Episode 2 Decline and Fall


Episode 2

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Transcript


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I've been in the scholastic profession long enough to know

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that nobody enters it

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unless he has some very good reasons he is anxious to conceal.

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CHANTING

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I'm keen to find something that I can stick at.

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I hope that being a schoolmaster may be it.

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What have you heard about The League of Nations?

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I fear I'm in the soup again.

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I've told Flossie I'm going to announce our engagement.

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I hope Mama falls in love again.

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She's still so young and beautiful.

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Would you be interested in spending the summer with us?

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That was a good binge.

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That was one of the most memorable evenings of my life.

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Marriage is a grim institution!

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You didn't enjoy your first one?

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It was in Ireland. I was as tight as a lord.

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So was the priest.

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God knows what became of Mrs Grimes.

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None of this is what I would have chosen for myself,

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not by a long chalk.

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-Cheer up, Grimesie.

-No! No! Get off me!

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Why did no-one warn me?

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-Why did no-one warn me?!

-Ssh-ssh-ssh-ssh-ssh!

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They warned me about the fires of hell,

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-no-one warned me about marriage!

-Ssh!

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No-one said that, at the end of the flower-strewn lane,

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there were the hideous lights of home,

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the terrible voices of children!

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Argh! Ah! Ah! Ah!

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-Try not to wake the boys.

-Or Dr Fagan!

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CLATTERING

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-Ssh!

-Ssh!

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(Inside voices.)

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I gather you're excellent at the organ.

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Will you play at my wedding?

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I can't, I've injured my hand.

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Oh, no! How did you do that?

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Playing games.

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To be honest, I can't play the organ, Grimes.

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You just teach it?

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Will you... will you be best man, then?

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Yes. I'd be honoured.

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Sorry, Prendy!

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Ssssh!

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-What is this terrible impulse to build homes?

-(Go and check the door.)

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Flossie has the itch, all right.

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She's already told me she wants children.

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Ah! I fear I'm a blind alley off the main road of procreation.

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I don't think people would ever fall in love if they

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hadn't been told about it. It's like going abroad, you know,

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you'd never think of doing it unless someone had told you it existed.

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I don't know if that's true.

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I can vouch for the exciting tingle of unexpected emotions

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one can feel when you encounter someone special.

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Like a sort of unstoppable primal...flushing.

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WATER TRICKLES

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-Oh! (Grimes!)

-Ooo!

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-DOOR OPENS

-Mm!

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Ah!

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Good evening.

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Mr Pennyfeather?

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I'm afraid to admit that Captain Grimes

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is not the son-in-law I would readily have chosen.

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He can usually handle his drink, sir.

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Well, I could forgive him his wooden leg,

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his abominable features and his moral turpitude,

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if only he were a gentleman.

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I dare say you've discerned his worst weakness.

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I need not particularise.

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One comes across it with regularity in the teaching profession.

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But I do wish a man with such instincts

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was not marrying my daughter.

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Would you marry her?

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Well, she's a lovely woman.

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I don't mean in theory!

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I'm asking you to help me, Paul.

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I've come to trust and respect you and I'm asking you

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if you would like to marry my daughter, Florence.

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But she's engaged to Captain Grimes at the moment, sir.

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I've spoken to her and I've discovered

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that she has no strong inclination towards Grimes in particular,

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but she's very keen - desperate, in fact -

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to be married before her 30th birthday.

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-I see.

-Look...

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..I'll offer you a partnership in this school, too.

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And that's worth about £1,000 a year.

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-Well, it's a very generous offer, sir.

-Mm.

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And she's a handsome...

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..very handsome woman.

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But I can't.

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All right. Of course.

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I quite understand.

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It's just this Saturday's wedding

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is a humiliation I would like to have avoided.

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And Tangent's going to have his foot amputated on Saturday, too.

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Perhaps that is the event you should attend, as headmaster.

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Ah!

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BELLS PEAL

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Philbrick's an inscrutable soul, isn't he?

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I don't know what he's doing here. He wasn't invited.

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You know he's not really a butler? He's a retired thief.

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Is he? I know he's a successful novelist.

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Philbrick?

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He's a millionaire ship-owner.

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Son of the Archbishop of Canterbury.

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Yeah. He told me all about it.

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He told me he was a bank robber.

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I wonder which of his stories are true?

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None of them, I suppose.

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Everything all right, gentlemen?

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We know your game, Philbrick.

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We've being comparing stories.

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One day, I'll tell you the truth and you won't believe that, either.

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Because it's more extraordinary than any of your tiny little minds

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could ever comprehend.

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As you were.

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Oh, God!

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Here comes the bride.

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Is it too late to run?

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Yes.

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ORGAN STRIKES UP

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HE MUTTERS UNDER HIS BREATH

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HE WHIMPERS

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Let's start by singing Land of Hope and Glory.

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-HIGH-PITCHED:

-# Land of...

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ALL: # Land of hope and glory... #

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Why is Dingy giving her away?

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Where's Dr Fagan?

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TANGENT GASPS

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TANGENT YELLS

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Into this holy union, Captain Colin Alexander

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Frederick George Arthur Grimes

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and Florence Fagan will be joined.

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Therefore, if any man or woman can show any just cause

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why they may not lawfully be joined together,

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let him now speak, or else forever hold his peace.

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FOOTSTEPS

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GRUNTING

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Stop him!

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-Get him!

-That way!

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Back!

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Oh!

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Colin Alexander

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Frederick George Arthur Grimes,

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do you take this woman to be your wedded wife?

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I... W-W... Er... Ah...

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BELL TOLLS

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Do you know Philbrick well?

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No.

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He's wanted for false pretences and impersonation.

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There's 15 charges against him from across the country.

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In March, he pretended he was the Bishop of Burford.

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He confirmed 70 kids.

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Did it very well, apparently.

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He told me he was a bank robber.

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He is also a bank robber.

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Ah.

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You're going to Margot Beste-Chetwynde's place for summer?

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Yes. I'm looking forward to it.

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I-I find there's something rather thrilling about Margot's company.

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Do you?

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Shall we have a couple more?

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You don't think you ought to get back?

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I suppose you're right.

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The first days are difficult...they say.

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Even in the most romantic marriages.

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But since it's your first night together as a couple...

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Well, so long, old boy.

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This is the way I go now.

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OWL HOOTS

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BELL RINGS

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I must say, I'm a little worried about Grimes.

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I think the head man is giving him a hard time.

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And I'm not sure everything... above stairs suits him.

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WAVES CRASH

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KNOCK AT DOOR

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Sir? Have you seen Captain Grimes?

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No, not since yesterday.

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Neither has Mrs Grimes.

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Apparently, he didn't come home last night.

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I'm sure he's probably just passed out in a ditch somewhere.

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It's this way.

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GULLS SQUAWK

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Oh, Grimes!

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Come along, girls! Margate, here we come!

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-HE LAUGHS

-Come on, in you get!

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There we go.

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Have a good holiday, Prendy.

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Thank you. And you.

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Though I'm not sure I can face returning for another term.

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I'm sure you say that at the end of every term.

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I do.

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And at the beginning of every term.

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I was reading yesterday about what the Bishop of Winchester is calling

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the modern churchman.

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Apparently, these priests draw a full church salary,

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but don't commit to any particular religious belief.

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I think the bishop meant it critically,

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but I thought it sounded rather wonderful.

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Well, I hope you do come back.

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I'm sure I will.

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Oh! Mummy sent the big car.

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Well, this is me.

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HORN HOOTS

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Mother's been asking me to practise my vodka cocktails.

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Are you good at making cocktails, sir?

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I'm not even good at drinking them.

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Oh, my word!

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Mother has surpassed herself.

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My dears! You've made it.

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Oh! You're finally here! I've been so bored without you.

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Oh, my darling boy, how are you?

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You seem to be getting rather handsome, in a coltish sort of way.

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Wouldn't you agree, Mr Pennyfeather?

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Yes.

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Oh, it's wonderful to have you here, too.

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And for the whole holidays, Professor. Lucky us.

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I'm not actually a professor.

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Shush, Professor. What do you think?

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It's an amazing house, Mrs Beste-Chetwynde.

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Come and meet the architect.

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I find the vulcanite chairs make my bottom chafe,

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but Otto insists on them.

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-Otto?

-Ah?

-Honey, Peter's here with Mr Pennyfeather.

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Guten abend, meine herren.

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Darling, isn't Peter getting rather handsome?

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Lass uns mal schauen.

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HE COUNTS TO SEVEN IN GERMAN

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His head is too big for his frame and his hands are too small.

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I love what you've done with the place, Otto.

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It's an amazing house, I was just saying.

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You like it?

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Very much.

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I hate and detest every bit of it.

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No, my, shooks, you mustn't be so tiresome.

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It's better than what was here before.

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I've done what I can, but it is impossible for domestic architecture

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to ever be truly beautiful.

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Why's that?

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Hm.

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The challenge for architecture is the same challenge for all art -

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the removal of the human element in the consideration of form.

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So the only truly beautiful building is the factory.

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Yes, darling, you've built beautiful factories.

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Now, I'm going to get changed.

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Peter, why don't you make us some drinks?

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Yes, of course.

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Margot is impossible to work for.

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For instance, she's insisting that I put in the staircase.

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There isn't one at the moment?

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The tragedy for architects is that they have to have clients.

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How do you get upstairs?

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Why do you want to go upstairs?

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You see, Paul, this is my point.

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Stairs are ugly, but humans demand them.

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Why can't you just stay in one place?

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Why must you go upstairs, downstairs,

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in and out, up and round, huh?

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Do machines require a staircase?

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No!

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What an immature, self-destructive being is a man.

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Yes.

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But what if you want to go to sleep?

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Argh!

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If you must go upstairs,

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install an elevator on the exterior of the building.

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That's a good solution.

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Here we are.

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Oh!

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Drinks. I call it The Panty Dropper.

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It's er, it's vodka, rum, whisky. I serve it slightly warmed.

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Aren't you clever, darling? Can I credit you for this?

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-No.

-A teacher called Captain Grimes

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actually taught us all how to make these.

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I love teachers like that.

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Yes. Sadly, he... he committed suicide last week.

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Oh, no, that's horrible.

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Scheisse.

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Well, let's toast to poor Captain Grimes.

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-Poor Captain Grimes.

-Prost.

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Perhaps I could, er, get a glass of water, as well?

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Oh, water's for washing.

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So, who wants to see my drawings of French prostitutes?

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I'd love to.

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Paul, setz dich, ja?

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Do you visit prostitutes much, Paul?

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Um...not so much.

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I draw everything.

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Here are my prostitutes.

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Ooh!

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That's a nice one.

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Her raised buttocks, and head thrown back in ecstasy.

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Yes.

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Paul.

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I'd like to give you this one as a gift.

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-Oh, thank you.

-Yeah.

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Is there perhaps one without you in it?

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Of course. Choose which one you like.

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The woman pleasuring herself?

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That one's lovely. Thank you.

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Oh, Paul, I love to draw.

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I can see.

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Yeah. Let's draw now. You and me, Paul.

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Let's draw Margot.

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Oh, no, not again, darling.

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Peter, bitte? Fur dich. Hold, please, thank you.

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I could draw you 500 times daily.

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You are such a wonderful, firm assembly of rectilinear planes.

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Well, I'd like to keep my clothes on, thank you.

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Me, too.

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Paul, would you say you are a static person or a dynamic one?

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Hm?

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I believe all people should be divided into those two types.

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Static...or dynamic.

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That makes much more sense than dividing them into male or female.

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So, which type are you, Paul?

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Dynamic.

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I'm definitely a dynamic person.

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Yeah.

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My father.

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Oh, Peter, darling, did I tell you I was having

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a weekend party here at the house to show it off?

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Margot, I've asked you not to do this.

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Oh, shush. Be quiet. It's my house. I paid for it.

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Now, could you face organising it all? You know what I'm like.

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Of course, Mama. How many people will be coming?

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Oh, I don't know. I gave up inviting people weeks ago.

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Maybe a couple of hundred.

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Oh, but don't worry, most of them are hopeless at leaving London.

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Will it be a fancy dress party?

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Hm, God, no. Had enough of those.

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Just this year I've been to a circus one, a Hawaiian one,

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a Victorian one, a Russian one,

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a Wild West one, one where you had to be dressed as a windmill...

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It's so boring.

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And when did parties move from being an expression of hospitality

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to a competitive form of public spectacle?

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You did say that you enjoyed the

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"What were you wearing when the Titanic sank?" party.

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Hm. Oh, yes. That suited my mood perfectly.

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GONG

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Oh! Dinner is served. Now, stop drawing.

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Let me see what you've done.

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Oh, Otto, I wish you wouldn't do that! It's so boring.

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You've drawn me completely naked, when I clearly have my clothes on.

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Now, let's see what you've done.

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Hm.

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Those are your eyes.

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Hm.

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SHE SIGHS

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Dinner is served.

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DOOR OPENS, THEN CLOSES

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Paul...are you awake?

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Oh, well, I... I wasn't.

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I just wanted to apologies for Otto's manner.

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He's German and an architect,

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and that can be an unfortunate combination.

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But he is a genius.

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I'm sorry about my drawing. It's never been my...

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Oh. Please. I didn't invite you here to draw, did I?

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I...obviously do find you very beautiful.

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It's just that I wasn't able to express it with a pencil.

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It was frustrating.

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Do you? Find me beautiful?

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Yes.

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Hm. I don't like my mouth.

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It's a beautiful mouth.

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All of you is beautiful.

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Like a rainbow.

0:25:080:25:10

Like a lily flower

0:25:100:25:12

that's opened for the first full fat drops of spring rain.

0:25:120:25:16

If a million painters painted for 40 hours, they'd never be able to...

0:25:170:25:21

Shush! You don't have to talk, you handsome, drunk man.

0:25:210:25:27

Jenny?

0:25:480:25:50

Where are you? Jenny?

0:25:500:25:52

Guten morgen, Paul.

0:25:550:25:56

Don't you think she's the most wonderful woman in the world?

0:25:590:26:02

In what way?

0:26:020:26:04

Beautiful and free. It's almost like she's a different species.

0:26:040:26:08

Do you know what I mean?

0:26:080:26:10

Margot's variations are seductive.

0:26:100:26:13

They certainly are.

0:26:130:26:15

Yeah.

0:26:150:26:17

Especially the way her left breast

0:26:170:26:21

is slightly more raised than her right. It's ghastly!

0:26:210:26:26

I do enjoy sleeping with her.

0:26:270:26:30

Yeah, part of me thinks I should propose to her again.

0:26:300:26:34

Sorry?

0:26:350:26:36

I love her body...

0:26:370:26:38

..as much as I love concrete.

0:26:390:26:42

-Hello, I'm Tom.

-Paul.

0:27:090:27:12

What's brought you to this part of the world?

0:27:120:27:16

Trying to get away from an architect. I'm a teacher.

0:27:160:27:19

I tutor a boy who lives locally in a big house.

0:27:190:27:23

At King's Thursday?

0:27:240:27:26

Yes.

0:27:260:27:27

Are you going to the party this afternoon?

0:27:330:27:35

Yes. Are you?

0:27:350:27:38

Yes and no. Ah, I'd like to. I know Margot a bit.

0:27:380:27:42

-Do you?

-Yeah. She often has me at her parties.

0:27:420:27:44

And then I write about them the next day. For The Daily.

0:27:440:27:46

You're a journalist?

0:27:460:27:47

I have a society column.

0:27:470:27:50

Golly. Is that a good career?

0:27:500:27:51

So long as you can get into the parties, it is.

0:27:510:27:54

I don't know why but, um, Margot hasn't invited me this time.

0:27:550:27:59

Perhaps she forgot?

0:27:590:28:01

She told me she hadn't invited everyone that she wanted to.

0:28:010:28:04

Why, that must be it.

0:28:040:28:05

See the thing is, I have a friend -

0:28:060:28:10

a rival, really - he writes for The Weekend.

0:28:100:28:13

He's an unscrupulous little turd.

0:28:130:28:16

I say "friend."

0:28:160:28:17

Actually, I hate the man, but he's going to be at the party.

0:28:170:28:20

It would look pretty bad for me if he did a piece

0:28:200:28:22

about the party and I didn't.

0:28:220:28:23

I see.

0:28:230:28:24

So, I was wondering if you could get me in?

0:28:240:28:28

Right...

0:28:280:28:29

It's just, my career, sort of, depends on it.

0:28:290:28:33

-Um...

-And as you say, she probably just forgot to invite me.

0:28:330:28:37

-Er...

-To be honest with you,

0:28:370:28:39

if I don't pull this off I may as well stick my head in the oven.

0:28:390:28:41

Oh, don't do that. Um...

0:28:410:28:43

Well, if you say

0:28:440:28:46

she normally invites you,

0:28:460:28:47

I'm certain she wouldn't mind you being there.

0:28:470:28:49

Wonderful! Thank you!

0:28:490:28:51

Let me get you another drink. It was The Owls, wasn't it?

0:28:530:28:56

-Thank you.

-So, if you leave the back gate open at 3.30pm, please?

0:28:560:29:01

And don't be alarmed - I may be dressed as an Arab.

0:29:010:29:03

I can't face it. I don't want to talk to any of these people.

0:29:290:29:32

I don't feel well. I'm going to bed.

0:29:320:29:33

Darling, will you make sure everybody has a good time?

0:29:330:29:36

And you, too, Paul.

0:29:360:29:37

But... I'm not sure I know how your mind works, Margot.

0:29:370:29:40

I'm sure you do.

0:29:400:29:42

And I'm sure you know how to make a party swing delightfully.

0:29:420:29:46

Make it a huge success. I'm counting on you.

0:29:460:29:49

I sure I'll feel better once they've all gone.

0:29:490:29:52

DOORBELL

0:29:550:29:57

Champagne, sir?

0:30:060:30:07

Oh, my word! Peter!

0:30:070:30:11

Mrs Popham. So lovely to see you.

0:30:110:30:14

I can't wait to see this house.

0:30:140:30:17

Has Otto done marvels?

0:30:170:30:18

Please have a glass of Champagne or try one of my absinth frappes.

0:30:180:30:22

Hm! How do you two know each other?

0:30:220:30:25

Oh, Mr Pennyfeather is a master at my school.

0:30:250:30:28

He's excellent at theology, German and music.

0:30:280:30:30

Oh, well done. Which instruments do you play?

0:30:300:30:33

He's superb at the piano.

0:30:330:30:35

Otto, you're here!

0:30:370:30:39

Look at what you've done to this place!

0:30:400:30:42

It's amazing.

0:30:420:30:44

I hate and detest every bit of it.

0:30:450:30:47

Well, I love it.

0:30:470:30:49

Then, you have nothing but my pity.

0:30:490:30:52

Just walk around and talk to people.

0:30:540:30:56

How do you do.

0:30:580:31:00

This is what the house used to look like before I knocked it down.

0:31:010:31:05

As you can see - unfit for habitation. It was appalling.

0:31:050:31:09

Here, however, this is the dining room space.

0:31:090:31:13

You see, I designed the house for human flow

0:31:130:31:16

and increased functionality.

0:31:160:31:18

Your eye then travels across the marble floor to the windows.

0:31:190:31:25

And from here, you have an amazing view of the woods. Ja.

0:31:250:31:30

I was required by my client to make this room fun, ja?

0:31:350:31:41

-So I added a kaleidoscope lighting.

-Wow!

0:31:410:31:46

Hm. We could do with a room like this in The Commons.

0:31:460:31:49

So now, who would like to see the drawings of my French women?

0:31:490:31:55

Or, we could have some food?

0:31:560:31:57

I've never seen such a spread.

0:31:570:32:00

Paul?

0:32:020:32:03

Just a minute.

0:32:030:32:05

HAPPY CHATTER

0:32:100:32:13

Hello.

0:32:150:32:16

Hello.

0:32:170:32:18

So...you're a politician?

0:32:190:32:22

Minister for Transport. You keen on politics, at all?

0:32:220:32:25

Hardly at all.

0:32:250:32:26

Ah, sensible fellow. It's all just one disaster after another.

0:32:260:32:32

Endless backstabbing and plots. And the public are idiots.

0:32:320:32:37

I'd make much more money if I concentrated on my biographies.

0:32:370:32:40

This is an extraordinary house, isn't it?

0:32:400:32:44

Yes.

0:32:440:32:45

It's missing nothing except the hostess herself. You known her long?

0:32:450:32:50

Margot? Only a few weeks.

0:32:500:32:53

Ah. There's no-one like her.

0:32:530:32:56

I wish she rode a bicycle and voted Tory, but she's good news otherwise.

0:32:560:33:00

You been to her place in Corfu? It's fabulous. Wonderful chefs.

0:33:000:33:06

I don't know what she's built this place for.

0:33:060:33:09

She's getting in with the wrong set.

0:33:090:33:12

A rich woman without a husband is bound to be talked about.

0:33:120:33:15

What she ought to be doing is getting married.

0:33:150:33:18

Settling down with someone with a respected position in public life.

0:33:180:33:22

Someone like you?

0:33:220:33:23

Yeah, that's right.

0:33:230:33:25

Do you know what that is?

0:33:260:33:27

No.

0:33:270:33:29

What line are you in?

0:33:310:33:33

I'm a teacher.

0:33:330:33:34

Never mind. You're young. There's still time to change.

0:33:340:33:39

Although I must say, I don't understand your generation.

0:33:390:33:44

You had a great opportunity after the war.

0:33:440:33:47

There was a whole civilisation to be remade.

0:33:470:33:50

I'm just trying to find something I can stick at.

0:33:500:33:52

What's your father want you to do?

0:33:520:33:54

I don't know. He died when I was younger.

0:33:540:33:57

Sorry to hear that.

0:33:570:33:58

What I will say to you is this -

0:33:580:34:00

whatever you do intend to do with your life, aim high.

0:34:000:34:06

That's what I do.

0:34:060:34:08

Like when you're throwing a stone at a cat.

0:34:080:34:11

If you aim higher, you're more likely to hit something.

0:34:110:34:14

Aim high.

0:34:160:34:17

Right, I'm off back to London soon.

0:34:170:34:20

It's annoying Margot isn't at her own party.

0:34:200:34:24

I only came to seduce her.

0:34:240:34:26

It's a shame she's missed that.

0:34:260:34:28

Hm! Nice to meet you.

0:34:280:34:30

Are you going to eat that?

0:34:310:34:34

I think, to see clearly in this world, one must be a poet,

0:34:460:34:51

a priest and a prophet - all at once.

0:34:510:34:53

You are so right.

0:34:530:34:55

Yeah.

0:34:550:34:56

When are you going to come and do my house, Otto?

0:34:560:34:59

I keep asking.

0:34:590:35:01

No more houses. I detest them.

0:35:010:35:03

Ja, I want to build a town instead.

0:35:030:35:06

You promised.

0:35:060:35:07

Pamela. Bitte, ja?

0:35:070:35:10

Well, I'd give you free rein. You can do what you like.

0:35:100:35:15

Come and discuss it with me on Friday night.

0:35:150:35:18

My husband's in Abyssinia again.

0:35:180:35:20

CLUNKING / WHIRRING

0:35:200:35:21

Oh! Paul.

0:35:210:35:24

This is fun.

0:35:250:35:27

Do you know Pamela Popham?

0:35:270:35:29

We met briefly.

0:35:290:35:30

Oh, we were just discussing architecture.

0:35:300:35:32

Sir, can I have a word?

0:35:320:35:34

Yes.

0:35:340:35:35

What is HE doing here?

0:35:370:35:39

What's wrong with him?

0:35:400:35:41

He's a journalist.

0:35:410:35:43

Yes, he writes a column, doesn't he?

0:35:430:35:45

He's the most despised man in the newspapers.

0:35:450:35:48

My mother threw him out of her last party.

0:35:480:35:50

And there he is, talking to the most indiscreet man in politics.

0:35:500:35:54

He always wears an Arab disguise,

0:35:540:35:56

every time, and he writes the most appalling things.

0:35:560:35:58

When my mother finds who let him in here, she will crucify them.

0:35:580:36:02

Well, let's not upset her by telling her.

0:36:020:36:06

How did he get in here?

0:36:060:36:07

I'm going to go and ask him.

0:36:080:36:10

No. Let me. You stay here.

0:36:100:36:14

I'll go and give him... a bloody good piece of my mind.

0:36:140:36:17

It's well known in the House

0:36:170:36:19

that the Home Secretary and Mr Chundra Roy

0:36:190:36:21

have long been enjoying, what they call on the subcontinent,

0:36:210:36:24

"a tender embrace without trousers."

0:36:240:36:27

Hello, Tom.

0:36:270:36:30

I thought we agreed that you wouldn't take notes.

0:36:300:36:32

-No, we didn't.

-I think we did, so if you'd just give me that...

0:36:320:36:36

No!

0:36:360:36:37

-Yes.

-No...

0:36:370:36:39

What's the matter?

0:36:400:36:41

This man is a journalist. Tom Somebody.

0:36:410:36:45

Not Tom Braeburn?

0:36:450:36:48

No!

0:36:490:36:50

You're the bloody turd pipe who suggested my parentage was of doubt.

0:36:500:36:55

Oh! Look!

0:36:550:36:57

Get out of here or I'll set my dogs on you!

0:36:590:37:02

I'm going to make sure your mother has a tax inspection!

0:37:020:37:05

How the hell did he get in here?

0:37:050:37:07

It's beyond belief.

0:37:070:37:09

Bloody man gets everywhere.

0:37:090:37:10

Found you.

0:37:100:37:12

We're so bored. I want you to play something for us, on the piano.

0:37:120:37:17

No.

0:37:170:37:19

Yes. I insist. Come on.

0:37:190:37:21

No, no. I really can't. I've had too much to drink.

0:37:210:37:24

Oh! We don't mind if it isn't perfect. Move.

0:37:240:37:27

No, I can't. I've injured my hand.

0:37:270:37:30

-Lady Popham, he really can't...

-We don't mind! Sit down!

0:37:300:37:35

Everybody! This man here is Peter's music teacher.

0:37:350:37:40

Shall we get him to play us something on the piano?

0:37:400:37:43

Yes, yes. Play us something.

0:37:430:37:45

No. No. No. I can't...

0:37:450:37:48

Sit down!

0:37:480:37:50

I can't!

0:37:500:37:51

Everybody, shush!

0:37:510:37:53

He's going to play something for us.

0:37:530:37:56

I really can't.

0:37:570:37:59

Oh, for God's sake! Don't make such a scene.

0:37:590:38:03

Um...

0:38:130:38:15

This is a modern piece.

0:38:160:38:20

What is it called?

0:38:200:38:21

It's called...

0:38:230:38:25

The...Fat Lady...

0:38:250:38:28

Of...Stuttgart.

0:38:280:38:32

Ja.

0:38:320:38:34

CRACKS KNUCKLES

0:38:370:38:40

PLAYS SINGLE NOTES SLOWLY

0:38:530:38:57

PLAYS DISSONANT NOTES

0:39:030:39:06

PLAYS RANDOM NOTES

0:39:080:39:11

CARRIES ON IMPROVISING

0:39:120:39:16

PLAYS DISSONANT NOTES

0:39:330:39:36

SINGULAR APPLAUSE

0:40:060:40:07

Did you have a terrible time at the party last night

0:40:170:40:19

with all those awful people?

0:40:190:40:21

More and more I find the need for a new husband,

0:40:220:40:25

so I can stop throwing all these parties.

0:40:250:40:28

But Peter's horribly fastidious. He turns down all the candidates.

0:40:280:40:32

Did he turn down Otto?

0:40:320:40:34

I can't remember what he said about Otto.

0:40:340:40:38

And Humphrey Maltravers seems keen on you.

0:40:380:40:40

Oh! Yes, he is. But I can't be Margot Maltravers.

0:40:400:40:44

That's not an acceptable name.

0:40:440:40:47

Oh, darling, I've loved having you around the house.

0:40:470:40:50

I can't bear the thought of you

0:40:500:40:52

having to go back to that Welsh school.

0:40:520:40:54

Do write to Dr Fagan and tell him you won't be going back?

0:40:540:40:58

What else could I do? Journalism?

0:40:580:41:01

Oh, no, no, no. We'll find you a proper job.

0:41:010:41:04

Maybe you can come and work for me?

0:41:040:41:07

What is your business, Margot?

0:41:070:41:10

Well, I run my father's business.

0:41:100:41:12

It's called The Latin American Entertainment Company.

0:41:120:41:15

It's mostly in South America.

0:41:150:41:16

We provide girls for places of entertainment

0:41:160:41:19

like cabarets and hotels and theatres, that sort of thing.

0:41:190:41:23

I'm sure I can find you a job helping in that.

0:41:230:41:26

Oh, Margot, you are wonderful.

0:41:260:41:29

Oh, Carlo, thank you for another lovely meal.

0:41:310:41:35

Please give my regards to the chef.

0:41:350:41:37

Sorry.

0:41:420:41:44

Arthur!

0:41:450:41:47

Pottsie. It's me, Paul.

0:41:470:41:49

Pennyfeather! Dear chap. How are you?

0:41:490:41:55

How lovely to see you. This is my...

0:41:550:41:58

friend, Margot Beste-Chetwynde.

0:41:580:42:00

What brings you here?

0:42:010:42:04

Bit of lunch. I work near here.

0:42:040:42:06

Darling, why don't you talk to your friend? I'll wait for you outside.

0:42:060:42:10

What line of work are you in?

0:42:100:42:11

I work for the League of Nations.

0:42:110:42:13

Gosh. Good for you, Pottsie.

0:42:130:42:15

Always knew you'd end up doing something impressive.

0:42:150:42:17

Are you going to save us all from another war?

0:42:170:42:19

Actually, I work in a department that's an offshoot, of, er...

0:42:190:42:24

an extension of the main unit.

0:42:240:42:25

Golly.

0:42:250:42:27

What are you up to?

0:42:270:42:29

I always thought the manner of your expulsion from university

0:42:290:42:31

was a great injustice, Paul.

0:42:310:42:33

-Thank you, Portsie.

-I'll tell you, I gave Digby-Vaine-Trumpington

0:42:330:42:36

a piece of my mind on the matter.

0:42:360:42:37

-Did you?

-Hm.

0:42:370:42:38

I told him you'd had your whole future shattered.

0:42:380:42:41

Do you know how he replied?

0:42:410:42:42

He said he'd send you £20.

0:42:420:42:46

Well, I never got it.

0:42:460:42:48

I told him not to send it.

0:42:480:42:49

Thank you(!)

0:42:500:42:52

Probably for the best, in the end.

0:42:520:42:54

I'd heard you'd had to become a teacher.

0:42:540:42:58

Yes. But I'm giving that up, now that I've met Margot.

0:42:580:43:02

Good to see you.

0:43:030:43:04

Now, I don't want you talking to the girls

0:43:180:43:20

who are auditioning for the show.

0:43:200:43:22

I don't want them feeling too judged.

0:43:220:43:24

No, of course not. Thank you so much for this, Margot.

0:43:240:43:27

I see you've got a new necklace.

0:43:290:43:30

Yes, Otto gave it to me.

0:43:300:43:32

Oh.

0:43:320:43:34

They're ball bearings from an anti-aircraft gun.

0:43:340:43:37

Shall we get started?

0:43:370:43:39

Ladies!

0:43:400:43:41

Hello, darling. Name?

0:43:450:43:46

SPANISH ACCENT: Pompilia de la Conradine.

0:43:460:43:48

Ah. Real name?

0:43:480:43:50

LONDON ACCENT: Betsy Brown.

0:43:500:43:51

Age?

0:43:510:43:52

22.

0:43:520:43:54

Real age?

0:43:540:43:55

22.

0:43:550:43:57

Experience?

0:43:580:43:59

I was at Mrs Rosenbaum's in St James' for two years, ma'am.

0:43:590:44:03

I'll see. Well, I will try and find something for you.

0:44:030:44:07

But tell me, why did you leave Mrs Rosenbaum's?

0:44:070:44:10

She said the gentlemen like a change.

0:44:100:44:12

Hm.

0:44:120:44:13

Mrs Rosenbaum's, please.

0:44:220:44:24

Oh, yes, hello. This is the Latin American Entertainment Company.

0:44:250:44:29

I have a Betsy Brown here. Can you tell me a little bit about her?

0:44:290:44:32

I see. Well, I thought that was the case. Thank you.

0:44:340:44:39

Well, I'm sorry, darling,

0:44:390:44:42

I'm not going to be able to use you until you're better again.

0:44:420:44:44

Thank you.

0:44:440:44:46

What was wrong with her? She seemed fit to me.

0:44:480:44:51

-Sadly not.

-You didn't ask her to sing or dance?

0:44:510:44:55

Well, one learns to judge those things by sight.

0:44:550:44:59

Next!

0:44:590:45:01

Hello, darling. Name?

0:45:020:45:04

WELSH ACCENT: Renee von Banky.

0:45:040:45:06

Real name?

0:45:060:45:08

Jane Jenkins.

0:45:080:45:10

Great. Jane, give us a turn.

0:45:110:45:12

Very nice. How did you hear about us?

0:45:160:45:19

My father in Cardiff told me about you.

0:45:190:45:21

Ah, yes, often the way. So you're new to this business?

0:45:210:45:25

Yes, ma'am.

0:45:250:45:26

Excellent. When could you sail?

0:45:260:45:28

When do you want me?

0:45:280:45:30

Well, we have a few vacancies in Rio.

0:45:300:45:32

Four or five of the girls are going to travel there

0:45:320:45:35

from Marseilles next month.

0:45:350:45:36

Would you be able to join them?

0:45:360:45:38

Yes, ma'am. I'd be very pleased to, I'm sure.

0:45:380:45:41

Thank you.

0:45:410:45:43

Next!

0:45:480:45:50

Well, that's the last of them. Were you terribly bored, my angel?

0:45:530:45:57

No, Margot, you were wonderful. Like an empress.

0:45:570:46:00

Now, pop outside and wait for me in the car.

0:46:000:46:03

I have a few phone calls to make.

0:46:030:46:04

-MAN:

-All right, ladies, how did that go?

0:46:100:46:13

Good? Everyone happy? Good.

0:46:130:46:16

I'm sure you'll all be off to Rio before you can say "dengue fever".

0:46:160:46:19

OK, come on, then. Hurry up.

0:46:190:46:21

Grimes?

0:46:210:46:23

Pennyfeather!

0:46:270:46:29

My dear chap, I thought I'd encounter you again.

0:46:290:46:33

How are you?

0:46:330:46:35

You're not dead?!

0:46:350:46:37

No, no, no. Fighting fit.

0:46:370:46:39

Forgive the vegetation.

0:46:390:46:41

A changed face is necessary at the moment.

0:46:410:46:43

Are you in the soup again?

0:46:430:46:45

No, not this time. But, er, my suicide didn't go down well.

0:46:450:46:49

No body at the funeral and then, I gather, my first wife turned up,

0:46:490:46:53

which went down badly with Flossie and the police and...

0:46:530:46:57

-They're all after me.

-What on Earth are you doing here?

0:46:580:47:01

Working. Landed on my feet again.

0:47:010:47:04

-Foot!

-Shush, Renee.

0:47:040:47:06

No, I was hiding out in a pub in Soho,

0:47:060:47:08

when I heard that this syndicate were looking for a chap to travel

0:47:080:47:11

to Rio with a group of ladies, to run a place of entertainment there.

0:47:110:47:15

They were hoping to have someone who could control themselves

0:47:150:47:18

when it came to the ladies.

0:47:180:47:20

So, I said, "Where do I sign?"

0:47:200:47:22

So, we're both working for Mrs Beste-Chetwynde?

0:47:220:47:26

Yes, indeed. The team reunited.

0:47:260:47:29

Only goes to show how small the world is.

0:47:290:47:31

Well, it's wonderful to see you back at full force.

0:47:310:47:34

Oh, yes.

0:47:340:47:35

We must have a drink before you sail.

0:47:350:47:37

We must. Now...you can reach me here.

0:47:370:47:41

Jolly good.

0:47:410:47:42

Chop-chop, ladies.

0:47:450:47:46

And it's for these reasons that Rome fell to the Goths.

0:47:480:47:51

I see.

0:47:510:47:52

Let's pause on history for a moment and consider some maths.

0:47:540:47:58

I need to do quadratic equations, apparently.

0:48:000:48:03

Peter, is something bothering you?

0:48:030:48:06

I don't want Mother to marry Otto Silenus.

0:48:090:48:12

Oh, I'm sure she won't. She turned him down.

0:48:120:48:15

He proposed to her again yesterday on a boat.

0:48:150:48:18

He made a speech about beauty

0:48:180:48:20

and he gave her a necklace made out of ball bearings.

0:48:200:48:23

But Otto's going out with Pamela Popham, who was at the party.

0:48:230:48:28

-Lady Popham?

-Yes.

0:48:280:48:29

Oh, I don't think so. She's married to Lord Popham.

0:48:290:48:32

That would be scandalous.

0:48:320:48:34

I'd much rather Mother married you.

0:48:360:48:39

I'm sure she's only marrying Otto

0:48:390:48:40

to get all the other annoying suitors off her back.

0:48:400:48:42

You'd rather she married me?

0:48:420:48:44

She clearly cares about you a great deal, Mr Pennyfeather,

0:48:440:48:47

as do I. But...it's too late.

0:48:470:48:51

She's engaged to the "genius".

0:48:510:48:54

He's a famous architect,

0:48:590:49:00

engaged to be married to Margot Beste-Chetwynde,

0:49:000:49:03

but I know that he's having an affair with Lady Pamela Popham.

0:49:030:49:06

He's going round to visit her house on Friday night, Audley Street.

0:49:060:49:10

If you could get a photo and piece in The Daily, Tom,

0:49:100:49:12

I'd be incredibly grateful.

0:49:120:49:14

This is good stuff.

0:49:140:49:15

Sordid affair.

0:49:160:49:17

And he's German, as well, isn't he?

0:49:190:49:21

The bastard!

0:49:220:49:23

Oh, thank you, James. I've forgotten my gloves inside.

0:49:380:49:41

-Can you run and get them?

-Yes, my lady.

0:49:410:49:43

Oh, thank you for waiting.

0:49:430:49:45

Shall we go to Claridge's and have some pastis?

0:49:450:49:47

That sounds lovely.

0:49:470:49:49

Oh, Otto, you stupid man!

0:49:500:49:54

What's happened?

0:49:540:49:55

But he's been seen coming out of Pamela's house at midnight!

0:49:550:49:59

She's married to Lord Popham.

0:49:590:50:01

Oh, I can't be seen marrying Otto now.

0:50:010:50:04

They'll mark me down as a cuckolded harlot. Oh!

0:50:040:50:08

Margot, please don't marry Otto. He doesn't love you.

0:50:090:50:13

He only loves himself.

0:50:130:50:15

But I love you. Deeply. Sincerely.

0:50:150:50:18

More than I know how to express.

0:50:180:50:20

Shush, don't make a scene.

0:50:200:50:22

There's only you and me here.

0:50:220:50:24

Well, go on.

0:50:240:50:26

Margot, will you make me the happiest man in the world

0:50:260:50:29

by marrying me?

0:50:290:50:31

I adore you. And Peter says he'd like you to marry me.

0:50:310:50:34

Oh, very well, Mr Pennyfeather.

0:50:360:50:39

I do find you to be a delightful, foolish, handsome creature.

0:50:390:50:43

Let's do it.

0:50:430:50:45

Will you be able to cope with being very rich?

0:50:450:50:48

Yes.

0:50:480:50:49

The money can be tiresome.

0:50:490:50:51

If I'm with you, I'll be happy.

0:50:510:50:54

Then, I say yes to you.

0:50:540:50:56

Did you see our announcement in the paper?

0:51:150:51:17

It's good, isn't it?

0:51:170:51:19

Oh, my!

0:51:200:51:22

Oh, let's see. Hm.

0:51:250:51:28

They're from a man named Alistair Digby-Vaine-Trumpington.

0:51:290:51:33

Ah. He attacked me at college. Took all my clothes off me.

0:51:330:51:37

Oh, he sounds fun!

0:51:370:51:39

And he seems to have sent us half the Amazon rain forest.

0:51:390:51:42

Shall we have him at the wedding? He clearly wants to come.

0:51:420:51:46

-Why not?

-I didn't realise you had so many old friends.

0:51:460:51:49

Neither did I.

0:51:490:51:50

Have you chosen one of them to be your best man yet?

0:51:500:51:53

I don't know why, but I haven't heard back from Pottsie.

0:51:530:51:55

Oh darling, you only have four days left to choose a best man.

0:51:550:51:59

Why don't you ask this Digby fella?

0:51:590:52:01

Let me try and find Prendy first.

0:52:010:52:03

Very well. Now, I'm having some dresses brought to the house,

0:52:030:52:06

so I don't want you hanging around.

0:52:060:52:08

Why don't you go out and buy some ties or some towels?

0:52:080:52:12

Oh!

0:52:120:52:13

Also, I was thinking we should have our honeymoon in my home in Corfu.

0:52:130:52:17

Would you like that?

0:52:170:52:18

Sounds lovely, darling.

0:52:180:52:20

It used to belong to a little Frenchman.

0:52:200:52:22

Napoleon.

0:52:220:52:23

Paul! Something rather tiresome's happened.

0:52:510:52:54

You know the girls who were sent down to Rio?

0:52:540:52:56

With my friend Grimes?

0:52:560:52:57

Yes, well, several of them have got stuck in Marseille.

0:52:570:53:01

Something about their passports.

0:53:010:53:03

It's such a bore that this is happening now,

0:53:030:53:05

but I'd really like it fixed before our wedding.

0:53:050:53:08

Before Saturday?

0:53:080:53:09

Would you be an angel and go down there and sort it out?

0:53:090:53:12

It's just a matter of giving the right man several hundred pounds.

0:53:120:53:16

You want me to go now?

0:53:160:53:17

But...we get married in four days.

0:53:170:53:20

Well, yes, but if you fly today,

0:53:200:53:21

you can be there and back with plenty of time.

0:53:210:53:24

I would go myself, but I haven't a minute to spare this week.

0:53:240:53:28

No. Of course.

0:53:280:53:30

Oh, good.

0:53:300:53:32

Jenny!

0:53:320:53:33

I've booked you on the 5pm flight to Marseilles.

0:53:330:53:36

Merci.

0:54:170:54:19

Merci, monsieur. Gardez bien votre chapeau.

0:54:190:54:22

Thank you.

0:54:240:54:25

Give me that back.

0:54:490:54:50

Bonsoir. Je cherche pour Jane Jenkins et Marie Dubois?

0:55:070:55:12

De Latin American Entertainment Company?

0:55:120:55:14

Upstairs.

0:55:140:55:16

I'm so sorry you've had to stay in this awful area.

0:55:210:55:23

Don't worry, ladies, I'm here to help.

0:55:230:55:27

Mr Pennyfeather, you are under arrest

0:55:340:55:36

for aiding and abetting prostitution,

0:55:360:55:38

for slave trading and for passport forgery.

0:55:380:55:40

This is your new home.

0:55:410:55:44

You are going to hate it here SO much.

0:55:440:55:46

Super.

0:55:460:55:47

Oh, how are you? Is it awful here?

0:55:480:55:51

Awful.

0:55:510:55:52

I need to get out of here, too.

0:55:520:55:54

I have to escape.

0:55:540:55:56

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