 0:02:00 | |
But amidst all the skimmish | 0:02:00 | 0:02:01 | |
and skirmish, there was one person who wasn't having a good time. Me. | 0:02:01 | 0:02:05 | |
Having made a complete lake of myself over the fabulous | 0:02:05 | 0:02:08 | |
Miss Blondel, I had allowed the true object of my desire to drift away. | 0:02:08 | 0:02:12 | |
Yvonne Speedie. | 0:02:12 | 0:02:14 | |
In her own deluded way, she had decided that Tony Gooche, | 0:02:14 | 0:02:17 | |
an apprentice butcher from the co-op, | 0:02:17 | 0:02:20 | |
was more of a catch than me - an unemployed drop out | 0:02:20 | 0:02:22 | |
pretending to his parents he was still at school. | 0:02:22 | 0:02:25 | |
Dan, this is Tina and Wendy. They want to ask you something. | 0:02:25 | 0:02:30 | |
I know you're going to think we're mad, right, | 0:02:30 | 0:02:32 | |
but we met him down the market and he said that your brother... | 0:02:32 | 0:02:36 | |
is David Essex. He's not, is he? | 0:02:36 | 0:02:38 | |
All the girls fancied David Essex and it had been mentioned | 0:02:40 | 0:02:44 | |
by a couple of my mates that I did look a bit like him. | 0:02:44 | 0:02:48 | |
# Jimmy Dean. # | 0:02:48 | 0:02:49 | |
-My brother? -Yeah, cos nobody likes him more than we do. | 0:02:49 | 0:02:53 | |
I'd marry him in, like, ten minutes. | 0:02:53 | 0:02:54 | |
Yeah, but I'd kill you on your wedding day. | 0:02:54 | 0:02:56 | |
-THEY LAUGH -Hey! So is he? | 0:02:56 | 0:02:59 | |
No. I promise, he definitely, definitely ain't. | 0:03:02 | 0:03:06 | |
Oh, my God, he is! He is! | 0:03:06 | 0:03:08 | |
Eh? How d'you figure that out? | 0:03:08 | 0:03:09 | |
Well, if you'd have said yeah, then we'd have known he weren't. | 0:03:09 | 0:03:12 | |
So if this is a party for your dad, | 0:03:12 | 0:03:14 | |
David Essex must be comin' too, yeah? | 0:03:14 | 0:03:17 | |
David Essex is not my brother. | 0:03:17 | 0:03:19 | |
-BOTH: -Oh, my God, he's coming! He's coming! | 0:03:19 | 0:03:22 | |
Just sit down. | 0:03:28 | 0:03:30 | |
At that precise moment, nobody knew where my actual brother, | 0:03:32 | 0:03:36 | |
Michael, was. | 0:03:36 | 0:03:37 | |
Worse still, neither did he, | 0:03:40 | 0:03:42 | |
having decided that tonight was going to be | 0:03:42 | 0:03:44 | |
the first in the Baker family to try LSD. | 0:03:44 | 0:03:48 | |
DRONING MUSIC | 0:03:48 | 0:03:51 | |
-Lackey. That's you now. -No. | 0:04:02 | 0:04:04 | |
Hey, you're going to be a right toady, | 0:04:04 | 0:04:07 | |
you'll have to be, Spuddy boy. | 0:04:07 | 0:04:08 | |
Them city blokes'll shout | 0:04:08 | 0:04:10 | |
-and you'll have to jump about all over the place. -Will they? | 0:04:10 | 0:04:12 | |
Give it a couple of weeks, we'll see who's working for who. | 0:04:12 | 0:04:15 | |
Everything goes through me, don't it? | 0:04:15 | 0:04:18 | |
-PHONE RINGS -All the people in and out, | 0:04:18 | 0:04:20 | |
all the parcels, all the mail. | 0:04:20 | 0:04:22 | |
There's plenty room for scope, don't you worry about that. | 0:04:22 | 0:04:26 | |
Spud! It's your boy on the phone. | 0:04:26 | 0:04:28 | |
Danny! Go and tell your bleeding brother to get down here! Go! | 0:04:28 | 0:04:33 | |
Let us talk to him after you! | 0:04:33 | 0:04:34 | |
-Hello. -'Danny?' | 0:04:38 | 0:04:40 | |
Hey, I'm in this fantastic place, mate. But it's too big. | 0:04:40 | 0:04:43 | |
I don't know if I'm going to be able to find me way out. | 0:04:45 | 0:04:49 | |
What shall I tell Dad? | 0:04:50 | 0:04:51 | |
Tell him... | 0:04:51 | 0:04:52 | |
It's all too beautiful! | 0:04:54 | 0:04:56 | |
'Wow. You should see this. | 0:05:00 | 0:05:03 | |
-'Wow, it's like a moving space...' -Yeah, all right, David. | 0:05:05 | 0:05:10 | |
If you're stuck in a recording studio, | 0:05:10 | 0:05:12 | |
there's nothing I can do, is there? | 0:05:12 | 0:05:13 | |
OK, there's some people dyin' to meet you. | 0:05:15 | 0:05:17 | |
THEY GIGGLE OK, bye, David. | 0:05:17 | 0:05:19 | |
-DISTORTED: -Come on, hurry up. | 0:05:22 | 0:05:24 | |
I've got a call to make. What you doing in there? | 0:05:24 | 0:05:26 | |
He's just a bit busy to make it down here tonight. | 0:05:26 | 0:05:29 | |
But, erm, now that you know, can you keep it to yourself, do me | 0:05:29 | 0:05:32 | |
a favour? You know, my mum and dad are just fed up with it all. | 0:05:32 | 0:05:34 | |
-Oh, I won't breathe a word. -Brilliant. | 0:05:34 | 0:05:36 | |
I promise. I haven't anyone to tell. | 0:05:39 | 0:05:42 | |
How about if I was his cousin? | 0:05:42 | 0:05:46 | |
Yeah, but you're not, are ya? | 0:05:46 | 0:05:48 | |
MUSIC: When The Levee Breaks by Led Zeppelin | 0:05:48 | 0:05:52 | |
And so began one of the more extraordinary episodes of my life. | 0:05:55 | 0:05:59 | |
One I'm ashamed to say I exploited to the full. | 0:06:04 | 0:06:09 | |
MUSIC: Rock On by David Essex | 0:06:11 | 0:06:14 | |
Over in the City... | 0:06:17 | 0:06:19 | |
Dad was facing his first day on the straight and narrow. | 0:06:19 | 0:06:21 | |
Do they work this hard all the time? | 0:06:21 | 0:06:23 | |
-Yes. -What for? | 0:06:23 | 0:06:25 | |
To keep the company's profits at a maximum! | 0:06:25 | 0:06:27 | |
What for? | 0:06:27 | 0:06:28 | |
Good morning, sir. | 0:06:28 | 0:06:30 | |
This is our new man on the front desk, Lance Corporal William Young. | 0:06:30 | 0:06:34 | |
Mr Carter, this is... Fred. | 0:06:34 | 0:06:37 | |
Or Spud, don't matter to me. | 0:06:37 | 0:06:38 | |
I thought you said his name was William? | 0:06:38 | 0:06:41 | |
Never mind all that - what do you do? | 0:06:41 | 0:06:43 | |
Mr Carter is the office manager. | 0:06:43 | 0:06:46 | |
The youngest in the company's history. | 0:06:46 | 0:06:48 | |
You report to me. | 0:06:48 | 0:06:50 | |
Oh, yeah? | 0:06:50 | 0:06:51 | |
I read in your military record that you served in Aden? | 0:06:51 | 0:06:54 | |
Mentioned in dispatches twice. | 0:06:54 | 0:06:56 | |
What do you remember about Aden from your time there? | 0:06:56 | 0:06:59 | |
-I don't remember a lot about it. I got blown up. -Blown up? | 0:06:59 | 0:07:02 | |
Yeah, right up in the air. | 0:07:02 | 0:07:04 | |
Because my sister lives in Aden. | 0:07:04 | 0:07:06 | |
Well, I don't think she had anything to do with it. | 0:07:06 | 0:07:09 | |
I'm sorry to monopolise you again, Bet. You seem to be spending | 0:07:18 | 0:07:22 | |
more time on my Sandra's wedding than your Sharon's. | 0:07:22 | 0:07:25 | |
Don't be so daft. | 0:07:25 | 0:07:27 | |
I'll miss our little meetings when this is all over - it's not the same | 0:07:30 | 0:07:33 | |
having to share you with everyone else in the canteen at work. | 0:07:33 | 0:07:37 | |
What's this? | 0:07:45 | 0:07:46 | |
My secret vice - night fishing. | 0:07:46 | 0:07:49 | |
Since Marion left, it's given me something to do of an evening. | 0:07:50 | 0:07:54 | |
You'd love it. Clear night, total silence, moonlight on the lake | 0:07:54 | 0:07:59 | |
and the chance of an eight-pound carp. | 0:07:59 | 0:08:02 | |
Huh. Well, I'll have to take your word for that. | 0:08:02 | 0:08:04 | |
I'll be two minutes. | 0:08:04 | 0:08:06 | |
Our local fishing tackle shop was run by a bloke called Orrie. | 0:08:15 | 0:08:19 | |
He was a lovely fella, a real character who, unfortunately, | 0:08:19 | 0:08:23 | |
suffered from...an affliction. | 0:08:23 | 0:08:25 | |
Hello, Keith, what can I get you? | 0:08:25 | 0:08:27 | |
-Pint of maggots, Orrie. -Righto. | 0:08:27 | 0:08:29 | |
Now Dad hated fishing. | 0:08:29 | 0:08:31 | |
But his mate Wally Shaw was obsessed with it. | 0:08:31 | 0:08:34 | |
Going to need some good 'uns tomorrow. | 0:08:34 | 0:08:36 | |
Competition down in Tankerton. | 0:08:36 | 0:08:38 | |
Oh, the all-nighter? Lovely. Your missus must be understanding. | 0:08:38 | 0:08:43 | |
I don't have a missus. | 0:08:43 | 0:08:45 | |
You can have mine if you want. | 0:08:45 | 0:08:47 | |
Now then, er, split shot, floats, bag of hooks, pint of maggots... | 0:08:49 | 0:08:54 | |
That'll be £2.10 and... FWAAAYYYY! | 0:08:54 | 0:08:58 | |
MUSIC: Fire On The Bayou by The Meters | 0:08:59 | 0:09:03 | |
And before you go off tellin' everyone, | 0:09:06 | 0:09:08 | |
that's the first big one I've done since January. | 0:09:08 | 0:09:11 | |
Right. Back to the fascinating world of seating plans. | 0:09:18 | 0:09:22 | |
-What's that?! -It's all right. | 0:09:23 | 0:09:25 | |
What's that? What's that? What's that? Oh, my good God! | 0:09:25 | 0:09:28 | |
-That's disgusting! -It's all right. | 0:09:28 | 0:09:30 | |
Hang on... No, you're all right, hang on! | 0:09:30 | 0:09:32 | |
SHE SCREAMS AND SOBS | 0:09:32 | 0:09:36 | |
You know, as soon as you tell people you are definitely, positively | 0:09:51 | 0:09:54 | |
not David Essex's brother, it's funny how quickly word gets around. | 0:09:54 | 0:09:58 | |
Excuse me. Can you give these to David Essex? | 0:09:58 | 0:10:01 | |
This is for him, and can he read this and sign this? | 0:10:01 | 0:10:05 | |
I'm his cousin, you know. | 0:10:05 | 0:10:06 | |
Yeah, you know I'm not actually his brother? | 0:10:06 | 0:10:09 | |
-GIGGLING -He is, he is! | 0:10:09 | 0:10:11 | |
I mean... I mean, I'm definitely not his cousin. | 0:10:11 | 0:10:13 | |
Oh, behave! | 0:10:13 | 0:10:14 | |
-Two strawberry milkshakes? -Yeah. | 0:10:14 | 0:10:16 | |
'The attention was nice, but it was really just a bit of a game. | 0:10:16 | 0:10:21 | |
'Until I met Heather.' | 0:10:21 | 0:10:22 | |
Excuse me, I couldn't help overhearing. | 0:10:28 | 0:10:31 | |
I mean, I know you really look like him, | 0:10:31 | 0:10:34 | |
but are you David Essex's brother? | 0:10:34 | 0:10:36 | |
Me? | 0:10:36 | 0:10:38 | |
Yeah. | 0:10:38 | 0:10:39 | |
Yeah, I am. | 0:10:42 | 0:10:44 | |
Wow. | 0:10:44 | 0:10:46 | |
MUSIC: Gonna Make You A Star by David Essex | 0:10:46 | 0:10:50 | |
Dad had promised Mum he'd make a go of his new job and - | 0:10:52 | 0:10:55 | |
to his credit - he'd managed to make it to lunchtime on day one. | 0:10:55 | 0:10:59 | |
Opens this door and there was this cabinet full of brandy, | 0:10:59 | 0:11:03 | |
scotch, vodka, she says, "One of your duties is to make | 0:11:03 | 0:11:05 | |
"sure that these boardroom decanters are always topped up." | 0:11:05 | 0:11:08 | |
And I thought, "Never mind the decanters, mate, | 0:11:08 | 0:11:10 | |
"I'll keep myself nice and topped up, thank you very much." | 0:11:10 | 0:11:13 | |
-LAUGHTER -I did. | 0:11:13 | 0:11:15 | |
I dunno, Spud. You gotta be careful, mate. | 0:11:15 | 0:11:17 | |
-It's a different game here. -He's right, Spud, it's a different game. | 0:11:17 | 0:11:20 | |
Nah, nah, nah - it's the same game, mate, | 0:11:20 | 0:11:22 | |
different turf, that's all. Same again? | 0:11:22 | 0:11:25 | |
Oh, er, I better bet getting back. | 0:11:25 | 0:11:27 | |
What the... Why? | 0:11:27 | 0:11:28 | |
I don't wanna be late first day, do I? | 0:11:28 | 0:11:31 | |
What's the matter with him? | 0:11:31 | 0:11:32 | |
Oh, sorry, mate. | 0:11:32 | 0:11:34 | |
He was always like that down the docks. | 0:11:34 | 0:11:36 | |
Whenever there was a strike, | 0:11:36 | 0:11:37 | |
that ponce was always the first to vote to go back. | 0:11:37 | 0:11:39 | |
No, nah, not you an all, Dickie? | 0:11:39 | 0:11:41 | |
It's my Mavis, Spud. I promised her. | 0:11:41 | 0:11:43 | |
I mean, what would Bet say if you buggered this up first day? | 0:11:43 | 0:11:45 | |
My Bet would rather I be me own man than cow-towed. | 0:11:45 | 0:11:49 | |
Mind how you go, Spud. | 0:11:49 | 0:11:50 | |
Come on, ladies, up you come, | 0:11:54 | 0:11:55 | |
otherwise you'll be like the bloke who missed the bus. Jobs on! | 0:11:55 | 0:11:58 | |
Can you hear me? | 0:11:58 | 0:12:00 | |
I'm saying, which are the King Edwards | 0:12:00 | 0:12:02 | |
and which are the Maris Piper? | 0:12:02 | 0:12:04 | |
My actual brother was still enthusiastically - | 0:12:04 | 0:12:07 | |
if recklessly - continuing his exploration of inner space. | 0:12:07 | 0:12:11 | |
The Navajo. They gave us potatoes. | 0:12:12 | 0:12:15 | |
I don't care if you got 'em from bleedin' Geronimo, | 0:12:15 | 0:12:17 | |
I want three pound of Maris Pipers. | 0:12:17 | 0:12:20 | |
DISTORTED MUSIC POTATO THUDS | 0:12:24 | 0:12:29 | |
What on earth are you doing? | 0:12:36 | 0:12:39 | |
Micky! What...? | 0:12:39 | 0:12:40 | |
Oh, no. | 0:12:40 | 0:12:42 | |
I've only gone and turned into a bloody snail, ain't I? | 0:12:44 | 0:12:46 | |
I'd asked Heather out to see David Essex's latest film. | 0:12:52 | 0:12:55 | |
And I'd had a brain wave about the tickets. | 0:12:55 | 0:12:58 | |
# Hold me close, don't let me go | 0:12:58 | 0:13:03 | |
# Oh, no. # | 0:13:03 | 0:13:06 | |
Where have you been? | 0:13:06 | 0:13:07 | |
Me dinner. | 0:13:07 | 0:13:08 | |
Dinner? You mean lunch. | 0:13:08 | 0:13:10 | |
-No, I mean me dinner. -So what do you have in the evenings? | 0:13:10 | 0:13:12 | |
-Tea. -Tea? So what do you drink? | 0:13:12 | 0:13:13 | |
That's very nice of you, I'll have a large brandy. | 0:13:13 | 0:13:16 | |
HE CHUCKLES | 0:13:16 | 0:13:18 | |
I'm not happy with your attitude, Young. | 0:13:18 | 0:13:20 | |
I've had underwriters on the phone still waiting for their | 0:13:20 | 0:13:23 | |
12.00 mail, people walking around without the proper permits. | 0:13:23 | 0:13:26 | |
No paper towels in the gents' toilet. | 0:13:26 | 0:13:28 | |
You ought to take a leaf out of your predecessor's book. | 0:13:28 | 0:13:30 | |
When I gave him an order, he carried it out. | 0:13:30 | 0:13:32 | |
They'll be carrying you out in a minute. | 0:13:32 | 0:13:35 | |
I beg your pardon. | 0:13:35 | 0:13:37 | |
Who do you think you are? | 0:13:38 | 0:13:40 | |
-Now you look here, my man... -Your man? | 0:13:40 | 0:13:42 | |
Let's get one thing straight. | 0:13:42 | 0:13:43 | |
You might be wearing a uniform, but you are nothing | 0:13:43 | 0:13:46 | |
but a glorified doorman. Do you understand? | 0:13:46 | 0:13:48 | |
If I've got an errand I need you to run, you bloody well run it! | 0:13:48 | 0:13:51 | |
Right, I tell you what. | 0:13:53 | 0:13:56 | |
Could I have a word with you in private, please, Mr Carter? | 0:13:56 | 0:13:59 | |
-CHOKING: -You've turned into a maniac! | 0:13:59 | 0:14:01 | |
-And you're about to turn into Superman. -What? | 0:14:01 | 0:14:04 | |
Cos in a minute you'll be flying out that fucking window. | 0:14:04 | 0:14:07 | |
Don't you ever talk to me like that again, | 0:14:07 | 0:14:09 | |
and in front of all them young girls! | 0:14:09 | 0:14:11 | |
Fred! Let him go! | 0:14:11 | 0:14:12 | |
Mr Launchberry, this is anarchy! | 0:14:12 | 0:14:13 | |
No. | 0:14:13 | 0:14:15 | |
This is bollocks. | 0:14:16 | 0:14:17 | |
Fred! Where are you going? | 0:14:21 | 0:14:23 | |
MUSIC: Locomotive Breath by Jethro Tull | 0:14:23 | 0:14:26 | |
-DOG BARKS -Oo-oo! | 0:14:26 | 0:14:28 | |
Hello. | 0:14:30 | 0:14:32 | |
Wasn't expecting you back so early. How'd it go? | 0:14:32 | 0:14:35 | |
Want a bacon sandwich? | 0:14:35 | 0:14:37 | |
I run into Smithfield Smutty down the market, got a pile of bacon. | 0:14:37 | 0:14:40 | |
-No, thanks. -I'll have one. -Here you are. | 0:14:40 | 0:14:42 | |
Here, haven't you got a wedding dress to be fitting in to? | 0:14:42 | 0:14:45 | |
I'm not havin' sauce on it. | 0:14:45 | 0:14:47 | |
Oh, well that's all right, then. | 0:14:47 | 0:14:49 | |
So, how did it go? | 0:14:49 | 0:14:51 | |
I jacked it in. | 0:14:51 | 0:14:53 | |
Eh? | 0:14:54 | 0:14:55 | |
Nah, just windin' you up. You should see your face. | 0:14:57 | 0:15:00 | |
Ohhh! | 0:15:00 | 0:15:02 | |
No, I was, er, just being shown the ropes today. | 0:15:02 | 0:15:04 | |
Half day, you know, first day and that. | 0:15:04 | 0:15:06 | |
Oh, thank God, I thought you were serious. | 0:15:06 | 0:15:08 | |
Don't do that to me again, you rotten sod. | 0:15:08 | 0:15:11 | |
No, it's going all right. | 0:15:11 | 0:15:12 | |
Take a bit of getting used to, though. | 0:15:12 | 0:15:14 | |
Good, where's Danny? | 0:15:15 | 0:15:18 | |
Don't think he's home yet. | 0:15:18 | 0:15:19 | |
Too busy tryin' to convince some poor cow down the caf | 0:15:19 | 0:15:22 | |
that he's David Essex's brother. | 0:15:22 | 0:15:23 | |
Is that why he's started dressing like a pikey? | 0:15:23 | 0:15:26 | |
This Donny Essex, does he work up at the fairground? | 0:15:26 | 0:15:29 | |
He's a pop star, Dad. | 0:15:29 | 0:15:31 | |
He's got an earring. | 0:15:31 | 0:15:32 | |
I think Danny's going to get one. | 0:15:32 | 0:15:34 | |
Oh, is he? His mother'll help him pack. | 0:15:34 | 0:15:36 | |
-Right, come on then, you, get 'em off. -What? | 0:15:37 | 0:15:41 | |
I'll press it for tomorrow. | 0:15:41 | 0:15:42 | |
Oh, I thought my luck was in then. | 0:15:42 | 0:15:44 | |
Where's your cap? | 0:15:44 | 0:15:46 | |
I threw it at some bloke when I walked out. | 0:15:46 | 0:15:48 | |
Here, Sissy Painter says if you do well in a job like this, | 0:15:50 | 0:15:53 | |
they keep you on for life. | 0:15:53 | 0:15:55 | |
Yeah, well, let's just see how it goes, eh. | 0:15:55 | 0:15:59 | |
'Living a double life wasn't easy for Dad. | 0:16:00 | 0:16:03 | |
'Whereas by now, I was an old hand.' | 0:16:03 | 0:16:05 | |
-See you, Dad. -Yeah! Yeah! | 0:16:05 | 0:16:07 | |
Back in his civvies, with a good breakfast inside him, | 0:16:15 | 0:16:17 | |
Dad headed straight for his favourite | 0:16:17 | 0:16:20 | |
bookies in Rotherhithe New Road. | 0:16:20 | 0:16:22 | |
Unfortunately, his route took him down Silwood Street, | 0:16:22 | 0:16:24 | |
where he ran into the only other person in the world, apart | 0:16:24 | 0:16:27 | |
from my mum, that he definitely did not want to see that day. | 0:16:27 | 0:16:31 | |
Spud! Oi, Spud! | 0:16:31 | 0:16:32 | |
Buckle Eyed Bill Pitts. | 0:16:32 | 0:16:34 | |
Dad was firmly of the opinion that if you looked a boss-eyed bloke | 0:16:34 | 0:16:37 | |
in the face before a bet, it brought you bad luck. | 0:16:37 | 0:16:40 | |
-Well, look, I just want a quick word with you. -No, not now! | 0:16:40 | 0:16:42 | |
I'm sure you can see two of me. Have a word with the other one. | 0:16:42 | 0:16:45 | |
I can get hold of some Hoovers and some hairdryers, you interested? | 0:16:45 | 0:16:48 | |
No, I'm not. Stay indoors! | 0:16:48 | 0:16:50 | |
Dad and Buckle went through the same pantomime every time | 0:16:50 | 0:16:53 | |
they saw each other. | 0:16:53 | 0:16:54 | |
Oi! Oi! Oi! What you doin'? How come you're not at school? | 0:16:56 | 0:17:01 | |
The, erm, the fire alarm went off. | 0:17:01 | 0:17:02 | |
Fire alarms? I'll give you fire alarms. | 0:17:02 | 0:17:05 | |
You're hoppin' it, ain't ya? And I've caught you. | 0:17:05 | 0:17:07 | |
When you go in tomorrow, don't ask for a note from me or your mother. | 0:17:07 | 0:17:11 | |
Oh! Dad... | 0:17:11 | 0:17:13 | |
I've left school. | 0:17:14 | 0:17:15 | |
Left school? When? | 0:17:17 | 0:17:19 | |
Ages ago. I been too scared to tell you. | 0:17:19 | 0:17:22 | |
So what you been doin' with yourself? Walking the streets? | 0:17:22 | 0:17:25 | |
Your mother is going to go potty. Where's your uniform? | 0:17:25 | 0:17:28 | |
-In here. -In there? That's deception, that is. | 0:17:28 | 0:17:32 | |
That's against the law - failure to maintain yourself. | 0:17:32 | 0:17:35 | |
What you going to do? | 0:17:35 | 0:17:37 | |
Photography? | 0:17:37 | 0:17:38 | |
Fuckin' photography. Huh! | 0:17:38 | 0:17:40 | |
I don't know what's happening to you, I really don't! | 0:17:40 | 0:17:43 | |
I have nightmares, nightmares you're going to wind up | 0:17:43 | 0:17:46 | |
workin' in a women's shoe shop. | 0:17:46 | 0:17:48 | |
-Dad? -What? | 0:17:48 | 0:17:50 | |
Well, where's your uniform? | 0:17:50 | 0:17:51 | |
Oh, bollocks. | 0:17:56 | 0:17:58 | |
Come on, let's go and have a drink. | 0:17:59 | 0:18:02 | |
A drink. What, like in a pub? | 0:18:02 | 0:18:04 | |
Yeah. Well you've left school now, ain't ya? | 0:18:04 | 0:18:07 | |
You're a funny kid, you are, God knows where you get it. | 0:18:07 | 0:18:10 | |
-Spud! -Fuck off, Baxter, don't look at him, son. Don't look at him! | 0:18:10 | 0:18:14 | |
Stay indoors! | 0:18:14 | 0:18:15 | |
Come on, Micky, how long you going to stare at them boxes? | 0:18:17 | 0:18:20 | |
DISSONANT MUSIC | 0:18:20 | 0:18:23 | |
Woman here wants two dozen golden plums. | 0:18:23 | 0:18:25 | |
All right, all right. | 0:18:25 | 0:18:27 | |
Golden plums. | 0:18:28 | 0:18:32 | |
-SHE SCREAMS -Jesus Christ! | 0:18:32 | 0:18:34 | |
He'll be all right. Whoa, it's his eye! | 0:18:34 | 0:18:37 | |
DOOR OPENS AND CLOSES | 0:18:39 | 0:18:42 | |
All right, good day at school. History was good. | 0:18:42 | 0:18:45 | |
And geography. | 0:18:48 | 0:18:50 | |
I've got some homework to do, so... | 0:18:53 | 0:18:55 | |
# Rock and roll me all night long, babe. # | 0:19:01 | 0:19:04 | |
All right! | 0:19:06 | 0:19:07 | |
Well, I've not had a bad day, got to know a few of 'em a bit better. | 0:19:09 | 0:19:14 | |
The guv'nor seems like a nice bloke. | 0:19:15 | 0:19:17 | |
This guv'nor - did he give you any good tips? | 0:19:18 | 0:19:22 | |
Eh? | 0:19:22 | 0:19:23 | |
For the horses? | 0:19:23 | 0:19:25 | |
Cos the only person you've seen today is Buckle-Eyed Bill Pitts | 0:19:25 | 0:19:29 | |
-on the way to the betting shop. He told me. -Nah. | 0:19:29 | 0:19:32 | |
I've...I've...I've been at work all day. | 0:19:32 | 0:19:34 | |
Yeah? | 0:19:34 | 0:19:35 | |
So what do you need a change of clothes for? | 0:19:38 | 0:19:40 | |
I knew it, boss-eyed blokes - always poxy bad luck! | 0:19:40 | 0:19:44 | |
This has got nothing to do with luck, Fred. | 0:19:44 | 0:19:46 | |
I wasn't even there ten minutes and I knew I wasn't cut out for it. | 0:19:47 | 0:19:51 | |
They said I was a glorified doorman. The lowest of the low. | 0:19:51 | 0:19:55 | |
Me, a doorman! | 0:19:55 | 0:19:57 | |
So why all this pantomime today? | 0:19:57 | 0:19:58 | |
I tried to tell you last night, but... | 0:19:58 | 0:20:01 | |
You just looked...heartbroken. | 0:20:03 | 0:20:05 | |
I am heartbroken. Now. | 0:20:08 | 0:20:09 | |
The way you lied to me. And creeping around behind my back? | 0:20:11 | 0:20:15 | |
And now we're back at square one. | 0:20:17 | 0:20:19 | |
All your dock money's gone on this...this wedding | 0:20:19 | 0:20:22 | |
we've got hurtling towards us, and then we going to do? | 0:20:22 | 0:20:26 | |
This was our chance to get straight. | 0:20:27 | 0:20:30 | |
Proper job, Fred. | 0:20:30 | 0:20:31 | |
You had a proper job. | 0:20:32 | 0:20:33 | |
-Let me tell you about that proper... -No, don't tell me nothin' | 0:20:33 | 0:20:36 | |
cos it'll all be balls, won't it? Cos that's what you do. | 0:20:36 | 0:20:40 | |
Treat me with contempt. | 0:20:40 | 0:20:41 | |
-Mum. -Danny, not now. | 0:20:42 | 0:20:44 | |
I haven't been going to school. | 0:20:44 | 0:20:46 | |
I left three weeks ago. | 0:20:47 | 0:20:49 | |
(Fucking hell!) | 0:20:49 | 0:20:51 | |
Sorry I lied to you. | 0:20:51 | 0:20:53 | |
I'll be back late tonight. | 0:20:55 | 0:20:57 | |
Bye. | 0:20:59 | 0:21:01 | |
Bye. | 0:21:01 | 0:21:02 | |
Where you goin'? | 0:21:14 | 0:21:16 | |
What's it matter? | 0:21:16 | 0:21:17 | |
Cos soon as anyone walks through that door, it's just | 0:21:18 | 0:21:21 | |
all a mystery, innit? | 0:21:21 | 0:21:22 | |
I'll see you in the morning. | 0:21:25 | 0:21:27 | |
The morning? What do you mean the morning? | 0:21:27 | 0:21:29 | |
PHONE RINGS | 0:21:29 | 0:21:32 | |
The phone's back on. | 0:21:34 | 0:21:36 | |
At least that's a bit of good news. | 0:21:36 | 0:21:38 | |
Hello? | 0:21:42 | 0:21:43 | |
You what? When? | 0:21:48 | 0:21:49 | |
His eyes - what you talkin' about, his eyes? | 0:21:51 | 0:21:53 | |
No, no, no, don't! I'm comin' up, right. I'm comin' up. | 0:21:55 | 0:21:59 | |
Bet! | 0:21:59 | 0:22:00 | |
Bet! | 0:22:01 | 0:22:02 | |
Bet! | 0:22:04 | 0:22:05 | |
BET! | 0:22:07 | 0:22:08 | |
MUSIC: Gonna Make You A Star by David Essex | 0:22:16 | 0:22:20 | |
PHONE RINGS | 0:22:33 | 0:22:35 | |
Hello. | 0:22:35 | 0:22:37 | |
Hello. | 0:22:37 | 0:22:39 | |
Joan? It's Fred. | 0:22:39 | 0:22:41 | |
Is Bet with you? | 0:22:41 | 0:22:42 | |
No, no, I've tried there. | 0:22:44 | 0:22:46 | |
And there. | 0:22:47 | 0:22:48 | |
And there. Yeah! | 0:22:50 | 0:22:52 | |
# I'm gonna make you a star... # | 0:22:53 | 0:22:56 | |
So I was officially going out with the best looking girl that I | 0:22:56 | 0:22:59 | |
or any of my mates had ever seen. And now, it was back to her place. | 0:22:59 | 0:23:04 | |
THEY LAUGH | 0:23:09 | 0:23:11 | |
Will I do it? | 0:23:11 | 0:23:12 | |
-Louise? -'Heather?' | 0:23:19 | 0:23:20 | |
It's me. Guess who I'm with! | 0:23:20 | 0:23:22 | |
-'Who?' -David Essex's brother. | 0:23:22 | 0:23:24 | |
-'No!' -Here, say hello. | 0:23:24 | 0:23:26 | |
'Oh, my God! Hello?' | 0:23:26 | 0:23:29 | |
-Hello? -'Are you really David Essex's brother?' | 0:23:29 | 0:23:31 | |
Yeah. Yes, I am. | 0:23:31 | 0:23:33 | |
-'Can you say hello to him for me?' -Yes, I will. | 0:23:33 | 0:23:36 | |
'What is his favourite food?' | 0:23:36 | 0:23:38 | |
Er... Steak and chips, but he does like fish fingers too. | 0:23:38 | 0:23:42 | |
'I like fish fingers.' | 0:23:42 | 0:23:43 | |
See, I told you. I'll call you tomorrow. | 0:23:43 | 0:23:47 | |
Well, now that's done. Shall we go back to yours? | 0:23:47 | 0:23:51 | |
Not yet - I've got a load more people I want you to speak to first. | 0:23:51 | 0:23:55 | |
CHATTER AND LAUGHTER | 0:24:00 | 0:24:04 | |
-Hello, brother Baker. -Hello, Spud, you all right? | 0:24:07 | 0:24:10 | |
Allow me to furnish you with some strong water. Sit, sit. | 0:24:10 | 0:24:12 | |
No, you're all right, Bill. | 0:24:12 | 0:24:14 | |
-On your own, Fred? -You haven't see Bet, have you? | 0:24:14 | 0:24:16 | |
-No. What's the matter? -I haven't spoken to her since yesterday. | 0:24:16 | 0:24:19 | |
-You all right? -No, it's Michael, he's in the hospital. | 0:24:19 | 0:24:21 | |
-He's put his eye out. -THEY GROAN | 0:24:21 | 0:24:23 | |
Yeah, I need to find her, I've looked everywhere I could think of. | 0:24:23 | 0:24:26 | |
Oh, my goodness... Er, pictures? | 0:24:26 | 0:24:27 | |
No, she wouldn't go on her own. She said she might be out all night. | 0:24:27 | 0:24:30 | |
-All night? -Oh, we had a row or something. | 0:24:30 | 0:24:33 | |
Erm, where's she going to go all night? | 0:24:33 | 0:24:35 | |
Look, ask around for us, will you? | 0:24:35 | 0:24:36 | |
I'm going to shoot round her sister's. | 0:24:36 | 0:24:38 | |
If she turns up, Michael's in the Royal Eye Hospital. | 0:24:38 | 0:24:40 | |
OK, all right. | 0:24:40 | 0:24:42 | |
-Frank, have you seen Bet? -No, mate. | 0:24:42 | 0:24:44 | |
-Hope he's all right. -Me too. | 0:24:47 | 0:24:49 | |
Spud! | 0:24:52 | 0:24:53 | |
What? | 0:24:53 | 0:24:55 | |
What? | 0:24:57 | 0:24:58 | |
I know where she might be. | 0:24:59 | 0:25:01 | |
Do you mind? | 0:25:04 | 0:25:06 | |
Get out of it! | 0:25:06 | 0:25:07 | |
What am I doing out here? I must be puggled! | 0:25:08 | 0:25:10 | |
Fishing, I'll give you fishing. | 0:25:12 | 0:25:14 | |
Come on, where are the pair of you? | 0:25:17 | 0:25:19 | |
Can't you see there's a competition in progress? | 0:25:19 | 0:25:21 | |
If it's a competition to see who gets a right-hander, | 0:25:21 | 0:25:24 | |
you're going to win it, mate. | 0:25:24 | 0:25:26 | |
Fuck you, Wally, and your hunches. | 0:25:26 | 0:25:29 | |
Come all the way out here for nothing. | 0:25:29 | 0:25:31 | |
Fred? | 0:25:31 | 0:25:32 | |
Bet? | 0:25:34 | 0:25:35 | |
I don't believe it. What the bleedin' 'ell are you doing here? | 0:25:35 | 0:25:38 | |
Getting some peace and quiet. | 0:25:38 | 0:25:41 | |
Hello, Fred. | 0:25:41 | 0:25:42 | |
-"Hello, Fred?" -Let's not be silly. | 0:25:42 | 0:25:44 | |
I hope you can swim, mate, cos you're going straight in that drink | 0:25:44 | 0:25:47 | |
-when I get hold of you. -Fred, nobody's getting hold of anybody. | 0:25:47 | 0:25:50 | |
I should hope not - but you'd know about that, Bet, wouldn't you? | 0:25:50 | 0:25:53 | |
Well, I couldn't stay indoors no more. | 0:25:53 | 0:25:56 | |
You are driving me mad, Fred, everything is. | 0:25:56 | 0:26:00 | |
We were just fishing... | 0:26:00 | 0:26:01 | |
Can't you deal with this in private? | 0:26:01 | 0:26:02 | |
I'll deal with you in private in a minute, mate. | 0:26:02 | 0:26:05 | |
Keith, where are you going? | 0:26:07 | 0:26:08 | |
This isn't my thing. I'm sorry. | 0:26:08 | 0:26:11 | |
We've done nothing wrong! | 0:26:11 | 0:26:12 | |
I've done nothing wrong, Fred. | 0:26:12 | 0:26:14 | |
Get, you long streak of piss! | 0:26:14 | 0:26:16 | |
Answer me this, what's the attraction to him? | 0:26:16 | 0:26:19 | |
What is all this about? | 0:26:19 | 0:26:20 | |
Well, answer me. | 0:26:22 | 0:26:27 | |
I am answering you, Fred. | 0:26:27 | 0:26:29 | |
What? | 0:26:29 | 0:26:31 | |
He listens, get it? | 0:26:31 | 0:26:34 | |
He listens to me. | 0:26:34 | 0:26:36 | |
Yeah, well... | 0:26:36 | 0:26:39 | |
Michael's in hospital. | 0:26:39 | 0:26:42 | |
-What? -You can do what you fuckin' want, but our boy's in hospital. | 0:26:42 | 0:26:45 | |
What's the matter with him? | 0:26:45 | 0:26:47 | |
-They reckon he's lost his eye. -Oh, God! When? | 0:26:47 | 0:26:50 | |
This afternoon. | 0:26:50 | 0:26:52 | |
Oh, my good God! I've got to get there. | 0:26:52 | 0:26:54 | |
Yeah, I tried to find you earlier. | 0:26:54 | 0:26:58 | |
But you'd gone fishing. | 0:26:58 | 0:26:59 | |
Where are you parked? | 0:26:59 | 0:27:01 | |
Huh! I thought you'd be going home with him! | 0:27:01 | 0:27:03 | |
Well, I shall tell the hospital he can have one of my eyes. | 0:27:03 | 0:27:07 | |
Michael can have one of my eyes! | 0:27:07 | 0:27:08 | |
If he's having anyone's eye, he's having mine. | 0:27:08 | 0:27:11 | |
-Oh, God! -My eye! | 0:27:11 | 0:27:12 | |
Are you sure your parents won't be awake? | 0:27:15 | 0:27:18 | |
No. They go to bed at ten every night. It's fine. | 0:27:18 | 0:27:21 | |
I plan these things very carefully. | 0:27:25 | 0:27:28 | |
DOG BARKING IN DISTANCE | 0:27:28 | 0:27:31 | |
Come here! | 0:27:44 | 0:27:45 | |
Heather. | 0:27:48 | 0:27:49 | |
Oh... | 0:27:49 | 0:27:50 | |
Are you Danny? | 0:27:54 | 0:27:55 | |
Yeah. We were just... | 0:27:55 | 0:27:57 | |
Your sister called. Your brother's had an accident. | 0:27:57 | 0:28:00 | |
What? Is it bad? | 0:28:00 | 0:28:02 | |
He's at the London Eye Hospital. I think it's serious. | 0:28:02 | 0:28:05 | |
Er... OK! I'm going to have to go. | 0:28:05 | 0:28:08 | |
Um... I'll see you. Thanks. | 0:28:08 | 0:28:10 | |
Poor boy. | 0:28:12 | 0:28:13 | |
David Essex is in the hospital! | 0:28:15 | 0:28:17 | |
# They say time'll wait for no man | 0:28:19 | 0:28:24 | |
# They say time is on my side | 0:28:24 | 0:28:29 | |
# I can never make my mind up | 0:28:29 | 0:28:33 | |
# As it all goes whizzing by | 0:28:33 | 0:28:36 | |
# From the cradle to the grave | 0:28:36 | 0:28:39 | |
-# From the cradle to the grave -I know I won't be a slave | 0:28:39 | 0:28:43 | |
# I know I won't be a slave... # | 0:28:43 | 0:28:45 |