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-MAN: -..solar panels that we pop over the farm, switch on... | 0:00:39 | 0:00:42 | |
Figures for next year's forecast, sir. | 0:00:42 | 0:00:44 | |
You did not bring biscuits. | 0:00:46 | 0:00:49 | |
There weren't any, sir. | 0:00:49 | 0:00:50 | |
..acquire up to 600 acres across East Anglia... | 0:00:50 | 0:00:52 | |
No biscuits? | 0:00:52 | 0:00:53 | |
..starting with a site in north Essex, | 0:00:53 | 0:00:56 | |
which we received planning permission for on the 4th of May. | 0:00:56 | 0:00:59 | |
51-acre site, 30 megawatts of power per annum and a saving | 0:00:59 | 0:01:02 | |
of 180,000 tonnes of carbon dioxide over the course of a 30-year lease. | 0:01:02 | 0:01:06 | |
For centuries, man has looked for the earth's bounty | 0:01:09 | 0:01:11 | |
below the ground, but now we are on the brink of a new age of clean, | 0:01:11 | 0:01:16 | |
carbon neutral energy production from the sun - and the treasure, | 0:01:16 | 0:01:20 | |
ladies and gentlemen, is very much above our heads. | 0:01:20 | 0:01:25 | |
Now, Church Farm, once these solar panels | 0:01:25 | 0:01:27 | |
start being erected in six weeks' time, | 0:01:27 | 0:01:29 | |
will be the third-largest solar farm in England | 0:01:29 | 0:01:32 | |
and will supply low-cost electricity | 0:01:32 | 0:01:34 | |
to the local town of Danebury. | 0:01:34 | 0:01:37 | |
BIRDSONG | 0:01:38 | 0:01:41 | |
Look at that. Not a cloud in the sky. | 0:01:56 | 0:01:59 | |
Shall we? | 0:02:01 | 0:02:03 | |
Let's. | 0:02:03 | 0:02:04 | |
MUSIC: Detectorists Theme by Johnny Flynn | 0:02:05 | 0:02:08 | |
# Will you search the loamy earth for me? | 0:02:13 | 0:02:18 | |
# Climb through the briar and bramble? | 0:02:18 | 0:02:23 | |
# I'll be your treasure | 0:02:23 | 0:02:27 | |
# I felt the touch of the kings and the breath of the wind | 0:02:33 | 0:02:37 | |
# I knew the call of all the songbirds | 0:02:37 | 0:02:40 | |
# They sang all the wrong words | 0:02:40 | 0:02:45 | |
# I'm waiting for you | 0:02:46 | 0:02:49 | |
# I'm waiting for you... | 0:02:50 | 0:02:54 | |
What do you think that is? | 0:03:05 | 0:03:06 | |
Oh, yeah. | 0:03:08 | 0:03:10 | |
That's a retaining plate | 0:03:10 | 0:03:11 | |
from the back of a mid-20th century socket mount. | 0:03:11 | 0:03:15 | |
Would have had a rod coming off here, | 0:03:15 | 0:03:17 | |
with a loop to attach it to the spring housing. | 0:03:17 | 0:03:20 | |
Brilliant. I can cross that off my wish list. | 0:03:21 | 0:03:24 | |
Don't knock it, mate. That's a piece of history right there. | 0:03:24 | 0:03:27 | |
Small scrap of a life long forgotten. | 0:03:27 | 0:03:30 | |
Yeah, that's easy for you to say, | 0:03:30 | 0:03:31 | |
you've got a piece in the British Museum. | 0:03:31 | 0:03:33 | |
Have I told you about that? | 0:03:33 | 0:03:35 | |
Where do you go from there? What do you aspire to? | 0:03:35 | 0:03:38 | |
Is there a Nobel prize for metal detecting? | 0:03:38 | 0:03:41 | |
There should be. | 0:03:41 | 0:03:42 | |
We're so lucky to have been here. | 0:03:45 | 0:03:47 | |
When you think about how small this island is. | 0:03:47 | 0:03:50 | |
We're walking on archaeology. | 0:03:50 | 0:03:53 | |
There's nowhere we could tread that hasn't been trodden on | 0:03:53 | 0:03:55 | |
a thousand times before by Celts, | 0:03:55 | 0:03:58 | |
the Druids, the Romans... | 0:03:58 | 0:04:00 | |
What have you got? | 0:04:00 | 0:04:01 | |
Scaffold clamp. | 0:04:01 | 0:04:03 | |
..Saxons, the Vikings. | 0:04:04 | 0:04:06 | |
You know, when I look at this landscape, I can read it. | 0:04:06 | 0:04:09 | |
That's the likely site of a settlement. | 0:04:10 | 0:04:13 | |
That's where the workers gathered for their lunch. | 0:04:13 | 0:04:15 | |
That's where someone left some scaffolding. | 0:04:15 | 0:04:17 | |
If you could invite any six people to a dinner party, who would it be? | 0:04:31 | 0:04:36 | |
Anyone from history. Alive or dead. | 0:04:36 | 0:04:39 | |
-Alive, probably. -You know what I mean. | 0:04:39 | 0:04:41 | |
-I know who I wouldn't invite. -Who? | 0:04:41 | 0:04:43 | |
Stephen Fry or Jesus. | 0:04:43 | 0:04:45 | |
-Yeah? -Yeah. They get invited to these | 0:04:45 | 0:04:47 | |
imaginary dinner parties all the time. | 0:04:47 | 0:04:49 | |
Doubt they'd be very good company. | 0:04:49 | 0:04:51 | |
Probably a bit bored and bolshy. | 0:04:51 | 0:04:54 | |
And the Dalai Lama. Bit moody. | 0:04:54 | 0:04:57 | |
I don't know, maybe Kurt Cobain? | 0:04:57 | 0:04:59 | |
Oh, yeah, he'd be a good laugh. | 0:04:59 | 0:05:00 | |
He was known for his sparkling dinner party conversation. | 0:05:00 | 0:05:04 | |
Will there be heroin at this dinner party? | 0:05:04 | 0:05:06 | |
Oh, speaking of which, | 0:05:07 | 0:05:09 | |
I reckon one of Kate's friends is smoking in my flat. | 0:05:09 | 0:05:13 | |
You know, bit of the old, uh... WHISTLES | 0:05:13 | 0:05:15 | |
Go on, say it. | 0:05:15 | 0:05:17 | |
-What? -Wacky baccy. | 0:05:17 | 0:05:18 | |
I wasn't going to say "wacky baccy". | 0:05:18 | 0:05:20 | |
What were you gonna say? | 0:05:20 | 0:05:22 | |
Spliff. | 0:05:22 | 0:05:24 | |
Cool. | 0:05:24 | 0:05:26 | |
Is Kate still in the spare room? | 0:05:26 | 0:05:27 | |
Yeah. Yeah. | 0:05:27 | 0:05:30 | |
Yeah. | 0:05:30 | 0:05:31 | |
You don't mind? | 0:05:31 | 0:05:33 | |
No, no. it's great, you know. | 0:05:33 | 0:05:35 | |
Brings a bit of life to the place. | 0:05:36 | 0:05:38 | |
It's no longer Lance's sad bachelor pad. | 0:05:38 | 0:05:41 | |
All spick and span and tidy. | 0:05:41 | 0:05:43 | |
Now there's people about. | 0:05:44 | 0:05:47 | |
Young people. | 0:05:47 | 0:05:48 | |
Stuff all over the floor. | 0:05:49 | 0:05:51 | |
No, it's great. | 0:05:51 | 0:05:53 | |
I don't even mind the, uh... | 0:05:54 | 0:05:56 | |
-Wacky baccy. -..spliff. | 0:05:56 | 0:05:58 | |
Oh, that's good, that's great. | 0:05:58 | 0:06:00 | |
You ever stay at Toni's? | 0:06:00 | 0:06:01 | |
No, I can't, I get seasick. | 0:06:01 | 0:06:03 | |
Mate, she lives on a barge, a narrow boat. | 0:06:04 | 0:06:07 | |
It's not being tossed upon the open seas. | 0:06:07 | 0:06:09 | |
Well, it makes no difference. | 0:06:09 | 0:06:11 | |
I can feel movement, even when it's imperceptible to others. | 0:06:11 | 0:06:14 | |
I last about ten minutes, | 0:06:15 | 0:06:18 | |
then I start to sweat and heave. | 0:06:18 | 0:06:21 | |
Oh, that's not a good look. | 0:06:22 | 0:06:24 | |
How's it going at the mother-in-law's? | 0:06:25 | 0:06:27 | |
Ah, it's great, it's great. | 0:06:27 | 0:06:30 | |
It's all good. | 0:06:30 | 0:06:32 | |
She's a bit, sometimes, | 0:06:32 | 0:06:34 | |
but she likes me better now that I've got a job. | 0:06:34 | 0:06:37 | |
She adores Stanley, babysits, so, no, it's all good. | 0:06:37 | 0:06:40 | |
You don't miss not having your own space? | 0:06:40 | 0:06:42 | |
I've, uh, I've taking up vaping of an evening. | 0:06:42 | 0:06:46 | |
Just so that I can go stand alone in the garden for ten minutes. | 0:06:46 | 0:06:49 | |
Oh, well, there you go. Ideal. | 0:06:49 | 0:06:53 | |
Yeah. | 0:06:54 | 0:06:55 | |
Yeah. | 0:06:56 | 0:06:58 | |
Hello. | 0:07:23 | 0:07:24 | |
In here. | 0:07:24 | 0:07:26 | |
Make sure you put your things back in the cupboard, | 0:07:31 | 0:07:35 | |
so I don't fall over them again. | 0:07:35 | 0:07:37 | |
Yeah. Doing that now. | 0:07:37 | 0:07:39 | |
Put your boots on the paper. | 0:07:39 | 0:07:41 | |
I just done it, just now. | 0:07:41 | 0:07:43 | |
Don't get snippy with me, I heard that. | 0:07:46 | 0:07:48 | |
I hate being told to do stuff that I've already done, | 0:07:48 | 0:07:50 | |
or I'm actually in the process of doing. | 0:07:50 | 0:07:52 | |
I bet you don't speak to Rebecca like that. | 0:07:53 | 0:07:55 | |
I wouldn't dare. | 0:07:55 | 0:07:57 | |
-Is she here? -Giving Stanley a bath. | 0:07:58 | 0:08:00 | |
Don't go in the lounge, it's all set up for my ladies. | 0:08:00 | 0:08:03 | |
OK. | 0:08:03 | 0:08:04 | |
Where have you been today? | 0:08:04 | 0:08:07 | |
-Metal detecting? -Yep. | 0:08:07 | 0:08:09 | |
Find anything? | 0:08:09 | 0:08:10 | |
BOTH: Nah. | 0:08:10 | 0:08:12 | |
Look who's clean and ready for bed. | 0:08:12 | 0:08:14 | |
Hello, sunshine. Who's reading you a story? | 0:08:14 | 0:08:18 | |
-You. -Yeah? | 0:08:18 | 0:08:20 | |
Oh, before you put Stanley to bed, | 0:08:20 | 0:08:21 | |
can you check on that bathroom mirror? | 0:08:21 | 0:08:23 | |
It's loose, I'm afraid it's going to fall off the wall. | 0:08:23 | 0:08:25 | |
OK. Better go and find my drill. | 0:08:25 | 0:08:27 | |
I might be some time. | 0:08:27 | 0:08:29 | |
-Do you want a glass of wine? -Oh, yes, please. | 0:08:29 | 0:08:31 | |
I'll bring one out. | 0:08:31 | 0:08:33 | |
What story shall we read? Hm? | 0:08:33 | 0:08:35 | |
STANLEY TALKS | 0:08:37 | 0:08:38 | |
BECKY CHUCKLES | 0:09:15 | 0:09:17 | |
Are you missing your shed? | 0:09:18 | 0:09:20 | |
Who was it who said any man who, past the age of 30, finds himself | 0:09:26 | 0:09:30 | |
without a shed can consider himself a failure? | 0:09:30 | 0:09:33 | |
Titchmarsh? | 0:09:33 | 0:09:35 | |
Might have been Titchmarsh, yeah. | 0:09:35 | 0:09:36 | |
We're not gonna be here forever. | 0:09:38 | 0:09:40 | |
Just until we get a deposit together and now that you're working, | 0:09:40 | 0:09:43 | |
that's gonna happen all the sooner. | 0:09:43 | 0:09:45 | |
Hey, don't you start a new dig at work tomorrow? | 0:09:46 | 0:09:48 | |
Yeah. New site near Colchester. | 0:09:48 | 0:09:50 | |
They're putting up an office block and we've got to go | 0:09:50 | 0:09:52 | |
and check out what could be some roman walls. | 0:09:52 | 0:09:54 | |
-That could be exciting. -Oh, yeah, definitely, yeah. | 0:09:54 | 0:09:57 | |
-Yeah? -Oh, absolutely. | 0:09:57 | 0:09:59 | |
A lot of archaeologists think there's a lost Roman settlement | 0:09:59 | 0:10:02 | |
outside Colchester. | 0:10:02 | 0:10:04 | |
There you go, then. Here's to you finding the Essex Herculaneum. | 0:10:04 | 0:10:08 | |
Terry's got two sheds. | 0:10:13 | 0:10:15 | |
You can have one shed. | 0:10:15 | 0:10:16 | |
DOOR OPENS | 0:11:12 | 0:11:13 | |
Morning. | 0:11:13 | 0:11:14 | |
Well, almost. CHUCKLES | 0:11:14 | 0:11:16 | |
-What time is it? -12:45. | 0:11:16 | 0:11:18 | |
Oh, shit. | 0:11:18 | 0:11:20 | |
You have a good night? | 0:11:22 | 0:11:24 | |
Yeah, it was all right. | 0:11:24 | 0:11:26 | |
Where'd you go? | 0:11:28 | 0:11:29 | |
Oh, we had a lock-in, just stayed in the bar once they'd closed up. | 0:11:29 | 0:11:33 | |
You working tonight? | 0:11:34 | 0:11:36 | |
Oh, I've got the night off. | 0:11:36 | 0:11:37 | |
I've invited people round here, actually. | 0:11:37 | 0:11:40 | |
-That's all right, isn't it? -Yep. | 0:11:40 | 0:11:42 | |
-You want some cheese on toast? -Oh, yes, please. | 0:11:45 | 0:11:47 | |
Actually, uh, love, um... | 0:11:55 | 0:11:57 | |
..Mrs Morris was asking whether you could keep the noise down | 0:11:59 | 0:12:03 | |
when you ask friends back here late at night, cos, uh... | 0:12:03 | 0:12:06 | |
Honestly, Dad, I couldn't make any less noise if I tried. | 0:12:06 | 0:12:10 | |
This place is so deathly quiet at night, the tiniest noise, | 0:12:10 | 0:12:12 | |
like, echoes around the town. | 0:12:12 | 0:12:14 | |
-I know, but she's old. -I dropped my keys. | 0:12:14 | 0:12:16 | |
That's what it was, I dropped my keys and I swear to God, | 0:12:16 | 0:12:18 | |
I saw five lights come on up up the road. | 0:12:18 | 0:12:20 | |
People coming to their windows. | 0:12:20 | 0:12:21 | |
Well, that... | 0:12:21 | 0:12:23 | |
That's Danebury for you. | 0:12:24 | 0:12:26 | |
Oh, and, um, Kate, | 0:12:30 | 0:12:33 | |
you-you know the cheese? | 0:12:33 | 0:12:34 | |
-The what? -You know the cheese, | 0:12:34 | 0:12:36 | |
if you cut a corner off it, it makes it harder to sli... | 0:12:36 | 0:12:39 | |
It doesn't matter. | 0:12:39 | 0:12:40 | |
-Sorry, what? -Doesn't matter, it's just...the cheese. | 0:12:40 | 0:12:43 | |
Stick your hat on, mate, you'll get me fined. | 0:13:06 | 0:13:08 | |
No, I know. But rules are rules. | 0:13:12 | 0:13:15 | |
You find anything, no? | 0:13:16 | 0:13:18 | |
I don't know, mate, this is promising stuff. | 0:13:18 | 0:13:20 | |
I mean, this definitely looks like a Roman building, | 0:13:20 | 0:13:22 | |
there's bits of of this around. | 0:13:22 | 0:13:24 | |
This is obviously the exterior of the wall, | 0:13:24 | 0:13:26 | |
so the rest of the building would have been in this area. | 0:13:26 | 0:13:28 | |
I was going to suggest a trench parallel with the wall | 0:13:28 | 0:13:31 | |
and then maybe one in this direction. | 0:13:31 | 0:13:32 | |
Yeah, I was thinking more... | 0:13:32 | 0:13:34 | |
over there. | 0:13:34 | 0:13:36 | |
Over there? | 0:13:36 | 0:13:38 | |
Yeah, around there, that area. | 0:13:38 | 0:13:40 | |
-Why there? -See what's there. | 0:13:40 | 0:13:42 | |
Under there. | 0:13:43 | 0:13:45 | |
You mean, as opposed to over here? | 0:13:45 | 0:13:47 | |
Yeah. Yeah, yes. | 0:13:47 | 0:13:49 | |
It's just that I thought we were more likely to find... | 0:13:51 | 0:13:53 | |
But that's not far from here, is it? It's just there. | 0:13:53 | 0:13:56 | |
Yeah, I suppose. | 0:13:57 | 0:13:59 | |
Yeah, I suppose. | 0:13:59 | 0:14:01 | |
Well, we'll mark it out. | 0:14:02 | 0:14:04 | |
And I don't think we need to dig too deep. | 0:14:04 | 0:14:06 | |
All right if I have a quick sweep of this area with my metal detector? | 0:14:07 | 0:14:10 | |
Huh? | 0:14:10 | 0:14:11 | |
You've got a metal detector? | 0:14:14 | 0:14:15 | |
Yeah, yeah. | 0:14:15 | 0:14:16 | |
What for? | 0:14:16 | 0:14:18 | |
-It's a useful tool. -Well, I don't think you should be | 0:14:18 | 0:14:20 | |
using a metal detector without permission. | 0:14:20 | 0:14:22 | |
-No, but I'm asking permission. -No, I know. | 0:14:22 | 0:14:24 | |
I'm saying I don't think the construction company | 0:14:24 | 0:14:26 | |
will like you using a metal detector. | 0:14:26 | 0:14:28 | |
Could you ask? | 0:14:28 | 0:14:30 | |
Eh...yes. | 0:14:32 | 0:14:34 | |
But don't hold your breath. | 0:14:35 | 0:14:37 | |
And keep your hat on, mate. | 0:14:37 | 0:14:39 | |
Health and safety. | 0:14:41 | 0:14:43 | |
Well, I can tell by the very healthy state of the finds table | 0:14:50 | 0:14:54 | |
that last week's wet weather has really helped your detecting. | 0:14:54 | 0:14:57 | |
The ground at the beginning of the month was so parched and cracked, | 0:14:57 | 0:15:01 | |
but a couple of good days of rain and those cracks become moist. | 0:15:01 | 0:15:07 | |
Which, of course, makes it easier for you to get your tool in. | 0:15:08 | 0:15:12 | |
GIGGLING | 0:15:12 | 0:15:13 | |
And what else do moister conditions mean, Hugh? | 0:15:13 | 0:15:16 | |
Er, deeper penetration. | 0:15:16 | 0:15:18 | |
-STIFLED LAUGHTER -Deeper penetration, that's right. | 0:15:18 | 0:15:21 | |
SQUEAKING | 0:15:21 | 0:15:22 | |
As much as six inches, in some cases. | 0:15:22 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
Sorry, what's funny? | 0:15:27 | 0:15:28 | |
-STIFLING LAUGH -Nothing. | 0:15:28 | 0:15:30 | |
Louise? | 0:15:30 | 0:15:31 | |
INHALES SHARPLY Nothing. Nothing. | 0:15:31 | 0:15:34 | |
Sorry, sorry, Terry, I wasn't really concentrating. | 0:15:34 | 0:15:38 | |
What do, er, what do moister conditions mean? | 0:15:38 | 0:15:40 | |
Deeper penetration. | 0:15:40 | 0:15:43 | |
-LAUGHTER HIGH PITCHED: -That's right. | 0:15:43 | 0:15:45 | |
Oh I see. Yeah, you're being smutty, aren't you? | 0:15:45 | 0:15:48 | |
Cover your ears, Sheila, | 0:15:48 | 0:15:50 | |
-you shouldn't have to listen to this filth. -Sorry, Sheila. | 0:15:50 | 0:15:52 | |
I don't mind. | 0:15:52 | 0:15:54 | |
-Luckily, young Hugh doesn't get it. -Get what? | 0:15:54 | 0:15:57 | |
He's nearly 35. | 0:15:57 | 0:15:58 | |
Yeah, well, look, smutty innuendo aside, | 0:15:58 | 0:16:01 | |
as I say, some very choice finds on the finds table. | 0:16:01 | 0:16:06 | |
Whose are the crotal bells? | 0:16:07 | 0:16:09 | |
-HIGH PITCHED: -Those are mine. | 0:16:09 | 0:16:10 | |
-Lovely pair. -CLINKING | 0:16:10 | 0:16:12 | |
-Thank you. -Two very nice Victorian coins here, | 0:16:12 | 0:16:15 | |
whose are these? | 0:16:15 | 0:16:16 | |
They're mine. My first hoard. | 0:16:16 | 0:16:19 | |
Well, I'm not sure we can call that a hoard, Hugh. | 0:16:19 | 0:16:23 | |
Purse spill, maybe. | 0:16:23 | 0:16:25 | |
Were they in the same hole? | 0:16:26 | 0:16:27 | |
Close. | 0:16:27 | 0:16:28 | |
How close? | 0:16:28 | 0:16:30 | |
50 yards. | 0:16:30 | 0:16:31 | |
They were in a straight line. | 0:16:31 | 0:16:34 | |
But there are only two of them. | 0:16:34 | 0:16:35 | |
Any two points on Earth are in a straight line. | 0:16:35 | 0:16:37 | |
Oh, now, | 0:16:37 | 0:16:39 | |
I believe we have got some jewellery retrieval service news. Russ? | 0:16:39 | 0:16:44 | |
Indeed. | 0:16:44 | 0:16:45 | |
You'll recall how Hugh, here, found an interesting badge | 0:16:45 | 0:16:49 | |
that turned out to be an identification tag | 0:16:49 | 0:16:51 | |
from Her Majesty's Prison, Chelmsford. | 0:16:51 | 0:16:53 | |
Well, after some research, we were able to match | 0:16:53 | 0:16:57 | |
the prisoner number to a Mr Oliver Meeker, | 0:16:57 | 0:17:01 | |
who sadly passed away in 1993 - | 0:17:01 | 0:17:05 | |
but we also were able to trace his widow, who is still alive | 0:17:05 | 0:17:11 | |
and she's living in Ipswich | 0:17:11 | 0:17:13 | |
and so we were able to return the badge to her. | 0:17:13 | 0:17:17 | |
-How did that work out? -It was a complete surprise. | 0:17:19 | 0:17:22 | |
She had absolutely no idea that her husband had even been to prison. | 0:17:22 | 0:17:27 | |
She thought he'd been working away in Colombia for 18 months. | 0:17:27 | 0:17:32 | |
In the hotel industry. | 0:17:32 | 0:17:34 | |
She was very emotional. | 0:17:35 | 0:17:37 | |
Quite tearful. | 0:17:37 | 0:17:38 | |
Do you know why he went to prison? | 0:17:38 | 0:17:40 | |
Yes. | 0:17:40 | 0:17:41 | |
He'd, um... | 0:17:42 | 0:17:44 | |
He'd... I'd rather not talk about it, because it's not nice. | 0:17:50 | 0:17:53 | |
Oh, you're joking - look at this. | 0:17:55 | 0:17:57 | |
Gah, another solar farm. | 0:17:57 | 0:17:59 | |
Won't be any land left to detect on soon. | 0:17:59 | 0:18:02 | |
Well, it's clean, sustainable energy, Louise. | 0:18:02 | 0:18:04 | |
You've got to move with the times, embrace the change. | 0:18:04 | 0:18:07 | |
Don't they fry birds? | 0:18:07 | 0:18:09 | |
Fry them? | 0:18:09 | 0:18:10 | |
Yeah, fry them out of the sky. | 0:18:10 | 0:18:12 | |
You know, is that done with solar beams? | 0:18:12 | 0:18:15 | |
No, the solar panels absorb the sunlight, Hugh. | 0:18:15 | 0:18:19 | |
They don't reflect it back in concentred death rays. | 0:18:19 | 0:18:23 | |
Don't they confuse bees? | 0:18:23 | 0:18:26 | |
A confused bee's better than no bee at all, Sheila. | 0:18:26 | 0:18:29 | |
ANDY: They help the bees, cos they plant wildflowers in between the solar panels. | 0:18:29 | 0:18:32 | |
-Ah. -LANCE: Where's this one going, then? | 0:18:32 | 0:18:34 | |
Uh, it's, um... Hang on a sec. | 0:18:34 | 0:18:37 | |
Du-du-du-du-der, | 0:18:39 | 0:18:41 | |
"third-largest solar farm", yada yada yada yada, | 0:18:41 | 0:18:45 | |
uh, "13 megawatts"... No, no, no, where is it? | 0:18:45 | 0:18:48 | |
Ah, here we are. | 0:18:48 | 0:18:50 | |
"Due to start construction in six weeks at..." | 0:18:50 | 0:18:55 | |
-TERRY: -Look who I found. | 0:19:00 | 0:19:02 | |
Toni's here. | 0:19:02 | 0:19:03 | |
-Hi, love. -Hello, you. | 0:19:04 | 0:19:06 | |
Cider, Numbers, Numbers | 0:19:06 | 0:19:11 | |
and an Aperol spritz for my good lady wife. | 0:19:11 | 0:19:14 | |
Oh, hee-hee. | 0:19:14 | 0:19:16 | |
-Thanks, Terry. -Thanks Terry. | 0:19:16 | 0:19:18 | |
-Cheers, Terpa. -Cheers. | 0:19:18 | 0:19:19 | |
Hang on, has something happened? | 0:19:23 | 0:19:26 | |
Just found out we've lost the farm. | 0:19:26 | 0:19:28 | |
Oh, no. You've been there for years, haven't you? | 0:19:28 | 0:19:30 | |
-Five. -Well, exactly. | 0:19:30 | 0:19:33 | |
I mean, you've searched the place out. | 0:19:33 | 0:19:34 | |
You said yourself you've got to accept change. Time to move on. | 0:19:34 | 0:19:38 | |
No such thing as searched out, Terry, there's always more. | 0:19:38 | 0:19:40 | |
I've always thought there's something good there, something significant. | 0:19:40 | 0:19:43 | |
Well, I thought this was the year we were gonna find it. | 0:19:43 | 0:19:46 | |
How long are the solar panels going to be there? | 0:19:47 | 0:19:50 | |
Says the lease is 30 years. | 0:19:50 | 0:19:53 | |
And how old are you now? | 0:19:54 | 0:19:55 | |
48. | 0:19:56 | 0:19:58 | |
You'll find a new permission. | 0:20:01 | 0:20:03 | |
I don't know, love, it's getting harder and harder. | 0:20:03 | 0:20:06 | |
Oh. Oh, well. | 0:20:06 | 0:20:09 | |
Let's all take off our gloomy trousers | 0:20:10 | 0:20:12 | |
and talk about something else. | 0:20:12 | 0:20:14 | |
-Good idea, love. -Yeah. | 0:20:14 | 0:20:16 | |
Change of subject. | 0:20:16 | 0:20:17 | |
Ooh, I heard your Kate dropped her keys the other night? | 0:20:23 | 0:20:28 | |
Mm. | 0:20:28 | 0:20:29 | |
How do you know that? | 0:20:29 | 0:20:31 | |
Who told us that Kate dropped her keys? | 0:20:31 | 0:20:34 | |
Was it Miriam in the pet shop? | 0:20:34 | 0:20:36 | |
Miriam heard from one of the mums at Clown Land. | 0:20:36 | 0:20:39 | |
-Did she find them? -I don't think she lost 'em. | 0:20:39 | 0:20:41 | |
-She just dropped them? -I think so. | 0:20:41 | 0:20:43 | |
I'll have to tell Miriam. | 0:20:43 | 0:20:45 | |
If you could. | 0:20:45 | 0:20:47 | |
It might be a good thing. | 0:20:57 | 0:20:58 | |
You can spend more time with me, or start writing songs again. | 0:20:58 | 0:21:02 | |
Mm. | 0:21:02 | 0:21:03 | |
When you gonna play me something on your mandolin? | 0:21:03 | 0:21:06 | |
Er...I'm not that great. | 0:21:06 | 0:21:08 | |
That wasn't the question. | 0:21:08 | 0:21:09 | |
Ah, I don't know. | 0:21:09 | 0:21:11 | |
Tonight? | 0:21:12 | 0:21:14 | |
-Ah. -Kate's there? | 0:21:15 | 0:21:16 | |
She's got some friends staying. | 0:21:17 | 0:21:19 | |
I don't mind. | 0:21:19 | 0:21:20 | |
The place isn't really my own at the moment. | 0:21:20 | 0:21:23 | |
Well, can't you bring your mandolin over to mine? | 0:21:23 | 0:21:25 | |
I stopped off at the chemist and got these. | 0:21:27 | 0:21:30 | |
-Um... -Seasickness pills. | 0:21:31 | 0:21:33 | |
It's just they don't agree with me. | 0:21:33 | 0:21:34 | |
"Yes, we do." | 0:21:34 | 0:21:36 | |
I've had 'em before and they make me hallucinate. | 0:21:37 | 0:21:39 | |
-That sounds fun. -Then I get the runs. | 0:21:39 | 0:21:41 | |
Oh. | 0:21:41 | 0:21:42 | |
Look. Look, I'll talk to Kate | 0:21:42 | 0:21:47 | |
and I'll sort it out. | 0:21:47 | 0:21:48 | |
I'm sorry. I promise. | 0:21:48 | 0:21:50 | |
OK. Well, then, I'll see you tomorrow. | 0:21:50 | 0:21:53 | |
All right. Sorry. | 0:21:53 | 0:21:55 | |
It's all right. | 0:21:55 | 0:21:56 | |
Sorry. | 0:22:01 | 0:22:03 | |
I'm living in a squat. | 0:22:24 | 0:22:26 | |
Did you say something? | 0:22:29 | 0:22:31 | |
I said, I live in a squat. There's shit everywhere. | 0:22:31 | 0:22:34 | |
Towels on the floor, piles of clothes, dirty mugs and plates. | 0:22:35 | 0:22:39 | |
Spillages. | 0:22:39 | 0:22:40 | |
What's brought this on? | 0:22:40 | 0:22:42 | |
Toni won't stay while Kate's there. | 0:22:43 | 0:22:46 | |
And I'm worried she's gonna leave me if I don't sort it out soon. | 0:22:46 | 0:22:50 | |
Place isn't mine anymore. I want it all spick and span again. | 0:22:50 | 0:22:53 | |
You should say something to Kate if she's staying there rent free. | 0:22:53 | 0:22:57 | |
Yeah, I know. | 0:22:57 | 0:22:58 | |
I'm worried if I say anything, she's gonna up and leave again. | 0:22:58 | 0:23:02 | |
I'm walking on egg shells. | 0:23:02 | 0:23:04 | |
Literally. There was egg shells all over the kitchen floor last week. | 0:23:04 | 0:23:09 | |
If it's any consolation, I hate my job. | 0:23:09 | 0:23:11 | |
Thought you loved your job? | 0:23:12 | 0:23:13 | |
It's bullshit. I don't know what's going on there. | 0:23:13 | 0:23:16 | |
The site manager doesn't know what he's doing. | 0:23:16 | 0:23:18 | |
He's dead behind the eyes. | 0:23:18 | 0:23:20 | |
I thought you had to be passionate to be an archaeologist, you know? | 0:23:20 | 0:23:22 | |
It's not something you can just fall into reluctantly. | 0:23:22 | 0:23:25 | |
Don't know what I'd do without this place to escape to. | 0:23:25 | 0:23:28 | |
Haven't even got a shed. | 0:23:28 | 0:23:30 | |
-Call it a day? -Go on, then. | 0:23:31 | 0:23:33 | |
Switching off detectors in five... | 0:23:33 | 0:23:35 | |
-BOTH: -..four, three, two... | 0:23:35 | 0:23:38 | |
-INTERMITTENT BLEEPS -Hang on. | 0:23:38 | 0:23:39 | |
BLEEPING CONTINUES | 0:23:39 | 0:23:41 | |
-What you got? -Jumping around between 50 and 80. | 0:23:41 | 0:23:45 | |
Probably just a shotty. | 0:23:46 | 0:23:48 | |
Bloody hell. Look at that. | 0:23:51 | 0:23:54 | |
It's a whistle. | 0:23:55 | 0:23:56 | |
That is lovely. | 0:23:56 | 0:23:58 | |
Good job, mate. | 0:23:59 | 0:24:01 | |
What's that? Military? | 0:24:01 | 0:24:02 | |
Nah, that's a hawking whistle. | 0:24:02 | 0:24:05 | |
A falconer would have used that, call his bird back. | 0:24:05 | 0:24:07 | |
SIGHS | 0:24:07 | 0:24:08 | |
Does it work? | 0:24:08 | 0:24:10 | |
It's full of dirt, hang on. | 0:24:10 | 0:24:12 | |
Go on. | 0:24:22 | 0:24:23 | |
HIGH-PITCHED WHISTLE | 0:24:26 | 0:24:29 | |
ECHOES, WIND WHISTLES | 0:24:29 | 0:24:31 | |
Pub? | 0:24:39 | 0:24:40 | |
Go on, then. | 0:24:41 | 0:24:42 | |
GENTLE BIRDSONG | 0:24:45 | 0:24:47 | |
WHISTLE ECHOES | 0:24:53 | 0:24:55 | |
SHORT WHISTLE, ECHOES | 0:25:08 | 0:25:10 | |
LONG WHISTLE | 0:25:10 | 0:25:12 | |
WHISTLE ECHOES | 0:25:12 | 0:25:14 | |
# One's for sorrow | 0:25:14 | 0:25:17 | |
# Two's for joy | 0:25:17 | 0:25:21 | |
# Three's for a girl and four's for a boy | 0:25:22 | 0:25:29 | |
# Five's for silver Six for gold | 0:25:30 | 0:25:36 | |
# Seven's for a secret | 0:25:37 | 0:25:40 | |
# Never told | 0:25:40 | 0:25:44 | |
-# Devil, Devil -BIRD CALLS | 0:25:45 | 0:25:47 | |
# I defy thee | 0:25:47 | 0:25:53 | |
# Devil, Devil, I defy thee | 0:25:53 | 0:26:00 | |
# Devil, Devil | 0:26:00 | 0:26:02 | |
# I defy thee | 0:26:02 | 0:26:08 | |
# Oh, the magpie brings us tidings | 0:26:10 | 0:26:13 | |
# Of news both fair and foul | 0:26:13 | 0:26:18 | |
# She's more cunning than the raven | 0:26:18 | 0:26:22 | |
# More wise than any owl | 0:26:22 | 0:26:25 | |
# Though she brings us news of the harvest | 0:26:27 | 0:26:30 | |
# Of the barley, wheat and corn | 0:26:30 | 0:26:33 | |
# And she knows when we'll go to our graves | 0:26:33 | 0:26:36 | |
# And how we shall be born | 0:26:36 | 0:26:41 | |
# One's for sorrow | 0:26:42 | 0:26:45 | |
# Two's for joy | 0:26:45 | 0:26:49 | |
# Three's for a girl and four's for a boy | 0:26:49 | 0:26:56 | |
# Five's for silver Six for gold | 0:26:56 | 0:27:03 | |
# Seven's for a secret | 0:27:03 | 0:27:05 | |
# Never told. # | 0:27:05 | 0:27:11 | |
Subtitles by Ericsson | 0:27:32 | 0:27:35 |