Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
How do you have so much money? Am I your getaway driver? | 0:00:02 | 0:00:04 | |
You're more my getting-caught driver. | 0:00:04 | 0:00:06 | |
-This time next year, us two will be in Austalia. -Yes, we will. | 0:00:06 | 0:00:08 | |
It's just not working, is it, Luke? | 0:00:08 | 0:00:10 | |
That's not f-f-f-f... | 0:00:10 | 0:00:14 | |
fair. | 0:00:14 | 0:00:15 | |
Roger, I think we should head off now. | 0:00:15 | 0:00:16 | |
You know what it's like, the old ball and chain. | 0:00:16 | 0:00:18 | |
Last thing we want is any more funny business. | 0:00:18 | 0:00:20 | |
Argh! | 0:00:20 | 0:00:22 | |
Contains adult humour and some strong language. | 0:00:22 | 0:00:25 | |
Dawn, you've made me the happiest man in the world! | 0:00:30 | 0:00:33 | |
My mind's all over the place. | 0:00:33 | 0:00:35 | |
I haven't even told my parents yet. | 0:00:35 | 0:00:37 | |
All this time I spent thinking you'd never ask, but here we are. | 0:00:37 | 0:00:40 | |
Creg, I asked one thing on Question Time. | 0:00:40 | 0:00:43 | |
You're a star now. I'm best friends with a celebrity. | 0:00:43 | 0:00:46 | |
I wouldn't say any of that. | 0:00:46 | 0:00:48 | |
The world lit up the second Dimbleby said, | 0:00:48 | 0:00:51 | |
"You, the mousey-looking lady in the straw-coloured pullover." | 0:00:51 | 0:00:54 | |
I don't know, but hopefully someone from the Ministry will have seen it | 0:00:54 | 0:00:58 | |
and they might give prison drug policy a rethink. | 0:00:58 | 0:01:01 | |
And they... Look, if we can | 0:01:01 | 0:01:02 | |
confiscate this much in a week, | 0:01:02 | 0:01:04 | |
-surely... -You need to get some head shots done. | 0:01:04 | 0:01:06 | |
Why don't we go to the studio one night this week? | 0:01:06 | 0:01:09 | |
It takes me two minutes to fold my bed out the way. | 0:01:09 | 0:01:11 | |
Don't worry, if you get cold between shots, | 0:01:11 | 0:01:13 | |
-you can borrow Mum's dressing gown. -HE CHUCKLES | 0:01:13 | 0:01:16 | |
You celebrities! | 0:01:16 | 0:01:17 | |
OK, are we ready for round nine? | 0:01:24 | 0:01:25 | |
# De-ne-de, de-ne-de, de-ne-de-ne-de-de, unn! # | 0:01:25 | 0:01:30 | |
What's in my trousers? | 0:01:30 | 0:01:31 | |
Isn't there a yourself you can go and fuck? | 0:01:32 | 0:01:34 | |
Only eight more rounds | 0:01:34 | 0:01:35 | |
and we'll be seeing YOU in the grand quarterfinals. | 0:01:35 | 0:01:38 | |
Now, what's in my trousers? | 0:01:38 | 0:01:39 | |
Oh, is it a Kia Sportage? | 0:01:39 | 0:01:41 | |
No, hang on, it's Frank Lampard Senior. | 0:01:41 | 0:01:43 | |
I'll give you a clue. One word. Two gullibles. | 0:01:43 | 0:01:46 | |
-Syllables. -This teddy bear, given to you by your ex-girlfriend Gemma, | 0:01:46 | 0:01:49 | |
is one of your most prized possessions. | 0:01:49 | 0:01:51 | |
What, Sam-Sam? | 0:01:51 | 0:01:52 | |
Is it too much to ask for you to leave me alone, just for two years? | 0:01:54 | 0:01:58 | |
Stop being such a misery gloves, I'm only trying to cheer you up. | 0:01:58 | 0:02:00 | |
-I don't need cheering up. -Course you do. | 0:02:00 | 0:02:02 | |
It's the week you were meant to move to Australia with Gemma, | 0:02:02 | 0:02:05 | |
but she's dumped you for a much better looking and more successful guy. | 0:02:05 | 0:02:08 | |
-Plus, someone's got piss on your teddy bear. -Oh, f... | 0:02:08 | 0:02:11 | |
HE YELLS | 0:02:12 | 0:02:14 | |
We'll have to get some weed from somewhere, mate, | 0:02:18 | 0:02:20 | |
poor Marcel's really suffering. | 0:02:20 | 0:02:21 | |
It's not just Marcel, this clamp down's affecting | 0:02:21 | 0:02:24 | |
every single one of us. | 0:02:24 | 0:02:25 | |
I've not been myself all week. | 0:02:25 | 0:02:26 | |
And what are you dick nibblers going to do about it? | 0:02:28 | 0:02:30 | |
I got a great idea that will cheer everyone up. | 0:02:30 | 0:02:32 | |
Up to you, but I personally wouldn't suggest | 0:02:32 | 0:02:35 | |
a 'What's In My Trousers?' tournament at this exact moment. | 0:02:35 | 0:02:38 | |
Why doesn't Luke break into Creg's office | 0:02:38 | 0:02:40 | |
and steal the weed back... | 0:02:40 | 0:02:41 | |
..tonight? | 0:02:43 | 0:02:44 | |
Do you really think that's a feasible solution? | 0:02:44 | 0:02:46 | |
That'd be a total suicide mission. | 0:02:48 | 0:02:50 | |
Give me until tonight to fine-tune the details. | 0:02:50 | 0:02:52 | |
You're a good boy, Luke, doing this for the cause. | 0:02:52 | 0:02:56 | |
I might have just changed my mind about you. | 0:02:56 | 0:02:59 | |
-HE YELLS: -But if you let me down! | 0:02:59 | 0:03:00 | |
I'm not going to let you down. | 0:03:03 | 0:03:04 | |
And for the record, I was already scared of you before this. | 0:03:06 | 0:03:10 | |
Why are you grumping out on me? | 0:03:23 | 0:03:24 | |
I did this to cheer you up. | 0:03:24 | 0:03:25 | |
It's like you don't want to be the prison hero. | 0:03:25 | 0:03:27 | |
I DON'T want to be the prison hero! | 0:03:27 | 0:03:30 | |
I never actually wanted to be the prison anything. | 0:03:30 | 0:03:32 | |
When you got me incarcerated in this Dickensian shit box, | 0:03:32 | 0:03:35 | |
I was pretty certain that was the worst thing you could ever do to me | 0:03:35 | 0:03:38 | |
but, oh, no, | 0:03:38 | 0:03:40 | |
you've had me split up from my girlfriend, | 0:03:40 | 0:03:42 | |
brutalised in increasingly creative ways, | 0:03:42 | 0:03:44 | |
and now, NOW you've got me committed to a death mission! | 0:03:44 | 0:03:47 | |
You really are the gift that keeps on being a massive twat. | 0:03:47 | 0:03:52 | |
And that, that, Jason, is why I'm all grumping out on you. | 0:03:52 | 0:03:55 | |
All I'm saying is you haven't got a 'thing', | 0:03:55 | 0:03:58 | |
that's why you're having no fun in here. | 0:03:58 | 0:03:59 | |
'Prison hero' would be your thing. | 0:03:59 | 0:04:01 | |
Black Elton's got his businesses, Marcel's got his murders, | 0:04:01 | 0:04:04 | |
I've got 'What's In My Trousers?' | 0:04:04 | 0:04:06 | |
If you can get away with this snatch, you'll be a legend. | 0:04:06 | 0:04:09 | |
"There goes Lulu. Have you heard about his massive snatch?" | 0:04:09 | 0:04:13 | |
Please, don't call it that. | 0:04:13 | 0:04:14 | |
All you've got now is, | 0:04:14 | 0:04:16 | |
"There goes Lulu, he's the one with | 0:04:16 | 0:04:17 | |
"the ex-girlfriend who's moving to Australia with Roger." | 0:04:17 | 0:04:20 | |
What? | 0:04:22 | 0:04:23 | |
She's taking Roger? | 0:04:23 | 0:04:24 | |
Keep up. You must remember Roger - handsome guy, lives in your flat, | 0:04:24 | 0:04:29 | |
going to Australia with Gemma instead of you. | 0:04:29 | 0:04:31 | |
-How long have you known that? -She said the other day when she visited, | 0:04:31 | 0:04:34 | |
-I didn't have time to tell you. -I guess not, with the six hours | 0:04:34 | 0:04:37 | |
you spend making me guess what you've buried in your bloody trousers. | 0:04:37 | 0:04:40 | |
Precisely. | 0:04:40 | 0:04:41 | |
Anyway, they're going on Sunday. | 0:04:41 | 0:04:44 | |
She wants you to sign this form to transfer your flights over to Roger. | 0:04:44 | 0:04:47 | |
My flights?! | 0:04:48 | 0:04:50 | |
Can you believe the nerve? | 0:04:50 | 0:04:52 | |
I'd rather grate off my own lips with a... | 0:04:52 | 0:04:54 | |
-Grater? -No, a... | 0:04:56 | 0:04:58 | |
Shut up! | 0:04:58 | 0:04:59 | |
I mean, what's next? | 0:04:59 | 0:05:00 | |
Roger wearing my shoes, using my condoms? | 0:05:00 | 0:05:04 | |
Nah, bruv, he wouldn't do that, yours would be too tight. | 0:05:04 | 0:05:07 | |
He has to order special ones online from Europe. | 0:05:07 | 0:05:09 | |
-Please say you're talking about my shoes. -What are they called? | 0:05:09 | 0:05:11 | |
It's one of those German words with lots of gullibles. | 0:05:11 | 0:05:14 | |
Anyway, Gem's asked if you can have that form signed | 0:05:14 | 0:05:16 | |
-for when she comes back on Friday. -And what if I don't? | 0:05:16 | 0:05:19 | |
Oh, they'll still go. | 0:05:19 | 0:05:20 | |
Just in a month or two, once Roger's saved up for some new flights. | 0:05:20 | 0:05:23 | |
Oh, boo-hoo, poor Roger's got to save up for a couple of weeks rather than | 0:05:23 | 0:05:27 | |
stealing my flights as well as my girlfriend. | 0:05:27 | 0:05:30 | |
No, no, no. | 0:05:30 | 0:05:32 | |
Uberschwanz Maximannschaft! | 0:05:32 | 0:05:35 | |
-What? -That's the name of the great big... | 0:05:35 | 0:05:36 | |
..shoes. | 0:05:38 | 0:05:39 | |
Have you done it yet? | 0:05:44 | 0:05:46 | |
Where's my fucking weed? | 0:05:46 | 0:05:48 | |
Marcie's going to struggle, it's really going to be hairy. | 0:05:49 | 0:05:52 | |
They don't call him the Hairy Snatch for nothing. | 0:05:52 | 0:05:54 | |
It's more than hairy, he's going to have to be really slippery. | 0:05:54 | 0:05:57 | |
Ah, ah, ah. | 0:05:57 | 0:05:58 | |
The only thing I ask of Luke is that he definitely succeeds. | 0:05:58 | 0:06:01 | |
-Otherwise he's dead. -Reasonable. | 0:06:01 | 0:06:03 | |
Right, the weed is located in a locked cashbox | 0:06:03 | 0:06:06 | |
in a locked draw behind a triple-locked door. | 0:06:06 | 0:06:08 | |
So far, so good. | 0:06:08 | 0:06:09 | |
Dawn locks up at 8pm, so we're going to need to distract her and get | 0:06:09 | 0:06:13 | |
him in before she locks the door. | 0:06:13 | 0:06:15 | |
-I could burn the place down. -That's probably too distracting. | 0:06:15 | 0:06:17 | |
Maybe just chuck some bleach in Isaac's eyes. | 0:06:17 | 0:06:19 | |
Aw, again? | 0:06:19 | 0:06:21 | |
So, all I have to do is pick a series of prison | 0:06:21 | 0:06:25 | |
locks in absolute pitch darkness. | 0:06:25 | 0:06:28 | |
Sounds to me like we've got a plan! | 0:06:28 | 0:06:31 | |
Just one more thing - how exactly am I meant to get out | 0:06:31 | 0:06:34 | |
of this locked office and back into my locked prison cell? | 0:06:34 | 0:06:38 | |
Listen carefully to this part, Luke, I have no idea. | 0:06:38 | 0:06:42 | |
So when you get caught in the morning, | 0:06:42 | 0:06:43 | |
just remember to fart out your weed on the way to solitary. | 0:06:43 | 0:06:46 | |
So my chance of success is nought per cent. | 0:06:46 | 0:06:49 | |
He's so modest. | 0:06:49 | 0:06:51 | |
That's the thing with The Snatch. | 0:06:51 | 0:06:53 | |
You better not let me down, Luke, because otherwise, | 0:06:53 | 0:06:56 | |
I'm going to cut your fucking head off and use it as a toilet brush. | 0:06:56 | 0:06:58 | |
-Nah, it'll be too wide for the bowl. -Do you reckon? | 0:06:58 | 0:07:01 | |
-You could cut his head off and fuck the mouth. -Wouldn't that be gay? | 0:07:01 | 0:07:04 | |
Not if they're dead. I'll get you a wig for it and some lippy, | 0:07:04 | 0:07:07 | |
it'd come up lovely. | 0:07:07 | 0:07:08 | |
Sounds like somebody's got a thing. | 0:07:08 | 0:07:10 | |
-IN AN AMERICAN ACCENT: -By day, he's a mild-mannered | 0:07:20 | 0:07:22 | |
'What's In My Trousers?' enthusiast | 0:07:22 | 0:07:24 | |
but, by night, Luke Merson is The Slippery Snatch! | 0:07:24 | 0:07:27 | |
I am not going to make a movie out of this. | 0:07:27 | 0:07:30 | |
BUZZER SOUNDS | 0:07:30 | 0:07:32 | |
-Evening, boys. -ALL: Evening, Miss. | 0:07:32 | 0:07:33 | |
(Starring Dawn as The Guard Who Got Distracted.) | 0:07:33 | 0:07:36 | |
Let's turn it in for the night, lads, some of us have homes to go to. | 0:07:36 | 0:07:39 | |
No offence. | 0:07:39 | 0:07:40 | |
-ISAAC SCREAMS -My eyes! | 0:07:40 | 0:07:41 | |
Who's chucked vinegar in Isaac's eyes? | 0:07:42 | 0:07:45 | |
Have you got any idea how...? | 0:07:45 | 0:07:46 | |
Oh, hang on, it's just bleach. We've got plenty more of that left. | 0:07:46 | 0:07:51 | |
Right, let's get you to the hospital wing | 0:07:51 | 0:07:52 | |
and, you lot, to your cells, there's nothing to see here. | 0:07:52 | 0:07:55 | |
No offence. | 0:07:56 | 0:07:57 | |
BIN CLATTERS | 0:08:08 | 0:08:10 | |
HE MOUTHS | 0:08:43 | 0:08:44 | |
'You, the mousey-looking lady, in the straw-coloured pullover. | 0:09:00 | 0:09:04 | |
'Does the panel agree that Chris Grayling's proposed reforms | 0:09:04 | 0:09:07 | |
'will do nothing to address the wider problems | 0:09:07 | 0:09:09 | |
'of drug use in prisons?' | 0:09:09 | 0:09:10 | |
-CREG: -You tell 'em, Dawny. | 0:09:10 | 0:09:12 | |
CREG UNZIPS TROUSERS | 0:09:12 | 0:09:13 | |
'Does the panel agree that Chris Grayling's proposed reforms | 0:09:13 | 0:09:16 | |
'will do nothing to address the wider problems of drug use in prisons? | 0:09:16 | 0:09:19 | |
'Does the panel agree that Chris Grayling's proposed reforms | 0:09:19 | 0:09:21 | |
'will do nothing to address the wider problems | 0:09:21 | 0:09:23 | |
-'of drug use in prisons? -CREG PANTS | 0:09:23 | 0:09:25 | |
'Does the panel agree that Chris Grayling's proposed reforms...' | 0:09:25 | 0:09:29 | |
CREG PANTS AND GROANS | 0:09:31 | 0:09:35 | |
-CREG SIGHS -'..proposed reforms...' | 0:09:36 | 0:09:38 | |
COMPUTER CHIMES | 0:09:38 | 0:09:39 | |
I'm sure we both have a number of questions for one another about... | 0:10:08 | 0:10:12 | |
events. | 0:10:12 | 0:10:13 | |
But sometimes it's better to never talk or think | 0:10:15 | 0:10:18 | |
about these things ever again. | 0:10:18 | 0:10:19 | |
That sound OK to you, poppet? | 0:10:20 | 0:10:22 | |
There's nothing there, we've wiped it all off already. | 0:10:24 | 0:10:26 | |
Oh, yeah! Zip up. Good. | 0:10:27 | 0:10:29 | |
Move out the w-w-w-w-w-w... | 0:10:40 | 0:10:44 | |
way. | 0:10:44 | 0:10:45 | |
-I guess you got your package then? -I did, and we are eternally grateful. | 0:10:45 | 0:10:51 | |
It can't have been easy. | 0:10:51 | 0:10:53 | |
It had its moments. | 0:10:53 | 0:10:54 | |
Now, how was it the Cullen family repaid Zafrina for standing up | 0:10:54 | 0:10:59 | |
for the cause in Twilight, Breaking Dawn? | 0:10:59 | 0:11:02 | |
Christ. | 0:11:02 | 0:11:03 | |
They killed him? | 0:11:04 | 0:11:06 | |
No, the repaid her with an act of kindness. | 0:11:06 | 0:11:09 | |
Now, what can WE do for you? | 0:11:09 | 0:11:13 | |
Name your price. | 0:11:13 | 0:11:14 | |
Wow, that's very kind and I'm touched, | 0:11:14 | 0:11:18 | |
but I did this for the pure love of not being killed. | 0:11:18 | 0:11:22 | |
So it would be great if you could maybe not give me | 0:11:22 | 0:11:26 | |
quite so many tasks or beatings. | 0:11:26 | 0:11:29 | |
No. | 0:11:30 | 0:11:31 | |
-No? -I'm not going to stand by and watch The Snatch get shafted. | 0:11:31 | 0:11:35 | |
This boy's a gold mine. He's going to get you anything you want | 0:11:35 | 0:11:38 | |
from anywhere any time you 'aks' him | 0:11:38 | 0:11:40 | |
and that means you pay up big. | 0:11:40 | 0:11:42 | |
I've retired from this whole snatching, it's a young man's game. | 0:11:42 | 0:11:48 | |
So we know you're serious, we want a 12-pack of Andrex Double Velvet. | 0:11:48 | 0:11:52 | |
Each. | 0:11:53 | 0:11:54 | |
The Snatch chafes easily. | 0:11:54 | 0:11:55 | |
I don't need any of this stuff. | 0:11:55 | 0:11:57 | |
Next, any-time access to your porn library. | 0:11:57 | 0:11:59 | |
I like the normal stuff | 0:11:59 | 0:12:01 | |
but Luke prefers the videos where they're all still alive at the end. | 0:12:01 | 0:12:03 | |
Luke, would you mind stepping in my office for a minute, poppet? | 0:12:03 | 0:12:07 | |
You don't you tell him nothing. | 0:12:08 | 0:12:10 | |
Hey, this Snatch's lips are tightly sealed. | 0:12:10 | 0:12:13 | |
OK, so you know those big boxes of Monster Munch | 0:12:15 | 0:12:17 | |
you get in the newsagents, | 0:12:17 | 0:12:19 | |
100 of those and five chocolate... | 0:12:19 | 0:12:22 | |
..Labradors. | 0:12:24 | 0:12:25 | |
Where is it? | 0:12:30 | 0:12:31 | |
I can't just ignore you stealing drugs! | 0:12:31 | 0:12:34 | |
I assumed you were doing something excusable down there | 0:12:34 | 0:12:36 | |
like using the phone or sniffing Dawn's chair. | 0:12:36 | 0:12:39 | |
I'm going to have to call this in. | 0:12:39 | 0:12:40 | |
I couldn't get it back if I tried. | 0:12:40 | 0:12:42 | |
And surely you wouldn't want me | 0:12:43 | 0:12:45 | |
to allow certain knowledge to become more widely known. | 0:12:45 | 0:12:48 | |
Nice try, pumpkin, but who's going to believe you? | 0:12:50 | 0:12:52 | |
You ain't got no proof. | 0:12:52 | 0:12:53 | |
Apart from that scar I spotted on the underside. | 0:12:53 | 0:12:57 | |
The one shaped exactly like The Angel of the North. | 0:12:57 | 0:12:59 | |
Damn you, Luke. | 0:13:01 | 0:13:02 | |
And damn that Breville I trapped it in. | 0:13:02 | 0:13:05 | |
From the minute I laid eyes on you, | 0:13:05 | 0:13:06 | |
I knew you were going to be my Moriarty, my Captain Gantu. | 0:13:06 | 0:13:11 | |
-Who? -You know, the baddy from Lilo & Stitch. | 0:13:11 | 0:13:14 | |
Forget it, we'll stick with Moriarty. | 0:13:14 | 0:13:17 | |
You think you've got me, Luke... | 0:13:17 | 0:13:19 | |
..and maybe right now, fine, you have, but I can wait. | 0:13:20 | 0:13:23 | |
I've got stamina. | 0:13:23 | 0:13:24 | |
I remember. | 0:13:24 | 0:13:26 | |
Oh, right, you mean... | 0:13:26 | 0:13:27 | |
But I will have my revenge. | 0:13:27 | 0:13:30 | |
Might not be today, might not be tomorrow. | 0:13:30 | 0:13:33 | |
Sunday I'm not in, could be Monday. | 0:13:33 | 0:13:35 | |
Dawny! We were just talking about the... | 0:13:39 | 0:13:43 | |
The Angel of the North? | 0:13:46 | 0:13:47 | |
Luke was just leaving without saying another word. | 0:13:47 | 0:13:49 | |
So my appearance on Question Time certainly made | 0:13:51 | 0:13:53 | |
an impression on someone. | 0:13:53 | 0:13:54 | |
I'm going to kill him. | 0:13:54 | 0:13:56 | |
It was only once, and I alco-gelled all the surfaces afterwards. | 0:13:56 | 0:13:59 | |
No, Governor Riley's just had a phone call from Department. | 0:13:59 | 0:14:02 | |
A junior minister's coming to see me tomorrow. | 0:14:02 | 0:14:05 | |
That's amazing. | 0:14:05 | 0:14:06 | |
They're talking about rolling out my campaign on a national scale! | 0:14:06 | 0:14:09 | |
They're going to take some photos with me | 0:14:09 | 0:14:11 | |
and the Minister as I hand over all the drugs. | 0:14:11 | 0:14:13 | |
Drugs don't photograph very well. | 0:14:13 | 0:14:17 | |
I'll take some nice pictures just of you. | 0:14:17 | 0:14:19 | |
I think the studio's free about nine o'clock tonight. | 0:14:19 | 0:14:21 | |
I think the Daily Express like to use their own photographers, Creg. | 0:14:21 | 0:14:24 | |
Yeah, course. Great. | 0:14:24 | 0:14:26 | |
How much weed is there, by the way, all safely tucked away in that drawer? | 0:14:26 | 0:14:30 | |
In the end, we just tipped over 19 ounces. | 0:14:30 | 0:14:33 | |
Excellent! | 0:14:33 | 0:14:34 | |
And what would 19 ounces cost? | 0:14:36 | 0:14:38 | |
On the street, you're looking at about three grand. | 0:14:38 | 0:14:41 | |
What an achievement! | 0:14:43 | 0:14:45 | |
It makes me sick knowing there are people out there selling drugs | 0:14:45 | 0:14:48 | |
on our streets. | 0:14:48 | 0:14:50 | |
Remind me which street it is they sell it on. | 0:14:51 | 0:14:53 | |
Yep, this all looks in order. | 0:14:59 | 0:15:01 | |
Ooh, do you know what I fancy? | 0:15:01 | 0:15:03 | |
A Kinder Bueno. | 0:15:03 | 0:15:05 | |
We'll take 5,000. | 0:15:05 | 0:15:06 | |
Don't get greedy. | 0:15:06 | 0:15:07 | |
We got you all this stuff, | 0:15:07 | 0:15:08 | |
plus don't forget I'm sorting out that Roger thing. | 0:15:08 | 0:15:11 | |
-What do you mean? -I mentioned to Marcel you wanted something | 0:15:12 | 0:15:15 | |
arranged for a certain well-hung boyfriend of Gemma's. | 0:15:15 | 0:15:18 | |
Let's say he'll find it very difficult to get through | 0:15:18 | 0:15:21 | |
passport control now. | 0:15:21 | 0:15:23 | |
-What have you done? -Exactly what the Volturi did to Irina. | 0:15:24 | 0:15:27 | |
Made a false declaration to Customs and Excise, | 0:15:28 | 0:15:30 | |
preventing him from any foreign travel? | 0:15:30 | 0:15:32 | |
-No, they killed her. -What?! -I never said kill him! | 0:15:32 | 0:15:35 | |
Trust me, it's much cleaner this way. | 0:15:35 | 0:15:37 | |
Marcel, you categorically cannot do that! | 0:15:37 | 0:15:41 | |
Listen to me, I am the Mighty Snatch. | 0:15:41 | 0:15:45 | |
Does that count for nothing? | 0:15:45 | 0:15:46 | |
Of course it does, Luke, but we had a deal. | 0:15:46 | 0:15:49 | |
-Take this back, I don't need it. -Maybe let's hang onto the Double Velvet? | 0:15:49 | 0:15:52 | |
Too late, lads. My boy Breezewell's on the job. | 0:15:52 | 0:15:55 | |
This time next week, it'll all be done, and he don't do cancellations. | 0:15:55 | 0:16:00 | |
Who doesn't do cancellations? I've got statutory rights! | 0:16:00 | 0:16:02 | |
-There must be an ombudsman. -I think someone needs to relax a little. | 0:16:02 | 0:16:05 | |
See me later, I'll sell you some weed. | 0:16:05 | 0:16:07 | |
Fuuuuuuuuck. | 0:16:10 | 0:16:12 | |
Oh, what? Has he gone and brought the wrong flavour of Yorkie? | 0:16:12 | 0:16:15 | |
No, weren't you listening? They're going to kill Roger! | 0:16:15 | 0:16:18 | |
But I did pacifically ask for raisin and biscuit. | 0:16:20 | 0:16:22 | |
-IN A SOUTH LONDON ACCENT: -Word up, G. | 0:16:28 | 0:16:30 | |
Are you the main dealer, man? | 0:16:30 | 0:16:32 | |
I need me about 19 ounces of the good stuff. | 0:16:32 | 0:16:35 | |
Actually, don't worry about quality, bad stuff's fine. | 0:16:35 | 0:16:38 | |
How much that? Three grand? Psh, no sweat! | 0:16:38 | 0:16:42 | |
How about two and a half plus my mum's Punto? | 0:16:43 | 0:16:46 | |
It's got a full service history. | 0:16:46 | 0:16:48 | |
You shooting off? | 0:16:48 | 0:16:50 | |
No! What have you heard? I wouldn't do that at work. | 0:16:50 | 0:16:53 | |
Right, well, I'm just off now, | 0:16:53 | 0:16:55 | |
so I'll see you tomorrow if you're staying late. | 0:16:55 | 0:16:57 | |
You go, Dawn. Big day tomorrow, eh? | 0:16:57 | 0:17:00 | |
A little bit more contraband for the old collection. | 0:17:00 | 0:17:02 | |
I'll get that locked away for you with the rest of this | 0:17:02 | 0:17:05 | |
surprisingly-expensive stash. | 0:17:05 | 0:17:08 | |
Thanks, Creg, I really appreciate that. | 0:17:08 | 0:17:10 | |
-You've been so supportive. -Now get out of here! | 0:17:12 | 0:17:14 | |
Fuck it. | 0:17:23 | 0:17:24 | |
I'm just going to call the police, | 0:17:24 | 0:17:26 | |
get them to protect Roger. | 0:17:26 | 0:17:27 | |
Yeah, that could work. | 0:17:27 | 0:17:28 | |
Just say someone else took out a hit | 0:17:28 | 0:17:30 | |
on your ex's new boyfriend. | 0:17:30 | 0:17:31 | |
They'd never suspect you. | 0:17:31 | 0:17:32 | |
You're the most honest guy in this... | 0:17:32 | 0:17:34 | |
-prison. -Shit. | 0:17:34 | 0:17:36 | |
How about that mate of yours | 0:17:38 | 0:17:39 | |
who used to be in the SAS? | 0:17:39 | 0:17:41 | |
Big Ranjit? | 0:17:41 | 0:17:42 | |
Yeah, the one that did all that | 0:17:42 | 0:17:43 | |
security and surveillance stuff | 0:17:43 | 0:17:45 | |
for high-profile clients? | 0:17:45 | 0:17:46 | |
What a legend! | 0:17:46 | 0:17:47 | |
Did I tell you, this one time | 0:17:47 | 0:17:48 | |
he took a bullet for Myleene Klass. | 0:17:48 | 0:17:50 | |
Showed me the scar. | 0:17:50 | 0:17:51 | |
Call him, he'd be perfect! | 0:17:51 | 0:17:53 | |
Yeah, but I don't think | 0:17:53 | 0:17:54 | |
-he can do it. -What?! | 0:17:54 | 0:17:55 | |
But didn't he give you this hotline | 0:17:55 | 0:17:56 | |
so whenever you're in trouble | 0:17:56 | 0:17:58 | |
he could just rush over and open | 0:17:58 | 0:17:59 | |
a big can of Ranjit-On-The-Ass? | 0:17:59 | 0:18:01 | |
-Yeah, but it's complicated. -Why? | 0:18:01 | 0:18:03 | |
Well, his mum's in hospital at the | 0:18:03 | 0:18:05 | |
moment and I completely made him up. | 0:18:05 | 0:18:06 | |
Great! | 0:18:07 | 0:18:09 | |
Yeah, but you're right, | 0:18:09 | 0:18:10 | |
he'd have been perfect. | 0:18:10 | 0:18:11 | |
Night-night, Lulu! | 0:18:11 | 0:18:12 | |
Oh, you're in early. | 0:18:23 | 0:18:25 | |
-You all right? What happened to you? -Oh, just a normal shopping accident. | 0:18:26 | 0:18:30 | |
Right. Just so you know, Bev's staying on after her night shift | 0:18:30 | 0:18:32 | |
to cover me while the Minister's here. | 0:18:32 | 0:18:34 | |
That's uncharacteristically nice of her. | 0:18:34 | 0:18:36 | |
Now, if you two don't mind heading off for a second, I'm... | 0:18:36 | 0:18:39 | |
-Are you sure you don't mind, Bev? -I'll be grand, | 0:18:39 | 0:18:41 | |
-as long as I get some food inside me. -I'm pretty sure you've got enough | 0:18:41 | 0:18:44 | |
reserves for the next few hours. | 0:18:44 | 0:18:46 | |
What's that? Looks exotic. | 0:18:46 | 0:18:48 | |
This? | 0:18:49 | 0:18:50 | |
This...this is just baked seaweed on white. | 0:18:50 | 0:18:55 | |
-From the deli round the back. -Sounds nice. -It's disgusting. | 0:18:56 | 0:18:59 | |
I was going to throw it in the bin as soon as you leave. | 0:18:59 | 0:19:02 | |
If you're throwing it away, why not give it to Bev? | 0:19:02 | 0:19:04 | |
She's probably allergic. | 0:19:04 | 0:19:05 | |
Cut off a corner, Creg, she's been on all night. | 0:19:05 | 0:19:07 | |
No, I'm starving, I'm going to eat it all now. | 0:19:09 | 0:19:11 | |
Almost gone. | 0:19:22 | 0:19:24 | |
You wouldn't like it, it's very healthy. | 0:19:24 | 0:19:26 | |
-IN AN AMERICAN ACCENT: -Next summer, The Snatch Two. | 0:19:29 | 0:19:33 | |
This time he's a cold-blooded murderer. | 0:19:33 | 0:19:36 | |
Shut up, Jason, this is an insane nightmare. | 0:19:36 | 0:19:40 | |
But on the plus side, Roger's definitely out of the picture. | 0:19:40 | 0:19:43 | |
The picture is dripping in Roger's blood. | 0:19:43 | 0:19:46 | |
Oh, what am I going to do? | 0:19:46 | 0:19:49 | |
Yeah, you keep working on that. I'm just off to see Gemma. | 0:19:49 | 0:19:52 | |
What? She's visiting now? | 0:19:52 | 0:19:54 | |
The form! | 0:19:54 | 0:19:55 | |
Don't worry, I remember. | 0:19:55 | 0:19:57 | |
-IMITATES GEORDIE ACCENT: -"Of course I'm not signing that, | 0:19:57 | 0:19:59 | |
"I'd rather grate off my own lips with something that isn't a grater." | 0:19:59 | 0:20:03 | |
No, I need to transfer the flight | 0:20:03 | 0:20:04 | |
and then they'll be gone before anything murdery can happen! | 0:20:04 | 0:20:07 | |
Tell Gemma they're on the flight. | 0:20:10 | 0:20:14 | |
Oh, are you sure? | 0:20:14 | 0:20:16 | |
It must be so weird knowing you'll never ever see her again, | 0:20:16 | 0:20:19 | |
not even to say goodbye. | 0:20:19 | 0:20:20 | |
Oh, well. Cheerio! | 0:20:22 | 0:20:24 | |
-That's great, maybe we can have one now with... Is it Dawn? -Yeah. | 0:20:32 | 0:20:35 | |
..handing over the drugs to the Minister. | 0:20:35 | 0:20:37 | |
Bad idea. | 0:20:37 | 0:20:38 | |
Tell him I know about photos, Dawny, it's just not a good photo. | 0:20:38 | 0:20:43 | |
I told you we should've done this in my bedroom. | 0:20:43 | 0:20:45 | |
-Stop doing that with your ears. -Everything quite all right, Creg? | 0:20:46 | 0:20:48 | |
Sorry, yes, I just think this hat's a bit tight. | 0:20:48 | 0:20:52 | |
Where's it gone?! | 0:20:53 | 0:20:56 | |
You are silly, Dawn. | 0:20:56 | 0:20:58 | |
Half of it's here and half of it's here. | 0:20:58 | 0:21:00 | |
Sorry, what's happening? | 0:21:00 | 0:21:01 | |
They look much bigger if you do this. | 0:21:01 | 0:21:04 | |
HE LAUGHS | 0:21:04 | 0:21:06 | |
Why don't we show the Minister our new multi-faith prayer room? | 0:21:06 | 0:21:09 | |
Woooooooow. | 0:21:09 | 0:21:13 | |
Can you all make that noise? | 0:21:13 | 0:21:15 | |
Oh, sorry, is this a bad time? | 0:21:17 | 0:21:18 | |
Oh, it's never a bad time for the needs of our clients. | 0:21:18 | 0:21:21 | |
I'll only be two seconds. | 0:21:21 | 0:21:22 | |
Dawn, I need to go to the visiting room right now | 0:21:22 | 0:21:25 | |
because Gemma's in there. | 0:21:25 | 0:21:26 | |
And I realise that I don't have a visit booked but I need to tell her | 0:21:26 | 0:21:30 | |
that I'm sorry and I love her, and all this is because she's going to | 0:21:30 | 0:21:33 | |
Australia and if I don't, that means I'm never going to see her again. | 0:21:33 | 0:21:36 | |
-SHE SNAPS: -Luke, we're sort of in the middle of something | 0:21:36 | 0:21:39 | |
and, as you know, | 0:21:39 | 0:21:40 | |
we require 48 hours' notice as per Ministry guidelines. | 0:21:40 | 0:21:44 | |
So, if you don't mind... | 0:21:44 | 0:21:45 | |
Can I maybe have a word with Creg outside? | 0:21:45 | 0:21:48 | |
Cos I have a little question and now is Question Time. | 0:21:50 | 0:21:53 | |
Come on, Creg, be an angel... | 0:21:55 | 0:21:57 | |
of the North. | 0:21:57 | 0:21:58 | |
I really don't want to get palmed off in this office. | 0:22:00 | 0:22:04 | |
If you'll all excuse me, | 0:22:06 | 0:22:07 | |
I've got something urgent I need to attend to... | 0:22:07 | 0:22:09 | |
..with my spirit wolf. | 0:22:10 | 0:22:12 | |
I'm only going to be a phone call away. | 0:22:24 | 0:22:25 | |
Or just switch on the telly, I'm sure they'll be showing | 0:22:25 | 0:22:28 | |
'What's In My Trousers?' in Australia. | 0:22:28 | 0:22:30 | |
Can we please hurry up or Gemma will have left already? | 0:22:31 | 0:22:34 | |
OK, fine. Just help me get some of these spiders off me. | 0:22:34 | 0:22:37 | |
Whoa, I got up too fast. I'm going to be sick again. | 0:22:39 | 0:22:42 | |
-Gemma! -Luke? -Please, please, don't walk away. | 0:22:43 | 0:22:46 | |
I just had to see you one last time to say goodbye, | 0:22:48 | 0:22:53 | |
and I'm sorry, and I'll never forget you. | 0:22:53 | 0:22:56 | |
That's sweet of you. | 0:22:56 | 0:22:58 | |
And I'm really grateful you signed this form for me. | 0:22:58 | 0:23:00 | |
You being happy is the only thing in the world that matters to me. | 0:23:00 | 0:23:04 | |
Sam-Sam was wondering if he could go to Australia with you. | 0:23:07 | 0:23:11 | |
It was meant to be us on that flight, Lukey, wasn't it? | 0:23:14 | 0:23:17 | |
Kind of was, but, you know... | 0:23:17 | 0:23:19 | |
-..here we are. -Oh, God, what am I doing? | 0:23:20 | 0:23:24 | |
Am I being crazy? I'm rushing into this, aren't I? | 0:23:24 | 0:23:27 | |
-You could say that. -I've ruined everything. | 0:23:27 | 0:23:30 | |
And we had something special. | 0:23:31 | 0:23:33 | |
Oh, God, Luke, could you ever forgive me? | 0:23:34 | 0:23:36 | |
Yes, I could forgive you. | 0:23:36 | 0:23:38 | |
Why can't we still go together, like we were meant to? | 0:23:38 | 0:23:42 | |
-I mean, I can still wait for you, right? -Yes, please. | 0:23:42 | 0:23:45 | |
Roger should probably still move abroad, though. | 0:24:00 | 0:24:04 | |
This weekend. | 0:24:05 | 0:24:07 | |
What do you mean? | 0:24:07 | 0:24:09 | |
Just, you know, he's going to want an immediate | 0:24:09 | 0:24:12 | |
and substantial holiday to get over things. | 0:24:12 | 0:24:15 | |
What are you talking about? | 0:24:15 | 0:24:16 | |
Luke's organised for Roger to be murdered next week. | 0:24:16 | 0:24:19 | |
It's true that Roger's life is in a little danger, | 0:24:22 | 0:24:25 | |
yes, but it wasn't me who actually specifically... | 0:24:25 | 0:24:28 | |
-Goodbye, Luke. -No... | 0:24:28 | 0:24:29 | |
Excuse me, miss, would you mind | 0:24:35 | 0:24:37 | |
telling him to stop stealing my thoughts? | 0:24:37 | 0:24:39 | |
What's up with Marcel? They confiscate his weed again? | 0:24:48 | 0:24:50 | |
Nah, his best mate's just been killed. | 0:24:50 | 0:24:52 | |
Breezewell! | 0:24:52 | 0:24:54 | |
Do you know if that was the same Breezewell who...? | 0:24:54 | 0:24:58 | |
He died doing your job! | 0:24:58 | 0:25:00 | |
Breezie had some spare time today | 0:25:01 | 0:25:03 | |
and he went round to your man Roger's house. | 0:25:03 | 0:25:06 | |
He was just breaking in through the back door... | 0:25:06 | 0:25:08 | |
..when he got his arm caught on the glass. | 0:25:10 | 0:25:12 | |
Well, I guess in his line of work, the odd accident... | 0:25:12 | 0:25:15 | |
Accident? What are you talking about? | 0:25:15 | 0:25:18 | |
Fucking Roger caught him there and kicked him to death. | 0:25:18 | 0:25:20 | |
Why didn't you tell me he had such big feet? | 0:25:21 | 0:25:23 | |
Do you think Roger knew why exactly Breezewell was there? | 0:25:24 | 0:25:29 | |
I expect so. | 0:25:29 | 0:25:30 | |
But you can ask him yourself. He'll be banged up here in a fortnight. | 0:25:30 | 0:25:35 | |
I'll be honest with you... | 0:25:35 | 0:25:37 | |
(I'm shitting myself.) | 0:25:37 | 0:25:38 | |
Dawn, I think we've taken up more than enough of the Minister's time. | 0:25:38 | 0:25:42 | |
Just one last look, it might have slipped behind the back of the... | 0:25:42 | 0:25:45 | |
SHE SCREAMS | 0:25:45 | 0:25:47 | |
Argh! Officer Roper, what the hell are you playing at? | 0:25:47 | 0:25:49 | |
-'..will do nothing to address the...' -Can you at least stop it?! | 0:25:49 | 0:25:52 | |
THEY LAUGH | 0:25:52 | 0:25:55 | |
-Lulu? -Yes, Jason. | 0:25:55 | 0:25:57 | |
I'm sorry, bruv. | 0:25:57 | 0:25:59 | |
-For what? -For everything. | 0:25:59 | 0:26:01 | |
I've let you down so many times. | 0:26:01 | 0:26:03 | |
I'm only trying to be your friend | 0:26:03 | 0:26:05 | |
but I know I keep making things worse for you. | 0:26:05 | 0:26:07 | |
You must hate me. | 0:26:07 | 0:26:08 | |
Do you hate me? | 0:26:09 | 0:26:10 | |
Of course I don't hate you, Jason. | 0:26:10 | 0:26:12 | |
Come here. | 0:26:14 | 0:26:15 | |
I love you, Lulu, you're my best friend. | 0:26:16 | 0:26:19 | |
It feels good that we can end things like this. | 0:26:19 | 0:26:21 | |
-What do you mean? -I'm getting out of here tomorrow, didn't I mention? | 0:26:22 | 0:26:25 | |
What?! No, you did not mention that! | 0:26:25 | 0:26:27 | |
-How can you not...? -Ah, just kidding! | 0:26:27 | 0:26:30 | |
You're so syllable! | 0:26:30 | 0:26:31 | |
-Come on, back in the hug. -Get off me, that wasn't funny! | 0:26:31 | 0:26:34 | |
Like anyone's ever going to split us apart. | 0:26:34 | 0:26:36 | |
We're going to be together for the next 548 days. What's that in hours? | 0:26:36 | 0:26:40 | |
Must be like a million hours. | 0:26:40 | 0:26:42 | |
Just me and you | 0:26:42 | 0:26:43 | |
locked in our cell day after day, after day, after... | 0:26:43 | 0:26:49 | |
# Fear and delight | 0:26:49 | 0:26:51 | |
# All the way through the night | 0:26:51 | 0:26:53 | |
# With a little daring do | 0:26:53 | 0:26:55 | |
# I'll fall in love with you | 0:26:55 | 0:26:58 | |
# Fear and delight | 0:26:58 | 0:27:00 | |
# All the way through the night | 0:27:00 | 0:27:02 | |
# With a little daring do | 0:27:02 | 0:27:05 | |
# I'll fall in love with you | 0:27:05 | 0:27:07 | |
# Fear and delight | 0:27:07 | 0:27:10 | |
# All the way through the night | 0:27:10 | 0:27:12 | |
# With a little daring do | 0:27:12 | 0:27:14 | |
# I'll fall in love with you. # | 0:27:14 | 0:27:16 |