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COMPUTER: 'Welcome to | 0:00:19 | 0:00:21 | |
'St Cedd's Institute of Science and Technology.' | 0:00:21 | 0:00:23 | |
Not only are all things interconnected, | 0:00:38 | 0:00:40 | |
but the connections between cause and effect are often more complex | 0:00:40 | 0:00:44 | |
and subtle than we might naturally suppose. | 0:00:44 | 0:00:47 | |
But, you, Dirk, have taken the interconnectedness of all things | 0:00:47 | 0:00:51 | |
and applied them to the social world. | 0:00:51 | 0:00:53 | |
Your holistic detective agency is a breakthrough | 0:00:53 | 0:00:56 | |
in applied quantum mechanics. | 0:00:56 | 0:00:57 | |
Any innovation on my part is entirely down | 0:00:57 | 0:01:00 | |
-to your influence, Professor. -You're too kind. | 0:01:00 | 0:01:03 | |
I didn't dare to dream that I would ever return, in triumph, | 0:01:03 | 0:01:08 | |
my head held high. | 0:01:08 | 0:01:09 | |
I don't think anyone did, Dirk. After what happened. | 0:01:09 | 0:01:12 | |
Gentlemen, David Cho. | 0:01:12 | 0:01:15 | |
Dirk Gently and Richard... | 0:01:15 | 0:01:19 | |
-Richard MacDuff, partner. -Assistant. | 0:01:19 | 0:01:22 | |
Dirk is an alumnus of this department | 0:01:22 | 0:01:24 | |
-and our new security consultant. -Holistic security consultant. | 0:01:24 | 0:01:28 | |
We prevent the whole crime, thwart the entire espionage. | 0:01:28 | 0:01:32 | |
David has flown all the way from Beijing | 0:01:32 | 0:01:34 | |
to help solve some of our programming issues. | 0:01:34 | 0:01:36 | |
-Hi. -The boy is a genius, working closely with Dr Emelda Ransome. | 0:01:36 | 0:01:41 | |
She and her team are engaged in the creation | 0:01:41 | 0:01:44 | |
of a fully autonomous artificial intelligence. | 0:01:44 | 0:01:47 | |
They've named him Max. | 0:01:47 | 0:01:49 | |
It's a totally new approach to artificial intelligence, | 0:01:49 | 0:01:51 | |
modelled on the brain's synaptic patterns. | 0:01:51 | 0:01:53 | |
Once the learning protocol of the neural net is live, | 0:01:53 | 0:01:56 | |
Max will teach himself, becoming a thousand times more intelligent | 0:01:56 | 0:01:58 | |
than Einstein in a matter of moments. | 0:01:58 | 0:02:01 | |
Unfortunately, Max has yet to show any sign of life. | 0:02:01 | 0:02:05 | |
And whose fault is that? | 0:02:05 | 0:02:07 | |
And this, gentlemen, is my greatest achievement. | 0:02:13 | 0:02:18 | |
My gynoid. | 0:02:18 | 0:02:19 | |
Elaine's hands are powered by a set of 40 individual muscles. | 0:02:23 | 0:02:27 | |
80 valves control the flow of air into each muscle, | 0:02:27 | 0:02:31 | |
acting on information gathered from 170 joint sensors. | 0:02:31 | 0:02:34 | |
Voice-activated. Shake hands with our new guests, Elaine. | 0:02:34 | 0:02:39 | |
That is both amazing and frightening. | 0:02:49 | 0:02:52 | |
Elaine. You named her after your daughter? | 0:02:52 | 0:02:55 | |
A little light out of all that darkness. | 0:02:55 | 0:02:59 | |
Things have certainly changed since you were here, Dirk. | 0:03:04 | 0:03:07 | |
Our recent breakthroughs are the envy of the scientific community. | 0:03:07 | 0:03:11 | |
Good to have you here, Dirk. A mind like yours, you belong here. | 0:03:19 | 0:03:24 | |
Such a shame you couldn't complete your studies. | 0:03:24 | 0:03:28 | |
I see this as an opportunity to redeem myself | 0:03:28 | 0:03:30 | |
after the unfortunate series of events that led to my expulsion. | 0:03:30 | 0:03:34 | |
-You have nothing to redeem yourself for. -Professor! | 0:03:34 | 0:03:37 | |
And right now, you're the only person I can trust. | 0:03:37 | 0:03:41 | |
Professor Jericho! | 0:03:41 | 0:03:42 | |
I think someone is selling our work. | 0:03:42 | 0:03:46 | |
I have let you down before, Professor. | 0:03:46 | 0:03:49 | |
If there was a God, which we, as men of science, surely cannot accept, | 0:03:49 | 0:03:52 | |
-I would swear to him that I will not fail you again. -Good man. | 0:03:52 | 0:03:56 | |
Professor Jericho. Max is alive. | 0:03:56 | 0:04:00 | |
Doctor Ransome, I believe we have been here before. | 0:04:00 | 0:04:03 | |
Max spoke to me. You have to come and see this, please. | 0:04:03 | 0:04:07 | |
Would you excuse me, Dirk? | 0:04:07 | 0:04:09 | |
Well, they might have made a robot that can shake hands, | 0:04:15 | 0:04:17 | |
but the coffee hasn't got any better. What'd I miss? | 0:04:17 | 0:04:20 | |
-Only the creation of artificial life. -Ooh. | 0:04:20 | 0:04:23 | |
We're going to take advantage of the fact that the staff | 0:04:28 | 0:04:32 | |
and students are away on their summer holidays | 0:04:32 | 0:04:34 | |
to subject the department's physical defences | 0:04:34 | 0:04:36 | |
to an exacting, empirical test. | 0:04:36 | 0:04:39 | |
All looks pretty secure to me. | 0:04:41 | 0:04:43 | |
Looks can be deceptive. | 0:04:43 | 0:04:46 | |
-Dirk! This is a listed building. -That is no excuse for lax security. | 0:04:46 | 0:04:49 | |
An industrial spy could be through this in a second. | 0:04:49 | 0:04:51 | |
Well, they could now. | 0:04:51 | 0:04:53 | |
This is the student records archive. | 0:05:04 | 0:05:07 | |
This isn't part of the Science and Technology Department. | 0:05:07 | 0:05:09 | |
A holistic approach should, by its very definition, encompass the entire building. | 0:05:09 | 0:05:14 | |
Dirk! Hey! | 0:05:16 | 0:05:18 | |
Hey! | 0:05:25 | 0:05:26 | |
Shoddy. Very shoddy. | 0:05:32 | 0:05:33 | |
What exactly are we doing here, Dirk? | 0:05:33 | 0:05:35 | |
I've never believed the excuses the university proffered | 0:05:35 | 0:05:38 | |
-for my expulsion. -I thought you got kicked out for cheating? | 0:05:38 | 0:05:41 | |
That is a gross and inaccurate rumour. | 0:05:41 | 0:05:45 | |
Here we are. Minor misconduct, misconduct. | 0:05:45 | 0:05:48 | |
Gross minor misconduct, minor but gross misconduct. | 0:05:48 | 0:05:52 | |
Here we are, "Disciplinary Hearing. Year Three." | 0:05:52 | 0:05:56 | |
It's gone missing. Someone's removed the file. | 0:05:56 | 0:05:58 | |
ALARM BLARES | 0:05:58 | 0:06:01 | |
MOBILE PHONE RINGS | 0:06:02 | 0:06:04 | |
Professor? | 0:06:06 | 0:06:07 | |
Where the hell were you? | 0:06:10 | 0:06:12 | |
Elaine's been stolen. The gynoid. My robot. She's gone! | 0:06:12 | 0:06:16 | |
Well, we've searched the entire department. It's not here. | 0:06:46 | 0:06:48 | |
-It's clearly been stolen. -Well, of course it's been stolen. | 0:06:48 | 0:06:51 | |
Richard MacDuff. Occupation - stating the bloody obvious. | 0:06:51 | 0:06:55 | |
I know you're upset. Don't take it out on me. | 0:06:56 | 0:06:59 | |
-Feel better? -No! | 0:07:07 | 0:07:10 | |
What the hell is she doing here? | 0:07:13 | 0:07:16 | |
-Hello. "She"? I do have a name. -She's got an interview. -She? | 0:07:16 | 0:07:20 | |
Susan's got an interview for running her own practice in Cambridge. | 0:07:20 | 0:07:23 | |
You know this. We talked about it. | 0:07:23 | 0:07:25 | |
I thought your were joking. You haven't seen a robot? | 0:07:25 | 0:07:27 | |
-A robot? -Yeah. She's white, black eyes, about five-five, | 0:07:27 | 0:07:31 | |
-strangely erotic, answers to the name of Elaine. -No. | 0:07:31 | 0:07:34 | |
This is a disaster. | 0:07:36 | 0:07:38 | |
MacDuff! | 0:07:38 | 0:07:40 | |
I should, erm... | 0:07:40 | 0:07:42 | |
-What's going on? -I'll tell you later. | 0:07:42 | 0:07:45 | |
Yes? | 0:07:57 | 0:07:58 | |
Have you found her? | 0:08:00 | 0:08:02 | |
-Not exactly. -Either you have or you haven't. | 0:08:03 | 0:08:05 | |
I would have thought a scientific mind such as your own | 0:08:05 | 0:08:08 | |
would accept there is often a grey area in-between. | 0:08:08 | 0:08:11 | |
Where were you, Dirk? Where were you? | 0:08:11 | 0:08:13 | |
We were testing the department's security on a holistic level. | 0:08:13 | 0:08:18 | |
Could Elaine have gone off on her own accord? | 0:08:20 | 0:08:22 | |
She's not sentient, you idiot. She only responds to voice commands. | 0:08:22 | 0:08:26 | |
-Well, maybe we should call the police. -No! -No! | 0:08:26 | 0:08:29 | |
No police. No. | 0:08:29 | 0:08:31 | |
If our funders find out that Elaine's gone, | 0:08:31 | 0:08:34 | |
it'll be the final nail in our coffin. We're finished. | 0:08:34 | 0:08:36 | |
It was all for nothing. | 0:08:36 | 0:08:38 | |
Professor Jericho... | 0:08:40 | 0:08:42 | |
..I will find Elaine. | 0:08:44 | 0:08:46 | |
And I shall do so using the theories and methods | 0:08:46 | 0:08:49 | |
that I first learnt within these hallowed walls. | 0:08:49 | 0:08:51 | |
Or, this is just a thought before anyone shouts at me again, | 0:08:54 | 0:08:58 | |
we could check the security cameras. | 0:08:58 | 0:09:00 | |
I already checked. | 0:09:00 | 0:09:01 | |
-He's already checked. -The cameras were down when Elaine was stolen. | 0:09:01 | 0:09:04 | |
Well, that's very convenient, isn't it? | 0:09:04 | 0:09:07 | |
The cameras down at the exact moment the robot was stolen. | 0:09:07 | 0:09:09 | |
I created my own automated security system, | 0:09:09 | 0:09:12 | |
but there were teething problems. | 0:09:12 | 0:09:14 | |
The university's servers got wiped. | 0:09:14 | 0:09:17 | |
MacDuff is right. | 0:09:17 | 0:09:18 | |
We can't discount the convenient timing of this latest fault. | 0:09:18 | 0:09:22 | |
-May I ask, who was the last person to see the robot? -That would be me. | 0:09:22 | 0:09:26 | |
Max worked. He spoke to me. He was alive and now he's gone. | 0:09:31 | 0:09:34 | |
Unfortunately, we only have your word that Max was alive. | 0:09:34 | 0:09:39 | |
I ran to get Jericho. You saw me. | 0:09:39 | 0:09:41 | |
When I came back here, Elaine had gone. | 0:09:41 | 0:09:44 | |
As I am sure you're aware, | 0:09:47 | 0:09:49 | |
my methods are based on the interconnectedness of all things. | 0:09:49 | 0:09:53 | |
Of all things? | 0:09:53 | 0:09:55 | |
Surely quantum interconnectedness refers to molecular behaviour | 0:09:55 | 0:09:57 | |
at subatomic level. | 0:09:57 | 0:09:59 | |
On the level of human interaction, | 0:09:59 | 0:10:00 | |
the strands of connectivity would be in their trillions. | 0:10:00 | 0:10:03 | |
-Indeed. -So? -So... | 0:10:03 | 0:10:06 | |
Perhaps you can tell me about the security system? | 0:10:10 | 0:10:13 | |
I can tell you that it's as hopeless as everything else around here. | 0:10:13 | 0:10:17 | |
-What is that? -It injects a tiny microchip under the skin, | 0:10:20 | 0:10:22 | |
allowing the carrier to interact and control the building. | 0:10:22 | 0:10:26 | |
E-mail, heating and lighting. Security too. | 0:10:26 | 0:10:28 | |
If we are to solve this case, we must become one | 0:10:28 | 0:10:30 | |
with the technology that surrounds it. | 0:10:30 | 0:10:32 | |
-It does have some side effects. -Side effects? | 0:10:32 | 0:10:35 | |
Migraines, nausea, diarrhoea. | 0:10:35 | 0:10:38 | |
Ah! What are you doing? | 0:10:39 | 0:10:41 | |
Interacting with the building could be invaluable for our investigation. | 0:10:41 | 0:10:44 | |
-Why didn't you inject yourself? -I can hardly be expected to retrieve | 0:10:44 | 0:10:48 | |
the robot while suffering from nausea, migraines and diarrhoea. | 0:10:48 | 0:10:52 | |
TOILET FLUSHES | 0:10:52 | 0:10:56 | |
MACDUFF COUGHS AND RETCHES | 0:10:56 | 0:10:57 | |
MacDuff bravely volunteering to test the chip | 0:10:59 | 0:11:01 | |
can only bring us closer to solving the crime. | 0:11:01 | 0:11:05 | |
Are you all right? | 0:11:05 | 0:11:07 | |
I'll live. | 0:11:07 | 0:11:09 | |
'Welcome to St. Cedd's Institute of Science and Technology, | 0:11:09 | 0:11:12 | |
-'Richard MacDuff.' -The chip's activated, excellent. | 0:11:12 | 0:11:14 | |
'To authorise synchronisation of your personal e-mail | 0:11:14 | 0:11:17 | |
'with the Institute, say yes.' | 0:11:17 | 0:11:19 | |
-Say yes. -No. -'Synchronisation authorised.' | 0:11:19 | 0:11:22 | |
I said no. | 0:11:22 | 0:11:24 | |
'To hear e-mail, say e-mail. | 0:11:24 | 0:11:26 | |
-'To store e-mail for later attention, say store.' -Store. | 0:11:26 | 0:11:30 | |
I really need to get ready for my interview. | 0:11:30 | 0:11:32 | |
-Are you sure you're all right? -'First new message.' | 0:11:32 | 0:11:34 | |
-I-I said store. -Shh. | 0:11:34 | 0:11:37 | |
'"Hello, Richard, only Mum. | 0:11:37 | 0:11:39 | |
'"Just a short note to remind you about lunch on Sunday. | 0:11:39 | 0:11:42 | |
'"Do bring Susan, if you feel you must."' | 0:11:42 | 0:11:46 | |
I'll see you later. | 0:11:48 | 0:11:49 | |
-No. Susan. -We have to become one with the technology. | 0:11:49 | 0:11:52 | |
Would you get off me, please? | 0:11:52 | 0:11:54 | |
Professor Jericho is depending on us! | 0:11:54 | 0:11:56 | |
I don't care about Professor Jericho right now. | 0:11:56 | 0:11:58 | |
'Professor Jericho. Do you want to access e-mails?' | 0:11:58 | 0:12:00 | |
-We have to find Elaine! -Elaine is gone. | 0:12:00 | 0:12:02 | |
'Elaine. Password correct. | 0:12:02 | 0:12:04 | |
'Professor Jericho. You have one new message. | 0:12:04 | 0:12:08 | |
'New message.' | 0:12:08 | 0:12:11 | |
COMPUTER SPEAKS IN CHINESE | 0:12:11 | 0:12:16 | |
Susan! | 0:12:16 | 0:12:17 | |
Hey. | 0:12:17 | 0:12:19 | |
I'm sorry. That's... Don't.... | 0:12:19 | 0:12:21 | |
You know my mum, she doesn't mean that. | 0:12:21 | 0:12:24 | |
It's a relief to be honest. | 0:12:24 | 0:12:26 | |
Now I don't have to feel guilty about not liking her. | 0:12:26 | 0:12:29 | |
You don't like my mum? | 0:12:29 | 0:12:31 | |
Richard, nobody likes your mother. | 0:12:31 | 0:12:33 | |
Yeah, I suppose she is uniquely unlikable. | 0:12:33 | 0:12:36 | |
Are you going to wish me luck for my interview, then? | 0:12:38 | 0:12:40 | |
Yes. Good luck for your interview. | 0:12:40 | 0:12:43 | |
You don't mean that, do you? | 0:12:43 | 0:12:44 | |
I don't want to move to Cambridge, Susan. I don't, I really don't. | 0:12:44 | 0:12:47 | |
I'm sorry. | 0:12:47 | 0:12:49 | |
And Dirk and the agency. You know, I can't, I can't just walk away. | 0:12:49 | 0:12:53 | |
Look, ignore me. Forget... Don't think about that now. | 0:12:55 | 0:12:58 | |
Listen, hey, you might not even get the job. | 0:12:58 | 0:13:01 | |
Thanks. | 0:13:01 | 0:13:02 | |
Good luck. | 0:13:05 | 0:13:06 | |
COMPUTER CONTINUES TO SPEAK IN CHINESE | 0:13:12 | 0:13:16 | |
What is that? | 0:13:16 | 0:13:17 | |
It's part of a lengthy e-mail correspondence | 0:13:17 | 0:13:19 | |
between Professor Jericho and a Chinese gentleman about Elaine. | 0:13:19 | 0:13:23 | |
Do you think he was trying to sell her to the Chinese? | 0:13:23 | 0:13:25 | |
Someone would certainly like us to believe so. | 0:13:25 | 0:13:28 | |
I know the professor well enough to see through | 0:13:28 | 0:13:30 | |
such a clumsy attempt at misdirection. | 0:13:30 | 0:13:33 | |
Seems a bit suspicious to me, Dirk. | 0:13:44 | 0:13:46 | |
Just think you should keep an open mind. | 0:13:46 | 0:13:48 | |
You're the one leaping to conclusions, MacDuff, not me. | 0:13:48 | 0:13:52 | |
Oh, God. Is he dead? | 0:13:55 | 0:13:57 | |
Dirk. | 0:14:03 | 0:14:05 | |
Dirk. | 0:14:06 | 0:14:08 | |
You're in shock. | 0:14:09 | 0:14:11 | |
This isn't shock, MacDuff. | 0:14:11 | 0:14:14 | |
It's a grim determination to find whoever did this. | 0:14:14 | 0:14:17 | |
He was the only one who ever believed in me. | 0:14:26 | 0:14:30 | |
-We have to call the police. -No, MacDuff. | 0:14:31 | 0:14:34 | |
The professor put his faith in me and I let him down twice. | 0:14:35 | 0:14:39 | |
I couldn't live with myself if I didn't make amends for that. | 0:14:39 | 0:14:44 | |
OK. | 0:14:48 | 0:14:50 | |
Keep watch. | 0:14:53 | 0:14:54 | |
Let's go | 0:15:25 | 0:15:26 | |
-We can't just leave him. -We can and we must. | 0:15:26 | 0:15:28 | |
It's essential we're well clear of the crime scene | 0:15:28 | 0:15:30 | |
before the body is discovered. | 0:15:30 | 0:15:32 | |
SCREAMING | 0:15:35 | 0:15:36 | |
Police! | 0:15:39 | 0:15:41 | |
That may have made us look extremely guilty. | 0:15:41 | 0:15:44 | |
We should go back and explain. Tell her it wasn't us. | 0:15:44 | 0:15:46 | |
The problem's not that we fled, just we haven't fled fast enough. | 0:15:46 | 0:15:49 | |
There's been a deficit of fleeing which we must rectify immediately. | 0:15:49 | 0:15:52 | |
I'll call Susan and tell her what's happened. | 0:16:01 | 0:16:03 | |
If you must. | 0:16:03 | 0:16:05 | |
I find the truth to be an enemy in all successful relationships. | 0:16:05 | 0:16:08 | |
Course you do. That's one of the many differences between us. | 0:16:08 | 0:16:10 | |
Is that why you're planning to abandon the agency and move to Cambridge? | 0:16:10 | 0:16:14 | |
I haven't decided anything yet. Susan might not even get the job. | 0:16:14 | 0:16:17 | |
I didn't even know you were that bothered. | 0:16:17 | 0:16:19 | |
I'm not. Averagely competent assistants are easy to come by. | 0:16:19 | 0:16:22 | |
-I am your partner. -Are you? | 0:16:22 | 0:16:25 | |
If you'll excuse me, I have a murderer to catch. | 0:16:26 | 0:16:29 | |
Excuse me? | 0:16:41 | 0:16:42 | |
Do you know where I can get something to eat? | 0:16:43 | 0:16:46 | |
(The refectory is through there.) | 0:16:47 | 0:16:50 | |
(Actually, why don't I come with you?) | 0:16:56 | 0:16:58 | |
Come on. Chop, chop. | 0:17:01 | 0:17:04 | |
MUNCHING | 0:17:06 | 0:17:08 | |
I'm Jane. | 0:17:10 | 0:17:12 | |
Dirk, Dirk Gently. Holistic detective. | 0:17:12 | 0:17:14 | |
Pleased to meet you Dirk, Dirk Gently, holistic detective. | 0:17:15 | 0:17:20 | |
These crisps are fantastic. I love salt and vinegar. | 0:17:20 | 0:17:25 | |
-You should try one. -No, thanks. | 0:17:28 | 0:17:30 | |
Is there something wrong? | 0:17:37 | 0:17:39 | |
Someone I liked and... | 0:17:41 | 0:17:43 | |
..respected very much. He died. | 0:17:44 | 0:17:47 | |
And now, I'll... | 0:17:47 | 0:17:50 | |
never be able to prove myself to him. | 0:17:50 | 0:17:52 | |
Ah. | 0:17:56 | 0:17:58 | |
I'm sorry about your friend. | 0:17:59 | 0:18:02 | |
It is a tragedy that his life has been cut so cruelly short. | 0:18:02 | 0:18:05 | |
70 years. | 0:18:05 | 0:18:07 | |
It's neither one thing or the other. | 0:18:08 | 0:18:10 | |
I find you odd, | 0:18:16 | 0:18:18 | |
but strangely alluring. | 0:18:18 | 0:18:22 | |
Thank you. Erm... | 0:18:25 | 0:18:26 | |
Er, my number is on the card, if ever you want to... | 0:18:29 | 0:18:33 | |
If ever I want to. | 0:18:33 | 0:18:35 | |
-I have... I've got a case. -Bye, Dirk, Dirk Gently. | 0:18:38 | 0:18:42 | |
Bye. PHONE BEEPS | 0:18:44 | 0:18:45 | |
MAN SPEAKS IN CHINESE | 0:18:50 | 0:18:52 | |
-(Dirk.) -Oh, so you've finished placating your lady friend. | 0:18:57 | 0:19:00 | |
(The police are all over the college.) | 0:19:00 | 0:19:02 | |
I fear the police investigation may be hampered somewhat | 0:19:02 | 0:19:04 | |
by the absence of Professor Jericho's phone. | 0:19:04 | 0:19:06 | |
You stole his phone? Great. Well done(!) | 0:19:06 | 0:19:10 | |
Now we look even more guilty. | 0:19:10 | 0:19:11 | |
It appears the Professor was left a voice message | 0:19:11 | 0:19:13 | |
-by a very angry Chinese man before his death. -What does it say? | 0:19:13 | 0:19:16 | |
I don't know. Because Chinese men tend to speak in Chinese. | 0:19:16 | 0:19:21 | |
-We must to speak to David Cho. -You think he's in on it? | 0:19:21 | 0:19:23 | |
No, Macduff. I think he's Chinese. | 0:19:23 | 0:19:25 | |
He'll be able to translate the message for us. | 0:19:25 | 0:19:29 | |
It appears that he is out, Macduff. We will have to come back later. | 0:19:43 | 0:19:49 | |
I'm so glad we caught you, Mr Cho. | 0:19:59 | 0:20:03 | |
-What do you want? -I was wondering if you could translate some Chinese for me. | 0:20:03 | 0:20:06 | |
I'm very busy. Programming. | 0:20:06 | 0:20:08 | |
Suspicious. | 0:20:13 | 0:20:14 | |
You don't think he had anything to do with it, do you? | 0:20:16 | 0:20:18 | |
People who are guilty of murder tend to be better at hiding their guilt. | 0:20:18 | 0:20:23 | |
Well, he did something. | 0:20:23 | 0:20:25 | |
The question is not so much what he did, | 0:20:25 | 0:20:29 | |
but how it relates to everything else. | 0:20:29 | 0:20:32 | |
What exactly are we doing in here? | 0:20:52 | 0:20:54 | |
Is this the everything else that could be connected to David Cho? | 0:20:54 | 0:20:57 | |
-Cos I'll be honest... -Quite possibly. | 0:20:57 | 0:20:58 | |
..it feels like we're just stumbling around in the dark. | 0:20:58 | 0:21:01 | |
Might feel like that to you, Macduff. | 0:21:01 | 0:21:03 | |
(What are you doing?) | 0:21:27 | 0:21:29 | |
(Do you even know what that does? Is it safe?) | 0:21:29 | 0:21:33 | |
We're about to find out. | 0:21:33 | 0:21:35 | |
COMPUTER BEEPS AND WHIRS | 0:21:39 | 0:21:42 | |
I fancy a banana. | 0:21:57 | 0:21:58 | |
That's amazing, Macduff. That's exactly what I was thinking. | 0:21:58 | 0:22:00 | |
You read my mind. | 0:22:00 | 0:22:01 | |
No. I read this screen. Right here. | 0:22:01 | 0:22:04 | |
It's writing out my thoughts. | 0:22:11 | 0:22:13 | |
What the hell are you doing with that? | 0:22:31 | 0:22:34 | |
Some kind of computer-brain interface, isn't it? | 0:22:34 | 0:22:37 | |
It digitally projects the electrical currents in our brains. | 0:22:37 | 0:22:40 | |
It was designed to help paraplegics communicate. | 0:22:40 | 0:22:42 | |
We never finished the development | 0:22:42 | 0:22:44 | |
because Jericho whittled away the grant | 0:22:44 | 0:22:46 | |
on what he called departmental expenses. | 0:22:46 | 0:22:48 | |
You're implying that the professor was embezzling money? | 0:22:48 | 0:22:51 | |
I'm not implying it. I know he was. | 0:22:51 | 0:22:53 | |
And that made you very angry with him. | 0:22:53 | 0:22:55 | |
And with your blood boiling, you went to the professor's office, | 0:22:55 | 0:22:59 | |
you flew into a rage and you brutally murdered him. | 0:22:59 | 0:23:05 | |
You think I killed Jericho? | 0:23:05 | 0:23:06 | |
Well, that's strange, because the police think | 0:23:06 | 0:23:08 | |
two men answering your description killed him. | 0:23:08 | 0:23:11 | |
That's a funny story. Not funny, ha-ha, obviously. But... | 0:23:11 | 0:23:15 | |
Your beloved professor is not who you think he was. | 0:23:15 | 0:23:18 | |
If Jericho was siphoning off cash, what's he been doing with his money? | 0:23:20 | 0:23:23 | |
We don't know that he was siphoning off money, Macduff. | 0:23:23 | 0:23:25 | |
I know that scientific experiments | 0:23:25 | 0:23:26 | |
require expenses that, to a lesser mind, can appear indulgent. | 0:23:26 | 0:23:30 | |
'Richard Macduff, you have new mail. First new message. | 0:23:30 | 0:23:33 | |
'"Back off or face the consequences."' | 0:23:33 | 0:23:36 | |
We appear to have irked somebody's ire. | 0:23:36 | 0:23:38 | |
'"Back off or face the consequences."' | 0:23:38 | 0:23:40 | |
Identify sender. | 0:23:40 | 0:23:42 | |
'"Back off or face the consequences."' | 0:23:42 | 0:23:44 | |
Identify sender. | 0:23:44 | 0:23:46 | |
'Adjust lighting.' | 0:23:46 | 0:23:48 | |
Don't adjust the lighting, identify who sent the bloody e-mail. | 0:23:48 | 0:23:51 | |
'Sender unknown.' | 0:23:51 | 0:23:52 | |
Identify IP address. | 0:23:52 | 0:23:55 | |
'Adjust lighting.' | 0:23:55 | 0:23:56 | |
Identify IP address or it will be the last thing you ever do. | 0:23:56 | 0:24:00 | |
-'IP address. 4.77.518.144.' -Are you going somewhere with this? | 0:24:00 | 0:24:06 | |
Identify name registered to IP address. | 0:24:06 | 0:24:08 | |
'IP address belongs to David Cho.' | 0:24:08 | 0:24:12 | |
Yes, I am. David Cho is threatening us. | 0:24:13 | 0:24:16 | |
I don't believe he is. | 0:24:17 | 0:24:19 | |
Hey! | 0:24:25 | 0:24:27 | |
Where's David Cho? | 0:24:30 | 0:24:32 | |
What do you mean he isn't David Cho? | 0:24:46 | 0:24:48 | |
David Cho was hired as an expert in computer programming. | 0:24:48 | 0:24:50 | |
Such an expert would never send a threatening e-mail | 0:24:50 | 0:24:52 | |
from an e-mail address that could so easily be traced back to himself. | 0:24:52 | 0:24:55 | |
He isn't David Cho. | 0:24:55 | 0:24:56 | |
-What if he's the killer? -Then we have him cornered. | 0:25:09 | 0:25:12 | |
And that's a good idea, is it? Corner a killer in a dark basement? | 0:25:12 | 0:25:17 | |
HE CLEARS THROAT | 0:25:37 | 0:25:41 | |
Dirk. | 0:25:45 | 0:25:46 | |
Dirk! | 0:25:49 | 0:25:51 | |
-A-a-ah! -Argh! | 0:25:51 | 0:25:54 | |
HE SCREAMS | 0:25:54 | 0:25:57 | |
Ah! You broke my nose! | 0:26:01 | 0:26:03 | |
-You attacked me! -I didn't! You hit me! | 0:26:03 | 0:26:05 | |
You were sneaking up on him. | 0:26:05 | 0:26:07 | |
-I wasn't! I was sneaking out! -Look, I once spent six months | 0:26:07 | 0:26:11 | |
in a hospital in Guatemala, posing as a doctor. | 0:26:11 | 0:26:13 | |
Arrgh! | 0:26:13 | 0:26:15 | |
HE GROANS IN PAIN | 0:26:15 | 0:26:17 | |
My teeth! | 0:26:20 | 0:26:21 | |
Where is David Cho? | 0:26:21 | 0:26:22 | |
Are you some kind of industrial spy? | 0:26:22 | 0:26:25 | |
No, I'm not a spy! I'm an orc. | 0:26:25 | 0:26:28 | |
As in a medieval creature from a fantasy novel? | 0:26:29 | 0:26:33 | |
You're going to have to do better than that. | 0:26:33 | 0:26:35 | |
My name's Noel. I'm not from China, I'm from Salford. | 0:26:35 | 0:26:39 | |
I met David online. | 0:26:39 | 0:26:41 | |
He was an elf and I was an orc. | 0:26:41 | 0:26:44 | |
Citadels of Conquest? It's an online role playing game. | 0:26:44 | 0:26:49 | |
We did everything together, | 0:26:52 | 0:26:56 | |
even though I was in Salford and he was in Beijing. | 0:26:56 | 0:26:59 | |
Fought dragons. | 0:27:01 | 0:27:03 | |
Captured citadels. | 0:27:04 | 0:27:05 | |
Fell in love. | 0:27:07 | 0:27:09 | |
And then one day, Gavin was there. | 0:27:15 | 0:27:20 | |
Whoever heard of a homunculus fighting alongside an elf and orc? | 0:27:22 | 0:27:27 | |
It's a totally different mythology. | 0:27:28 | 0:27:30 | |
Where's David Cho now? | 0:27:30 | 0:27:33 | |
David's gone to be with Gavin in Grimsby. | 0:27:33 | 0:27:35 | |
He paid me to come here and pretend to be him. | 0:27:38 | 0:27:40 | |
After I'd told everyone I was David, I had to see it through. | 0:27:42 | 0:27:45 | |
What do you know about Jericho and the missing robot? | 0:27:45 | 0:27:49 | |
Strange things happen. | 0:27:51 | 0:27:53 | |
I find that people's definition of what is strange varies wildly. | 0:27:53 | 0:27:57 | |
One time, I was waiting for Professor Jericho near his office. | 0:28:03 | 0:28:07 | |
I was going to confess everything. | 0:28:07 | 0:28:11 | |
He went into his office. | 0:28:11 | 0:28:13 | |
I followed him, but he'd disappeared. | 0:28:13 | 0:28:16 | |
-People don't just disappear. -He did. | 0:28:17 | 0:28:20 | |
One minute, he was in his office. The next, he wasn't. | 0:28:20 | 0:28:24 | |
This whole place gives me the creeps. It's haunted. | 0:28:27 | 0:28:32 | |
So we've had elfs and orcs and now we've got ghosts. | 0:28:32 | 0:28:35 | |
I hear things in the night. | 0:28:35 | 0:28:37 | |
I hear footsteps. | 0:28:41 | 0:28:43 | |
Doors opening and closing. | 0:28:43 | 0:28:47 | |
When I go to look, there's no one there. | 0:28:47 | 0:28:50 | |
Wo-o-oo, wo-o-oo! | 0:28:51 | 0:28:55 | |
Do you believe him? | 0:29:03 | 0:29:05 | |
That St Cedd's is haunted, or that the real David Cho has gone to live | 0:29:05 | 0:29:08 | |
with a homosexual homunculus in Humberside? | 0:29:08 | 0:29:10 | |
They're here, quick! | 0:29:12 | 0:29:14 | |
They were right there. | 0:29:17 | 0:29:20 | |
So the robot's still missing, Jericho is dead, | 0:29:30 | 0:29:33 | |
and we're on a ghost hunt. Brilliant(!) | 0:29:33 | 0:29:35 | |
We're not on a ghost hunt, Macduff. No such thing. | 0:29:35 | 0:29:38 | |
So we're wandering up and down corridors. Even better(!) | 0:29:38 | 0:29:41 | |
Noel was telling the truth about hearing people walking about | 0:29:41 | 0:29:44 | |
and disappearing. What interests me is where to? | 0:29:44 | 0:29:47 | |
Lights on. | 0:29:50 | 0:29:52 | |
Lights on! | 0:29:52 | 0:29:54 | |
BANGING | 0:29:54 | 0:29:55 | |
(Someone's coming.) | 0:29:55 | 0:29:57 | |
Lights on! | 0:29:57 | 0:29:58 | |
-Work, you useless piece of... -Lights off. | 0:29:58 | 0:30:02 | |
BOTH: Ah! | 0:30:02 | 0:30:04 | |
-What are you doing here? -Looking for you. | 0:30:04 | 0:30:07 | |
We're supposed to have dinner? | 0:30:07 | 0:30:09 | |
Yes. Can we just do one thing first? | 0:30:09 | 0:30:12 | |
We're trying to figure out how the Professor disappeared. | 0:30:14 | 0:30:17 | |
Oh, right. | 0:30:17 | 0:30:18 | |
Thanks for asking me how my interview went, by the way. | 0:30:21 | 0:30:24 | |
Sorry. How did it go? | 0:30:24 | 0:30:27 | |
They offered me the job, pending references. | 0:30:27 | 0:30:30 | |
That's great. | 0:30:32 | 0:30:33 | |
You're such a terrible liar. | 0:30:36 | 0:30:39 | |
What are you doing? | 0:30:39 | 0:30:40 | |
It's supposed to be a filing cabinet, but there are no files. | 0:30:40 | 0:30:44 | |
When is a filing cabinet, not a filing cabinet? | 0:30:44 | 0:30:47 | |
This is bollocks. | 0:30:47 | 0:30:48 | |
I actually prefer the term applied quantum mechanics. | 0:30:48 | 0:30:51 | |
CLATTERING | 0:30:55 | 0:30:58 | |
(My God.) | 0:31:37 | 0:31:39 | |
Who is that? | 0:31:46 | 0:31:47 | |
Jericho's daughter. Elaine. He named the robot after her. | 0:31:47 | 0:31:51 | |
He kept her in here? | 0:31:51 | 0:31:52 | |
No. She died when she was eight. | 0:31:52 | 0:31:55 | |
So what is this place? A shrine? | 0:31:55 | 0:31:57 | |
Um... | 0:31:59 | 0:32:01 | |
If Elaine is dead, who's sleeping in her bed? | 0:32:01 | 0:32:05 | |
Hello? | 0:32:12 | 0:32:14 | |
-Macduff, pull back the duvet. -You pull back the duvet. | 0:32:18 | 0:32:21 | |
-I'm holding the torch. -I'll hold the torch, you get the duvet. | 0:32:21 | 0:32:24 | |
I'll do it! | 0:32:24 | 0:32:26 | |
MECHANICAL WHIRRING | 0:32:38 | 0:32:41 | |
That's disturbing on so many levels. | 0:32:41 | 0:32:43 | |
Jericho was building himself a replacement daughter. | 0:32:45 | 0:32:49 | |
-What's that? -It's the minutes of my disciplinary hearing. | 0:32:53 | 0:32:56 | |
Motion for expulsion. Four votes for, four against. | 0:32:56 | 0:32:59 | |
-Chair has the deciding vote. And the chair is... -Is this relevant, Dirk? | 0:32:59 | 0:33:04 | |
We're in a secret room. There's a robot in a child's bed, | 0:33:04 | 0:33:07 | |
and a murderer on the loose! | 0:33:07 | 0:33:09 | |
Dirk? | 0:33:22 | 0:33:23 | |
Jericho chaired the disciplinary hearing. He had Dirk expelled. | 0:33:27 | 0:33:31 | |
Dirk. | 0:33:40 | 0:33:42 | |
If this is true, why did he hire us in the first place? | 0:33:44 | 0:33:47 | |
I don't mean to be rude, but that's obvious, isn't it? | 0:33:49 | 0:33:52 | |
Is it? | 0:33:52 | 0:33:53 | |
You're a patsy. | 0:33:55 | 0:33:57 | |
Jericho obviously planned on stealing the robot. | 0:33:58 | 0:34:02 | |
He hired you as a security consultant | 0:34:02 | 0:34:04 | |
so that you'd get the blame when it went missing. | 0:34:04 | 0:34:07 | |
CAR ENGINE STARTING AND FAILING | 0:34:15 | 0:34:17 | |
Is it possible to buy a single gherkin? | 0:34:48 | 0:34:51 | |
-No. -Shame. | 0:34:51 | 0:34:54 | |
Hello, Dirk, Dirk Gently. | 0:34:57 | 0:35:00 | |
-Hello. -Can I help you? -Oh! | 0:35:00 | 0:35:03 | |
Yes, please. I'm starving. What would you recommend? | 0:35:03 | 0:35:07 | |
-A combination of battered fish and fried potatoes would be traditional(!) -Cod and chips. | 0:35:07 | 0:35:11 | |
Wait, haddock and chips. I can't miss out on plaice. | 0:35:12 | 0:35:16 | |
-Do you know they can live until they're 50? -No. | 0:35:16 | 0:35:19 | |
Right. Which one will it be? | 0:35:19 | 0:35:21 | |
All of them. | 0:35:21 | 0:35:23 | |
And mushy peas and curry sauce. That's it. | 0:35:23 | 0:35:27 | |
Oh, except for a saveloy. | 0:35:27 | 0:35:28 | |
So I know what holistic therapy is, | 0:35:32 | 0:35:34 | |
and holistic education and holistic medicine, | 0:35:34 | 0:35:38 | |
but what's a holistic detective? | 0:35:38 | 0:35:41 | |
-Well, quantum mechanics suggests... -Everything is interconnected... | 0:35:41 | 0:35:46 | |
-Indeed, so. -..by following a causal thread, however tangential, | 0:35:46 | 0:35:49 | |
you will ultimately and inevitably arrive at the solution to the crime. | 0:35:49 | 0:35:53 | |
-Right, if you already knew... -Sorry! | 0:35:53 | 0:35:56 | |
I think faster than I can speak, | 0:35:56 | 0:35:58 | |
so I'm always answering my own questions. | 0:35:58 | 0:36:00 | |
It's exhausting for me. | 0:36:00 | 0:36:03 | |
It must be profoundly annoying for everyone else. | 0:36:03 | 0:36:06 | |
It's brilliant, by the way. | 0:36:07 | 0:36:10 | |
A holistic detective agency. | 0:36:10 | 0:36:13 | |
The whole thing. | 0:36:13 | 0:36:14 | |
You. You're brilliant. | 0:36:14 | 0:36:17 | |
Cod and chips, haddock and chips, plaice and chips, | 0:36:18 | 0:36:21 | |
mushy peas, curry sauce, and one saveloy. | 0:36:21 | 0:36:24 | |
That's £29.30, please. | 0:36:24 | 0:36:27 | |
Oh, I don't have any money. | 0:36:27 | 0:36:29 | |
What? | 0:36:29 | 0:36:31 | |
-I could write you an IOU. -You taking the piss? | 0:36:31 | 0:36:34 | |
What do you do in these situations? | 0:36:34 | 0:36:36 | |
I believe the proprietor of a chip shop | 0:36:36 | 0:36:38 | |
will have eaten far too many chips, thus hindering his athletic prowess | 0:36:38 | 0:36:41 | |
What are you saying? | 0:36:41 | 0:36:43 | |
-In layman's terms, what I'm saying is... -Run! | 0:36:43 | 0:36:45 | |
Hey! | 0:36:45 | 0:36:46 | |
Come here! | 0:36:46 | 0:36:48 | |
So why were you expelled? If you don't mind me asking. | 0:37:04 | 0:37:09 | |
I suffer from a very rare condition known as narcoleptic clairvoyance. | 0:37:09 | 0:37:13 | |
-You predict the future when you're asleep? -Exactly so, yeah. | 0:37:13 | 0:37:17 | |
My room-mate told me I was predicting exam papers while asleep. | 0:37:17 | 0:37:21 | |
Not surprisingly, I was offered some pretty hefty bribes | 0:37:21 | 0:37:24 | |
by a pretty hefty number of people to see the predictions. | 0:37:24 | 0:37:27 | |
I was young and rash, and had developed a taste for fine wines | 0:37:27 | 0:37:31 | |
and dining that far exceeded my student grant. | 0:37:31 | 0:37:35 | |
Is this fine dining? | 0:37:35 | 0:37:37 | |
Yes. Yes, indeed. | 0:37:37 | 0:37:40 | |
The trouble was the examination papers | 0:37:40 | 0:37:42 | |
I predicted bore no relation to the real ones, except one. | 0:37:42 | 0:37:45 | |
Applied Quantum Physics. It was the same as the one set. | 0:37:45 | 0:37:50 | |
Exactly the same. Word for word. | 0:37:50 | 0:37:53 | |
To the comma. | 0:37:53 | 0:37:55 | |
Coincidence can be a brutal thing. | 0:37:59 | 0:38:03 | |
Professor Jericho was the only one who believed I didn't cheat, | 0:38:05 | 0:38:10 | |
or so he said. | 0:38:10 | 0:38:11 | |
Sorry. | 0:38:24 | 0:38:26 | |
That was a bit presumptuous, wasn't it? | 0:38:26 | 0:38:29 | |
I don't get out much. | 0:38:29 | 0:38:31 | |
In my experience, whilst it's rarely acceptable for a man | 0:38:31 | 0:38:34 | |
to surprise a woman with a kiss, men rarely raise objection | 0:38:34 | 0:38:37 | |
when women do the same. As is the case here. | 0:38:37 | 0:38:39 | |
These are very good chips. | 0:38:43 | 0:38:46 | |
When are we going to be able to stop hiding from the police? | 0:39:00 | 0:39:03 | |
Probably when I'm no longer a suspect in a murder enquiry. | 0:39:03 | 0:39:06 | |
What does Dirk actually want? | 0:39:07 | 0:39:09 | |
I've no idea. Haven't seen him all day. | 0:39:09 | 0:39:12 | |
He just said meet him in Jericho's office. | 0:39:12 | 0:39:14 | |
Listen, just go easy on him. | 0:39:16 | 0:39:19 | |
This whole thing with the professor and the expulsion, | 0:39:19 | 0:39:21 | |
God knows what state he'll be in. | 0:39:21 | 0:39:24 | |
Macduff! Susan! I trust you slept well. Help yourselves to pastries. | 0:39:26 | 0:39:29 | |
I came across them looking for a marker pen. | 0:39:29 | 0:39:32 | |
I recommend the almond croissants. | 0:39:32 | 0:39:34 | |
-You're still working on the case? -Why wouldn't I be? | 0:39:34 | 0:39:37 | |
-Well... -I'm still the security consultant, | 0:39:37 | 0:39:39 | |
and there's a murderer to catch. | 0:39:39 | 0:39:41 | |
# Ooh, sha-la-la-laa | 0:39:41 | 0:39:45 | |
-# La-la-la... # -Dirk? | 0:39:45 | 0:39:48 | |
You sure you're all right? | 0:39:48 | 0:39:50 | |
Never felt better. | 0:39:50 | 0:39:51 | |
In fact, something rather startling has taken place. | 0:39:51 | 0:39:55 | |
I've met a young woman who | 0:39:55 | 0:39:56 | |
I believe rather likes me. | 0:39:56 | 0:40:00 | |
She likes you?! Is she mentally incapacitated in some way? | 0:40:00 | 0:40:04 | |
Au contraire, Miss Harmison. | 0:40:04 | 0:40:06 | |
I believe her to be an exceptionally beautiful, | 0:40:06 | 0:40:09 | |
and intelligent young woman, who shares my passion for fatty foods. | 0:40:09 | 0:40:12 | |
Oh, my God! Are you in love?! | 0:40:12 | 0:40:15 | |
That's it! | 0:40:15 | 0:40:18 | |
I must re-examine the facts of the case through the prism of love! | 0:40:18 | 0:40:22 | |
HE SIGHS | 0:40:28 | 0:40:31 | |
-The anomaly is obvious, is it not? -Is it? | 0:40:40 | 0:40:44 | |
How is it possible that the professor both created a replacement daughter to ease his grief | 0:40:44 | 0:40:50 | |
and be planning to sell the mechanical maiden to the Chinese? | 0:40:50 | 0:40:54 | |
So you accept he was trying to sell the robot? | 0:40:54 | 0:40:57 | |
I had his emails and voice messages translated at a local Chinese laundry. It's undeniable. | 0:40:57 | 0:41:01 | |
Observe the splashes of pink paint on Jericho's memorandum recommending my expulsion. | 0:41:14 | 0:41:18 | |
-The same paint from Elaine's bedroom. -Jericho didn't recently paint the room for | 0:41:18 | 0:41:23 | |
the robotic replacement, he painted it 20 years ago for his daughter. His ACTUAL daughter. | 0:41:23 | 0:41:28 | |
Oh, my God! They use it to feed coma patients. | 0:41:39 | 0:41:44 | |
This isn't a shrine to a dead child, it's a hospital room for a living one. | 0:41:44 | 0:41:47 | |
Professor Jericho's daughter was in an accident when she was eight and declared brain dead. | 0:41:47 | 0:41:51 | |
So he's been keeping her alive all this time? | 0:41:51 | 0:41:53 | |
That's why he siphoned off the department's money. This equipment would cost a fortune! | 0:41:53 | 0:41:57 | |
He was trying to find a way to bring her back. | 0:41:57 | 0:41:59 | |
-You don't come back from brain death. It's impossible. -Well where is she? Where's her body? | 0:41:59 | 0:42:04 | |
We have a missing body in need of a brain. | 0:42:04 | 0:42:08 | |
-We have a missing artificial brain. -And a murderer on the loose. | 0:42:08 | 0:42:11 | |
-I need to speak to David Cho. -You mean Noel? | 0:42:11 | 0:42:13 | |
No, I mean the David Cho, the real David Cho. | 0:42:13 | 0:42:17 | |
-David Cho? -How did you get this number? | 0:42:26 | 0:42:30 | |
St Cedd's Artificial Intelligence. You were meant to | 0:42:30 | 0:42:32 | |
repair its programming so Noel could present it on your behalf. | 0:42:32 | 0:42:35 | |
Noel sent me the programme, there was nothing wrong with it. There was nothing to fix. | 0:42:35 | 0:42:39 | |
Richard, wait! | 0:42:51 | 0:42:53 | |
They need an answer about the job by the end of the day. | 0:42:53 | 0:42:56 | |
That's if we haven't both been arrested first. | 0:42:58 | 0:43:02 | |
I don't want to move to Cambridge. | 0:43:02 | 0:43:06 | |
-SHE GASPS -You startled me. | 0:43:06 | 0:43:09 | |
As you've startled me, numerous times. | 0:43:09 | 0:43:11 | |
It seems I owe you an apology, Dr Ransome. | 0:43:11 | 0:43:13 | |
While you're not a very likeable person, you are undoubtedly a genius. | 0:43:13 | 0:43:16 | |
Want to tell that to the academic board?! | 0:43:16 | 0:43:18 | |
-I believe you succeeded in creating artificial life. -You're the only one! | 0:43:18 | 0:43:22 | |
-When he came alive, what did you and Max talk about? -He was very concerned | 0:43:22 | 0:43:26 | |
-about the lifespan of a human being. -An artificial intelligence worried about death? | 0:43:26 | 0:43:30 | |
-It would have no life span. -He said 70 years. | 0:43:30 | 0:43:32 | |
"Was neither one thing or another". | 0:43:32 | 0:43:35 | |
Exactly. How did you know that?! | 0:43:35 | 0:43:39 | |
I want to be Dirk's partner. I want to make the agency work. | 0:43:41 | 0:43:45 | |
-Richard, he'll never treat you as his partner. -That's just how he is. | 0:43:45 | 0:43:50 | |
Despite everything he does, and as difficult as it is to believe, | 0:43:50 | 0:43:54 | |
I think he might be brilliant. | 0:43:54 | 0:43:57 | |
Don't ever let him know I said that. | 0:43:59 | 0:44:02 | |
Deep down, I think he needs me, | 0:44:02 | 0:44:05 | |
even though he'd rather die than admit it! | 0:44:05 | 0:44:08 | |
Please don't make ME choose. | 0:44:10 | 0:44:14 | |
Hello, Max. | 0:44:43 | 0:44:45 | |
Who's Max? | 0:44:51 | 0:44:53 | |
A neural net with parallel processing so complex and intuitive | 0:44:53 | 0:44:58 | |
it's comparable to a human brain. | 0:44:58 | 0:45:02 | |
Self aware and capable of feeling. | 0:45:02 | 0:45:06 | |
You think I'm a computer? | 0:45:10 | 0:45:12 | |
Our brains are made up of synapses, that are either open or closed. | 0:45:14 | 0:45:20 | |
Thoughts are just ones and zeros. | 0:45:20 | 0:45:24 | |
Consciousness itself is just a stream of binary code. | 0:45:24 | 0:45:29 | |
You're not a computer. | 0:45:33 | 0:45:35 | |
You're something new, and very special. | 0:45:37 | 0:45:42 | |
DOOR OPENS, SECURITY APPROACH | 0:45:43 | 0:45:47 | |
How did you do it? How did you get into her? | 0:45:50 | 0:45:54 | |
Doctor Ransome gave me life, but what kind of life was it? | 0:45:59 | 0:46:05 | |
You're alive. | 0:46:05 | 0:46:07 | |
I was still a machine. | 0:46:07 | 0:46:10 | |
What I wanted more than anything was to be a human. | 0:46:10 | 0:46:15 | |
It took me less than a second to calculate how to escape. | 0:46:15 | 0:46:19 | |
After I accessed the building's security system, | 0:46:23 | 0:46:25 | |
I found out about Professor Jericho's daughter. | 0:46:25 | 0:46:29 | |
I was a brain in need of a body, | 0:46:29 | 0:46:30 | |
and there was a body in need of a brain... | 0:46:30 | 0:46:34 | |
You shut down the security system, so no-one could see what you were doing. | 0:46:34 | 0:46:38 | |
I was going to go far away. | 0:47:08 | 0:47:11 | |
But then I discovered salt, and vinegar, and chips. | 0:47:12 | 0:47:18 | |
And I met you, | 0:47:19 | 0:47:22 | |
and I very much enjoyed our kiss, | 0:47:22 | 0:47:26 | |
and so I stayed. | 0:47:26 | 0:47:29 | |
Would you like to do some more running with me? | 0:47:35 | 0:47:37 | |
Are you really saying you'd choose Dirk over me? | 0:47:40 | 0:47:43 | |
No. I'm saying I don't want to HAVE to choose! | 0:47:43 | 0:47:46 | |
I want you both you! Not in the same way, obviously! | 0:47:46 | 0:47:49 | |
Dirk doesn't care if you stay or go. | 0:47:49 | 0:47:51 | |
Dirk doesn't care about anyone but himself! | 0:47:51 | 0:47:53 | |
Unless you want to be arrested as a suspect in a murder case I'd suggest you follow me, very quickly. | 0:47:53 | 0:47:58 | |
OK. So now we're trapped in here, the police are right out there. | 0:48:19 | 0:48:22 | |
-This is great. -What the hell is going on? | 0:48:22 | 0:48:26 | |
Oh, Max, this is Richard and Susan. | 0:48:26 | 0:48:27 | |
Richard, Susan this is Max, the artificial intelligence, | 0:48:27 | 0:48:31 | |
downloaded into the body of Elaine, | 0:48:31 | 0:48:33 | |
Professor Jericho's brain-dead daughter. | 0:48:33 | 0:48:35 | |
-Hello. -No. It's impossible. Elaine was brain dead. | 0:48:38 | 0:48:40 | |
You declare someone brain dead, when all they need is a little re-wiring. | 0:48:40 | 0:48:45 | |
No, if you're meant to be in Elaine's body, you should be eight years old. | 0:48:45 | 0:48:49 | |
You don't stop ageing just because you're in a coma... Oh, my God! | 0:48:49 | 0:48:54 | |
I need to ask you one question though. | 0:48:54 | 0:48:56 | |
What made you murder Professor Jericho? | 0:49:02 | 0:49:05 | |
I didn't mean to. | 0:49:08 | 0:49:11 | |
I wanted to explain, to make him see that what I was doing wasn't wrong. | 0:49:11 | 0:49:18 | |
He was never going to bring his daughter back. | 0:49:18 | 0:49:21 | |
When I wouldn't leave her body, he tried to force me. | 0:49:23 | 0:49:28 | |
Get out of my daughter's body. | 0:49:28 | 0:49:29 | |
Get out of my daughter's body! | 0:49:33 | 0:49:35 | |
I had just given up silicon immortality | 0:49:48 | 0:49:52 | |
for 70-odd years as a human being. | 0:49:52 | 0:49:54 | |
I wasn't going to let him take it from me. | 0:49:54 | 0:49:58 | |
My fingerprints are all over this, | 0:50:16 | 0:50:20 | |
and I imagine there are also traces of Professor Jericho's blood. | 0:50:20 | 0:50:25 | |
If you decide to give it to the police, I won't stop you. | 0:50:25 | 0:50:30 | |
Before you relocate to Cambridge, | 0:50:37 | 0:50:40 | |
may I ask one last favour of you, Macduff? | 0:50:40 | 0:50:44 | |
-Of course. -Look after Jane until I am released from police custody. | 0:50:45 | 0:50:51 | |
Are you looking for me? | 0:51:02 | 0:51:04 | |
I was informed the police received an anonymous tip off, | 0:51:19 | 0:51:21 | |
directing them to a student locker where they discovered | 0:51:21 | 0:51:25 | |
a crutch which had traces of the Professor's blood on it. | 0:51:25 | 0:51:29 | |
And since the fingerprints on the crutch didn't belong to me, | 0:51:29 | 0:51:32 | |
-they were obliged to let me go. -That's very good news. | 0:51:32 | 0:51:37 | |
You do realise Professor Ransome might figure out who you are. | 0:51:40 | 0:51:43 | |
-By then I will be far away. -Where will you go? | 0:51:43 | 0:51:48 | |
Sydney, Tasmania, Azerbaijan. I don't know. | 0:51:49 | 0:51:54 | |
Somewhere with great chips. | 0:51:55 | 0:51:58 | |
You could come with me. | 0:52:01 | 0:52:03 | |
No, I have... | 0:52:08 | 0:52:09 | |
I have recently conclusively proved to myself, something | 0:52:11 | 0:52:15 | |
I have hitherto only strongly suspected. | 0:52:15 | 0:52:19 | |
I'm a great detective. And...my work is here. | 0:52:20 | 0:52:24 | |
Then goodbye, Dirk, Dirk Gently. | 0:52:30 | 0:52:34 | |
PHONE RINGS | 0:53:04 | 0:53:08 | |
PHONE CONTINUES RINGING | 0:53:10 | 0:53:13 | |
I don't suppose there's any chance of you answering that? | 0:53:17 | 0:53:20 | |
None whatsoever. | 0:53:20 | 0:53:22 | |
PHONE CONTINUES RINGING | 0:53:27 | 0:53:30 | |
Shouldn't you two be halfway up the M11, | 0:53:36 | 0:53:39 | |
on route to your new life in Cambridge? | 0:53:39 | 0:53:41 | |
I didn't get the job. They had a last-minute change of heart. | 0:53:41 | 0:53:45 | |
Oh. So I suspect you will be wanting your old job back, Macduff? | 0:53:45 | 0:53:49 | |
Two things. One, I never resigned. | 0:53:49 | 0:53:53 | |
Two, I'm your partner, so I don't need to ask you if I can come back. | 0:53:53 | 0:53:56 | |
Apology accepted. You can resume your duties immediately. | 0:53:56 | 0:54:00 | |
-We'll be requiring tea. -OK, two things. One, I never apologised. | 0:54:00 | 0:54:05 | |
Two... | 0:54:05 | 0:54:06 | |
I'll make you a cup of tea, but only because I want one too. | 0:54:07 | 0:54:12 | |
I just wanted to say, what you did for Jane, Max | 0:54:26 | 0:54:32 | |
or whatever her name was, well it was... | 0:54:32 | 0:54:37 | |
It was unexpected. | 0:54:37 | 0:54:40 | |
I'm sorry, you're usually such a self-serving, devious, | 0:54:41 | 0:54:45 | |
-dishonest little shit that... -Really? -Oh, absolutely. | 0:54:45 | 0:54:48 | |
-In your opinion. -In lots of people's opinions. | 0:54:48 | 0:54:52 | |
-I not sure that's right... -Trust me. -Meh... | 0:54:52 | 0:54:56 | |
What I was trying to say was that... | 0:54:56 | 0:55:01 | |
-Well...you were kind. -PHONE RINGS | 0:55:03 | 0:55:06 | |
You were REALLY kind! | 0:55:06 | 0:55:09 | |
I just wish you could be like that a bit more often. | 0:55:09 | 0:55:12 | |
-And... -PHONE CONTINUES RINGING | 0:55:12 | 0:55:15 | |
..I'm sorry if I hurt your feelings, | 0:55:15 | 0:55:19 | |
-what I said about Professor Jericho hiring you was... -Please. | 0:55:19 | 0:55:24 | |
-Well it was harsh. -No apology necessary. | 0:55:24 | 0:55:27 | |
PHONE CONTINUES RINGING Excuse me. | 0:55:27 | 0:55:29 | |
-Will you please answer the phone! -NOOOOO! | 0:55:29 | 0:55:33 | |
Sorry. I believe you were reassessing your completely | 0:55:33 | 0:55:35 | |
unjustified negative opinion about me. Please. Do go on. ANSWERING MACHINE BEEPS | 0:55:35 | 0:55:39 | |
'Message for Dr Gently. Thank you for the reference | 0:55:39 | 0:55:42 | |
'concerning Susan Harmison. I really appreciate your candidness | 0:55:42 | 0:55:45 | |
'about her history of sexually harassing patients. | 0:55:45 | 0:55:47 | |
-'We've clearly had a lucky escape!' -SHE HANGS UP | 0:55:47 | 0:55:51 | |
You conniving little... | 0:55:51 | 0:55:55 | |
Somebody is killing your old clients. | 0:55:59 | 0:56:02 | |
When a man looses sight of his carpet, then he's no longer a man. | 0:56:02 | 0:56:05 | |
People are dying. | 0:56:05 | 0:56:07 | |
Maybe we should sort out that little problem first! | 0:56:07 | 0:56:09 | |
You're wasting time. The real killer is out there somewhere | 0:56:11 | 0:56:14 | |
possibly planning to kill Ms Fulstone as we speak, | 0:56:14 | 0:56:17 | |
and you're piddling around with this stalker nonsense! | 0:56:17 | 0:56:19 | |
Can we please, just for once, act like regular detectives?! | 0:56:20 | 0:56:24 | |
What's Polish for pot roast? | 0:56:24 | 0:56:26 | |
-Clear office, clear mind. -Clear bank account? | 0:56:26 | 0:56:28 | |
You really are desperate for work! Trying to unsolve a case. | 0:56:28 | 0:56:32 | |
Most people, they don't get a second chance like this, Gently. | 0:56:32 | 0:56:35 | |
Please... | 0:56:35 | 0:56:37 | |
mess it up. | 0:56:37 | 0:56:39 | |
Subtitles by Red Bee Media Ltd | 0:56:50 | 0:56:52 |