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KNOCKING ON DOOR | 0:00:02 | 0:00:04 | |
Gently! | 0:00:06 | 0:00:07 | |
Gently! | 0:00:10 | 0:00:12 | |
This is the police. | 0:00:12 | 0:00:14 | |
PHONE DIALS AND RINGS | 0:00:21 | 0:00:24 | |
'Welcome to Paneljacks answering service. | 0:00:26 | 0:00:29 | |
'Please choose from the following options.' | 0:00:29 | 0:00:31 | |
Gently! | 0:00:33 | 0:00:35 | |
'Could you repeat...' | 0:00:35 | 0:00:36 | |
This is your final warning. | 0:00:36 | 0:00:37 | |
Option two. | 0:00:37 | 0:00:40 | |
If you do not open this door we will force an entry. | 0:00:40 | 0:00:44 | |
'I'm sorry, I don't understand. Could you repeat?' | 0:00:44 | 0:00:47 | |
OPTION. | 0:00:47 | 0:00:49 | |
TWO! | 0:00:49 | 0:00:50 | |
'Thank you. Putting you through, to option three.' | 0:00:52 | 0:00:55 | |
Gaah! | 0:00:55 | 0:00:57 | |
Go! Go! Go! Upstairs. | 0:00:57 | 0:00:59 | |
Landing clear, sir. | 0:01:00 | 0:01:02 | |
'Welcome to Paneljacks answering service.' | 0:01:30 | 0:01:33 | |
Oh, just a small matter he might be able to help us with. | 0:01:33 | 0:01:36 | |
Do you think he might be out with a client? | 0:01:36 | 0:01:39 | |
It's unlikely, we haven't had any for months. | 0:01:39 | 0:01:42 | |
Somebody broke our phones. | 0:01:42 | 0:01:45 | |
You'll get your messages when I get paid. | 0:01:45 | 0:01:47 | |
Sorry about that. Staff issues. | 0:01:48 | 0:01:51 | |
That's perfectly fine. | 0:01:51 | 0:01:52 | |
She works for Gently. She deserves a medal. | 0:01:52 | 0:01:55 | |
Thank you! | 0:01:55 | 0:01:56 | |
So, no current clients. | 0:01:56 | 0:02:00 | |
You wouldn't happen to have a list of former clients by any chance? | 0:02:01 | 0:02:03 | |
Yeah. We've... Um... | 0:02:06 | 0:02:08 | |
I very much doubt he's out with any of these though. | 0:02:09 | 0:02:12 | |
He owes most of them money. | 0:02:12 | 0:02:14 | |
Even so. Probably get them checked out, you know. | 0:02:14 | 0:02:17 | |
Cross the t's, dot the i's. | 0:02:18 | 0:02:21 | |
Can I just ask what have they got to do with this? | 0:02:21 | 0:02:25 | |
What's he done? | 0:02:25 | 0:02:26 | |
Just tell him that two of his clients have been murdered | 0:02:26 | 0:02:29 | |
and so far he's the only connection. | 0:02:29 | 0:02:30 | |
So yes, we'd really like to talk to him. | 0:02:30 | 0:02:33 | |
For his own protection, naturally. | 0:02:33 | 0:02:35 | |
Goodbye, my dear. | 0:02:37 | 0:02:39 | |
Bye. | 0:02:39 | 0:02:40 | |
Macduff, I think I'm being framed for murder. | 0:02:43 | 0:02:47 | |
He's still out there, Dirk. | 0:03:18 | 0:03:20 | |
You need to talk to him, Dirk. | 0:03:22 | 0:03:24 | |
Macduff. Wash your mouth out. | 0:03:24 | 0:03:26 | |
Are we at death's door? | 0:03:26 | 0:03:28 | |
We have no more ideas in our heads? | 0:03:28 | 0:03:31 | |
'Notice of eviction'? That's a new one, isn't it? | 0:03:31 | 0:03:33 | |
Yes it is. You'll have to create a whole new pile, | 0:03:33 | 0:03:35 | |
right next to the final demands. | 0:03:35 | 0:03:38 | |
-What are you looking for? -My passport. | 0:03:38 | 0:03:40 | |
I feel that the solution will found on the beach of other country, | 0:03:40 | 0:03:43 | |
preferably one that has no extradition treaty. | 0:03:43 | 0:03:46 | |
What? You're just going to go? | 0:03:46 | 0:03:47 | |
It seems a sensible course of action. | 0:03:47 | 0:03:50 | |
What about... the business? | 0:03:50 | 0:03:52 | |
Macduff, I have taught you all I know about avoiding bills. | 0:03:52 | 0:03:56 | |
It's time for my little bird to fly the nest. | 0:03:57 | 0:04:00 | |
Fine. You know what, you go. | 0:04:01 | 0:04:03 | |
I'm just the mug who though you might actually need me. | 0:04:03 | 0:04:06 | |
Oh, Macduff. | 0:04:06 | 0:04:08 | |
KNOCK ON DOOR | 0:04:08 | 0:04:09 | |
What the hell is she doing here? | 0:04:09 | 0:04:11 | |
Mr Gently? | 0:04:17 | 0:04:19 | |
Er, yes. Please. This is my assistant Macduff. | 0:04:19 | 0:04:22 | |
Partner. | 0:04:22 | 0:04:23 | |
-Assistant Partner. -I... | 0:04:23 | 0:04:25 | |
Please. | 0:04:25 | 0:04:27 | |
I tried ringing first, but it went into this sort of queuing system. | 0:04:28 | 0:04:32 | |
Yes. We're very busy. | 0:04:32 | 0:04:34 | |
So busy we don't even have time to tidy up. | 0:04:34 | 0:04:37 | |
Wow. You must be incredibly busy. | 0:04:37 | 0:04:39 | |
Yes indeed we are, Miss? | 0:04:39 | 0:04:42 | |
Melinda. Melinda Fulstone. | 0:04:42 | 0:04:44 | |
Melinda. Melinda Fulstone. | 0:04:44 | 0:04:46 | |
Sorry. Your face really rings a bell. Have we met? | 0:04:46 | 0:04:49 | |
Eh... | 0:04:50 | 0:04:51 | |
No, I'm sure I would remember such a memorable event. | 0:04:53 | 0:04:57 | |
Sorry. Could you, er... | 0:04:57 | 0:04:59 | |
I am told I have... one of those faces. | 0:05:03 | 0:05:06 | |
No. Can't place it. | 0:05:09 | 0:05:11 | |
Macduff! | 0:05:15 | 0:05:16 | |
Miss Fulstone, I am very eager to hear what brought you | 0:05:16 | 0:05:18 | |
to our humble office this morning. | 0:05:18 | 0:05:20 | |
I am unusual in that my mind works much better when in motion, | 0:05:20 | 0:05:23 | |
blood pumping to the brain as it were. | 0:05:23 | 0:05:25 | |
Perhaps you'd care to join us for a brisk stroll across our roof? | 0:05:25 | 0:05:27 | |
What the hell. Why not? | 0:05:27 | 0:05:29 | |
Great! Gilks! | 0:05:31 | 0:05:33 | |
Why am I not surprised you've got an escape route? | 0:05:33 | 0:05:35 | |
I find it prudent to plan for every eventuality. If you could... | 0:05:35 | 0:05:38 | |
Open the door and point them to the pin board? | 0:05:38 | 0:05:40 | |
It will be my pleasure. | 0:05:40 | 0:05:41 | |
Gently! | 0:05:45 | 0:05:46 | |
Somebody stalking you? | 0:05:49 | 0:05:51 | |
Whatever leads you to this worrying conclusion? | 0:05:51 | 0:05:53 | |
Little things, but it all adds up, mail going missing, | 0:05:53 | 0:05:56 | |
I've got this motion sensing light thing, somebody broke it. | 0:05:56 | 0:05:59 | |
Oh, I saw this man watching me with some binoculars. | 0:05:59 | 0:06:02 | |
Maybe I should have started with that. | 0:06:02 | 0:06:04 | |
Did you get a good look at his face? | 0:06:04 | 0:06:05 | |
No. It's was dark and he ran off when I chased him but... | 0:06:05 | 0:06:08 | |
To be honest I did run quite slowly. | 0:06:08 | 0:06:10 | |
I didn't really want to catch him that much. | 0:06:10 | 0:06:12 | |
That was lucky. For the stalker. | 0:06:12 | 0:06:14 | |
The police say they won't do anything without more proof. | 0:06:14 | 0:06:16 | |
I said, "What, my dead body?" but they just laughed. | 0:06:16 | 0:06:18 | |
-I said, "I'm not joking." -The police! | 0:06:18 | 0:06:20 | |
They can be so heartless. Those bastards. | 0:06:20 | 0:06:22 | |
My brain's working well, but to give your case the attention it deserves, | 0:06:22 | 0:06:26 | |
what do you say we get the blood really pumping? | 0:06:26 | 0:06:28 | |
-I'm game. -Good. | 0:06:28 | 0:06:29 | |
There they are! | 0:06:32 | 0:06:34 | |
That was great! All meetings should be like that. | 0:06:47 | 0:06:50 | |
We do it all the time. | 0:06:50 | 0:06:51 | |
I've been cooped up at home for weeks you see. | 0:06:51 | 0:06:53 | |
-I had a bit of a car crash, thing. -I'm sorry to hear it. | 0:06:53 | 0:06:55 | |
I've been trying to follow that idea | 0:06:55 | 0:06:57 | |
of doing one thing every day that scares you. | 0:06:57 | 0:06:59 | |
Well then you'll be pleased to hear that we normally | 0:06:59 | 0:07:02 | |
round it off with a little high speed driving. | 0:07:02 | 0:07:05 | |
Just to clear the pipes. | 0:07:05 | 0:07:06 | |
Come on you beautiful bitch. Not you. | 0:07:08 | 0:07:11 | |
Ah-ha! | 0:07:11 | 0:07:13 | |
You must live a very exciting life, Mr Gently. | 0:07:25 | 0:07:28 | |
It may seem that way, but it can be quite solitary sometimes. | 0:07:28 | 0:07:31 | |
I was recently divorced myself. | 0:07:34 | 0:07:35 | |
I'm sorry to hear it. | 0:07:35 | 0:07:37 | |
Oh, don't be. | 0:07:37 | 0:07:39 | |
When Roger ran off with the pool cleaner it was painful at first, | 0:07:39 | 0:07:43 | |
but in time I came to see as a blessing in disguise. | 0:07:43 | 0:07:46 | |
I was finally free to live the life I had denied myself. | 0:07:46 | 0:07:50 | |
And I will live it. | 0:07:50 | 0:07:52 | |
That is inspirational. | 0:07:52 | 0:07:54 | |
I mean, of course there's always the worry that something about me | 0:07:54 | 0:07:57 | |
put him off women for life. | 0:07:57 | 0:07:58 | |
Ms Fulstone, the idea that you could ever put a man off | 0:07:58 | 0:08:00 | |
intercourse with females is frankly ludicrous. | 0:08:00 | 0:08:03 | |
That's very sweet of you to say. | 0:08:03 | 0:08:05 | |
Mainly because sexual preference is now commonly held to be | 0:08:05 | 0:08:07 | |
a genetic predisposition. | 0:08:07 | 0:08:09 | |
The chances are he was never truly attracted to you in the first place. | 0:08:10 | 0:08:13 | |
Or he could be bisexual. | 0:08:14 | 0:08:16 | |
Well. You've certainly given me a lot to think about. | 0:08:18 | 0:08:21 | |
Ms Fulstone, | 0:08:21 | 0:08:22 | |
Ms Fulstone, I'm almost ashamed to mention this but | 0:08:22 | 0:08:28 | |
regarding your case, there is the delicate issue of our fee. | 0:08:28 | 0:08:32 | |
Oh, don't worry about that, it's Roger's money not mine. | 0:08:32 | 0:08:34 | |
And the more of it he loses the better. | 0:08:34 | 0:08:36 | |
Taxi! Ms Fulstone, I am supremely confident | 0:08:36 | 0:08:40 | |
that we will be able to fit you into our very busy schedule. | 0:08:40 | 0:08:43 | |
Hampstead. | 0:08:43 | 0:08:44 | |
Well, that was quite a performance. | 0:08:51 | 0:08:53 | |
So when are you planning on solving this one, | 0:08:53 | 0:08:55 | |
before or after you flee the country? | 0:08:55 | 0:08:57 | |
Ah. The murders. Yes. Well not to worry, Macduff. | 0:08:57 | 0:08:59 | |
I am sure this case will be but a moment's work. | 0:08:59 | 0:09:02 | |
So you're staying? | 0:09:02 | 0:09:03 | |
I didn't say that but, | 0:09:03 | 0:09:05 | |
I have confidence I can solve this case before my flight. | 0:09:05 | 0:09:08 | |
Oh, really? You're an expert at catching stalkers now, are you? | 0:09:08 | 0:09:11 | |
As a collective noun, not especially. | 0:09:11 | 0:09:13 | |
But this particular stalker, I believe we may have more luck with. | 0:09:13 | 0:09:16 | |
As it's actually me. | 0:09:16 | 0:09:17 | |
It's what? What do you mean it's you? | 0:09:20 | 0:09:21 | |
I mean that for the last month I have been secretly observing | 0:09:21 | 0:09:25 | |
Ms Fulstone as part of a scientific experiment. | 0:09:25 | 0:09:28 | |
You're the stalker? | 0:09:31 | 0:09:32 | |
I prefer the term covert experimenter. | 0:09:32 | 0:09:35 | |
One night I'm sure she saw my face, | 0:09:35 | 0:09:37 | |
but luckily she doesn't seem to have recognised me. | 0:09:37 | 0:09:39 | |
I assume she obtained my card from the window of her local newsagents, | 0:09:39 | 0:09:42 | |
where I left it during a much needed | 0:09:42 | 0:09:43 | |
refreshment break in my surveillance. | 0:09:43 | 0:09:46 | |
Of course. I'm sure. It's thirsty work, stalking. | 0:09:46 | 0:09:49 | |
Graphology, handwriting as an indicator of personality. | 0:09:49 | 0:09:53 | |
You stalked her to see if her character matched her handwriting? | 0:09:53 | 0:09:56 | |
And indeed it did. Her behaviour, her interests, all a perfect match. | 0:09:56 | 0:10:00 | |
Ha-ha! | 0:10:00 | 0:10:02 | |
I mean, most people would just go to a wine bar to meet a woman. | 0:10:04 | 0:10:08 | |
-Or a nightclub. -I am not, most people. | 0:10:08 | 0:10:10 | |
Oh, I know that. | 0:10:10 | 0:10:11 | |
I found your list, "handwriting traits for the perfect woman". | 0:10:11 | 0:10:14 | |
I do have a very specific set of needs. | 0:10:14 | 0:10:17 | |
Yeah. I see that. Gullibility, bad with finances? | 0:10:17 | 0:10:20 | |
To be honest, it sounds more like the perfect mark for you to fleece. | 0:10:20 | 0:10:23 | |
I will confess that when I first formulated this project | 0:10:23 | 0:10:25 | |
I was a little more mercenary. | 0:10:25 | 0:10:27 | |
-But now I've met Miss Fulstone in the flesh... -You fancy her. | 0:10:27 | 0:10:29 | |
She does has certain physical and facial characteristics | 0:10:29 | 0:10:32 | |
that evolution has deemed to be more alluring to prospective mates, yes. | 0:10:32 | 0:10:35 | |
Maybe don't say it exactly like that on a date. | 0:10:35 | 0:10:37 | |
Hurry up, Macduff. | 0:10:37 | 0:10:38 | |
How did you even find her? Her handwriting I mean. | 0:10:38 | 0:10:40 | |
An old client owed me a favour. | 0:10:40 | 0:10:42 | |
He leant me a pile of handwritten claim forms | 0:10:42 | 0:10:44 | |
from his car insurance company. His ladies only insurance company. | 0:10:44 | 0:10:47 | |
Clever. And very, very creepy. | 0:10:47 | 0:10:49 | |
Come, Macduff. Once I'm safe on some beach in Puerto Rico, | 0:10:49 | 0:10:52 | |
you can tell Ms Fulstone, without a word of a lie, | 0:10:52 | 0:10:54 | |
that her stalker has left the country. | 0:10:54 | 0:10:57 | |
OK, passport, passport, passport. | 0:10:58 | 0:11:02 | |
Wow! The police really tore this place apart. | 0:11:02 | 0:11:05 | |
I'm afraid not, Macduff. | 0:11:05 | 0:11:06 | |
That minor disagreement with my cleaner has escalated somewhat. | 0:11:06 | 0:11:10 | |
Er, look in the, er... | 0:11:10 | 0:11:11 | |
Do you know how much smoother your life would run | 0:11:11 | 0:11:13 | |
if you just paid people occasionally? | 0:11:13 | 0:11:15 | |
Oh, Macduff, the situation has gone way beyond mere money. | 0:11:15 | 0:11:18 | |
I haven't paid her for a year. | 0:11:18 | 0:11:19 | |
Most people would have quit by now. But not Elena. Oh, no. | 0:11:19 | 0:11:23 | |
She's Eastern European. Hardy. | 0:11:23 | 0:11:25 | |
Probably distantly related to the Borgias. | 0:11:25 | 0:11:29 | |
She continues to come here for two hours every day, | 0:11:30 | 0:11:33 | |
stubbornly avoiding doing anything resembling actual cleaning. | 0:11:33 | 0:11:39 | |
In retaliation, I have, of course, become messier and messier. | 0:11:39 | 0:11:43 | |
It's like a surreal horror movie for OCD sufferers. | 0:11:43 | 0:11:46 | |
With Elena as the vampiric witch of the piece. | 0:11:46 | 0:11:49 | |
But she's got a heart of gold really. Salt of the Earth. | 0:11:49 | 0:11:52 | |
Lovely woman. | 0:11:52 | 0:11:53 | |
Oh, hello. | 0:11:53 | 0:11:55 | |
Recently things have taken a much darker turn. | 0:11:59 | 0:12:02 | |
Every day she places that rug in that exact position. | 0:12:04 | 0:12:06 | |
It is a warning, Macduff. | 0:12:06 | 0:12:08 | |
Plainly, yeah. It's terrifying. | 0:12:09 | 0:12:12 | |
Pick it up. | 0:12:13 | 0:12:14 | |
Oh, that is dark. She sawed a hole in your floor? | 0:12:22 | 0:12:25 | |
No. The hole was there already. | 0:12:25 | 0:12:28 | |
It was a memento of my previous dispute with that plumber, | 0:12:28 | 0:12:31 | |
if you remember. | 0:12:31 | 0:12:33 | |
Are you sensing a theme here, Dirk? | 0:12:33 | 0:12:35 | |
Oh. I was sure it was around here somewhere. | 0:12:35 | 0:12:38 | |
KNOCK ON DOOR | 0:12:40 | 0:12:42 | |
Detective Inspector Gilks. | 0:12:42 | 0:12:44 | |
And you found my passport. | 0:12:44 | 0:12:47 | |
I am so glad you've decided to forgo legal representation. | 0:12:50 | 0:12:53 | |
It makes things so much simpler. | 0:12:53 | 0:12:54 | |
On the contrary. I'm representing myself. | 0:12:54 | 0:12:57 | |
As I said. Simple. | 0:12:57 | 0:13:00 | |
So. Two, dead, people. Do you recognise them? | 0:13:00 | 0:13:04 | |
I've been advised by my legal counsel to neither confirm | 0:13:04 | 0:13:07 | |
nor deny anything. | 0:13:07 | 0:13:08 | |
But you're your own legal... | 0:13:08 | 0:13:11 | |
Look, there is no need to confirm. | 0:13:11 | 0:13:14 | |
We know they were your clients. | 0:13:14 | 0:13:16 | |
Now, apparently, they died of a heart attack. | 0:13:17 | 0:13:19 | |
Aged 27 and 48. | 0:13:19 | 0:13:22 | |
It happens, but not very often. Coroner got suspicious. | 0:13:24 | 0:13:28 | |
Dug a little deeper, found a very rare toxin in their bloodstream. | 0:13:28 | 0:13:33 | |
They were murdered. | 0:13:33 | 0:13:35 | |
And you think that I, my client, murdered them? | 0:13:35 | 0:13:38 | |
No, of course not. | 0:13:38 | 0:13:39 | |
-What possible motive could... What? -We don't think you did it. | 0:13:39 | 0:13:42 | |
But you broke down my door! | 0:13:42 | 0:13:44 | |
We thought you were in danger. Possibly already dead. | 0:13:44 | 0:13:46 | |
You chased me across a roof. | 0:13:46 | 0:13:48 | |
We were trying to protect you. Gently, you are many things. | 0:13:48 | 0:13:50 | |
Many annoying, incompetent things, but you are not a killer. | 0:13:50 | 0:13:53 | |
At least not intentionally. | 0:13:53 | 0:13:55 | |
I am sure your blithering ineptitude will kill someone one day. | 0:13:55 | 0:13:58 | |
But, you know, not with this level of skill. | 0:13:58 | 0:14:01 | |
This is the work of a professional. | 0:14:01 | 0:14:04 | |
My client informs me that he could have killed them if he'd wanted to. | 0:14:04 | 0:14:07 | |
Would you kindly advise your client to stop incriminating himself. | 0:14:07 | 0:14:11 | |
My client resents the slanderous implication that | 0:14:11 | 0:14:13 | |
he's so incompetent that he couldn't commit a couple of simple murders. | 0:14:13 | 0:14:17 | |
God, you really don't make it easy to help you, do you? | 0:14:17 | 0:14:20 | |
OK, fine. Fine. | 0:14:27 | 0:14:29 | |
I am sure that you are perfectly capable of killing anyone you like. | 0:14:29 | 0:14:33 | |
How's that? Now, can we just move on? | 0:14:33 | 0:14:36 | |
My client concurs. | 0:14:36 | 0:14:38 | |
Think. Think about it, Gently. | 0:14:38 | 0:14:42 | |
What this does sounds like, eh? | 0:14:42 | 0:14:44 | |
The poison, | 0:14:44 | 0:14:46 | |
the spotless crime scene... | 0:14:46 | 0:14:48 | |
A ghost hit. | 0:14:49 | 0:14:51 | |
My client wishes me to pass on his scathing laughter and scorn. | 0:14:51 | 0:14:56 | |
Fine. But somebody did it. | 0:14:57 | 0:15:00 | |
Somebody is killing your old clients. | 0:15:00 | 0:15:03 | |
It may end here. It may not. | 0:15:05 | 0:15:07 | |
We're guarding all of those that we can find but I strongly recommend | 0:15:07 | 0:15:10 | |
that you accept police protection for the time being. | 0:15:10 | 0:15:13 | |
-For your own safety. -But you can't force me. | 0:15:13 | 0:15:16 | |
Well, no. If you don't accept it, you're a fool. | 0:15:16 | 0:15:18 | |
-But that's never stopped you before. -Then I think I'll be on my way. | 0:15:18 | 0:15:21 | |
Look, is there anyone you can think of, | 0:15:24 | 0:15:28 | |
anyone with a big enough grudge to want to do this? | 0:15:28 | 0:15:31 | |
The biggest thorn in my side is in this room. | 0:15:31 | 0:15:33 | |
So unless there's something you'd like to confess... | 0:15:34 | 0:15:36 | |
You're right, Gently. Your biggest problem is in this room. | 0:15:36 | 0:15:40 | |
But it isn't me. | 0:15:40 | 0:15:41 | |
Ohhh. | 0:15:41 | 0:15:43 | |
Ohhh. | 0:15:43 | 0:15:45 | |
A ghost is a kind of exclusive hit man. | 0:15:45 | 0:15:48 | |
Traditionally only used by mob bosses. | 0:15:48 | 0:15:50 | |
The idea is, you simply supply the name of the target. | 0:15:50 | 0:15:53 | |
You never meet the killer, they never meet you. | 0:15:53 | 0:15:55 | |
Money disappears from your bank account | 0:15:55 | 0:15:56 | |
and the target winds up dead. | 0:15:56 | 0:15:58 | |
Supposedly from natural causes in a spotless crime scene. | 0:15:58 | 0:16:01 | |
Only no-one's ever been able to prove they exist. | 0:16:01 | 0:16:03 | |
-Mainly because it's total rubbish. -Are you -OK? What? No. Fine! | 0:16:03 | 0:16:05 | |
I'm fine. Someone's killing my old clients, maybe saving me till last, | 0:16:05 | 0:16:08 | |
-but it's just another case to solve isn't it? -OK, OK. | 0:16:08 | 0:16:10 | |
Why don't you stop for a breath | 0:16:10 | 0:16:12 | |
-and let's go find somewhere and sit down? -What? No. No. | 0:16:12 | 0:16:14 | |
I'm taking the case, which means I'm suddenly my own client | 0:16:14 | 0:16:17 | |
and therefore much more of a target. | 0:16:17 | 0:16:20 | |
Well, I don't think the killer would know. | 0:16:20 | 0:16:23 | |
Unless he's telepathic. | 0:16:23 | 0:16:24 | |
Maybe he is. | 0:16:26 | 0:16:27 | |
LOUD MUSIC BLASTS | 0:16:32 | 0:16:34 | |
I'm guessing hired muscle, probably an east London gang. | 0:16:39 | 0:16:43 | |
You pay cleaner. | 0:16:43 | 0:16:45 | |
Or, they're from my cleaner. | 0:16:45 | 0:16:47 | |
This is about the cleaner? | 0:16:47 | 0:16:49 | |
Thank god. I thought they were going to kill us. | 0:16:49 | 0:16:52 | |
She's certainly raising her game. Bravo. | 0:16:52 | 0:16:54 | |
It's fine. It's fine. He's going to pay her. Won't you? | 0:16:54 | 0:16:58 | |
You can tell my so-called cleaner... | 0:16:58 | 0:17:00 | |
Ahh! | 0:17:01 | 0:17:03 | |
In one day. You pay. | 0:17:03 | 0:17:05 | |
Otherwise. | 0:17:05 | 0:17:07 | |
THEY YELL | 0:17:12 | 0:17:13 | |
Security number two-three-nine. No. OK. Yep. Thank you. | 0:17:14 | 0:17:19 | |
I have paid my cleaner. | 0:17:19 | 0:17:22 | |
I've paid your cleaner. | 0:17:22 | 0:17:24 | |
Mere semantics, Macduff. | 0:17:24 | 0:17:25 | |
I always wondered what it'd take to get you to pay for something. | 0:17:25 | 0:17:29 | |
I guess I now know, broken fingers and death threats from mobsters. | 0:17:29 | 0:17:32 | |
-They sound like my kind of people. -Thank you, Janice. | 0:17:32 | 0:17:36 | |
Is this a different Notice of Eviction from the first one? | 0:17:36 | 0:17:38 | |
Oh, yeah. Just a clerical error. | 0:17:38 | 0:17:41 | |
Nothing to worry about. | 0:17:41 | 0:17:42 | |
HE MOANS IN PAIN | 0:17:45 | 0:17:47 | |
HE CONTINUES MOANING AND TYPING | 0:17:53 | 0:17:55 | |
What are you doing now? | 0:17:56 | 0:17:57 | |
I'm trying to find a new cleaner You've seen my place. It's a tip. | 0:17:57 | 0:18:00 | |
People are dying. Maybe we should sort out that little problem first. | 0:18:00 | 0:18:04 | |
When a man looses sight of his carpet, then he is no longer a man. | 0:18:04 | 0:18:08 | |
Besides, I'm sure you'll find that all these little problems | 0:18:08 | 0:18:10 | |
will prove to be interconnected in ways that you can't possibly... | 0:18:10 | 0:18:14 | |
No. No, sorry. | 0:18:14 | 0:18:16 | |
I'm not going to let you get away with that. | 0:18:16 | 0:18:18 | |
I'm not going to let you get away with pulling your same old tricks | 0:18:18 | 0:18:20 | |
of doing whatever the hell you want | 0:18:20 | 0:18:22 | |
and just hoping that all the dots connect together at the end. | 0:18:22 | 0:18:25 | |
They usually do. | 0:18:25 | 0:18:27 | |
That's not the point, Dirk. There's too much at stake. | 0:18:27 | 0:18:30 | |
You faffing around now could get people killed. | 0:18:30 | 0:18:32 | |
How dare you! I do not faff. | 0:18:32 | 0:18:35 | |
Besides what happened to, "Don't leave me, Dirk, I might get lonely?" | 0:18:37 | 0:18:41 | |
I never said that... | 0:18:41 | 0:18:43 | |
Exactly. | 0:18:43 | 0:18:45 | |
And even if I did, that was before I found out about | 0:18:45 | 0:18:48 | |
Dirk the stalker and got mugged by gangsters. | 0:18:48 | 0:18:51 | |
Can we please, just for once, act like regular detectives? | 0:18:54 | 0:18:59 | |
And if you need to justify that to yourself, just look at me now, | 0:18:59 | 0:19:02 | |
here, in this moment, getting angry as just another little | 0:19:02 | 0:19:05 | |
part of the whole web of interconnected cause and effect. | 0:19:05 | 0:19:10 | |
That actually makes sense. | 0:19:13 | 0:19:14 | |
Really? | 0:19:16 | 0:19:17 | |
Really. | 0:19:17 | 0:19:18 | |
OK. | 0:19:21 | 0:19:23 | |
All right. So... | 0:19:23 | 0:19:25 | |
What have we got? Who do you think could be doing this? | 0:19:26 | 0:19:29 | |
You framed anyone for murder recently? | 0:19:29 | 0:19:31 | |
The only murderer I've framed... | 0:19:31 | 0:19:35 | |
Is in prison. | 0:19:36 | 0:19:38 | |
Wait. What? Sorry, you've actually done that? | 0:19:38 | 0:19:40 | |
At least he was. Until two months ago. | 0:19:40 | 0:19:42 | |
Robbie Glover. | 0:19:48 | 0:19:51 | |
Ten years ago he was the prime suspect in one of my first cases. | 0:19:52 | 0:19:55 | |
It was a penny ante case of office supply theft in an insurance firm. | 0:19:59 | 0:20:03 | |
Plenty of suspects, no evidence. | 0:20:03 | 0:20:05 | |
Which was odd, because there were cameras everywhere. | 0:20:05 | 0:20:08 | |
But the post-it notes kept disappearing. | 0:20:08 | 0:20:10 | |
And then I realised that the answer was staring me in the face. | 0:20:10 | 0:20:13 | |
Who watches the watchmen? | 0:20:14 | 0:20:16 | |
The sweaty, twitchy watchmen. | 0:20:21 | 0:20:24 | |
I was convinced that I had my man. | 0:20:26 | 0:20:28 | |
So much so that I saw the lack of evidence as no obstacle at all. | 0:20:28 | 0:20:32 | |
It was an early prototype of my | 0:20:34 | 0:20:35 | |
fundamental interconnectedness of all things theory. | 0:20:35 | 0:20:38 | |
The whoever you frame will turn out to be guilty theory? | 0:20:38 | 0:20:41 | |
Yes. Pretty much. But it turned out he was utterly innocent. | 0:20:41 | 0:20:44 | |
No-one had stolen anything. | 0:20:44 | 0:20:45 | |
Someone had put a decimal point in the wrong place. | 0:20:45 | 0:20:47 | |
So they thought they should have had 20,000 post-it notes rather than 20. | 0:20:47 | 0:20:52 | |
You said you framed him for murder. | 0:20:52 | 0:20:54 | |
Oh, well the decimal point thing was only discovered later. | 0:20:54 | 0:20:56 | |
By then the police had searched his flat | 0:20:56 | 0:20:58 | |
and they discovered his brother's body buried in the chest freezer. | 0:20:58 | 0:21:03 | |
Ah. | 0:21:05 | 0:21:06 | |
So technically I framed him for post-it note theft, | 0:21:06 | 0:21:09 | |
which lead to the discovery of a murder. | 0:21:09 | 0:21:11 | |
But it wasn't a distinction he seemed to care about at the time. | 0:21:11 | 0:21:15 | |
-Dirk? -I vividly remember his threats toward me from the dock. | 0:21:15 | 0:21:18 | |
Very colourful. | 0:21:18 | 0:21:19 | |
Very specific about certain body parts being | 0:21:19 | 0:21:21 | |
inserted inside other body parts. | 0:21:21 | 0:21:23 | |
Dirk? I can't see him. | 0:21:23 | 0:21:25 | |
Oh, no. He's over there. | 0:21:41 | 0:21:42 | |
Oh, yeah. Come on then. | 0:21:42 | 0:21:44 | |
-What did he buy? -Huh? | 0:22:02 | 0:22:04 | |
-What did he buy? -Syringes. | 0:22:04 | 0:22:06 | |
Really? You could inject poison with syringes. | 0:22:06 | 0:22:09 | |
Wow. Your mind is like a machine. | 0:22:09 | 0:22:11 | |
Or, he could just be diabetic. | 0:22:11 | 0:22:13 | |
-Oh, and he bought bleach. -Bleach. | 0:22:14 | 0:22:16 | |
Enemy of DNA. The killer's best friend. | 0:22:16 | 0:22:18 | |
Or, could have mouldy shower curtains. | 0:22:18 | 0:22:20 | |
Ah-ha! | 0:22:20 | 0:22:21 | |
OK. I will admit, taken out of context, it doesn't look good. | 0:22:55 | 0:22:59 | |
On the contrary. It looks very good. I think we've found our man. | 0:22:59 | 0:23:02 | |
I can't think of many uses for those items, | 0:23:02 | 0:23:04 | |
that don't involve a dead body and a shallow grave. | 0:23:04 | 0:23:06 | |
Would you like a closer look? | 0:23:13 | 0:23:15 | |
I've seen you. | 0:23:16 | 0:23:17 | |
Hello. We're fine. We're just... | 0:23:22 | 0:23:25 | |
Dogging. | 0:23:26 | 0:23:28 | |
Don't you need a car to go dogging? | 0:23:28 | 0:23:29 | |
Yes. Saving up for one. In the meantime we just... | 0:23:29 | 0:23:33 | |
Use the bush. | 0:23:34 | 0:23:36 | |
What about Mr Gently there? Is he dogging too? | 0:23:36 | 0:23:38 | |
Mr Glover. How nice to see you. | 0:23:42 | 0:23:44 | |
Dirk Gently. | 0:23:44 | 0:23:46 | |
You seem very interested in the contents of my boot. | 0:23:48 | 0:23:50 | |
No. No, no. I'm sure you have perfectly reasonable explanations | 0:23:50 | 0:23:53 | |
for all of those totally innocent items. | 0:23:53 | 0:23:56 | |
Leaping to conclusions again? | 0:23:56 | 0:23:58 | |
Cos we all know where that lead to last time, don't we? | 0:23:59 | 0:24:02 | |
Would you like to see what they're all for? | 0:24:03 | 0:24:05 | |
-Not really. -I insist. | 0:24:05 | 0:24:07 | |
We call ourselves From Jail To Jesus. | 0:24:33 | 0:24:37 | |
We're all ex-cons. | 0:24:37 | 0:24:39 | |
Now we're all saved. | 0:24:39 | 0:24:42 | |
Praise the Lord. | 0:24:42 | 0:24:43 | |
ALL: Praise the Lord. | 0:24:43 | 0:24:46 | |
We were given this hall on the condition we fixed it up. | 0:24:46 | 0:24:48 | |
So we are. | 0:24:50 | 0:24:52 | |
Good, well, that's very commendable. | 0:24:53 | 0:24:55 | |
Um... | 0:24:55 | 0:24:57 | |
Thank you so much for showing us around. | 0:24:57 | 0:24:59 | |
So what would you say was your favourite book of the Bible? | 0:25:02 | 0:25:05 | |
Oh, God. | 0:25:06 | 0:25:08 | |
Sounds like a test, Mr Gently? | 0:25:09 | 0:25:11 | |
Would it be a problem if it was? | 0:25:11 | 0:25:13 | |
Do you have faith? Do you believe in anything? | 0:25:14 | 0:25:17 | |
Yeah, I believe in things. | 0:25:18 | 0:25:21 | |
Yeah, I believe in... | 0:25:21 | 0:25:24 | |
The laws of physics, most of the time. | 0:25:24 | 0:25:28 | |
I believe that everyone and everything is interconnected | 0:25:28 | 0:25:31 | |
in a way that isn't always immediately apparent. | 0:25:31 | 0:25:34 | |
And I also believe | 0:25:34 | 0:25:36 | |
that one day | 0:25:36 | 0:25:38 | |
we will all be brought to account. | 0:25:38 | 0:25:43 | |
A reckoning that I have tried to avoid my whole life. | 0:25:43 | 0:25:47 | |
Because I know | 0:25:48 | 0:25:50 | |
I will be found wanting | 0:25:50 | 0:25:52 | |
when I finally meet... | 0:25:54 | 0:25:57 | |
..the Inland Revenue. | 0:26:01 | 0:26:03 | |
HE LAUGHS | 0:26:03 | 0:26:04 | |
I pity you. | 0:26:11 | 0:26:13 | |
With no spiritual dimension to your life, | 0:26:13 | 0:26:17 | |
you're barely half a man. | 0:26:17 | 0:26:19 | |
Really? Well, at least I didn't murder anybody. | 0:26:19 | 0:26:23 | |
Has God forgiven you for that? What are you going to do? | 0:26:25 | 0:26:27 | |
Would you...? Are you going to...? | 0:26:27 | 0:26:28 | |
Are you going to do it again then ask him to forgive you again? | 0:26:28 | 0:26:31 | |
That'd be handy. Is that what you do? | 0:26:31 | 0:26:33 | |
You seem to be fishing, Mr Gently. | 0:26:33 | 0:26:35 | |
Are you saying there's nothing to catch... | 0:26:35 | 0:26:39 | |
in this river? | 0:26:39 | 0:26:41 | |
I'm saying your waders... | 0:26:41 | 0:26:44 | |
have got a hole in them. | 0:26:44 | 0:26:46 | |
Well... | 0:26:46 | 0:26:48 | |
I'm very adept... | 0:26:48 | 0:26:50 | |
with a puncture repair kit. | 0:26:50 | 0:26:54 | |
What? | 0:26:54 | 0:26:55 | |
-To repair.... -Listen to me! | 0:26:55 | 0:26:57 | |
Listen, listen. | 0:26:57 | 0:26:58 | |
I have tried very, very hard, | 0:26:58 | 0:27:03 | |
with Jesus at my side, to forgive you for what you did | 0:27:04 | 0:27:08 | |
and it saddens me to tell you that I have failed, | 0:27:08 | 0:27:11 | |
because I still hate you, | 0:27:11 | 0:27:14 | |
I hate you! | 0:27:14 | 0:27:16 | |
And even though it would mean my soul, | 0:27:16 | 0:27:20 | |
if someone gave me a button to push | 0:27:20 | 0:27:24 | |
that would end you, I would gladly push it. | 0:27:25 | 0:27:28 | |
Get off me. | 0:27:31 | 0:27:32 | |
Shhh... | 0:27:35 | 0:27:37 | |
Have a good night. | 0:27:44 | 0:27:45 | |
-Right, we have to tell the police. -Tell them what? | 0:27:49 | 0:27:52 | |
He's a killer. You think he's a killer? He feels like a killer. | 0:27:52 | 0:27:54 | |
Agreed. Let's look in his car. | 0:27:54 | 0:27:56 | |
Right. No! | 0:27:56 | 0:27:57 | |
Maybe don't break into the car of a probable mass murderer, Dirk! | 0:27:57 | 0:28:01 | |
-Relax. I don't think this is our man. -What? Why? | 0:28:06 | 0:28:08 | |
This is not the car of a man who leaves a spotless crime scene. | 0:28:08 | 0:28:11 | |
Check out the loop on his Js. | 0:28:11 | 0:28:12 | |
Oh, well, why didn't you say? Loops on his Js. Of course he's innocent. | 0:28:14 | 0:28:17 | |
My recent experiments in this field have proven... | 0:28:17 | 0:28:19 | |
Dirk, call the police. We should not be doing this. | 0:28:19 | 0:28:22 | |
There is nothing to tell the police. This evidence... | 0:28:22 | 0:28:24 | |
This isn't evidence! This is nonsense. | 0:28:24 | 0:28:26 | |
I mean, why don't we be totally certain? Take him on as a client, | 0:28:26 | 0:28:28 | |
see if he tries to kill himself, while we're being all logical. | 0:28:28 | 0:28:31 | |
-We might have to. We haven't got any other clients. -Yes, we do! | 0:28:31 | 0:28:33 | |
We've got the woman from this morning. The one you're stalking. | 0:28:33 | 0:28:36 | |
With a client killer on the loose. | 0:28:39 | 0:28:41 | |
But he's in the church hall. | 0:28:41 | 0:28:43 | |
But what if it's not him? | 0:28:43 | 0:28:44 | |
-Option two. OPTION TWO. -What are you doing? | 0:28:48 | 0:28:50 | |
I'm calling the office to get Janice to get us the address. | 0:28:50 | 0:28:53 | |
I've been stalking her for a month. I know the way there. | 0:28:53 | 0:28:55 | |
Doesn't matter. I got put through to a Chinese anyway. | 0:28:55 | 0:28:57 | |
Ah! | 0:29:07 | 0:29:09 | |
I was wondering how long it'd take you to remember your latest client. | 0:29:09 | 0:29:12 | |
How... did you... know... about her? | 0:29:12 | 0:29:15 | |
I'm a detective, Gently. You should try it. | 0:29:15 | 0:29:18 | |
Is that you, Mr Gently? | 0:29:18 | 0:29:20 | |
Do come in. | 0:29:20 | 0:29:22 | |
Ms Fulstone was just telling me about her stalker. | 0:29:26 | 0:29:30 | |
It seems quite probable that there is a connection with | 0:29:30 | 0:29:33 | |
the killing of your clients. | 0:29:33 | 0:29:35 | |
-Oh, I strongly doubt that. -Really? I'd love to know why. | 0:29:35 | 0:29:38 | |
Sorry. That's mine. I'm such a scatterbrain. | 0:29:38 | 0:29:40 | |
Always losing my purse. | 0:29:40 | 0:29:41 | |
Is that right? That must be quite costly. | 0:29:41 | 0:29:44 | |
Oh, it's only money. | 0:29:44 | 0:29:46 | |
There are far more important things in life, I always say. | 0:29:46 | 0:29:49 | |
Gently? I believe you were about to enlighten us. | 0:29:49 | 0:29:51 | |
Speaking of which, I seem to find myself temporarily short of funds. | 0:29:51 | 0:29:54 | |
I wonder if you could possibly lend me £10? | 0:29:54 | 0:29:56 | |
The £20 is fine. | 0:29:56 | 0:29:58 | |
Keep it. As a gift. | 0:29:58 | 0:29:59 | |
Gently? I believe you were about to enlighten us. | 0:29:59 | 0:30:02 | |
Why isn't this stalker connected with the killings? | 0:30:02 | 0:30:04 | |
Well, it's fairly straightforward really. | 0:30:04 | 0:30:06 | |
If you look at the case from all angles, and I do mean all... | 0:30:06 | 0:30:09 | |
Ms Fulstone only became our client because of the stalker. | 0:30:09 | 0:30:12 | |
Yeah! What he said. | 0:30:12 | 0:30:13 | |
So, if I might be so bold, | 0:30:13 | 0:30:16 | |
do you have any plans for this coming Friday night? | 0:30:16 | 0:30:19 | |
-I'd love to. -Good. | 0:30:19 | 0:30:20 | |
All the same, regarding this stalker, I'm a firm believer | 0:30:20 | 0:30:24 | |
in the fundamental interconnectedness of all things. | 0:30:24 | 0:30:27 | |
Wouldn't you agree, Mr Gently? | 0:30:27 | 0:30:30 | |
Yes, I have heard it said. | 0:30:30 | 0:30:31 | |
Or as I like to put it, there's no smoke without fire. | 0:30:31 | 0:30:34 | |
So he was in the garden you say? | 0:30:34 | 0:30:37 | |
Yes. | 0:30:37 | 0:30:38 | |
Why are we still here? | 0:30:44 | 0:30:45 | |
Because we're looking for the mystery stalker. | 0:30:45 | 0:30:47 | |
-You're the stalker. -I know! | 0:30:47 | 0:30:50 | |
Ah, yes, it's been messed with, hasn't it? | 0:30:50 | 0:30:53 | |
Melinda's in danger and he's wasting his time with this nonsense. | 0:30:53 | 0:30:56 | |
If only we had a real suspect we could tell him about. | 0:30:56 | 0:30:58 | |
Hmm? Dirk? | 0:30:58 | 0:30:59 | |
Yeah, I think somebody picked this lock. | 0:31:01 | 0:31:03 | |
Really? | 0:31:03 | 0:31:05 | |
You actually came, the stalker actually came inside the house? | 0:31:05 | 0:31:08 | |
It's more than likely, yes. | 0:31:08 | 0:31:09 | |
How horrible! | 0:31:10 | 0:31:12 | |
We can't possibly guess at his motives. | 0:31:12 | 0:31:14 | |
They might be quite innocent. | 0:31:14 | 0:31:15 | |
Is there anything missing from this room? From this house? | 0:31:15 | 0:31:18 | |
Just a minute. | 0:31:18 | 0:31:20 | |
I keep my receipts in a folder here. | 0:31:20 | 0:31:23 | |
Ah! They've gone. | 0:31:23 | 0:31:25 | |
I'll call a team out. We'll dust for prints immediately. | 0:31:25 | 0:31:29 | |
Well, I'm sure the stalker was wearing gloves. | 0:31:29 | 0:31:31 | |
He'd have been pretty stupid not to, wouldn't he? | 0:31:32 | 0:31:35 | |
Gently. What are you doing? | 0:31:38 | 0:31:40 | |
Just checking for evidence. | 0:31:40 | 0:31:41 | |
Just stop it! Step away from the sideboard. | 0:31:41 | 0:31:44 | |
I was just being thorough. | 0:31:44 | 0:31:45 | |
You were contaminating my crime scene. | 0:31:45 | 0:31:48 | |
And you are wasting time. | 0:31:48 | 0:31:50 | |
The real killer is out there somewhere, | 0:31:50 | 0:31:53 | |
possibly planning to kill Ms Fulstone as we speak, | 0:31:53 | 0:31:55 | |
and you're piddling around with this stalker nonsense. | 0:31:55 | 0:31:58 | |
It's not nonsense. The killer was in this very room. | 0:31:58 | 0:32:00 | |
No, he wasn't! Because they're two different people! | 0:32:00 | 0:32:03 | |
How can you possibly know that? | 0:32:03 | 0:32:04 | |
Because I AM THE STALKER! | 0:32:04 | 0:32:08 | |
Now we've got that settled, I hope we can put this stalker nonsense | 0:32:11 | 0:32:15 | |
behind us and concentrate on catching the real killer. | 0:32:15 | 0:32:19 | |
And I sincerely hope this won't cast a cloud over our date on Friday. | 0:32:19 | 0:32:25 | |
Macduff, where the hell have you been? | 0:32:41 | 0:32:45 | |
I'm going out of my mind in here. | 0:32:45 | 0:32:46 | |
I've made a list of things I need. | 0:32:46 | 0:32:48 | |
I've written toilet tissue twice because it's very important. | 0:32:51 | 0:32:56 | |
The stuff they have here is like tracing paper. | 0:32:56 | 0:32:58 | |
Are you going to ask how I am? | 0:32:58 | 0:32:59 | |
Whatever's happened to you can't possibly compare to the | 0:32:59 | 0:33:01 | |
seven hells I've been subjected to. | 0:33:01 | 0:33:03 | |
Two hours of Gilks, prodding and probing and accusing. | 0:33:03 | 0:33:07 | |
Did you do the stalking together? | 0:33:08 | 0:33:11 | |
Have you ever stalked anyone else? | 0:33:11 | 0:33:13 | |
And then I found out that another client has been murdered. | 0:33:13 | 0:33:17 | |
Yeah, Mr Forrester. | 0:33:17 | 0:33:20 | |
Weren't the police protecting him? | 0:33:20 | 0:33:22 | |
Well, apparently, a policeman sleeping in a car outside | 0:33:22 | 0:33:24 | |
isn't as much of a deterrent as we'd hoped. | 0:33:24 | 0:33:26 | |
Is Melinda OK? | 0:33:26 | 0:33:28 | |
She's fine. | 0:33:30 | 0:33:32 | |
They've moved all the other clients to a safe house. Including her. | 0:33:32 | 0:33:35 | |
So that's what... three people dead now? | 0:33:37 | 0:33:40 | |
You should know I told them about Robbie. They're bringing him in. | 0:33:40 | 0:33:44 | |
And you know what? | 0:33:46 | 0:33:48 | |
I really hope for your sake that he isn't the killer. | 0:33:48 | 0:33:52 | |
Because if he is, and you've kept his name from the police, | 0:33:52 | 0:33:56 | |
then this last one's on you, Dirk. | 0:33:56 | 0:33:59 | |
And it's on me too, for listening to your crap. | 0:33:59 | 0:34:02 | |
You're free to go. | 0:34:13 | 0:34:16 | |
-Is this a trick? -Oh, I wish it was, no. | 0:34:16 | 0:34:19 | |
No, Ms Fulstone has agreed to drop all charges. | 0:34:19 | 0:34:22 | |
I don't know what your Mr Macduff said to her | 0:34:23 | 0:34:25 | |
but it must have been very persuasive. | 0:34:25 | 0:34:27 | |
Now, most people, they don't get a second chance like this, Gently. | 0:34:30 | 0:34:35 | |
I implore you, please... | 0:34:35 | 0:34:39 | |
Mess it up. | 0:34:39 | 0:34:41 | |
I shall endeavour, to disappoint you. | 0:34:41 | 0:34:44 | |
Tosser! | 0:35:09 | 0:35:11 | |
I understand I have you to thank for talking to Melinda. | 0:35:18 | 0:35:22 | |
What exactly did you tell her? | 0:35:22 | 0:35:23 | |
The truth. | 0:35:23 | 0:35:25 | |
I know. And she believed me. | 0:35:26 | 0:35:29 | |
In a way, I think she was weirdly flattered. | 0:35:29 | 0:35:32 | |
Well. Thank you anyway. | 0:35:32 | 0:35:34 | |
Your new cleaner. If you want her. | 0:35:38 | 0:35:41 | |
Ah, excellent. When can she start? | 0:35:41 | 0:35:43 | |
I don't know. | 0:35:43 | 0:35:44 | |
She seems very keen but her English isn't very good. | 0:35:44 | 0:35:46 | |
When I came in Janice was trying to translate on the net. | 0:35:46 | 0:35:49 | |
That doesn't sound like Janice. | 0:35:49 | 0:35:51 | |
I was trying to find the Polish for skinflint tosser. | 0:35:51 | 0:35:54 | |
You go here? Da? Yeah? | 0:35:54 | 0:35:56 | |
You clean? You clean? | 0:35:56 | 0:35:58 | |
You clean? Da? | 0:35:58 | 0:36:01 | |
"Yes" is "tak" in Polish. | 0:36:01 | 0:36:03 | |
MIMICS VACUUM CLEANING | 0:36:03 | 0:36:05 | |
OK? And then you... | 0:36:07 | 0:36:09 | |
Hospital corners. Yes? Tak? | 0:36:12 | 0:36:15 | |
Hospital corners? Tak? | 0:36:15 | 0:36:18 | |
Thank you. Adios. | 0:36:18 | 0:36:22 | |
A convincing performance | 0:36:22 | 0:36:23 | |
considering you've never cleaned anything in your life. | 0:36:23 | 0:36:25 | |
I find it useful to know your enemy. | 0:36:25 | 0:36:28 | |
I think you should know, Macduff | 0:36:29 | 0:36:31 | |
I've decided to overlook your behaviour at the police station. | 0:36:31 | 0:36:33 | |
-My behaviour? -It's all right, Macduff. We'll say no more about it. | 0:36:33 | 0:36:36 | |
No. I think we will. I'm not going to just sit here and let you... | 0:36:36 | 0:36:38 | |
PHONE RINGS | 0:36:38 | 0:36:40 | |
Dirk Gently. | 0:36:41 | 0:36:42 | |
Thank you. | 0:36:47 | 0:36:49 | |
That was a friendly cleaner down at the police station, | 0:36:49 | 0:36:52 | |
who I've bribed to keep me posted. | 0:36:52 | 0:36:54 | |
-Bribed? -Promised to bribe. | 0:36:54 | 0:36:55 | |
They're going releasing Robbie in half an hour | 0:36:55 | 0:36:58 | |
due to lack of evidence. | 0:36:58 | 0:36:59 | |
-What? -I said he's not the killer. I've been saying it all along. | 0:36:59 | 0:37:03 | |
And now the police agree with me. | 0:37:03 | 0:37:06 | |
They've searched his house from top to bottom. | 0:37:06 | 0:37:08 | |
Really? Yeah? | 0:37:08 | 0:37:11 | |
Have they searched this? | 0:37:11 | 0:37:12 | |
What's this? | 0:37:12 | 0:37:14 | |
A receipt for a storage unit he rents. | 0:37:14 | 0:37:16 | |
It was in the papers you stole from his car, remember? | 0:37:16 | 0:37:18 | |
Oh, let it go, Macduff. He's not the killer. | 0:37:18 | 0:37:20 | |
Because of an untidy car and a loop on his J. | 0:37:20 | 0:37:22 | |
Yeah, and there was a time when that would have been enough for you. | 0:37:22 | 0:37:25 | |
Maybe I've grown up a little bit, Dirk. | 0:37:25 | 0:37:27 | |
Maybe I see through you. | 0:37:29 | 0:37:31 | |
I am getting a little tired of covering for you. | 0:37:31 | 0:37:34 | |
Paying bills for you and getting arrested for you. | 0:37:34 | 0:37:36 | |
Well... | 0:37:36 | 0:37:39 | |
I can assure you it's all very much appreciated. | 0:37:39 | 0:37:42 | |
It's not though, is it? | 0:37:42 | 0:37:43 | |
Really, it's not. | 0:37:43 | 0:37:46 | |
Words like "appreciated", "thank you..." | 0:37:46 | 0:37:50 | |
are just like tricks to you. | 0:37:50 | 0:37:52 | |
You wheel them out when you need to, but you don't really mean them. | 0:37:52 | 0:37:55 | |
Not really. It's just grease to keep things moving along. | 0:37:55 | 0:37:59 | |
And you know what, when it was just me getting dumped on, that's.... | 0:37:59 | 0:38:03 | |
I can handle that. But someone is killing our clients, Dirk. | 0:38:03 | 0:38:07 | |
People are dying. | 0:38:07 | 0:38:09 | |
And you're still just doing the same little dance you've always done. | 0:38:09 | 0:38:14 | |
And you know what? I don't want to watch it anymore. | 0:38:15 | 0:38:18 | |
I'm sorry you feel that way. | 0:38:24 | 0:38:25 | |
That was quite a speech. | 0:38:29 | 0:38:30 | |
I don't suppose it would hurt to have a little look around. | 0:38:33 | 0:38:35 | |
If you don't, I will. | 0:38:35 | 0:38:37 | |
I thought you'd had enough. | 0:38:37 | 0:38:39 | |
Of this... absolutely. | 0:38:39 | 0:38:41 | |
But I'm going to see this through. | 0:38:43 | 0:38:44 | |
Right, well, I can search the unit, | 0:38:44 | 0:38:48 | |
you can keep an eye on Robbie. OK. | 0:38:48 | 0:38:50 | |
But, Dirk, when this is over, | 0:38:51 | 0:38:54 | |
I'm done. | 0:38:56 | 0:38:58 | |
PHONE RINGS | 0:40:03 | 0:40:05 | |
Is he moving? | 0:40:06 | 0:40:08 | |
No. But I think I know why he needed those syringes though. | 0:40:08 | 0:40:12 | |
Handing them out to drug addicts. | 0:40:13 | 0:40:15 | |
It's a clean syringe programme thing. Any luck your end? | 0:40:15 | 0:40:18 | |
'No.' | 0:40:18 | 0:40:19 | |
Oh, no, wait, there's a big sign here, it says, | 0:40:19 | 0:40:22 | |
"Told you so, Macduff." | 0:40:22 | 0:40:24 | |
Oh, that's funny. | 0:40:24 | 0:40:25 | |
There's a sign right here that says you're walking home. | 0:40:25 | 0:40:28 | |
Oh, don't be a baby. Macduff? | 0:40:28 | 0:40:30 | |
Tell me you're on the way. | 0:41:49 | 0:41:50 | |
I stopped to fill up but I'm nearly there. | 0:41:50 | 0:41:53 | |
You were right. | 0:41:53 | 0:41:54 | |
What? What have you found? | 0:41:54 | 0:41:56 | |
Where's Robbie? | 0:41:56 | 0:41:58 | |
I don't know? I stopped following him. | 0:41:58 | 0:42:00 | |
You said it was a dead end. Dirk, what are you... | 0:42:00 | 0:42:02 | |
What's happening? | 0:42:02 | 0:42:04 | |
I'm not going back to jail. | 0:42:09 | 0:42:11 | |
I. AM. NOT. GOING. BACK. | 0:42:11 | 0:42:14 | |
I'm never going back to jail. | 0:42:14 | 0:42:17 | |
Are you OK? Dirk? | 0:42:41 | 0:42:43 | |
Come on. | 0:42:56 | 0:42:57 | |
Having a bit of a clear out? | 0:43:16 | 0:43:17 | |
No, this is a feng shui approach I'm trialling, clear office, clear mind. | 0:43:20 | 0:43:24 | |
Clear bank account? Clients can be so skittish, can't they? | 0:43:24 | 0:43:29 | |
Avoiding you just because of a few pesky murders. | 0:43:29 | 0:43:32 | |
You seem a little short handed today. Where is Mr Macduff? | 0:43:34 | 0:43:37 | |
He's taking some... personal days. | 0:43:37 | 0:43:40 | |
-He'll be back. -Oh, oh, I see. | 0:43:40 | 0:43:43 | |
So, you'll be glad to hear that Robert Glover has been | 0:43:43 | 0:43:46 | |
officially charged with the murders. | 0:43:46 | 0:43:48 | |
The poison found in his syringes matched that used in the killings. | 0:43:48 | 0:43:53 | |
Oh, and he had a notebook detailing everything he'd like to do to you, | 0:43:53 | 0:43:57 | |
if he ever got you alone, but then we've all got those. | 0:43:57 | 0:44:02 | |
Gilks, | 0:44:26 | 0:44:27 | |
if I'd told you about Robbie, earlier, would it have helped? | 0:44:28 | 0:44:32 | |
Do you mean, would more people have lived? | 0:44:32 | 0:44:35 | |
Probably, yes. | 0:44:35 | 0:44:36 | |
Goodbye, Gently. | 0:44:38 | 0:44:40 | |
Goodbye, Gilks. | 0:44:40 | 0:44:41 | |
Hello, Dirk. | 0:45:03 | 0:45:04 | |
Are you OK? | 0:45:08 | 0:45:09 | |
I started writing you a note but that's the coward's way out. | 0:45:16 | 0:45:21 | |
It's Roger. He came round last night. | 0:45:26 | 0:45:30 | |
Federico has thrown him out for looking at other women. | 0:45:30 | 0:45:34 | |
So obviously that changes things a little. | 0:45:34 | 0:45:38 | |
I know you'll think I'm weak | 0:45:38 | 0:45:40 | |
but I've decided to give him another chance. | 0:45:40 | 0:45:43 | |
He's says that he might... | 0:45:43 | 0:45:44 | |
-That's not your handwriting. -What do you mean? Yes it is. | 0:45:44 | 0:45:47 | |
-Did you hear what I said about Roger? -Yes, yes, Roger's straight again. | 0:45:47 | 0:45:50 | |
But this isn't the handwriting you used on your car insurance form. | 0:45:50 | 0:45:53 | |
How did you see my car insurance form? | 0:45:54 | 0:45:56 | |
Part of my stalking | 0:45:56 | 0:45:57 | |
for which I believe I've already been forgiven. | 0:45:57 | 0:46:00 | |
I broke my wrist in the crash. | 0:46:00 | 0:46:02 | |
It's only just now really back to normal. | 0:46:02 | 0:46:04 | |
So Marta has been doing all my paperwork. | 0:46:04 | 0:46:07 | |
Did Macduff not explain about my handwriting experiment? | 0:46:14 | 0:46:17 | |
Oh, that. I'm afraid I didn't listen to all of it. | 0:46:17 | 0:46:20 | |
Roger was always the brain box of the two of us. | 0:46:20 | 0:46:22 | |
I'm not really a big fan of ideas. | 0:46:22 | 0:46:25 | |
I've been watching the wrong woman. | 0:46:27 | 0:46:29 | |
I'm sorry, I don't understand. | 0:46:29 | 0:46:30 | |
Tell me, your cleaner, does she have a trusting nature? | 0:46:30 | 0:46:33 | |
Not at all. | 0:46:33 | 0:46:34 | |
She phoned the police the last time the gas man came round. | 0:46:34 | 0:46:37 | |
And is she bad with money? | 0:46:37 | 0:46:39 | |
Lord, no. She saves up every penny to send back home. | 0:46:39 | 0:46:44 | |
So much for handwriting. | 0:46:44 | 0:46:45 | |
Melinda, thank you for being so honest. | 0:46:45 | 0:46:47 | |
It's a terrible blow but what can you do? C'est la vie. | 0:46:47 | 0:46:49 | |
I wish you all the luck in the world with Roger. | 0:46:49 | 0:46:51 | |
I'll see myself out. | 0:46:51 | 0:46:52 | |
Macduff! What are doing here? | 0:47:11 | 0:47:13 | |
You called me. | 0:47:13 | 0:47:15 | |
I did? I did! | 0:47:15 | 0:47:16 | |
You said it was a matter of life or death. | 0:47:17 | 0:47:19 | |
Quite possibly. Yes. | 0:47:19 | 0:47:20 | |
You said you were going on a dream quest and you'd overdosed on LSD. | 0:47:20 | 0:47:23 | |
Those were both very good ideas | 0:47:23 | 0:47:25 | |
but I've had some new ones since then. | 0:47:25 | 0:47:26 | |
I take it the new cleaner's working out? | 0:47:32 | 0:47:34 | |
Oh, yes. Incredibly keen. Wonderful woman. | 0:47:34 | 0:47:36 | |
Working her way through the flat. | 0:47:36 | 0:47:38 | |
Building up courage to tackle the bedroom. | 0:47:38 | 0:47:40 | |
I thought this case was closed? | 0:47:42 | 0:47:44 | |
Well, from a strictly Newtonian view of the universe, yes. | 0:47:44 | 0:47:46 | |
But from a quantum perspective, possibly not. | 0:47:46 | 0:47:48 | |
Wow. You really are desperate for work aren't you?. | 0:47:48 | 0:47:52 | |
Trying to unsolve a case. | 0:47:52 | 0:47:53 | |
There's something in my subconscious | 0:47:53 | 0:47:55 | |
that will not let this case rest. | 0:47:55 | 0:47:56 | |
An etheric stone in the shoe of my ego. | 0:47:56 | 0:47:59 | |
A repressed hangnail on the finger of my... | 0:47:59 | 0:48:03 | |
OK. | 0:48:03 | 0:48:04 | |
Well, I wish you all the best of luck with that, Dirk. | 0:48:04 | 0:48:06 | |
I'll see you around. | 0:48:06 | 0:48:08 | |
What? You can't leave. I need you, Macduff. | 0:48:08 | 0:48:10 | |
You need me? | 0:48:13 | 0:48:14 | |
No. | 0:48:14 | 0:48:16 | |
That is to say, | 0:48:16 | 0:48:17 | |
you are the grit around which the pearl of truth often forms. | 0:48:17 | 0:48:20 | |
Your plain speaking everyman perspective | 0:48:20 | 0:48:22 | |
is a useful counterpoint. | 0:48:22 | 0:48:24 | |
No, no, don't ruin it. | 0:48:24 | 0:48:25 | |
And you're a very good sounding board | 0:48:25 | 0:48:27 | |
for my more outlandish theories. | 0:48:27 | 0:48:29 | |
You mean, you think better when you're showing off. | 0:48:29 | 0:48:31 | |
There you go. Cutting straight to the heart of the matter. | 0:48:31 | 0:48:35 | |
OK. | 0:48:38 | 0:48:39 | |
OK. I'll stay. | 0:48:40 | 0:48:42 | |
Just so we're clear, this doesn't mean I'm coming back. | 0:48:42 | 0:48:46 | |
I'll just grant you this favour. A one time deal. | 0:48:46 | 0:48:50 | |
Fair enough. | 0:48:50 | 0:48:51 | |
So what have we got so far? | 0:48:53 | 0:48:55 | |
I don't believe that Robbie is the killer. | 0:48:55 | 0:48:57 | |
You just won't let that go, will you? | 0:48:57 | 0:48:59 | |
The events that lead us to uncover his guilt felt a little too direct. | 0:48:59 | 0:49:02 | |
My methods usually necessitate, no, demand more circuitous routes. | 0:49:02 | 0:49:06 | |
Involving the sudden convergence of seemingly disparate threads. | 0:49:06 | 0:49:11 | |
So you think Robbie isn't the killer | 0:49:11 | 0:49:13 | |
because we easily found evidence to suggest he is the killer. | 0:49:13 | 0:49:16 | |
Exactly! | 0:49:16 | 0:49:17 | |
And what about the small matter of him trying to strangle you? | 0:49:17 | 0:49:19 | |
Yes, I admit that in the heat of the moment, | 0:49:19 | 0:49:21 | |
he did try to brutally murder me. | 0:49:21 | 0:49:23 | |
But what if he attacked me | 0:49:23 | 0:49:24 | |
not because I'd found his wall of evidence, | 0:49:24 | 0:49:26 | |
but because he'd never seen it before | 0:49:26 | 0:49:29 | |
and he assumed that I'd planted it. | 0:49:29 | 0:49:32 | |
I know, I know. | 0:49:34 | 0:49:37 | |
Even if someone else did plant evidence, framed Robbie, why? | 0:49:37 | 0:49:40 | |
What's the point? | 0:49:40 | 0:49:42 | |
Er... | 0:49:42 | 0:49:43 | |
Ah! Well, it would get the clients out of hiding. | 0:49:43 | 0:49:47 | |
Melinda for one. | 0:49:47 | 0:49:49 | |
Talking of which, are you expecting company? | 0:49:50 | 0:49:54 | |
Hmm? | 0:49:54 | 0:49:56 | |
Oh. No, Melinda switched the venue to hers. | 0:49:56 | 0:49:59 | |
Where she politely informed me | 0:49:59 | 0:50:01 | |
that she's got back with her newly straight husband. | 0:50:01 | 0:50:03 | |
Oh, um, hello, | 0:50:03 | 0:50:06 | |
we... | 0:50:06 | 0:50:07 | |
won't... | 0:50:07 | 0:50:09 | |
be needing... | 0:50:09 | 0:50:10 | |
the... | 0:50:10 | 0:50:12 | |
What's Polish for pot roast? | 0:50:12 | 0:50:14 | |
Oh, it doesn't matter! | 0:50:14 | 0:50:17 | |
-Well, for what it's worth I'm sorry, Dirk. -Oh, don't be. | 0:50:20 | 0:50:22 | |
Turns out the handwriting I thought was hers was actually her cleaners. | 0:50:22 | 0:50:25 | |
So you should have been stalking her cleaner? She's your perfect woman. | 0:50:25 | 0:50:28 | |
No. Not at all. Her traits didn't match her handwriting. | 0:50:30 | 0:50:34 | |
The whole thing is obviously bunk. | 0:50:34 | 0:50:36 | |
Yes. It would be, wouldn't it? On her wages. Right, Dirk? | 0:50:37 | 0:50:41 | |
Gah! All the pieces are here. I'm sure of it. | 0:50:42 | 0:50:46 | |
I just don't know what they mean. At least not consciously. | 0:50:46 | 0:50:49 | |
I'm sure my subconscious has already worked this out | 0:50:49 | 0:50:51 | |
and has it's feet up with a cup of tea. | 0:50:51 | 0:50:54 | |
HE CHUCKLES | 0:50:54 | 0:50:55 | |
What? | 0:50:55 | 0:50:57 | |
Nothing. Just you babbling nonsense. Me popping your ego. | 0:50:57 | 0:51:00 | |
I've missed this. | 0:51:00 | 0:51:02 | |
Not enough to come back but, you know. | 0:51:02 | 0:51:05 | |
Well... | 0:51:05 | 0:51:07 | |
I'll glad my nonsense has entertained you. | 0:51:07 | 0:51:09 | |
I don't know. I just feel it's staring me in the face. | 0:51:20 | 0:51:23 | |
If only I could see it. | 0:51:23 | 0:51:25 | |
GLASS SHATTERS | 0:51:38 | 0:51:40 | |
Whoops. How clumsy of me. | 0:51:40 | 0:51:42 | |
There I go again. Butterfingers. | 0:51:42 | 0:51:45 | |
What are you doing? | 0:51:45 | 0:51:46 | |
You made a mess. | 0:51:46 | 0:51:49 | |
I hate the mess. | 0:51:49 | 0:51:50 | |
If you wanted a pay rise, you just had to ask. | 0:52:11 | 0:52:13 | |
SHE SCREAMS | 0:52:15 | 0:52:17 | |
Dirk Gently. It was on my answer phone. | 0:52:39 | 0:52:42 | |
Rosa Valchenko, hired assassin, codename The Cleaner. | 0:52:48 | 0:52:52 | |
Your cleaner's codename was The Cleaner? | 0:52:52 | 0:52:55 | |
I know. These cold-blooded killers, no imagination. | 0:52:55 | 0:52:57 | |
Look. Wanted by the FBI and Interpol. And check out the reward. | 0:52:57 | 0:53:02 | |
HE WHISTLES | 0:53:02 | 0:53:03 | |
That's nice. That's Hawaiian beach nice. | 0:53:03 | 0:53:06 | |
Or I could rent the office again. Pay off the debts. | 0:53:06 | 0:53:10 | |
Yeah? It's your money. | 0:53:10 | 0:53:12 | |
No. It's.... | 0:53:12 | 0:53:13 | |
our money. | 0:53:15 | 0:53:17 | |
Are you OK? | 0:53:19 | 0:53:21 | |
Fair's fair. I wouldn't have cracked this without you. | 0:53:21 | 0:53:24 | |
Thanks. | 0:53:26 | 0:53:27 | |
So, don't you want to know how it all happened? | 0:53:33 | 0:53:34 | |
Who the evil genius was behind it all? | 0:53:34 | 0:53:36 | |
Yeah, go on then. Blow my mind. Who? | 0:53:36 | 0:53:39 | |
Janice. | 0:53:39 | 0:53:40 | |
Janice? Secretary Janice? No. | 0:53:40 | 0:53:43 | |
I mean I know she's got mixed feelings for you but... | 0:53:44 | 0:53:47 | |
In revenge for me not paying her wages, | 0:53:47 | 0:53:50 | |
Janice diverted all the office calls to a very cheap messaging system. | 0:53:50 | 0:53:55 | |
So cheap in fact that many of the calls | 0:53:55 | 0:53:57 | |
mistakenly ended up in other people's inboxes, | 0:53:57 | 0:54:00 | |
taxi firms, Chinese restaurants, | 0:54:00 | 0:54:02 | |
and our very exclusive assassin. | 0:54:02 | 0:54:05 | |
Now, her number was only supposed to be known by mob bosses, | 0:54:07 | 0:54:11 | |
who would ring up with the names of targets. | 0:54:11 | 0:54:12 | |
But then clients of mine started leaving their names and addresses. | 0:54:12 | 0:54:16 | |
Neil Tendall. 46 Wenton Street. | 0:54:16 | 0:54:19 | |
235 Upper Macmillan, E3... | 0:54:19 | 0:54:22 | |
Nigel McClusky, number 4, The Stables. | 0:54:22 | 0:54:25 | |
Mr Fredericks, 9 Fullmore Crescent, Barking. | 0:54:25 | 0:54:28 | |
Little realising that they were signing their own death warrants. | 0:54:29 | 0:54:32 | |
After a while, when nothing showed up in her account, | 0:54:41 | 0:54:43 | |
she realised the error and sent those heavies round | 0:54:43 | 0:54:45 | |
to try and get the money off me. | 0:54:45 | 0:54:46 | |
You pay cleaner. | 0:54:46 | 0:54:48 | |
Even when she knew it was a mistake, she still wouldn't stop killing. | 0:54:48 | 0:54:52 | |
Her guarantee is that any name left on that number would be killed. | 0:54:52 | 0:54:56 | |
So she framed Robbie by tipping us off about his storage unit, | 0:54:56 | 0:55:00 | |
where she planted all the bogus evidence. | 0:55:00 | 0:55:03 | |
With Robbie behind bars, | 0:55:03 | 0:55:05 | |
the police withdrew their protection for our remaining clients. | 0:55:05 | 0:55:08 | |
So ultimately, this whole thing was caused by your cheapness? | 0:55:09 | 0:55:14 | |
I think the universe is trying to tell you something, Gently. | 0:55:15 | 0:55:18 | |
Well, you could also argue that his cheapness saved us this evening. | 0:55:18 | 0:55:23 | |
If he'd paid his plumber, | 0:55:23 | 0:55:25 | |
then there'd be no hole in the floor and we wouldn't be alive. | 0:55:25 | 0:55:28 | |
You two deserve each other. | 0:55:31 | 0:55:33 | |
Thanks. | 0:55:39 | 0:55:41 | |
You're welcome. He's an arse. | 0:55:41 | 0:55:43 | |
I'm sorry that things didn't work out with you and Melinda. | 0:55:46 | 0:55:49 | |
Ah, plenty more clients in the sea, Macduff. | 0:55:49 | 0:55:51 | |
Speaking of which... | 0:55:51 | 0:55:53 | |
What's that? | 0:55:56 | 0:55:57 | |
It came this morning. | 0:55:57 | 0:55:58 | |
A series of bizarre frauds have been committed by a man | 0:55:58 | 0:56:00 | |
with extreme body odour. | 0:56:00 | 0:56:02 | |
I suspect him of using pheromonal influence. | 0:56:02 | 0:56:05 | |
Pheromonal what-what? | 0:56:05 | 0:56:06 | |
Oh, come on, Macduff, you must be aware of the power of pheromones. | 0:56:06 | 0:56:10 | |
It's why CEOs of Fortune 500 companies don't wash. | 0:56:10 | 0:56:13 | |
You're making this up! | 0:56:13 | 0:56:15 | |
It's scientific fact. An unwashed armpit can make all the difference | 0:56:15 | 0:56:18 | |
anywhere from a back alley knife fight | 0:56:18 | 0:56:20 | |
to a high-powered board meeting. | 0:56:20 | 0:56:22 | |
It just gives you that little extra edge. | 0:56:22 | 0:56:23 | |
That certainly explains your personal hygiene. | 0:56:23 | 0:56:26 | |
It's not odour, Macduff. This is armour. | 0:56:26 | 0:56:28 | |
It's certainly strong, I'll give you that. | 0:56:28 | 0:56:30 | |
Subtitles by Red Bee Media Ltd | 0:56:43 | 0:56:46 |