Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Why do you think it's a bomb? | 0:00:03 | 0:00:05 | |
I didn't say it was a bomb, MacDuff. I said it was a suspicious package. | 0:00:05 | 0:00:09 | |
Well, call the bomb squad. That's what they do. They defuse bombs. | 0:00:09 | 0:00:12 | |
If it's a bomb, we should call the bomb squad. | 0:00:12 | 0:00:14 | |
I think it may have been the local bomb squad who sent it to me. | 0:00:14 | 0:00:16 | |
Accidentally kill a man's wife and there's a 30% chance he'll be forever grateful. | 0:00:16 | 0:00:19 | |
Accidentally combust a man's sniffer dog and he'll never forgive you. | 0:00:19 | 0:00:22 | |
PHONE RINGS | 0:00:22 | 0:00:24 | |
You'd like me to get that, would you? | 0:00:27 | 0:00:29 | |
Hello? | 0:00:32 | 0:00:34 | |
It's Mr Edwards. He says he thinks someone's trying to kill him. | 0:00:34 | 0:00:38 | |
Tell Mr Edwards we'll be with him shortly. | 0:00:38 | 0:00:40 | |
He says you said we'd be with him shortly over 24 hours ago. | 0:00:42 | 0:00:45 | |
Tell him this time I mean it. | 0:00:45 | 0:00:47 | |
Mr Edwards... Yes, no. I... Mm-hm. Yes. | 0:00:49 | 0:00:52 | |
No, it's just we think someone might be trying to kill us as well. | 0:00:52 | 0:00:56 | |
We will be with you as soon as we can, OK? | 0:00:56 | 0:00:59 | |
What is it? | 0:01:05 | 0:01:08 | |
Why is someone sending you a Valentine's card in April? | 0:01:36 | 0:01:40 | |
The question is, who is sending me a Valentine's Day card in April, | 0:01:40 | 0:01:43 | |
and what are the series of interconnected events that have led | 0:01:43 | 0:01:46 | |
this woman to fall completely and hopelessly in love with me? | 0:01:46 | 0:01:50 | |
Let's go. | 0:02:00 | 0:02:03 | |
Hello? | 0:02:25 | 0:02:26 | |
Mr Edwards? | 0:02:30 | 0:02:33 | |
Mr Edwards! | 0:02:33 | 0:02:36 | |
What if someone really was trying to kill him? | 0:02:36 | 0:02:39 | |
Mr Edwards! | 0:02:39 | 0:02:40 | |
He seemed pretty convinced. | 0:02:40 | 0:02:42 | |
Impossible. | 0:02:42 | 0:02:43 | |
How can you be so sure? | 0:02:43 | 0:02:45 | |
The circumstances of my first meeting him | 0:02:45 | 0:02:47 | |
lead me to believe that he is a paranoid conspiracy theorist. | 0:02:47 | 0:02:50 | |
-Are you following me? -Yes. | 0:02:50 | 0:02:53 | |
I explained to Mr Edwards that I was using a technique known as Zen navigation. | 0:02:53 | 0:02:57 | |
There's a school of thought that says when hopelessly lost, you should consult a map. | 0:02:57 | 0:03:01 | |
My own strategy is to find someone who looks like they know where they're going and follow them. | 0:03:01 | 0:03:06 | |
I rarely end up where I was intending to go but I often end up somewhere I needed to be. | 0:03:06 | 0:03:10 | |
Wow, that's bollocks. | 0:03:10 | 0:03:13 | |
It clearly works, MacDuff. | 0:03:13 | 0:03:15 | |
The perilous state of our company's finances suggested that | 0:03:15 | 0:03:18 | |
we were in dire need of a client, | 0:03:18 | 0:03:19 | |
while Mr Edwards was in dire need of a private detective. | 0:03:19 | 0:03:22 | |
He hired us, believing the Pentagon have him under surveillance. | 0:03:22 | 0:03:26 | |
Why would they have him under surveillance? | 0:03:26 | 0:03:28 | |
They are the default setting of all conspiracy theorists. | 0:03:28 | 0:03:31 | |
It is a case of the grown man who cried "Pentagon". | 0:03:31 | 0:03:33 | |
It seems his paranoia has now escalated into the deluded belief | 0:03:33 | 0:03:36 | |
that somebody is trying to kill him, | 0:03:36 | 0:03:38 | |
when, in fact, he has less chance of being murdered than you or I. | 0:03:38 | 0:03:41 | |
Oh, Jesus. | 0:03:46 | 0:03:48 | |
Oh, I feel sick. | 0:03:48 | 0:03:50 | |
Something's wrong. | 0:03:50 | 0:03:52 | |
Of course something's wrong, Dirk. He's dead. | 0:03:52 | 0:03:55 | |
Someone really was trying to kill him. | 0:03:55 | 0:03:57 | |
What if he really was under surveillance? | 0:03:57 | 0:03:59 | |
What if the Pentagon murdered him? | 0:03:59 | 0:04:01 | |
Tortured him and then murdered him? | 0:04:01 | 0:04:03 | |
In my experience, the people who believe they are going to be murdered by the Pentagon, | 0:04:03 | 0:04:07 | |
are invariably NOT the people who get murdered by the Pentagon. | 0:04:07 | 0:04:10 | |
He really was a conspiracy theorist. | 0:04:10 | 0:04:13 | |
I'm a bit freaked out. Are you freaking out? | 0:04:18 | 0:04:20 | |
Robbing a dead man. That is cheap, even for you. | 0:04:23 | 0:04:27 | |
If the police find my business card in his wallet, | 0:04:27 | 0:04:30 | |
they will no doubt hold me for questioning. | 0:04:30 | 0:04:32 | |
Solving this case while languishing in a police cell is beyond even my investigative abilities. | 0:04:32 | 0:04:38 | |
Of course, there is the small matter of some unpaid expenses. | 0:04:38 | 0:04:42 | |
When the police are finished with their fingerprint powder, forensics, and general bungling, | 0:04:46 | 0:04:50 | |
our investigation into the interconnected web of events | 0:04:50 | 0:04:54 | |
surrounding Mr Edwards' murder can begin in earnest. | 0:04:54 | 0:04:56 | |
Until then, we must flee the scene. Very quickly. | 0:04:56 | 0:05:00 | |
WOMAN: Wait! | 0:05:28 | 0:05:29 | |
ALARM BEEPS | 0:05:29 | 0:05:31 | |
He might be useful to us. If he's not, then we'll kill him. | 0:05:31 | 0:05:35 | |
ALARM BEEPS | 0:05:35 | 0:05:37 | |
MacDuff! | 0:06:39 | 0:06:43 | |
MACDUFF! | 0:06:43 | 0:06:45 | |
After three days, it seems the police are finally finished | 0:06:45 | 0:06:48 | |
with their fingerprint powder, forensics and general bungling. | 0:06:48 | 0:06:50 | |
We are back on the case. | 0:06:50 | 0:06:52 | |
In case you'd forgotten, Dirk, our client is dead, | 0:06:52 | 0:06:55 | |
the agency is broke. | 0:06:55 | 0:06:57 | |
We are trying to run a business. | 0:06:57 | 0:06:59 | |
At least I am. | 0:06:59 | 0:07:01 | |
Who's paying us to investigate this case? | 0:07:01 | 0:07:03 | |
The substantial reward offered for the apprehension of the killer | 0:07:03 | 0:07:05 | |
will offer more than adequate compensation for our time. | 0:07:05 | 0:07:08 | |
It's not just about the reward, though, is it? | 0:07:08 | 0:07:11 | |
You can't bear to be wrong. | 0:07:11 | 0:07:13 | |
Princess is feeling a little delicate this morning. | 0:07:16 | 0:07:19 | |
We must coax her back into life. | 0:07:19 | 0:07:21 | |
Hello. | 0:08:00 | 0:08:01 | |
Mrs Edwards, I presume. | 0:08:02 | 0:08:04 | |
My name is Dirk Gently. | 0:08:04 | 0:08:06 | |
Your husband hired me. This is Richard MacDuff, my assistant. | 0:08:09 | 0:08:11 | |
Partner, and co-owner of the company. HE MOUTHS | 0:08:11 | 0:08:14 | |
Why did he throw a flowerpot through my door? | 0:08:16 | 0:08:19 | |
Because I'm investigating your husband's murder, and there's no time to spare | 0:08:19 | 0:08:22 | |
in our quest to learn the truth and identify the killer. | 0:08:22 | 0:08:25 | |
Perhaps we can continue this conversation over a nice cup of tea. | 0:08:25 | 0:08:30 | |
I'm very sorry about your husband. | 0:08:34 | 0:08:36 | |
I can't actually believe he's dead. | 0:08:39 | 0:08:41 | |
I keep expecting him to walk through the door. | 0:08:43 | 0:08:47 | |
Thank you. | 0:08:54 | 0:08:56 | |
The police seem to have moved everything around. | 0:08:56 | 0:08:58 | |
In my experience, the police have very little respect for other people's property. | 0:08:58 | 0:09:02 | |
Did you know that your husband believed that the Pentagon | 0:09:02 | 0:09:05 | |
had him under surveillance? | 0:09:05 | 0:09:07 | |
Do you think it had something to do with his work? | 0:09:07 | 0:09:09 | |
By his work, you mean specifically...? | 0:09:09 | 0:09:11 | |
The computer software he was developing. | 0:09:11 | 0:09:13 | |
I am almost certain that you are absolutely right. | 0:09:13 | 0:09:16 | |
HE MOUTHS | 0:09:18 | 0:09:19 | |
Tea. Excellent. Thank you. | 0:09:26 | 0:09:29 | |
-The police seem to be getting nowhere. -Unfortunately, that is to be expected. | 0:09:29 | 0:09:32 | |
Did my husband trust you, Mr Gently? | 0:09:32 | 0:09:35 | |
With his life. | 0:09:35 | 0:09:37 | |
Would you be prepared to continue your investigation? | 0:09:37 | 0:09:41 | |
What was my husband paying you? | 0:09:41 | 0:09:43 | |
Fi...six, seven, seven £700 per day, plus all reasonable expenses. | 0:09:43 | 0:09:48 | |
Rest assured, Mrs Edwards, the web of interconnected events | 0:09:48 | 0:09:52 | |
will undoubtedly lead us to your husband's killer. | 0:09:52 | 0:09:55 | |
David was a very paranoid man. | 0:09:55 | 0:09:57 | |
Wherever the software prototype is, he would have hidden it well. | 0:09:57 | 0:10:01 | |
If you can find it, we might discover why he was murdered. | 0:10:01 | 0:10:04 | |
-We are of the same mind. -Me too. I think it's... -Thank you, MacDuff. | 0:10:04 | 0:10:08 | |
I don't want to be seen to be undermining the police. | 0:10:08 | 0:10:10 | |
Can you be discreet, Mr Gently? | 0:10:10 | 0:10:13 | |
I stake my reputation on it. | 0:10:13 | 0:10:15 | |
In fact, I have been known to be so discreet that | 0:10:15 | 0:10:18 | |
even my clients doubt I'm working on their case. | 0:10:18 | 0:10:21 | |
Think it's possible for us to visit a crime scene without you treating it like a one-man buffet? | 0:10:25 | 0:10:31 | |
I believe Mr Edwards' days of requiring a mint to suck on are well and truly behind him. | 0:10:31 | 0:10:37 | |
I'm convinced the answer to the case lies somewhere on the wall. | 0:10:45 | 0:10:50 | |
As ever, we are to trust in chance, randomness and chaos to solve the case. | 0:10:51 | 0:10:55 | |
Wherever the dart lands in this wall, | 0:10:55 | 0:10:57 | |
will form the starting point of our investigation. | 0:10:57 | 0:11:00 | |
It sometimes takes several attempts to achieve total randomness. | 0:11:02 | 0:11:06 | |
The accounts are a mess. | 0:11:06 | 0:11:08 | |
That would explain why Mr Edwards' cheque bounced like a proverbial rubber ball on a trampoline. | 0:11:08 | 0:11:13 | |
Why would anyone want to invade Switzerland? | 0:11:13 | 0:11:16 | |
You'd need a pretty good reason. | 0:11:16 | 0:11:18 | |
-This isn't the work of a mad conspiracy theorist. -Isn't it? | 0:11:39 | 0:11:44 | |
It's the basis of the computer software Mr Edwards was working on. | 0:11:44 | 0:11:47 | |
It's genius. | 0:11:47 | 0:11:49 | |
-Is it? -Most computer programs help you arrive at decisions by ordering | 0:11:49 | 0:11:54 | |
and analysing all the relevant facts | 0:11:54 | 0:11:56 | |
so that they then point naturally towards the right decision. | 0:11:56 | 0:11:59 | |
But what if the decision which all the relevant properly organised | 0:11:59 | 0:12:03 | |
and analysed facts point to is not necessarily the one you want? | 0:12:03 | 0:12:07 | |
Then the one you want's probably wrong. | 0:12:07 | 0:12:09 | |
Since when did anyone care whether a decision was right or wrong? | 0:12:09 | 0:12:14 | |
Mr Edwards knew that so he developed a piece of software that allowed you | 0:12:14 | 0:12:19 | |
to specify in advance the decision you wish to reach | 0:12:19 | 0:12:23 | |
The program's task was then to construct an irrefutable set of | 0:12:23 | 0:12:27 | |
logical-sounding steps to link the premise with the conclusion. | 0:12:27 | 0:12:31 | |
It justifies the unjustifiable. | 0:12:31 | 0:12:33 | |
Don't you see, MacDuff? | 0:12:33 | 0:12:35 | |
If this software were to fall into the wrong hands, | 0:12:35 | 0:12:38 | |
then no people or nation would be safe from tyranny. | 0:12:38 | 0:12:41 | |
Not even the Swiss! | 0:12:41 | 0:12:43 | |
The very existence of the free world is at stake. | 0:12:45 | 0:12:48 | |
From a computer program? | 0:12:48 | 0:12:50 | |
Come on, Dirk, that's a stretch, even for you. | 0:12:50 | 0:12:53 | |
The software that came up with the WMD justification has been totally discredited. | 0:12:53 | 0:12:57 | |
That was a computer program? | 0:12:57 | 0:12:59 | |
Of course it was! What world are you living in, MacDuff? | 0:12:59 | 0:13:02 | |
A different one to you, obviously. | 0:13:02 | 0:13:03 | |
The Pentagon are clearly looking to upgrade their software. | 0:13:03 | 0:13:06 | |
Renew subscription to Playboy, send software prototype, | 0:13:06 | 0:13:10 | |
So your plan to save the free world relies on the murderer shading a notepad? | 0:13:10 | 0:13:17 | |
There is no doubt the murderer will return looking for the software. | 0:13:17 | 0:13:20 | |
All they will find on Mr Edwards' desk... | 0:13:20 | 0:13:23 | |
..is this notepad. | 0:13:29 | 0:13:31 | |
When faced with a blank piece of paper, the only option left to them will be to shade it. | 0:13:31 | 0:13:34 | |
And then they'll come looking for you, and me. | 0:13:34 | 0:13:37 | |
Isn't that dangerous? | 0:13:37 | 0:13:39 | |
Whether we like it or not, | 0:13:39 | 0:13:40 | |
we are now part of the web of interconnected events that surround this case. | 0:13:40 | 0:13:44 | |
We must provoke a reaction from the other elements. | 0:13:44 | 0:13:47 | |
The bait has been set, MacDuff. | 0:13:47 | 0:13:49 | |
I think we're being followed. | 0:14:03 | 0:14:05 | |
Really? | 0:14:05 | 0:14:07 | |
-Don't look. -I'm not looking. | 0:14:08 | 0:14:10 | |
They're still there. | 0:14:14 | 0:14:16 | |
Do you think it's the Pentagon? | 0:14:16 | 0:14:18 | |
I think...it might be. | 0:14:18 | 0:14:20 | |
They're still there, Dirk. | 0:14:28 | 0:14:30 | |
Just relax. | 0:14:30 | 0:14:31 | |
-I am relaxed. -Relax more. | 0:14:31 | 0:14:34 | |
We're nearly there. Just act calm. | 0:14:38 | 0:14:40 | |
Just see if they stop when we stop. | 0:14:40 | 0:14:43 | |
They're coming for us. This sort of thing doesn't happen, does it? | 0:14:43 | 0:14:47 | |
It is imperative that they don't know that we | 0:14:47 | 0:14:49 | |
know that they're following us. | 0:14:49 | 0:14:51 | |
We must maintain the element of surprise. | 0:14:51 | 0:14:53 | |
Oh, God, it's happening. It's really happening. | 0:14:59 | 0:15:02 | |
Go, go, go, go. | 0:15:02 | 0:15:03 | |
-What about Janice? -She'll be all right. | 0:15:15 | 0:15:18 | |
I'm looking for Dirk Gently. | 0:15:24 | 0:15:26 | |
There's a woman here to see you. | 0:15:26 | 0:15:28 | |
Then show her in. | 0:15:28 | 0:15:29 | |
-What are you doing? -You show her in! | 0:15:29 | 0:15:32 | |
How can I show her in when I'm already in myself? | 0:15:32 | 0:15:35 | |
Perhaps it would be best if I showed myself in? | 0:15:43 | 0:15:46 | |
Were you following us? | 0:15:47 | 0:15:49 | |
She wasn't following us, just going to the same place at the same time, | 0:15:49 | 0:15:52 | |
which, in itself, is profoundly relevant. Dirk. Dirk Gently. | 0:15:52 | 0:15:55 | |
Emma Reynolds. | 0:15:55 | 0:15:57 | |
-Richard MacDuff, partner. -Assistant. | 0:15:57 | 0:15:59 | |
You must tell us what brought you here. | 0:15:59 | 0:16:02 | |
The very existence of the free world is at stake. | 0:16:02 | 0:16:05 | |
I think my husband's having an affair. | 0:16:07 | 0:16:10 | |
Oh, boring... | 0:16:11 | 0:16:13 | |
Please. | 0:16:19 | 0:16:21 | |
OK, um, what makes you think your husband is having an affair? | 0:16:24 | 0:16:29 | |
Well, he's been behaving so strangely. | 0:16:31 | 0:16:33 | |
He's irrational and impulsive. | 0:16:33 | 0:16:37 | |
He stays away for hours and then | 0:16:37 | 0:16:40 | |
he's all secretive about where he's been, | 0:16:40 | 0:16:42 | |
or he says he doesn't remember. | 0:16:42 | 0:16:45 | |
-I just want to be sure. -Yeah. | 0:16:45 | 0:16:49 | |
-I need proof. -Yeah. | 0:16:49 | 0:16:52 | |
Um, well, we'd, we'd, we'd love to help, obviously, | 0:16:52 | 0:16:55 | |
wouldn't we, Dirk? | 0:16:55 | 0:16:58 | |
Er, but we are, we're in the middle of a very big case at the moment, | 0:16:58 | 0:17:03 | |
a murder. It could have international implications. | 0:17:03 | 0:17:07 | |
It's big, it's, um, well, it's potentially huge, so... | 0:17:07 | 0:17:13 | |
Er, oh. | 0:17:13 | 0:17:14 | |
OK. | 0:17:14 | 0:17:16 | |
Oh... | 0:17:16 | 0:17:18 | |
We used to be so happy. | 0:17:21 | 0:17:23 | |
He's changed. | 0:17:25 | 0:17:27 | |
There must be some reason. | 0:17:30 | 0:17:33 | |
I'll take the case. | 0:17:36 | 0:17:37 | |
What? I'm... Well, what about the free world, the other case? | 0:17:37 | 0:17:41 | |
I believe that Mr Reynolds' extramarital activities are part of | 0:17:41 | 0:17:44 | |
an interconnected web of events that we must come to understand in its entirety | 0:17:44 | 0:17:48 | |
if we are to identify Mr Edwards' killer. | 0:17:48 | 0:17:50 | |
Thank you. | 0:17:50 | 0:17:52 | |
Quick settlement of my invoice will be all the thanks I need. | 0:17:52 | 0:17:55 | |
We also need a recent photograph of your husband before we commence | 0:17:55 | 0:17:59 | |
what I can assure you will be a most intrusive surveillance. | 0:17:59 | 0:18:02 | |
The police don't seem to have any idea who killed Mr Edwards. | 0:18:12 | 0:18:15 | |
That's because they're looking in all the wrong places. | 0:18:15 | 0:18:17 | |
-We should be investigating his murder. -We ARE investigating Mr Edwards' murder, | 0:18:17 | 0:18:22 | |
but we are doing so tangentially. | 0:18:22 | 0:18:24 | |
SCOOTER BEEPS | 0:18:24 | 0:18:25 | |
Ooh! Our pizza. | 0:18:25 | 0:18:28 | |
Excellent. | 0:18:28 | 0:18:30 | |
What's the time? | 0:18:30 | 0:18:32 | |
What time do you make? What time do you have? | 0:18:32 | 0:18:34 | |
What time do you make it at the moment? What time is it now? | 0:18:34 | 0:18:37 | |
-It's a different address. -Look, it says here... | 0:18:37 | 0:18:41 | |
Can you read that? | 0:18:41 | 0:18:42 | |
That's my pizza. I should have that pizza. | 0:18:42 | 0:18:46 | |
Their promotional material clearly states that if the pizza | 0:18:53 | 0:18:56 | |
isn't delivered within the hour, then it is free. | 0:18:56 | 0:18:59 | |
Probably doesn't count when you give them the wrong address. | 0:18:59 | 0:19:02 | |
MacDuff, that's him! That's Mr Reynolds. | 0:19:04 | 0:19:08 | |
Right, I'll take the philandering soon-to-be-divorced husband, | 0:19:13 | 0:19:16 | |
you take the attractive woman of Mediterranean origin. | 0:19:16 | 0:19:19 | |
-She's on a bike. -Then you will need to run. | 0:19:19 | 0:19:21 | |
-Do you need a lift? -Huh? | 0:19:32 | 0:19:36 | |
-Where are you going? -Um, where are you going? | 0:19:36 | 0:19:39 | |
Islington. | 0:19:39 | 0:19:40 | |
What an amazing coincidence! | 0:19:40 | 0:19:42 | |
-I can smell pizza. -Oh, that's me. You have a keen sense of smell. | 0:19:44 | 0:19:47 | |
It's very good of you to give me a lift like this. | 0:19:47 | 0:19:50 | |
It's my horoscope. It predicted that today I would help a stranger, | 0:19:50 | 0:19:53 | |
and, well, here we are. | 0:19:53 | 0:19:55 | |
You think our meeting like this can be explained by your horoscope? | 0:19:55 | 0:19:57 | |
Well, how else would you explain it? It's him. Terence Brown. | 0:19:57 | 0:20:01 | |
He's amazing. His horoscopes are so accurate. | 0:20:01 | 0:20:05 | |
It's coming true every day. | 0:20:05 | 0:20:07 | |
It was just little things to start with. Now it's everything. | 0:20:07 | 0:20:10 | |
It's like it's taking over my life. | 0:20:10 | 0:20:13 | |
You're suggesting that the movements of planets, billions of light years away, | 0:20:13 | 0:20:16 | |
are somehow determining your actions? You realise that's completely impossible? | 0:20:16 | 0:20:19 | |
I didn't believe it either to start with. | 0:20:19 | 0:20:22 | |
But, er, it's really happening. | 0:20:22 | 0:20:25 | |
I was a happily married man. | 0:20:25 | 0:20:28 | |
About a month ago, my horoscope predicted that a new romantic | 0:20:28 | 0:20:33 | |
possibility would present itself. | 0:20:33 | 0:20:35 | |
That's when I met, um... | 0:20:35 | 0:20:40 | |
Maria. She was struggling with her shopping. | 0:20:40 | 0:20:42 | |
She'd hurt her ankle while performing a routine. | 0:20:42 | 0:20:45 | |
-She's a pole dancer. -Pole dancer. | 0:20:45 | 0:20:50 | |
Why are you making notes? | 0:20:50 | 0:20:51 | |
Oh, it's, it's, it's professional habit. | 0:20:51 | 0:20:55 | |
-You're a private detective? -Mm. | 0:20:55 | 0:20:58 | |
Perhaps I can be of some service to you? | 0:20:58 | 0:21:01 | |
Mr Reynolds hired you? | 0:21:12 | 0:21:15 | |
So now we're charging two clients to investigate the same case? | 0:21:15 | 0:21:18 | |
That has to go against our code of conduct. | 0:21:18 | 0:21:21 | |
Do we have a code of conduct? | 0:21:21 | 0:21:23 | |
Of course, we don't. It's you. | 0:21:23 | 0:21:25 | |
They're clearly not the same case. | 0:21:25 | 0:21:27 | |
Ms Reynolds asked us to find out whether her husband is cheating. | 0:21:27 | 0:21:30 | |
Mr Reynolds asked us to find out why his horoscope is seemingly coming true. | 0:21:30 | 0:21:33 | |
The two cases are undoubtedly connected, | 0:21:33 | 0:21:35 | |
but they are not the same case, | 0:21:35 | 0:21:38 | |
as is clearly demonstrated by the fact that they have separate files, | 0:21:38 | 0:21:42 | |
and they are both inextricably linked to Mr Edwards, | 0:21:42 | 0:21:46 | |
as clearly demonstrated by the fact they | 0:21:46 | 0:21:50 | |
reside in the same filing cabinet | 0:21:50 | 0:21:52 | |
So what's the connection? | 0:21:52 | 0:21:54 | |
Is there some sort of professional link? Is there a personal connection? | 0:21:54 | 0:21:58 | |
-What does Mr Reynolds do for a living? -I don't know. | 0:21:58 | 0:22:03 | |
If the connections were that simple, | 0:22:03 | 0:22:05 | |
-any idiot could set themselves up as a holistic detective. -Oh, really? | 0:22:05 | 0:22:08 | |
Conspiracy theories and horoscopes are all a product | 0:22:10 | 0:22:15 | |
the same ill-conceived desire to impose order on the world. | 0:22:15 | 0:22:18 | |
What their proponents fail to understand is that we must | 0:22:18 | 0:22:20 | |
embrace chaos if we are to come to an understanding of the world | 0:22:20 | 0:22:24 | |
in all its complexity. | 0:22:24 | 0:22:26 | |
There's some men here! | 0:22:26 | 0:22:28 | |
That'll be for me. | 0:22:28 | 0:22:30 | |
Hi, guys, come on in. | 0:22:31 | 0:22:33 | |
Will that be all right? | 0:22:36 | 0:22:38 | |
-Thanks, guys. -Cheers, mate. | 0:22:47 | 0:22:49 | |
What the hell is that? | 0:22:57 | 0:22:59 | |
-I'm your partner. -Assistant. | 0:23:00 | 0:23:03 | |
I need somewhere to work. | 0:23:03 | 0:23:05 | |
Well, now that you're comfortable, MacDuff, | 0:23:08 | 0:23:12 | |
perhaps you would care to keep an eye out for Mr Edwards' murderer | 0:23:12 | 0:23:15 | |
who's probably shaded the notepad by now and may well be stopping by at any moment. | 0:23:15 | 0:23:22 | |
I can't see anyone. | 0:23:33 | 0:23:34 | |
I suspect they'll wait until it's dark. | 0:23:36 | 0:23:38 | |
It is dark. | 0:23:38 | 0:23:40 | |
Then I suspect they'll be paying us a visit at any minute. | 0:23:41 | 0:23:44 | |
Did you know you can tell a lot about a person by their handwriting? | 0:23:44 | 0:23:48 | |
Observe the wild loops and the extravagant down strokes. | 0:23:48 | 0:23:51 | |
Let me guess. It means they're completely insane. | 0:23:51 | 0:23:54 | |
You may well be right. | 0:23:54 | 0:23:56 | |
-Where are you going? -I'm going to get us a pizza. | 0:23:59 | 0:24:02 | |
We're expecting a murderer to drop by any second. | 0:24:02 | 0:24:05 | |
-You're perfectly safe, MacDuff. -No, I'm not. | 0:24:05 | 0:24:08 | |
The bait has been set. | 0:24:08 | 0:24:10 | |
I'm not going to stand here alone, in the trap, while you get a pizza! | 0:24:10 | 0:24:13 | |
Whoever the killer is, won't kill us until they've got the software. | 0:24:13 | 0:24:16 | |
As we haven't got it, they're never going to kill us. | 0:24:16 | 0:24:18 | |
We're more in danger of starving to death. | 0:24:18 | 0:24:22 | |
DOOR CLOSES | 0:24:22 | 0:24:23 | |
CAR REVS OUTSIDE | 0:24:41 | 0:24:44 | |
Dirk? | 0:24:50 | 0:24:52 | |
DOOR SLAMS | 0:24:52 | 0:24:54 | |
Dirk? | 0:24:57 | 0:24:59 | |
DOOR CREAKS | 0:25:09 | 0:25:12 | |
DOG BARKS NEARBY | 0:25:18 | 0:25:20 | |
-Ow! -What the hell are you doing, MacDuff? You nearly made me drop my pizza! | 0:26:01 | 0:26:05 | |
-Someone attacked me. -That was me you idiot! | 0:26:05 | 0:26:08 | |
No, before that. Someone else attacked me. | 0:26:08 | 0:26:10 | |
Then whoever it is has fallen straight into the middle | 0:26:12 | 0:26:15 | |
of my carefully prepared trap. | 0:26:15 | 0:26:17 | |
No, don't worry about me. I'm fine. | 0:26:19 | 0:26:21 | |
Anticipating that the murderer would wish to ransack our office | 0:26:21 | 0:26:26 | |
in search of the software, I had the foresight to install surveillance. | 0:26:26 | 0:26:31 | |
Dim the lights, MacDuff. | 0:26:37 | 0:26:38 | |
The identity of Mr Edwards' murderer will soon be revealed. | 0:26:42 | 0:26:46 | |
-Where are you going? -I'm going to get us a pizza. | 0:26:48 | 0:26:51 | |
We're expecting a murderer any second. | 0:26:51 | 0:26:52 | |
"I'm Dirk Gently. It's all interconnected. | 0:26:55 | 0:26:59 | |
"My assistant will make you tea." | 0:26:59 | 0:27:01 | |
CLEARS THROAT | 0:27:02 | 0:27:04 | |
I was just killing some time. | 0:27:04 | 0:27:06 | |
Dirk? | 0:27:12 | 0:27:13 | |
Right, if you'd told me there was a camera there, | 0:27:35 | 0:27:38 | |
that would never have happened. | 0:27:38 | 0:27:40 | |
You see, this is why you need to start treating me like a partner. | 0:27:40 | 0:27:44 | |
Are you happy now, MacDuff? Are you? | 0:28:01 | 0:28:03 | |
You stabbed my chair. | 0:28:03 | 0:28:05 | |
You stabbed my... | 0:28:08 | 0:28:10 | |
-What is it? -Shh! | 0:28:14 | 0:28:16 | |
What is that? | 0:28:18 | 0:28:20 | |
It appears your chair was bugged, MacDuff. | 0:28:27 | 0:28:30 | |
Oh, Jesus. | 0:28:35 | 0:28:37 | |
Oh, Jesus. The Pentagon bugged my chair. They know everything. | 0:28:39 | 0:28:42 | |
They attacked me. | 0:28:42 | 0:28:44 | |
Dirk... | 0:28:46 | 0:28:48 | |
..what if they know where I live? | 0:28:49 | 0:28:51 | |
I'll call Susan. | 0:28:53 | 0:28:55 | |
Susan, it's Richard. Listen, I need you to... | 0:28:55 | 0:28:58 | |
No, just go to a friend's house. | 0:28:58 | 0:29:00 | |
Don't... I can't ex... | 0:29:00 | 0:29:01 | |
No, just go, please, just go to a friend's house! | 0:29:01 | 0:29:03 | |
She's going to go to a friend's house. | 0:29:05 | 0:29:07 | |
If the Pentagon bugged your chair, then they will have heard me | 0:29:07 | 0:29:11 | |
say that we are not in fact in possession of the software. | 0:29:11 | 0:29:14 | |
Therefore, they would have no need to assault you and ransack the office. | 0:29:14 | 0:29:18 | |
Well, then who attacked me? Someone attacked me. | 0:29:18 | 0:29:20 | |
Right before you did, I mean. | 0:29:20 | 0:29:21 | |
It appears we've provoked several reactions from other elements in the web, | 0:29:21 | 0:29:25 | |
and we must now try and understand the connections between them. | 0:29:25 | 0:29:29 | |
-Ms Reynolds. -Sorry. I've been calling all day, | 0:29:30 | 0:29:33 | |
but I keep getting stuck in some sort of automated answering service. | 0:29:33 | 0:29:37 | |
Yes, yes. It can be rather stubborn. Please, take a seat. | 0:29:37 | 0:29:40 | |
I had to find out if you've made any progress with the investigation. | 0:29:40 | 0:29:42 | |
Well, it appears the case is more complex than we initially thought. | 0:29:42 | 0:29:45 | |
-What do you mean? -Your husband believes his horoscope is coming true. | 0:29:45 | 0:29:48 | |
As this is impossible, something else is afoot, | 0:29:48 | 0:29:50 | |
and by following the web of interconnected events, | 0:29:50 | 0:29:52 | |
I feel confident that we will discover what it is. | 0:29:52 | 0:29:55 | |
But is he having an affair? | 0:29:55 | 0:29:57 | |
Oh, yes, he's having an affair with a rather attractive woman of Mediterranean origin. | 0:29:57 | 0:30:01 | |
She has lovely skin. | 0:30:01 | 0:30:03 | |
SHE GASPS | 0:30:03 | 0:30:05 | |
SHE BEGINS TO WEEP | 0:30:05 | 0:30:08 | |
CRYING | 0:30:08 | 0:30:12 | |
HE MOUTHS | 0:30:16 | 0:30:19 | |
Right, I'll just get my assistant to make you a cup of tea. | 0:30:40 | 0:30:42 | |
Mr Gently, I have to talk to you. It's my horoscope. | 0:30:42 | 0:30:45 | |
It says that "a dark secret will be exposed." | 0:30:45 | 0:30:47 | |
Now, I think that my wife knows... | 0:30:47 | 0:30:49 | |
Emma, why are you here? | 0:30:51 | 0:30:53 | |
I hired Mr Gently. | 0:30:53 | 0:30:56 | |
-Why are you here? -I hired Mr Gently. | 0:30:56 | 0:30:58 | |
Can I just say right here, we are treating these as two very distinct cases. | 0:30:58 | 0:31:03 | |
Separate files. | 0:31:04 | 0:31:06 | |
You're having an affair. | 0:31:07 | 0:31:09 | |
No, it's not what you think. It's not me. It's my horoscope. | 0:31:09 | 0:31:12 | |
-It's Jupiter rising. -Why? | 0:31:12 | 0:31:15 | |
Emma, it's not me! | 0:31:19 | 0:31:20 | |
-It's what my horoscope predicted. -What does it say? | 0:31:23 | 0:31:26 | |
-"Life will deliver a slap in the face." -Now do you believe me? | 0:31:26 | 0:31:28 | |
Absolutely not. In the morning, after a good night's sleep, and a hearty breakfast, | 0:31:28 | 0:31:32 | |
and after I have evaded the Pentagon surveillance, | 0:31:32 | 0:31:35 | |
I will prove beyond a shadow of a doubt that these events | 0:31:35 | 0:31:38 | |
have nothing to do with Jupiter, or any other planet, rising. | 0:31:38 | 0:31:42 | |
CAMERA SHUTTER CLICKS | 0:31:49 | 0:31:51 | |
-What have you done to your leg? -There is nothing wrong with my leg, MacDuff. | 0:32:04 | 0:32:07 | |
I took three tubes and four different buses on the way here, hopping on and off all the way. | 0:32:07 | 0:32:11 | |
I don't think I was followed. Did you see anyone? | 0:32:11 | 0:32:13 | |
No, but that doesn't mean we aren't being watched. | 0:32:13 | 0:32:16 | |
Why are we here? | 0:32:16 | 0:32:18 | |
How is this getting us any closer to Mr Edwards' killer? | 0:32:18 | 0:32:20 | |
Well, that's the beauty of holistic detection, MacDuff. | 0:32:20 | 0:32:24 | |
We're getting closer, even when it appears we are moving further away. | 0:32:24 | 0:32:28 | |
Mr Brown will see you now. You can go up. | 0:32:28 | 0:32:31 | |
Please take a seat. | 0:32:40 | 0:32:42 | |
-I prefer to stand. -Right. | 0:32:48 | 0:32:50 | |
So, what can I do for you, Mr Gently? | 0:32:52 | 0:32:56 | |
I'm led to believe that you specialise in providing | 0:32:56 | 0:32:59 | |
personalised horoscopes. | 0:32:59 | 0:33:01 | |
Yes, we e-mail them to over two million people worldwide. | 0:33:01 | 0:33:05 | |
Our client has come to believe that the predictions | 0:33:05 | 0:33:10 | |
made in his horoscope are coming true. | 0:33:10 | 0:33:13 | |
You sound surprised. | 0:33:17 | 0:33:19 | |
Well, a scientific mind such as mine can never accept that | 0:33:19 | 0:33:23 | |
the movements of planets billions of light years away | 0:33:23 | 0:33:27 | |
are in any way responsible for determining our behaviour. | 0:33:27 | 0:33:31 | |
-I'm not sure what it is you're telling me. -Don't look at me. | 0:33:44 | 0:33:47 | |
I presume these horoscopes are generated by some kind of | 0:33:47 | 0:33:50 | |
computer program stored on a server. | 0:33:50 | 0:33:52 | |
-Correct. -Mm. | 0:33:52 | 0:33:54 | |
Well, then it would appear that this software | 0:33:56 | 0:34:01 | |
is responsible for my client's distress. | 0:34:01 | 0:34:04 | |
You think our computer software is somehow victimising your client? | 0:34:04 | 0:34:09 | |
It would appear so, yes. | 0:34:09 | 0:34:11 | |
PHONE RINGS | 0:34:11 | 0:34:12 | |
I believe that's your phone ringing. | 0:34:12 | 0:34:15 | |
Hello. What? | 0:34:15 | 0:34:18 | |
Jesus, how bad is it? | 0:34:18 | 0:34:21 | |
No, call a plumber. I'll be right there. | 0:34:21 | 0:34:24 | |
A pipe's burst in my flat. The whole place is flooded. | 0:34:25 | 0:34:28 | |
I'm sorry, I really have to go. | 0:34:28 | 0:34:30 | |
I'm surprised that your horoscope wasn't able to predict such an unfortunate calamity. | 0:34:33 | 0:34:38 | |
Has anyone ever told you you're an annoying prick? | 0:34:40 | 0:34:43 | |
Yeah, he gets that a lot. | 0:34:43 | 0:34:45 | |
I'm sorry, I'm sorry. I really have to go. | 0:34:46 | 0:34:49 | |
No problem. A burst pipe waits for no man. | 0:34:49 | 0:34:52 | |
We'll show ourselves out. | 0:34:52 | 0:34:54 | |
Oh, God. | 0:35:00 | 0:35:02 | |
Please tell me you're not going to urinate on that man's computer server. | 0:35:05 | 0:35:08 | |
-Don't be ridiculous, MacDuff. -Oh, silly me, you've simply got a sledgehammer down your pants. | 0:35:08 | 0:35:12 | |
Unlike our good friend the astrologer, I was able to predict | 0:35:12 | 0:35:16 | |
that his flat was to be the subject of a most unfortunate act of God. | 0:35:16 | 0:35:19 | |
Hello. | 0:35:19 | 0:35:20 | |
I'm from the water company. | 0:35:20 | 0:35:22 | |
-That should do it. -Do what exactly? | 0:35:35 | 0:35:37 | |
Dirk, you're going to get us arrested. | 0:35:37 | 0:35:39 | |
We're conducting a scientific experiment to categorically prove | 0:35:39 | 0:35:43 | |
that our client's horoscope is not in fact predicting the events in his life. | 0:35:43 | 0:35:47 | |
I think we're being followed. | 0:36:06 | 0:36:08 | |
Right, are we really being followed, | 0:36:08 | 0:36:10 | |
or is it just someone going to the same place at the same time? | 0:36:10 | 0:36:12 | |
-I think we're really being followed. -How can you tell? -They're flashing their lights at us. | 0:36:12 | 0:36:16 | |
-Well, what do they want? -I have no intention of stopping to find out. | 0:36:16 | 0:36:20 | |
Come on, you beautiful bitch! | 0:36:20 | 0:36:21 | |
Jesus! | 0:36:25 | 0:36:27 | |
-They're coming for us! -Get down! -Back up! Put it in reverse! | 0:36:27 | 0:36:31 | |
I'm can't! It's disappeared! | 0:36:31 | 0:36:33 | |
-What do you mean it's disappeared? -It was here earlier. | 0:36:33 | 0:36:36 | |
-Well, where is it now? -I don't know. -Just let me do it. -No! | 0:36:36 | 0:36:39 | |
-Find it! -I'm trying! | 0:36:39 | 0:36:40 | |
Ah, Detective Inspector Gilks. What a pleasant and unexpected surprise. | 0:36:46 | 0:36:51 | |
It has come to my attention that you may be withholding a key piece of evidence... | 0:36:51 | 0:36:56 | |
Not withholding anything. There's not been any withholding. | 0:36:56 | 0:36:59 | |
..in relation to the murder of a one Mr Edwards. | 0:36:59 | 0:37:02 | |
May I ask what has led you to draw such an erroneous conclusion? | 0:37:02 | 0:37:05 | |
Well, it appears Mr Edwards wrote a to-do list shortly before he died. | 0:37:05 | 0:37:09 | |
"Pick up dry cleaning, renew subscription to Playboy, | 0:37:09 | 0:37:15 | |
"send software prototype to Dirk Gently". | 0:37:15 | 0:37:18 | |
Now, how is that for erroneous? | 0:37:18 | 0:37:19 | |
I see. Well, as I've not received any prototype, I can only assume | 0:37:19 | 0:37:23 | |
it's languishing in the black hole that passes for my local sorting office. | 0:37:23 | 0:37:26 | |
-Who are you working for, Gently? -I'm not at liberty to divulge that information. | 0:37:26 | 0:37:29 | |
There is no greater bond of trust than that between a detective and his client. | 0:37:29 | 0:37:33 | |
-Arrest him. -I'm working for Mrs Edwards. | 0:37:33 | 0:37:36 | |
-Ow! -Really? | 0:37:36 | 0:37:37 | |
Mrs Edwards, as in the wife of Mr Edwards? | 0:37:37 | 0:37:41 | |
Yeah, the very same. | 0:37:41 | 0:37:42 | |
That really is remarkable... | 0:37:42 | 0:37:44 | |
Thank you. | 0:37:44 | 0:37:45 | |
..considering that Mrs Edwards was killed in a car accident in September of last year. | 0:37:45 | 0:37:50 | |
Mrs Edwards, as in the wife of Mr Edwards? | 0:37:50 | 0:37:53 | |
-The very same. -Well, that is remarkable. | 0:37:53 | 0:37:56 | |
I put my hands up. You've caught me out in an outrageous lie. There is no client. | 0:37:57 | 0:38:01 | |
I'm merely interested in collecting the reward offered for the apprehension of Mr Edwards' killer. | 0:38:01 | 0:38:05 | |
That's obviously another lie. Well, I have no intention of arresting you. | 0:38:05 | 0:38:09 | |
-Very wise. -Your incompetent meddling is more than likely to get you killed, | 0:38:09 | 0:38:14 | |
and then I shall undoubtedly have some new leads to pursue. | 0:38:14 | 0:38:17 | |
You are my tethered goat, Gently. | 0:38:19 | 0:38:22 | |
Why did we assume she was Mrs Edwards? | 0:38:32 | 0:38:34 | |
Well, when I startle a woman tidying her kitchen cupboards by throwing a large | 0:38:34 | 0:38:37 | |
concrete flowerpot through her back door, I feel it's safe to assume she's the lady of the house. | 0:38:37 | 0:38:41 | |
She was searching them, not tidying. That's why she didn't know where the tea was. | 0:38:41 | 0:38:45 | |
Then it's probably safe to assume she in fact works for the Pentagon | 0:38:45 | 0:38:48 | |
and was looking for the software prototype. | 0:38:48 | 0:38:50 | |
There is only one way to be sure. | 0:38:50 | 0:38:53 | |
Mrs Edwards? Dirk Gently. | 0:38:59 | 0:39:01 | |
There's been a significant breakthrough in the investigation. | 0:39:01 | 0:39:04 | |
Perhaps we could meet. | 0:39:04 | 0:39:06 | |
You know, we're probably going to end up being water-boarded. | 0:39:13 | 0:39:16 | |
If they do torture us, I'm going to talk, and I'm going to tell them this is all down to you. | 0:39:16 | 0:39:20 | |
Perhaps you'd like to cower in the Princess like a startled sparrow? | 0:39:20 | 0:39:24 | |
Mrs Edwards, I must say you look remarkably well, | 0:39:26 | 0:39:31 | |
for a dead woman. | 0:39:31 | 0:39:33 | |
She must have thought I was being incredibly sarcastic. | 0:39:47 | 0:39:50 | |
DOOR SLAMS | 0:39:50 | 0:39:51 | |
-Where's the front door? -What? | 0:40:01 | 0:40:03 | |
The front door. We've got to get out of here. | 0:40:03 | 0:40:05 | |
-I thought we were looking for the killer. -No, we're running away from the killer. | 0:40:05 | 0:40:09 | |
-Are we chasing the killer, or is the killer chasing us? -Why would we chase the killer? | 0:40:09 | 0:40:14 | |
We have to go to the police and tell them the woman pretending to be Mrs Edwards has been murdered. | 0:40:26 | 0:40:30 | |
You think the police will protect us? You heard Gilks. I'm his tethered goat. | 0:40:30 | 0:40:33 | |
I don't want to be a tethered goat, Dirk. Tethered goats die, horribly. | 0:40:33 | 0:40:36 | |
Well, we only appear to be tethered, when, in fact, the noose has slipped from our necks, | 0:40:36 | 0:40:40 | |
and we're about to spring into action. | 0:40:40 | 0:40:43 | |
No. No, we go to the police. We go to the police and we come clean. We tell them everything. | 0:40:43 | 0:40:47 | |
We don't tell them about you robbing Mr Edwards after he'd been murdered. That bit they don't need to know. | 0:40:47 | 0:40:54 | |
We're not going to the police, are we? | 0:40:54 | 0:40:55 | |
No, we're following that white car. | 0:40:55 | 0:40:58 | |
Of course we're following that white car. In an emergency, follow a white car. | 0:40:58 | 0:41:02 | |
Why are we following a white car? | 0:41:02 | 0:41:03 | |
Because it looks like it knows where it's going. Zen navigation. | 0:41:03 | 0:41:06 | |
The goats are un-tethered and travelling in some style! | 0:41:06 | 0:41:11 | |
So this Zen navigation of yours has led us to the pub. | 0:41:24 | 0:41:28 | |
I believe it will transpire that this is exactly where we needed to be. | 0:41:28 | 0:41:33 | |
I think the guy we followed knows we're following him. | 0:41:33 | 0:41:36 | |
Then I imagine he's rather paranoid. | 0:41:36 | 0:41:38 | |
Who are you calling? | 0:41:41 | 0:41:42 | |
Our astrology experiment should have worked by now. | 0:41:42 | 0:41:45 | |
Ah, Mr Reynolds. Dirk Gently. | 0:41:45 | 0:41:47 | |
I was wondering if you'd care to join myself and my assistant for a drink. | 0:41:47 | 0:41:50 | |
What exactly is this horoscope experiment going to prove anyway? | 0:41:50 | 0:41:54 | |
If Mr Reynolds walks through that door, as I expect him to do at any moment, | 0:41:54 | 0:41:57 | |
wearing some extravagant head gear | 0:41:57 | 0:41:59 | |
and talking of an encounter with a rhinoceros, | 0:41:59 | 0:42:02 | |
then I will have proven that the connections between events are inevitable | 0:42:02 | 0:42:06 | |
and, more often than not, accidental, | 0:42:06 | 0:42:08 | |
and are in no way predetermined by the movement of planets billions of light years away. | 0:42:08 | 0:42:12 | |
Mr Reynolds, how good of you to join us, | 0:42:17 | 0:42:20 | |
and I see you've brought a friend. | 0:42:20 | 0:42:22 | |
Yeah, my horoscope said I'd encounter a rhinoceros. | 0:42:22 | 0:42:25 | |
Walking along the street, someone throws him out of a window onto a skip. | 0:42:25 | 0:42:29 | |
I can assure you that your horoscope predicted no such thing. | 0:42:29 | 0:42:32 | |
Read it. It says it right here. | 0:42:32 | 0:42:34 | |
I do not doubt what it says, but that is not your horoscope, | 0:42:34 | 0:42:37 | |
on account of the computer server that sends out the horoscopes | 0:42:37 | 0:42:40 | |
having met with a most unfortunate accident earlier in the day. | 0:42:40 | 0:42:43 | |
What you have in your hand is merely an e-mail that I sent you, | 0:42:43 | 0:42:46 | |
purporting to be your horoscope. | 0:42:46 | 0:42:48 | |
If I'd suggested you had an encounter with a cast-iron bath, and you were strong enough, | 0:42:48 | 0:42:52 | |
-you'd now be carrying that around with you. -There was a cast-iron bath in the skip. | 0:42:52 | 0:42:56 | |
There always is. | 0:42:56 | 0:42:58 | |
Your horoscope was never coming true. | 0:42:58 | 0:43:00 | |
When you started to believe it was, | 0:43:00 | 0:43:02 | |
it became a self-fulfilling prophecy. | 0:43:02 | 0:43:05 | |
I found it in the back of the taxi on the way here. | 0:43:11 | 0:43:15 | |
I can't even remember when I started to believe that my horoscope was coming true. | 0:43:15 | 0:43:20 | |
What's happening to me? | 0:43:20 | 0:43:22 | |
Emma! My marriage is over. | 0:43:22 | 0:43:25 | |
Your life has been restored to its natural, chaotic state. | 0:43:25 | 0:43:28 | |
Oh, Jesus. | 0:43:28 | 0:43:29 | |
That's my invoice. | 0:43:29 | 0:43:30 | |
The more pressing question is how this development relates to Mr Edwards' murder. | 0:43:36 | 0:43:42 | |
There's been an interesting development, MacDuff. | 0:43:51 | 0:43:53 | |
Someone has sent me another Valentine's Day card. | 0:43:53 | 0:43:57 | |
Well, if I'd known it was this important, I'd have got here a lot sooner. | 0:43:57 | 0:44:01 | |
The Valentine's Day card was delivered by hand. | 0:44:01 | 0:44:03 | |
We will soon discover who has been sending them, and this time, | 0:44:03 | 0:44:06 | |
I've made certain that your chair will not sabotage me. | 0:44:06 | 0:44:09 | |
You've sawn off the back my chair? | 0:44:09 | 0:44:11 | |
You cannot deny that it didn't have it coming, MacDuff. | 0:44:11 | 0:44:14 | |
Why are you obsessing over Valentine's Day cards | 0:44:14 | 0:44:17 | |
and stuffed fluffy pigs, Dirk? | 0:44:17 | 0:44:19 | |
Our lives are in danger. | 0:44:19 | 0:44:20 | |
I've already told you, MacDuff. Since we are not, in fact, in possession of | 0:44:20 | 0:44:24 | |
the computer software that the murderer is seeking, we are perfectly safe. | 0:44:24 | 0:44:29 | |
-MacDuff? -What? | 0:44:45 | 0:44:48 | |
It's a memory stick. | 0:44:50 | 0:44:52 | |
I believe it's safe to assume it contains the prototype of the software. | 0:44:59 | 0:45:03 | |
How can you be so sure? | 0:45:03 | 0:45:04 | |
It says so on the label. | 0:45:04 | 0:45:06 | |
So if we are in possession of what the murderer wants, | 0:45:08 | 0:45:11 | |
-our lives really are in danger? -Absolutely. | 0:45:11 | 0:45:13 | |
Right. Then we take this to the police right now and we | 0:45:13 | 0:45:16 | |
find ourselves a nice little old lady who has lost her cat, | 0:45:16 | 0:45:19 | |
or her dog, or her husband... | 0:45:19 | 0:45:20 | |
Nonsense, MacDuff. Things are becoming nicely out of control. | 0:45:20 | 0:45:23 | |
I have to see Mr Gently! | 0:45:23 | 0:45:26 | |
That crazy horoscope guy is here to see you! | 0:45:26 | 0:45:29 | |
Then show him in! | 0:45:29 | 0:45:32 | |
You show him in! | 0:45:32 | 0:45:33 | |
I believe we have already discussed my inability to show someone in when I am already in myself! | 0:45:33 | 0:45:38 | |
Could we please just pay her wages? | 0:45:38 | 0:45:41 | |
If we pay her wages, then she will no longer turn up to work | 0:45:41 | 0:45:43 | |
in the futile hope that one day we will pay her wages. | 0:45:43 | 0:45:45 | |
Do I have to think of everything? | 0:45:45 | 0:45:46 | |
I'm going to die! | 0:45:46 | 0:45:48 | |
-That makes three of us. -Cup of tea? | 0:45:48 | 0:45:51 | |
"You are nearing the end of an era, | 0:45:58 | 0:46:00 | |
"it will be a black day, you should realise that life is precious, | 0:46:00 | 0:46:05 | |
"it's time to say goodbye to the past." | 0:46:05 | 0:46:08 | |
Look, can't you see? They're all the same. | 0:46:08 | 0:46:10 | |
They're all predicting that I'm going to die. | 0:46:10 | 0:46:12 | |
Mr Reynolds, I believe I have already proven beyond all doubt | 0:46:12 | 0:46:16 | |
that your horoscope is not, in fact, coming true. | 0:46:16 | 0:46:18 | |
Do you still have the rhinoceros? | 0:46:18 | 0:46:20 | |
What are you talking about? What rhinoceros? | 0:46:20 | 0:46:23 | |
Are you saying you have no memory of the rhinoceros, | 0:46:23 | 0:46:27 | |
-or of our meeting in the pub yesterday? -What meeting? | 0:46:27 | 0:46:30 | |
Interesting. | 0:46:32 | 0:46:34 | |
What is all this? Is this supposed to make any sense? | 0:46:36 | 0:46:40 | |
What is this obsession with order? | 0:46:40 | 0:46:42 | |
There is too much order. We must embrace the chaos! | 0:46:42 | 0:46:47 | |
Open your mind! Embrace the chaos! | 0:46:48 | 0:46:51 | |
Embrace it! | 0:46:51 | 0:46:52 | |
I don't want to die! | 0:46:52 | 0:46:54 | |
Neither did Mr Edwards. | 0:46:54 | 0:46:56 | |
You think you're going to die because of your horoscope. | 0:47:02 | 0:47:06 | |
Mr Edwards believed the Pentagon were trying to kill him. | 0:47:06 | 0:47:09 | |
Yes! Don't you see? | 0:47:09 | 0:47:12 | |
Death is...random and unexpected, and very rarely predictable. | 0:47:12 | 0:47:16 | |
If it were, we'd all live a lot longer. | 0:47:16 | 0:47:19 | |
Yes, the Pentagon didn't murder Mr Edwards. | 0:47:19 | 0:47:22 | |
So who was the woman pretending to be his wife? What about the bug in my chair? | 0:47:22 | 0:47:25 | |
I have no doubt the Pentagon wish to acquire the software prototype | 0:47:25 | 0:47:28 | |
and spread tyranny across the free world. | 0:47:28 | 0:47:31 | |
But what if Mr Edwards wasn't killed for the software? | 0:47:31 | 0:47:35 | |
There must be something else, something else. | 0:47:35 | 0:47:38 | |
These accounts are a mess. | 0:47:48 | 0:47:51 | |
His cheque bounced. Mr Edwards was broke. | 0:47:51 | 0:47:53 | |
I thought he was rich. | 0:47:53 | 0:47:55 | |
Mr Edwards believed he was rich. Money, money, money, you see? | 0:47:55 | 0:47:58 | |
Someone was stealing from him. | 0:47:58 | 0:48:00 | |
What about me? | 0:48:00 | 0:48:02 | |
I'd have thought it perfectly clear that yours and Mr Edwards' cases | 0:48:02 | 0:48:05 | |
are inextricably connected by mistaken assumptions about who or what is going to kill you. | 0:48:05 | 0:48:08 | |
So who or what is going to kill me? | 0:48:08 | 0:48:10 | |
I believe the answer is to be found | 0:48:10 | 0:48:11 | |
by investigating the causes of Mr Edwards' precarious financial situation. | 0:48:11 | 0:48:16 | |
Are you sure a piano or something isn't going to fall on me? | 0:48:18 | 0:48:21 | |
There is no sign of falling pianos, tubas or any other musical instruments. At least, not today. | 0:48:21 | 0:48:25 | |
You will be perfectly safe cocooned within the Princess' magnificent bosom. | 0:48:25 | 0:48:28 | |
-I can smell Brie. -It makes a handy, portable snack. | 0:48:28 | 0:48:31 | |
I find Brie to be among the least controversial of cheeses. | 0:48:31 | 0:48:34 | |
You could smell my Brie? | 0:48:34 | 0:48:36 | |
Isn't that the guy we followed to the pub? | 0:48:36 | 0:48:39 | |
-That's a bit of a coincidence -There's no such thing as coincidences, MacDuff! | 0:48:39 | 0:48:43 | |
Really? Why is he parked outside our office, then? | 0:48:43 | 0:48:45 | |
We're about to find out. We must provoke a reaction. | 0:48:45 | 0:48:49 | |
What the hell are you doing!? | 0:48:51 | 0:48:52 | |
I think you have your answer, MacDuff. He's come to kill us. | 0:48:52 | 0:48:56 | |
Oh, Jesus! It's happening! | 0:48:56 | 0:48:58 | |
I can't escape it! | 0:48:58 | 0:49:00 | |
Chance, chaos and randomness have brought us to this place. | 0:49:00 | 0:49:03 | |
We're on the verge of a breakthrough! | 0:49:03 | 0:49:06 | |
-Nobody move. -He's come for me! | 0:49:06 | 0:49:08 | |
He's come for us! | 0:49:08 | 0:49:10 | |
-Hand it over. -I'm sorry to interrupt. Who are you? | 0:49:10 | 0:49:12 | |
-He's Mr Edwards' accountant. -Is he? Are you? How did you... | 0:49:12 | 0:49:16 | |
Mr Edwards' didn't know he was being stolen from, | 0:49:16 | 0:49:18 | |
only his accountant could keep that from him. | 0:49:18 | 0:49:21 | |
What do you mean he didn't know? Mr Edwards hired you to find out who was stealing from him. | 0:49:21 | 0:49:25 | |
He was on to me. That's why I had to kill him. | 0:49:25 | 0:49:28 | |
You killed him? | 0:49:28 | 0:49:30 | |
Mr Edwards hired myself and my partner because he believed the Pentagon had him under surveillance. | 0:49:30 | 0:49:34 | |
Oh, I see, now we've got a gun pointed at us, I'm your partner all of a sudden. | 0:49:34 | 0:49:38 | |
-Oh, well, there's no pleasing you, is there, MacDuff? -Well, I think it's a bit rich... | 0:49:38 | 0:49:41 | |
Shut up! | 0:49:41 | 0:49:43 | |
You were investigating me. | 0:49:43 | 0:49:45 | |
You followed me from outside Mr Edwards' house after I killed that woman who was snooping around. | 0:49:45 | 0:49:51 | |
She was working for you, wasn't she? | 0:49:51 | 0:49:53 | |
We believe she was working for the Pentagon. | 0:49:53 | 0:49:55 | |
We only followed you because you looked like you knew where you were going. | 0:49:55 | 0:49:59 | |
Yes, I hope you'll no longer doubt the value of Zen navigation. | 0:49:59 | 0:50:02 | |
We ended up exactly where we needed to be. | 0:50:02 | 0:50:04 | |
Oh, no! Yeah, I think it's worked out brilliantly. | 0:50:04 | 0:50:06 | |
Will you shut up! | 0:50:06 | 0:50:09 | |
Do you think I'm stupid? | 0:50:09 | 0:50:11 | |
You're lying. | 0:50:11 | 0:50:13 | |
Hand it over! | 0:50:13 | 0:50:14 | |
Perhaps it would help if you were to tell us exactly what it is that you wish us to hand over? | 0:50:14 | 0:50:18 | |
The evidence that I killed Mr Edwards. I know you've got it. | 0:50:18 | 0:50:22 | |
I will shoot you. | 0:50:22 | 0:50:24 | |
He's going to kill us. | 0:50:24 | 0:50:26 | |
-He's not interested in you. -I'll kill all of you. | 0:50:26 | 0:50:28 | |
If you are to die, it's only as an innocent bystander | 0:50:28 | 0:50:33 | |
Has someone been eating cinnamon? | 0:50:33 | 0:50:34 | |
I had a cinnamon whirl at the coffee shop. | 0:50:34 | 0:50:36 | |
You were following me. | 0:50:36 | 0:50:38 | |
How long have you had this acute sense of smell? | 0:50:38 | 0:50:41 | |
-I don't know. I can't remember. -You've got three seconds. | 0:50:41 | 0:50:44 | |
One, | 0:50:46 | 0:50:48 | |
two... | 0:50:48 | 0:50:51 | |
All right, you're absolutely right. | 0:50:51 | 0:50:53 | |
It's all on here, every incriminating detail. | 0:50:53 | 0:50:56 | |
Mr Reynolds! Mr Reynolds! | 0:51:00 | 0:51:04 | |
Oliver? | 0:51:10 | 0:51:12 | |
Don't do it, Oliver. | 0:51:13 | 0:51:15 | |
Listen. | 0:51:15 | 0:51:17 | |
Listen, we can help you, OK. | 0:51:17 | 0:51:22 | |
Just think of your wife. She loves you. | 0:51:22 | 0:51:25 | |
I can't escape it. | 0:51:25 | 0:51:26 | |
I want to end my life on my terms. | 0:51:26 | 0:51:28 | |
Oliver, you're not going to die. | 0:51:28 | 0:51:31 | |
You couldn't be more wrong, MacDuff. | 0:51:31 | 0:51:33 | |
Your erratic behaviour, your memory loss, your acute sense of smell. | 0:51:33 | 0:51:36 | |
These are all common symptoms of someone with a brain tumour. | 0:51:36 | 0:51:39 | |
It explains everything. You clearly have a massive brain tumour. | 0:51:39 | 0:51:43 | |
So my horoscope was right. | 0:51:43 | 0:51:45 | |
I am going to die. | 0:51:45 | 0:51:46 | |
Yeah, probably, but not because of your horoscope. | 0:51:46 | 0:51:50 | |
It'll be the huge, tumorous growth pressing on your frontal cortex that'll kill you. | 0:51:50 | 0:51:54 | |
It seems we will never learn who sent me those Valentine's Day cards. | 0:52:10 | 0:52:15 | |
Where's Oliver? What happened? | 0:52:17 | 0:52:19 | |
Your husband is fine, Ms Reynolds. | 0:52:19 | 0:52:22 | |
When I say fine, he has a multitude of broken bones, a fractured skull, and a brain tumour. | 0:52:22 | 0:52:26 | |
Brain tumour? | 0:52:26 | 0:52:27 | |
I believe the tumour is responsible for his recent behaviour. | 0:52:27 | 0:52:30 | |
The change in his mental state caused him to believe his horoscope was coming true. | 0:52:30 | 0:52:35 | |
The extramarital affair with the attractive woman of Mediterranean origin | 0:52:35 | 0:52:38 | |
is just a symptom of his condition. | 0:52:38 | 0:52:40 | |
Is he going to be all right? | 0:52:40 | 0:52:43 | |
After some rather complicated brain surgery, and a good deal of time in traction, | 0:52:43 | 0:52:48 | |
his doctor has assured me he will be just fine. | 0:52:48 | 0:52:51 | |
Thank God. | 0:52:51 | 0:52:52 | |
Which just leaves the very small matter of my invoice. | 0:52:52 | 0:52:56 | |
Does this invoice cover charging myself and my husband | 0:52:56 | 0:52:59 | |
for investigating the same case? | 0:52:59 | 0:53:01 | |
To the untrained eye, | 0:53:01 | 0:53:03 | |
my methods may sometimes appear somewhat tangential... | 0:53:03 | 0:53:06 | |
It seems we're going to have to console ourselves with | 0:53:14 | 0:53:16 | |
collecting the reward for apprehending Mr Edwards' killer. | 0:53:16 | 0:53:19 | |
Sorry. | 0:53:19 | 0:53:21 | |
They're not going to give us the reward when they realise the only reason | 0:53:21 | 0:53:24 | |
Mr Edwards' accountant murdered him was because he hired you. | 0:53:24 | 0:53:27 | |
Ah, but if Mr Edwards hadn't hired me, | 0:53:27 | 0:53:29 | |
Mr Reynolds' brain tumour may never have been diagnosed, | 0:53:29 | 0:53:32 | |
resulting in his untimely demise. | 0:53:32 | 0:53:33 | |
I am merely part of the web that interconnected those two events. | 0:53:33 | 0:53:36 | |
We're still not getting paid by anyone, though, are we? | 0:53:38 | 0:53:41 | |
You are forgetting we are still in possession of an extremely | 0:53:41 | 0:53:44 | |
valuable software prototype. | 0:53:44 | 0:53:46 | |
We're going to be rich, MacDuff! | 0:53:46 | 0:53:48 | |
The memory stick. | 0:53:51 | 0:53:53 | |
It was in my pocket. | 0:53:54 | 0:53:55 | |
I believe we are having the sort of day that would make even Mother Teresa kick babies. | 0:54:26 | 0:54:31 | |
We will be requiring tea. | 0:54:41 | 0:54:43 | |
I'm going on an excessively long lunch break. | 0:54:47 | 0:54:50 | |
Very good. | 0:54:50 | 0:54:51 | |
I forgot my bag. | 0:55:43 | 0:55:45 | |
I was just looking for a pair of scissors. | 0:55:45 | 0:55:48 | |
MacDuff? MacDuff? | 0:55:51 | 0:55:53 | |
-TV: -'At 0700 hours local time, | 0:55:55 | 0:55:57 | |
'American tanks rolled across the border into Mexico.' | 0:55:57 | 0:56:00 | |
There's been an interesting development. | 0:56:00 | 0:56:02 | |
'..Faced with an overwhelming show of force, the Mexican army surrendered en masse, | 0:56:02 | 0:56:06 | |
'and, by midday, the American flag was flying over Mexico City.' | 0:56:06 | 0:56:09 | |
That is very fast, even for the Pentagon. | 0:56:09 | 0:56:12 | |
'The full-scale American invasion of Mexico has been met with | 0:56:12 | 0:56:14 | |
'surprisingly little protest from the United Nations. | 0:56:14 | 0:56:16 | |
'Even America's staunchest critics have conceded that the logic | 0:56:16 | 0:56:19 | |
'and reasoning behind the invasion appear irrefutable.' | 0:56:19 | 0:56:22 | |
I didn't dare to dream that I would ever return in triumph. | 0:56:28 | 0:56:32 | |
Someone is selling our work. | 0:56:32 | 0:56:33 | |
I will not fail you again. | 0:56:33 | 0:56:34 | |
It's a totally new approach to artificial intelligence, | 0:56:34 | 0:56:37 | |
modelled on the brain's synaptic patterns. | 0:56:37 | 0:56:39 | |
Elaine's been stolen! The gynoid, my robot, she's gone! | 0:56:39 | 0:56:42 | |
It's a disaster. | 0:56:42 | 0:56:43 | |
I find you odd, but strangely alluring. | 0:56:43 | 0:56:47 | |
-Are you in love? -Is she mentally incapacitated in some way? | 0:56:47 | 0:56:50 | |
Where were you Dirk? Where were you? | 0:56:50 | 0:56:52 | |
Professor Jericho is depending on us! | 0:56:52 | 0:56:54 | |
Your beloved professor is not who you think he was. | 0:56:54 | 0:56:57 | |
This whole place gives me the creeps. | 0:56:57 | 0:57:00 | |
Argh! | 0:57:00 | 0:57:02 | |
Before you relocate to Cambridge, may I ask one last favour of you? | 0:57:02 | 0:57:06 | |
Unless you want to be arrested, I suggest you follow me very quickly. | 0:57:06 | 0:57:12 | |
Subtitles by Red Bee Media Ltd | 0:57:22 | 0:57:27 |