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I've been in the scholastic profession long enough to know | 0:00:02 | 0:00:04 | |
that nobody enters it | 0:00:04 | 0:00:05 | |
unless he has some very good reasons he is anxious to conceal. | 0:00:05 | 0:00:07 | |
CHANTING | 0:00:07 | 0:00:09 | |
I'm keen to find something that I can stick at. | 0:00:09 | 0:00:11 | |
I hope that being a schoolmaster may be it. | 0:00:11 | 0:00:14 | |
What have you heard about The League of Nations? | 0:00:14 | 0:00:17 | |
I fear I'm in the soup again. | 0:00:17 | 0:00:18 | |
I've told Flossie I'm going to announce our engagement. | 0:00:18 | 0:00:22 | |
I hope Mama falls in love again. | 0:00:24 | 0:00:25 | |
She's still so young and beautiful. | 0:00:25 | 0:00:27 | |
Would you be interested in spending the summer with us? | 0:00:27 | 0:00:30 | |
That was a good binge. | 0:01:04 | 0:01:05 | |
That was one of the most memorable evenings of my life. | 0:01:05 | 0:01:08 | |
Marriage is a grim institution! | 0:01:08 | 0:01:10 | |
You didn't enjoy your first one? | 0:01:10 | 0:01:12 | |
It was in Ireland. I was as tight as a lord. | 0:01:12 | 0:01:16 | |
So was the priest. | 0:01:16 | 0:01:18 | |
God knows what became of Mrs Grimes. | 0:01:18 | 0:01:21 | |
None of this is what I would have chosen for myself, | 0:01:22 | 0:01:26 | |
not by a long chalk. | 0:01:26 | 0:01:28 | |
-Cheer up, Grimesie. -No! No! Get off me! | 0:01:28 | 0:01:31 | |
Why did no-one warn me? | 0:01:35 | 0:01:37 | |
-Why did no-one warn me?! -Ssh-ssh-ssh-ssh-ssh! | 0:01:37 | 0:01:40 | |
They warned me about the fires of hell, | 0:01:40 | 0:01:43 | |
-no-one warned me about marriage! -Ssh! | 0:01:43 | 0:01:46 | |
No-one said that, at the end of the flower-strewn lane, | 0:01:46 | 0:01:50 | |
there were the hideous lights of home, | 0:01:50 | 0:01:52 | |
the terrible voices of children! | 0:01:52 | 0:01:55 | |
Argh! Ah! Ah! Ah! | 0:01:55 | 0:01:59 | |
-Try not to wake the boys. -Or Dr Fagan! | 0:01:59 | 0:02:02 | |
CLATTERING | 0:02:02 | 0:02:04 | |
-Ssh! -Ssh! | 0:02:07 | 0:02:09 | |
(Inside voices.) | 0:02:09 | 0:02:10 | |
I gather you're excellent at the organ. | 0:02:16 | 0:02:19 | |
Will you play at my wedding? | 0:02:19 | 0:02:22 | |
I can't, I've injured my hand. | 0:02:22 | 0:02:24 | |
Oh, no! How did you do that? | 0:02:24 | 0:02:27 | |
Playing games. | 0:02:27 | 0:02:28 | |
To be honest, I can't play the organ, Grimes. | 0:02:30 | 0:02:33 | |
You just teach it? | 0:02:33 | 0:02:34 | |
Will you... will you be best man, then? | 0:02:36 | 0:02:39 | |
Yes. I'd be honoured. | 0:02:39 | 0:02:41 | |
Sorry, Prendy! | 0:02:41 | 0:02:43 | |
Ssssh! | 0:02:43 | 0:02:44 | |
-What is this terrible impulse to build homes? -(Go and check the door.) | 0:02:44 | 0:02:49 | |
Flossie has the itch, all right. | 0:02:49 | 0:02:51 | |
She's already told me she wants children. | 0:02:51 | 0:02:53 | |
Ah! I fear I'm a blind alley off the main road of procreation. | 0:02:53 | 0:02:59 | |
I don't think people would ever fall in love if they | 0:03:01 | 0:03:03 | |
hadn't been told about it. It's like going abroad, you know, | 0:03:03 | 0:03:06 | |
you'd never think of doing it unless someone had told you it existed. | 0:03:06 | 0:03:09 | |
I don't know if that's true. | 0:03:09 | 0:03:11 | |
I can vouch for the exciting tingle of unexpected emotions | 0:03:11 | 0:03:16 | |
one can feel when you encounter someone special. | 0:03:16 | 0:03:18 | |
Like a sort of unstoppable primal...flushing. | 0:03:18 | 0:03:21 | |
WATER TRICKLES | 0:03:21 | 0:03:23 | |
-Oh! (Grimes!) -Ooo! | 0:03:23 | 0:03:26 | |
-DOOR OPENS -Mm! | 0:03:28 | 0:03:29 | |
Ah! | 0:03:32 | 0:03:33 | |
Good evening. | 0:03:41 | 0:03:43 | |
Mr Pennyfeather? | 0:03:43 | 0:03:44 | |
I'm afraid to admit that Captain Grimes | 0:03:54 | 0:03:56 | |
is not the son-in-law I would readily have chosen. | 0:03:56 | 0:03:59 | |
He can usually handle his drink, sir. | 0:03:59 | 0:04:01 | |
Well, I could forgive him his wooden leg, | 0:04:01 | 0:04:03 | |
his abominable features and his moral turpitude, | 0:04:03 | 0:04:08 | |
if only he were a gentleman. | 0:04:08 | 0:04:10 | |
I dare say you've discerned his worst weakness. | 0:04:10 | 0:04:12 | |
I need not particularise. | 0:04:12 | 0:04:15 | |
One comes across it with regularity in the teaching profession. | 0:04:15 | 0:04:19 | |
But I do wish a man with such instincts | 0:04:19 | 0:04:22 | |
was not marrying my daughter. | 0:04:22 | 0:04:24 | |
Would you marry her? | 0:04:27 | 0:04:29 | |
Well, she's a lovely woman. | 0:04:29 | 0:04:31 | |
I don't mean in theory! | 0:04:31 | 0:04:33 | |
I'm asking you to help me, Paul. | 0:04:35 | 0:04:37 | |
I've come to trust and respect you and I'm asking you | 0:04:37 | 0:04:42 | |
if you would like to marry my daughter, Florence. | 0:04:42 | 0:04:45 | |
But she's engaged to Captain Grimes at the moment, sir. | 0:04:48 | 0:04:51 | |
I've spoken to her and I've discovered | 0:04:51 | 0:04:53 | |
that she has no strong inclination towards Grimes in particular, | 0:04:53 | 0:04:56 | |
but she's very keen - desperate, in fact - | 0:04:56 | 0:05:01 | |
to be married before her 30th birthday. | 0:05:01 | 0:05:04 | |
-I see. -Look... | 0:05:04 | 0:05:05 | |
..I'll offer you a partnership in this school, too. | 0:05:07 | 0:05:11 | |
And that's worth about £1,000 a year. | 0:05:11 | 0:05:14 | |
-Well, it's a very generous offer, sir. -Mm. | 0:05:14 | 0:05:18 | |
And she's a handsome... | 0:05:18 | 0:05:20 | |
..very handsome woman. | 0:05:22 | 0:05:24 | |
But I can't. | 0:05:26 | 0:05:29 | |
All right. Of course. | 0:05:30 | 0:05:33 | |
I quite understand. | 0:05:36 | 0:05:38 | |
It's just this Saturday's wedding | 0:05:41 | 0:05:43 | |
is a humiliation I would like to have avoided. | 0:05:43 | 0:05:46 | |
And Tangent's going to have his foot amputated on Saturday, too. | 0:05:46 | 0:05:50 | |
Perhaps that is the event you should attend, as headmaster. | 0:05:52 | 0:05:55 | |
Ah! | 0:05:59 | 0:06:00 | |
BELLS PEAL | 0:06:03 | 0:06:04 | |
Philbrick's an inscrutable soul, isn't he? | 0:06:10 | 0:06:12 | |
I don't know what he's doing here. He wasn't invited. | 0:06:12 | 0:06:15 | |
You know he's not really a butler? He's a retired thief. | 0:06:15 | 0:06:18 | |
Is he? I know he's a successful novelist. | 0:06:18 | 0:06:21 | |
Philbrick? | 0:06:21 | 0:06:23 | |
He's a millionaire ship-owner. | 0:06:23 | 0:06:25 | |
Son of the Archbishop of Canterbury. | 0:06:25 | 0:06:27 | |
Yeah. He told me all about it. | 0:06:27 | 0:06:29 | |
He told me he was a bank robber. | 0:06:29 | 0:06:32 | |
I wonder which of his stories are true? | 0:06:32 | 0:06:35 | |
None of them, I suppose. | 0:06:35 | 0:06:37 | |
Everything all right, gentlemen? | 0:06:44 | 0:06:46 | |
We know your game, Philbrick. | 0:06:46 | 0:06:48 | |
We've being comparing stories. | 0:06:48 | 0:06:50 | |
One day, I'll tell you the truth and you won't believe that, either. | 0:06:52 | 0:06:56 | |
Because it's more extraordinary than any of your tiny little minds | 0:06:56 | 0:06:59 | |
could ever comprehend. | 0:06:59 | 0:07:01 | |
As you were. | 0:07:03 | 0:07:05 | |
Oh, God! | 0:07:19 | 0:07:20 | |
Here comes the bride. | 0:07:22 | 0:07:24 | |
Is it too late to run? | 0:07:29 | 0:07:31 | |
Yes. | 0:07:31 | 0:07:32 | |
ORGAN STRIKES UP | 0:07:40 | 0:07:42 | |
HE MUTTERS UNDER HIS BREATH | 0:08:05 | 0:08:08 | |
HE WHIMPERS | 0:08:16 | 0:08:18 | |
Let's start by singing Land of Hope and Glory. | 0:08:22 | 0:08:25 | |
-HIGH-PITCHED: -# Land of... | 0:08:29 | 0:08:31 | |
ALL: # Land of hope and glory... # | 0:08:32 | 0:08:35 | |
Why is Dingy giving her away? | 0:08:35 | 0:08:37 | |
Where's Dr Fagan? | 0:08:38 | 0:08:40 | |
TANGENT GASPS | 0:08:43 | 0:08:45 | |
TANGENT YELLS | 0:08:48 | 0:08:50 | |
Into this holy union, Captain Colin Alexander | 0:08:53 | 0:08:58 | |
Frederick George Arthur Grimes | 0:08:58 | 0:09:02 | |
and Florence Fagan will be joined. | 0:09:02 | 0:09:05 | |
Therefore, if any man or woman can show any just cause | 0:09:05 | 0:09:10 | |
why they may not lawfully be joined together, | 0:09:10 | 0:09:14 | |
let him now speak, or else forever hold his peace. | 0:09:14 | 0:09:18 | |
FOOTSTEPS | 0:09:22 | 0:09:24 | |
GRUNTING | 0:09:42 | 0:09:43 | |
Stop him! | 0:09:43 | 0:09:44 | |
-Get him! -That way! | 0:09:46 | 0:09:49 | |
Back! | 0:09:55 | 0:09:57 | |
Oh! | 0:10:05 | 0:10:06 | |
Colin Alexander | 0:10:12 | 0:10:14 | |
Frederick George Arthur Grimes, | 0:10:14 | 0:10:17 | |
do you take this woman to be your wedded wife? | 0:10:17 | 0:10:21 | |
I... W-W... Er... Ah... | 0:10:25 | 0:10:29 | |
BELL TOLLS | 0:10:29 | 0:10:31 | |
Do you know Philbrick well? | 0:10:35 | 0:10:36 | |
No. | 0:10:36 | 0:10:38 | |
He's wanted for false pretences and impersonation. | 0:10:39 | 0:10:41 | |
There's 15 charges against him from across the country. | 0:10:41 | 0:10:44 | |
In March, he pretended he was the Bishop of Burford. | 0:10:44 | 0:10:48 | |
He confirmed 70 kids. | 0:10:48 | 0:10:50 | |
Did it very well, apparently. | 0:10:50 | 0:10:52 | |
He told me he was a bank robber. | 0:10:52 | 0:10:54 | |
He is also a bank robber. | 0:10:54 | 0:10:56 | |
Ah. | 0:10:56 | 0:10:58 | |
You're going to Margot Beste-Chetwynde's place for summer? | 0:11:02 | 0:11:05 | |
Yes. I'm looking forward to it. | 0:11:06 | 0:11:08 | |
I-I find there's something rather thrilling about Margot's company. | 0:11:10 | 0:11:13 | |
Do you? | 0:11:13 | 0:11:14 | |
Shall we have a couple more? | 0:11:18 | 0:11:19 | |
You don't think you ought to get back? | 0:11:20 | 0:11:22 | |
I suppose you're right. | 0:11:26 | 0:11:28 | |
The first days are difficult...they say. | 0:11:29 | 0:11:34 | |
Even in the most romantic marriages. | 0:11:36 | 0:11:38 | |
But since it's your first night together as a couple... | 0:11:41 | 0:11:43 | |
Well, so long, old boy. | 0:11:59 | 0:12:00 | |
This is the way I go now. | 0:12:02 | 0:12:03 | |
OWL HOOTS | 0:12:05 | 0:12:06 | |
BELL RINGS | 0:12:12 | 0:12:14 | |
I must say, I'm a little worried about Grimes. | 0:12:19 | 0:12:23 | |
I think the head man is giving him a hard time. | 0:12:23 | 0:12:26 | |
And I'm not sure everything... above stairs suits him. | 0:12:26 | 0:12:31 | |
WAVES CRASH | 0:12:39 | 0:12:41 | |
KNOCK AT DOOR | 0:13:03 | 0:13:05 | |
Sir? Have you seen Captain Grimes? | 0:13:06 | 0:13:10 | |
No, not since yesterday. | 0:13:10 | 0:13:12 | |
Neither has Mrs Grimes. | 0:13:12 | 0:13:14 | |
Apparently, he didn't come home last night. | 0:13:14 | 0:13:16 | |
I'm sure he's probably just passed out in a ditch somewhere. | 0:13:17 | 0:13:20 | |
It's this way. | 0:13:24 | 0:13:26 | |
GULLS SQUAWK | 0:13:26 | 0:13:28 | |
Oh, Grimes! | 0:13:52 | 0:13:54 | |
Come along, girls! Margate, here we come! | 0:14:07 | 0:14:09 | |
-HE LAUGHS -Come on, in you get! | 0:14:09 | 0:14:12 | |
There we go. | 0:14:12 | 0:14:14 | |
Have a good holiday, Prendy. | 0:14:23 | 0:14:25 | |
Thank you. And you. | 0:14:25 | 0:14:27 | |
Though I'm not sure I can face returning for another term. | 0:14:27 | 0:14:31 | |
I'm sure you say that at the end of every term. | 0:14:31 | 0:14:34 | |
I do. | 0:14:34 | 0:14:35 | |
And at the beginning of every term. | 0:14:35 | 0:14:38 | |
I was reading yesterday about what the Bishop of Winchester is calling | 0:14:39 | 0:14:42 | |
the modern churchman. | 0:14:42 | 0:14:44 | |
Apparently, these priests draw a full church salary, | 0:14:44 | 0:14:47 | |
but don't commit to any particular religious belief. | 0:14:47 | 0:14:51 | |
I think the bishop meant it critically, | 0:14:51 | 0:14:54 | |
but I thought it sounded rather wonderful. | 0:14:54 | 0:14:56 | |
Well, I hope you do come back. | 0:14:56 | 0:14:59 | |
I'm sure I will. | 0:15:01 | 0:15:02 | |
Oh! Mummy sent the big car. | 0:15:03 | 0:15:06 | |
Well, this is me. | 0:15:09 | 0:15:11 | |
HORN HOOTS | 0:15:11 | 0:15:13 | |
Mother's been asking me to practise my vodka cocktails. | 0:15:22 | 0:15:26 | |
Are you good at making cocktails, sir? | 0:15:26 | 0:15:28 | |
I'm not even good at drinking them. | 0:15:28 | 0:15:31 | |
Oh, my word! | 0:15:35 | 0:15:37 | |
Mother has surpassed herself. | 0:15:42 | 0:15:45 | |
My dears! You've made it. | 0:15:51 | 0:15:54 | |
Oh! You're finally here! I've been so bored without you. | 0:15:54 | 0:15:59 | |
Oh, my darling boy, how are you? | 0:15:59 | 0:16:02 | |
You seem to be getting rather handsome, in a coltish sort of way. | 0:16:02 | 0:16:06 | |
Wouldn't you agree, Mr Pennyfeather? | 0:16:06 | 0:16:08 | |
Yes. | 0:16:08 | 0:16:09 | |
Oh, it's wonderful to have you here, too. | 0:16:09 | 0:16:11 | |
And for the whole holidays, Professor. Lucky us. | 0:16:11 | 0:16:14 | |
I'm not actually a professor. | 0:16:14 | 0:16:16 | |
Shush, Professor. What do you think? | 0:16:16 | 0:16:19 | |
It's an amazing house, Mrs Beste-Chetwynde. | 0:16:19 | 0:16:21 | |
Come and meet the architect. | 0:16:21 | 0:16:23 | |
I find the vulcanite chairs make my bottom chafe, | 0:16:23 | 0:16:26 | |
but Otto insists on them. | 0:16:26 | 0:16:29 | |
-Otto? -Ah? -Honey, Peter's here with Mr Pennyfeather. | 0:16:29 | 0:16:33 | |
Guten abend, meine herren. | 0:16:33 | 0:16:36 | |
Darling, isn't Peter getting rather handsome? | 0:16:36 | 0:16:40 | |
Lass uns mal schauen. | 0:16:40 | 0:16:41 | |
HE COUNTS TO SEVEN IN GERMAN | 0:16:41 | 0:16:44 | |
His head is too big for his frame and his hands are too small. | 0:16:47 | 0:16:51 | |
I love what you've done with the place, Otto. | 0:16:52 | 0:16:55 | |
It's an amazing house, I was just saying. | 0:16:55 | 0:16:57 | |
You like it? | 0:16:59 | 0:17:00 | |
Very much. | 0:17:00 | 0:17:01 | |
I hate and detest every bit of it. | 0:17:01 | 0:17:04 | |
No, my, shooks, you mustn't be so tiresome. | 0:17:04 | 0:17:07 | |
It's better than what was here before. | 0:17:07 | 0:17:09 | |
I've done what I can, but it is impossible for domestic architecture | 0:17:09 | 0:17:13 | |
to ever be truly beautiful. | 0:17:13 | 0:17:15 | |
Why's that? | 0:17:15 | 0:17:16 | |
Hm. | 0:17:20 | 0:17:22 | |
The challenge for architecture is the same challenge for all art - | 0:17:23 | 0:17:27 | |
the removal of the human element in the consideration of form. | 0:17:27 | 0:17:31 | |
So the only truly beautiful building is the factory. | 0:17:31 | 0:17:36 | |
Yes, darling, you've built beautiful factories. | 0:17:36 | 0:17:39 | |
Now, I'm going to get changed. | 0:17:39 | 0:17:42 | |
Peter, why don't you make us some drinks? | 0:17:42 | 0:17:44 | |
Yes, of course. | 0:17:44 | 0:17:46 | |
Margot is impossible to work for. | 0:18:02 | 0:18:04 | |
For instance, she's insisting that I put in the staircase. | 0:18:05 | 0:18:10 | |
There isn't one at the moment? | 0:18:10 | 0:18:12 | |
The tragedy for architects is that they have to have clients. | 0:18:12 | 0:18:16 | |
How do you get upstairs? | 0:18:17 | 0:18:19 | |
Why do you want to go upstairs? | 0:18:20 | 0:18:23 | |
You see, Paul, this is my point. | 0:18:23 | 0:18:25 | |
Stairs are ugly, but humans demand them. | 0:18:25 | 0:18:28 | |
Why can't you just stay in one place? | 0:18:28 | 0:18:30 | |
Why must you go upstairs, downstairs, | 0:18:30 | 0:18:31 | |
in and out, up and round, huh? | 0:18:31 | 0:18:33 | |
Do machines require a staircase? | 0:18:33 | 0:18:35 | |
No! | 0:18:35 | 0:18:36 | |
What an immature, self-destructive being is a man. | 0:18:36 | 0:18:39 | |
Yes. | 0:18:39 | 0:18:41 | |
But what if you want to go to sleep? | 0:18:43 | 0:18:45 | |
Argh! | 0:18:45 | 0:18:46 | |
If you must go upstairs, | 0:18:46 | 0:18:49 | |
install an elevator on the exterior of the building. | 0:18:49 | 0:18:53 | |
That's a good solution. | 0:18:53 | 0:18:56 | |
Here we are. | 0:18:56 | 0:18:58 | |
Oh! | 0:19:02 | 0:19:04 | |
Drinks. I call it The Panty Dropper. | 0:19:04 | 0:19:07 | |
It's er, it's vodka, rum, whisky. I serve it slightly warmed. | 0:19:07 | 0:19:11 | |
Aren't you clever, darling? Can I credit you for this? | 0:19:11 | 0:19:15 | |
-No. -A teacher called Captain Grimes | 0:19:15 | 0:19:17 | |
actually taught us all how to make these. | 0:19:17 | 0:19:19 | |
I love teachers like that. | 0:19:19 | 0:19:20 | |
Yes. Sadly, he... he committed suicide last week. | 0:19:20 | 0:19:24 | |
Oh, no, that's horrible. | 0:19:24 | 0:19:26 | |
Scheisse. | 0:19:26 | 0:19:27 | |
Well, let's toast to poor Captain Grimes. | 0:19:27 | 0:19:30 | |
-Poor Captain Grimes. -Prost. | 0:19:30 | 0:19:33 | |
Perhaps I could, er, get a glass of water, as well? | 0:19:39 | 0:19:42 | |
Oh, water's for washing. | 0:19:42 | 0:19:43 | |
So, who wants to see my drawings of French prostitutes? | 0:19:45 | 0:19:48 | |
I'd love to. | 0:19:48 | 0:19:50 | |
Paul, setz dich, ja? | 0:19:50 | 0:19:53 | |
Do you visit prostitutes much, Paul? | 0:19:54 | 0:19:56 | |
Um...not so much. | 0:19:56 | 0:19:59 | |
I draw everything. | 0:20:01 | 0:20:03 | |
Here are my prostitutes. | 0:20:04 | 0:20:07 | |
Ooh! | 0:20:08 | 0:20:09 | |
That's a nice one. | 0:20:24 | 0:20:25 | |
Her raised buttocks, and head thrown back in ecstasy. | 0:20:25 | 0:20:29 | |
Yes. | 0:20:29 | 0:20:30 | |
Paul. | 0:20:33 | 0:20:35 | |
I'd like to give you this one as a gift. | 0:20:35 | 0:20:38 | |
-Oh, thank you. -Yeah. | 0:20:38 | 0:20:40 | |
Is there perhaps one without you in it? | 0:20:44 | 0:20:46 | |
Of course. Choose which one you like. | 0:20:50 | 0:20:54 | |
The woman pleasuring herself? | 0:20:54 | 0:20:56 | |
That one's lovely. Thank you. | 0:20:56 | 0:20:57 | |
Oh, Paul, I love to draw. | 0:20:57 | 0:21:00 | |
I can see. | 0:21:00 | 0:21:01 | |
Yeah. Let's draw now. You and me, Paul. | 0:21:01 | 0:21:04 | |
Let's draw Margot. | 0:21:04 | 0:21:05 | |
Oh, no, not again, darling. | 0:21:05 | 0:21:08 | |
Peter, bitte? Fur dich. Hold, please, thank you. | 0:21:09 | 0:21:13 | |
I could draw you 500 times daily. | 0:21:13 | 0:21:17 | |
You are such a wonderful, firm assembly of rectilinear planes. | 0:21:17 | 0:21:23 | |
Well, I'd like to keep my clothes on, thank you. | 0:21:23 | 0:21:27 | |
Me, too. | 0:21:30 | 0:21:31 | |
Paul, would you say you are a static person or a dynamic one? | 0:21:38 | 0:21:44 | |
Hm? | 0:21:44 | 0:21:45 | |
I believe all people should be divided into those two types. | 0:21:45 | 0:21:48 | |
Static...or dynamic. | 0:21:48 | 0:21:52 | |
That makes much more sense than dividing them into male or female. | 0:21:52 | 0:21:57 | |
So, which type are you, Paul? | 0:21:57 | 0:22:00 | |
Dynamic. | 0:22:00 | 0:22:01 | |
I'm definitely a dynamic person. | 0:22:03 | 0:22:06 | |
Yeah. | 0:22:08 | 0:22:09 | |
My father. | 0:22:15 | 0:22:16 | |
Oh, Peter, darling, did I tell you I was having | 0:22:18 | 0:22:21 | |
a weekend party here at the house to show it off? | 0:22:21 | 0:22:24 | |
Margot, I've asked you not to do this. | 0:22:24 | 0:22:27 | |
Oh, shush. Be quiet. It's my house. I paid for it. | 0:22:27 | 0:22:31 | |
Now, could you face organising it all? You know what I'm like. | 0:22:31 | 0:22:35 | |
Of course, Mama. How many people will be coming? | 0:22:35 | 0:22:38 | |
Oh, I don't know. I gave up inviting people weeks ago. | 0:22:38 | 0:22:41 | |
Maybe a couple of hundred. | 0:22:41 | 0:22:42 | |
Oh, but don't worry, most of them are hopeless at leaving London. | 0:22:42 | 0:22:45 | |
Will it be a fancy dress party? | 0:22:45 | 0:22:47 | |
Hm, God, no. Had enough of those. | 0:22:47 | 0:22:50 | |
Just this year I've been to a circus one, a Hawaiian one, | 0:22:50 | 0:22:55 | |
a Victorian one, a Russian one, | 0:22:55 | 0:22:57 | |
a Wild West one, one where you had to be dressed as a windmill... | 0:22:57 | 0:23:02 | |
It's so boring. | 0:23:02 | 0:23:04 | |
And when did parties move from being an expression of hospitality | 0:23:04 | 0:23:08 | |
to a competitive form of public spectacle? | 0:23:08 | 0:23:10 | |
You did say that you enjoyed the | 0:23:10 | 0:23:12 | |
"What were you wearing when the Titanic sank?" party. | 0:23:12 | 0:23:14 | |
Hm. Oh, yes. That suited my mood perfectly. | 0:23:14 | 0:23:17 | |
GONG | 0:23:17 | 0:23:18 | |
Oh! Dinner is served. Now, stop drawing. | 0:23:18 | 0:23:21 | |
Let me see what you've done. | 0:23:21 | 0:23:22 | |
Oh, Otto, I wish you wouldn't do that! It's so boring. | 0:23:25 | 0:23:30 | |
You've drawn me completely naked, when I clearly have my clothes on. | 0:23:30 | 0:23:34 | |
Now, let's see what you've done. | 0:23:34 | 0:23:36 | |
Hm. | 0:23:38 | 0:23:40 | |
Those are your eyes. | 0:23:40 | 0:23:41 | |
Hm. | 0:23:42 | 0:23:44 | |
SHE SIGHS | 0:23:45 | 0:23:47 | |
Dinner is served. | 0:23:47 | 0:23:49 | |
DOOR OPENS, THEN CLOSES | 0:24:14 | 0:24:16 | |
Paul...are you awake? | 0:24:19 | 0:24:21 | |
Oh, well, I... I wasn't. | 0:24:22 | 0:24:24 | |
I just wanted to apologies for Otto's manner. | 0:24:26 | 0:24:29 | |
He's German and an architect, | 0:24:29 | 0:24:32 | |
and that can be an unfortunate combination. | 0:24:32 | 0:24:34 | |
But he is a genius. | 0:24:34 | 0:24:35 | |
I'm sorry about my drawing. It's never been my... | 0:24:35 | 0:24:39 | |
Oh. Please. I didn't invite you here to draw, did I? | 0:24:39 | 0:24:42 | |
I...obviously do find you very beautiful. | 0:24:46 | 0:24:50 | |
It's just that I wasn't able to express it with a pencil. | 0:24:50 | 0:24:53 | |
It was frustrating. | 0:24:53 | 0:24:55 | |
Do you? Find me beautiful? | 0:24:55 | 0:24:58 | |
Yes. | 0:24:59 | 0:25:01 | |
Hm. I don't like my mouth. | 0:25:01 | 0:25:03 | |
It's a beautiful mouth. | 0:25:03 | 0:25:05 | |
All of you is beautiful. | 0:25:05 | 0:25:08 | |
Like a rainbow. | 0:25:08 | 0:25:10 | |
Like a lily flower | 0:25:10 | 0:25:12 | |
that's opened for the first full fat drops of spring rain. | 0:25:12 | 0:25:16 | |
If a million painters painted for 40 hours, they'd never be able to... | 0:25:17 | 0:25:21 | |
Shush! You don't have to talk, you handsome, drunk man. | 0:25:21 | 0:25:27 | |
Jenny? | 0:25:48 | 0:25:50 | |
Where are you? Jenny? | 0:25:50 | 0:25:52 | |
Guten morgen, Paul. | 0:25:55 | 0:25:56 | |
Don't you think she's the most wonderful woman in the world? | 0:25:59 | 0:26:02 | |
In what way? | 0:26:02 | 0:26:04 | |
Beautiful and free. It's almost like she's a different species. | 0:26:04 | 0:26:08 | |
Do you know what I mean? | 0:26:08 | 0:26:10 | |
Margot's variations are seductive. | 0:26:10 | 0:26:13 | |
They certainly are. | 0:26:13 | 0:26:15 | |
Yeah. | 0:26:15 | 0:26:17 | |
Especially the way her left breast | 0:26:17 | 0:26:21 | |
is slightly more raised than her right. It's ghastly! | 0:26:21 | 0:26:26 | |
I do enjoy sleeping with her. | 0:26:27 | 0:26:30 | |
Yeah, part of me thinks I should propose to her again. | 0:26:30 | 0:26:34 | |
Sorry? | 0:26:35 | 0:26:36 | |
I love her body... | 0:26:37 | 0:26:38 | |
..as much as I love concrete. | 0:26:39 | 0:26:42 | |
-Hello, I'm Tom. -Paul. | 0:27:09 | 0:27:12 | |
What's brought you to this part of the world? | 0:27:12 | 0:27:16 | |
Trying to get away from an architect. I'm a teacher. | 0:27:16 | 0:27:19 | |
I tutor a boy who lives locally in a big house. | 0:27:19 | 0:27:23 | |
At King's Thursday? | 0:27:24 | 0:27:26 | |
Yes. | 0:27:26 | 0:27:27 | |
Are you going to the party this afternoon? | 0:27:33 | 0:27:35 | |
Yes. Are you? | 0:27:35 | 0:27:38 | |
Yes and no. Ah, I'd like to. I know Margot a bit. | 0:27:38 | 0:27:42 | |
-Do you? -Yeah. She often has me at her parties. | 0:27:42 | 0:27:44 | |
And then I write about them the next day. For The Daily. | 0:27:44 | 0:27:46 | |
You're a journalist? | 0:27:46 | 0:27:47 | |
I have a society column. | 0:27:47 | 0:27:50 | |
Golly. Is that a good career? | 0:27:50 | 0:27:51 | |
So long as you can get into the parties, it is. | 0:27:51 | 0:27:54 | |
I don't know why but, um, Margot hasn't invited me this time. | 0:27:55 | 0:27:59 | |
Perhaps she forgot? | 0:27:59 | 0:28:01 | |
She told me she hadn't invited everyone that she wanted to. | 0:28:01 | 0:28:04 | |
Why, that must be it. | 0:28:04 | 0:28:05 | |
See the thing is, I have a friend - | 0:28:06 | 0:28:10 | |
a rival, really - he writes for The Weekend. | 0:28:10 | 0:28:13 | |
He's an unscrupulous little turd. | 0:28:13 | 0:28:16 | |
I say "friend." | 0:28:16 | 0:28:17 | |
Actually, I hate the man, but he's going to be at the party. | 0:28:17 | 0:28:20 | |
It would look pretty bad for me if he did a piece | 0:28:20 | 0:28:22 | |
about the party and I didn't. | 0:28:22 | 0:28:23 | |
I see. | 0:28:23 | 0:28:24 | |
So, I was wondering if you could get me in? | 0:28:24 | 0:28:28 | |
Right... | 0:28:28 | 0:28:29 | |
It's just, my career, sort of, depends on it. | 0:28:29 | 0:28:33 | |
-Um... -And as you say, she probably just forgot to invite me. | 0:28:33 | 0:28:37 | |
-Er... -To be honest with you, | 0:28:37 | 0:28:39 | |
if I don't pull this off I may as well stick my head in the oven. | 0:28:39 | 0:28:41 | |
Oh, don't do that. Um... | 0:28:41 | 0:28:43 | |
Well, if you say | 0:28:44 | 0:28:46 | |
she normally invites you, | 0:28:46 | 0:28:47 | |
I'm certain she wouldn't mind you being there. | 0:28:47 | 0:28:49 | |
Wonderful! Thank you! | 0:28:49 | 0:28:51 | |
Let me get you another drink. It was The Owls, wasn't it? | 0:28:53 | 0:28:56 | |
-Thank you. -So, if you leave the back gate open at 3.30pm, please? | 0:28:56 | 0:29:01 | |
And don't be alarmed - I may be dressed as an Arab. | 0:29:01 | 0:29:03 | |
I can't face it. I don't want to talk to any of these people. | 0:29:29 | 0:29:32 | |
I don't feel well. I'm going to bed. | 0:29:32 | 0:29:33 | |
Darling, will you make sure everybody has a good time? | 0:29:33 | 0:29:36 | |
And you, too, Paul. | 0:29:36 | 0:29:37 | |
But... I'm not sure I know how your mind works, Margot. | 0:29:37 | 0:29:40 | |
I'm sure you do. | 0:29:40 | 0:29:42 | |
And I'm sure you know how to make a party swing delightfully. | 0:29:42 | 0:29:46 | |
Make it a huge success. I'm counting on you. | 0:29:46 | 0:29:49 | |
I sure I'll feel better once they've all gone. | 0:29:49 | 0:29:52 | |
DOORBELL | 0:29:55 | 0:29:57 | |
Champagne, sir? | 0:30:06 | 0:30:07 | |
Oh, my word! Peter! | 0:30:07 | 0:30:11 | |
Mrs Popham. So lovely to see you. | 0:30:11 | 0:30:14 | |
I can't wait to see this house. | 0:30:14 | 0:30:17 | |
Has Otto done marvels? | 0:30:17 | 0:30:18 | |
Please have a glass of Champagne or try one of my absinth frappes. | 0:30:18 | 0:30:22 | |
Hm! How do you two know each other? | 0:30:22 | 0:30:25 | |
Oh, Mr Pennyfeather is a master at my school. | 0:30:25 | 0:30:28 | |
He's excellent at theology, German and music. | 0:30:28 | 0:30:30 | |
Oh, well done. Which instruments do you play? | 0:30:30 | 0:30:33 | |
He's superb at the piano. | 0:30:33 | 0:30:35 | |
Otto, you're here! | 0:30:37 | 0:30:39 | |
Look at what you've done to this place! | 0:30:40 | 0:30:42 | |
It's amazing. | 0:30:42 | 0:30:44 | |
I hate and detest every bit of it. | 0:30:45 | 0:30:47 | |
Well, I love it. | 0:30:47 | 0:30:49 | |
Then, you have nothing but my pity. | 0:30:49 | 0:30:52 | |
Just walk around and talk to people. | 0:30:54 | 0:30:56 | |
How do you do. | 0:30:58 | 0:31:00 | |
This is what the house used to look like before I knocked it down. | 0:31:01 | 0:31:05 | |
As you can see - unfit for habitation. It was appalling. | 0:31:05 | 0:31:09 | |
Here, however, this is the dining room space. | 0:31:09 | 0:31:13 | |
You see, I designed the house for human flow | 0:31:13 | 0:31:16 | |
and increased functionality. | 0:31:16 | 0:31:18 | |
Your eye then travels across the marble floor to the windows. | 0:31:19 | 0:31:25 | |
And from here, you have an amazing view of the woods. Ja. | 0:31:25 | 0:31:30 | |
I was required by my client to make this room fun, ja? | 0:31:35 | 0:31:41 | |
-So I added a kaleidoscope lighting. -Wow! | 0:31:41 | 0:31:46 | |
Hm. We could do with a room like this in The Commons. | 0:31:46 | 0:31:49 | |
So now, who would like to see the drawings of my French women? | 0:31:49 | 0:31:55 | |
Or, we could have some food? | 0:31:56 | 0:31:57 | |
I've never seen such a spread. | 0:31:57 | 0:32:00 | |
Paul? | 0:32:02 | 0:32:03 | |
Just a minute. | 0:32:03 | 0:32:05 | |
HAPPY CHATTER | 0:32:10 | 0:32:13 | |
Hello. | 0:32:15 | 0:32:16 | |
Hello. | 0:32:17 | 0:32:18 | |
So...you're a politician? | 0:32:19 | 0:32:22 | |
Minister for Transport. You keen on politics, at all? | 0:32:22 | 0:32:25 | |
Hardly at all. | 0:32:25 | 0:32:26 | |
Ah, sensible fellow. It's all just one disaster after another. | 0:32:26 | 0:32:32 | |
Endless backstabbing and plots. And the public are idiots. | 0:32:32 | 0:32:37 | |
I'd make much more money if I concentrated on my biographies. | 0:32:37 | 0:32:40 | |
This is an extraordinary house, isn't it? | 0:32:40 | 0:32:44 | |
Yes. | 0:32:44 | 0:32:45 | |
It's missing nothing except the hostess herself. You known her long? | 0:32:45 | 0:32:50 | |
Margot? Only a few weeks. | 0:32:50 | 0:32:53 | |
Ah. There's no-one like her. | 0:32:53 | 0:32:56 | |
I wish she rode a bicycle and voted Tory, but she's good news otherwise. | 0:32:56 | 0:33:00 | |
You been to her place in Corfu? It's fabulous. Wonderful chefs. | 0:33:00 | 0:33:06 | |
I don't know what she's built this place for. | 0:33:06 | 0:33:09 | |
She's getting in with the wrong set. | 0:33:09 | 0:33:12 | |
A rich woman without a husband is bound to be talked about. | 0:33:12 | 0:33:15 | |
What she ought to be doing is getting married. | 0:33:15 | 0:33:18 | |
Settling down with someone with a respected position in public life. | 0:33:18 | 0:33:22 | |
Someone like you? | 0:33:22 | 0:33:23 | |
Yeah, that's right. | 0:33:23 | 0:33:25 | |
Do you know what that is? | 0:33:26 | 0:33:27 | |
No. | 0:33:27 | 0:33:29 | |
What line are you in? | 0:33:31 | 0:33:33 | |
I'm a teacher. | 0:33:33 | 0:33:34 | |
Never mind. You're young. There's still time to change. | 0:33:34 | 0:33:39 | |
Although I must say, I don't understand your generation. | 0:33:39 | 0:33:44 | |
You had a great opportunity after the war. | 0:33:44 | 0:33:47 | |
There was a whole civilisation to be remade. | 0:33:47 | 0:33:50 | |
I'm just trying to find something I can stick at. | 0:33:50 | 0:33:52 | |
What's your father want you to do? | 0:33:52 | 0:33:54 | |
I don't know. He died when I was younger. | 0:33:54 | 0:33:57 | |
Sorry to hear that. | 0:33:57 | 0:33:58 | |
What I will say to you is this - | 0:33:58 | 0:34:00 | |
whatever you do intend to do with your life, aim high. | 0:34:00 | 0:34:06 | |
That's what I do. | 0:34:06 | 0:34:08 | |
Like when you're throwing a stone at a cat. | 0:34:08 | 0:34:11 | |
If you aim higher, you're more likely to hit something. | 0:34:11 | 0:34:14 | |
Aim high. | 0:34:16 | 0:34:17 | |
Right, I'm off back to London soon. | 0:34:17 | 0:34:20 | |
It's annoying Margot isn't at her own party. | 0:34:20 | 0:34:24 | |
I only came to seduce her. | 0:34:24 | 0:34:26 | |
It's a shame she's missed that. | 0:34:26 | 0:34:28 | |
Hm! Nice to meet you. | 0:34:28 | 0:34:30 | |
Are you going to eat that? | 0:34:31 | 0:34:34 | |
I think, to see clearly in this world, one must be a poet, | 0:34:46 | 0:34:51 | |
a priest and a prophet - all at once. | 0:34:51 | 0:34:53 | |
You are so right. | 0:34:53 | 0:34:55 | |
Yeah. | 0:34:55 | 0:34:56 | |
When are you going to come and do my house, Otto? | 0:34:56 | 0:34:59 | |
I keep asking. | 0:34:59 | 0:35:01 | |
No more houses. I detest them. | 0:35:01 | 0:35:03 | |
Ja, I want to build a town instead. | 0:35:03 | 0:35:06 | |
You promised. | 0:35:06 | 0:35:07 | |
Pamela. Bitte, ja? | 0:35:07 | 0:35:10 | |
Well, I'd give you free rein. You can do what you like. | 0:35:10 | 0:35:15 | |
Come and discuss it with me on Friday night. | 0:35:15 | 0:35:18 | |
My husband's in Abyssinia again. | 0:35:18 | 0:35:20 | |
CLUNKING / WHIRRING | 0:35:20 | 0:35:21 | |
Oh! Paul. | 0:35:21 | 0:35:24 | |
This is fun. | 0:35:25 | 0:35:27 | |
Do you know Pamela Popham? | 0:35:27 | 0:35:29 | |
We met briefly. | 0:35:29 | 0:35:30 | |
Oh, we were just discussing architecture. | 0:35:30 | 0:35:32 | |
Sir, can I have a word? | 0:35:32 | 0:35:34 | |
Yes. | 0:35:34 | 0:35:35 | |
What is HE doing here? | 0:35:37 | 0:35:39 | |
What's wrong with him? | 0:35:40 | 0:35:41 | |
He's a journalist. | 0:35:41 | 0:35:43 | |
Yes, he writes a column, doesn't he? | 0:35:43 | 0:35:45 | |
He's the most despised man in the newspapers. | 0:35:45 | 0:35:48 | |
My mother threw him out of her last party. | 0:35:48 | 0:35:50 | |
And there he is, talking to the most indiscreet man in politics. | 0:35:50 | 0:35:54 | |
He always wears an Arab disguise, | 0:35:54 | 0:35:56 | |
every time, and he writes the most appalling things. | 0:35:56 | 0:35:58 | |
When my mother finds who let him in here, she will crucify them. | 0:35:58 | 0:36:02 | |
Well, let's not upset her by telling her. | 0:36:02 | 0:36:06 | |
How did he get in here? | 0:36:06 | 0:36:07 | |
I'm going to go and ask him. | 0:36:08 | 0:36:10 | |
No. Let me. You stay here. | 0:36:10 | 0:36:14 | |
I'll go and give him... a bloody good piece of my mind. | 0:36:14 | 0:36:17 | |
It's well known in the House | 0:36:17 | 0:36:19 | |
that the Home Secretary and Mr Chundra Roy | 0:36:19 | 0:36:21 | |
have long been enjoying, what they call on the subcontinent, | 0:36:21 | 0:36:24 | |
"a tender embrace without trousers." | 0:36:24 | 0:36:27 | |
Hello, Tom. | 0:36:27 | 0:36:30 | |
I thought we agreed that you wouldn't take notes. | 0:36:30 | 0:36:32 | |
-No, we didn't. -I think we did, so if you'd just give me that... | 0:36:32 | 0:36:36 | |
No! | 0:36:36 | 0:36:37 | |
-Yes. -No... | 0:36:37 | 0:36:39 | |
What's the matter? | 0:36:40 | 0:36:41 | |
This man is a journalist. Tom Somebody. | 0:36:41 | 0:36:45 | |
Not Tom Braeburn? | 0:36:45 | 0:36:48 | |
No! | 0:36:49 | 0:36:50 | |
You're the bloody turd pipe who suggested my parentage was of doubt. | 0:36:50 | 0:36:55 | |
Oh! Look! | 0:36:55 | 0:36:57 | |
Get out of here or I'll set my dogs on you! | 0:36:59 | 0:37:02 | |
I'm going to make sure your mother has a tax inspection! | 0:37:02 | 0:37:05 | |
How the hell did he get in here? | 0:37:05 | 0:37:07 | |
It's beyond belief. | 0:37:07 | 0:37:09 | |
Bloody man gets everywhere. | 0:37:09 | 0:37:10 | |
Found you. | 0:37:10 | 0:37:12 | |
We're so bored. I want you to play something for us, on the piano. | 0:37:12 | 0:37:17 | |
No. | 0:37:17 | 0:37:19 | |
Yes. I insist. Come on. | 0:37:19 | 0:37:21 | |
No, no. I really can't. I've had too much to drink. | 0:37:21 | 0:37:24 | |
Oh! We don't mind if it isn't perfect. Move. | 0:37:24 | 0:37:27 | |
No, I can't. I've injured my hand. | 0:37:27 | 0:37:30 | |
-Lady Popham, he really can't... -We don't mind! Sit down! | 0:37:30 | 0:37:35 | |
Everybody! This man here is Peter's music teacher. | 0:37:35 | 0:37:40 | |
Shall we get him to play us something on the piano? | 0:37:40 | 0:37:43 | |
Yes, yes. Play us something. | 0:37:43 | 0:37:45 | |
No. No. No. I can't... | 0:37:45 | 0:37:48 | |
Sit down! | 0:37:48 | 0:37:50 | |
I can't! | 0:37:50 | 0:37:51 | |
Everybody, shush! | 0:37:51 | 0:37:53 | |
He's going to play something for us. | 0:37:53 | 0:37:56 | |
I really can't. | 0:37:57 | 0:37:59 | |
Oh, for God's sake! Don't make such a scene. | 0:37:59 | 0:38:03 | |
Um... | 0:38:13 | 0:38:15 | |
This is a modern piece. | 0:38:16 | 0:38:20 | |
What is it called? | 0:38:20 | 0:38:21 | |
It's called... | 0:38:23 | 0:38:25 | |
The...Fat Lady... | 0:38:25 | 0:38:28 | |
Of...Stuttgart. | 0:38:28 | 0:38:32 | |
Ja. | 0:38:32 | 0:38:34 | |
CRACKS KNUCKLES | 0:38:37 | 0:38:40 | |
PLAYS SINGLE NOTES SLOWLY | 0:38:53 | 0:38:57 | |
PLAYS DISSONANT NOTES | 0:39:03 | 0:39:06 | |
PLAYS RANDOM NOTES | 0:39:08 | 0:39:11 | |
CARRIES ON IMPROVISING | 0:39:12 | 0:39:16 | |
PLAYS DISSONANT NOTES | 0:39:33 | 0:39:36 | |
SINGULAR APPLAUSE | 0:40:06 | 0:40:07 | |
Did you have a terrible time at the party last night | 0:40:17 | 0:40:19 | |
with all those awful people? | 0:40:19 | 0:40:21 | |
More and more I find the need for a new husband, | 0:40:22 | 0:40:25 | |
so I can stop throwing all these parties. | 0:40:25 | 0:40:28 | |
But Peter's horribly fastidious. He turns down all the candidates. | 0:40:28 | 0:40:32 | |
Did he turn down Otto? | 0:40:32 | 0:40:34 | |
I can't remember what he said about Otto. | 0:40:34 | 0:40:38 | |
And Humphrey Maltravers seems keen on you. | 0:40:38 | 0:40:40 | |
Oh! Yes, he is. But I can't be Margot Maltravers. | 0:40:40 | 0:40:44 | |
That's not an acceptable name. | 0:40:44 | 0:40:47 | |
Oh, darling, I've loved having you around the house. | 0:40:47 | 0:40:50 | |
I can't bear the thought of you | 0:40:50 | 0:40:52 | |
having to go back to that Welsh school. | 0:40:52 | 0:40:54 | |
Do write to Dr Fagan and tell him you won't be going back? | 0:40:54 | 0:40:58 | |
What else could I do? Journalism? | 0:40:58 | 0:41:01 | |
Oh, no, no, no. We'll find you a proper job. | 0:41:01 | 0:41:04 | |
Maybe you can come and work for me? | 0:41:04 | 0:41:07 | |
What is your business, Margot? | 0:41:07 | 0:41:10 | |
Well, I run my father's business. | 0:41:10 | 0:41:12 | |
It's called The Latin American Entertainment Company. | 0:41:12 | 0:41:15 | |
It's mostly in South America. | 0:41:15 | 0:41:16 | |
We provide girls for places of entertainment | 0:41:16 | 0:41:19 | |
like cabarets and hotels and theatres, that sort of thing. | 0:41:19 | 0:41:23 | |
I'm sure I can find you a job helping in that. | 0:41:23 | 0:41:26 | |
Oh, Margot, you are wonderful. | 0:41:26 | 0:41:29 | |
Oh, Carlo, thank you for another lovely meal. | 0:41:31 | 0:41:35 | |
Please give my regards to the chef. | 0:41:35 | 0:41:37 | |
Sorry. | 0:41:42 | 0:41:44 | |
Arthur! | 0:41:45 | 0:41:47 | |
Pottsie. It's me, Paul. | 0:41:47 | 0:41:49 | |
Pennyfeather! Dear chap. How are you? | 0:41:49 | 0:41:55 | |
How lovely to see you. This is my... | 0:41:55 | 0:41:58 | |
friend, Margot Beste-Chetwynde. | 0:41:58 | 0:42:00 | |
What brings you here? | 0:42:01 | 0:42:04 | |
Bit of lunch. I work near here. | 0:42:04 | 0:42:06 | |
Darling, why don't you talk to your friend? I'll wait for you outside. | 0:42:06 | 0:42:10 | |
What line of work are you in? | 0:42:10 | 0:42:11 | |
I work for the League of Nations. | 0:42:11 | 0:42:13 | |
Gosh. Good for you, Pottsie. | 0:42:13 | 0:42:15 | |
Always knew you'd end up doing something impressive. | 0:42:15 | 0:42:17 | |
Are you going to save us all from another war? | 0:42:17 | 0:42:19 | |
Actually, I work in a department that's an offshoot, of, er... | 0:42:19 | 0:42:24 | |
an extension of the main unit. | 0:42:24 | 0:42:25 | |
Golly. | 0:42:25 | 0:42:27 | |
What are you up to? | 0:42:27 | 0:42:29 | |
I always thought the manner of your expulsion from university | 0:42:29 | 0:42:31 | |
was a great injustice, Paul. | 0:42:31 | 0:42:33 | |
-Thank you, Portsie. -I'll tell you, I gave Digby-Vaine-Trumpington | 0:42:33 | 0:42:36 | |
a piece of my mind on the matter. | 0:42:36 | 0:42:37 | |
-Did you? -Hm. | 0:42:37 | 0:42:38 | |
I told him you'd had your whole future shattered. | 0:42:38 | 0:42:41 | |
Do you know how he replied? | 0:42:41 | 0:42:42 | |
He said he'd send you £20. | 0:42:42 | 0:42:46 | |
Well, I never got it. | 0:42:46 | 0:42:48 | |
I told him not to send it. | 0:42:48 | 0:42:49 | |
Thank you(!) | 0:42:50 | 0:42:52 | |
Probably for the best, in the end. | 0:42:52 | 0:42:54 | |
I'd heard you'd had to become a teacher. | 0:42:54 | 0:42:58 | |
Yes. But I'm giving that up, now that I've met Margot. | 0:42:58 | 0:43:02 | |
Good to see you. | 0:43:03 | 0:43:04 | |
Now, I don't want you talking to the girls | 0:43:18 | 0:43:20 | |
who are auditioning for the show. | 0:43:20 | 0:43:22 | |
I don't want them feeling too judged. | 0:43:22 | 0:43:24 | |
No, of course not. Thank you so much for this, Margot. | 0:43:24 | 0:43:27 | |
I see you've got a new necklace. | 0:43:29 | 0:43:30 | |
Yes, Otto gave it to me. | 0:43:30 | 0:43:32 | |
Oh. | 0:43:32 | 0:43:34 | |
They're ball bearings from an anti-aircraft gun. | 0:43:34 | 0:43:37 | |
Shall we get started? | 0:43:37 | 0:43:39 | |
Ladies! | 0:43:40 | 0:43:41 | |
Hello, darling. Name? | 0:43:45 | 0:43:46 | |
SPANISH ACCENT: Pompilia de la Conradine. | 0:43:46 | 0:43:48 | |
Ah. Real name? | 0:43:48 | 0:43:50 | |
LONDON ACCENT: Betsy Brown. | 0:43:50 | 0:43:51 | |
Age? | 0:43:51 | 0:43:52 | |
22. | 0:43:52 | 0:43:54 | |
Real age? | 0:43:54 | 0:43:55 | |
22. | 0:43:55 | 0:43:57 | |
Experience? | 0:43:58 | 0:43:59 | |
I was at Mrs Rosenbaum's in St James' for two years, ma'am. | 0:43:59 | 0:44:03 | |
I'll see. Well, I will try and find something for you. | 0:44:03 | 0:44:07 | |
But tell me, why did you leave Mrs Rosenbaum's? | 0:44:07 | 0:44:10 | |
She said the gentlemen like a change. | 0:44:10 | 0:44:12 | |
Hm. | 0:44:12 | 0:44:13 | |
Mrs Rosenbaum's, please. | 0:44:22 | 0:44:24 | |
Oh, yes, hello. This is the Latin American Entertainment Company. | 0:44:25 | 0:44:29 | |
I have a Betsy Brown here. Can you tell me a little bit about her? | 0:44:29 | 0:44:32 | |
I see. Well, I thought that was the case. Thank you. | 0:44:34 | 0:44:39 | |
Well, I'm sorry, darling, | 0:44:39 | 0:44:42 | |
I'm not going to be able to use you until you're better again. | 0:44:42 | 0:44:44 | |
Thank you. | 0:44:44 | 0:44:46 | |
What was wrong with her? She seemed fit to me. | 0:44:48 | 0:44:51 | |
-Sadly not. -You didn't ask her to sing or dance? | 0:44:51 | 0:44:55 | |
Well, one learns to judge those things by sight. | 0:44:55 | 0:44:59 | |
Next! | 0:44:59 | 0:45:01 | |
Hello, darling. Name? | 0:45:02 | 0:45:04 | |
WELSH ACCENT: Renee von Banky. | 0:45:04 | 0:45:06 | |
Real name? | 0:45:06 | 0:45:08 | |
Jane Jenkins. | 0:45:08 | 0:45:10 | |
Great. Jane, give us a turn. | 0:45:11 | 0:45:12 | |
Very nice. How did you hear about us? | 0:45:16 | 0:45:19 | |
My father in Cardiff told me about you. | 0:45:19 | 0:45:21 | |
Ah, yes, often the way. So you're new to this business? | 0:45:21 | 0:45:25 | |
Yes, ma'am. | 0:45:25 | 0:45:26 | |
Excellent. When could you sail? | 0:45:26 | 0:45:28 | |
When do you want me? | 0:45:28 | 0:45:30 | |
Well, we have a few vacancies in Rio. | 0:45:30 | 0:45:32 | |
Four or five of the girls are going to travel there | 0:45:32 | 0:45:35 | |
from Marseilles next month. | 0:45:35 | 0:45:36 | |
Would you be able to join them? | 0:45:36 | 0:45:38 | |
Yes, ma'am. I'd be very pleased to, I'm sure. | 0:45:38 | 0:45:41 | |
Thank you. | 0:45:41 | 0:45:43 | |
Next! | 0:45:48 | 0:45:50 | |
Well, that's the last of them. Were you terribly bored, my angel? | 0:45:53 | 0:45:57 | |
No, Margot, you were wonderful. Like an empress. | 0:45:57 | 0:46:00 | |
Now, pop outside and wait for me in the car. | 0:46:00 | 0:46:03 | |
I have a few phone calls to make. | 0:46:03 | 0:46:04 | |
-MAN: -All right, ladies, how did that go? | 0:46:10 | 0:46:13 | |
Good? Everyone happy? Good. | 0:46:13 | 0:46:16 | |
I'm sure you'll all be off to Rio before you can say "dengue fever". | 0:46:16 | 0:46:19 | |
OK, come on, then. Hurry up. | 0:46:19 | 0:46:21 | |
Grimes? | 0:46:21 | 0:46:23 | |
Pennyfeather! | 0:46:27 | 0:46:29 | |
My dear chap, I thought I'd encounter you again. | 0:46:29 | 0:46:33 | |
How are you? | 0:46:33 | 0:46:35 | |
You're not dead?! | 0:46:35 | 0:46:37 | |
No, no, no. Fighting fit. | 0:46:37 | 0:46:39 | |
Forgive the vegetation. | 0:46:39 | 0:46:41 | |
A changed face is necessary at the moment. | 0:46:41 | 0:46:43 | |
Are you in the soup again? | 0:46:43 | 0:46:45 | |
No, not this time. But, er, my suicide didn't go down well. | 0:46:45 | 0:46:49 | |
No body at the funeral and then, I gather, my first wife turned up, | 0:46:49 | 0:46:53 | |
which went down badly with Flossie and the police and... | 0:46:53 | 0:46:57 | |
-They're all after me. -What on Earth are you doing here? | 0:46:58 | 0:47:01 | |
Working. Landed on my feet again. | 0:47:01 | 0:47:04 | |
-Foot! -Shush, Renee. | 0:47:04 | 0:47:06 | |
No, I was hiding out in a pub in Soho, | 0:47:06 | 0:47:08 | |
when I heard that this syndicate were looking for a chap to travel | 0:47:08 | 0:47:11 | |
to Rio with a group of ladies, to run a place of entertainment there. | 0:47:11 | 0:47:15 | |
They were hoping to have someone who could control themselves | 0:47:15 | 0:47:18 | |
when it came to the ladies. | 0:47:18 | 0:47:20 | |
So, I said, "Where do I sign?" | 0:47:20 | 0:47:22 | |
So, we're both working for Mrs Beste-Chetwynde? | 0:47:22 | 0:47:26 | |
Yes, indeed. The team reunited. | 0:47:26 | 0:47:29 | |
Only goes to show how small the world is. | 0:47:29 | 0:47:31 | |
Well, it's wonderful to see you back at full force. | 0:47:31 | 0:47:34 | |
Oh, yes. | 0:47:34 | 0:47:35 | |
We must have a drink before you sail. | 0:47:35 | 0:47:37 | |
We must. Now...you can reach me here. | 0:47:37 | 0:47:41 | |
Jolly good. | 0:47:41 | 0:47:42 | |
Chop-chop, ladies. | 0:47:45 | 0:47:46 | |
And it's for these reasons that Rome fell to the Goths. | 0:47:48 | 0:47:51 | |
I see. | 0:47:51 | 0:47:52 | |
Let's pause on history for a moment and consider some maths. | 0:47:54 | 0:47:58 | |
I need to do quadratic equations, apparently. | 0:48:00 | 0:48:03 | |
Peter, is something bothering you? | 0:48:03 | 0:48:06 | |
I don't want Mother to marry Otto Silenus. | 0:48:09 | 0:48:12 | |
Oh, I'm sure she won't. She turned him down. | 0:48:12 | 0:48:15 | |
He proposed to her again yesterday on a boat. | 0:48:15 | 0:48:18 | |
He made a speech about beauty | 0:48:18 | 0:48:20 | |
and he gave her a necklace made out of ball bearings. | 0:48:20 | 0:48:23 | |
But Otto's going out with Pamela Popham, who was at the party. | 0:48:23 | 0:48:28 | |
-Lady Popham? -Yes. | 0:48:28 | 0:48:29 | |
Oh, I don't think so. She's married to Lord Popham. | 0:48:29 | 0:48:32 | |
That would be scandalous. | 0:48:32 | 0:48:34 | |
I'd much rather Mother married you. | 0:48:36 | 0:48:39 | |
I'm sure she's only marrying Otto | 0:48:39 | 0:48:40 | |
to get all the other annoying suitors off her back. | 0:48:40 | 0:48:42 | |
You'd rather she married me? | 0:48:42 | 0:48:44 | |
She clearly cares about you a great deal, Mr Pennyfeather, | 0:48:44 | 0:48:47 | |
as do I. But...it's too late. | 0:48:47 | 0:48:51 | |
She's engaged to the "genius". | 0:48:51 | 0:48:54 | |
He's a famous architect, | 0:48:59 | 0:49:00 | |
engaged to be married to Margot Beste-Chetwynde, | 0:49:00 | 0:49:03 | |
but I know that he's having an affair with Lady Pamela Popham. | 0:49:03 | 0:49:06 | |
He's going round to visit her house on Friday night, Audley Street. | 0:49:06 | 0:49:10 | |
If you could get a photo and piece in The Daily, Tom, | 0:49:10 | 0:49:12 | |
I'd be incredibly grateful. | 0:49:12 | 0:49:14 | |
This is good stuff. | 0:49:14 | 0:49:15 | |
Sordid affair. | 0:49:16 | 0:49:17 | |
And he's German, as well, isn't he? | 0:49:19 | 0:49:21 | |
The bastard! | 0:49:22 | 0:49:23 | |
Oh, thank you, James. I've forgotten my gloves inside. | 0:49:38 | 0:49:41 | |
-Can you run and get them? -Yes, my lady. | 0:49:41 | 0:49:43 | |
Oh, thank you for waiting. | 0:49:43 | 0:49:45 | |
Shall we go to Claridge's and have some pastis? | 0:49:45 | 0:49:47 | |
That sounds lovely. | 0:49:47 | 0:49:49 | |
Oh, Otto, you stupid man! | 0:49:50 | 0:49:54 | |
What's happened? | 0:49:54 | 0:49:55 | |
But he's been seen coming out of Pamela's house at midnight! | 0:49:55 | 0:49:59 | |
She's married to Lord Popham. | 0:49:59 | 0:50:01 | |
Oh, I can't be seen marrying Otto now. | 0:50:01 | 0:50:04 | |
They'll mark me down as a cuckolded harlot. Oh! | 0:50:04 | 0:50:08 | |
Margot, please don't marry Otto. He doesn't love you. | 0:50:09 | 0:50:13 | |
He only loves himself. | 0:50:13 | 0:50:15 | |
But I love you. Deeply. Sincerely. | 0:50:15 | 0:50:18 | |
More than I know how to express. | 0:50:18 | 0:50:20 | |
Shush, don't make a scene. | 0:50:20 | 0:50:22 | |
There's only you and me here. | 0:50:22 | 0:50:24 | |
Well, go on. | 0:50:24 | 0:50:26 | |
Margot, will you make me the happiest man in the world | 0:50:26 | 0:50:29 | |
by marrying me? | 0:50:29 | 0:50:31 | |
I adore you. And Peter says he'd like you to marry me. | 0:50:31 | 0:50:34 | |
Oh, very well, Mr Pennyfeather. | 0:50:36 | 0:50:39 | |
I do find you to be a delightful, foolish, handsome creature. | 0:50:39 | 0:50:43 | |
Let's do it. | 0:50:43 | 0:50:45 | |
Will you be able to cope with being very rich? | 0:50:45 | 0:50:48 | |
Yes. | 0:50:48 | 0:50:49 | |
The money can be tiresome. | 0:50:49 | 0:50:51 | |
If I'm with you, I'll be happy. | 0:50:51 | 0:50:54 | |
Then, I say yes to you. | 0:50:54 | 0:50:56 | |
Did you see our announcement in the paper? | 0:51:15 | 0:51:17 | |
It's good, isn't it? | 0:51:17 | 0:51:19 | |
Oh, my! | 0:51:20 | 0:51:22 | |
Oh, let's see. Hm. | 0:51:25 | 0:51:28 | |
They're from a man named Alistair Digby-Vaine-Trumpington. | 0:51:29 | 0:51:33 | |
Ah. He attacked me at college. Took all my clothes off me. | 0:51:33 | 0:51:37 | |
Oh, he sounds fun! | 0:51:37 | 0:51:39 | |
And he seems to have sent us half the Amazon rain forest. | 0:51:39 | 0:51:42 | |
Shall we have him at the wedding? He clearly wants to come. | 0:51:42 | 0:51:46 | |
-Why not? -I didn't realise you had so many old friends. | 0:51:46 | 0:51:49 | |
Neither did I. | 0:51:49 | 0:51:50 | |
Have you chosen one of them to be your best man yet? | 0:51:50 | 0:51:53 | |
I don't know why, but I haven't heard back from Pottsie. | 0:51:53 | 0:51:55 | |
Oh darling, you only have four days left to choose a best man. | 0:51:55 | 0:51:59 | |
Why don't you ask this Digby fella? | 0:51:59 | 0:52:01 | |
Let me try and find Prendy first. | 0:52:01 | 0:52:03 | |
Very well. Now, I'm having some dresses brought to the house, | 0:52:03 | 0:52:06 | |
so I don't want you hanging around. | 0:52:06 | 0:52:08 | |
Why don't you go out and buy some ties or some towels? | 0:52:08 | 0:52:12 | |
Oh! | 0:52:12 | 0:52:13 | |
Also, I was thinking we should have our honeymoon in my home in Corfu. | 0:52:13 | 0:52:17 | |
Would you like that? | 0:52:17 | 0:52:18 | |
Sounds lovely, darling. | 0:52:18 | 0:52:20 | |
It used to belong to a little Frenchman. | 0:52:20 | 0:52:22 | |
Napoleon. | 0:52:22 | 0:52:23 | |
Paul! Something rather tiresome's happened. | 0:52:51 | 0:52:54 | |
You know the girls who were sent down to Rio? | 0:52:54 | 0:52:56 | |
With my friend Grimes? | 0:52:56 | 0:52:57 | |
Yes, well, several of them have got stuck in Marseille. | 0:52:57 | 0:53:01 | |
Something about their passports. | 0:53:01 | 0:53:03 | |
It's such a bore that this is happening now, | 0:53:03 | 0:53:05 | |
but I'd really like it fixed before our wedding. | 0:53:05 | 0:53:08 | |
Before Saturday? | 0:53:08 | 0:53:09 | |
Would you be an angel and go down there and sort it out? | 0:53:09 | 0:53:12 | |
It's just a matter of giving the right man several hundred pounds. | 0:53:12 | 0:53:16 | |
You want me to go now? | 0:53:16 | 0:53:17 | |
But...we get married in four days. | 0:53:17 | 0:53:20 | |
Well, yes, but if you fly today, | 0:53:20 | 0:53:21 | |
you can be there and back with plenty of time. | 0:53:21 | 0:53:24 | |
I would go myself, but I haven't a minute to spare this week. | 0:53:24 | 0:53:28 | |
No. Of course. | 0:53:28 | 0:53:30 | |
Oh, good. | 0:53:30 | 0:53:32 | |
Jenny! | 0:53:32 | 0:53:33 | |
I've booked you on the 5pm flight to Marseilles. | 0:53:33 | 0:53:36 | |
Merci. | 0:54:17 | 0:54:19 | |
Merci, monsieur. Gardez bien votre chapeau. | 0:54:19 | 0:54:22 | |
Thank you. | 0:54:24 | 0:54:25 | |
Give me that back. | 0:54:49 | 0:54:50 | |
Bonsoir. Je cherche pour Jane Jenkins et Marie Dubois? | 0:55:07 | 0:55:12 | |
De Latin American Entertainment Company? | 0:55:12 | 0:55:14 | |
Upstairs. | 0:55:14 | 0:55:16 | |
I'm so sorry you've had to stay in this awful area. | 0:55:21 | 0:55:23 | |
Don't worry, ladies, I'm here to help. | 0:55:23 | 0:55:27 | |
Mr Pennyfeather, you are under arrest | 0:55:34 | 0:55:36 | |
for aiding and abetting prostitution, | 0:55:36 | 0:55:38 | |
for slave trading and for passport forgery. | 0:55:38 | 0:55:40 | |
This is your new home. | 0:55:41 | 0:55:44 | |
You are going to hate it here SO much. | 0:55:44 | 0:55:46 | |
Super. | 0:55:46 | 0:55:47 | |
Oh, how are you? Is it awful here? | 0:55:48 | 0:55:51 | |
Awful. | 0:55:51 | 0:55:52 | |
I need to get out of here, too. | 0:55:52 | 0:55:54 | |
I have to escape. | 0:55:54 | 0:55:56 |