Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
He ran the whole length of the Quadrangle | 0:00:02 | 0:00:05 | |
without his trousers? | 0:00:05 | 0:00:06 | |
-Yes, Master. -SLAP! | 0:00:06 | 0:00:08 | |
He told me he was a bank robber. | 0:00:08 | 0:00:11 | |
I wonder which of his stories are true. | 0:00:11 | 0:00:13 | |
Whatever you do intend to do with your life - aim high. | 0:00:13 | 0:00:17 | |
That's what I do. | 0:00:17 | 0:00:18 | |
Margot, please don't marry Otto. | 0:00:18 | 0:00:21 | |
Maybe you can come and work for me? | 0:00:21 | 0:00:24 | |
I've booked you on the 5pm flight to Marseilles. | 0:00:24 | 0:00:26 | |
We get married in four days. | 0:00:26 | 0:00:27 | |
Don't worry, ladies, I'm here to help. | 0:00:28 | 0:00:30 | |
SHIP'S HORN BLOWS NEARBY | 0:01:04 | 0:01:06 | |
CHATTER AND BUSTLE | 0:01:06 | 0:01:08 | |
Monsieur. | 0:01:14 | 0:01:16 | |
Monsieur Pennyfeather? | 0:01:19 | 0:01:21 | |
Oui. C'est moi. | 0:01:21 | 0:01:23 | |
So, Monsieur Galeon. | 0:01:26 | 0:01:28 | |
The Pharaoh's Daughter sails to Rio tomorrow. | 0:01:28 | 0:01:30 | |
And Margot would like her two girls to be on it. | 0:01:30 | 0:01:32 | |
As I say, the League of Nations, they don't like it. | 0:01:32 | 0:01:36 | |
All they seem to do is make it more difficult | 0:01:36 | 0:01:38 | |
for young women to get about. | 0:01:38 | 0:01:39 | |
I have seen these, they are not good. | 0:01:39 | 0:01:41 | |
What's wrong with them? They're passports. | 0:01:41 | 0:01:43 | |
Yes, bad ones. | 0:01:43 | 0:01:45 | |
Mrs Margot must understand the new situation. | 0:01:45 | 0:01:48 | |
Perhaps, for a fee, | 0:01:50 | 0:01:53 | |
the girls could be employed on the ship? | 0:01:53 | 0:01:56 | |
As stewardess? | 0:01:57 | 0:01:58 | |
And if they had employment on the ship, then you'd let them travel? | 0:01:58 | 0:02:01 | |
It is better that way. | 0:02:01 | 0:02:03 | |
Well, fine. | 0:02:03 | 0:02:05 | |
I will fix it with le capitaine. | 0:02:05 | 0:02:07 | |
It will cost 5,000 francs for them...each. | 0:02:09 | 0:02:12 | |
That's outrageous! | 0:02:12 | 0:02:13 | |
If they're working, people should be paying them. | 0:02:13 | 0:02:16 | |
HE SIGHS | 0:02:17 | 0:02:18 | |
I've been instructed to pay you. | 0:02:20 | 0:02:21 | |
But I must warn you, when I see Margot, | 0:02:21 | 0:02:23 | |
I will be advising that she review this process. | 0:02:23 | 0:02:25 | |
-DRIVER: -Sorry, sir, looks like the press are here. I'll get the gate. | 0:02:51 | 0:02:54 | |
-CLAMOUR -Mr Pennyfeather! Mr Pennyfeather! | 0:02:54 | 0:02:57 | |
How does it feel to be getting married tomorrow? | 0:02:57 | 0:02:59 | |
-Very good, thank you. -Do you know what Margot will be wearing? | 0:02:59 | 0:03:01 | |
-Will this be the most expensive wedding ever? -No, no. Ha-ha. | 0:03:01 | 0:03:06 | |
-Quick quote for the early edition, sir? -Right, that's enough! | 0:03:06 | 0:03:09 | |
CLAMOUR FADES | 0:03:09 | 0:03:11 | |
This looks pretty smart. What do you think, sir? | 0:03:18 | 0:03:21 | |
Marvellous. | 0:03:23 | 0:03:24 | |
Did you get assaulted by the press at the gates? | 0:03:25 | 0:03:28 | |
Wanted to know all about you. I told them you had webbed feet. | 0:03:28 | 0:03:32 | |
I'm surprised you've chosen Digby-Vane-Trumpington | 0:03:33 | 0:03:35 | |
-as your best man. -Well, he asked if he could be. -Right... | 0:03:35 | 0:03:39 | |
HE CLEARS HIS THROAT | 0:03:39 | 0:03:41 | |
I can't tell you what Llanabba Castle is like | 0:03:41 | 0:03:43 | |
now that you, Prendy and Captain Grimes have left. | 0:03:43 | 0:03:45 | |
Little Lord Tangent died from complications | 0:03:45 | 0:03:48 | |
and the food has gotten so much worse. | 0:03:48 | 0:03:51 | |
Maybe we should ask Margot to take you away? | 0:03:51 | 0:03:53 | |
Please. There's also a rumour that Dr Fagan himself is leaving. | 0:03:53 | 0:03:57 | |
-There we are. -Thank you. | 0:03:59 | 0:04:00 | |
I do hope tomorrow goes well. | 0:04:03 | 0:04:05 | |
TELEPHONE RINGS | 0:04:05 | 0:04:06 | |
-Hello? -'Hello, Paul.' | 0:04:10 | 0:04:12 | |
Margot, darling. How are you? | 0:04:12 | 0:04:14 | |
Oh, wonderful, darling. | 0:04:14 | 0:04:15 | |
I'm feeling positively virginal. | 0:04:15 | 0:04:18 | |
I'm just consumed by final decisions. | 0:04:18 | 0:04:20 | |
There can't be much more to resolve, can there? | 0:04:20 | 0:04:22 | |
Oh, endless things. | 0:04:22 | 0:04:24 | |
How was Marseille? | 0:04:24 | 0:04:26 | |
'Good. All fixed. I met with that Monsieur Galeon.' | 0:04:26 | 0:04:30 | |
I must say, he's a pretty appalling person. | 0:04:30 | 0:04:32 | |
-And his English wasn't great. -'Yes, well, he's an oaf.' | 0:04:32 | 0:04:34 | |
But were the girls being allowed to board the boat? | 0:04:34 | 0:04:37 | |
Yes. They sail this afternoon. | 0:04:37 | 0:04:39 | |
Oh, good! | 0:04:39 | 0:04:40 | |
'Great job, darling.' | 0:04:40 | 0:04:42 | |
DOOR BELL RINGS | 0:04:42 | 0:04:44 | |
Margot, I can't wait to see you, but Alastair's here. | 0:04:44 | 0:04:47 | |
We're coming up to town for my bachelor lunch. | 0:04:47 | 0:04:49 | |
Oh, yes. You must go. | 0:04:49 | 0:04:51 | |
'But don't let Peter get too drunk, and you must have the sponge.' | 0:04:51 | 0:04:54 | |
I will. Goodbye, my love. | 0:04:54 | 0:04:57 | |
See you tomorrow. | 0:04:57 | 0:04:58 | |
Pennyfeather! | 0:04:58 | 0:05:00 | |
You filthy miscreant! | 0:05:01 | 0:05:03 | |
Have you seen the papers? | 0:05:03 | 0:05:05 | |
Our wedding's all over them. | 0:05:05 | 0:05:07 | |
I, er, said I'd do an article for The Sunday Excess | 0:05:09 | 0:05:12 | |
describing my feelings on being best man. | 0:05:12 | 0:05:15 | |
I hope that's acceptable, old chap? | 0:05:15 | 0:05:17 | |
I'd rather you didn't, Alastair. | 0:05:17 | 0:05:19 | |
Oh! | 0:05:19 | 0:05:20 | |
Well, I've said yes now, so... | 0:05:20 | 0:05:23 | |
Do you know anyone who would write it for me? | 0:05:24 | 0:05:27 | |
Um... | 0:05:27 | 0:05:29 | |
Doubt we'll have time to eat it all, but we should get everything. | 0:05:34 | 0:05:38 | |
-How are you feeling? -Good. Nervous about tomorrow. | 0:05:38 | 0:05:41 | |
I think I'm going to have the boar and hare | 0:05:41 | 0:05:44 | |
and duck and venison. | 0:05:44 | 0:05:46 | |
Which of you is Mr Pennyfeather? | 0:05:46 | 0:05:48 | |
That's me. Look, I really don't want to speak to the press again today. | 0:05:48 | 0:05:51 | |
I'm Inspector Bruce of Scotland Yard. | 0:05:51 | 0:05:54 | |
Is this about security? I really don't have time to talk to you now. | 0:05:54 | 0:05:57 | |
This is my bachelor lunch. | 0:05:57 | 0:05:58 | |
I don't care if it's the King's Christmas tea party - | 0:05:58 | 0:06:01 | |
I've got a warrant for your arrest. | 0:06:01 | 0:06:03 | |
Oh, don't be an ass! | 0:06:03 | 0:06:04 | |
You've clearly got the wrong chap. | 0:06:04 | 0:06:06 | |
This is Paul Pennyfeather. | 0:06:06 | 0:06:07 | |
He's getting married to Margot Beste-Chetwynde tomorrow, | 0:06:07 | 0:06:10 | |
at St Mary's, Itchen Stoke. | 0:06:10 | 0:06:11 | |
You old enough to be drinking that, son? | 0:06:11 | 0:06:13 | |
Those names mean nothing to you, of course... | 0:06:13 | 0:06:15 | |
Don't try and obstruct the law, sir. | 0:06:15 | 0:06:17 | |
You'll be able to continue with your lunch, but you need to come with me. | 0:06:17 | 0:06:20 | |
Oh, let me go and sort this out. I'll be back shortly, order for me. | 0:06:20 | 0:06:23 | |
I'll have the steak and kidney suet, | 0:06:23 | 0:06:25 | |
the daube of beef, the rabbit hotpot and the crown of duck. | 0:06:25 | 0:06:27 | |
Not the pig cheeks? It's excellent here. | 0:06:27 | 0:06:29 | |
-Comes with apples AND a black pudding. -Oh, well... | 0:06:29 | 0:06:31 | |
-Maybe that instead of the daube? -Come with me, please, sir. | 0:06:31 | 0:06:34 | |
-There's guinea fowl. -I can't make up my mind. | 0:06:34 | 0:06:36 | |
No, what Alastair said. Suet, hotpot, pig cheeks, duck. | 0:06:36 | 0:06:39 | |
-Any pud? -You are under arrest, sir. -I'll be back shortly. | 0:06:39 | 0:06:42 | |
Maybe choose now in case they detain you for an hour? | 0:06:42 | 0:06:45 | |
-Pass me the menu. -You are under arrest, sir! | 0:06:45 | 0:06:47 | |
There's a souffle - that should take about 25 minutes? | 0:06:47 | 0:06:50 | |
Oh, I won't be that long. Oh, it's difficult. | 0:06:50 | 0:06:52 | |
You are under arrest. | 0:06:52 | 0:06:53 | |
Ssh... Wait! | 0:06:53 | 0:06:55 | |
OK...rush decision - apple parfait. | 0:06:55 | 0:06:58 | |
-No, quince crumble. -The sponge pudding is good. | 0:06:58 | 0:07:00 | |
-The sponge is legendary. -Oh, sponge, parfait, parfait, sponge. | 0:07:00 | 0:07:03 | |
-What do you think? -Have the bloody sponge! | 0:07:03 | 0:07:05 | |
No. I'll have the bloody parfait. | 0:07:05 | 0:07:06 | |
-Good choice. -You are under... | 0:07:06 | 0:07:08 | |
Yes, yes. Right, I'll go and sort this out. | 0:07:08 | 0:07:10 | |
I'll be back before the hotpots get cold. | 0:07:10 | 0:07:12 | |
Let's order him a salad as a joke. | 0:07:14 | 0:07:17 | |
THEY SNIGGER | 0:07:17 | 0:07:19 | |
-I should've got the sponge, shouldn't I? -You're under arrest | 0:07:23 | 0:07:26 | |
for aiding and abetting prostitution, for slave trading - | 0:07:26 | 0:07:29 | |
specifically two women known as Jane Jenkins and Marie Dubois - | 0:07:29 | 0:07:32 | |
and for passport forgery, in breach of common law. | 0:07:32 | 0:07:35 | |
Our first witness is the man who, | 0:07:47 | 0:07:50 | |
through tireless work and diligence, | 0:07:50 | 0:07:53 | |
has been able to put together | 0:07:53 | 0:07:55 | |
the full picture and international sweep | 0:07:55 | 0:07:59 | |
of Mr Pennyfeather's crimes. | 0:07:59 | 0:08:01 | |
Arthur! You're not going to give evidence against me? | 0:08:07 | 0:08:11 | |
I swear by Almighty God, that the evidence I shall give | 0:08:14 | 0:08:17 | |
shall be the truth, the whole truth and nothing but the truth. | 0:08:17 | 0:08:19 | |
Would you give your name and job for the record, please? | 0:08:19 | 0:08:23 | |
My name is Arthur Potts, I'm senior officer for the League of Nations, | 0:08:23 | 0:08:26 | |
working chiefly in combating white slavery and prostitution. | 0:08:26 | 0:08:29 | |
And is it true that you have been building a case | 0:08:31 | 0:08:34 | |
-against Mr Pennyfeather for several months? -I have. | 0:08:34 | 0:08:38 | |
Arthur, we did rubbings together! | 0:08:38 | 0:08:41 | |
Be quiet! | 0:08:41 | 0:08:42 | |
I've been following the accused for several months intensively. | 0:08:43 | 0:08:46 | |
As a result, I am now able to describe, in some detail, | 0:08:46 | 0:08:50 | |
the full reach and grim sordidness | 0:08:50 | 0:08:52 | |
of Mr Paul Pennyfeather's despicable crimes. | 0:08:52 | 0:08:55 | |
What are those crimes? | 0:08:55 | 0:08:58 | |
Beneath that seemingly fresh face | 0:08:58 | 0:09:01 | |
lies the dark, stale soul of a man | 0:09:01 | 0:09:05 | |
who delights in prospering from the sexual slavery of young women. | 0:09:05 | 0:09:09 | |
Beyond imagination is the full extent of his unholy violations. | 0:09:09 | 0:09:15 | |
But I have them listed, here. | 0:09:15 | 0:09:18 | |
He is a vampire. | 0:09:22 | 0:09:23 | |
I'm not a vampire! MURMURING | 0:09:23 | 0:09:25 | |
-Order! Order! -BANGS GAVEL | 0:09:25 | 0:09:27 | |
A vampire who I can now prove preys upon the worst instincts | 0:09:27 | 0:09:30 | |
in our society for his own personal gain. | 0:09:30 | 0:09:34 | |
And it is my personal view | 0:09:34 | 0:09:35 | |
that these degradations are made all the more sickening | 0:09:35 | 0:09:38 | |
by the fact that, at the time of his crimes, he was attempting to marry | 0:09:38 | 0:09:42 | |
into one of the most honoured families in our country's history. | 0:09:42 | 0:09:46 | |
Mama is upset about this whole situation. | 0:09:46 | 0:09:48 | |
We both are. | 0:09:48 | 0:09:50 | |
-Is she...? -She wanted to come and see your trial, | 0:09:50 | 0:09:53 | |
but she's gone off to Corfu instead. On her own. | 0:09:53 | 0:09:55 | |
Well, just her and some Russian friends. | 0:09:55 | 0:09:57 | |
You can imagine what a time she's having with reporters and people. | 0:09:57 | 0:10:00 | |
-Of course. -You don't think that's awful of her, do you? | 0:10:00 | 0:10:03 | |
No. | 0:10:04 | 0:10:05 | |
There's a way she might be able to help you. | 0:10:07 | 0:10:09 | |
Can you remember that fat, annoying man called Maltravers? | 0:10:17 | 0:10:20 | |
The Transport Minister? | 0:10:20 | 0:10:21 | |
He's Home Secretary now. | 0:10:21 | 0:10:23 | |
He came round and said to Mama that if she married him, | 0:10:24 | 0:10:28 | |
he'd be able to get you out. | 0:10:28 | 0:10:30 | |
-Ah... -She asked me to ask you how you'd feel about that. | 0:10:30 | 0:10:33 | |
Hmm... | 0:10:33 | 0:10:34 | |
Not great, really. | 0:10:36 | 0:10:38 | |
I think she feels your arrest | 0:10:38 | 0:10:40 | |
may have been, in some small way, her fault, | 0:10:40 | 0:10:42 | |
and I think she'd like to help if she can. | 0:10:42 | 0:10:44 | |
She'd like to help me by marrying Humphrey Maltravers(?) | 0:10:45 | 0:10:49 | |
She said the question for you was - | 0:10:49 | 0:10:51 | |
would you rather she married Maltravers and you get out now, | 0:10:51 | 0:10:55 | |
or would you like to wait until you finish your sentence | 0:10:55 | 0:10:59 | |
and marry her yourself? | 0:10:59 | 0:11:01 | |
I'd like her to wait for me, please. | 0:11:01 | 0:11:03 | |
Good! I thought you'd say that. I'm so pleased. | 0:11:03 | 0:11:07 | |
She will...wait for me...won't she? | 0:11:07 | 0:11:10 | |
I'm sure she will. | 0:11:10 | 0:11:11 | |
I don't want that absurd MP as my stepfather. | 0:11:11 | 0:11:14 | |
And I can't imagine they'll give you more than a year's sentence. | 0:11:14 | 0:11:18 | |
Seven years' penal servitude. | 0:11:20 | 0:11:24 | |
GAVEL BANGS | 0:11:24 | 0:11:25 | |
-Name? -Paul Pennyfeather. | 0:11:47 | 0:11:49 | |
Bit different from The Ritz, isn't it? | 0:11:52 | 0:11:55 | |
We don't like your sort here much. | 0:11:57 | 0:12:00 | |
Posh white slaver? | 0:12:00 | 0:12:02 | |
You're in for a nasty welcome. | 0:12:03 | 0:12:05 | |
Hello, Pennyfeather! | 0:12:05 | 0:12:07 | |
HE CHUCKLES | 0:12:07 | 0:12:09 | |
How the devil are you? | 0:12:09 | 0:12:11 | |
He's not Pennyfeather. He is D4-12. | 0:12:11 | 0:12:14 | |
Always knew I'd see your pretty little face again. | 0:12:14 | 0:12:17 | |
-It's lovely to see you, Philbrick. -You, too. | 0:12:17 | 0:12:18 | |
Get your clothes off, you ballbag! | 0:12:18 | 0:12:21 | |
Put your possessions here. | 0:12:21 | 0:12:23 | |
I always wondered what had happened to you. | 0:12:28 | 0:12:30 | |
They caught up with me, eventually. | 0:12:30 | 0:12:32 | |
-What are you doing over there? -I'm on reception. | 0:12:32 | 0:12:34 | |
What with me being an old hand. | 0:12:34 | 0:12:36 | |
Not your first stretch? | 0:12:36 | 0:12:37 | |
Not exactly. | 0:12:37 | 0:12:39 | |
You two finished your mothers' meeting?! | 0:12:41 | 0:12:43 | |
Get your clothes off! | 0:12:43 | 0:12:45 | |
-Shoes - brown, one pair. Clean. -TYPEWRITER KEYS CLACK | 0:12:46 | 0:12:50 | |
Socks - fancy, one pair. Unclean. | 0:12:50 | 0:12:54 | |
Hat - | 0:12:54 | 0:12:57 | |
-fancy, brown... -Walnut. | 0:12:57 | 0:12:59 | |
KEYS STOP CLACKING, TYPEWRITER PINGS | 0:12:59 | 0:13:01 | |
Sorry? | 0:13:01 | 0:13:03 | |
It's... | 0:13:03 | 0:13:04 | |
It's walnut. | 0:13:04 | 0:13:06 | |
Doesn't matter... | 0:13:09 | 0:13:10 | |
You are going to hate it here so much! | 0:13:10 | 0:13:13 | |
Here you go! Got you the best I could find. Barely any lice. | 0:13:13 | 0:13:17 | |
TYPEWRITER PINGS | 0:13:17 | 0:13:18 | |
Cigarette case. | 0:13:18 | 0:13:20 | |
KEYS CLACK | 0:13:20 | 0:13:22 | |
Fancy. | 0:13:22 | 0:13:23 | |
Silver. | 0:13:23 | 0:13:25 | |
What's this? | 0:13:30 | 0:13:31 | |
Cigar piercing. | 0:13:35 | 0:13:37 | |
You watch your lip, you pansy bogbucket! | 0:13:37 | 0:13:40 | |
Have you, at any time, | 0:13:41 | 0:13:42 | |
been detained in a mental home or similar institution? | 0:13:42 | 0:13:45 | |
I was a teacher in a Welsh boys' school. | 0:13:45 | 0:13:47 | |
Don't you make jokes in here, young man, or I'll have you in the straps. | 0:13:49 | 0:13:54 | |
Sorry. | 0:13:54 | 0:13:55 | |
Suffering from any diseases? | 0:13:56 | 0:13:57 | |
VD? Consumption? | 0:13:57 | 0:13:59 | |
-I don't think so. -Cough! | 0:13:59 | 0:14:01 | |
GRIPPING, HE WHIMPERS AND COUGHS WEAKLY | 0:14:01 | 0:14:03 | |
Good. | 0:14:03 | 0:14:05 | |
You're nice and fit, | 0:14:05 | 0:14:07 | |
I'll put down that you're capable | 0:14:07 | 0:14:08 | |
of undergoing all of the prison punishment. | 0:14:08 | 0:14:11 | |
Handcuffs, leg chains, | 0:14:11 | 0:14:12 | |
body-belt, canvas dress, | 0:14:12 | 0:14:14 | |
close confinement, | 0:14:14 | 0:14:16 | |
diet one, diet two. | 0:14:16 | 0:14:18 | |
Diet four. | 0:14:19 | 0:14:20 | |
Birch-rod beating and the cat o' nine. Any complaints? | 0:14:21 | 0:14:24 | |
Must I have them all at once? | 0:14:25 | 0:14:27 | |
Go away. | 0:14:28 | 0:14:29 | |
This is your new home. | 0:14:55 | 0:14:57 | |
Keep it clean. | 0:14:57 | 0:14:58 | |
Hey, you aren't going to commit suicide, are you? | 0:15:02 | 0:15:05 | |
I don't think so. | 0:15:07 | 0:15:08 | |
Good. Cos it's not allowed. | 0:15:08 | 0:15:11 | |
You start hard labour tomorrow. | 0:15:11 | 0:15:13 | |
Mail sack stitching? | 0:15:13 | 0:15:15 | |
Nearly. Granite quarry. | 0:15:15 | 0:15:17 | |
HINGES CREAK, CLANKING | 0:15:17 | 0:15:19 | |
LOCKS CLUNK | 0:15:19 | 0:15:21 | |
You here for long, Philbrick? | 0:16:05 | 0:16:07 | |
Not this time. | 0:16:07 | 0:16:09 | |
Six months for robbery | 0:16:09 | 0:16:10 | |
and impersonating a member of the clergy. Mind you, I like six months. | 0:16:10 | 0:16:14 | |
It's a nice little sentence. | 0:16:14 | 0:16:15 | |
Gives me an opportunity to see me old pals. | 0:16:15 | 0:16:17 | |
-Lifers, most of them. -You don't mind working like this every day? | 0:16:17 | 0:16:21 | |
Whoa, whoa, whoa. You're putting far too much into it. | 0:16:21 | 0:16:24 | |
They don't expect us to ACHIEVE anything. | 0:16:24 | 0:16:26 | |
It's just a way to fill the day, you know, get a bit of fresh air. | 0:16:26 | 0:16:29 | |
Mind you, that being said, this prison's going to the dogs. | 0:16:31 | 0:16:34 | |
Hopeless governor. | 0:16:34 | 0:16:35 | |
Matey, you'll never guess who the new chaplain is? | 0:16:35 | 0:16:38 | |
Can't believe he's still wearing that wig. | 0:16:40 | 0:16:42 | |
Good morning, everyone. | 0:16:48 | 0:16:50 | |
We'll begin this morning by singing I Vow To Thee My Country. | 0:16:50 | 0:16:55 | |
Oh, and, um, I would appreciate it | 0:16:55 | 0:16:58 | |
if you could try TO stick to the correct words today, rather than... | 0:16:58 | 0:17:03 | |
doing your own... | 0:17:03 | 0:17:04 | |
..amusing adaptations. | 0:17:05 | 0:17:07 | |
Stick to the words, | 0:17:07 | 0:17:09 | |
or it's diet number one. | 0:17:09 | 0:17:12 | |
HE MOUTHS | 0:17:13 | 0:17:15 | |
ORGAN PLAYS INTRODUCTION | 0:17:15 | 0:17:17 | |
UP! | 0:17:19 | 0:17:21 | |
ALL: # I vow to thee my country | 0:17:21 | 0:17:26 | |
# All earthly things above | 0:17:26 | 0:17:29 | |
# Entire and whole and perfect | 0:17:30 | 0:17:35 | |
# The service of my love... # HE SINGS FALSETTO DESCANT | 0:17:35 | 0:17:40 | |
I heard you'd been sentenced, but I had no idea you'd end up here. | 0:17:40 | 0:17:44 | |
It's good to see you in a dog collar. | 0:17:44 | 0:17:47 | |
-How long have you been here? -A few weeks. | 0:17:47 | 0:17:50 | |
The Bishop thought that the best place for me to practise | 0:17:50 | 0:17:53 | |
being a modern churchman was in a...a prison. | 0:17:53 | 0:17:57 | |
The new governor is famously modern. | 0:17:57 | 0:18:00 | |
So, I thought I'd enjoy it - | 0:18:00 | 0:18:03 | |
but some of the prisoners are even worse than the boys at school. | 0:18:03 | 0:18:07 | |
They PRETEND to make confessions | 0:18:07 | 0:18:10 | |
and then, they...they tell me the most shocking things. | 0:18:10 | 0:18:13 | |
Well, I'm pleased to see you again, Prendy. | 0:18:14 | 0:18:17 | |
Please... | 0:18:17 | 0:18:18 | |
you mustn't call me Prendy. | 0:18:18 | 0:18:20 | |
That will only make me even more unpopular. | 0:18:20 | 0:18:24 | |
So, I think you need to realise | 0:18:24 | 0:18:26 | |
the enormity of your crimes and the justice of your punishment. | 0:18:26 | 0:18:31 | |
Pray for penitence. | 0:18:32 | 0:18:34 | |
Sorry to disturb you, Your Honour, | 0:18:36 | 0:18:38 | |
but there's prisoner here, D2-18, | 0:18:38 | 0:18:40 | |
asking to see Your Honour. | 0:18:40 | 0:18:42 | |
Er, he...he wants to discuss the appointment of the new Archbishop. | 0:18:42 | 0:18:46 | |
See you later, Father. | 0:18:47 | 0:18:49 | |
You moved that pawn! > | 0:18:52 | 0:18:54 | |
PIECES CLATTER ON GROUND | 0:18:54 | 0:18:55 | |
Woe unto the Philistines! | 0:18:55 | 0:18:58 | |
Woe unto the uncircumcised! | 0:18:58 | 0:19:00 | |
The Lord shall deliver me! | 0:19:00 | 0:19:03 | |
But you will be crushed beneath him! | 0:19:03 | 0:19:08 | |
SHOUTING, WET CRUNCHING | 0:19:08 | 0:19:09 | |
Oi! Break it up! | 0:19:09 | 0:19:11 | |
COMMOTION | 0:19:11 | 0:19:12 | |
I shall cast you into the depths! | 0:19:12 | 0:19:15 | |
-Who is that? -Harold. | 0:19:17 | 0:19:18 | |
COMMOTION, HAROLD ROARS | 0:19:18 | 0:19:20 | |
What's he in here for? | 0:19:20 | 0:19:22 | |
Tax evasion. | 0:19:22 | 0:19:24 | |
BELL RINGS | 0:19:24 | 0:19:25 | |
Really? | 0:19:25 | 0:19:27 | |
-HE CHUCKLES -No! | 0:19:27 | 0:19:29 | |
SHEARS SNIP | 0:19:29 | 0:19:30 | |
The governor wants to see you. | 0:19:32 | 0:19:34 | |
Thank you for coming to see me. | 0:19:44 | 0:19:46 | |
Have I done something wrong? | 0:19:46 | 0:19:48 | |
No, no. It's simply that my aim | 0:19:48 | 0:19:50 | |
is to establish contact with every man in my care. | 0:19:50 | 0:19:54 | |
Nice to make your acquaintance, D4-12. | 0:19:55 | 0:19:59 | |
I want everyone here to take pride in their prison. | 0:19:59 | 0:20:04 | |
And, as far as possible, I want people to continue | 0:20:04 | 0:20:06 | |
with the vocations they had in civilised life. | 0:20:06 | 0:20:09 | |
Er, what was this man's profession, Officer? | 0:20:09 | 0:20:12 | |
-Sex traffic. -Ah! | 0:20:12 | 0:20:15 | |
Ah, well, you won't have the opportunity to do that here. | 0:20:15 | 0:20:18 | |
The important thing is that, during your time here, | 0:20:18 | 0:20:21 | |
I don't want you to feel that your personality is being stamped out. | 0:20:21 | 0:20:26 | |
What are you passionate about? | 0:20:26 | 0:20:27 | |
Freedom and long-distance running. | 0:20:29 | 0:20:30 | |
Ah... Ha-ha! | 0:20:30 | 0:20:32 | |
Yes, yes, well, there is an exercise course. | 0:20:32 | 0:20:36 | |
And we have all the arts and crafts, | 0:20:37 | 0:20:40 | |
and a new course in botany, | 0:20:40 | 0:20:43 | |
which I have just introduced. | 0:20:43 | 0:20:46 | |
I want to bring forth a new epoch in penology. | 0:20:46 | 0:20:51 | |
And, if you don't mind being one of the guinea pigs, | 0:20:51 | 0:20:54 | |
I have an opportunity to test it here. | 0:20:54 | 0:20:57 | |
I want you to realise that, in my eyes, | 0:20:57 | 0:21:00 | |
far from being a nameless felon, D4-12, | 0:21:00 | 0:21:03 | |
you are part of a penal revolution | 0:21:03 | 0:21:05 | |
that is all about the human touch. | 0:21:05 | 0:21:08 | |
Now, um, do you read Modern Politics magazine? | 0:21:09 | 0:21:12 | |
-No. -Well, there was an article in it recently | 0:21:12 | 0:21:15 | |
about what they called the Lucas-Dockery Experiments. | 0:21:15 | 0:21:19 | |
Oh, look! It's you! | 0:21:22 | 0:21:25 | |
I like prisoners to be aware of these things, | 0:21:25 | 0:21:28 | |
so we can have a sense of corporate pride. | 0:21:28 | 0:21:30 | |
To be honest, I don't much care for arts and crafts. | 0:21:32 | 0:21:36 | |
I'd be perfectly happy spending some time in solitary confinement. | 0:21:36 | 0:21:39 | |
Sounds quite nice. | 0:21:39 | 0:21:40 | |
No, no, no. That is exactly the sort of inclination I want to fight. | 0:21:40 | 0:21:44 | |
No, I don't want anyone here indulging in introversion. | 0:21:44 | 0:21:48 | |
What did you do before your crimes? | 0:21:48 | 0:21:51 | |
Er, did you lead a lonely life? | 0:21:51 | 0:21:54 | |
How do you mean? | 0:21:54 | 0:21:55 | |
Were you perhaps a shepherd or a lighthouse keeper? | 0:21:55 | 0:21:59 | |
-I was a teacher. -Aaah! | 0:22:00 | 0:22:02 | |
That explains it. Misanthropic tendencies | 0:22:02 | 0:22:05 | |
induced by a sense of inferiority in the presence of others, yes. | 0:22:05 | 0:22:09 | |
I...I will set up some further stages in your treatment, | 0:22:09 | 0:22:12 | |
um, but for now...um... | 0:22:12 | 0:22:15 | |
I want this prisoner to exercise daily in the company of others, | 0:22:15 | 0:22:20 | |
and during this time, inmates must discuss history, | 0:22:20 | 0:22:23 | |
philosophy and public events. | 0:22:23 | 0:22:26 | |
-You get the idea. -Mm. | 0:22:26 | 0:22:28 | |
You see, individual attention | 0:22:28 | 0:22:30 | |
is being paid to your reclamation. | 0:22:30 | 0:22:33 | |
How does that make you feel? | 0:22:33 | 0:22:35 | |
Super. | 0:22:36 | 0:22:37 | |
Right, bogbucket D4-12, in line with the governor's instructions, | 0:22:38 | 0:22:44 | |
here is your new pal for you to chat to. Get going. | 0:22:44 | 0:22:49 | |
How do you do? | 0:22:54 | 0:22:55 | |
So, how long are you serving here? | 0:22:58 | 0:23:00 | |
Five life sentences. | 0:23:00 | 0:23:02 | |
What do we do? | 0:23:06 | 0:23:08 | |
Walk around talking about art and the like! | 0:23:09 | 0:23:13 | |
Get on with it! | 0:23:13 | 0:23:14 | |
-So, do you think this is a good idea of the governor's? -Yes. | 0:23:22 | 0:23:25 | |
Talk about something, you pair o' bogbuckets! | 0:23:32 | 0:23:36 | |
What are you in for...if you don't mind me asking? | 0:23:36 | 0:23:39 | |
It's all in the Bible. You can read about it there. | 0:23:39 | 0:23:42 | |
Do you ever have visions? | 0:23:42 | 0:23:46 | |
-No. -Neither does the chaplain. | 0:23:46 | 0:23:48 | |
He told me that. And him, a clergyman. | 0:23:48 | 0:23:50 | |
Should clergymen have visions? | 0:23:51 | 0:23:54 | |
He's no Christian, that priest. | 0:23:55 | 0:23:57 | |
I think I know what you mean. | 0:23:57 | 0:23:59 | |
I believe he's what they're calling a modern clergyman. | 0:23:59 | 0:24:02 | |
It was a vision that brought me here. | 0:24:02 | 0:24:05 | |
An angel came to visit me. | 0:24:05 | 0:24:08 | |
Oh! That's nice. | 0:24:08 | 0:24:10 | |
He said, "The Lord hath numbered his elect. | 0:24:10 | 0:24:16 | |
"The day of tribulation is at hand. | 0:24:16 | 0:24:22 | |
"You are his appointed. | 0:24:22 | 0:24:26 | |
"You are his lion. | 0:24:26 | 0:24:29 | |
"Kill and spare not - | 0:24:29 | 0:24:31 | |
"for his kingdom is at hand. | 0:24:31 | 0:24:35 | |
"Kill and spare not." | 0:24:35 | 0:24:38 | |
Did you kill and spare not? | 0:24:43 | 0:24:45 | |
I smote the Philistines in the name of the Lord. | 0:24:45 | 0:24:48 | |
I struck off five heads. | 0:24:48 | 0:24:52 | |
Woe unto the Philistines on that day. | 0:24:53 | 0:24:58 | |
Woe unto the uncircumcised. | 0:24:58 | 0:25:01 | |
Right, that's enough chatting, you two. | 0:25:02 | 0:25:04 | |
You - inside. | 0:25:04 | 0:25:07 | |
How was that? Helpful? | 0:25:08 | 0:25:10 | |
I think that man might be dangerous. | 0:25:12 | 0:25:14 | |
Course he is. If it was up to me, he'd be on diet number two. | 0:25:14 | 0:25:18 | |
Lockdown. Lockdown. Back in your cells. | 0:25:24 | 0:25:26 | |
-CLANKING, DOORS SLAM -Back in your cells. You! | 0:25:26 | 0:25:29 | |
Everybody in! | 0:25:31 | 0:25:32 | |
CLANKING DOORS | 0:25:32 | 0:25:34 | |
DOORS SLAM, LOCKS CLUNK | 0:25:34 | 0:25:37 | |
'I think Margot has treated you very badly.' | 0:25:37 | 0:25:40 | |
I was always brought up to believe that it's the right thing | 0:25:41 | 0:25:45 | |
to shield a woman from any harm. | 0:25:45 | 0:25:47 | |
Who taught you that? | 0:25:47 | 0:25:49 | |
Your father? | 0:25:49 | 0:25:51 | |
My guardian. I never really knew my father. | 0:25:51 | 0:25:54 | |
Oh, I'm sure that most of the time, that's a good precept, but... | 0:25:54 | 0:25:58 | |
..Margot isn't a woman. | 0:25:59 | 0:26:00 | |
She's a monster. | 0:26:02 | 0:26:03 | |
I think she's behaved disgracefully. | 0:26:04 | 0:26:07 | |
She sent you to Marseilles, didn't she? It's her business. | 0:26:07 | 0:26:09 | |
She's culpable. | 0:26:09 | 0:26:11 | |
Surely you can see that? | 0:26:11 | 0:26:13 | |
Look, I know what you mean... | 0:26:13 | 0:26:15 | |
..and I am annoyed at her... | 0:26:16 | 0:26:17 | |
..but at least I know that I behaved correctly. | 0:26:18 | 0:26:22 | |
And it's got you seven years. | 0:26:22 | 0:26:24 | |
-Could you imagine Margot in here? Even for a moment? -Very much so. | 0:26:26 | 0:26:30 | |
Well, you're wrong about that. | 0:26:30 | 0:26:32 | |
Margot - in a prison uniform? | 0:26:32 | 0:26:33 | |
Mail sack stitching? | 0:26:33 | 0:26:35 | |
Wandering round draughty corridors, dressed in grey pyjamas? | 0:26:35 | 0:26:39 | |
You don't know her like I do. | 0:26:39 | 0:26:41 | |
-Thankfully! -Whereas I can survive in here. | 0:26:41 | 0:26:43 | |
Yes, it's a bit chilly. There's a good routine. | 0:26:45 | 0:26:48 | |
I'm reading lots. | 0:26:48 | 0:26:49 | |
The food's not awful. | 0:26:49 | 0:26:50 | |
Bit like school, really. | 0:26:51 | 0:26:53 | |
So, there's one law for her, is there, and another for... | 0:26:53 | 0:26:56 | |
..everyone else? | 0:26:58 | 0:26:59 | |
You know what, bizarrely, I think you're right... | 0:27:00 | 0:27:02 | |
PRENDY SCOFFS ..there is. | 0:27:02 | 0:27:05 | |
Your friend, Vane-Trumpington, | 0:27:08 | 0:27:13 | |
has done an interview in which he says he always knew you were evil. | 0:27:13 | 0:27:19 | |
'Slops out!' | 0:27:32 | 0:27:34 | |
Come on! | 0:27:37 | 0:27:39 | |
Slops out! | 0:27:42 | 0:27:43 | |
CONTENTS OF BUCKET SPLOSH | 0:27:45 | 0:27:47 | |
-You've got a visitor. -Is it a beautiful Latina woman? | 0:27:49 | 0:27:53 | |
Mama wants you to know that she thinks about you constantly. | 0:27:54 | 0:27:57 | |
That's nice. Is she back from Corfu? | 0:27:57 | 0:28:00 | |
Oh, no, she's in Paris. But she sent me a letter. | 0:28:00 | 0:28:04 | |
She misses you terribly. | 0:28:04 | 0:28:06 | |
She thinks it's quite wrong how you ended up in here. | 0:28:06 | 0:28:09 | |
Just for trying to help those two girls | 0:28:09 | 0:28:11 | |
secure the only employment that they were fit for. | 0:28:11 | 0:28:13 | |
I think about her, too. | 0:28:14 | 0:28:16 | |
A lot. | 0:28:16 | 0:28:17 | |
She's been talking to her Home Secretary friend, Humphrey Maltravers, | 0:28:17 | 0:28:21 | |
about how to get your early release. | 0:28:21 | 0:28:23 | |
Has she being seeing a lot of Maltravers? | 0:28:23 | 0:28:25 | |
Only occasionally. | 0:28:28 | 0:28:29 | |
Weekends. | 0:28:29 | 0:28:31 | |
Weekends in Paris? | 0:28:31 | 0:28:32 | |
But she will wait for me, won't she? | 0:28:34 | 0:28:37 | |
She's waiting till I get out? | 0:28:37 | 0:28:38 | |
I'm sure she will. | 0:28:38 | 0:28:40 | |
I think so. | 0:28:44 | 0:28:45 | |
I have to escape. | 0:28:46 | 0:28:48 | |
Don't you like it here? | 0:28:48 | 0:28:50 | |
I've got to get out of here | 0:28:50 | 0:28:51 | |
before Margot feels compelled to marry Humphrey Maltravers. | 0:28:51 | 0:28:54 | |
No-one ever escapes Egdon Heath. | 0:28:56 | 0:28:59 | |
Many have tried, but it always ends badly. | 0:28:59 | 0:29:01 | |
February was the last attempt - by me and Marcel Laurent. | 0:29:01 | 0:29:04 | |
Marcel was part of the mob | 0:29:04 | 0:29:06 | |
that done the Hatton Garden jewellery job last summer. | 0:29:06 | 0:29:09 | |
We made it over the wall, | 0:29:09 | 0:29:10 | |
but, as I landed, I twisted me ankle. | 0:29:10 | 0:29:13 | |
So, the screws got me, but Marcel ran on into the night. | 0:29:13 | 0:29:17 | |
Now, he realised if he was going to escape the dogs, | 0:29:17 | 0:29:21 | |
he'd have to run into Edgon Mire. | 0:29:21 | 0:29:25 | |
WIND HOWLS, FROGS CROAK | 0:29:25 | 0:29:27 | |
But no-one escapes the mire. | 0:29:27 | 0:29:29 | |
First thing they found was his prison hat | 0:29:29 | 0:29:32 | |
on the surface of the bog. | 0:29:32 | 0:29:34 | |
Then, an hour later, his drowned body. | 0:29:34 | 0:29:36 | |
And that's the way it's always been at Egdon Heath. | 0:29:39 | 0:29:42 | |
If the guards don't get you... | 0:29:42 | 0:29:43 | |
..the bog will. | 0:29:45 | 0:29:47 | |
WIND HOWLS, CROAKING, WOLF HOWLS | 0:29:47 | 0:29:49 | |
PRISONER CLEARS HIS THROAT LOUDLY | 0:29:51 | 0:29:54 | |
I'm talking. | 0:29:54 | 0:29:55 | |
Well, I have to escape. | 0:29:57 | 0:29:58 | |
Everybody, back in your cells. | 0:30:01 | 0:30:03 | |
Lockdown. Back in your cells. | 0:30:03 | 0:30:05 | |
You! In your cell! | 0:30:08 | 0:30:09 | |
DOORS CLUNK AND SLAM | 0:30:09 | 0:30:11 | |
LOCKS CLANK | 0:30:11 | 0:30:13 | |
KEYS JANGLE | 0:30:15 | 0:30:18 | |
DOOR SLAMS, LOCK CLANKS | 0:30:20 | 0:30:21 | |
HE RAPS ON WALL | 0:30:45 | 0:30:46 | |
HOLLOW THUD | 0:30:52 | 0:30:54 | |
SMALL TAP | 0:30:55 | 0:30:57 | |
HOLLOW THUD | 0:30:57 | 0:30:58 | |
DUST PATTERS | 0:31:05 | 0:31:06 | |
I'm coming, Margot. | 0:31:12 | 0:31:13 | |
METAL CLATTERS | 0:31:15 | 0:31:18 | |
HE SIGHS (Bugger.) | 0:31:20 | 0:31:22 | |
THUDDING | 0:31:22 | 0:31:25 | |
Grimes! | 0:31:46 | 0:31:47 | |
Here we are! Together again! | 0:31:49 | 0:31:51 | |
-How are you? -I'm in the soup. | 0:31:51 | 0:31:54 | |
As per bloomin' usual. | 0:31:54 | 0:31:56 | |
-When did you get here? -Yesterday. | 0:31:56 | 0:31:58 | |
I've been in some bad situations before - | 0:31:58 | 0:32:00 | |
but I've never been anywhere like this. | 0:32:00 | 0:32:02 | |
-What are you in for? -Bigamy! | 0:32:02 | 0:32:04 | |
Of all the ridiculous convictions! | 0:32:04 | 0:32:06 | |
I was having a very happy time, running that nightclub in Rio. | 0:32:08 | 0:32:11 | |
-You liked it there? -Oh, yes. | 0:32:11 | 0:32:13 | |
My kind of climate. Lovely people at the club. | 0:32:13 | 0:32:16 | |
Good drinkers. Tolerant police force. | 0:32:16 | 0:32:19 | |
Very little bother. And I had to come back to England | 0:32:19 | 0:32:22 | |
to see Margot on business | 0:32:22 | 0:32:23 | |
and the buggers were waiting for me as I got off the boat. | 0:32:23 | 0:32:27 | |
-Margot's in London? -Yes. I can't stand it here. | 0:32:27 | 0:32:30 | |
It's just not good enough. | 0:32:30 | 0:32:31 | |
It's all right for you, you're antisocial... | 0:32:31 | 0:32:34 | |
-No, I'm not! -Yes, you are, you like reading. | 0:32:34 | 0:32:36 | |
I'm a sociable creature. | 0:32:36 | 0:32:38 | |
You know... I like having a drink and a bit of fun. | 0:32:38 | 0:32:42 | |
I'm going to have to escape. | 0:32:42 | 0:32:44 | |
I can't STAND repression. | 0:32:44 | 0:32:47 | |
I need to get out of here, too. | 0:32:47 | 0:32:50 | |
But no-one's ever escaped Egdon Heath. | 0:32:50 | 0:32:52 | |
Well, we'll be the first, shall we? | 0:32:52 | 0:32:54 | |
I've started digging a tunnel. | 0:32:56 | 0:32:58 | |
You know Prendy's here? | 0:33:03 | 0:33:04 | |
No. I'm not surprised. | 0:33:04 | 0:33:07 | |
Always knew there was something furtive and forbidden about him. | 0:33:07 | 0:33:10 | |
He's the chaplain. | 0:33:10 | 0:33:13 | |
Oh. | 0:33:13 | 0:33:14 | |
I see. | 0:33:14 | 0:33:15 | |
Well, nonetheless... | 0:33:15 | 0:33:17 | |
I've been stealing these from the dining hall... | 0:33:27 | 0:33:30 | |
..then, at night, chiselling through the wall. | 0:33:32 | 0:33:35 | |
-How long has that taken you? -Five weeks. | 0:33:43 | 0:33:46 | |
Eventually, I hope to get through to the cavity behind the wall, | 0:33:46 | 0:33:49 | |
then I can escape via the sewage ducts. | 0:33:49 | 0:33:51 | |
But we might have all died of old age by then. | 0:33:53 | 0:33:56 | |
I need to get out of here, Grimes. | 0:33:56 | 0:33:57 | |
Every moment that I'm in here | 0:33:57 | 0:33:59 | |
is an opportunity for Humphrey Maltravers to seduce Margot. | 0:33:59 | 0:34:02 | |
That's why I think we might need something a bit quicker, old chap. | 0:34:04 | 0:34:07 | |
And won't the guards see the tunnel once you've gone? | 0:34:10 | 0:34:13 | |
No, because I'm going to use this poster to cover the hole. | 0:34:14 | 0:34:17 | |
That way they won't realise I'm missing until the morning roll call. | 0:34:17 | 0:34:22 | |
And if you're in the tunnel, | 0:34:22 | 0:34:24 | |
how will you place the poster back over the hole at this end? | 0:34:24 | 0:34:27 | |
-How else can we escape? -I don't know. | 0:34:36 | 0:34:39 | |
Personally, I'm just going to pick my moment | 0:34:39 | 0:34:41 | |
and trust in Lady Fortune. | 0:34:41 | 0:34:43 | |
INAUDIBLE CONVERSATION | 0:35:04 | 0:35:06 | |
Do you want a game of chess? | 0:35:21 | 0:35:22 | |
If you say "no", I WILL set fire to your head. | 0:35:24 | 0:35:27 | |
Let's play chess. | 0:35:29 | 0:35:30 | |
HE GIGGLES | 0:35:50 | 0:35:53 | |
Are you letting me win? | 0:35:55 | 0:35:57 | |
-No... -Then why did you make such a bad move? | 0:35:58 | 0:36:01 | |
You can't be that stupid. | 0:36:01 | 0:36:02 | |
No, I...I am that stupid. | 0:36:02 | 0:36:05 | |
Glad to see you two are friends. | 0:36:05 | 0:36:08 | |
You destroyed our game. | 0:36:08 | 0:36:10 | |
It's fine... | 0:36:10 | 0:36:11 | |
WOOD SPLINTERS | 0:36:13 | 0:36:16 | |
You filthy washpot! | 0:36:16 | 0:36:18 | |
I will cast you into the depths! | 0:36:18 | 0:36:21 | |
You Moabite! | 0:36:21 | 0:36:22 | |
GUARD GRUNTS | 0:36:22 | 0:36:24 | |
You are the whore... | 0:36:24 | 0:36:25 | |
-WHISTLES BLOW, COMMOTION -..of Babylon! | 0:36:25 | 0:36:28 | |
HE ROARS, SCUFFLING | 0:36:28 | 0:36:30 | |
COMMOTION | 0:36:31 | 0:36:34 | |
< GRUNTING | 0:36:34 | 0:36:36 | |
Right, then, the failed priest | 0:36:50 | 0:36:53 | |
and the frustrated carpenter. | 0:36:53 | 0:36:55 | |
-I was just playing chess. I didn't even... -Shut it, you bucket! | 0:36:55 | 0:36:58 | |
I have had the entire situation explained to me. | 0:36:58 | 0:37:02 | |
I suggest a period in the straps, sir, for both. | 0:37:02 | 0:37:05 | |
Perhaps a birch-tree beating. | 0:37:05 | 0:37:07 | |
I don't dispense justice like a slot machine, Officer, as you know. | 0:37:09 | 0:37:15 | |
In comes the offence, out goes the justice. | 0:37:16 | 0:37:19 | |
I want you to know that it was entirely wrong of you | 0:37:21 | 0:37:24 | |
to attack and insult the chief warder. | 0:37:24 | 0:37:26 | |
He is none of those things that you called him. | 0:37:26 | 0:37:28 | |
He symbolises the disapproval of society. | 0:37:28 | 0:37:32 | |
And, like all prison officers, | 0:37:32 | 0:37:33 | |
he is a member of the Church of England. | 0:37:33 | 0:37:35 | |
He is not the "Whore of Babylon". | 0:37:35 | 0:37:38 | |
But I want you to know that I understand your predicament. | 0:37:41 | 0:37:44 | |
You are a carpenter by trade | 0:37:44 | 0:37:46 | |
and I understand that prison life has deprived you | 0:37:46 | 0:37:49 | |
of your means of self-expression. | 0:37:49 | 0:37:52 | |
And so, you vent your energies in angry | 0:37:52 | 0:37:55 | |
and rather foolish outbursts. | 0:37:55 | 0:37:57 | |
And so, I have seen to it that a carpentry bench | 0:37:57 | 0:38:01 | |
and a few tools be provided for you. | 0:38:01 | 0:38:04 | |
Er, here, so... | 0:38:05 | 0:38:07 | |
Pencil, protractor, | 0:38:07 | 0:38:10 | |
chisel, hammer | 0:38:10 | 0:38:12 | |
and a saw. | 0:38:12 | 0:38:14 | |
Now, the first thing I want you to do | 0:38:14 | 0:38:16 | |
is to repair that stool you broke. | 0:38:16 | 0:38:19 | |
Do you understand? | 0:38:19 | 0:38:20 | |
And once you've done that, | 0:38:21 | 0:38:23 | |
we'll find some other work for you to take satisfaction in. | 0:38:23 | 0:38:26 | |
Perhaps a chest of drawers or a French armoire? | 0:38:26 | 0:38:29 | |
Thank you, Lord. | 0:38:32 | 0:38:34 | |
There's no need for formality here. | 0:38:34 | 0:38:37 | |
Besides, I'm a knight, | 0:38:37 | 0:38:39 | |
not a peer of the realm... | 0:38:39 | 0:38:41 | |
-yet. -HE CHUCKLES | 0:38:41 | 0:38:43 | |
Are you sure this is wise? | 0:38:45 | 0:38:46 | |
You see, here, we tackle the cause of the trouble, not the symptom. | 0:38:48 | 0:38:53 | |
And in your case, D4-12, | 0:38:53 | 0:38:55 | |
I have asked that you join a theological seminar group | 0:38:55 | 0:38:58 | |
as a matter of urgency. | 0:38:58 | 0:39:00 | |
The prison chaplain will be visiting you both on that very matter. | 0:39:00 | 0:39:04 | |
Right. | 0:39:05 | 0:39:07 | |
DOOR CLANKS | 0:39:09 | 0:39:10 | |
Right, roll call. | 0:39:26 | 0:39:29 | |
Good morning, chumpies. | 0:39:29 | 0:39:30 | |
-Show yourselves. -HE KNOCKS | 0:39:30 | 0:39:33 | |
Show yourselves. | 0:39:36 | 0:39:37 | |
GUARD KNOCKS ON DOORS | 0:39:37 | 0:39:39 | |
Up you get. | 0:39:43 | 0:39:44 | |
Behold the head of the false priest! | 0:39:49 | 0:39:54 | |
I... | 0:39:57 | 0:39:59 | |
am the sword of Israel. | 0:39:59 | 0:40:02 | |
HE LAUGHS | 0:40:04 | 0:40:08 | |
RENDING | 0:40:08 | 0:40:09 | |
THUDDING | 0:40:09 | 0:40:10 | |
BELL RINGS | 0:40:22 | 0:40:24 | |
SOUND DISTORTS | 0:40:24 | 0:40:26 | |
HE WHIMPERS | 0:40:26 | 0:40:28 | |
HEARTBEATS THUD, HE PANTS | 0:40:31 | 0:40:33 | |
Sawed his head off? | 0:40:40 | 0:40:41 | |
You mean cut his head off. | 0:40:42 | 0:40:44 | |
Sawed his head off. | 0:40:44 | 0:40:46 | |
Governor had given him a carpentry bench. | 0:40:46 | 0:40:48 | |
Poor old Prendy. | 0:40:48 | 0:40:50 | |
He was never really destined for a happy end, was he? | 0:40:50 | 0:40:52 | |
He didn't deserve THAT death. | 0:40:52 | 0:40:54 | |
And Dr Fagan's closed Llanabba Castle, I hear... | 0:40:56 | 0:41:00 | |
..and set up a nursing home. | 0:41:01 | 0:41:03 | |
End of an era. | 0:41:03 | 0:41:04 | |
< Here, hold this. | 0:41:06 | 0:41:08 | |
HORSE SNORTS | 0:41:10 | 0:41:12 | |
TRICKLING | 0:41:23 | 0:41:26 | |
Oi! | 0:41:36 | 0:41:37 | |
Get back here! | 0:41:38 | 0:41:40 | |
Oh! | 0:41:40 | 0:41:41 | |
Sorry! | 0:41:41 | 0:41:42 | |
GUNFIRE, THEY GRUNT | 0:41:42 | 0:41:44 | |
Aim at him, for God's sake! | 0:41:51 | 0:41:53 | |
GUNSHOTS | 0:41:53 | 0:41:55 | |
Lady Fortune... | 0:41:59 | 0:42:00 | |
GUNSHOTS CONTINUE | 0:42:00 | 0:42:02 | |
He'll never make it. | 0:42:04 | 0:42:06 | |
HUSHED MURMURS | 0:42:07 | 0:42:09 | |
Shh... | 0:42:20 | 0:42:22 | |
Hymn 263, | 0:42:26 | 0:42:28 | |
O God, Our Help In Ages Past. | 0:42:28 | 0:42:31 | |
ORGAN PLAYS INTRODUCTION | 0:42:31 | 0:42:33 | |
Stand. | 0:42:33 | 0:42:34 | |
Sing. | 0:42:40 | 0:42:42 | |
ALL: # O God, our help in ages past... | 0:42:42 | 0:42:49 | |
FOLLOWING MELODY OF HYMN: # Is there any news on Grimes? | 0:42:49 | 0:42:54 | |
# What, ain't you heard? | 0:42:55 | 0:42:58 | |
# His horse came back | 0:42:58 | 0:43:02 | |
# And he is missing still | 0:43:02 | 0:43:07 | |
# They've searched the heath | 0:43:09 | 0:43:12 | |
# And all the farms | 0:43:12 | 0:43:16 | |
# But still no sign of him | 0:43:16 | 0:43:22 | |
# They got a shepherd and some dogs | 0:43:22 | 0:43:28 | |
# That led them to the mire. # | 0:43:28 | 0:43:36 | |
-They found his hat? -On the bog. | 0:43:36 | 0:43:38 | |
-But no body? -A horrible death, that mire. | 0:43:38 | 0:43:42 | |
Do you think he's dead, Philly? | 0:43:42 | 0:43:43 | |
Really? | 0:43:43 | 0:43:45 | |
This is Grimes we're talking about. | 0:43:45 | 0:43:47 | |
An immortal soul. | 0:43:47 | 0:43:48 | |
The governor has written to the Home Secretary confirming his death. | 0:43:48 | 0:43:52 | |
No-one survives the mire. | 0:43:53 | 0:43:55 | |
No-one except Grimes, perhaps. | 0:43:55 | 0:43:58 | |
Prendy's dead. | 0:43:58 | 0:43:59 | |
One day, you and I will be dead. | 0:43:59 | 0:44:02 | |
-But Grimes... -Bogbucket D4-12, you've got a visitor. | 0:44:02 | 0:44:06 | |
To my AMAZEMENT - it's a woman. | 0:44:06 | 0:44:08 | |
Margot, my love, I'm so pleased to see you. | 0:44:15 | 0:44:18 | |
Oh, darling, I'm so pleased to see you, too. | 0:44:18 | 0:44:21 | |
I'm sorry I haven't been able to come sooner to visit, | 0:44:21 | 0:44:24 | |
but work has been ridiculous. | 0:44:24 | 0:44:26 | |
TARTLY: Has it? | 0:44:26 | 0:44:27 | |
I'm so pleased that's going well for you. | 0:44:27 | 0:44:30 | |
Don't be nasty to me, darling. | 0:44:30 | 0:44:31 | |
I shan't be able to cope. | 0:44:31 | 0:44:34 | |
In fact, I'm selling the company. | 0:44:34 | 0:44:35 | |
That's what's taking up all of my time. | 0:44:35 | 0:44:38 | |
Oh, how are you? Is it awful here? I've been worried about the food. | 0:44:39 | 0:44:43 | |
Keep your hands on the table, please. | 0:44:43 | 0:44:45 | |
Pair of you. | 0:44:45 | 0:44:46 | |
Good thing I had them manicured. | 0:44:46 | 0:44:49 | |
How do I look? | 0:44:49 | 0:44:51 | |
Do I look awful? | 0:44:51 | 0:44:53 | |
Well, perhaps a little mal soigne. | 0:44:53 | 0:44:55 | |
Oh, are they feeding you? | 0:44:57 | 0:44:59 | |
Do you get to wash every day? | 0:44:59 | 0:45:00 | |
No discussion of prison regime is allowed. | 0:45:00 | 0:45:02 | |
My, dear! I didn't realise it was going to be like this. | 0:45:05 | 0:45:08 | |
I don't mind if you want to talk personal. | 0:45:08 | 0:45:10 | |
I only have to stop conspiracies and plots. | 0:45:10 | 0:45:13 | |
If you want to talk personal - you can. | 0:45:13 | 0:45:15 | |
Nothing I hear goes any further. I hear a great deal, I can tell you. | 0:45:15 | 0:45:19 | |
Why, I've never been made to feel so shy in my life! | 0:45:19 | 0:45:23 | |
Don't worry, we won't be discussing anything personal. | 0:45:23 | 0:45:26 | |
Margot, I love you, | 0:45:26 | 0:45:28 | |
but I'm worried that you're sleeping with the Home Secretary. | 0:45:28 | 0:45:31 | |
You will wait for me, won't you? | 0:45:31 | 0:45:33 | |
I've only got another six years and ten months to serve. | 0:45:33 | 0:45:37 | |
Oh, don't worry, darling, | 0:45:37 | 0:45:38 | |
I'm confident you won't have to serve your full term. | 0:45:38 | 0:45:41 | |
But I do have some news. | 0:45:41 | 0:45:43 | |
It's the reason I came. | 0:45:43 | 0:45:44 | |
I'm going to be marrying Humphrey Maltravers. | 0:45:47 | 0:45:49 | |
Now, I'm sorry, but I've realised he's the one for me. | 0:45:51 | 0:45:54 | |
And my marrying him may help you, too. | 0:45:54 | 0:45:58 | |
How can it help me?! | 0:45:58 | 0:45:59 | |
Darling, don't wail! | 0:46:00 | 0:46:02 | |
Not in prison. | 0:46:02 | 0:46:03 | |
It WILL help you. | 0:46:03 | 0:46:05 | |
I just need you to know that's not why I'm doing it. | 0:46:06 | 0:46:09 | |
I thought that you'd wait for me. You said that you would. | 0:46:09 | 0:46:12 | |
I know, but things change. | 0:46:12 | 0:46:14 | |
This has been terribly difficult for me - | 0:46:14 | 0:46:17 | |
please don't make it any worse. | 0:46:17 | 0:46:19 | |
I will make it worse. | 0:46:20 | 0:46:22 | |
-SHE SCOFFS -In that case... | 0:46:23 | 0:46:26 | |
..it was wonderful to see you, | 0:46:28 | 0:46:30 | |
and I hope to see you again very soon. | 0:46:30 | 0:46:33 | |
Given where I am... | 0:46:33 | 0:46:34 | |
I may not be able to make the wedding(!) | 0:46:34 | 0:46:37 | |
You can kiss if you want. | 0:46:37 | 0:46:39 | |
I know you're not man and wife, but I'm happy to watch that. | 0:46:39 | 0:46:42 | |
Goodbye, darling. | 0:46:46 | 0:46:47 | |
You're in luck. | 0:47:03 | 0:47:04 | |
Your visitor left you some grub. | 0:47:04 | 0:47:07 | |
In you go! | 0:47:08 | 0:47:10 | |
Number one diet, it ain't. | 0:47:12 | 0:47:15 | |
Pigeon pie, | 0:47:15 | 0:47:17 | |
pate, | 0:47:17 | 0:47:19 | |
and a bottle of sherry. | 0:47:19 | 0:47:21 | |
DOOR CLANKS AND SLAMS | 0:47:21 | 0:47:23 | |
CLATTERING | 0:47:26 | 0:47:29 | |
HE GRUNTS | 0:47:33 | 0:47:34 | |
HE SOBS | 0:47:44 | 0:47:47 | |
Cheers. | 0:47:55 | 0:47:56 | |
Life. | 0:48:05 | 0:48:06 | |
Life's like a Ferris wheel, ain't it? | 0:48:06 | 0:48:08 | |
Well, it goes round and round. | 0:48:11 | 0:48:13 | |
You... | 0:48:14 | 0:48:15 | |
You can get on and have fun... | 0:48:15 | 0:48:17 | |
..and go up and down and round and round... | 0:48:19 | 0:48:22 | |
..or you can stand on the grass... | 0:48:24 | 0:48:25 | |
..watching. | 0:48:26 | 0:48:28 | |
Now, I... | 0:48:30 | 0:48:31 | |
I used to be on the wheel. | 0:48:31 | 0:48:33 | |
Having fun, going fast. | 0:48:35 | 0:48:37 | |
Up and down, round and round. | 0:48:37 | 0:48:39 | |
And now, I'm stuck in here. | 0:48:42 | 0:48:44 | |
Watching. | 0:48:45 | 0:48:46 | |
Static. | 0:48:46 | 0:48:47 | |
-HE SOBS -This ain't where I'm supposed to be. | 0:48:50 | 0:48:54 | |
I think it might be. | 0:49:00 | 0:49:01 | |
CROAKING | 0:49:12 | 0:49:14 | |
KNOCKING | 0:49:18 | 0:49:20 | |
D4-12? | 0:49:21 | 0:49:23 | |
We have a letter here from the Home Secretary, | 0:49:24 | 0:49:28 | |
granting you leave to have your appendix removed this afternoon | 0:49:28 | 0:49:32 | |
at a private nursing home. | 0:49:32 | 0:49:34 | |
It's not for me. I haven't got an appendix. | 0:49:37 | 0:49:40 | |
It was taken out when I was at school. | 0:49:40 | 0:49:42 | |
Nonsense. You can have your other one out. | 0:49:42 | 0:49:45 | |
We have an order here from Sir Humphrey Maltravers himself | 0:49:45 | 0:49:49 | |
especially requiring that this operation is done. | 0:49:49 | 0:49:52 | |
Officer, take him away and give him his clothes. | 0:49:53 | 0:49:56 | |
I'll be at the van. | 0:49:56 | 0:49:57 | |
Shoes, | 0:49:57 | 0:49:59 | |
socks... | 0:49:59 | 0:50:00 | |
..suit, | 0:50:01 | 0:50:03 | |
pocket watch, | 0:50:03 | 0:50:06 | |
cigarette case. | 0:50:06 | 0:50:07 | |
And, um... | 0:50:07 | 0:50:09 | |
..whatever this is. | 0:50:12 | 0:50:13 | |
Here's your will for you to sign... | 0:50:44 | 0:50:46 | |
..should anything go wrong. | 0:50:48 | 0:50:49 | |
Who gave you this? | 0:50:54 | 0:50:56 | |
The young gentleman that's arranged everything. | 0:50:56 | 0:50:59 | |
Which young gentleman? | 0:51:00 | 0:51:02 | |
I don't know names, | 0:51:02 | 0:51:04 | |
but it's very sensible to make a will. | 0:51:04 | 0:51:06 | |
You never know, with an operation like this, what may go wrong. | 0:51:06 | 0:51:11 | |
Right... | 0:51:13 | 0:51:14 | |
Here ends my responsibility. | 0:51:17 | 0:51:20 | |
From now on, | 0:51:20 | 0:51:21 | |
the doctor's in charge. | 0:51:21 | 0:51:23 | |
Get going, then, you filthy bogbucket! | 0:51:25 | 0:51:28 | |
-Pennyfeather! -Dr Fagan? | 0:51:32 | 0:51:35 | |
It's a delight to see you again. | 0:51:35 | 0:51:38 | |
Welcome to my nursing home. | 0:51:38 | 0:51:41 | |
Come on in. | 0:51:41 | 0:51:42 | |
Home Office regulations meant that we had to put bars | 0:51:47 | 0:51:52 | |
on these windows for your operation. | 0:51:52 | 0:51:55 | |
-You're going to be taking out my appendix? -Not me personally. | 0:51:55 | 0:51:58 | |
Goodness, no. | 0:51:58 | 0:52:00 | |
Er, Peter's bringing the surgeon to us now. | 0:52:00 | 0:52:03 | |
Well, he's going to need good luck. I haven't got an appendix any more. | 0:52:03 | 0:52:06 | |
Well, he's highly regarded. | 0:52:06 | 0:52:07 | |
I'm sure complications like that | 0:52:07 | 0:52:09 | |
won't be anything he hasn't seen before. | 0:52:09 | 0:52:11 | |
KNOCKING, HINGES CREAK | 0:52:11 | 0:52:13 | |
-Paul! -Peter! -How wonderful to see you. | 0:52:15 | 0:52:19 | |
This is all down to you? | 0:52:19 | 0:52:20 | |
Well, it's all Mama's idea, but I've been pulling the levers. | 0:52:20 | 0:52:24 | |
Have you signed your will? | 0:52:24 | 0:52:25 | |
This is your surgeon. | 0:52:26 | 0:52:28 | |
Oops-a-daisy...! | 0:52:28 | 0:52:29 | |
Initially, I thought he was going to be | 0:52:29 | 0:52:32 | |
too tired to move - but I, um... I managed to get him here. | 0:52:32 | 0:52:35 | |
Have you got ALL the papers signed? | 0:52:35 | 0:52:37 | |
Mr Wilson? | 0:52:37 | 0:52:40 | |
This is your patient! | 0:52:40 | 0:52:43 | |
What am I doing today? | 0:52:43 | 0:52:46 | |
Is it another amputation? | 0:52:46 | 0:52:48 | |
Er, no. | 0:52:48 | 0:52:50 | |
You're here to remove Mr Pennyfeather's appendix. | 0:52:50 | 0:52:54 | |
That's right, I remember. | 0:52:54 | 0:52:55 | |
But before you operate, I have some things for you to sign. | 0:52:55 | 0:52:59 | |
Now, this is a statement you are to forward to the Home Office, | 0:53:00 | 0:53:03 | |
a duplicate to Sir Lucas-Dockery at Egdon Heath Prison. | 0:53:03 | 0:53:08 | |
It's all right. I will sign them. | 0:53:08 | 0:53:09 | |
They state that you operated for appendicitis, | 0:53:09 | 0:53:13 | |
but that the patient... | 0:53:13 | 0:53:14 | |
died under the anaesthetic without regaining consciousness. | 0:53:14 | 0:53:18 | |
-TEARFULLY: -Oh, no! Poor chap! | 0:53:18 | 0:53:21 | |
No, you must not be sad. | 0:53:21 | 0:53:23 | |
You did everything you could. | 0:53:23 | 0:53:26 | |
Yes, I did! | 0:53:26 | 0:53:27 | |
I really did! | 0:53:27 | 0:53:29 | |
Poor man. | 0:53:29 | 0:53:31 | |
I did everything I could! | 0:53:31 | 0:53:33 | |
Everyone knows that. | 0:53:33 | 0:53:35 | |
Yes, we DO know. | 0:53:35 | 0:53:36 | |
And here is the death certificate. | 0:53:36 | 0:53:39 | |
So, let's sign all these here. | 0:53:39 | 0:53:41 | |
And then we'll pay you. | 0:53:41 | 0:53:43 | |
Oh, good. Yes, I do need some money. | 0:53:43 | 0:53:45 | |
Not sure where all my money goes. | 0:53:45 | 0:53:48 | |
Here we are. | 0:53:49 | 0:53:50 | |
HE MUMBLES | 0:53:50 | 0:53:51 | |
Oh, thank you for your assistance, Nurse. | 0:53:53 | 0:53:56 | |
Not sure what's wrong with me today. | 0:53:56 | 0:53:59 | |
Perhaps I need a little sharpener? | 0:54:00 | 0:54:02 | |
Steady my hand before surgery. | 0:54:02 | 0:54:05 | |
But you do recall that you performed the operation, | 0:54:05 | 0:54:09 | |
and, sadly, the patient died? | 0:54:09 | 0:54:12 | |
You just signed his death certificate. | 0:54:12 | 0:54:15 | |
Oh, yes. Very sad. | 0:54:15 | 0:54:17 | |
I did all that was humanly possible. | 0:54:17 | 0:54:20 | |
Yes, you did. Here's your money. | 0:54:20 | 0:54:22 | |
Oh, marvellous, thanks. | 0:54:22 | 0:54:24 | |
This calls for a little celebration. | 0:54:24 | 0:54:26 | |
Yes, I think it does. I think the pub should still be open, | 0:54:26 | 0:54:29 | |
-if you want to go and find one. -I will. Thank you so much. | 0:54:29 | 0:54:33 | |
It was lovely to meet you all. | 0:54:33 | 0:54:35 | |
Thank you! | 0:54:37 | 0:54:38 | |
Now you're a dead man, what will you do? | 0:54:44 | 0:54:47 | |
I don't know. | 0:54:47 | 0:54:48 | |
Something quiet. | 0:54:48 | 0:54:50 | |
I wonder what happened to Grimes? | 0:54:51 | 0:54:54 | |
-Do you think he's dead? -No, I don't. | 0:54:54 | 0:54:57 | |
What will you do now? | 0:54:58 | 0:54:59 | |
Go back to King's Thursday. | 0:55:00 | 0:55:02 | |
Mama will be anxious to know how things have gone. | 0:55:02 | 0:55:05 | |
Say hello from me. | 0:55:05 | 0:55:07 | |
Do you still love her? | 0:55:09 | 0:55:10 | |
In a way, I will always love her. | 0:55:12 | 0:55:14 | |
But I don't think she was very good for me. | 0:55:16 | 0:55:18 | |
Then, in September, I'm off to Cambridge. | 0:55:21 | 0:55:24 | |
Good for you. Then you'll become Prime Minister. | 0:55:24 | 0:55:28 | |
That's what Mama wants. | 0:55:28 | 0:55:30 | |
Well, good luck. | 0:55:31 | 0:55:33 | |
You're a rather amazing young man. | 0:55:33 | 0:55:35 | |
I've always thought that. | 0:55:35 | 0:55:38 | |
Goodbye, Peter. | 0:55:38 | 0:55:39 | |
So, Pennyfeather, you're going to be studying theology? | 0:56:52 | 0:56:56 | |
We had a Pennyfeather here before, you know. | 0:56:58 | 0:57:02 | |
Um... Yes, I can't remember what he was studying. | 0:57:02 | 0:57:07 | |
-Yes. A distant cousin, I think. -Ah! | 0:57:07 | 0:57:10 | |
Yes. | 0:57:12 | 0:57:14 | |
You look nothing like him. | 0:57:16 | 0:57:19 | |
I must say, he was a very queer sort of a chap. | 0:57:19 | 0:57:22 | |
A complete degenerate, I'm afraid. | 0:57:22 | 0:57:25 | |
Got in with a very rum bunch - | 0:57:25 | 0:57:28 | |
used to dance round the quad naked. | 0:57:28 | 0:57:32 | |
I wasn't surprised to hear he'd died in prison. | 0:57:32 | 0:57:35 | |
That's right. A very queer chap indeed. | 0:57:35 | 0:57:38 | |
Anyway, I'm sure we shan't be encountering any such behaviour | 0:57:38 | 0:57:41 | |
-from yourself. -No. | 0:57:41 | 0:57:45 | |
Someone once told me, a strange German architect, in fact, | 0:57:45 | 0:57:50 | |
once told me that people are basically divided | 0:57:50 | 0:57:52 | |
into two different types - static and dynamic. | 0:57:52 | 0:57:56 | |
Well, I'm pleased to say I've learned I'm very much | 0:57:56 | 0:57:58 | |
a static type of person. | 0:57:58 | 0:58:00 | |
I'm glad to hear it. | 0:58:00 | 0:58:02 | |
We don't want any dynamic people in this college! | 0:58:02 | 0:58:05 | |
-CHEERING OUTSIDE -Ah! | 0:58:05 | 0:58:07 | |
The Bolly Club are having their annual dinner. | 0:58:10 | 0:58:14 | |
They must have started early. | 0:58:14 | 0:58:16 | |
RAUCOUS CHEERING | 0:58:18 | 0:58:22 | |
Come on, boys, strip him off! | 0:58:23 | 0:58:25 | |
-FABRIC RIPS -That's it... | 0:58:25 | 0:58:27 | |
CHEERING AND LAUGHTER | 0:58:27 | 0:58:29 | |
-Wonderful! -HE CHUCKLES | 0:58:31 | 0:58:33 | |
Oh, there'll be some fines tonight! | 0:58:33 | 0:58:36 | |
CHEERING AND CLAPPING | 0:58:36 | 0:58:38 |