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This programme contains some strong language | 0:00:02 | 0:00:07 | |
# They say time will wait for no man | 0:00:07 | 0:00:10 | |
# They say time is on my side | 0:00:10 | 0:00:14 | |
# I can never make my mind up | 0:00:14 | 0:00:18 | |
# Cos it all goes whizzing by | 0:00:18 | 0:00:22 | |
# From the cradle to the grave | 0:00:22 | 0:00:25 | |
# From the cradle to the grave | 0:00:25 | 0:00:28 | |
-# I know I won't be a slave -I know I won't be a slave | 0:00:28 | 0:00:32 | |
-# To the mistakes that I made -From the cradle | 0:00:32 | 0:00:36 | |
# And I won't go till I'm ready | 0:00:36 | 0:00:39 | |
# From the cradle to the grave. # | 0:00:39 | 0:00:42 | |
This programme contains some strong language. | 0:00:42 | 0:00:48 | |
-Well? -Well what? | 0:00:48 | 0:00:51 | |
You're supposed to tell me I look gorgeous. | 0:00:51 | 0:00:53 | |
I don't know what you're asking me for. I've only got one eye. | 0:00:53 | 0:00:57 | |
Yeah, you look great. | 0:00:58 | 0:01:00 | |
It's a nice colour. | 0:01:00 | 0:01:02 | |
-Ahh, give us that. -You've got a wedding dress on. | 0:01:03 | 0:01:06 | |
-Dog's just laid on that. -I don't care I'm starving. | 0:01:06 | 0:01:09 | |
-Mum back yet? -Can't be, the old man's in a good mood. | 0:01:12 | 0:01:15 | |
How long will they keep up this silent treatment? | 0:01:15 | 0:01:17 | |
-Ain't said a word to each other for the last week. -A week? Try three. | 0:01:17 | 0:01:20 | |
I can't remember the last time he asked her | 0:01:20 | 0:01:22 | |
to help him look for something. | 0:01:22 | 0:01:24 | |
What? What do you mean "look for something"? | 0:01:24 | 0:01:27 | |
Don't be a prize prick. | 0:01:28 | 0:01:30 | |
You know, when you go upstairs and the bedroom door's locked... | 0:01:30 | 0:01:33 | |
-Who is it? -It's me. | 0:01:41 | 0:01:44 | |
-What do you want? -Can I see Mum a minute? | 0:01:44 | 0:01:46 | |
You can't. She's busy. She's helping me look for something. | 0:01:46 | 0:01:50 | |
Oh...is that...what the...that is? | 0:01:50 | 0:01:53 | |
Yeah, yeah, let's not talk about it any more. | 0:01:53 | 0:01:56 | |
So, erm, will you be helping Roger look for something tonight then? | 0:01:56 | 0:01:59 | |
Ah, don't be disgusting. | 0:01:59 | 0:02:00 | |
Anyway, Mum better be home soon cos I need help with my hair. | 0:02:00 | 0:02:04 | |
# Woman, I want to go down and drown in you | 0:02:11 | 0:02:18 | |
# Woman, oh, let my love cut your sorrow in two | 0:02:20 | 0:02:28 | |
# Woman, oh, why don't you cry all over me | 0:02:28 | 0:02:34 | |
# Woman, oh, why don't you cry | 0:02:36 | 0:02:40 | |
# Why don't you cry, oh | 0:02:42 | 0:02:44 | |
# Why don't you cry all over me | 0:02:44 | 0:02:48 | |
# Woman, why don't you... # | 0:02:53 | 0:02:56 | |
PHONE RINGS | 0:02:56 | 0:02:58 | |
-Hello? -Hello? Hello, Keith? | 0:02:58 | 0:03:02 | |
Bet? | 0:03:02 | 0:03:04 | |
-How's your wedding day going? -Great. How's yours? | 0:03:04 | 0:03:07 | |
It's funny. I always thought I'd be a bundle of nerves, you know... | 0:03:07 | 0:03:10 | |
like, in floods. | 0:03:10 | 0:03:13 | |
I just... I feel a bit numb. | 0:03:13 | 0:03:16 | |
Today's stirring up all sorts of old ghosts. | 0:03:17 | 0:03:20 | |
Have you thought any more about what I said? | 0:03:20 | 0:03:23 | |
Yeah, I have. | 0:03:23 | 0:03:24 | |
But, er, I'm just going to put it to the back of me mind for today, | 0:03:25 | 0:03:31 | |
if that's possible. | 0:03:31 | 0:03:32 | |
Well, I'm here for you, you know that. | 0:03:32 | 0:03:35 | |
And I'm a very patient person. | 0:03:37 | 0:03:39 | |
Thank you. Thank you. | 0:03:46 | 0:03:48 | |
-Here's the son of David Essex. -Yeah. | 0:03:51 | 0:03:54 | |
Here, somebody tell him only the bride's supposed to wear white. | 0:03:54 | 0:03:57 | |
-Oh, no, that only applies to girls. -Yeah, that's why I said it. | 0:03:57 | 0:04:00 | |
-Only the bride's supposed to wear white. -Brilliant. | 0:04:00 | 0:04:02 | |
Serves you right if that vicar | 0:04:06 | 0:04:08 | |
marries you to Roger instead of her. | 0:04:08 | 0:04:10 | |
You're the one that'll have to shag him tonight. | 0:04:10 | 0:04:12 | |
Well, that's lovely to hear on my wedding day. | 0:04:12 | 0:04:14 | |
Now, don't forget, | 0:04:14 | 0:04:15 | |
I want to see all of you down at reception tonight, no exceptions. | 0:04:15 | 0:04:18 | |
I'm going to be skint tomorrow. | 0:04:18 | 0:04:20 | |
It's the last chance to get nice and tasty on my pound note, | 0:04:20 | 0:04:23 | |
-you hear me? -OTHERS: -Yeah. | 0:04:23 | 0:04:25 | |
'As a neighbour, my old girlfriend Yvonne was invited to the reception. | 0:04:25 | 0:04:29 | |
'But any plans I had to get back with her looked dead as a dodo.' | 0:04:29 | 0:04:33 | |
All right, Chas? | 0:04:33 | 0:04:34 | |
Be...be weird, having a spare room in the house, won't it? | 0:04:34 | 0:04:37 | |
-We ain't. That's where you're going. -What? | 0:04:39 | 0:04:41 | |
No, I won't get all me records in there - it's a shoebox. | 0:04:41 | 0:04:43 | |
Yeah, and I won't be able to get all my birds in our room | 0:04:43 | 0:04:45 | |
not with you lurking around. | 0:04:45 | 0:04:47 | |
I'm just going for a slash. | 0:04:47 | 0:04:48 | |
-You all right, girl? -She's all right. | 0:04:50 | 0:04:53 | |
I am, Mum. Do you know what? I'm not even nervous. | 0:04:53 | 0:04:56 | |
I knew this day would come from the first time I met Roger. | 0:04:56 | 0:05:00 | |
Does that sound funny? | 0:05:00 | 0:05:02 | |
No, love. | 0:05:04 | 0:05:06 | |
He's took my bag! | 0:05:11 | 0:05:13 | |
Don't worry, Bet, that's Freddie Baker. That's what he does. | 0:05:13 | 0:05:16 | |
I thought he was supposed to be in Germany. | 0:05:16 | 0:05:18 | |
What do you mean that's what he does? | 0:05:18 | 0:05:20 | |
-Oh, he usually brings them back. -Usually?! | 0:05:20 | 0:05:23 | |
Give me back my bag, you thief. | 0:05:24 | 0:05:26 | |
Blimey! Can half run fast, Betty Lockwood. | 0:05:26 | 0:05:29 | |
We could do with you down Millwall. | 0:05:29 | 0:05:31 | |
My bag, please. | 0:05:31 | 0:05:32 | |
It was your mate Angie's I was after, | 0:05:32 | 0:05:34 | |
but she had hers over her arm so... | 0:05:34 | 0:05:37 | |
-How is she, Angie? -Engaged, thank you very much. | 0:05:37 | 0:05:41 | |
All right, here you go. | 0:05:41 | 0:05:45 | |
Oh, and, er, give this one to Mary Windsor when you see her. | 0:05:45 | 0:05:49 | |
How many bags you got? | 0:05:49 | 0:05:50 | |
I just like to see which one wants me the most. | 0:05:50 | 0:05:52 | |
Well, I'd be careful - my last boyfriend was a copper. | 0:05:53 | 0:05:57 | |
Your last boyfriend? | 0:05:57 | 0:05:58 | |
Blimey, you're a quick worker. How old are you now then, 17? | 0:05:58 | 0:06:01 | |
I will be next week. | 0:06:01 | 0:06:02 | |
Anyway, aren't you meant to be in Germany? | 0:06:02 | 0:06:04 | |
The war's over, they don't need me. | 0:06:04 | 0:06:06 | |
If they catch you, they'll lock you up. | 0:06:06 | 0:06:07 | |
They ain't found Hitler yet, they ain't interested in me. | 0:06:07 | 0:06:10 | |
I am interested in you, though, Betty. | 0:06:10 | 0:06:13 | |
Or Angie or Mary Windsor. | 0:06:14 | 0:06:17 | |
'70s DANCE MUSIC PLAYS | 0:06:20 | 0:06:22 | |
Aww, wish my Susan had got married in something like that. | 0:06:29 | 0:06:33 | |
Your Susan ain't got married at all. | 0:06:33 | 0:06:35 | |
You know when they say radiant? That's what that is, that dress. | 0:06:35 | 0:06:38 | |
Radiant. | 0:06:38 | 0:06:40 | |
Here, did your Bet run that dress up herself? | 0:06:40 | 0:06:43 | |
Did she bollocks! That's 220 quid going down to Larkin. | 0:06:43 | 0:06:46 | |
-No. -And she only get's to wear it once. | 0:06:46 | 0:06:49 | |
Don't worry, I'll get the value out of it, | 0:06:49 | 0:06:51 | |
even if I have to wear it myself. | 0:06:51 | 0:06:53 | |
-I wore a dress once. -You what? -Eh? | 0:06:53 | 0:06:56 | |
-Was in a school play. -It still counts. | 0:06:57 | 0:07:00 | |
Yeah, nonce. | 0:07:00 | 0:07:01 | |
Here, shouldn't you be over there with your Bet? | 0:07:01 | 0:07:03 | |
Yeah. I ought to be. | 0:07:03 | 0:07:06 | |
Still no thaw then? | 0:07:07 | 0:07:09 | |
Thaw? Oh, I'm fine, Lil. It's our daughter's wedding day. | 0:07:09 | 0:07:13 | |
As long as he don't start nothing, I won't. | 0:07:13 | 0:07:15 | |
But I ain't going round putting a show on for everyone. | 0:07:15 | 0:07:18 | |
# Wrap up some red roses For a blue lady... # | 0:07:21 | 0:07:27 | |
My old man was one of 12 Baker children, | 0:07:27 | 0:07:29 | |
the best known family on the Isle Of Dogs. | 0:07:29 | 0:07:31 | |
Mum was very shy and had convinced herself | 0:07:31 | 0:07:34 | |
that having one of the Baker boys as her fella | 0:07:34 | 0:07:36 | |
was well out of her league. | 0:07:36 | 0:07:38 | |
# I'll hurry back and pick | 0:07:38 | 0:07:39 | |
# Your best white orchids for her wedding gown. # | 0:07:39 | 0:07:46 | |
Oh, lovely. | 0:07:46 | 0:07:48 | |
Oh, Freddie, you were marvellous. Just like Vic Damone. | 0:07:52 | 0:07:55 | |
-Yeah, just like him. -There you go, mate. | 0:07:55 | 0:07:56 | |
-Get this one down you. -Cheers. | 0:07:56 | 0:07:58 | |
-Hello again. -Oh, hello, you. | 0:07:58 | 0:08:01 | |
-What do you think? -Yeah, it's all right. | 0:08:01 | 0:08:04 | |
Well, we think he looks like Vic Damone and all. | 0:08:04 | 0:08:06 | |
You was out in Germany with him, weren't you, Freddie? | 0:08:06 | 0:08:09 | |
-Yeah, Vic Damone. Yeah. -Sing another one for us, Freddie. | 0:08:09 | 0:08:11 | |
Give us a minute and I will, yeah. | 0:08:11 | 0:08:14 | |
So, how have you been keeping? | 0:08:14 | 0:08:15 | |
The only people you were singing with in Germany | 0:08:15 | 0:08:17 | |
were the military police. | 0:08:17 | 0:08:18 | |
All right, all right, keep it down. | 0:08:18 | 0:08:21 | |
-So, do you want a drink? -No, I won't. | 0:08:21 | 0:08:24 | |
Thanks for asking me out tonight though. | 0:08:24 | 0:08:26 | |
-I better be off now. -Oh, really? | 0:08:26 | 0:08:28 | |
Yeah. You've got plenty of admirers to keep you company. | 0:08:28 | 0:08:31 | |
I was only chatting. | 0:08:31 | 0:08:33 | |
Well, don't let me stop you. | 0:08:33 | 0:08:34 | |
Bye. | 0:08:35 | 0:08:36 | |
And the kid says, "You can do what you like, love. | 0:08:38 | 0:08:41 | |
"I'm a jockey on me way to New Market." | 0:08:41 | 0:08:43 | |
Come on, Bet, love. If Roger turns out to be half the bloke Fred is, | 0:08:48 | 0:08:52 | |
Sharon won't have done bad for herself. | 0:08:52 | 0:08:54 | |
Well, maybe Fred ain't quite the bloke you all think he is. | 0:08:54 | 0:08:57 | |
What you doing out here? Jacking me in, are you? Had enough? | 0:09:00 | 0:09:04 | |
I'm having a baby. | 0:09:06 | 0:09:07 | |
What you talking about "baby"? Who's baby? | 0:09:07 | 0:09:10 | |
Your baby? What, my baby? | 0:09:10 | 0:09:13 | |
Well, who else's do you think it is? | 0:09:13 | 0:09:14 | |
I'm not like you, am I? | 0:09:14 | 0:09:15 | |
Well...what about that copper you was going with? | 0:09:15 | 0:09:18 | |
-Who, Tom? -Yeah. | 0:09:18 | 0:09:20 | |
Fred, we've been split up a year. | 0:09:20 | 0:09:23 | |
How do you think pregnancy works? | 0:09:23 | 0:09:25 | |
You sure it's mine? | 0:09:26 | 0:09:27 | |
Any baby I have must be yours. All right? | 0:09:27 | 0:09:30 | |
Fucking hell. Erm... | 0:09:32 | 0:09:33 | |
Well, there it is. That's it, then. | 0:09:34 | 0:09:38 | |
-What? -I'm lumbered. | 0:09:38 | 0:09:40 | |
Oh. Oh, that's nice. | 0:09:40 | 0:09:42 | |
Oh, come on, I didn't mean it like that. | 0:09:42 | 0:09:43 | |
Freddie, your public needs you. | 0:09:43 | 0:09:45 | |
Come on, Baker, there's several sizzling women in there | 0:09:45 | 0:09:48 | |
-waiting for you. -Well, Fred? | 0:09:48 | 0:09:49 | |
-Come back in. -Come on. | 0:09:50 | 0:09:53 | |
# I have often walked... # | 0:09:53 | 0:09:55 | |
Your audience needs you. | 0:09:55 | 0:09:57 | |
# ..on this street before | 0:09:57 | 0:10:01 | |
# But the pavement always stayed beneath my feet before. # | 0:10:01 | 0:10:07 | |
Mum, go on and talk to Dad. | 0:10:09 | 0:10:11 | |
I've been talking to him for 25 years, | 0:10:11 | 0:10:13 | |
let me have the night off, ey? | 0:10:13 | 0:10:14 | |
Blimey, Bet, Joey Churcher. Hide your jewellery. | 0:10:18 | 0:10:21 | |
See, that is what I am talking about. | 0:10:22 | 0:10:24 | |
Who invites one of the Churchers to his own daughter's wedding? | 0:10:24 | 0:10:27 | |
Might as well have one of the Kray brothers here. | 0:10:27 | 0:10:30 | |
Yeah, go on, Fred, buy him a drink. | 0:10:30 | 0:10:32 | |
Even today he can't leave it alone, wheeling and bleeding dealing. | 0:10:32 | 0:10:35 | |
Oh, no. Here comes Uncle Frank. | 0:10:38 | 0:10:40 | |
Come on, everyone, join in! | 0:10:40 | 0:10:42 | |
In a minute, Frank, I'll have a go in a minute. | 0:10:42 | 0:10:44 | |
Can't stand nothing like that. | 0:10:44 | 0:10:46 | |
That's one thing me and Fred have got in common. | 0:10:46 | 0:10:48 | |
Come on, let's go outside before silly balls commandeers us. | 0:10:50 | 0:10:53 | |
All right, it's true. I am. | 0:10:58 | 0:11:02 | |
But now that you know, you've got to understand | 0:11:02 | 0:11:04 | |
I only share this secret with very close friends. | 0:11:04 | 0:11:08 | |
Wow. Can I ask one thing? | 0:11:08 | 0:11:11 | |
If this is his sister's wedding, how come David Essex ain't here? | 0:11:11 | 0:11:14 | |
Well, success has overtaken him | 0:11:14 | 0:11:15 | |
and David's career has to come first during this hectic period. | 0:11:15 | 0:11:18 | |
Can I talk to you? | 0:11:18 | 0:11:20 | |
-How long have you been there? -Long enough. | 0:11:20 | 0:11:23 | |
Won't be a minute. | 0:11:23 | 0:11:24 | |
I cannot believe you're still pulling this David Essex crap. | 0:11:25 | 0:11:28 | |
-What? I'm...I'm not. -Right. | 0:11:28 | 0:11:31 | |
So you're wearing a white suit, you're doing that silly smile, | 0:11:31 | 0:11:33 | |
and you've got this thing around your neck | 0:11:33 | 0:11:35 | |
-for nothing then, have you? -I actually can't get this off. | 0:11:35 | 0:11:38 | |
Listening to you with them was making my toes curl. | 0:11:38 | 0:11:40 | |
OK? It's like you've gone mad. | 0:11:40 | 0:11:42 | |
I don't know what to do any more. | 0:11:44 | 0:11:45 | |
I've told too many girls now, they'll kill me. | 0:11:45 | 0:11:48 | |
Why can't you just go back to being yourself? | 0:11:48 | 0:11:50 | |
It was good enough for me. | 0:11:50 | 0:11:51 | |
-So, have we got a deal? -Here, we got a deal. | 0:11:53 | 0:11:56 | |
You happy with that? | 0:11:58 | 0:12:00 | |
I've got to be. I've never done anything like this in my life. | 0:12:00 | 0:12:04 | |
And there's definitely no risk with it? | 0:12:04 | 0:12:06 | |
Risk? Come on, Spud, it's a straightforward number. | 0:12:06 | 0:12:09 | |
You know me. | 0:12:09 | 0:12:10 | |
Yeah, I do indeed, Joey. | 0:12:10 | 0:12:14 | |
-God knows what Bet will say... -Come on, everyone! Join in. | 0:12:14 | 0:12:18 | |
Follow me. | 0:12:19 | 0:12:21 | |
Frank, there's nobody's behind you. | 0:12:21 | 0:12:23 | |
Fuck's sake. | 0:12:25 | 0:12:27 | |
We're looking for a Reginald Armitage. | 0:12:27 | 0:12:29 | |
Armitage you say? | 0:12:29 | 0:12:31 | |
-Nah, not here. -Also known as Leonard John Whitby. | 0:12:31 | 0:12:34 | |
Also known as Frederick Joseph Baker. | 0:12:35 | 0:12:36 | |
-Oh, Freddie? -Oh, so he does live here. | 0:12:36 | 0:12:39 | |
Upstairs, first floor. | 0:12:40 | 0:12:43 | |
He's out but his wife's in. | 0:12:43 | 0:12:45 | |
Police, open up. | 0:12:45 | 0:12:48 | |
-Hello? -Bet? | 0:12:48 | 0:12:49 | |
-Tom? -Blimey, how are you? | 0:12:49 | 0:12:52 | |
-All right. -Can we come in? | 0:12:52 | 0:12:54 | |
Yeah. | 0:12:54 | 0:12:55 | |
So... | 0:13:03 | 0:13:05 | |
-You got married then? -Yeah. | 0:13:05 | 0:13:08 | |
And a little'un on the way. | 0:13:08 | 0:13:10 | |
You were the one who said you were too young to settle down. | 0:13:10 | 0:13:13 | |
Well, maybe I found Mr Right. | 0:13:13 | 0:13:14 | |
-Is that another one of his names, Bet? -You what? | 0:13:14 | 0:13:17 | |
Your husband's got a lot of names, hasn't he? | 0:13:17 | 0:13:19 | |
I don't know what you're talking about. | 0:13:19 | 0:13:21 | |
-Let's just call him Spud, shall we? -Who? | 0:13:21 | 0:13:24 | |
Another alias. | 0:13:24 | 0:13:25 | |
To the best of your knowledge, Bet, does Spud bring home goods? | 0:13:25 | 0:13:27 | |
What do you mean "goods"? | 0:13:27 | 0:13:29 | |
We're referring to stolen goods. | 0:13:29 | 0:13:30 | |
Do I look like I've got goods? | 0:13:32 | 0:13:34 | |
Can you see any goods? | 0:13:34 | 0:13:36 | |
Where did you get these from? | 0:13:36 | 0:13:38 | |
Most people haven't seen a banana since before the war. | 0:13:38 | 0:13:40 | |
-Let alone a whole bunch. -My husband... | 0:13:40 | 0:13:43 | |
won them in a raffle, he said. | 0:13:43 | 0:13:44 | |
-And that tablecloth looks new. -We got that off a mate of his. | 0:13:44 | 0:13:47 | |
-Come on. -I think we should have a proper look around, sir. | 0:13:47 | 0:13:50 | |
Couple of cases under the bed there. | 0:13:50 | 0:13:51 | |
Just tell Spud we'll be coming back to have a word with him. | 0:13:51 | 0:13:54 | |
And tell him from a whisper I've heard that it might be best | 0:13:54 | 0:13:57 | |
if we get to him before the military police do. | 0:13:57 | 0:13:59 | |
Bye, Betty. | 0:14:03 | 0:14:05 | |
It said in this article I read his real name's David Cook. | 0:14:17 | 0:14:21 | |
Yeah, that's just another name he uses. | 0:14:21 | 0:14:23 | |
You know, Cook, Baker...get it? | 0:14:23 | 0:14:25 | |
Well, I saw a picture of him when he was little with his mum and dad | 0:14:25 | 0:14:28 | |
and they look nothing like your mum and dad. | 0:14:28 | 0:14:30 | |
No, that's cos, when he was little, um, | 0:14:30 | 0:14:32 | |
he spent a lot of time with his aunt and uncle and... | 0:14:32 | 0:14:35 | |
Oh, look, I'm not actually David Essex's brother. I'm actually not. | 0:14:35 | 0:14:39 | |
-Oh, my God, he is! -All right, I am. I am his brother. | 0:14:39 | 0:14:43 | |
-Now I don't know. -What difference does it make? | 0:14:43 | 0:14:46 | |
Cos if you ain't, we're wasting our time. | 0:14:46 | 0:14:48 | |
You are wasting your time. | 0:14:48 | 0:14:49 | |
So am I, I keep pretending to be fucking David Essex's brother. | 0:14:49 | 0:14:53 | |
-But he might be coming here tonight, yeah? -Please? | 0:14:53 | 0:14:56 | |
Oh, come on. | 0:14:56 | 0:14:58 | |
What do we look like? | 0:15:05 | 0:15:08 | |
The bloke on the stall told me | 0:15:08 | 0:15:09 | |
these were the only pair of turquoise and golds in Bermondsey. | 0:15:09 | 0:15:12 | |
He told us all that, Hodges. | 0:15:12 | 0:15:14 | |
Before he took our fivers. | 0:15:14 | 0:15:15 | |
Me and Trevor only paid four quid. | 0:15:15 | 0:15:17 | |
Oh, four quid. | 0:15:17 | 0:15:19 | |
Drop back. | 0:15:20 | 0:15:22 | |
All right, boys? This is Janet. | 0:15:22 | 0:15:26 | |
What? | 0:15:26 | 0:15:27 | |
Blimey. You ain't still wearing turquoise and golds, are you? | 0:15:27 | 0:15:31 | |
They went out like six months ago. | 0:15:31 | 0:15:33 | |
So who are these then? | 0:15:33 | 0:15:34 | |
This lot? The Three Stooges. | 0:15:34 | 0:15:37 | |
Do you want to go get a drink? | 0:15:37 | 0:15:39 | |
-Turquoise and gold. -OTHERS: Six months old. | 0:15:41 | 0:15:44 | |
Well, I have just retired from the pop industry. For good. | 0:15:48 | 0:15:52 | |
That's a shame. You look really nice in that white suit. | 0:15:53 | 0:15:56 | |
Where's that bloke from the co-op? | 0:15:59 | 0:16:00 | |
Oh, I packed Tony in. Talk about only after one thing. | 0:16:00 | 0:16:03 | |
-Did he get it? -What do you think? Did you? | 0:16:05 | 0:16:08 | |
So you're back in the real world? | 0:16:10 | 0:16:12 | |
-Yeah. -Good. | 0:16:12 | 0:16:15 | |
Why don't you ask me out again? | 0:16:15 | 0:16:16 | |
Will you go out with me again, Yvonne? | 0:16:16 | 0:16:18 | |
I'll think about it. | 0:16:22 | 0:16:23 | |
Now... | 0:16:33 | 0:16:34 | |
Is it because I've had half a dozen brandies, | 0:16:36 | 0:16:38 | |
or do you look more than usually gorgeous? | 0:16:38 | 0:16:40 | |
You've had half a dozen brandies. | 0:16:40 | 0:16:42 | |
Here, Teddy Silk said when he saw us at the church together | 0:16:44 | 0:16:46 | |
we were like a couple of sauce bottles. | 0:16:46 | 0:16:48 | |
He was looking round for the vinegar. | 0:16:48 | 0:16:50 | |
HE LAUGHS | 0:16:50 | 0:16:52 | |
See, all that worrying. | 0:16:58 | 0:17:01 | |
Never let it be said we can't lay on a proper blow out. | 0:17:01 | 0:17:05 | |
You want to see my Alfie? He's pissed as a pudding. | 0:17:05 | 0:17:09 | |
Trying to take his waistcoat off over his head. | 0:17:09 | 0:17:11 | |
You wouldn't have married me if I hadn't got pregnant, would you? | 0:17:11 | 0:17:14 | |
Oh, here we go. | 0:17:14 | 0:17:15 | |
-Where did this come from? -Well, you wouldn't have, would you? | 0:17:15 | 0:17:18 | |
Go on, dredge it all up. I thought we agreed a ceasefire? | 0:17:18 | 0:17:21 | |
I remember exactly what you said to me. | 0:17:21 | 0:17:23 | |
"Lumbered," you said. | 0:17:23 | 0:17:24 | |
Well, you say these things, don't you? | 0:17:24 | 0:17:27 | |
Blimey, it was a shock for both of us. | 0:17:29 | 0:17:31 | |
But who's to say I wouldn't have asked you anyway? | 0:17:31 | 0:17:34 | |
It just hurried me up, that's all. | 0:17:34 | 0:17:37 | |
Hurried you? You were fast enough already as I remember. | 0:17:37 | 0:17:41 | |
Weren't a girl on the island that could keep up with you. | 0:17:41 | 0:17:43 | |
Well, I played the field. So what? | 0:17:43 | 0:17:45 | |
You weren't exactly Little Miss Muffet yourself, were you? | 0:17:47 | 0:17:49 | |
-# I really can't stay -Baby, it's cold outside | 0:17:55 | 0:17:58 | |
-# I got to go away -But, baby, it's cold outside | 0:17:58 | 0:18:02 | |
-# This evening has been -Been hoping that you'd drop in | 0:18:02 | 0:18:05 | |
# So very nice | 0:18:05 | 0:18:06 | |
# I'll hold your hands They're just like ice... # | 0:18:06 | 0:18:08 | |
All right? | 0:18:08 | 0:18:09 | |
You haven't got tea on yet, have you? | 0:18:13 | 0:18:14 | |
Here you go. | 0:18:18 | 0:18:19 | |
Tell baby to budge over cos that's coming down in about ten minutes. | 0:18:19 | 0:18:23 | |
Fred... | 0:18:23 | 0:18:24 | |
Who's Reginald Armitage? | 0:18:27 | 0:18:29 | |
-Who's been round? -The police. | 0:18:30 | 0:18:32 | |
Don't worry, they're long gone now. But they said they're coming back. | 0:18:32 | 0:18:36 | |
-Bet, I've picked up all kinds of names over time. -What for? | 0:18:36 | 0:18:39 | |
You want to pay tax? On the tuppenny-ha'penny we got? | 0:18:39 | 0:18:41 | |
They said the military are looking for you and all. | 0:18:41 | 0:18:43 | |
They ain't going to find me, yeah? They don't care about me. | 0:18:43 | 0:18:46 | |
They said you use all these different names. | 0:18:46 | 0:18:48 | |
Do you even tell people that you're married? | 0:18:48 | 0:18:50 | |
Not if there's a few quid in it, no. | 0:18:50 | 0:18:52 | |
What's the matter with you, girl? | 0:18:53 | 0:18:54 | |
Where did you get that ham? | 0:18:56 | 0:18:57 | |
The chief rabbi, he didn't have no use for it. | 0:18:57 | 0:18:59 | |
-Fred, are you at it? -Yes, I'm at it, Bet. | 0:19:00 | 0:19:03 | |
Everyone's at it. | 0:19:03 | 0:19:04 | |
You've got to forage to get what you can. | 0:19:04 | 0:19:06 | |
I'll always do that for you. | 0:19:06 | 0:19:08 | |
You're not going to want for nothing and neither is little'un. | 0:19:08 | 0:19:11 | |
On me life. | 0:19:11 | 0:19:13 | |
-Fred, I worry. -And I don't. | 0:19:15 | 0:19:18 | |
And I never will. | 0:19:21 | 0:19:22 | |
-What if you get put away? -I ain't going away. | 0:19:22 | 0:19:25 | |
I ain't going away, you know! | 0:19:28 | 0:19:30 | |
You're making me look a right nonce stood here. | 0:19:36 | 0:19:38 | |
Well, go away then! | 0:19:38 | 0:19:40 | |
Come on, everyone, join in! | 0:19:40 | 0:19:43 | |
Again. Fuck's sake. | 0:19:43 | 0:19:45 | |
-Grab your drawers, girls, I'm coming in. -Fred. | 0:19:46 | 0:19:49 | |
Girls aren't bothered, are you? | 0:19:49 | 0:19:50 | |
No, you paid for the hall, Fred, you can go where you like. | 0:19:50 | 0:19:53 | |
Exactly. | 0:19:53 | 0:19:55 | |
And you, love. | 0:19:55 | 0:19:56 | |
Now, then, let's get this sorted out, Betty Lockwood. | 0:19:58 | 0:20:01 | |
-I ain't 17 no more. -No, but you're acting like it. | 0:20:01 | 0:20:04 | |
Oh, I don't know why it's hit me so hard today, Fred. | 0:20:06 | 0:20:08 | |
I've tried to control it but... | 0:20:08 | 0:20:11 | |
..I just can't see a future. | 0:20:12 | 0:20:14 | |
And when was it any different? In 1949? | 0:20:14 | 0:20:17 | |
Well, I was just a girl then. You could have told me anything. | 0:20:17 | 0:20:20 | |
Yeah? Well, here's something I didn't tell you. | 0:20:20 | 0:20:23 | |
TOILET FLUSHES | 0:20:23 | 0:20:25 | |
Wish I didn't have to go. | 0:20:25 | 0:20:27 | |
Would've liked to have heard the end of this. | 0:20:27 | 0:20:30 | |
Here's something I didn't tell you. | 0:20:33 | 0:20:34 | |
Getting you up the spout was the best day's work I ever did. | 0:20:34 | 0:20:37 | |
In my mind, that was a miracle. | 0:20:38 | 0:20:41 | |
-And all the people... -Stop, stop, stop talking, Fred. | 0:20:41 | 0:20:43 | |
What? | 0:20:43 | 0:20:45 | |
I'm still trying to work out if you just said something nice. | 0:20:45 | 0:20:49 | |
Go out there and have a look around at all them couples. | 0:20:49 | 0:20:51 | |
Did any of them have an harder start than what we did? | 0:20:51 | 0:20:54 | |
Do you think half of them would still be together today like we are? | 0:20:55 | 0:20:58 | |
You stuck by me, Bet, and I've never, ever forgotten that. | 0:20:58 | 0:21:02 | |
And you acting like this is frightening the life out of me. | 0:21:03 | 0:21:06 | |
If I hadn't met you, girl, if you hadn't had got pregnant, | 0:21:06 | 0:21:10 | |
I'd be doing 20 years now | 0:21:10 | 0:21:12 | |
or I'd be dead at the bottom of the Thames. And that's a fact. | 0:21:12 | 0:21:16 | |
You've never said any of this before, Fred. | 0:21:18 | 0:21:20 | |
I'm three parts pissed but I mean every single word I say. | 0:21:20 | 0:21:24 | |
I know I ain't easy. | 0:21:25 | 0:21:27 | |
I know there are many women who wouldn't even put up with me. | 0:21:27 | 0:21:29 | |
You shouldn't have to put up with your husband. | 0:21:29 | 0:21:32 | |
Of course you do. Everyone does, in different ways. | 0:21:32 | 0:21:36 | |
And what about me, Fred? | 0:21:37 | 0:21:39 | |
Do you have to put up with me? | 0:21:41 | 0:21:43 | |
You know, when I first started walking out with you, | 0:21:46 | 0:21:49 | |
I thought, "She's too good for me." | 0:21:49 | 0:21:51 | |
-SHE SNORTS No, you never. -I did. | 0:21:51 | 0:21:54 | |
I thought there's not a chance she'll stick with me. | 0:21:54 | 0:21:56 | |
That first night when we went in the Needle And Gun... | 0:21:56 | 0:21:59 | |
..I asked all my mates to be there and they didn't know why. | 0:22:00 | 0:22:04 | |
But as soon as I walked in with you on my arm, they got it. | 0:22:04 | 0:22:08 | |
But you could have had any girl you wanted. | 0:22:08 | 0:22:11 | |
I know. And? | 0:22:11 | 0:22:13 | |
Blimey, Fred... | 0:22:17 | 0:22:18 | |
You're going to be telling me you love me next. | 0:22:19 | 0:22:22 | |
I do. I love you. | 0:22:22 | 0:22:24 | |
Well, I could have done with a more romantic setting, but I'll take it. | 0:22:29 | 0:22:32 | |
Well, that's our marriage, Bet. | 0:22:33 | 0:22:36 | |
Frederick Joseph Baker. | 0:22:36 | 0:22:38 | |
I have taken into account your age | 0:22:38 | 0:22:41 | |
and the fact that you are recently married and expecting a child. | 0:22:41 | 0:22:44 | |
However, I am satisfied you have systematically received goods | 0:22:44 | 0:22:49 | |
you knew to be stolen and enthusiastically sold them on | 0:22:49 | 0:22:53 | |
for maximum profit. | 0:22:53 | 0:22:55 | |
Therefore, I think a custodial sentence is in order. | 0:22:55 | 0:22:59 | |
You will go to prison for one year. | 0:23:01 | 0:23:03 | |
Fucking hell! And I thought we'd had you straightened. | 0:23:03 | 0:23:06 | |
CROWD LAUGHS | 0:23:06 | 0:23:07 | |
-Silence in court. -All rise. | 0:23:07 | 0:23:11 | |
Don't worry, Bet. | 0:23:11 | 0:23:12 | |
My God. What are you doing? | 0:23:21 | 0:23:24 | |
Sorry, Bet, we have to retrieve any suspect material. | 0:23:24 | 0:23:27 | |
Look, I hate having to do this. | 0:23:27 | 0:23:29 | |
Then why are you doing it? This is my home. | 0:23:29 | 0:23:32 | |
This... This ain't a home. | 0:23:32 | 0:23:34 | |
Look... | 0:23:34 | 0:23:35 | |
..your old man, I know his type. | 0:23:37 | 0:23:40 | |
He's got his head in the clouds. | 0:23:40 | 0:23:41 | |
He don't know what's going to happen next. | 0:23:41 | 0:23:43 | |
Can you tell him to stop? | 0:23:43 | 0:23:45 | |
I never really got over you, you know that? | 0:23:45 | 0:23:47 | |
-Are you sure you want to stay here? -What do you mean? | 0:23:48 | 0:23:51 | |
Plenty of room at my mum's. It's just me and her on our own. | 0:23:51 | 0:23:54 | |
You're welcome to stay there till you get back on your feet. | 0:23:54 | 0:23:56 | |
What, with a baby? | 0:23:56 | 0:23:58 | |
Baby and all. | 0:23:58 | 0:23:59 | |
It's always about tomorrow with blokes like Fred. | 0:24:00 | 0:24:04 | |
Sorry. | 0:24:10 | 0:24:11 | |
Tomorrow will do for me, Tom. | 0:24:12 | 0:24:15 | |
We can't go yet. Mum and Dad, where's me mum and dad? | 0:24:16 | 0:24:19 | |
Oh, here they are. | 0:24:19 | 0:24:20 | |
Hold on, hold on. You don't even know where you're going. | 0:24:20 | 0:24:23 | |
Course we do, Jaywick Sands. | 0:24:23 | 0:24:25 | |
-Forget about Jaywick Sands. -You're off to London Airport. | 0:24:25 | 0:24:28 | |
You're on the midnight flight to Majorca. | 0:24:28 | 0:24:31 | |
You're going for a fortnight. | 0:24:31 | 0:24:33 | |
You're joking! | 0:24:33 | 0:24:35 | |
Honeymoon suite, the lot. All paid for. | 0:24:37 | 0:24:39 | |
-Aww, thanks. -Driver's got your passports. | 0:24:41 | 0:24:43 | |
-Thanks, Fred. -You're all right, mate, have a good time. | 0:24:43 | 0:24:46 | |
-Look after her, won't you? -I will do. | 0:24:46 | 0:24:48 | |
CAR ENGINE STARTS | 0:24:48 | 0:24:50 | |
See you later. | 0:24:50 | 0:24:52 | |
-ALL SING: -# Oh, this year I'm off to sunny Spain | 0:24:52 | 0:24:57 | |
# Y viva Espana | 0:24:57 | 0:25:00 | |
# Y viva Espana. # | 0:25:05 | 0:25:08 | |
Did this have anything to do with Joey Churcher? | 0:25:08 | 0:25:12 | |
Why else would I have that horrible ponce at the wedding? | 0:25:12 | 0:25:15 | |
I do hope it's not going to be fully booked - I do remember the caravan. | 0:25:15 | 0:25:19 | |
Ah, Bet, this one's silver service, first class all the way. | 0:25:19 | 0:25:24 | |
And how have you paid for it? | 0:25:24 | 0:25:26 | |
-Car's gone. Looks like we're walking home. -Fred. | 0:25:26 | 0:25:29 | |
And I might have to borrow your watch in future. | 0:25:29 | 0:25:32 | |
Oh, not your dad's fob watch. | 0:25:32 | 0:25:34 | |
-That's the one thing you said you'd never part with. -Yeah. | 0:25:34 | 0:25:37 | |
Well, if I can part with me daughter, I can part with a watch. | 0:25:37 | 0:25:42 | |
-Did you see her face? -Yeah. | 0:25:43 | 0:25:46 | |
You're full of surprises today, ain't you? | 0:25:46 | 0:25:49 | |
Oh, yeah. | 0:25:49 | 0:25:51 | |
Yes, I am. Shut up, everyone. Shut up. Shut up. | 0:25:51 | 0:25:54 | |
Whoa, whoa, whoa. Right, ready, look up at the skies. | 0:25:54 | 0:25:59 | |
Look at this. | 0:25:59 | 0:26:00 | |
-Wally! -All right, Spud. -When you're ready, go for it! | 0:26:00 | 0:26:03 | |
-ALL: -Ahh! | 0:26:05 | 0:26:08 | |
-Yeah. -FRED LAUGHS | 0:26:08 | 0:26:10 | |
Well, that's it, I'm not fucking made of money. That's it. | 0:26:13 | 0:26:16 | |
-That's your lot. -ALL CHEER | 0:26:16 | 0:26:18 | |
KNOCK ON DOOR | 0:26:20 | 0:26:22 | |
What now? I've got nothing left. | 0:26:22 | 0:26:26 | |
-Who are you? -This is for you. | 0:26:29 | 0:26:31 | |
And this lot. Where do you want it? | 0:26:33 | 0:26:36 | |
Oh, anywhere. | 0:26:36 | 0:26:38 | |
Where's all this come from? | 0:26:41 | 0:26:42 | |
He said to say it's from Vic Damone. | 0:26:42 | 0:26:46 | |
DANNY: A proper couple my mum and dad. | 0:26:46 | 0:26:48 | |
Married for 25 years now. | 0:26:48 | 0:26:50 | |
25 years! | 0:26:50 | 0:26:51 | |
Dad still never worries about a thing. | 0:26:51 | 0:26:54 | |
And Mum, well, she tries her best to keep up. | 0:26:54 | 0:26:57 | |
Do you want to find somewhere? | 0:27:04 | 0:27:06 | |
What? Like, do you mean...? | 0:27:07 | 0:27:10 | |
It's a wedding night, ain't it? | 0:27:10 | 0:27:12 | |
Yeah. | 0:27:14 | 0:27:16 | |
Hey, this will do. | 0:27:25 | 0:27:27 | |
-Hello? Who's that? -Danny. | 0:27:30 | 0:27:33 | |
Dad? It's me, Danny. | 0:27:33 | 0:27:35 | |
What do you want? | 0:27:35 | 0:27:37 | |
I...was just wondering where Mum is. | 0:27:37 | 0:27:40 | |
Yeah? Well, she's in here with me. | 0:27:40 | 0:27:42 | |
-Is she? -Yeah. | 0:27:42 | 0:27:45 | |
She can't come out. | 0:27:45 | 0:27:47 | |
She's helping me look for something. | 0:27:47 | 0:27:49 | |
# But I will ignore the best of me | 0:27:51 | 0:27:55 | |
# For the future of what used to be | 0:27:56 | 0:28:01 | |
# Cos I'm willing for the best of me | 0:28:02 | 0:28:06 | |
# With a picture of what used to be | 0:28:07 | 0:28:12 | |
# And I will live all the best of me | 0:28:13 | 0:28:17 | |
# With a picture of what used to be. # | 0:28:18 | 0:28:22 |